1 00:00:00,240 --> 00:00:03,120 Speaker 1: This is the Fitting In with Her with Kate Richie podcast. 2 00:00:03,400 --> 00:00:04,800 Speaker 2: Just a freaking fire for a little bit of music 3 00:00:04,840 --> 00:00:06,080 Speaker 2: from the Bay. 4 00:00:07,760 --> 00:00:08,920 Speaker 3: Are we doing this again? 5 00:00:09,760 --> 00:00:14,159 Speaker 2: You know we belong mister Okay, Kate Richie. This has 6 00:00:14,200 --> 00:00:16,000 Speaker 2: been so exciting because I'd put my hand up and 7 00:00:16,040 --> 00:00:17,480 Speaker 2: said I will speak to the team at the Bay, 8 00:00:17,600 --> 00:00:21,479 Speaker 2: especially Julie, my friend who's the EP there and. 9 00:00:21,440 --> 00:00:23,680 Speaker 4: Julie's my friend, Yeah, my friend and my friend for 10 00:00:23,680 --> 00:00:24,840 Speaker 4: a very very long time. 11 00:00:25,600 --> 00:00:27,440 Speaker 2: And I said, I'm going to bring Kate back to 12 00:00:27,480 --> 00:00:29,920 Speaker 2: the Bay. Is sort of a gift for Australia. 13 00:00:29,560 --> 00:00:30,080 Speaker 5: You know what I mean. 14 00:00:30,080 --> 00:00:31,720 Speaker 2: I'll put my hand up and say I'll drop her 15 00:00:31,760 --> 00:00:33,320 Speaker 2: back there and Australia. 16 00:00:33,360 --> 00:00:34,160 Speaker 3: It's a long drive. 17 00:00:34,520 --> 00:00:38,240 Speaker 2: Sally Fletcher needs to get back to the Bay now 18 00:00:38,479 --> 00:00:41,800 Speaker 2: to do that. Julie, my friend, came back and said 19 00:00:42,080 --> 00:00:46,120 Speaker 2: she can't just arrive. We will need an audition and now, 20 00:00:46,520 --> 00:00:49,200 Speaker 2: which is rude, not really, because jewels. 21 00:00:49,280 --> 00:00:51,440 Speaker 3: Processuly has always said. 22 00:00:51,280 --> 00:00:52,880 Speaker 2: To me, have a network process. 23 00:00:52,920 --> 00:00:54,240 Speaker 3: The door is always open. 24 00:00:54,640 --> 00:00:56,800 Speaker 2: No, no, it's not at shut. I mean hit you 25 00:00:56,840 --> 00:00:59,920 Speaker 2: on the b anyway. So I said, leave it with 26 00:01:00,160 --> 00:01:02,440 Speaker 2: me and I've been workshopping a few ideas. 27 00:01:02,600 --> 00:01:04,000 Speaker 3: We did do some scripts on air. 28 00:01:04,080 --> 00:01:06,720 Speaker 2: They were acrocious well, they were warming up, and one 29 00:01:06,840 --> 00:01:09,840 Speaker 2: idea was you becoming coming back to the bay in 30 00:01:09,840 --> 00:01:11,959 Speaker 2: the gypsy van. You didn't like that, so in the 31 00:01:12,000 --> 00:01:14,800 Speaker 2: scripted version you returned as a nun. And it didn't 32 00:01:14,959 --> 00:01:16,240 Speaker 2: just didn't feel natural, did it. 33 00:01:16,120 --> 00:01:16,880 Speaker 1: For you to be a nun? 34 00:01:17,200 --> 00:01:20,160 Speaker 3: Because I know my character better than anyone. 35 00:01:19,959 --> 00:01:22,760 Speaker 2: Is that what it is? So what I did promise 36 00:01:23,319 --> 00:01:26,280 Speaker 2: was that during this audition, because you need to put 37 00:01:26,319 --> 00:01:29,759 Speaker 2: your best foot forward, I would organize a cast member 38 00:01:30,600 --> 00:01:34,600 Speaker 2: from Home and Away to do this scene. 39 00:01:34,680 --> 00:01:37,840 Speaker 3: You did say that, and look, please, please, let's be 40 00:01:37,920 --> 00:01:40,920 Speaker 3: very clear. I'm not you. Wait, I'm not driving this. 41 00:01:41,440 --> 00:01:43,080 Speaker 4: But I did think that if I was going to 42 00:01:43,120 --> 00:01:44,920 Speaker 4: read a scene, it would be nice to be able 43 00:01:44,920 --> 00:01:48,200 Speaker 4: to read opposite a fellow actor and not you, because 44 00:01:48,200 --> 00:01:51,560 Speaker 4: if anyone's going to drag me down, it's you. Yesterday, 45 00:01:52,480 --> 00:01:54,400 Speaker 4: we didn't mention Home and Away, and I thought, the 46 00:01:54,400 --> 00:01:58,800 Speaker 4: thank goodness, the whole Home and Away id has died 47 00:01:58,840 --> 00:01:59,360 Speaker 4: in the water. 48 00:01:59,440 --> 00:02:01,400 Speaker 2: No it hasn't. It's just there was a big bit 49 00:02:01,440 --> 00:02:03,840 Speaker 2: of a hiccup. I took an emergency call yesterday, which 50 00:02:03,880 --> 00:02:07,080 Speaker 2: is horrible, horrible to receive from the talent that you 51 00:02:07,120 --> 00:02:09,280 Speaker 2: were going to do the scene with, saying I can't 52 00:02:09,320 --> 00:02:11,960 Speaker 2: be there, mate, but I promise we'll get it done. 53 00:02:12,160 --> 00:02:12,960 Speaker 3: Who was it? 54 00:02:13,080 --> 00:02:16,040 Speaker 2: Okay, that's when they they wanted you to hear this 55 00:02:16,080 --> 00:02:19,240 Speaker 2: as well. This is a voicemail that I received yesterday 56 00:02:19,880 --> 00:02:21,960 Speaker 2: for the person who was meant to be doing the 57 00:02:22,000 --> 00:02:22,520 Speaker 2: scene with you. 58 00:02:22,800 --> 00:02:25,839 Speaker 1: Well, so as to not ruin the surprise, okay, we've 59 00:02:25,840 --> 00:02:30,720 Speaker 1: put a voice to coder on the celebrity's voice. 60 00:02:31,360 --> 00:02:33,920 Speaker 3: Oh so I'm still not going to know who the 61 00:02:33,960 --> 00:02:34,440 Speaker 3: actor is. 62 00:02:34,520 --> 00:02:36,760 Speaker 1: I't you won't know until they walk into the room. 63 00:02:36,800 --> 00:02:37,919 Speaker 3: But are we still doing this? 64 00:02:38,320 --> 00:02:38,639 Speaker 5: We are? 65 00:02:38,840 --> 00:02:41,359 Speaker 2: When hold well, I need to track this actor down 66 00:02:41,440 --> 00:02:43,120 Speaker 2: see if you can work it out, even with the 67 00:02:43,160 --> 00:02:46,320 Speaker 2: effect on it. 68 00:02:46,320 --> 00:02:50,920 Speaker 5: It's okay. I've read through that scripture descent and yeah, 69 00:02:51,000 --> 00:02:55,280 Speaker 5: it's insane. That stuff. That's sort that's a bay bombshell, 70 00:02:56,760 --> 00:02:58,320 Speaker 5: and I love it, and I love the idea of 71 00:02:58,360 --> 00:02:59,920 Speaker 5: you guys, you know, just sort of getting into a 72 00:03:00,040 --> 00:03:02,520 Speaker 5: but you know, as you know, I respect my craft, 73 00:03:02,520 --> 00:03:04,840 Speaker 5: and I think with this one and this character and 74 00:03:04,880 --> 00:03:06,720 Speaker 5: this storyline, I just need a bit more time to 75 00:03:06,760 --> 00:03:09,720 Speaker 5: sort of get into it and get into it properly 76 00:03:09,760 --> 00:03:11,960 Speaker 5: and have that time to settle in. So is there 77 00:03:11,960 --> 00:03:13,720 Speaker 5: any chance you can just give me a little bit 78 00:03:13,760 --> 00:03:16,160 Speaker 5: longer to perfect the character? So I can, you know, 79 00:03:16,280 --> 00:03:18,079 Speaker 5: do the scene justice because I think we've got something 80 00:03:18,120 --> 00:03:19,960 Speaker 5: good on our hands here and I'd love for it 81 00:03:20,000 --> 00:03:22,240 Speaker 5: to go go out properly. Call me back with. 82 00:03:22,200 --> 00:03:26,000 Speaker 6: It the big dog. That was the big dog right there. 83 00:03:26,480 --> 00:03:28,399 Speaker 6: I don't want to give it away because you don't. 84 00:03:28,440 --> 00:03:30,160 Speaker 6: I don't want this is like, thank God you're here. 85 00:03:30,360 --> 00:03:31,920 Speaker 6: I don't want you to know until you're in the 86 00:03:31,960 --> 00:03:33,400 Speaker 6: scene and they walk in. 87 00:03:33,480 --> 00:03:34,960 Speaker 3: I know who I think it sounds? 88 00:03:35,160 --> 00:03:35,920 Speaker 2: Who do you think it sounds? 89 00:03:36,040 --> 00:03:41,480 Speaker 1: And I think do you think it's Irene? 90 00:03:41,920 --> 00:03:44,520 Speaker 3: Yeah? Or Marilyn? I'm not quite sure. 91 00:03:44,680 --> 00:03:45,520 Speaker 2: Who do you think it might be? 92 00:03:45,880 --> 00:03:49,040 Speaker 3: And have again, what's a man with quite a you 93 00:03:49,080 --> 00:03:49,800 Speaker 3: know deep? 94 00:03:49,960 --> 00:03:51,920 Speaker 2: I mean there's a perspect on the voice, Yeah. 95 00:03:51,840 --> 00:03:55,160 Speaker 3: Husky voice? Okay, who do you want me to think 96 00:03:55,200 --> 00:03:56,920 Speaker 3: it is? Or who do you want to think? 97 00:03:57,000 --> 00:03:58,960 Speaker 2: If you want to know where your mind's at, that's all. 98 00:04:00,160 --> 00:04:03,000 Speaker 2: And if you're not telling you so, you're going to 99 00:04:03,040 --> 00:04:05,200 Speaker 2: be in this scene very soon. So no, the idea 100 00:04:05,240 --> 00:04:07,520 Speaker 2: of you going back to the bay has not been scrapped. 101 00:04:07,880 --> 00:04:10,000 Speaker 2: I'm just work shopping it with the talent, and he 102 00:04:10,040 --> 00:04:11,640 Speaker 2: wants to work on this before we nail. 103 00:04:11,440 --> 00:04:14,200 Speaker 3: The site, so he doesn't work on Home and Away anymore. 104 00:04:14,960 --> 00:04:17,839 Speaker 1: We can't give you anymore. We can't give you anymore. 105 00:04:17,960 --> 00:04:24,280 Speaker 3: Who is it? It's one of you? Is it it? 106 00:04:24,279 --> 00:04:26,360 Speaker 3: It's not Chris Hemsworth, isn't it. 107 00:04:26,880 --> 00:04:31,720 Speaker 2: I can't answer your questions. It's a big name. You'll 108 00:04:31,720 --> 00:04:34,320 Speaker 2: find out when the scene's on Old Ring Julie Today 109 00:04:34,360 --> 00:04:36,880 Speaker 2: and your mum Heather and say Sally's coming back to 110 00:04:36,920 --> 00:04:39,680 Speaker 2: the bay. Guys, rest It's Whippa with Kate Ritchie is 111 00:04:39,720 --> 00:04:43,160 Speaker 2: a Nova podcast walk great shows like this. Download the 112 00:04:43,200 --> 00:04:46,160 Speaker 2: Nova player, fire the app Store or Google playing the