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Speaker 1: Approache production on this episode of We Will Always Have.

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Speaker 2: Now, I've got some news right about Vertigo.

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Speaker 1: Please tell me that Sam didn't lose his job because

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Speaker 1: of the way we carried on. Oh no, oh please

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Speaker 1: he did.

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Speaker 3: This is season four of We Will Always Have. When

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Speaker 3: me and Chrissy are exploring the.

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Speaker 2: Blue Mountains, a place that I have visited countless times

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Speaker 2: as a child and my parents now call home. I

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Speaker 2: love it here. It is the depths of winter.

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Speaker 1: It is cold.

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Speaker 3: We've spent a very busy five days doing a bunch

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Speaker 3: of activities and sitting down and just having a laugh.

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Speaker 3: So please enjoy season four of We Will Always Have.

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Speaker 3: We've both seen a TikTok that was posted the time

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Speaker 3: of this recording, like twenty four hours ago, and it's

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Speaker 3: fucking intense.

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Speaker 1: It is so intense. It's a bridle shop owner, designer, designer.

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Speaker 2: Bridle shop designer, and she's sitting down and she sets

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Speaker 2: her fine up to just record a video.

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Speaker 1: Yeah, and this is what happens. Have a listen.

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Speaker 2: I have anment.

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Speaker 1: Okay, great, are you barbed?

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Speaker 4: Yes?

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Speaker 1: Oh you're forty.

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Speaker 5: Minutes early for appointment?

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Speaker 1: Exciting? Yeah, okay, okay, Actually I have an idea.

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Speaker 5: Okay, that's an og bag?

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Speaker 1: Where'd you get that?

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Speaker 4: So?

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Speaker 2: I got this out of my friend's closet and I

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Speaker 2: was just wondering if we could just cut it down.

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Speaker 5: That's a wedding dress. Well, well yeah, but if you

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Speaker 5: cut it off and make it short, then you I

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Speaker 5: won't look like a wedding dress any Wait? Are you?

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Speaker 2: I thought Kelly's your daughter?

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Speaker 5: Right?

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Speaker 1: Yeah?

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Speaker 5: Okay, Kelly messaged me criteria for the dress and it

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Speaker 5: was supposed to be either like dul tongs like plums

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Speaker 5: and amethysts ruby.

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Speaker 2: Yeah, but I have this dress that we could just

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Speaker 2: cut off and.

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Speaker 1: For You're the mother of the bride, right, yeah?

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Speaker 3: Is that not insane? I've stopped it. We've still got

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Speaker 3: like two minutes to go.

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Speaker 2: Where the bride walks in with a designer wedding gown

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Speaker 2: that this lady, this wedding designer is designed twenty years prior. Yeah,

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Speaker 2: and she says, I just want to cut it down.

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Speaker 1: I'll hang on before then, she says, I've taken it

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Speaker 1: out of my friend's wardrobe. Was also something that line it? Well,

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Speaker 1: hang on, that's a red flag? Has she asked for

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Speaker 1: permission to do that? Does her wedding garth does she know?

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Speaker 1: And this woman was very, very good in how she

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Speaker 1: dealt with the whole situation.

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Speaker 2: She designer's face. As soon as the mother of the

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Speaker 2: bride goes i'd like to cut it down, she closes

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Speaker 2: her eyes and goes, oh my, like she does a

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Speaker 2: moment where she goes, oh my god. She wants to

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Speaker 2: wear a wedding dress to her daughter's wedding, but it

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Speaker 2: won't look like.

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Speaker 1: One once the train has gone. That's wait, it's okay.

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Speaker 1: The brain's dress is ivery. I'm sorry.

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Speaker 5: Please don't take it personally. I'm just I'm trying to

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Speaker 5: respect for all the brain's wishes and in this situation.

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Speaker 5: And she sent me criteria, but.

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Speaker 3: I don't think you've seen my vision here.

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Speaker 1: This is what I'm wanting to hot it off and

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Speaker 1: may get shut. It won't look like a wedding dress

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Speaker 1: once it's all done. I mean, but it's right. You

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Speaker 1: thought this.

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Speaker 2: Hold on a second, have you thought this through for.

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Speaker 1: The wedding day? Like your daughter?

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Speaker 2: How she's going to react?

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Speaker 1: It's fine, she won't mind.

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Speaker 2: I'm sorry.

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Speaker 5: I don't mean to laugh. I'm just trying to be realistic.

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Speaker 5: If the bride had not sent me criteria as to

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Speaker 5: what you should be wearing the day of the wedding.

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Speaker 5: I mean she didn't pick your dress. By no means

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Speaker 5: she wants you to pick your dress, but the color

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Speaker 5: needs to be in the colors that she asked me

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Speaker 5: to show you. So you're not willing to help me, No,

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Speaker 5: I of course I'm here to help you.

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Speaker 1: This is a Mother of the Pride dress.

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Speaker 5: I will totally show you any Mother of the Pride dress,

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Speaker 5: but I can't. That's not what I'm she asked me

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Speaker 5: to do. I'm not going to Okay, understand that if

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Speaker 5: you had booked aint went with me on your own

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Speaker 5: and you said, I'm barbed.

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Speaker 2: I'm coming in to get.

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Speaker 5: Alterations done on a dress, and you brought this dress

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Speaker 5: and I don't know the background. I don't know the background.

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Speaker 5: So the rich I mean, I know where this dress

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Speaker 5: came from because this is one of my dresses that

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Speaker 5: I designed twenty three years ago. So I thank you

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Speaker 5: for bringing her back, but I would like to know

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Speaker 5: where that came from. But at this point, I don't

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Speaker 5: even think if that matters, because this is not what

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Speaker 5: you came to me to do.

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Speaker 2: You came to me to find.

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Speaker 1: A mother's dress.

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Speaker 5: Your daughter has spent hundreds, now thousands of dollars in

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Speaker 5: my store. I have a responsibility to her, and she

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Speaker 5: wants you in a different color. I can't do that.

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Speaker 1: If that's for her wedding.

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Speaker 5: I cannot touch the dress. So my money is no

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Speaker 5: good here. Your money is good here. Yes, if you

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Speaker 5: want to shot for a mother's dress, I'd be happy

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Speaker 5: to help you. I'm shaken up by this by so.

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Speaker 5: I hope you understand, because I wouldn't. I can't imagine

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Speaker 5: doing this to your daughter. She's my client, just says,

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Speaker 5: she's your daughter. You don't see any issue.

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Speaker 2: With this at all?

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Speaker 1: I mean it's I mean it's it's not going to

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Speaker 1: look like a wedding dress. It's going to be short,

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Speaker 1: it's gonna be cute, beautiful gown. Don't get me wrong.

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Speaker 5: I helped the bride design that Melanieus who bought that

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Speaker 5: dress twenty three years ago from me. I cannot do

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Speaker 5: this ethically. I have integrity, and that's not what the

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Speaker 5: bride asked me to do. I can't do it.

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Speaker 1: I mean, so what are you gonna do? You're gonna

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Speaker 1: call the bride now.

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Speaker 5: Or so okay, we're done.

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Speaker 1: We are done.

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Speaker 5: This is diabola. I can't imagine you not seeing now

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Speaker 5: you're you're throwing stuff around here. I'm okay, whatever the

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Speaker 5: case is, this is out of control. I was willing

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Speaker 5: to help you with a mother's dress. I'm gonna call

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Speaker 5: the bride and want you to know that this is inappropriate.

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Speaker 5: I can't imagine you doing this.

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Speaker 2: To your daughter.

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Speaker 5: I'm torn up about this myself. I'm shaking just thinking

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Speaker 5: about what you how you are even imagining this right.

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Speaker 1: Whatever, I think I'll call the bride.

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Speaker 5: But you're gonna call the bride and tell her the truth.

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Speaker 1: Of course, she's my daughter. I'm not sucking die.

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Speaker 5: Oh my god, Oh my god, Oh my god, Oh

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Speaker 5: my god, oh my god, oh my god.

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Speaker 2: I thought i'd stopped recording.

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Speaker 1: This is that not in fuckingsane. I don't know what

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Speaker 1: that woman had in her head to think it would

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Speaker 1: be okay to take a dress from a friend who

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Speaker 1: I'd love to hear the backstory on that.

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Speaker 2: I really want to hear the story on.

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Speaker 1: That, and to think that by cutting down into a cocktail,

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Speaker 1: skirt dress, whatever, that it would still be appropriate for

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Speaker 1: the mother of the bride. To wear white. Have you

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Speaker 1: ever heard anything so rude? But the way she was

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Speaker 1: like it was so rude.

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Speaker 2: Oh it looked like a wedding dress, a wedding dress,

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Speaker 2: a wedding dress. Was like, no, it's white, like you

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Speaker 2: don't if your daughter had said, cool, can you alter it?

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Speaker 1: I don't mind. Fine. Look, if she knew her daughter

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Speaker 1: wouldn't mind, she would have said to her, look, what

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Speaker 1: do you reckon about me doing this? Are you okay

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Speaker 1: with it? I'm going to take it to the dress

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Speaker 1: make her. If you're not okay with it, I will

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Speaker 1: find something else. But I like this. What's your thoughts?

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Speaker 2: She did put in text over the video that she

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Speaker 2: called the bride also to hear what oh no?

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Speaker 1: But how fabulous was she? She was so holding her ground,

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Speaker 1: like as in, no, you're not. This is my client.

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Speaker 1: She wants you to be in this, this or this color. No,

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Speaker 1: I think I'll do this. Yeah, entitlement, I love. Oh

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Speaker 1: you're forty minutes early for your appointment.

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Speaker 2: Yay, exciting the passive aggressive tone like, oh my god,

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Speaker 2: not the allocated time we'd agreed.

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Speaker 1: A yeah, dist in case it was somebody else. What

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Speaker 1: did the comments say?

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Speaker 3: Though?

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Speaker 1: So the comments.

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Speaker 2: This one says the bride has those criteria because she

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Speaker 2: knew exactly what her mother would do.

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Speaker 1: Ooh yeah, okay, I can see that.

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Speaker 3: Not only is she trying to wear white and a

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Speaker 3: bridle gown to her daughter's wedding, but she's trying to

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Speaker 3: butcher someone else's wedding gown.

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Speaker 2: Who is she the sister from twenty seven Dresses?

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Speaker 1: I don't know.

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Speaker 3: Yeah, yeah, she came early because the daughter was going

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Speaker 3: to come to the appointment and mum knew she wouldn't

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Speaker 3: agree to her idea.

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Speaker 2: This woman has been in competition with her daughter her

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Speaker 2: whole life.

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Speaker 1: Oh that's got a sounding of familiarity, like does she

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Speaker 1: know that woman and that daughter? Yeah. I feel like

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Speaker 1: a lot of people are drawing from their own experience.

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Speaker 1: Oh okay, okay, yeah.

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Speaker 2: I guess some other daughter relationships are interesting.

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Speaker 1: Oh absolutely, yeah.

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Speaker 2: Like what was my daughter's wishes? Let's find something that

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Speaker 2: works for those colors. I did want to do this,

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Speaker 2: but if that's not something, let me just give her

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Speaker 2: a call and run this idea past her, and then

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Speaker 2: I'll come back to you and you can do a FaceTime.

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Speaker 2: And the daughter goes she knew what her daughter was

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Speaker 2: going to be of course she did this, one says

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Speaker 2: side note. The fact that you knew that dress was

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Speaker 2: one of yours and remembered the bride's name twenty three

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Speaker 2: years later is amazing. I also noted that a lot

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Speaker 2: of the time some of these tiktoks are made, previous

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Speaker 2: experience has re enacted.

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Speaker 1: Yes, she has come out to say no, no, this

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Speaker 1: is a real experience.

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Speaker 4: I know.

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Speaker 1: I think it was real because you can sense by

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Speaker 1: her tone of her voice and her nervousness in her

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Speaker 1: voice coming to the end that she was starting to

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Speaker 1: get the shits, like she was getting angry at the

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Speaker 1: end and holding it. But I don't think you could

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Speaker 1: act that.

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Speaker 2: Part but her face when the lady said we're going

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Speaker 2: to cut it, she's like.

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Speaker 1: Oh my dress. Oh as the designer.

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Speaker 2: It says, here she stole this.

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Speaker 3: You have two phone calls to make, one to the

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Speaker 3: bride and one to Melanie.

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Speaker 1: Yes. I wonder if that was the bride's ringing the

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Speaker 1: store when the phone rang to give her a bit

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Speaker 1: of a heads up on away.

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Speaker 2: I feel like I always say two sides to every story.

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Speaker 2: Can't imagine what the other side to this story. The

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Speaker 2: three side, yours mine and the truth.

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Speaker 1: That's right.

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Speaker 4: Yeah, I am absolut lutely now obsessed with looking at

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Speaker 4: posts and then comments.

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Speaker 1: TikTok no, Well this one's on Insta actually, and it

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Speaker 1: was your one that you posted about me bent over and.

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Speaker 2: Shooting yourself at the well, you know, it's very Let's

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Speaker 2: just take a moment to appreciate that that was captured

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Speaker 2: not only with surround sound quality audio, but I was

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Speaker 2: filming it in four K.

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Speaker 1: You what does that meaning? Yourself?

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Speaker 2: Look just four K four K is of highest quality footage.

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Speaker 1: Oh is that what it means?

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Speaker 3: Yeah?

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Speaker 1: Okay, So I'm looking at myself in a whole world

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Speaker 1: of pain, bent over and you've captured that moment.

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Speaker 3: Did you have that feeling like it's that painful, like

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Speaker 3: it's got to come out now and you killed, like

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Speaker 3: this pain will pass, but I've got thirty seconds until

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Speaker 3: it comes back again.

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Speaker 4: I was.

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Speaker 1: I think I was in absolute panic stations because I

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Speaker 1: knew it wasn't going to be long. You know, when

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Speaker 1: you go from that, Oh, there's that pain in the

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Speaker 1: tomic because you've had a coffee and I can get

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Speaker 1: yes to a bathroom in five minutes, hours, five days, yeah,

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Speaker 1: you know, five, And then I'm thinking, oh God, And

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Speaker 1: then I'm thinking, what is he going to do if

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Speaker 1: this is just all going to go very very badly?

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Speaker 1: And then I leant over because I was trying to refocus.

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Speaker 1: I was trying to bring myself into a state of decora.

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Speaker 3: There was definitely a moment where I didn't understand why.

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Speaker 3: You see it in the footage. It's like, oh, we've

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Speaker 3: got to go, We've got to go. And at the

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Speaker 3: top of the stairs and you just suddenly stop and

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Speaker 3: you're at this weird couldn't go off and you're at

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Speaker 3: this weird.

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Speaker 2: Angle and you just start laughing. And I was like,

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Speaker 2: I don't understand what's happening here. And then you go,

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Speaker 2: I have to shit in this bathroom.

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Speaker 1: You've put your post up on the facy right, and

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Speaker 1: you've had three hundred and eighty five people react two

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Speaker 1: shares at this stage, and then we've got the comments.

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Speaker 1: It's been up for about an hour. So here we go.

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Speaker 1: I'm looking for that one that I thought was here

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Speaker 1: we go. Oh no, that's crappy. What a situation. Oh

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Speaker 1: that has to be the title of the episode. The situation,

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Speaker 1: The situation that Now that was Torry Elvos a l

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Speaker 1: v os very funny. Then Ashley goes on white carpet too,

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Speaker 1: Oh my god, I didn't think of that. We was

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Speaker 1: the other one that I thought was really quite funny.

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Speaker 1: Oh my, I have ibs and know this feeling too. Well,

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Speaker 1: God love her.

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Speaker 2: Oh se you just relatable to the people's Oh no.

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Speaker 1: What a pooy thing to happen. No, not to take

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Speaker 1: away from the trauma that just happened, but I love

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Speaker 1: that door. Yes see, I was trying to do a

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Speaker 1: beautiful tour video. I just love the comments. I think

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Speaker 1: the comments are the best.

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Speaker 2: I love and I just go into puns that you

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Speaker 2: haven't asked to do anything nice, just brilliant.

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Speaker 1: Shit storms are always a funny story. I've had more

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Speaker 1: than a few myself. What's your podcast?

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Speaker 3: Ah?

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Speaker 1: Great? So there you go right now, Well, I'm commenting

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Speaker 1: here the post that you did. Well, we've just purchased

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Speaker 1: the gift with the credit card, right, and so I'm

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Speaker 1: going underneath to the comments the giant heart, the giant

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Speaker 1: hand eating heart for five hundred dollars. Yes, yes, so,

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Speaker 1: Allison says, So you can buy each other gifts on

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Speaker 1: your credit card how many of us can play that? Guy,

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Speaker 1: I saw that. That was very funny. Poor Claire, though, Wait,

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Speaker 1: podcasts are just voices. How do we see the video?

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Speaker 1: If you're opening each other's gifts, you listen and then

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Speaker 1: I'll post the video play to the time. Oh boy,

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Speaker 1: you can easily spend dollars in the Blue Mountain. Oh

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Speaker 1: my god, yes, we've gone from now the mother comments.

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Speaker 1: You know how they people have commented that I'm your mother?

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Speaker 1: Oh yeah, is Christine Christian's sister? Oh this is why

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Speaker 1: she wanted to bring this segment up. Well, you could

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Speaker 1: be what midlife sister. Your mother would have had you

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Speaker 1: as a change of life. I would have thought the

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Speaker 1: age difference would be extreme. What was she seventy two?

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Speaker 1: She would have been twenty. Well that's not that unachievable. Wait,

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Speaker 1: how old are you? Forty nine? Fifty five? Identifying as

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Speaker 1: forty nine. It's not on Amazon and someone said, oh

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Speaker 1: I saw that. Yeah, yeah, no, that's funny. Look I'll

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Speaker 1: leave it there. But the comments just crack me up.

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Speaker 2: Do you ever read them and go, oh god, I

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Speaker 2: wish I was that West here all the time. I

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Speaker 2: mean half my ideas come from people's comments. Oh really Yeah,

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Speaker 2: the strobery cushions was someone else's idea.

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Speaker 1: See so clever. What was the name of that restaurant again,

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Speaker 1: the one we went to on the Powerhouse Museum in Brisbane.

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Speaker 2: The traumatic one dangled over the side, seventeen meters in

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Speaker 2: the air.

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Speaker 1: Yeah, you don't remember what it was called? Well, I

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Speaker 1: want to say velocity fos vertigo vertigo there.

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Speaker 2: Now I've got some news about Urdigo.

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Speaker 1: Please tell me that Sam didn't lose his job because

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Speaker 1: of the way we carried on. Oh no, oh please,

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Speaker 1: he did. Oh you're joking, not lose his job. Sam

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Speaker 1: was gorgeous. Oh, Sam was so toleran. Look, if we

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Speaker 1: go on any little dangerous things, I want Sam very much.

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Speaker 2: They're supporting you because it was ultimately, if you haven't listened,

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Speaker 2: we dined at this restaurant on the side of the powerhouse,

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Speaker 2: seventeen meters in the air, attached to the.

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Speaker 1: Side of the building.

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Speaker 2: And then to get down, you jump off the building

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Speaker 2: and this thing lowers you down.

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Speaker 1: Now, Christine took her time, which was fine. Oh my god.

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Speaker 1: Sam was very supportive.

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Speaker 2: He was so awesome, and I was very impatient, screaming at.

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Speaker 1: You, pusher. Sam pressure.

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Speaker 2: I posted those videos online, yes, and they blew up.

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Speaker 1: Did you know that one point five two point four one?

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Speaker 3: We've got two point four one got one point five

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Speaker 3: and another one got half a million?

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Speaker 1: Yeah?

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Speaker 3: Really, And the majority of the comments were Sam needs

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Speaker 3: a race ah.

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Speaker 1: And do you know why? Because he's amazing?

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Speaker 2: Because you were insufferable and I was insufferable as well.

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Speaker 2: Just just quickly wanted to mention this because I thought

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Speaker 2: this was exciting. Other lad Bible reached out, They're like,

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Speaker 2: can we have your video of that?

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Speaker 1: Who's the lad Bible? Oh? Well, that's just fucked everything up.

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Speaker 1: What's the lad Bible? Ah? They're like a huge religious group.

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Speaker 2: Nice.

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Speaker 3: No, they're like BuzzFeed. They're like a BuzzFeed, but a massive.

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Speaker 3: They're not great. They're a terrible, horrific company. They steal

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Speaker 3: people's content, then monetize it and take it. But they've

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Speaker 3: got like eighty million followers. And they reached out, they're like,

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Speaker 3: can we have your video? Yeah, They're like, can we

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Speaker 3: have your video of that fifty four year.

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Speaker 2: Old identifying as forty nine unable to jump off the

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Speaker 2: side of the building, right, Yeah, And they took it.

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Speaker 1: I said, look, I was like you're star. I looked

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Speaker 1: at the contract and then that was a contract.

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Speaker 2: Well, yeah, it's it's really dodgy. So this is their

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00:17:13,400 --> 00:17:16,441
Speaker 2: business structure. If you see any I guess, like BuzzFeed

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Speaker 2: or publication similar esque that posts other people's content, they're

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Speaker 2: taking it from them, they're not paying for it, and

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Speaker 2: then they're monetizing it and making money from it. It's

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Speaker 2: pretty dodgy. But the selling point is you get a

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Speaker 2: lot of exposure. We exposed you to a big audience.

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Speaker 1: I'd like to be exposed to a dollar, right, And

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Speaker 1: I figured, did you do it? Did you say yes?

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00:17:38,360 --> 00:17:40,961
Speaker 1: I think yes? And they haven't used it. I haven't

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Speaker 1: seen it yet. Oh that doesn't mean so I don't know.

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Speaker 2: If they've actually posted it. I thought it was kind

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Speaker 2: of cool because they were like, oh, wow, look look

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00:17:49,001 --> 00:17:51,041
Speaker 2: at what you're doing. That looks fun, that looks worthy

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00:17:51,120 --> 00:17:52,600
Speaker 2: enough to post about eighty million people.

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Speaker 1: I'm not in it. They didn't want the one with me.

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00:17:54,880 --> 00:17:58,001
Speaker 2: They wanted the one with you procrastinating, and especially the

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Speaker 2: one where you're.

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Speaker 3: You're Sam sitting down on the edge and you're like,

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00:18:02,441 --> 00:18:06,121
Speaker 3: don't push me, don't touch me, don't you don't I don't.

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00:18:05,921 --> 00:18:08,720
Speaker 2: Want to be touched, and then proceeded to go. I

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Speaker 2: thought you were going to touch me to tell me

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00:18:10,721 --> 00:18:12,721
Speaker 2: to go. And did you see Sam's face?

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Speaker 1: I did, Oh he was worth it. And I know

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Speaker 1: what she wants me to do. Just push up, Just

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00:18:20,120 --> 00:18:23,761
Speaker 1: fucking push up. Because what was happening was you guys

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00:18:23,761 --> 00:18:27,001
Speaker 1: were whispering and it was freaking me out. So I thought,

390
00:18:27,241 --> 00:18:29,880
Speaker 1: by my back, you guys are like coming up with

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00:18:29,921 --> 00:18:32,480
Speaker 1: a plane to shove me off. So I was like, dezam,

392
00:18:32,521 --> 00:18:35,920
Speaker 1: don't touch me, don't touch me, don't talk to me.

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00:18:36,281 --> 00:18:39,161
Speaker 1: It's very funny whisper or something. And then that little

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Speaker 1: stupid four year old boy had to be like, hurry up,

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Speaker 1: I know, because you know, I can't let the kids down.

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00:18:44,360 --> 00:18:49,400
Speaker 1: So I heard them and I thought, oh fuck, that's

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Speaker 1: us done. Can you believe series episodes still alive? Beyond me?

398
00:18:58,241 --> 00:19:00,081
Speaker 1: I want to thank the Blue Mountains for having us.

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Speaker 1: Oh my goodness, gorgeous. Loved it, loved it from the

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00:19:04,001 --> 00:19:04,840
Speaker 1: minute we got here.

401
00:19:05,441 --> 00:19:07,720
Speaker 3: We want to give shout outs to some things we

402
00:19:07,761 --> 00:19:09,840
Speaker 3: didn't talk about. But we got to go and do

403
00:19:09,921 --> 00:19:12,761
Speaker 3: a lot of food places. So you want to come,

404
00:19:13,041 --> 00:19:14,360
Speaker 3: you want to go, and you want to eat.

405
00:19:14,281 --> 00:19:16,321
Speaker 2: At Alyssian Bar and restaurant.

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00:19:16,761 --> 00:19:20,080
Speaker 1: Holy shit, that was good. That was really delicious. That

407
00:19:20,241 --> 00:19:21,160
Speaker 1: is in Laura.

408
00:19:21,761 --> 00:19:23,680
Speaker 2: I took it to breakfast at FED.

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Speaker 1: We really loved Fed.

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00:19:25,001 --> 00:19:27,480
Speaker 2: That's Went with Falls. I mean I always say go

411
00:19:27,521 --> 00:19:31,640
Speaker 2: to schwartzs you like that by Schwartz. It's a fantastic bakery.

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00:19:31,961 --> 00:19:35,561
Speaker 1: The coffee up here is exceptional, next level good coffee,

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00:19:35,880 --> 00:19:41,761
Speaker 1: really really good toffee. Coffee, lots of lovely pastries and

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00:19:42,600 --> 00:19:47,401
Speaker 1: cookies just divine. What do you think of a shopping

415
00:19:48,801 --> 00:19:53,481
Speaker 1: favorite shop? Oh, my favorite shop was Paradise Lura. That's

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Speaker 1: where the beautiful purse came from, the beaded one that

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00:19:56,801 --> 00:20:01,640
Speaker 1: you got me. Yes, Lovely clothing shops, nice little eclectic

418
00:20:01,761 --> 00:20:04,720
Speaker 1: mix of Laura. Deli was good too, very yummy and

419
00:20:04,761 --> 00:20:09,001
Speaker 1: ca of curiosities. The ladies there were fantastic. But it's

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00:20:09,160 --> 00:20:10,841
Speaker 1: just a great place to come and visually.

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00:20:10,921 --> 00:20:13,561
Speaker 3: It's a lot happening in Katumba. We didn't really get

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00:20:13,600 --> 00:20:16,001
Speaker 3: to explore Katumba that much. We did a lot in Laura,

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Speaker 3: I mean did quite a bit in.

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Speaker 2: Went with Falls, but I didn't really get to take

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Speaker 2: you around Katuma.

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Speaker 1: I mean, we were only here for four days. We

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Speaker 1: had a lot on. We did a couple of op

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Speaker 1: shops there though in No Tumber some good stuff.

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Speaker 3: There's some good like vintage antique shops, that side alleys,

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Speaker 3: religious op shops. Yeah, proper, really good for fossicking.

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00:20:35,721 --> 00:20:38,801
Speaker 2: And also obviously Scenic World. You can't not go to

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Speaker 2: Scenic World.

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Speaker 1: Scenic World was so great. What did I say? No,

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Speaker 1: I was going to say, the Scenic World is so scenic.

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00:20:45,521 --> 00:20:48,241
Speaker 1: Scenic World the way that Tony had us up there

436
00:20:48,281 --> 00:20:52,360
Speaker 1: on the top of that skywalk. Yeah, hot chocolate, you know,

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00:20:52,561 --> 00:20:54,561
Speaker 1: all those little things just make it so special.

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Speaker 3: The question is where do we go next, because we

439
00:21:00,761 --> 00:21:08,001
Speaker 3: haven't planned anything yet. Canberra love Camera? When's Floriard that's

440
00:21:08,080 --> 00:21:11,000
Speaker 3: later in the year, is it It's already been recorded

441
00:21:11,041 --> 00:21:12,761
Speaker 3: by the time this goes to where we don't know

442
00:21:12,761 --> 00:21:13,360
Speaker 3: where we're going.

443
00:21:13,561 --> 00:21:15,200
Speaker 1: You does sound like you probably do.

444
00:21:15,360 --> 00:21:15,600
Speaker 5: But.

445
00:21:20,400 --> 00:21:24,400
Speaker 2: Freezing cold destinations camera or Hobart? Which would you prefer?

446
00:21:24,681 --> 00:21:29,321
Speaker 1: I'd go camera? Oh yeah, okay, yes would I? I mean,

447
00:21:29,360 --> 00:21:31,441
Speaker 1: I love Hobart. I've been there a few times. We've

448
00:21:31,481 --> 00:21:36,641
Speaker 1: got the Mint, you've got Parliament House, you've got the Embassy.

449
00:21:38,360 --> 00:21:45,161
Speaker 2: Around the Embassy content, don't we go into.

450
00:21:45,080 --> 00:21:47,561
Speaker 1: We do that every time we go to the camera.

451
00:21:47,721 --> 00:21:50,600
Speaker 1: The boys, he's an eye and Ricardo. It's a musk

452
00:21:50,681 --> 00:21:54,360
Speaker 1: for us. We go and we drive around, we point

453
00:21:54,400 --> 00:21:55,921
Speaker 1: them out, we know where they are.

454
00:21:56,360 --> 00:21:58,961
Speaker 2: Well, in case of a political uprising, you can run

455
00:21:59,001 --> 00:22:00,920
Speaker 2: into the British Embassy.

456
00:22:00,640 --> 00:22:02,281
Speaker 1: Something that we've always done. We're not going to be

457
00:22:02,281 --> 00:22:04,760
Speaker 1: doing that because I think that's fucking so boring. Oh

458
00:22:04,801 --> 00:22:07,321
Speaker 1: do you think unless you ship yourself at one of them?

459
00:22:10,640 --> 00:22:12,281
Speaker 1: We could do a couple of open houses.

460
00:22:12,840 --> 00:22:16,401
Speaker 2: Yes, yeah, yeah, I do like the idea of camera.

461
00:22:16,521 --> 00:22:18,880
Speaker 1: I really like the idea of cameras. But the great

462
00:22:18,921 --> 00:22:22,521
Speaker 1: op shops down there, and oh my god, and Dixon

463
00:22:22,521 --> 00:22:28,400
Speaker 1: they're amazing what Dixon? Yes, and I know where we

464
00:22:28,441 --> 00:22:34,001
Speaker 1: could stay too, fantastic apartments at the Decoor Hotel. Unbelievable.

465
00:22:34,561 --> 00:22:36,561
Speaker 1: Here we go. How much is that going to set

466
00:22:36,600 --> 00:22:41,561
Speaker 1: us back? Bedroom apartment us back? Set me back? Two

467
00:22:41,600 --> 00:22:43,801
Speaker 1: bedroom apartments? Yes? Great, Christy.

468
00:22:43,840 --> 00:22:45,961
Speaker 3: I could barely cope with you in this three bedroom,

469
00:22:46,041 --> 00:22:47,120
Speaker 3: two story house.

470
00:22:47,961 --> 00:22:50,600
Speaker 1: I reckon. I'm so easy to get along with, Yeah,

471
00:22:50,600 --> 00:22:50,921
Speaker 1: you are.

472
00:22:51,080 --> 00:22:53,961
Speaker 3: I just I'm not easy to get along with because

473
00:22:53,961 --> 00:22:57,880
Speaker 3: I like, I like to just disappear. And but we

474
00:22:57,921 --> 00:23:00,440
Speaker 3: can do it in this three bedroom, two story apartment

475
00:23:00,441 --> 00:23:02,041
Speaker 3: because I'm downstairs and you're upstairs.

476
00:23:02,281 --> 00:23:04,521
Speaker 1: When we did Brisbane and you found that a little

477
00:23:04,521 --> 00:23:07,600
Speaker 1: bit too a little bit Yeah it was. Yeah, see

478
00:23:07,640 --> 00:23:10,001
Speaker 1: it just was. But that's okay. It was good fun.

479
00:23:11,360 --> 00:23:13,400
Speaker 1: But I was very conscious. I mean, that's why I

480
00:23:13,481 --> 00:23:14,001
Speaker 1: hated it.

481
00:23:14,241 --> 00:23:17,281
Speaker 3: Maybe that's why you didn't like it, because deep down

482
00:23:17,321 --> 00:23:18,041
Speaker 3: I don't like you.

483
00:23:18,321 --> 00:23:20,600
Speaker 1: Possibly no, possibly.

484
00:23:20,281 --> 00:23:25,441
Speaker 3: All right, camera, the list is short, camera Hoebuck, question Mark, what's.

485
00:23:25,201 --> 00:23:26,120
Speaker 1: A spanner in the works?

486
00:23:26,160 --> 00:23:26,321
Speaker 2: One?

487
00:23:26,321 --> 00:23:30,521
Speaker 1: What's a random one? Alice Springs. Oh, I'm not going

488
00:23:30,521 --> 00:23:32,281
Speaker 1: to Alice spring Oh we could go to the Last

489
00:23:32,321 --> 00:23:33,480
Speaker 1: toop Larima. Have you seen that?

490
00:23:33,721 --> 00:23:35,801
Speaker 2: No, it's a true crime documentary.

491
00:23:35,840 --> 00:23:37,201
Speaker 1: And what about Margaret River?

492
00:23:38,041 --> 00:23:42,201
Speaker 3: Is that is that South Australia, Western Australia. Yeah, yeah,

493
00:23:42,241 --> 00:23:44,200
Speaker 3: that's I'm not getting on a plane for five hours. No,

494
00:23:45,041 --> 00:23:49,561
Speaker 3: thank you, well, thanks everyone for sticking by season four.

495
00:23:49,640 --> 00:23:52,200
Speaker 1: I love you all. It's been so much fun.

496
00:23:52,441 --> 00:23:55,801
Speaker 3: Two things will happen next week we'll start season five

497
00:23:56,600 --> 00:24:00,080
Speaker 3: or we're finished for the year. Christians had a melt

498
00:24:00,120 --> 00:24:02,721
Speaker 3: down and can't be fuck doing it anymore and he's

499
00:24:02,761 --> 00:24:03,480
Speaker 3: taking a break.

500
00:24:04,160 --> 00:24:09,561
Speaker 1: Very very high potential no, it's very excited. You'll go, oh,

501
00:24:09,640 --> 00:24:11,921
Speaker 1: come on crazy. I want.

502
00:24:13,281 --> 00:24:16,681
Speaker 2: Really, really struggle to get me to the Blue Mountains,

503
00:24:17,281 --> 00:24:21,041
Speaker 2: only because editing the Brisbane season was so.

504
00:24:21,521 --> 00:24:23,721
Speaker 1: I reckon, You've got it down pat this time.

505
00:24:24,400 --> 00:24:28,080
Speaker 2: Just trying to organize chaotic audio into something listenable, but

506
00:24:28,120 --> 00:24:30,720
Speaker 2: then even to organize that chaotic audio and send it

507
00:24:30,721 --> 00:24:34,080
Speaker 2: to our producer Katie, who then re reorganizes it. I

508
00:24:34,160 --> 00:24:37,200
Speaker 2: just didn't realize how much work this would be, and

509
00:24:37,241 --> 00:24:38,160
Speaker 2: I don't want to work.

510
00:24:39,001 --> 00:24:39,761
Speaker 1: We want to have fun.

511
00:24:39,880 --> 00:24:42,921
Speaker 2: I just want to do what Christine does, turn it

512
00:24:42,961 --> 00:24:44,921
Speaker 2: down and spend money on my credit.

513
00:24:44,761 --> 00:24:50,081
Speaker 1: Card exactly, open homes that would never not be funny.

514
00:24:51,160 --> 00:24:54,121
Speaker 2: Also, I know we're going on another tangent here. There's

515
00:24:54,160 --> 00:24:55,961
Speaker 2: a children's book that we want to do.

516
00:24:56,961 --> 00:24:58,121
Speaker 1: Are you going to talk about it now?

517
00:24:58,640 --> 00:25:02,360
Speaker 2: Don't tease me, because I want you to do I've

518
00:25:02,481 --> 00:25:04,640
Speaker 2: been wanting to do a children's book for so long,

519
00:25:04,721 --> 00:25:07,921
Speaker 2: but I've never known what to do it.

520
00:25:07,400 --> 00:25:08,881
Speaker 1: Like how who what? When we're why?

521
00:25:09,001 --> 00:25:11,001
Speaker 3: Like I just don't want to write a children's book

522
00:25:11,001 --> 00:25:12,640
Speaker 3: for the sake of writing a children's book. It's got

523
00:25:12,681 --> 00:25:15,241
Speaker 3: to be funny and the adults have to be involved

524
00:25:15,241 --> 00:25:17,640
Speaker 3: and We're in the car, and I was like, I

525
00:25:17,681 --> 00:25:18,321
Speaker 3: have an idea.

526
00:25:18,640 --> 00:25:21,521
Speaker 2: What if we did an A B C book on

527
00:25:21,961 --> 00:25:26,001
Speaker 2: the open home disaster? Like A is for a castle?

528
00:25:26,201 --> 00:25:27,201
Speaker 1: No, what did I say?

529
00:25:27,241 --> 00:25:33,801
Speaker 3: A was me, it's for bathroom that Christine wishes she

530
00:25:33,961 --> 00:25:38,241
Speaker 3: was at sea. It's for castle where Christine's shadows self.

531
00:25:38,880 --> 00:25:42,160
Speaker 3: But I think, I really think the idea of a

532
00:25:42,321 --> 00:25:45,521
Speaker 3: children's book based on Christine shitting herself.

533
00:25:46,721 --> 00:25:47,521
Speaker 1: There's a castle.

534
00:25:47,640 --> 00:25:51,001
Speaker 3: There's horror and suspense because I was absolutely terrified.

535
00:25:51,120 --> 00:25:54,321
Speaker 1: I wouldn't lock, I couldn't get up, I was stuck.

536
00:25:54,961 --> 00:25:57,480
Speaker 1: There's just a lot we can go with there. But

537
00:25:57,521 --> 00:25:58,400
Speaker 1: then I also.

538
00:25:58,281 --> 00:26:02,400
Speaker 2: Involve the golf cart. Yes, the storyline with a golf cart.

539
00:26:02,481 --> 00:26:05,840
Speaker 2: Like I think by the time Season five starts.

540
00:26:05,561 --> 00:26:08,041
Speaker 3: Which is probably next week or next year, I'll have

541
00:26:08,041 --> 00:26:09,240
Speaker 3: a draft to pitch you.

542
00:26:09,600 --> 00:26:12,080
Speaker 1: Oh that will be so much.

543
00:26:11,921 --> 00:26:15,521
Speaker 2: So when we get to camera Hobart or Springs, I'll

544
00:26:15,561 --> 00:26:16,921
Speaker 2: make sure I have a draft.

545
00:26:17,521 --> 00:26:20,761
Speaker 1: Of a children's book that is so exciting. Yeah, love you.

546
00:26:20,801 --> 00:26:25,681
Speaker 3: All, See you next week or next year, probably never again.

547
00:26:25,721 --> 00:26:29,481
Speaker 1: This is probably Look, I'm addictive. You need me, We're

548
00:26:29,521 --> 00:26:32,281
Speaker 1: not each other without each other. I just want to

549
00:26:32,360 --> 00:26:33,161
Speaker 1: justify something here.

550
00:26:34,840 --> 00:26:37,121
Speaker 2: Katie will probably edit this out. Katie, don't you edit

551
00:26:37,160 --> 00:26:37,521
Speaker 2: this out.

552
00:26:37,561 --> 00:26:40,880
Speaker 3: I love behind the scenes goss of a podcast, and

553
00:26:41,001 --> 00:26:44,441
Speaker 3: I just want people to know that so far the

554
00:26:44,481 --> 00:26:49,120
Speaker 3: cost of running the podcast is in the tens of thousands.

555
00:26:49,281 --> 00:26:50,721
Speaker 3: I just need people to know it's in the tens

556
00:26:50,721 --> 00:26:54,801
Speaker 3: of thousands. And the advertising revenue, which Katie.

557
00:26:54,521 --> 00:26:57,880
Speaker 2: Is doing a really really real really she says, I've

558
00:26:57,880 --> 00:27:01,160
Speaker 2: got this great podcast, and she said the clients are

559
00:27:01,201 --> 00:27:05,281
Speaker 2: so keen until I say who it is, and then yeah,

560
00:27:05,400 --> 00:27:08,481
Speaker 2: it's made twelve hundred dollars, which isn't like that's not too.

561
00:27:08,321 --> 00:27:09,481
Speaker 1: Bad, but it's not enough.

562
00:27:10,041 --> 00:27:15,240
Speaker 2: We're in negative nine thousand. Still, so not desperate. Look again,

563
00:27:15,400 --> 00:27:16,281
Speaker 2: not desperate.

564
00:27:16,600 --> 00:27:18,761
Speaker 1: But I think we're a good fit for some business.

565
00:27:19,080 --> 00:27:21,080
Speaker 1: If you would like to sponsor us, if you'd like

566
00:27:21,120 --> 00:27:25,961
Speaker 1: to jump on board. Yeah, well fashion Oscar Wiley.

567
00:27:27,201 --> 00:27:27,521
Speaker 3: Siley.

568
00:27:27,840 --> 00:27:31,281
Speaker 1: I still think though, that we're destined for a road

569
00:27:31,360 --> 00:27:36,241
Speaker 1: trip getting in a van of selling. If we could

570
00:27:36,321 --> 00:27:38,521
Speaker 1: have a winner bage company. We not say winn a

571
00:27:38,561 --> 00:27:41,720
Speaker 1: Bago because that is a company. Really, it's just not

572
00:27:41,840 --> 00:27:45,481
Speaker 1: the Winnebago is a brand. Oh well, okay, I don't

573
00:27:45,521 --> 00:27:49,241
Speaker 1: know that. Okay, So Katie bleep that out please. Christine

574
00:27:49,281 --> 00:27:51,600
Speaker 1: is saying things that if you have four wheels and

575
00:27:51,961 --> 00:27:54,680
Speaker 1: accommodation on the back of the four wheels like a

576
00:27:54,761 --> 00:27:56,680
Speaker 1: little what would you call it a caveot?

577
00:27:56,721 --> 00:27:58,881
Speaker 2: If you have four wheels and you'd classify it as

578
00:27:58,921 --> 00:28:01,321
Speaker 2: a five star accommodation on four wheels.

579
00:28:01,481 --> 00:28:04,880
Speaker 1: Yes, yeah, we're your people, we are we are not.

580
00:28:05,761 --> 00:28:09,001
Speaker 1: I'd happily do it. I mean we did have some interest.

581
00:28:09,321 --> 00:28:12,161
Speaker 1: What happened with that? I think they listened to some episodes.

582
00:28:12,281 --> 00:28:17,961
Speaker 3: Oh yeah, we had some interest in a like a caravan, yes, yes, yes, place,

583
00:28:18,160 --> 00:28:21,561
Speaker 3: And you were like, oh cool, we'll drive along and

584
00:28:21,761 --> 00:28:24,600
Speaker 3: we'll stop and you'll stay in the caravan and I'll

585
00:28:24,640 --> 00:28:26,760
Speaker 3: stay in a in a five star hotel.

586
00:28:28,080 --> 00:28:32,360
Speaker 1: I was wrong. I think that's a great idea. Or

587
00:28:32,400 --> 00:28:34,120
Speaker 1: you could stay in the awning and I could stay

588
00:28:34,201 --> 00:28:37,001
Speaker 1: in there. I can say, what in the awning? Did

589
00:28:37,041 --> 00:28:39,681
Speaker 1: they have an awning? These caravans? So you want me

590
00:28:39,721 --> 00:28:43,401
Speaker 1: to stay outside, Well, it's in an awning. It is

591
00:28:43,441 --> 00:28:48,401
Speaker 1: an open trellis an awning, it's enclosed as they call

592
00:28:48,441 --> 00:28:52,240
Speaker 1: them annawning here. Oh anyway, I.

593
00:28:52,281 --> 00:28:53,881
Speaker 3: Mean, oh, this is probably going to be edded out

594
00:28:53,921 --> 00:28:56,401
Speaker 3: if you're hearing this, then Katie has left in because

595
00:28:56,441 --> 00:28:58,281
Speaker 3: she's just fallen asleep at the editing desk.

596
00:29:00,401 --> 00:29:06,561
Speaker 1: Lovely work, Katie on the next episode of Where will

597
00:29:06,801 --> 00:29:07,161
Speaker 1: Trick You?

598
00:29:07,561 --> 00:29:07,601
Speaker 2: Ha?

599
00:29:08,161 --> 00:29:10,561
Speaker 1: Gotcha? You thought there's going to be there's no next episode?

600
00:29:11,121 --> 00:29:13,761
Speaker 1: There's none? Well there probably will be. Well, no, there is.

601
00:29:14,201 --> 00:29:15,841
Speaker 1: I'm editing some best ofs.

602
00:29:16,281 --> 00:29:18,681
Speaker 2: So if you stuck with us for this song, thanks

603
00:29:18,721 --> 00:29:21,601
Speaker 2: to making twenty twenty five so much fucking fun.

604
00:29:22,281 --> 00:29:24,041
Speaker 1: We've both had a good time. I would let Chrissy

605
00:29:24,081 --> 00:29:25,521
Speaker 1: talk for herself that she's in Sydney.

606
00:29:25,561 --> 00:29:28,561
Speaker 2: I'm in Brisbane, sitting at the editing desk here trying

607
00:29:28,601 --> 00:29:31,161
Speaker 2: to work out what the fuck best of the fuck?

608
00:29:31,321 --> 00:29:34,081
Speaker 1: What do you mean best off? So these next few

609
00:29:34,121 --> 00:29:36,441
Speaker 1: episodes are going to be interesting. What do we think

610
00:29:36,521 --> 00:29:39,241
Speaker 1: the best of is? Anyways?

611
00:29:39,361 --> 00:29:44,121
Speaker 2: Cool? Good chat? Sorry, I've got to feel a certain

612
00:29:44,241 --> 00:29:48,921
Speaker 2: time quota, so I'm talking really slowly now I'm kidding,

613
00:29:49,041 --> 00:29:50,361
Speaker 2: don't have to fill a time quota.

614
00:29:50,761 --> 00:29:52,761
Speaker 1: I'm just going through the mental checklist of have I talked?

615
00:29:52,881 --> 00:29:53,641
Speaker 1: Oh no, no, no, no no no.

616
00:29:54,081 --> 00:29:56,561
Speaker 2: I've wanted to mention if you want to see anything,

617
00:29:56,601 --> 00:29:58,681
Speaker 2: because we do talk a lot about filming and doing

618
00:29:58,761 --> 00:30:02,961
Speaker 2: shit it's all posted all over. Instagram's the best place

619
00:30:03,041 --> 00:30:05,721
Speaker 2: to go. TikTok's hard because there's a lot of other

620
00:30:05,761 --> 00:30:08,001
Speaker 2: shit you got to filter through Instagram. It's pretty easy.

621
00:30:08,241 --> 00:30:11,281
Speaker 2: You just want to search for at Chrissy fifty and

622
00:30:11,441 --> 00:30:14,121
Speaker 2: cranky all myself at Christian Hull