1 00:00:00,680 --> 00:00:05,200 Speaker 1: Still a lot of people struggling, guys. Flu season has 2 00:00:05,320 --> 00:00:07,040 Speaker 1: hit us harder than ever before. And I think we're 3 00:00:07,040 --> 00:00:08,760 Speaker 1: coming out the back end of it as we slowly 4 00:00:08,840 --> 00:00:14,480 Speaker 1: lead into summer. But hasn't it been disgusting? Flu? Gonorrhea, gastro? 5 00:00:14,920 --> 00:00:18,800 Speaker 1: Everything I meant to say gastro before that I did 6 00:00:18,840 --> 00:00:20,799 Speaker 1: not mean to. I fell into the G word and 7 00:00:20,840 --> 00:00:22,360 Speaker 1: I went from I don't know. 8 00:00:22,400 --> 00:00:25,279 Speaker 2: Well, I've only just gone over it. And you know, 9 00:00:25,560 --> 00:00:28,080 Speaker 2: sometimes you know, you go away on a footy trip 10 00:00:28,120 --> 00:00:30,720 Speaker 2: thinking you know, everything's fine, you're married, and you come 11 00:00:30,720 --> 00:00:34,120 Speaker 2: home and you know you've blood taste come back and 12 00:00:34,200 --> 00:00:37,600 Speaker 2: how do you explain that one to get rid of? 13 00:00:37,640 --> 00:00:39,880 Speaker 1: You've got it again. Finally they've come out and said 14 00:00:39,880 --> 00:00:42,680 Speaker 1: what may have actually contributed to the flu season being 15 00:00:42,720 --> 00:00:45,440 Speaker 1: worse than ever before? And it's the habits of all 16 00:00:45,520 --> 00:00:48,800 Speaker 1: us dirty pigs that sit here in the studio. It's 17 00:00:48,880 --> 00:00:51,800 Speaker 1: taking your mobile phone into the toilet. Can we go 18 00:00:51,880 --> 00:00:56,040 Speaker 1: around the room and put your hand up if you're guilty. 19 00:00:55,240 --> 00:00:58,640 Speaker 2: I'm going to be total. I don't. I don't take 20 00:00:58,720 --> 00:01:02,800 Speaker 2: my phone into the toilet. No, I'm not a big don't. 21 00:01:02,880 --> 00:01:05,720 Speaker 2: I don't sit on the toilet for ages no, I 22 00:01:05,800 --> 00:01:07,559 Speaker 2: get in there and do the job and I'm out. 23 00:01:07,920 --> 00:01:09,559 Speaker 1: I know what you mean. But at the same time, 24 00:01:09,760 --> 00:01:13,479 Speaker 1: when you've got kids, you don't often have a chance 25 00:01:13,600 --> 00:01:17,320 Speaker 1: to just sit down. So quite often that'll be your 26 00:01:17,319 --> 00:01:18,080 Speaker 1: only break. 27 00:01:17,840 --> 00:01:19,560 Speaker 3: In the day, your kids. 28 00:01:19,840 --> 00:01:22,960 Speaker 1: We know you were to spread of Carlo, your. 29 00:01:22,840 --> 00:01:25,880 Speaker 4: Children, you would have gone to the four hours. You're 30 00:01:25,920 --> 00:01:27,680 Speaker 4: the guy who when we come back from a break, 31 00:01:27,720 --> 00:01:28,959 Speaker 4: you want nowhere to be seen. 32 00:01:29,040 --> 00:01:32,320 Speaker 1: Sometimes, Sarah, it's more likely, and this article's pinpointed at 33 00:01:32,360 --> 00:01:35,399 Speaker 1: girls in particular because they sit down more than guys do. 34 00:01:35,680 --> 00:01:37,319 Speaker 1: I mean, every time you go to the bathroom, you're 35 00:01:37,319 --> 00:01:39,000 Speaker 1: sitting down. Guys, aren't you look. 36 00:01:38,880 --> 00:01:41,680 Speaker 4: At me with that sort of accusing Yeah, I'm happy 37 00:01:41,720 --> 00:01:44,160 Speaker 4: to Last week we worked out that I use my 38 00:01:44,280 --> 00:01:46,200 Speaker 4: phone a fraction of the time the. 39 00:01:46,120 --> 00:01:46,520 Speaker 2: Rest of you. 40 00:01:46,600 --> 00:01:48,280 Speaker 1: Do you use it while you're sitting on the toilet? 41 00:01:48,320 --> 00:01:51,720 Speaker 1: I have to there you go also in the line 42 00:01:51,800 --> 00:01:52,040 Speaker 1: up here? 43 00:01:52,120 --> 00:01:52,560 Speaker 2: Do you use it? 44 00:01:52,680 --> 00:01:55,560 Speaker 1: Of god, you're a fiend for your mobile? Of course 45 00:01:55,600 --> 00:01:55,880 Speaker 1: you do. 46 00:01:57,000 --> 00:02:01,080 Speaker 2: But can I just also say, apart from your own 47 00:02:01,680 --> 00:02:05,960 Speaker 2: particles that are in the air, so how is it spreading? 48 00:02:06,080 --> 00:02:09,280 Speaker 1: Toilet seats, handle, sinks, and taps are covered in germs 49 00:02:09,360 --> 00:02:12,440 Speaker 1: such as a coalon which can card you cause urine 50 00:02:12,440 --> 00:02:16,480 Speaker 1: retract infections and intestinal illness. I suppose, I suppose when 51 00:02:16,480 --> 00:02:19,040 Speaker 1: you result in diary and all sorts. 52 00:02:18,800 --> 00:02:26,760 Speaker 5: Of sections up and down, touching door handles, and and 53 00:02:26,800 --> 00:02:29,119 Speaker 5: you know what happens in cubicle three here, we've all 54 00:02:29,160 --> 00:02:31,720 Speaker 5: been seen the damage that can happen. 55 00:02:31,960 --> 00:02:36,440 Speaker 2: That's that's any door handy in any of Yes it is. 56 00:02:36,440 --> 00:02:39,000 Speaker 1: But the minute you the minute you then apply your 57 00:02:39,000 --> 00:02:41,120 Speaker 1: mobile phone and it's there, and it's live in the room, 58 00:02:41,160 --> 00:02:42,760 Speaker 1: and it's gone from your hands to your phone. 59 00:02:42,880 --> 00:02:45,400 Speaker 4: Can I be honest? Last week you got a brand 60 00:02:45,400 --> 00:02:48,400 Speaker 4: new mobile phone and mine's been broken now for six months, 61 00:02:48,440 --> 00:02:49,959 Speaker 4: so you've offered me yours. 62 00:02:49,639 --> 00:02:51,000 Speaker 2: When you upgrade. 63 00:02:51,280 --> 00:02:54,600 Speaker 4: This was exactly my hesitation is that I knew already 64 00:02:54,639 --> 00:02:56,680 Speaker 4: how often you would use your phone on the toilet, 65 00:02:56,960 --> 00:03:00,320 Speaker 4: and how sick you've been the last few months. I'm 66 00:03:00,440 --> 00:03:05,240 Speaker 4: signing up. I still want the phone where I'm torn, and. 67 00:03:05,160 --> 00:03:07,440 Speaker 1: I know you're pregnant right now, but you can lose 68 00:03:07,760 --> 00:03:12,399 Speaker 1: five really quickly before Christmas using my phone MDG, you'd 69 00:03:12,400 --> 00:03:14,799 Speaker 1: be as guilty as anything. You just get bored otherwise, Yeah, 70 00:03:14,840 --> 00:03:15,799 Speaker 1: I mean, how long are you on the. 71 00:03:15,720 --> 00:03:18,839 Speaker 6: Throne form I'm a I like to make an experience, 72 00:03:19,080 --> 00:03:21,200 Speaker 6: and with your mobile phone you can read an article, 73 00:03:21,240 --> 00:03:24,000 Speaker 6: you can screen and Bronti hates it, especially if you 74 00:03:24,080 --> 00:03:25,920 Speaker 6: then tag them saying something on instagra and then you 75 00:03:25,960 --> 00:03:27,360 Speaker 6: walk back out into the lounge room and. 76 00:03:27,320 --> 00:03:33,239 Speaker 2: They're like, that is disgusting. Never again. Three. Won't you 77 00:03:33,360 --> 00:03:35,880 Speaker 2: the one that got the parasite out of the whole tone? 78 00:03:35,960 --> 00:03:39,120 Speaker 1: Yeah, I've got a parasite and rotavirus in there. 79 00:03:39,240 --> 00:03:39,920 Speaker 2: That's not the point. 80 00:03:39,920 --> 00:03:42,640 Speaker 1: It goes on to say, Sarah, the girls are even 81 00:03:42,720 --> 00:03:45,680 Speaker 1: worse because of their handbags. So what they'll do. Women 82 00:03:45,760 --> 00:03:48,320 Speaker 1: quite often carry food in their handbags as well, so 83 00:03:48,360 --> 00:03:50,560 Speaker 1: they will put their phone into their bag, which then 84 00:03:50,600 --> 00:03:52,839 Speaker 1: infects the rest of their handbag. And if you've got 85 00:03:53,000 --> 00:03:55,839 Speaker 1: blush and brushes and stuff that are floating around in there, 86 00:03:56,160 --> 00:03:59,040 Speaker 1: it means your whole handbag is then disease. So you're 87 00:03:59,080 --> 00:04:02,520 Speaker 1: carrying a sack of disease everywhere you go every day. 88 00:04:02,520 --> 00:04:05,920 Speaker 2: Didn't We also have another study say that the toilet's 89 00:04:05,920 --> 00:04:08,280 Speaker 2: actually quite clean. An you're better off kissing your dog, 90 00:04:08,400 --> 00:04:12,080 Speaker 2: but your keyboard, Yeah, you're kissing your dog or your 91 00:04:12,160 --> 00:04:14,600 Speaker 2: key Your keyboard is where the bacteria is. 92 00:04:14,880 --> 00:04:17,039 Speaker 1: I don't have to worry about yourselves there on the throne. 93 00:04:17,080 --> 00:04:19,159 Speaker 1: So there's making out with winning on a daily basis. 94 00:04:19,960 --> 00:04:20,760 Speaker 5: Person who hasn't been. 95 00:04:20,680 --> 00:04:23,599 Speaker 4: Struck down or taking a sick day so has Yeah, 96 00:04:23,640 --> 00:04:25,039 Speaker 4: he's available for any kissing. 97 00:04:26,200 --> 00:04:28,800 Speaker 2: What have you done? What links have you gone to 98 00:04:28,920 --> 00:04:33,000 Speaker 2: to get something for free? Thirteen twenty four to ten everything? 99 00:04:33,240 --> 00:04:35,200 Speaker 2: I mean, everyone loves a freebie. Don't get me. 100 00:04:35,160 --> 00:04:37,280 Speaker 1: Wrong, everyone loves a free I. 101 00:04:37,240 --> 00:04:42,599 Speaker 2: Mean I will pass on Darling Street in Bawmin every 102 00:04:42,720 --> 00:04:43,800 Speaker 2: day Baker's Delight. 103 00:04:44,320 --> 00:04:45,720 Speaker 4: Come on, what and you think they're going to give 104 00:04:45,720 --> 00:04:46,400 Speaker 4: you a free scroll? 105 00:04:46,440 --> 00:04:49,280 Speaker 2: No? No, no, They've got all the samples out the front. 106 00:04:49,320 --> 00:04:52,440 Speaker 2: There sare and I always walk past. Yeah, get the 107 00:04:52,520 --> 00:04:55,680 Speaker 2: little tongs and try out the new veggie, might scroll 108 00:04:55,800 --> 00:04:57,000 Speaker 2: or whatever they've got you. 109 00:04:57,160 --> 00:04:59,839 Speaker 1: There, got a new water cooler for free? 110 00:05:00,520 --> 00:05:03,599 Speaker 4: Did you not pay for this thing? Occupying half the studio? 111 00:05:03,760 --> 00:05:11,080 Speaker 1: Ran caller caller and said, guys, I need to dehydraw. 112 00:05:08,520 --> 00:05:11,839 Speaker 2: Withs lugged in a water caller. Listen, listen to this city. 113 00:05:11,920 --> 00:05:17,159 Speaker 2: This this sums up. Michael John, good looking in ordered 114 00:05:17,240 --> 00:05:21,800 Speaker 2: into the studio and said, guys, finally, now we've got 115 00:05:21,960 --> 00:05:26,520 Speaker 2: chilled filtered water. There's two taps on this level here 116 00:05:26,560 --> 00:05:30,320 Speaker 2: at Nova that produces chilled filtered water. 117 00:05:30,320 --> 00:05:32,920 Speaker 1: I don't think it's filtered. This filter is unique too, This. 118 00:05:32,839 --> 00:05:35,320 Speaker 3: Does filtered filtered. 119 00:05:35,480 --> 00:05:36,839 Speaker 1: Yeah, this is the best one you'll get. 120 00:05:37,440 --> 00:05:39,960 Speaker 2: And you've got to go fill up a five liter 121 00:05:40,120 --> 00:05:43,200 Speaker 2: Jerry can say, if you're listening. 122 00:05:43,200 --> 00:05:45,800 Speaker 1: Going to love this taken out of the studio. I'm 123 00:05:45,800 --> 00:05:48,560 Speaker 1: like a barman. If anybody needs drinks here in the studio, sure, 124 00:05:48,600 --> 00:05:50,040 Speaker 1: I'll get it. I'm gonna put an apron on in 125 00:05:50,080 --> 00:05:50,720 Speaker 1: a minute. 126 00:05:50,480 --> 00:05:52,720 Speaker 6: Take it out, willing to pay a staff member to 127 00:05:52,800 --> 00:05:53,520 Speaker 6: keep it filled up. 128 00:05:53,720 --> 00:05:58,800 Speaker 1: Yeah, that'll be part of Millie's gig. Getting seventy five 129 00:05:58,839 --> 00:05:59,960 Speaker 1: bucks a week for lunch. 130 00:06:00,600 --> 00:06:02,400 Speaker 3: Yeah, which you haven't paid me in a while. By 131 00:06:02,400 --> 00:06:04,400 Speaker 3: the way, you can fill. 132 00:06:05,720 --> 00:06:09,120 Speaker 2: Fifty cent over here, declaring bankrupt. 133 00:06:09,279 --> 00:06:10,840 Speaker 1: We would flower anytime, son. 134 00:06:11,279 --> 00:06:13,720 Speaker 2: Okay, this is not bad because I don't know if 135 00:06:13,760 --> 00:06:17,240 Speaker 2: you got We've been given an invite before to go 136 00:06:17,320 --> 00:06:19,960 Speaker 2: to the First Class Lounge in Sydney, and you guys 137 00:06:20,000 --> 00:06:23,840 Speaker 2: ever been in there, the Quantus one. It's amazing. So 138 00:06:24,040 --> 00:06:27,240 Speaker 2: if you've never been in there before, you basically sit down. 139 00:06:27,279 --> 00:06:30,080 Speaker 2: It's a restaurant and you can order a three course meal. 140 00:06:29,920 --> 00:06:32,960 Speaker 1: You can have like a lobster pasta if you feel. 141 00:06:32,720 --> 00:06:34,440 Speaker 7: Like, and then get a message. 142 00:06:34,200 --> 00:06:37,279 Speaker 2: And then get a massage, and then you can order 143 00:06:37,839 --> 00:06:41,240 Speaker 2: the best champagne. You can get the best red wine 144 00:06:41,360 --> 00:06:43,840 Speaker 2: before you actually get on your flight. But I've always 145 00:06:43,839 --> 00:06:47,760 Speaker 2: thought to myself, if you had a regular pass, is 146 00:06:47,800 --> 00:06:50,320 Speaker 2: it just worth rocking up before you go out on 147 00:06:50,320 --> 00:06:54,799 Speaker 2: a Friday night and just having a meal before you 148 00:06:54,839 --> 00:06:55,760 Speaker 2: go out and have a big. 149 00:06:55,680 --> 00:06:57,600 Speaker 1: Does it work like that? Because I've thought about going 150 00:06:57,600 --> 00:06:59,680 Speaker 1: into the Quantus club, right if you're going to the 151 00:06:59,680 --> 00:07:01,680 Speaker 1: airport to pick someone up, but you can't get in 152 00:07:01,720 --> 00:07:04,240 Speaker 1: without a boarding pass, Well, so okay, you can't just 153 00:07:04,240 --> 00:07:06,640 Speaker 1: go and wait in the club and just smash twenty beers. 154 00:07:06,680 --> 00:07:09,479 Speaker 2: Well this is what's happened to Justin John Robinson, thirty 155 00:07:09,520 --> 00:07:11,480 Speaker 2: five years of age. Now this is up in Darwin 156 00:07:11,600 --> 00:07:14,680 Speaker 2: because there's a really apparently a beautiful lounge up there 157 00:07:14,680 --> 00:07:16,720 Speaker 2: that's first class that you can go. Because they do 158 00:07:16,800 --> 00:07:20,040 Speaker 2: have a lot of international flights from Darwin. A lot 159 00:07:20,080 --> 00:07:22,520 Speaker 2: of people fly to Darham because so much cheaper to 160 00:07:22,560 --> 00:07:26,520 Speaker 2: fly from Darwin internationally, so they've got this first class lounge. 161 00:07:26,520 --> 00:07:30,600 Speaker 2: Now he was given He was given a pass at 162 00:07:30,640 --> 00:07:34,360 Speaker 2: a lunch that he went to with work, right, and 163 00:07:34,440 --> 00:07:37,880 Speaker 2: this was about to run out. It was only valid 164 00:07:37,880 --> 00:07:39,600 Speaker 2: for a year and it was about to run out. 165 00:07:39,840 --> 00:07:42,800 Speaker 2: His missus was going away on a girl's trip with 166 00:07:42,880 --> 00:07:45,920 Speaker 2: the girls to Barley and he said to the girls, well, 167 00:07:46,440 --> 00:07:49,680 Speaker 2: I've got this pass why don't I come with you girls? 168 00:07:50,120 --> 00:07:52,600 Speaker 2: And while i'm there, if you girls can get into 169 00:07:52,600 --> 00:07:55,280 Speaker 2: this lounge as well, I'll have a free feed with 170 00:07:55,320 --> 00:07:58,840 Speaker 2: you and a few drinks. So he brought along his passport. 171 00:07:59,200 --> 00:08:03,080 Speaker 2: He went through, filled out an outgoing passenger car seat 172 00:08:04,320 --> 00:08:06,960 Speaker 2: to get to the lounge. Obviously you have to say 173 00:08:06,960 --> 00:08:09,760 Speaker 2: that you're going away. So he filled out everything that 174 00:08:09,800 --> 00:08:12,320 Speaker 2: he had to do, showed his passport, went into the lounge, 175 00:08:12,680 --> 00:08:15,840 Speaker 2: He got blind, had a few drinks, had a great feed, 176 00:08:16,240 --> 00:08:17,960 Speaker 2: and then he went up to one of the officers 177 00:08:18,000 --> 00:08:20,640 Speaker 2: and said, oh, I've left my wallet in my car. 178 00:08:20,760 --> 00:08:22,560 Speaker 2: Can I just quickly go out and get it. The 179 00:08:22,600 --> 00:08:25,320 Speaker 2: guy goes, yeah, no worries, give me your passport. You 180 00:08:25,400 --> 00:08:28,160 Speaker 2: have to leave your passport, get it and come back 181 00:08:28,400 --> 00:08:32,960 Speaker 2: and on no, no, no, no, no no, I just said, 182 00:08:33,160 --> 00:08:34,600 Speaker 2: he said, where are you going? And he said, I'm 183 00:08:34,640 --> 00:08:39,480 Speaker 2: going Indonesia. And he said, no, I'll hold your passport, 184 00:08:39,640 --> 00:08:42,760 Speaker 2: you go and get your wallet. And he said, no, 185 00:08:43,240 --> 00:08:45,520 Speaker 2: I've got to be honest with you. I've just come 186 00:08:45,559 --> 00:08:47,080 Speaker 2: into this lounge for a free feed. 187 00:08:47,200 --> 00:08:47,840 Speaker 1: Really like your men. 188 00:08:48,080 --> 00:08:51,960 Speaker 2: Bloke's been arrested and charged thirteen hundred dollars for misleading information. 189 00:08:52,720 --> 00:08:53,400 Speaker 2: Going passenger. 190 00:08:53,600 --> 00:08:56,080 Speaker 1: I said, you're telling everyone, you're telling the federal government 191 00:08:56,080 --> 00:08:57,560 Speaker 1: that you're leaving the country and you're not. 192 00:08:57,920 --> 00:08:59,840 Speaker 4: But usually you do have to hand over a boarding 193 00:09:00,200 --> 00:09:02,439 Speaker 4: as someone has failed in the process already. 194 00:09:02,480 --> 00:09:04,480 Speaker 1: And so who goes to board their flight and goes, 195 00:09:04,559 --> 00:09:06,959 Speaker 1: oh god, I left my wallet. It's in the car, 196 00:09:09,280 --> 00:09:13,760 Speaker 1: you know, jet that's waiting on the time, mate, hold it. 197 00:09:14,800 --> 00:09:16,400 Speaker 1: This has got to be the best story getting around 198 00:09:16,440 --> 00:09:19,559 Speaker 1: this weekend. Number one story on news dot com dot AU. 199 00:09:20,440 --> 00:09:22,840 Speaker 1: I just wish I could have been there, because we 200 00:09:22,880 --> 00:09:24,400 Speaker 1: all know what it's like to be at a wedding 201 00:09:24,400 --> 00:09:26,800 Speaker 1: and how beautiful and romantic that moment is. And you 202 00:09:26,920 --> 00:09:28,960 Speaker 1: see that old bride come down the aisle and have 203 00:09:29,000 --> 00:09:30,360 Speaker 1: a bit of a kiss and say I do, and 204 00:09:30,360 --> 00:09:33,040 Speaker 1: then the party starts. The party didn't get to that 205 00:09:33,200 --> 00:09:37,680 Speaker 1: point at this wedding over the weekend, unfortunately, because the 206 00:09:37,840 --> 00:09:41,640 Speaker 1: groom had found out that, unfortunately, his bride to be 207 00:09:41,840 --> 00:09:45,920 Speaker 1: had been playing up. So you know, like we've discussed before, FITZI, 208 00:09:46,280 --> 00:09:49,080 Speaker 1: you you always say on this topic, I don't know 209 00:09:49,080 --> 00:09:51,719 Speaker 1: if I'd be able to control myself enough to come 210 00:09:51,800 --> 00:09:54,240 Speaker 1: up with a plan to spring it on her like this. 211 00:09:54,440 --> 00:09:56,840 Speaker 2: You could take a deep breath, let it sink in 212 00:09:56,880 --> 00:10:00,120 Speaker 2: for twenty four hours, then start plotting your rev. 213 00:10:01,080 --> 00:10:03,080 Speaker 1: How am I going to do this? And how big 214 00:10:03,120 --> 00:10:05,000 Speaker 1: can I make this? And I take my hat off. 215 00:10:05,040 --> 00:10:07,520 Speaker 1: This guy has served it up ten out of ten 216 00:10:08,000 --> 00:10:10,840 Speaker 1: the dish best served cold. So what they've done. He's 217 00:10:10,880 --> 00:10:13,440 Speaker 1: got up to make his speech at the wedding and 218 00:10:13,559 --> 00:10:18,200 Speaker 1: he's thrown to a package right of a montage of 219 00:10:18,360 --> 00:10:21,400 Speaker 1: photos of the two of them together. All right, so 220 00:10:21,520 --> 00:10:25,440 Speaker 1: everybody probably had time of your life playing. Everybody is 221 00:10:25,520 --> 00:10:28,240 Speaker 1: looking at the screen, celebrating this wonderful moment of the 222 00:10:28,240 --> 00:10:30,600 Speaker 1: two of them in a journey to this point of 223 00:10:30,679 --> 00:10:33,559 Speaker 1: the biggest day of their lives. And then it's interrupted 224 00:10:34,160 --> 00:10:38,400 Speaker 1: with footage of her the bride, walking into a hotel 225 00:10:38,480 --> 00:10:40,320 Speaker 1: room with another girl. 226 00:10:42,360 --> 00:10:47,360 Speaker 4: Was it that examination or could you no? 227 00:10:47,520 --> 00:10:50,840 Speaker 1: He then explained what was going on. Sarah lean into 228 00:10:50,880 --> 00:10:54,400 Speaker 1: the microphone and said, go to hell and walked out 229 00:10:54,400 --> 00:10:57,280 Speaker 1: in front of all the guests and well. 230 00:10:57,160 --> 00:11:02,079 Speaker 2: The biggest, the biggest, I mean the contingency that you're 231 00:11:02,120 --> 00:11:07,920 Speaker 2: focusing on. There is her family, all eyes on her family. 232 00:11:08,920 --> 00:11:11,760 Speaker 2: Can I just say, as a bloke, oh, this is 233 00:11:11,920 --> 00:11:14,080 Speaker 2: just ultimately it's entertainment for me. 234 00:11:14,200 --> 00:11:15,440 Speaker 1: I pay a thousand dollars to me. 235 00:11:15,920 --> 00:11:18,840 Speaker 2: I would just you know these weddings, said, Let's be honest, 236 00:11:19,040 --> 00:11:20,120 Speaker 2: weddings can get boring? 237 00:11:20,120 --> 00:11:20,920 Speaker 1: Are they drag off? 238 00:11:21,440 --> 00:11:23,720 Speaker 4: You change your tune every day. Some days they're boring. 239 00:11:23,800 --> 00:11:25,160 Speaker 4: Some days you just want to get bloed. 240 00:11:26,040 --> 00:11:28,720 Speaker 2: Look, I love a good wedding, and we're debating this 241 00:11:28,760 --> 00:11:31,440 Speaker 2: at the moment. Everyone deserves to get married if they 242 00:11:31,480 --> 00:11:35,199 Speaker 2: want to, but there are moments speeches and stuff they 243 00:11:35,240 --> 00:11:41,480 Speaker 2: do get boring. Speech speech for half an hour too long? 244 00:11:41,679 --> 00:11:42,000 Speaker 2: Was great? 245 00:11:42,040 --> 00:11:44,040 Speaker 1: Should have thrown to a package of Lisa wandering into 246 00:11:44,040 --> 00:11:47,280 Speaker 1: another hotel room. Wouldn't it be amazing though? If there 247 00:11:47,320 --> 00:11:49,840 Speaker 1: was a service out there and you knew that something 248 00:11:49,920 --> 00:11:51,360 Speaker 1: was going to go wrong at a wedding, but you 249 00:11:51,440 --> 00:11:54,480 Speaker 1: didn't know what it was. By and dig in to 250 00:11:54,520 --> 00:11:56,520 Speaker 1: the wedding knowing it was going to be a disaster, 251 00:11:56,559 --> 00:11:58,040 Speaker 1: but you didn't know how it was going to fall. 252 00:11:58,160 --> 00:11:59,800 Speaker 3: See now that's the TV show you've been wing. 253 00:12:00,160 --> 00:12:01,920 Speaker 2: That is right there, it is. 254 00:12:02,040 --> 00:12:03,000 Speaker 1: You got the invite. 255 00:12:03,080 --> 00:12:05,600 Speaker 4: The problem is, though, if you don't know, if you're 256 00:12:05,720 --> 00:12:09,080 Speaker 4: friends with her, do you tell him? 257 00:12:09,679 --> 00:12:11,600 Speaker 2: Yeah, that's the question. If you knew. 258 00:12:11,760 --> 00:12:15,360 Speaker 4: So I knew a guy growing up, not close, but 259 00:12:15,400 --> 00:12:17,280 Speaker 4: I knew him, and I knew he'd been cheating, but 260 00:12:17,320 --> 00:12:20,400 Speaker 4: I'd never met his fiancee. No, do you reach out 261 00:12:20,440 --> 00:12:21,680 Speaker 4: to that person and tell them? 262 00:12:21,840 --> 00:12:24,280 Speaker 2: Well, it depends on how close you are to the 263 00:12:24,280 --> 00:12:26,920 Speaker 2: person that's being cheated on. I totally agree with you 264 00:12:27,080 --> 00:12:29,480 Speaker 2: if it's Look, if it's your friend, obviously you've got 265 00:12:29,520 --> 00:12:31,880 Speaker 2: to tell your friend. But if it's the other side, 266 00:12:32,280 --> 00:12:34,160 Speaker 2: I don't know about that. You got to you got 267 00:12:34,200 --> 00:12:37,640 Speaker 2: to protect your friend and maybe go to him and say, look, mabe, 268 00:12:37,679 --> 00:12:40,280 Speaker 2: I know what's going on. I know what you're doing. Yeah, 269 00:12:40,320 --> 00:12:42,880 Speaker 2: it's not right. So you've got to sort this out 270 00:12:42,920 --> 00:12:46,200 Speaker 2: before you actually get married. Don't go breaking her heart. 271 00:12:46,720 --> 00:12:48,600 Speaker 1: But what if it was, say a week out from 272 00:12:48,640 --> 00:12:51,680 Speaker 1: the wedding, Let's say you and I you hadn't married, 273 00:12:51,720 --> 00:12:54,560 Speaker 1: BJ and I find out that BJ is seeing somebody 274 00:12:54,640 --> 00:12:56,960 Speaker 1: else and it's a week out. Do I sit you 275 00:12:57,040 --> 00:12:59,880 Speaker 1: down and go mate? This is a tough chat to have, 276 00:13:00,559 --> 00:13:01,800 Speaker 1: but I think she's seen someone. 277 00:13:01,880 --> 00:13:04,240 Speaker 2: Well, if I found out that you didn't have that chat, 278 00:13:04,320 --> 00:13:10,040 Speaker 2: I'd probably off, you know what, as to go through 279 00:13:10,080 --> 00:13:13,600 Speaker 2: with a whole wedding and then find out after you're 280 00:13:13,640 --> 00:13:15,680 Speaker 2: already married that had happened, you'd be shocked. 281 00:13:15,760 --> 00:13:17,880 Speaker 6: Had an Uber driver the other day who and Uber 282 00:13:17,960 --> 00:13:20,280 Speaker 6: drivers can tend to elaborate, So I didn't believe it 283 00:13:20,320 --> 00:13:21,240 Speaker 6: until I heard this story. 284 00:13:21,280 --> 00:13:22,439 Speaker 3: But he said he was at a wedding. 285 00:13:22,520 --> 00:13:23,959 Speaker 2: Wasn't a same thing? 286 00:13:24,040 --> 00:13:28,000 Speaker 6: Happened four point seventy five And it got to the 287 00:13:28,040 --> 00:13:30,280 Speaker 6: point where the groom was making his speech and announced 288 00:13:30,400 --> 00:13:34,120 Speaker 6: midway through it that he knew that his bride was 289 00:13:34,120 --> 00:13:37,200 Speaker 6: sleeping with his best man, and then dropped the mic 290 00:13:37,240 --> 00:13:38,880 Speaker 6: and walk out. So what chance do you have if 291 00:13:38,880 --> 00:13:40,800 Speaker 6: it's your best mate and the bride? 292 00:13:41,800 --> 00:13:44,120 Speaker 1: Sunday Night, Last Night, Carry Anne, What a great interview. 293 00:13:44,400 --> 00:13:46,360 Speaker 1: Love that lady in the story of John, of course, 294 00:13:46,400 --> 00:13:49,600 Speaker 1: who's great, he's talking again. Her husband, of course, had 295 00:13:49,600 --> 00:13:52,360 Speaker 1: the bad fall. He can move his hands slightly, but 296 00:13:52,400 --> 00:13:55,319 Speaker 1: the recovery of where he's got to his sensational Her 297 00:13:55,400 --> 00:13:58,560 Speaker 1: honesty is just so endearing, and that's the great thing 298 00:13:58,559 --> 00:14:00,600 Speaker 1: about Kerryon and that's why this country loved her for 299 00:14:00,640 --> 00:14:03,880 Speaker 1: so long. She spoke about the domestic violence in her 300 00:14:03,920 --> 00:14:07,120 Speaker 1: first husband, but very confronting. She spoke about when she 301 00:14:07,200 --> 00:14:09,880 Speaker 1: held a gun to him because she didn't know what 302 00:14:10,000 --> 00:14:12,199 Speaker 1: else to do. Here was a moment when she was 303 00:14:12,240 --> 00:14:14,559 Speaker 1: talking about it, I just went. 304 00:14:14,400 --> 00:14:17,839 Speaker 8: And got the gun, aimed it at him and said, 305 00:14:18,640 --> 00:14:21,640 Speaker 8: I will shoot you if you come anywhere. 306 00:14:21,680 --> 00:14:21,960 Speaker 2: Nmi. 307 00:14:22,920 --> 00:14:25,760 Speaker 1: Wow, what domestic violence? 308 00:14:25,880 --> 00:14:28,560 Speaker 4: It's horrible as wow. Yeah, just don't connect to the 309 00:14:28,600 --> 00:14:31,800 Speaker 4: two you never thought of in that sort of situation. 310 00:14:32,000 --> 00:14:33,800 Speaker 1: But it was a great story because she said she 311 00:14:33,880 --> 00:14:36,440 Speaker 1: moved to New York for the entertainment game and met 312 00:14:36,440 --> 00:14:40,520 Speaker 1: this guy who very charismatic bloke, a lovely guy, and 313 00:14:40,680 --> 00:14:42,040 Speaker 1: swept her off her feet. 314 00:14:42,160 --> 00:14:43,240 Speaker 2: Swept her off her feet. 315 00:14:43,560 --> 00:14:47,520 Speaker 1: But then it was this guy and what happened with 316 00:14:47,600 --> 00:14:49,720 Speaker 1: him and the dealings with him in the domestic violence 317 00:14:49,720 --> 00:14:51,720 Speaker 1: that made her run to John, who was of course 318 00:14:51,720 --> 00:14:55,120 Speaker 1: her current husband. So that was kind of one negative 319 00:14:55,160 --> 00:14:58,280 Speaker 1: turned into the best positive of her life. And she 320 00:14:58,320 --> 00:15:00,760 Speaker 1: spoke about her dedication to to On and of course 321 00:15:00,800 --> 00:15:04,240 Speaker 1: his situation. What I found was fascinating Carry and started 322 00:15:04,240 --> 00:15:05,920 Speaker 1: talking about Studio fifty four. 323 00:15:07,920 --> 00:15:10,200 Speaker 2: Which is a very famous night club, wasn't it? 324 00:15:10,240 --> 00:15:11,600 Speaker 1: Well, that movie was massive. 325 00:15:11,680 --> 00:15:14,320 Speaker 2: What did Carry hang it? That was hard to get into. 326 00:15:14,480 --> 00:15:16,600 Speaker 2: That's what all the biggest stars in the world used. 327 00:15:16,480 --> 00:15:18,680 Speaker 1: To Johnny Holmes part of that scene. 328 00:15:18,840 --> 00:15:22,240 Speaker 2: Well, dir Johnny Well, no, no, Dirk Diggler is not 329 00:15:22,280 --> 00:15:24,400 Speaker 2: a real character. Mate. No, that was. 330 00:15:24,320 --> 00:15:26,200 Speaker 1: A movie that was Mark. 331 00:15:27,800 --> 00:15:30,840 Speaker 2: No, no, no, no. There was a movie Ryan Philip 332 00:15:31,320 --> 00:15:35,120 Speaker 2: was Campbell. Yeah, there was a movie called Studio fifty four. 333 00:15:36,240 --> 00:15:41,320 Speaker 1: A minute a minute. There's there's a movie I saw 334 00:15:41,400 --> 00:15:44,560 Speaker 1: one time, yes, where it's about a male adult star. 335 00:15:44,880 --> 00:15:48,720 Speaker 2: Okay, and that's Dirk Diggler. That's Nights Boogie Knights. Yes. 336 00:15:48,800 --> 00:15:50,200 Speaker 1: So I'm just trying to work out of there's two 337 00:15:50,200 --> 00:15:53,960 Speaker 1: different movies here, Book Nights and Studio different movie. 338 00:15:54,040 --> 00:15:57,280 Speaker 2: Yes, Studio fifty four isn't coming to Dirk Diggling. 339 00:15:57,320 --> 00:16:01,360 Speaker 1: I'm not suggesting Carry and that's not what I'm saying. 340 00:16:03,000 --> 00:16:05,440 Speaker 2: I'm not making the language. But you a an adult 341 00:16:05,440 --> 00:16:08,200 Speaker 2: male star. Did you say that Kerry Anne was with 342 00:16:08,280 --> 00:16:10,120 Speaker 2: John Holmes? Is that what you're saying, no. 343 00:16:13,640 --> 00:16:16,800 Speaker 1: No, no, no, no, that never happened either. I'm just 344 00:16:16,920 --> 00:16:19,440 Speaker 1: leading into this next bit of honesty that came out 345 00:16:19,440 --> 00:16:22,120 Speaker 1: of Kerrynne's mouth about the days of Studio fifty four. 346 00:16:22,400 --> 00:16:27,200 Speaker 8: Cocaine was, you know, pretty rife everywhere, and a couple 347 00:16:27,240 --> 00:16:29,840 Speaker 8: of times that I may have taken some of that. 348 00:16:29,920 --> 00:16:35,119 Speaker 8: You realize that it's actually really fabulous, but I realized 349 00:16:35,400 --> 00:16:37,280 Speaker 8: it wasn't for me because it was too good. 350 00:16:39,680 --> 00:16:46,880 Speaker 4: And gas I'm loving golf playing beautiful. 351 00:16:47,680 --> 00:16:51,920 Speaker 1: Wow for recognizing how good it was and that you 352 00:16:52,200 --> 00:16:52,920 Speaker 1: to clean it up. 353 00:16:53,160 --> 00:16:55,840 Speaker 2: She's usually very honest. She should bring out a book 354 00:16:55,880 --> 00:16:58,680 Speaker 2: with this stuff. There is a book coming out, is there? 355 00:16:58,960 --> 00:16:59,160 Speaker 8: Yeah? 356 00:16:59,200 --> 00:16:59,720 Speaker 1: Yeah, there is. 357 00:17:00,240 --> 00:17:00,800 Speaker 2: What's it called? 358 00:17:00,800 --> 00:17:03,000 Speaker 1: Because at the end of the story they promode the book, 359 00:17:03,360 --> 00:17:04,520 Speaker 1: which is fascinating. 360 00:17:04,600 --> 00:17:08,959 Speaker 2: I would love to know how many Hollywood male celebrities 361 00:17:09,000 --> 00:17:12,119 Speaker 2: hit on Kerry Ann back in the day massive Remember 362 00:17:12,160 --> 00:17:14,800 Speaker 2: that that famous interview with John Stamos when he rocked 363 00:17:14,840 --> 00:17:17,080 Speaker 2: up to the set and he was blind. 364 00:17:17,720 --> 00:17:19,280 Speaker 1: Remember when you and I were drinking at the Star 365 00:17:19,359 --> 00:17:21,119 Speaker 1: and Kerry Anne was in that dress and she had 366 00:17:21,119 --> 00:17:24,080 Speaker 1: her leg out and I said, remember for that it 367 00:17:24,200 --> 00:17:26,919 Speaker 1: was like an awards night at the Star and I 368 00:17:26,960 --> 00:17:29,080 Speaker 1: said for a message saying I've married the wrong woman. 369 00:17:29,400 --> 00:17:32,240 Speaker 2: No she was wearing No were you used to have 370 00:17:32,359 --> 00:17:36,960 Speaker 2: we got any carry It's not in the system. It 371 00:17:36,960 --> 00:17:40,520 Speaker 2: always gets deleted. But but Whipper used to go on 372 00:17:40,560 --> 00:17:43,560 Speaker 2: as a regular on Kerry Anne Show and it was 373 00:17:43,600 --> 00:17:46,000 Speaker 2: funny because it was like the panel that they have 374 00:17:46,200 --> 00:17:48,760 Speaker 2: now with the morning shows. Seas can go on three 375 00:17:48,800 --> 00:17:51,320 Speaker 2: different topics and we've done this. It's so funny. But 376 00:17:51,480 --> 00:17:53,520 Speaker 2: they used to say to Whipper, Okay, you know this 377 00:17:53,720 --> 00:17:56,960 Speaker 2: morning where you know the topic is climate change, if 378 00:17:57,000 --> 00:17:59,040 Speaker 2: you've got something to say. But then Carry Anne would 379 00:17:59,040 --> 00:18:02,160 Speaker 2: always have another one. Have we got it? We found 380 00:18:02,200 --> 00:18:03,000 Speaker 2: it all right here it is. 381 00:18:03,320 --> 00:18:07,440 Speaker 8: Do you think her breaking this promise is enough for 382 00:18:07,520 --> 00:18:10,359 Speaker 8: the public of Australia to absolutely revolt? 383 00:18:10,720 --> 00:18:12,760 Speaker 1: But what's your fat I think I think it could be. 384 00:18:13,080 --> 00:18:13,840 Speaker 1: I mean it's. 385 00:18:15,560 --> 00:18:15,920 Speaker 2: I don't know. 386 00:18:18,680 --> 00:18:22,880 Speaker 1: You have doctored that audio? No, I've doctored that audio. Well, 387 00:18:22,920 --> 00:18:23,480 Speaker 1: that didn't make me. 388 00:18:24,200 --> 00:18:26,399 Speaker 2: I think that was your last time you're on there. 389 00:18:26,440 --> 00:18:28,600 Speaker 1: Amelie's got it for me Here. A Bold Life by 390 00:18:28,720 --> 00:18:29,880 Speaker 1: Carrianna is the name of the book. 391 00:18:30,440 --> 00:18:31,440 Speaker 2: Is it already more? 392 00:18:31,480 --> 00:18:39,800 Speaker 1: Studio fifty four stories straight out of there, Sarah. 393 00:18:40,119 --> 00:18:44,200 Speaker 2: He is my favorite Ryan Gosling, But apparently he's a 394 00:18:44,280 --> 00:18:46,159 Speaker 2: bit devastated at the moment. Yeah, he is. 395 00:18:46,240 --> 00:18:51,080 Speaker 4: He's lost his beloved dog, George, aged seventeen. The dog 396 00:18:51,160 --> 00:18:53,720 Speaker 4: actually died a few months ago, but he's never spoken 397 00:18:53,760 --> 00:18:56,600 Speaker 4: about it because it is quite sad for him, who's 398 00:18:56,680 --> 00:19:00,159 Speaker 4: doing an interview with Ellen Degenerous. He now wears the 399 00:19:00,280 --> 00:19:04,240 Speaker 4: dog's identity tags around his name. Yeah, because he was 400 00:19:04,359 --> 00:19:06,720 Speaker 4: so close to the dog. Anyway, it's very sweet. He 401 00:19:06,840 --> 00:19:08,359 Speaker 4: tells a story about how good a. 402 00:19:08,400 --> 00:19:09,399 Speaker 2: Friend the dog was. 403 00:19:09,840 --> 00:19:11,679 Speaker 9: There was something about George where he always I think 404 00:19:11,720 --> 00:19:15,320 Speaker 9: he felt like being a dog was beneath him, Like 405 00:19:15,600 --> 00:19:18,200 Speaker 9: he would not do tricks. If you wanted him even 406 00:19:18,240 --> 00:19:20,280 Speaker 9: to sit down, you had to sort of convince him 407 00:19:20,320 --> 00:19:21,359 Speaker 9: it was in his best interest. 408 00:19:22,160 --> 00:19:22,320 Speaker 10: You know. 409 00:19:22,720 --> 00:19:24,000 Speaker 9: You're like, look, we're going to be in this car 410 00:19:24,119 --> 00:19:26,320 Speaker 9: for about three hours, so if you want to sit down, 411 00:19:26,920 --> 00:19:28,800 Speaker 9: you might be more comfortable that way, and then he 412 00:19:28,920 --> 00:19:30,119 Speaker 9: might consider it. 413 00:19:30,760 --> 00:19:33,440 Speaker 4: Yeah, I feel like you'll be the same with Cooper fits. 414 00:19:33,720 --> 00:19:35,919 Speaker 2: Yeah, I know, I get stuck in the Cooper a bit. 415 00:19:36,000 --> 00:19:38,920 Speaker 2: But BJ said, you know what, you won't realize how 416 00:19:39,000 --> 00:19:40,240 Speaker 2: good he is until he's gone. 417 00:19:40,480 --> 00:19:42,680 Speaker 1: Yeah, I mean he's aging. 418 00:19:42,960 --> 00:19:45,720 Speaker 2: Let's be honest. He's struggling to keep up on the walks, mate, Yeah, 419 00:19:45,800 --> 00:19:48,040 Speaker 2: he's and he's starting. It's a bit of a limp 420 00:19:48,160 --> 00:19:51,040 Speaker 2: going now moment. People have been asking about his limp. 421 00:19:51,359 --> 00:19:52,000 Speaker 5: I'll give him. 422 00:19:51,920 --> 00:19:54,960 Speaker 4: Lots of cuddles in a Carple karaoke. First, guys, the 423 00:19:55,080 --> 00:19:57,040 Speaker 4: food fighters have come out and said that they found 424 00:19:57,080 --> 00:20:00,800 Speaker 4: a segment quite boring to film. No events to James 425 00:20:00,880 --> 00:20:04,399 Speaker 4: cordon This was them doing one of their songs on 426 00:20:04,600 --> 00:20:13,240 Speaker 4: Carple carry someone get them feel like fun. 427 00:20:13,440 --> 00:20:14,520 Speaker 2: How long did it go for? 428 00:20:14,800 --> 00:20:18,000 Speaker 4: Well, they said it's absolutely it's hours. It's hours and hours. 429 00:20:18,119 --> 00:20:20,640 Speaker 4: They didn't realize that. They said it just kept going. 430 00:20:21,080 --> 00:20:24,360 Speaker 4: They thought they'd finished, but they're only halfway. And Dave 431 00:20:24,440 --> 00:20:27,840 Speaker 4: Grohl said it was very uncomfortable singing his own songs 432 00:20:27,880 --> 00:20:31,080 Speaker 4: in a confined space with these other guys with his bat. 433 00:20:31,200 --> 00:20:32,879 Speaker 1: You've got to give it to James Corden then, because 434 00:20:32,960 --> 00:20:34,920 Speaker 1: whenever you see it, I mean that that what we 435 00:20:35,080 --> 00:20:36,920 Speaker 1: just heard may have been filmed right at the end. See, 436 00:20:37,000 --> 00:20:38,760 Speaker 1: you don't know, and he keeps the energy up. 437 00:20:39,080 --> 00:20:41,879 Speaker 2: The wonder how much they get paid, because someone was 438 00:20:42,000 --> 00:20:45,560 Speaker 2: telling us that they were with James Cordon at all, 439 00:20:45,960 --> 00:20:48,440 Speaker 2: who's telling us that they already's house in La r 440 00:20:48,440 --> 00:20:51,520 Speaker 2: On maybe Greg Burns. And he got the phone call. 441 00:20:52,880 --> 00:20:55,479 Speaker 2: James Corden got the phone call while they were there, 442 00:20:55,520 --> 00:20:57,760 Speaker 2: and he said, sorry, guys, I really need to take 443 00:20:57,800 --> 00:20:59,880 Speaker 2: this call. It's important. He got the phone call saying 444 00:21:00,040 --> 00:21:04,320 Speaker 2: Apple want to buy Carpool Karaoke. Wow. And he came 445 00:21:04,400 --> 00:21:08,560 Speaker 2: back and he's big joke was, guys, get used to 446 00:21:08,680 --> 00:21:10,200 Speaker 2: this house because I'm going to sell this one and 447 00:21:10,240 --> 00:21:12,240 Speaker 2: buy a bigger and better one because I've just sold 448 00:21:12,320 --> 00:21:13,800 Speaker 2: Carpool Carryoke. God. 449 00:21:14,320 --> 00:21:15,960 Speaker 4: Yeah, but you look at it and you do think 450 00:21:16,400 --> 00:21:19,080 Speaker 4: that even though yes, I know everything is to be 451 00:21:19,280 --> 00:21:21,440 Speaker 4: and set up, you do think it is quite a 452 00:21:21,520 --> 00:21:25,119 Speaker 4: quick commusion that you'd sit there and sing a song twice. 453 00:21:25,920 --> 00:21:27,680 Speaker 4: You don't think it's an eight hour day. 454 00:21:27,800 --> 00:21:30,359 Speaker 2: You see a thirty second clip and then that sucks 455 00:21:30,359 --> 00:21:32,920 Speaker 2: you into the video. So this is three hours until. 456 00:21:33,560 --> 00:21:36,600 Speaker 4: I still love it. Liam and Noel Gallagher. I do 457 00:21:36,760 --> 00:21:39,280 Speaker 4: love these guys. I mean they're not going to apologize 458 00:21:39,320 --> 00:21:42,520 Speaker 4: for fighting. Liam has gone on on the Graham Norton 459 00:21:42,560 --> 00:21:45,440 Speaker 4: Show and he's had a crack at his brother. Yes again, 460 00:21:45,840 --> 00:21:49,159 Speaker 4: he's explained that the bat actually started when they were 461 00:21:50,119 --> 00:21:55,520 Speaker 4: teenagers and Liam weed on Noel's new speaker system that 462 00:21:55,640 --> 00:21:57,760 Speaker 4: he got because he was so drunk he couldn't find 463 00:21:57,800 --> 00:22:00,600 Speaker 4: the bathroom, and then when he got com hunted about it, 464 00:22:00,640 --> 00:22:02,040 Speaker 4: he said, well, you're lucky I didn't get you in 465 00:22:02,160 --> 00:22:03,800 Speaker 4: the face, So not really the best. 466 00:22:04,400 --> 00:22:05,720 Speaker 1: That's how this whole thing started. 467 00:22:06,119 --> 00:22:09,080 Speaker 4: On a speaker, Yeah, absolutely, because he was that enamored 468 00:22:09,160 --> 00:22:09,600 Speaker 4: with this speaker. 469 00:22:09,720 --> 00:22:10,000 Speaker 10: Anyway. 470 00:22:10,040 --> 00:22:12,240 Speaker 4: He went on to say, the feud is very simple, guys, 471 00:22:12,520 --> 00:22:13,920 Speaker 4: and it's not going to be ending soon. 472 00:22:14,520 --> 00:22:18,280 Speaker 2: Don't like a lot of people think we're waiting around, 473 00:22:18,320 --> 00:22:19,600 Speaker 2: you know what I mean, for like a few more 474 00:22:19,640 --> 00:22:20,879 Speaker 2: knots on the and for the thing. 475 00:22:20,960 --> 00:22:23,040 Speaker 6: But they've already offered us like loads of money, like 476 00:22:23,200 --> 00:22:24,080 Speaker 6: millions and millions. 477 00:22:24,119 --> 00:22:25,800 Speaker 2: But not about the money, is it? You know what 478 00:22:25,840 --> 00:22:28,600 Speaker 2: I mean. You've got to think how many mill has 479 00:22:28,680 --> 00:22:33,440 Speaker 2: been Well, yeah, it's not Liam's decision, it's no So 480 00:22:33,560 --> 00:22:35,320 Speaker 2: Narl's got the problem happening. No, no, no, no, no, no, 481 00:22:35,480 --> 00:22:40,200 Speaker 2: Noel wrote all the songs. Mate, Noles is absolutely low. 482 00:22:40,720 --> 00:22:44,439 Speaker 2: Noel The's oasis, Yeah sure, I mean, Liam's an amazing voice. 483 00:22:44,960 --> 00:22:47,120 Speaker 2: Noel gets to make the decision when they go back, 484 00:22:47,200 --> 00:22:50,159 Speaker 2: and Noel has said in interviews they've offered us a 485 00:22:50,240 --> 00:22:52,320 Speaker 2: lot of money, but you know what, it's not enough. 486 00:22:52,720 --> 00:22:53,720 Speaker 2: I want more money. 487 00:22:53,840 --> 00:22:55,359 Speaker 7: Oh wow, so you can be sweat. 488 00:22:55,440 --> 00:22:58,159 Speaker 2: Yeah. So he's like, Glastonbury needs to come to us 489 00:22:58,240 --> 00:23:01,280 Speaker 2: with more coach or whoever it is. You need more 490 00:23:01,359 --> 00:23:03,320 Speaker 2: money and then I'll consider it. 491 00:23:03,400 --> 00:23:06,600 Speaker 1: It feels like Connor McGregor Mayweather, we need more money 492 00:23:06,600 --> 00:23:07,159 Speaker 1: if you want this. 493 00:23:07,200 --> 00:23:09,520 Speaker 2: To take that and if they keep this going yet, 494 00:23:09,600 --> 00:23:13,400 Speaker 2: I will Glastonbury or a wedding festival will go. Let's 495 00:23:13,440 --> 00:23:13,600 Speaker 2: do it. 496 00:23:13,880 --> 00:23:17,119 Speaker 4: More money in a speaker system. Finally, guys, Lady Gaga, 497 00:23:17,720 --> 00:23:20,320 Speaker 4: she wants mister took Isla Fisher for Amy Adams at 498 00:23:20,359 --> 00:23:23,720 Speaker 4: a Hollywood Vanity Fair Oscars party. Now this isn't the 499 00:23:23,800 --> 00:23:26,560 Speaker 4: first of this story. These two get confused all the time, 500 00:23:26,880 --> 00:23:30,320 Speaker 4: but it is quite funny. Isla Fisher was explaining how 501 00:23:30,400 --> 00:23:32,760 Speaker 4: awkward it was with Lady Gaga and she really didn't 502 00:23:32,800 --> 00:23:34,760 Speaker 4: want to tell her that she'd got it wrong. 503 00:23:35,240 --> 00:23:39,600 Speaker 5: And she says, thank you your performance in American Hustle 504 00:23:39,720 --> 00:23:40,679 Speaker 5: Amy was. 505 00:23:41,320 --> 00:23:43,520 Speaker 4: And I'm thinking, oh my gosh, it's Lady Gaga. 506 00:23:43,600 --> 00:23:44,800 Speaker 1: I don't want to tell her the truth. 507 00:23:45,000 --> 00:23:48,199 Speaker 4: So I just thanked her, bowed my head, and then 508 00:23:48,240 --> 00:23:50,520 Speaker 4: I look over her shoulder and there's Amy Adams walking 509 00:23:50,560 --> 00:23:51,200 Speaker 4: into the party. 510 00:23:51,280 --> 00:23:52,600 Speaker 1: So I'm like, there's Eila Fisher. 511 00:23:52,920 --> 00:23:57,560 Speaker 4: I say, she's not even nominated for anything? 512 00:23:57,640 --> 00:23:58,520 Speaker 11: What's she doing here? 513 00:23:58,760 --> 00:24:02,680 Speaker 4: Very funny, It would be quite funny. Apparently Isle of 514 00:24:02,760 --> 00:24:05,719 Speaker 4: Fisher now actually points out to people all the differences. 515 00:24:05,800 --> 00:24:08,400 Speaker 4: You know, my hair is light auburn, hers is dark. 516 00:24:08,520 --> 00:24:10,480 Speaker 4: Things like that. She does at least laugh about it. 517 00:24:11,119 --> 00:24:13,040 Speaker 4: The big one being though, that Amy Adams has been 518 00:24:13,080 --> 00:24:15,040 Speaker 4: nominated for five Oscars and Isle. 519 00:24:14,840 --> 00:24:16,439 Speaker 7: Of Fisher the big fat sun. 520 00:24:16,640 --> 00:24:18,960 Speaker 1: We love Fisher. What do you say when people mistake 521 00:24:19,000 --> 00:24:21,000 Speaker 1: you for Reese with a spoon? What do you go with? 522 00:24:21,520 --> 00:24:22,760 Speaker 1: You look so similar? 523 00:24:22,840 --> 00:24:23,600 Speaker 4: I never have. 524 00:24:25,920 --> 00:24:28,040 Speaker 7: Finding the right foundation is harder than ever. 525 00:24:28,320 --> 00:24:31,960 Speaker 12: Ill Marciage makes it easy to find your perfect match online, 526 00:24:32,240 --> 00:24:35,879 Speaker 12: no store required. With fifty shades of flawless coverage and 527 00:24:36,000 --> 00:24:37,440 Speaker 12: over sixty thousand. 528 00:24:37,160 --> 00:24:39,440 Speaker 7: And five star reviews, the hype is real. 529 00:24:39,800 --> 00:24:43,399 Speaker 12: Their online quiz uses AI to find your ideal shade 530 00:24:43,480 --> 00:24:46,359 Speaker 12: in seconds, and with Try before you Buy, you can 531 00:24:46,440 --> 00:24:50,160 Speaker 12: try your full size shade at home free for fourteen days. 532 00:24:50,480 --> 00:24:53,679 Speaker 7: Take the quiz. At il marciage dot com slash quiz 533 00:24:53,960 --> 00:24:58,159 Speaker 7: I L M A k I Age dot com slash quiz. 534 00:25:01,960 --> 00:25:04,639 Speaker 2: The old hard always skips when you get Maximus on. 535 00:25:04,880 --> 00:25:07,119 Speaker 2: You know what I mean this music? 536 00:25:07,800 --> 00:25:10,440 Speaker 1: I mean I think the show starts with him when 537 00:25:10,520 --> 00:25:14,800 Speaker 1: it says on my signal on leishall. Isn't that unbelievable? 538 00:25:15,000 --> 00:25:16,640 Speaker 1: I mean he's done other movies, don't get me wrong. 539 00:25:17,359 --> 00:25:18,680 Speaker 4: Oh yeah, which ones have you seen? 540 00:25:19,359 --> 00:25:21,960 Speaker 1: You know what I loved? Was it Gangs of New York? 541 00:25:22,280 --> 00:25:24,520 Speaker 1: No American gangster gangs? 542 00:25:24,680 --> 00:25:24,720 Speaker 6: Me? 543 00:25:24,840 --> 00:25:29,520 Speaker 1: That was an awesome phil Yeah, it's brilliant, awesome film. 544 00:25:29,600 --> 00:25:31,960 Speaker 2: Well, look we always he's over in Europe at the moment, 545 00:25:32,000 --> 00:25:33,760 Speaker 2: having the time of his life. We need to chat 546 00:25:33,800 --> 00:25:36,160 Speaker 2: to him. He's just performed with indoor garden parties. Well 547 00:25:36,200 --> 00:25:37,880 Speaker 2: have we got him on the line? Russelly you there, 548 00:25:38,920 --> 00:25:43,040 Speaker 2: I'm here, so good to have you on mate. We 549 00:25:43,200 --> 00:25:45,840 Speaker 2: wanted to know how the gigs went over the weekend 550 00:25:45,960 --> 00:25:49,400 Speaker 2: indoor garden party. Everyone's been talking about it. It was sellout. 551 00:25:49,920 --> 00:25:52,320 Speaker 2: Were you happy with the performance made? How did they 552 00:25:52,400 --> 00:25:53,119 Speaker 2: go it? 553 00:25:53,359 --> 00:25:57,080 Speaker 13: Shows were fantastic. It's just such a gorgeous room and 554 00:25:57,119 --> 00:26:00,080 Speaker 13: it was fantastic. Leads was way over the top, a 555 00:26:00,119 --> 00:26:03,200 Speaker 13: little bit more rivaled, you know, the further North, and 556 00:26:03,320 --> 00:26:07,840 Speaker 13: then Dublin was just absolutely spectacular. The shows were fantastic. 557 00:26:08,040 --> 00:26:10,159 Speaker 13: Couldn't have gone any better. We did a performance on 558 00:26:10,359 --> 00:26:15,560 Speaker 13: the one show. The album went to number one on 559 00:26:15,720 --> 00:26:23,440 Speaker 13: both the UK iTunes and UK Amazon. Like, I'll tell 560 00:26:23,440 --> 00:26:26,320 Speaker 13: you what, in the five years of making that out, 561 00:26:26,640 --> 00:26:29,359 Speaker 13: all the different you know, the hours of the recording 562 00:26:29,440 --> 00:26:32,240 Speaker 13: and the writing and the mixing and the editing of 563 00:26:32,320 --> 00:26:34,399 Speaker 13: it and all that sort of stuff, never once was 564 00:26:34,480 --> 00:26:35,720 Speaker 13: the word chart us. 565 00:26:39,440 --> 00:26:42,200 Speaker 1: It's an amazing result and you know, to have to 566 00:26:42,760 --> 00:26:46,800 Speaker 1: have the shows sellout as well, mate, the people have spoken. 567 00:26:47,560 --> 00:26:49,800 Speaker 13: It was fantastic man, and Chris played a couple of 568 00:26:49,880 --> 00:26:53,200 Speaker 13: songs on his radio show and Graham Norton played out 569 00:26:53,240 --> 00:26:56,760 Speaker 13: of Range on his Vio show. You know, it's just 570 00:26:56,920 --> 00:26:59,760 Speaker 13: it was. It was really cool man, and I did 571 00:27:00,280 --> 00:27:02,320 Speaker 13: you know, quite a few radio bits and pieces and 572 00:27:02,680 --> 00:27:05,000 Speaker 13: another prayers and everything. And the reception to the record 573 00:27:05,119 --> 00:27:06,920 Speaker 13: is just nisnce very cool. 574 00:27:07,040 --> 00:27:09,119 Speaker 1: But I love that. We had one major concern because 575 00:27:09,119 --> 00:27:12,840 Speaker 1: we sent a competition winner over carry Anne and also 576 00:27:12,920 --> 00:27:15,920 Speaker 1: you very generously paid for paid for one of the 577 00:27:15,960 --> 00:27:17,960 Speaker 1: other guys, the runner up to go over there to 578 00:27:18,040 --> 00:27:20,480 Speaker 1: meet you. Kerry Anne. You sent me a photo of 579 00:27:20,560 --> 00:27:22,240 Speaker 1: the two of you. She looked a little bit handsy. 580 00:27:22,320 --> 00:27:23,720 Speaker 1: She was a true Russell Crow fan. 581 00:27:24,440 --> 00:27:27,080 Speaker 13: Well, I didn't realize until I was looking back through 582 00:27:28,240 --> 00:27:30,680 Speaker 13: see what photographs to send you, that she spent half 583 00:27:30,720 --> 00:27:36,480 Speaker 13: the photographs of the tongue hanging out. Looked like she 584 00:27:36,680 --> 00:27:38,800 Speaker 13: was having a great time, and so did the other 585 00:27:38,880 --> 00:27:40,560 Speaker 13: two people that were with her. They look like they're 586 00:27:40,760 --> 00:27:41,439 Speaker 13: enjoying themselves. 587 00:27:41,640 --> 00:27:43,399 Speaker 2: No, well, Rusty, we want to thank you mate for 588 00:27:43,480 --> 00:27:45,680 Speaker 2: looking after him, because you know, Kerry Anne, that was 589 00:27:45,720 --> 00:27:48,080 Speaker 2: an amazing experience for her. But you didn't just bring 590 00:27:48,160 --> 00:27:50,400 Speaker 2: her back. You know, it was in the VIP room, 591 00:27:50,440 --> 00:27:53,119 Speaker 2: you had a few drinks. She hasn't been able to 592 00:27:53,200 --> 00:27:56,480 Speaker 2: stop gloating about it the whole time, So we appreciate 593 00:27:56,560 --> 00:27:58,320 Speaker 2: you look after those photographs. 594 00:27:58,600 --> 00:28:02,480 Speaker 13: Those photographs are not from the IP room or the 595 00:28:02,640 --> 00:28:04,680 Speaker 13: after buddy, they're from the after after. 596 00:28:04,960 --> 00:28:07,760 Speaker 1: Oh God, no wonder. She had her tongue hanging. 597 00:28:07,560 --> 00:28:15,520 Speaker 13: Out at mcgratten's pub, trunk in this in this Irish 598 00:28:15,560 --> 00:28:18,960 Speaker 13: pub with you know, every expecting they're going to be drinking. 599 00:28:19,040 --> 00:28:21,240 Speaker 13: Get us some scotch for what and whiskey or whatever. 600 00:28:21,520 --> 00:28:26,000 Speaker 13: You know, there a patron's. That's really cool tequila cocktail 601 00:28:26,080 --> 00:28:29,159 Speaker 13: set up. You know how much funny yourself you can 602 00:28:29,200 --> 00:28:31,320 Speaker 13: get yourself fashioned all different sorts of works. 603 00:28:31,800 --> 00:28:34,240 Speaker 2: He a talking of catching up with mates as well. 604 00:28:34,280 --> 00:28:37,359 Speaker 2: Whispers going around that you and James Blunt had a 605 00:28:37,400 --> 00:28:39,920 Speaker 2: little bit of a session as well. What did you 606 00:28:40,000 --> 00:28:40,880 Speaker 2: catch up with Blunty? 607 00:28:41,320 --> 00:28:45,520 Speaker 13: It's funny thing, man, I had forgotten, but here I 608 00:28:45,680 --> 00:28:51,400 Speaker 13: was in Columbus, Ohio to on ed Durance tour. James 609 00:28:51,520 --> 00:28:54,240 Speaker 13: is the support act on that tour, and I've forgotten 610 00:28:54,360 --> 00:28:56,840 Speaker 13: that James and I were both on the same bill 611 00:28:57,360 --> 00:29:00,920 Speaker 13: for the MTV Awards in two thousand and six. Yeah right, 612 00:29:02,160 --> 00:29:04,320 Speaker 13: it was James, me and Snoop Dogg. 613 00:29:09,000 --> 00:29:13,360 Speaker 2: What a lie, I reckon. Snoop Dogg's indoor garden party 614 00:29:13,520 --> 00:29:18,800 Speaker 2: might have another meaning, Russell. I love that. 615 00:29:19,240 --> 00:29:21,960 Speaker 13: And James in great form and he's been really enjoying 616 00:29:22,000 --> 00:29:25,160 Speaker 13: the tour and all stuff. But Edward is just going off. 617 00:29:25,240 --> 00:29:25,400 Speaker 12: Man. 618 00:29:25,680 --> 00:29:28,640 Speaker 13: He's just so slick now, you know, and he's so 619 00:29:28,840 --> 00:29:31,120 Speaker 13: connected to his audience. He's really doing well. 620 00:29:31,360 --> 00:29:31,479 Speaker 2: Well. 621 00:29:31,520 --> 00:29:33,120 Speaker 1: We're a little bit concerned because last time I had 622 00:29:33,160 --> 00:29:35,120 Speaker 1: cheer and came on the show. There was a drinking 623 00:29:35,200 --> 00:29:37,520 Speaker 1: technique that you taught him, and unfortunately you got it 624 00:29:37,600 --> 00:29:39,480 Speaker 1: wrong and he didn't mix the right amount of water 625 00:29:39,560 --> 00:29:43,000 Speaker 1: and he woke up with a terrible headache. Did everything 626 00:29:43,040 --> 00:29:45,040 Speaker 1: go to plan this time? How was the session with Ed? 627 00:29:45,400 --> 00:29:48,120 Speaker 13: We went through that and all pause to that He's 628 00:29:48,160 --> 00:29:49,320 Speaker 13: woken up with a clear head. 629 00:29:49,480 --> 00:29:51,320 Speaker 1: And mate, when you're home, what's the plan? What's the 630 00:29:51,360 --> 00:29:51,840 Speaker 1: next stop? 631 00:29:52,680 --> 00:29:57,720 Speaker 13: I'm at Anta, Georgia, yep, and I'm started the process 632 00:29:57,760 --> 00:30:02,920 Speaker 13: today of turning into a Baptist preacher. That's right, Yeah, 633 00:30:03,160 --> 00:30:04,760 Speaker 13: that's going to be. I was just reading the scripts 634 00:30:04,760 --> 00:30:07,400 Speaker 13: again this morning. Oh man, I just agreed to do 635 00:30:07,560 --> 00:30:13,520 Speaker 13: some really heavy this always do this. The full weight 636 00:30:13,680 --> 00:30:16,120 Speaker 13: of what I've said yes to doesn't actually hit me 637 00:30:16,520 --> 00:30:19,000 Speaker 13: until I'm just about to do it, And now I go, 638 00:30:19,560 --> 00:30:23,120 Speaker 13: I start looking at it. Really do that naked? 639 00:30:24,400 --> 00:30:26,880 Speaker 2: This is the Joel legend. 640 00:30:28,200 --> 00:30:32,280 Speaker 13: My mind protects me from the details until I've already 641 00:30:32,280 --> 00:30:32,920 Speaker 13: crossed the line. 642 00:30:33,160 --> 00:30:36,000 Speaker 2: Well, Russell, we can't wait to have you back home. 643 00:30:36,120 --> 00:30:39,560 Speaker 2: Made it sounds like it was a resounding success over there. 644 00:30:39,640 --> 00:30:42,040 Speaker 2: We'd love to have indoor garden party back here. 645 00:30:42,360 --> 00:30:43,400 Speaker 13: Cool man, that's fantastic. 646 00:30:43,440 --> 00:30:47,440 Speaker 2: Thank you very much Russell. Congratulations mate, and look forward 647 00:30:47,440 --> 00:30:48,280 Speaker 2: to seeing you back home. 648 00:30:49,120 --> 00:30:49,360 Speaker 10: Thank you. 649 00:30:54,920 --> 00:30:58,240 Speaker 2: Over the weekends. I mean, that'll be an amazing climb. 650 00:30:58,240 --> 00:31:01,440 Speaker 2: I think plat Cavier call is twenty four or twenty 651 00:31:01,760 --> 00:31:05,400 Speaker 2: five wins in a row, so that's coming up. See 652 00:31:05,560 --> 00:31:06,760 Speaker 2: not that far away for that one. 653 00:31:06,840 --> 00:31:08,680 Speaker 1: And that was his first race at Flemington, wasn't it. 654 00:31:08,760 --> 00:31:10,640 Speaker 1: Oh see it come. 655 00:31:10,560 --> 00:31:13,000 Speaker 2: Around and we've got the big Everest this Saturday as well. 656 00:31:13,360 --> 00:31:15,240 Speaker 4: You run million bucks that one. 657 00:31:15,200 --> 00:31:18,760 Speaker 2: Ten million dollars for the fastest horse in the. 658 00:31:18,800 --> 00:31:22,480 Speaker 1: World, Winks running and that is at a long distance run. No, No, 659 00:31:22,880 --> 00:31:25,440 Speaker 1: it's a sprint, so it's a twelve hundred meter wasn'ts 660 00:31:25,440 --> 00:31:25,600 Speaker 1: in that? 661 00:31:26,120 --> 00:31:29,640 Speaker 2: Well? Look there was talk could you enter Winks into that? 662 00:31:29,760 --> 00:31:32,280 Speaker 2: But Winks needs a bit longer. I think it needs 663 00:31:32,280 --> 00:31:36,920 Speaker 2: a bit longer run. No, I don't think this is sprinters. 664 00:31:36,960 --> 00:31:38,640 Speaker 2: So this can't straight out of the barrier. 665 00:31:38,720 --> 00:31:43,400 Speaker 1: Bang and you're off start Winks back another four hundred right, 666 00:31:43,520 --> 00:31:45,640 Speaker 1: So it starts four hundred behind the rest of the horses, 667 00:31:45,800 --> 00:31:47,760 Speaker 1: then has to just breathe in as it goes through 668 00:31:47,800 --> 00:31:49,520 Speaker 1: the gate where the rest of the horses have left. 669 00:31:49,920 --> 00:31:51,480 Speaker 2: This is the thing you don't want to put like you. 670 00:31:51,600 --> 00:31:53,560 Speaker 2: I mean, you push the horse anyway, but you don't 671 00:31:53,560 --> 00:31:55,800 Speaker 2: want to push it too much that it may break down. 672 00:31:56,560 --> 00:31:59,040 Speaker 2: You've got one of the greatest race horses of all time. 673 00:32:00,000 --> 00:32:02,160 Speaker 2: We got one hundred dollars to spend at my Fiona 674 00:32:02,240 --> 00:32:04,680 Speaker 2: from stan Moore. You're our first amazing claim. What do 675 00:32:04,720 --> 00:32:06,160 Speaker 2: you got for us? Feet? Yeah? 676 00:32:06,160 --> 00:32:08,800 Speaker 14: I got to have lunch with David Hasselhoff. 677 00:32:09,320 --> 00:32:12,600 Speaker 2: No what he did he ask you out to lunch fee? 678 00:32:13,160 --> 00:32:16,040 Speaker 14: No he didn't he I was working like for a 679 00:32:16,160 --> 00:32:18,680 Speaker 14: tourist company and had to show him and his I 680 00:32:18,760 --> 00:32:21,120 Speaker 14: think it's his now ex wife around Sydney when they 681 00:32:21,160 --> 00:32:23,600 Speaker 14: were here. And remember he was here for the loading. 682 00:32:24,280 --> 00:32:27,320 Speaker 1: Yeah, yeah, forgotten. 683 00:32:27,400 --> 00:32:28,720 Speaker 2: We got the big stars at you. 684 00:32:29,720 --> 00:32:29,920 Speaker 6: Yeah. 685 00:32:30,000 --> 00:32:32,400 Speaker 14: So I turned up to sh sit down and have 686 00:32:32,720 --> 00:32:35,520 Speaker 14: sushi with us, and and then he pulled out of 687 00:32:35,560 --> 00:32:39,360 Speaker 14: his pocket an autograph which is like he's just autographed 688 00:32:39,520 --> 00:32:42,280 Speaker 14: for me, and he made me wear this badge around 689 00:32:42,320 --> 00:32:46,040 Speaker 14: Sydney that said don't hassle the whole of course. 690 00:32:46,360 --> 00:32:49,040 Speaker 1: Well, you know what I performed with him one night 691 00:32:49,200 --> 00:32:51,600 Speaker 1: on stage is like a part of a radio promo 692 00:32:51,720 --> 00:32:54,840 Speaker 1: thing that we did. And he handed out to the crowd. 693 00:32:55,360 --> 00:32:59,920 Speaker 1: David Hasselhoff face masks that's ever had this cardboard cut out. 694 00:33:01,200 --> 00:33:03,520 Speaker 14: He's a fun person. I loved him. I thought he 695 00:33:03,600 --> 00:33:07,719 Speaker 14: was self deprecating and just really good bad actually accidentally 696 00:33:07,800 --> 00:33:08,760 Speaker 14: went through the wash though. 697 00:33:09,880 --> 00:33:11,440 Speaker 2: I've actually got a bit of that audio of you 698 00:33:11,560 --> 00:33:22,240 Speaker 2: performing with him on Starhi. Why I remember I remember you? 699 00:33:22,720 --> 00:33:25,720 Speaker 2: Do you remember you went in front of him on 700 00:33:25,840 --> 00:33:28,440 Speaker 2: the stage when you did your bit and he he 701 00:33:28,640 --> 00:33:31,560 Speaker 2: just put this huge arm out and brought you back 702 00:33:31,640 --> 00:33:34,400 Speaker 2: behind him and lost my head. Thanks, don't get ahead 703 00:33:34,440 --> 00:33:37,400 Speaker 2: of yourself. Thanks for Shantell and camed and what's your 704 00:33:37,480 --> 00:33:38,200 Speaker 2: amazing clime. 705 00:33:39,400 --> 00:33:42,920 Speaker 11: My mom works for Conners and this is going back 706 00:33:43,000 --> 00:33:45,400 Speaker 11: a good year. She's still there now, but she is 707 00:33:45,480 --> 00:33:48,480 Speaker 11: someone who they asked to deal with a lot of celebrities. 708 00:33:48,520 --> 00:33:51,600 Speaker 11: So when they come to the international terminal, so she 709 00:33:51,920 --> 00:33:54,080 Speaker 11: was told to go meet some people at the gate 710 00:33:54,160 --> 00:33:57,000 Speaker 11: and say okayful like like her friends set her up. 711 00:33:57,000 --> 00:33:59,000 Speaker 11: They're like, oh, hey, we know that you like these people. 712 00:33:59,240 --> 00:34:01,680 Speaker 11: And mom had no idea who it was. So she's 713 00:34:01,720 --> 00:34:03,840 Speaker 11: like okay, okay, yeah, no worries, Oh you don't go 714 00:34:03,960 --> 00:34:06,400 Speaker 11: do my job. So she walks down and she goes 715 00:34:06,440 --> 00:34:07,800 Speaker 11: to meet these people at the gay from when they 716 00:34:07,840 --> 00:34:10,600 Speaker 11: come off the aircraft and it's Bono and he's dead, 717 00:34:10,680 --> 00:34:15,239 Speaker 11: it's you too, and their band manager, and so Mom 718 00:34:15,400 --> 00:34:18,120 Speaker 11: ended up making like making friends with them because my 719 00:34:18,280 --> 00:34:21,000 Speaker 11: mother was the kind of person. She kept in contact 720 00:34:21,080 --> 00:34:23,160 Speaker 11: with the manager because he was like, you know what, 721 00:34:23,760 --> 00:34:25,359 Speaker 11: we want you to come to one of our one 722 00:34:25,400 --> 00:34:27,520 Speaker 11: of our shows, like I'd like to keep in contact 723 00:34:27,560 --> 00:34:29,279 Speaker 11: with you for whenever we come to Sydney. We want 724 00:34:29,280 --> 00:34:32,919 Speaker 11: to deal with you personally. A couple of years when 725 00:34:34,120 --> 00:34:37,879 Speaker 11: you two came back to Sydney, she took my dad 726 00:34:37,920 --> 00:34:40,520 Speaker 11: and I along. So I was about four years old, 727 00:34:40,680 --> 00:34:43,320 Speaker 11: and I have a picture. I have a couple of 728 00:34:43,360 --> 00:34:47,239 Speaker 11: pictures where Bono was actually holding me at four years old, 729 00:34:47,320 --> 00:34:50,440 Speaker 11: like I'm in his arms. And I've also got like 730 00:34:50,520 --> 00:34:54,520 Speaker 11: pictures with their old band manager, Dennis, and Mom's still 731 00:34:54,560 --> 00:34:59,919 Speaker 11: in contact and good friends with Dennis's why ex wife. 732 00:35:00,480 --> 00:35:01,640 Speaker 1: That's good. 733 00:35:01,680 --> 00:35:03,440 Speaker 2: I mean, I've got a four year old boy. I 734 00:35:03,480 --> 00:35:05,319 Speaker 2: don't think i'd pick him up like a baby though, 735 00:35:05,400 --> 00:35:06,000 Speaker 2: that's the thing. 736 00:35:07,600 --> 00:35:08,640 Speaker 1: Tried to breastfeed him. 737 00:35:09,840 --> 00:35:13,320 Speaker 2: He's a pretty big lad. Have you picking up just 738 00:35:13,400 --> 00:35:14,279 Speaker 2: four year old gids? 739 00:35:14,520 --> 00:35:17,319 Speaker 1: He's more of a piggyback time. That's great, shann tell 740 00:35:17,400 --> 00:35:17,920 Speaker 1: good story. 741 00:35:18,200 --> 00:35:20,240 Speaker 2: Tash in Livington, what's your amazing client? 742 00:35:21,360 --> 00:35:23,160 Speaker 10: Kate Winslet borrowed my bra? 743 00:35:24,120 --> 00:35:26,200 Speaker 1: Why you have one hundred dollars? 744 00:35:26,920 --> 00:35:30,400 Speaker 2: I just love that headline. He Winslet borrowed my bra? 745 00:35:30,719 --> 00:35:31,080 Speaker 2: Tell us. 746 00:35:32,600 --> 00:35:35,880 Speaker 10: My auntie's a stylist. So when I lived back in England, 747 00:35:36,080 --> 00:35:38,239 Speaker 10: they were in London and my auntie was working with 748 00:35:38,400 --> 00:35:41,359 Speaker 10: her and I obviously tagged along and she was doing 749 00:35:41,440 --> 00:35:44,319 Speaker 10: a Japanese hair commercial, so she had to look as 750 00:35:44,360 --> 00:35:48,600 Speaker 10: if she was naked from obviously the chest down her 751 00:35:48,680 --> 00:35:52,320 Speaker 10: head up, and she didn't have a straplost bra, so 752 00:35:52,480 --> 00:35:54,960 Speaker 10: and I was wearing one at the time, So therefore 753 00:35:55,080 --> 00:35:55,680 Speaker 10: she borrowed my. 754 00:35:55,760 --> 00:35:59,279 Speaker 1: Bra and you just having to be a similar size, Tash, Yes, 755 00:35:59,400 --> 00:35:59,719 Speaker 1: I did. 756 00:36:00,239 --> 00:36:03,759 Speaker 2: That's good. Isn't it a bit like isn't that a 757 00:36:03,840 --> 00:36:06,120 Speaker 2: bit gross to borrow something? Is it like borrowing someone 758 00:36:06,160 --> 00:36:07,200 Speaker 2: else's undies? Well? 759 00:36:07,360 --> 00:36:09,160 Speaker 4: No, god, no, not at all. But I mean it's 760 00:36:09,200 --> 00:36:12,560 Speaker 4: different because if you've been to the gym or something, bras, 761 00:36:12,640 --> 00:36:14,200 Speaker 4: But if you just got dressed for the day, like 762 00:36:14,320 --> 00:36:16,279 Speaker 4: right now, mine would be fine to share if someone 763 00:36:16,320 --> 00:36:16,600 Speaker 4: wanted to. 764 00:36:17,800 --> 00:36:20,160 Speaker 1: Also, if you just what bras every time. Yeah, that's 765 00:36:20,200 --> 00:36:22,160 Speaker 1: exactly I wear yours for the rest of the show. 766 00:36:22,280 --> 00:36:23,920 Speaker 4: I think you're a bigger coup than I am. 767 00:36:26,040 --> 00:36:27,520 Speaker 2: That'd be too small for you. 768 00:36:30,040 --> 00:36:30,520 Speaker 1: Hundred bucks. 769 00:36:30,880 --> 00:36:31,800 Speaker 4: Absolutely, it's. 770 00:36:34,239 --> 00:36:38,520 Speaker 2: Spend the Mire Channel seven nightly news week week night, 771 00:36:38,680 --> 00:36:41,320 Speaker 2: six pm. You see this man's beautiful blue eyes. I 772 00:36:41,400 --> 00:36:44,080 Speaker 2: have to turn over because my wife just gets sucked 773 00:36:44,120 --> 00:36:46,640 Speaker 2: into them every single night. Mark Ferguson, welcome to. 774 00:36:48,880 --> 00:36:50,759 Speaker 15: Thank you very much in a very good morning to 775 00:36:50,800 --> 00:36:55,120 Speaker 15: be j If you're out there listening, it's lovely to 776 00:36:55,160 --> 00:36:56,879 Speaker 15: have your support at six o'clock. 777 00:36:56,800 --> 00:36:59,120 Speaker 1: You will be every night. She's sitting there in a 778 00:36:59,239 --> 00:36:59,799 Speaker 1: dressing gown. 779 00:37:00,080 --> 00:37:01,920 Speaker 2: Have any of your kids got blue eyes? Did they 780 00:37:02,040 --> 00:37:03,279 Speaker 2: get passed down the blue eyes? 781 00:37:03,600 --> 00:37:06,520 Speaker 15: I don't think they did a hazel in them in 782 00:37:06,600 --> 00:37:06,879 Speaker 15: the mix? 783 00:37:07,480 --> 00:37:09,839 Speaker 2: Yeah, I wonder how you get blue eyes. I wonder 784 00:37:09,920 --> 00:37:13,839 Speaker 2: what the mix has to be with your mum or dad, 785 00:37:14,000 --> 00:37:17,439 Speaker 2: because isn't there certain if you've got a brown eyes? Eyes? 786 00:37:18,200 --> 00:37:18,359 Speaker 13: Right? 787 00:37:18,600 --> 00:37:21,480 Speaker 2: You know what I mean. We're thinking very closely. 788 00:37:21,239 --> 00:37:24,040 Speaker 1: But I have no idea what that's not what we 789 00:37:24,120 --> 00:37:24,759 Speaker 1: got you in for. 790 00:37:26,560 --> 00:37:28,120 Speaker 2: You don't want to talk about the way I looked, 791 00:37:28,160 --> 00:37:29,840 Speaker 2: And I'll speak. 792 00:37:29,840 --> 00:37:34,520 Speaker 4: Relationship with you and Whipper addressed exactly the same might. 793 00:37:34,440 --> 00:37:36,040 Speaker 1: Be obsessed with We've got a check shirt in the 794 00:37:36,080 --> 00:37:37,560 Speaker 1: boot on. There's nothing wrong with that. 795 00:37:37,800 --> 00:37:40,000 Speaker 2: Man of the people, of the people, Men of the people. 796 00:37:40,080 --> 00:37:42,880 Speaker 2: Do you know what? As soon as Fergo walked in, 797 00:37:43,239 --> 00:37:45,680 Speaker 2: he said, I've got something to show you, mate, and 798 00:37:45,760 --> 00:37:47,919 Speaker 2: he put his R. M. Williams up on and said, 799 00:37:47,960 --> 00:37:49,440 Speaker 2: I'm a man of the land. I got my new 800 00:37:49,520 --> 00:37:51,880 Speaker 2: shoes trying to impress Fergo. 801 00:37:52,320 --> 00:37:52,480 Speaker 13: Was that? 802 00:37:52,680 --> 00:37:54,880 Speaker 2: Did he impress you at all? Their Fergo? Or he 803 00:37:54,960 --> 00:37:56,799 Speaker 2: not only impressed me with the boot but to. 804 00:37:56,840 --> 00:38:00,319 Speaker 6: Get that little leg all the way a little he's 805 00:38:00,400 --> 00:38:02,840 Speaker 6: quite a high desk drive tractors together. 806 00:38:03,800 --> 00:38:11,200 Speaker 15: He's hamsterring is really stretched out there just as welcome, 807 00:38:11,280 --> 00:38:13,440 Speaker 15: welcome back, lovely to be here, thank you very much. 808 00:38:13,480 --> 00:38:15,560 Speaker 2: The reason why we do love getting you in because 809 00:38:15,560 --> 00:38:18,640 Speaker 2: you absolutely spank our newsreader, Maddie degreed. It's the headline off. 810 00:38:18,680 --> 00:38:21,239 Speaker 2: You're very good at this. Well, I thank you and 811 00:38:21,600 --> 00:38:22,480 Speaker 2: it's lovely to be back. 812 00:38:22,520 --> 00:38:25,719 Speaker 15: I don't get us back often, let alone three or four. 813 00:38:25,800 --> 00:38:29,000 Speaker 1: We use you to keep him in check. So this 814 00:38:29,080 --> 00:38:30,520 Speaker 1: is sort of training ground F M. 815 00:38:30,640 --> 00:38:30,839 Speaker 2: DG. 816 00:38:31,000 --> 00:38:33,120 Speaker 15: When you come in, I appreciate that. I feel our 817 00:38:33,160 --> 00:38:36,120 Speaker 15: relationship has changed over the years. When I first arrived, 818 00:38:36,280 --> 00:38:38,680 Speaker 15: I wanted to support Maddie. I felt he wasn't getting 819 00:38:38,680 --> 00:38:41,600 Speaker 15: the respect he deserved as the news reader. That's all 820 00:38:41,719 --> 00:38:47,600 Speaker 15: changed and that's changed becaurse of time at sports grounds 821 00:38:47,600 --> 00:38:48,160 Speaker 15: around Sydney. 822 00:38:48,440 --> 00:38:50,000 Speaker 1: Yeah, seen it. 823 00:38:50,239 --> 00:38:52,319 Speaker 15: I go, I want to watch the game. I want 824 00:38:52,320 --> 00:38:54,320 Speaker 15: to have a beer talk with him at Mates and 825 00:38:54,440 --> 00:38:55,040 Speaker 15: he's there. 826 00:38:56,160 --> 00:38:57,239 Speaker 2: Microphone in hand. 827 00:38:57,600 --> 00:39:00,520 Speaker 6: He sat out, sacking up all the airspace and he goes, 828 00:39:01,200 --> 00:39:03,200 Speaker 6: I've come in and I've beat you with the headline. Off, 829 00:39:03,440 --> 00:39:05,200 Speaker 6: I've come in and I've beat you the wrap battle. 830 00:39:05,600 --> 00:39:07,640 Speaker 6: Why do they keep putting you up for the slaughter? 831 00:39:10,880 --> 00:39:12,040 Speaker 2: High judge. 832 00:39:15,280 --> 00:39:17,000 Speaker 1: To read out headlines? 833 00:39:18,000 --> 00:39:18,480 Speaker 6: Is not that. 834 00:39:20,640 --> 00:39:28,839 Speaker 1: Sometimes my ferguson is about the spine, well metaphorically. 835 00:39:29,560 --> 00:39:33,200 Speaker 2: Headlines. It is the headline. This is where we give 836 00:39:33,239 --> 00:39:35,640 Speaker 2: the boys a topical story, just give you the story. 837 00:39:35,760 --> 00:39:38,640 Speaker 2: They have to come up with their best headline straight away. 838 00:39:39,040 --> 00:39:40,959 Speaker 2: I mean, you've got to be quick on your feet. 839 00:39:41,040 --> 00:39:44,440 Speaker 2: It's very very hard this one. But this is your job. Boys, 840 00:39:44,520 --> 00:39:45,320 Speaker 2: You're born. 841 00:39:45,160 --> 00:39:45,560 Speaker 13: To do that. 842 00:39:45,719 --> 00:39:47,360 Speaker 6: Can I get a pledge from the two of you 843 00:39:47,440 --> 00:39:49,640 Speaker 6: at least or see if you're judging for at least 844 00:39:49,680 --> 00:39:52,439 Speaker 6: an impartiality, because too often it just goes to Mark 845 00:39:52,440 --> 00:39:56,279 Speaker 6: because he's Furgo from Channel seven. God weless, how lucky 846 00:39:56,320 --> 00:39:58,399 Speaker 6: we are to have him? When not he's coming three 847 00:39:58,480 --> 00:40:00,120 Speaker 6: times now? Surely the doublet. 848 00:40:00,120 --> 00:40:01,680 Speaker 1: Down mate, using big words too? 849 00:40:02,200 --> 00:40:03,719 Speaker 2: All right, well, why don't we throw it over to 850 00:40:03,800 --> 00:40:06,680 Speaker 2: Sarah then? And I will not judge today. Sarah, you're. 851 00:40:09,000 --> 00:40:09,480 Speaker 1: Let's kick it on. 852 00:40:09,600 --> 00:40:11,680 Speaker 15: I agree, I would like to win fairly. 853 00:40:13,040 --> 00:40:14,520 Speaker 2: Do you want to go first today or do you 854 00:40:14,560 --> 00:40:14,840 Speaker 2: want to know? 855 00:40:15,320 --> 00:40:16,040 Speaker 15: I think that should go? 856 00:40:16,719 --> 00:40:19,240 Speaker 2: Okay, first one. We just spoke about this before Winks 857 00:40:19,480 --> 00:40:23,640 Speaker 2: dominated one. It's twenty first race in a row over 858 00:40:23,719 --> 00:40:27,120 Speaker 2: the weekend. We need your best headline, Maddie. The Greek 859 00:40:27,200 --> 00:40:31,240 Speaker 2: take away This is no force of course. 860 00:40:31,400 --> 00:40:33,360 Speaker 3: Don't blinks or you'll miss winks. 861 00:40:35,320 --> 00:40:39,160 Speaker 2: Heavy on the rhyme, very heavy and of course force 862 00:40:39,239 --> 00:40:41,439 Speaker 2: of course horse of course. So we've got the horse time. 863 00:40:41,760 --> 00:40:42,160 Speaker 1: No, I get it. 864 00:40:42,239 --> 00:40:44,799 Speaker 2: You don't need to explain it, Sarah, you're smart. 865 00:40:45,120 --> 00:40:46,120 Speaker 3: You will get next. 866 00:40:46,800 --> 00:40:49,000 Speaker 2: I haven't read hard. 867 00:40:51,760 --> 00:40:54,560 Speaker 1: Yeah, confusing mister story. 868 00:40:55,560 --> 00:40:59,240 Speaker 2: Fergo is busily. He is writing down something as we speak. 869 00:40:59,320 --> 00:41:01,919 Speaker 2: So Fergo, we need your best headline. Winks twenty first 870 00:41:01,960 --> 00:41:02,680 Speaker 2: win off you. 871 00:41:03,480 --> 00:41:07,120 Speaker 15: This is nover winks and you'll miss it Coming of 872 00:41:07,239 --> 00:41:09,160 Speaker 15: Age on the Flemington Stage. 873 00:41:08,960 --> 00:41:11,880 Speaker 2: Bad all square. 874 00:41:12,000 --> 00:41:13,919 Speaker 3: That is exactly the same headline, just the other way. 875 00:41:13,800 --> 00:41:17,800 Speaker 4: Around, like a headline should be radio. 876 00:41:18,560 --> 00:41:20,759 Speaker 2: But do you know what he focused on coming of 877 00:41:20,880 --> 00:41:25,279 Speaker 2: age with the twenty first Yeah, I have a horse rope. 878 00:41:25,719 --> 00:41:28,400 Speaker 1: Do you know what I love about this too? MDG's 879 00:41:28,400 --> 00:41:30,360 Speaker 1: had twenty four hours on this. Fergo's written on the 880 00:41:30,440 --> 00:41:32,759 Speaker 1: back of a lunch paper bag. 881 00:41:33,320 --> 00:41:38,840 Speaker 2: Cafe next door, free bag. All right, well let's continue, 882 00:41:38,840 --> 00:41:41,400 Speaker 2: all right, Fergo goes first on this one. Then this 883 00:41:41,600 --> 00:41:44,480 Speaker 2: is a new one. Vampire breast lifts are the new 884 00:41:44,600 --> 00:41:48,239 Speaker 2: thing now. What they're doing is actually extracting blood from 885 00:41:48,280 --> 00:41:51,240 Speaker 2: a woman's body and then putting it back into their breasts, 886 00:41:51,400 --> 00:41:54,480 Speaker 2: giving them a bigger cleavage. Sarah as the lifter. It's 887 00:41:54,560 --> 00:41:57,839 Speaker 2: called the vampire breast lifts. They're the new thing at 888 00:41:57,880 --> 00:42:00,440 Speaker 2: the moment. We need your best headline. Fergo, you are 889 00:42:00,560 --> 00:42:01,560 Speaker 2: going first. Here we go. 890 00:42:02,640 --> 00:42:07,640 Speaker 15: This is nov Doctor Dracula makes boobs spectacular. 891 00:42:08,280 --> 00:42:09,200 Speaker 2: But beware the bite. 892 00:42:11,960 --> 00:42:15,600 Speaker 1: Even you're laughing at even you know what's good, it's good. 893 00:42:16,640 --> 00:42:17,680 Speaker 2: Even you know it's good. 894 00:42:17,760 --> 00:42:20,719 Speaker 6: It's just hilarious, like you watch Ergo every night at 895 00:42:20,800 --> 00:42:23,560 Speaker 6: six on seven and just hearing him say. 896 00:42:25,680 --> 00:42:28,560 Speaker 2: A little bit naughty for the news reader. But I'm 897 00:42:28,560 --> 00:42:29,560 Speaker 2: guessing mum's not listening. 898 00:42:29,880 --> 00:42:32,360 Speaker 1: Can you get boobs into tonight's headlines? Mate, if you 899 00:42:32,400 --> 00:42:33,080 Speaker 1: wouldn't mind. 900 00:42:33,080 --> 00:42:36,520 Speaker 2: I would if I could, I would love that. All right? 901 00:42:38,840 --> 00:42:42,920 Speaker 3: This is nov I vant to suck your breastlifts to 902 00:42:42,960 --> 00:42:43,719 Speaker 3: the new beauty fad. 903 00:42:44,920 --> 00:42:50,160 Speaker 1: He's done a count voice. Can you pull the music down? 904 00:42:50,680 --> 00:42:51,959 Speaker 1: Do it again? Do it again? 905 00:42:53,239 --> 00:42:55,919 Speaker 3: I want to suck your breastlifts the new fad. 906 00:42:57,560 --> 00:42:59,440 Speaker 4: I was so keen to give you a win on this, 907 00:42:59,840 --> 00:43:00,920 Speaker 4: just even make it a tie. 908 00:43:01,560 --> 00:43:05,080 Speaker 2: Horrible, definitely drawing. So that's fergo one. 909 00:43:05,680 --> 00:43:07,960 Speaker 3: I know, I know I've got that round when the 910 00:43:08,280 --> 00:43:10,240 Speaker 3: one and only judge is wincing. 911 00:43:11,600 --> 00:43:15,320 Speaker 2: Horrible. All right, your first on this one. We spoke 912 00:43:15,320 --> 00:43:17,440 Speaker 2: about this earlier in the show as well. McDonald's have 913 00:43:17,560 --> 00:43:22,080 Speaker 2: released a vegan burger. It's called the mcvegan. McDonald's have 914 00:43:22,280 --> 00:43:26,600 Speaker 2: released a vegan burger Off you go. This is nover. 915 00:43:27,239 --> 00:43:30,760 Speaker 3: Mistake may be a mistake for macas. 916 00:43:32,760 --> 00:43:33,080 Speaker 1: Okay. 917 00:43:34,320 --> 00:43:36,319 Speaker 4: I love when rubs his head like he doesn't quite 918 00:43:36,320 --> 00:43:36,520 Speaker 4: get it. 919 00:43:37,040 --> 00:43:39,319 Speaker 1: I always get it, Sarah. I'm just wondering if it's 920 00:43:39,360 --> 00:43:41,200 Speaker 1: going to help him in any way in this round. 921 00:43:41,880 --> 00:43:45,399 Speaker 2: There's a mistake. I didn't mind that mistake. 922 00:43:48,360 --> 00:43:49,080 Speaker 1: What you got knowing? 923 00:43:49,160 --> 00:43:49,520 Speaker 3: Smile? 924 00:43:50,440 --> 00:43:54,960 Speaker 15: This is nover deep Fried logic, gentle Lentils march on 925 00:43:55,120 --> 00:43:55,719 Speaker 15: Golden Arch. 926 00:43:57,400 --> 00:43:58,360 Speaker 2: Oh, it's goods. 927 00:43:58,400 --> 00:43:59,160 Speaker 4: What a wordsmith. 928 00:43:59,360 --> 00:44:02,160 Speaker 3: Everyone, Let's just calm down on the fact that it 929 00:44:02,320 --> 00:44:03,000 Speaker 3: sounds great. 930 00:44:03,520 --> 00:44:05,239 Speaker 2: All right, let's just go with the words. 931 00:44:06,920 --> 00:44:08,920 Speaker 1: I'm even thinking, is that the voice, Matti, But I 932 00:44:08,960 --> 00:44:10,800 Speaker 1: don't think it is. It's the wording and the choice. 933 00:44:10,840 --> 00:44:13,000 Speaker 1: There's some smarts involved, says. 934 00:44:18,120 --> 00:44:19,120 Speaker 2: The vampire. 935 00:44:21,000 --> 00:44:21,719 Speaker 4: Rgo for the wind. 936 00:44:22,200 --> 00:44:25,919 Speaker 15: Yeah, thank you, lovely playing with you again, Matthew. 937 00:44:25,960 --> 00:44:26,439 Speaker 2: You're a god? 938 00:44:26,560 --> 00:44:27,160 Speaker 11: Where else you got? 939 00:44:30,320 --> 00:44:33,040 Speaker 16: All right, we need to talk about something, Peter Andre, 940 00:44:33,280 --> 00:44:36,719 Speaker 16: Can you just before you do this, can you just 941 00:44:36,840 --> 00:44:40,080 Speaker 16: be very very careful with your words, because there's one 942 00:44:40,160 --> 00:44:43,960 Speaker 16: girl in the studio that absolutely loves Peter Andre and 943 00:44:44,080 --> 00:44:45,959 Speaker 16: he's so excited about his tour. 944 00:44:46,400 --> 00:44:49,000 Speaker 4: Mysterious Girl is my favorite song. 945 00:44:49,760 --> 00:44:53,319 Speaker 2: Well, this is what's happened. Peter Andre is called off 946 00:44:53,400 --> 00:44:57,640 Speaker 2: his too were here in Australia, Peter Andre's Australian greatest 947 00:44:57,719 --> 00:45:04,480 Speaker 2: hits tour shot cancer. Now we don't know why. I've 948 00:45:04,520 --> 00:45:05,920 Speaker 2: got a pretty good idea of reckon. 949 00:45:06,719 --> 00:45:08,640 Speaker 4: Well, I was going to get tickets because I was 950 00:45:08,640 --> 00:45:11,520 Speaker 4: going to make my first outing after baby. 951 00:45:11,600 --> 00:45:13,719 Speaker 1: Yeah, that's what you're going to take Gary, Yeah, here 952 00:45:13,760 --> 00:45:13,920 Speaker 1: we go. 953 00:45:14,160 --> 00:45:15,880 Speaker 2: No, no, no, we've been told that there was a 954 00:45:15,960 --> 00:45:18,480 Speaker 2: scheduling problem. No that's not mate. 955 00:45:19,480 --> 00:45:21,719 Speaker 4: No, No, he's big in the UK, then may well 956 00:45:21,800 --> 00:45:22,759 Speaker 4: be a schedulership. 957 00:45:23,480 --> 00:45:25,600 Speaker 1: I would doubt it's sah. I mean you move it. 958 00:45:25,680 --> 00:45:27,279 Speaker 1: You can move the books a little bit in your 959 00:45:27,320 --> 00:45:28,680 Speaker 1: diary when you open it up and you go, I 960 00:45:28,800 --> 00:45:31,200 Speaker 1: reckon that arena's available. No, could we do the week after? 961 00:45:31,680 --> 00:45:34,520 Speaker 1: Oh I've got tea with someone. I reckon, you can 962 00:45:34,640 --> 00:45:34,960 Speaker 1: change it. 963 00:45:35,160 --> 00:45:38,480 Speaker 2: We just spoke to him recently and we obviously said Pete, 964 00:45:38,600 --> 00:45:40,120 Speaker 2: I know you're getting a bit older, but is there 965 00:45:40,160 --> 00:45:43,120 Speaker 2: any chance that you can actually get the old six 966 00:45:43,200 --> 00:45:45,719 Speaker 2: pack out? Have you got the six pack still? You 967 00:45:45,719 --> 00:45:47,600 Speaker 2: didn't really want to focus on the six pack. This 968 00:45:47,680 --> 00:45:48,640 Speaker 2: is what he had to say to us. 969 00:45:49,120 --> 00:45:50,880 Speaker 11: I really want to save you guys. I want to 970 00:45:50,920 --> 00:45:52,759 Speaker 11: save you guys the pain and the heartache and not 971 00:45:52,840 --> 00:45:55,160 Speaker 11: show anything like that and have a great show. 972 00:45:56,000 --> 00:45:56,680 Speaker 13: You're going to love it. 973 00:45:56,920 --> 00:45:59,160 Speaker 2: Guys, are we going to love it Pete? Because you've 974 00:45:59,200 --> 00:46:02,240 Speaker 2: just canceled on it? I would say, poor ticket sales. 975 00:46:02,760 --> 00:46:04,840 Speaker 4: Could we campaign to get him to come out and 976 00:46:04,960 --> 00:46:07,640 Speaker 4: do a red room just for us? 977 00:46:07,880 --> 00:46:10,480 Speaker 1: Well, look how many signatures would we need here at 978 00:46:10,520 --> 00:46:14,160 Speaker 1: NOV to convince the great people to put their hand 979 00:46:14,239 --> 00:46:16,200 Speaker 1: in their pocket and fly him out of ourselves. 980 00:46:16,280 --> 00:46:18,799 Speaker 2: It's disappointing when you know when there is an artist 981 00:46:18,960 --> 00:46:20,920 Speaker 2: like Peter Andre that you really want to go and 982 00:46:21,040 --> 00:46:24,239 Speaker 2: see and they cancel because they're not happy with the 983 00:46:24,280 --> 00:46:24,799 Speaker 2: ticket sales. 984 00:46:24,800 --> 00:46:26,279 Speaker 1: Wait till Molly Meldrum hears about this. 985 00:46:26,480 --> 00:46:29,800 Speaker 2: It's happened with R Kelly. He canceled his After Party 986 00:46:29,880 --> 00:46:32,319 Speaker 2: two in August twenty seventeen, and I hang. 987 00:46:32,280 --> 00:46:33,840 Speaker 4: On he was in a bit of legal trouble. 988 00:46:33,920 --> 00:46:36,760 Speaker 2: Wasn't he to give it an underage girl? Barry Gibbs, 989 00:46:37,719 --> 00:46:41,200 Speaker 2: Barry Gibb, No, no, it's not Gibbs. Barry Gibb canceled 990 00:46:41,200 --> 00:46:43,799 Speaker 2: he through of Australia New Zealand in twenty sixteen. Jesse 991 00:46:44,000 --> 00:46:46,880 Speaker 2: j canceled Australian tour in twenty fifteen, said it was 992 00:46:46,960 --> 00:46:49,560 Speaker 2: due to sickness, but the ticket sales told a different story. 993 00:46:50,000 --> 00:46:52,960 Speaker 2: The other big one was Kesher and Pitbull canceled there 994 00:46:53,040 --> 00:46:55,000 Speaker 2: to in twenty thirty bad sales. 995 00:46:55,400 --> 00:46:58,600 Speaker 1: I mean, when it comes down to bad ticket sales, 996 00:46:58,880 --> 00:47:00,879 Speaker 1: you're going to need a really good excuse to get 997 00:47:00,920 --> 00:47:03,239 Speaker 1: out of it, and you can't just go with So guys, 998 00:47:03,280 --> 00:47:05,920 Speaker 1: I've got gastro around that time of the year and 999 00:47:06,000 --> 00:47:09,719 Speaker 1: six months I've got gastro. Oh god, my grandmother's dead 1000 00:47:09,800 --> 00:47:10,759 Speaker 1: in six months time. 1001 00:47:11,080 --> 00:47:13,799 Speaker 2: Has Peter Andre been back to Australia since he went 1002 00:47:13,840 --> 00:47:14,840 Speaker 2: over there and booked up. 1003 00:47:15,200 --> 00:47:17,680 Speaker 1: It's a bit angry mate that the UK fell in 1004 00:47:17,760 --> 00:47:20,719 Speaker 1: love with him more than Australia did. This was a 1005 00:47:20,760 --> 00:47:23,160 Speaker 1: fascinating story that came out over the weekend and it's 1006 00:47:23,200 --> 00:47:25,920 Speaker 1: to do with Joseph Coney. Of course, remember the movement 1007 00:47:26,000 --> 00:47:27,000 Speaker 1: make Coney famous? 1008 00:47:27,200 --> 00:47:33,480 Speaker 2: Do we remember the Yeah, what was the. 1009 00:47:36,040 --> 00:47:38,799 Speaker 1: You and I wore Cony T shirts to the Christmas party? 1010 00:47:39,600 --> 00:47:41,920 Speaker 2: It was painting the town red. Remember it was going 1011 00:47:42,000 --> 00:47:43,120 Speaker 2: to be no one rocked up. 1012 00:47:44,040 --> 00:47:46,600 Speaker 1: Well that was because Jason Russell, the creator of Coney, 1013 00:47:46,640 --> 00:47:48,760 Speaker 1: who you saw in the film. He was then arrested 1014 00:47:49,560 --> 00:47:52,320 Speaker 1: making rude gestures completely nude on the side of a street. 1015 00:47:52,600 --> 00:47:55,240 Speaker 2: No, what we did learn from that as well. Obviously, 1016 00:47:55,400 --> 00:48:00,000 Speaker 2: Joseph Coney is a he's a dictator, he's it's horrible men. Absolutely, 1017 00:48:00,640 --> 00:48:04,920 Speaker 2: but we also found how powerful social media can be 1018 00:48:05,000 --> 00:48:07,800 Speaker 2: in that sense because that did sweep the world in 1019 00:48:07,880 --> 00:48:10,360 Speaker 2: a matter of days. Everyone got on. 1020 00:48:10,840 --> 00:48:13,680 Speaker 1: That huge it raced update. 1021 00:48:15,640 --> 00:48:17,640 Speaker 4: Okay, that's about forty five seconds. 1022 00:48:17,520 --> 00:48:22,239 Speaker 2: Josia, Okay, while we were talking, then Josiah's they're whispering, 1023 00:48:22,360 --> 00:48:26,200 Speaker 2: going something, I've got something you asked for Coney audio 1024 00:48:26,239 --> 00:48:28,360 Speaker 2: I typed they have had. 1025 00:48:28,480 --> 00:48:31,720 Speaker 1: A grab of from the original video that went viral 1026 00:48:31,800 --> 00:48:34,600 Speaker 1: that alert Joseph Coney. 1027 00:48:34,680 --> 00:48:37,719 Speaker 2: So okay, let me get this right. What did I 1028 00:48:37,880 --> 00:48:40,040 Speaker 2: ask for before? And we didn't have it in the 1029 00:48:40,120 --> 00:48:44,120 Speaker 2: system and Peter Andrea or something that we've had haven't 1030 00:48:44,160 --> 00:48:46,840 Speaker 2: had for years? When was Joseph Coney? When did we 1031 00:48:46,920 --> 00:48:54,040 Speaker 2: talk about that twenty thirteen that in the system update 1032 00:48:54,200 --> 00:48:56,840 Speaker 2: you've got a Tony update. I'm read in charge of 1033 00:48:56,880 --> 00:48:57,240 Speaker 2: the system. 1034 00:48:57,239 --> 00:49:04,120 Speaker 1: I just play the gra Do you want update anyway? 1035 00:49:04,160 --> 00:49:06,560 Speaker 1: Do you remember the movie I Go right where they 1036 00:49:06,640 --> 00:49:09,800 Speaker 1: decided with Ben Affleck he won an Oscar for that 1037 00:49:09,880 --> 00:49:11,880 Speaker 1: he did, and the idea was that they created a 1038 00:49:11,960 --> 00:49:15,200 Speaker 1: fake superhero show out of cod where. 1039 00:49:15,040 --> 00:49:17,359 Speaker 4: Were they They were filming a movie. They pretended they 1040 00:49:17,400 --> 00:49:19,640 Speaker 4: were filming a movie and that it was a big 1041 00:49:19,680 --> 00:49:22,520 Speaker 4: Hollywood blockbuster and used that sort of ruse to move 1042 00:49:22,600 --> 00:49:23,880 Speaker 4: people in and out of the country. 1043 00:49:24,000 --> 00:49:26,320 Speaker 1: Yeah, that's right. So there was people that were kidnapped 1044 00:49:26,320 --> 00:49:28,560 Speaker 1: and they used them as extras and they became part 1045 00:49:28,600 --> 00:49:30,600 Speaker 1: of the film, which there was never a film being 1046 00:49:30,640 --> 00:49:33,080 Speaker 1: made whatsoever, and they flew them out of the country 1047 00:49:33,120 --> 00:49:35,400 Speaker 1: and that was their escape plan to go in and 1048 00:49:35,560 --> 00:49:40,000 Speaker 1: pretend that there was a film. Ingenius anyway, there has 1049 00:49:40,080 --> 00:49:43,640 Speaker 1: been another situation where Angelina Jolie was meant to be 1050 00:49:43,840 --> 00:49:48,240 Speaker 1: involved in a plot to catch Joseph Coney. Coney update, 1051 00:49:48,560 --> 00:49:51,080 Speaker 1: that's it, now here you go. The Chief prosecutor of 1052 00:49:51,120 --> 00:49:55,680 Speaker 1: the International Criminal Court asked Angelina Joline was going back 1053 00:49:55,719 --> 00:49:58,919 Speaker 1: and forth with her on email that her and Brad 1054 00:49:58,960 --> 00:50:01,520 Speaker 1: Pitt would start in a movie and they would be 1055 00:50:01,719 --> 00:50:05,399 Speaker 1: filming in Africa close to where Coney is and then 1056 00:50:05,440 --> 00:50:08,080 Speaker 1: at the time when she was over there filming, she 1057 00:50:08,160 --> 00:50:11,800 Speaker 1: would somehow organize a dinner with Joseph Coney. She believes 1058 00:50:11,840 --> 00:50:13,759 Speaker 1: she could play a part in this. This was not 1059 00:50:13,920 --> 00:50:16,320 Speaker 1: part of the so called film they were doing. She 1060 00:50:16,400 --> 00:50:19,000 Speaker 1: would sit down one on one with Joseph Coney, and 1061 00:50:20,000 --> 00:50:22,560 Speaker 1: at that time everyone would swoop and Joseph Coney would 1062 00:50:22,560 --> 00:50:22,919 Speaker 1: be caught. 1063 00:50:23,000 --> 00:50:25,520 Speaker 2: I don't think it. Would he be that dumb to 1064 00:50:25,560 --> 00:50:26,920 Speaker 2: be luid into something like that. 1065 00:50:27,239 --> 00:50:28,879 Speaker 4: Would she put her hand up to be bait? 1066 00:50:28,960 --> 00:50:31,400 Speaker 1: Well apparently, so they went back and forth on email 1067 00:50:31,440 --> 00:50:34,919 Speaker 1: for quite a while until just stopped. 1068 00:50:36,480 --> 00:50:38,520 Speaker 2: J Coney sixty ninemail or something. 1069 00:50:39,040 --> 00:50:44,399 Speaker 1: No, the guy with the idea to catch Joseph co Yeah, 1070 00:50:44,520 --> 00:50:51,200 Speaker 1: Joseph Coney, hot pants gone dogger, it's jolly weekend. 1071 00:50:52,080 --> 00:50:56,480 Speaker 2: Keep this quiet from Brad. They're looking for your famous No, 1072 00:50:57,320 --> 00:50:58,920 Speaker 2: I'm pretty keen eats and wildered. No. 1073 00:50:59,040 --> 00:51:01,319 Speaker 1: What was the criminal court that were trying to put 1074 00:51:01,360 --> 00:51:03,960 Speaker 1: this together? They were going back and forth with Angelina 1075 00:51:04,080 --> 00:51:06,600 Speaker 1: Jolie and she was saying, yeah, I'm up for this. 1076 00:51:06,840 --> 00:51:09,520 Speaker 1: Brad Pitt was also up for this. So they would 1077 00:51:09,560 --> 00:51:13,040 Speaker 1: move everything there to Africa, they'd have a film crew 1078 00:51:13,360 --> 00:51:14,920 Speaker 1: and they would sit down and try and sort this 1079 00:51:15,040 --> 00:51:15,399 Speaker 1: thing out. 1080 00:51:15,680 --> 00:51:17,279 Speaker 4: I don't reckon people are falling. 1081 00:51:17,080 --> 00:51:17,760 Speaker 2: For that twice. 1082 00:51:19,040 --> 00:51:19,880 Speaker 1: It's a good idea. 1083 00:51:20,040 --> 00:51:21,359 Speaker 2: Is they still haven't found him, have they? 1084 00:51:21,640 --> 00:51:21,680 Speaker 6: No? 1085 00:51:21,880 --> 00:51:25,560 Speaker 1: No, he needs to be stopped. When's Jason Russell out 1086 00:51:25,600 --> 00:51:25,879 Speaker 1: of job? 1087 00:51:25,960 --> 00:51:27,640 Speaker 2: Did he go to jail for doing what he did 1088 00:51:27,680 --> 00:51:31,000 Speaker 2: on the corner and the Unfortunately we tried to make 1089 00:51:31,080 --> 00:51:33,480 Speaker 2: Coney famous, but I think it made Jason Russell more 1090 00:51:33,520 --> 00:51:39,000 Speaker 2: famous than anything else. Look, I don't know if Angelina Jolie, 1091 00:51:39,520 --> 00:51:42,480 Speaker 2: if it came down to it. Let's say Coney agreed 1092 00:51:42,680 --> 00:51:46,239 Speaker 2: yep to meet what have you? What have you been 1093 00:51:46,360 --> 00:51:50,080 Speaker 2: courageous enough to go in there to try to lure 1094 00:51:50,200 --> 00:51:51,040 Speaker 2: him out? Yeah? 1095 00:51:51,840 --> 00:51:55,239 Speaker 1: This is like Sean Penn. Was it Sean pen that 1096 00:51:55,320 --> 00:51:59,359 Speaker 1: did the interview with El Chapo? Yes, I mean I'm 1097 00:51:59,440 --> 00:52:01,759 Speaker 1: firing from the hip here you are. Remember that? And 1098 00:52:01,840 --> 00:52:03,760 Speaker 1: that led to the arrest of El Chapo. 1099 00:52:07,760 --> 00:52:08,160 Speaker 2: Remember that? 1100 00:52:08,560 --> 00:52:10,560 Speaker 1: So for Rolling Stone magazine they sat down to do 1101 00:52:10,640 --> 00:52:12,680 Speaker 1: an interview and the next thing, it led to the 1102 00:52:12,760 --> 00:52:16,160 Speaker 1: location and El Chappo, the number one drug lord in 1103 00:52:16,320 --> 00:52:18,240 Speaker 1: the world, was caught to do an interview. 1104 00:52:19,000 --> 00:52:22,719 Speaker 2: Shawn Penn didn't lead into they didn't lead. He did 1105 00:52:22,800 --> 00:52:25,800 Speaker 2: that on secret. He did that secretly. Did the indivie 1106 00:52:26,560 --> 00:52:29,520 Speaker 2: rolling which led to the arrest, Yes it did. Sean 1107 00:52:29,600 --> 00:52:32,480 Speaker 2: Penn wasn't working with authority, No, he was rolling. 1108 00:52:32,560 --> 00:52:34,839 Speaker 1: But that led to his arrest. And the next thing, 1109 00:52:34,880 --> 00:52:37,760 Speaker 1: you poor l Chapo's on the on the Tarma getting 1110 00:52:37,760 --> 00:52:42,320 Speaker 1: photographs of his trip. 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