1 00:00:00,120 --> 00:00:05,560 Speaker 1: Hello, hang on, hello, Hello, we have a full house 2 00:00:05,680 --> 00:00:07,080 Speaker 1: and we need to turn all the microphones. 3 00:00:07,400 --> 00:00:10,039 Speaker 2: All microphone's going on. We've got to be a housekeeping 4 00:00:10,080 --> 00:00:15,040 Speaker 2: today in the podcast too. Hello, maybe can we get 5 00:00:15,040 --> 00:00:16,239 Speaker 2: the maybe to the studio? 6 00:00:16,320 --> 00:00:16,600 Speaker 3: Please? 7 00:00:18,560 --> 00:00:19,520 Speaker 1: Is it Mayby's birthday? 8 00:00:20,200 --> 00:00:25,320 Speaker 3: Evening evening? Good morning and still evening, good evening. Team 9 00:00:25,360 --> 00:00:27,600 Speaker 3: went out last night, well most of the team. We 10 00:00:27,680 --> 00:00:30,479 Speaker 3: all went out, but we didn't all go out. 11 00:00:30,680 --> 00:00:33,199 Speaker 1: We all went to the Nova Red room. We till 12 00:00:33,280 --> 00:00:35,280 Speaker 1: Keita who is she's divine? 13 00:00:35,320 --> 00:00:38,880 Speaker 3: I can't rolling and ready for use the word divide in. 14 00:00:40,040 --> 00:00:44,760 Speaker 1: She's very sweet and she's gorgeous. She's a nice girl 15 00:00:44,800 --> 00:00:46,040 Speaker 1: and she's a great performer. 16 00:00:46,200 --> 00:00:48,240 Speaker 2: Hey, Clint, you and he yesterday for the family meeting, 17 00:00:48,280 --> 00:00:52,840 Speaker 2: but we announced it's out Nandos Verry Verry Purple. 18 00:00:54,440 --> 00:00:56,800 Speaker 1: It was his first day yesterday. House day two going day. 19 00:00:56,640 --> 00:00:58,480 Speaker 4: Two is amazing. Yeah, it's good to be here when 20 00:00:58,480 --> 00:00:59,920 Speaker 4: you guys are firing on all cylinders. 21 00:01:00,120 --> 00:01:02,440 Speaker 1: Are you getting into the building yet? It's second day? 22 00:01:03,080 --> 00:01:04,800 Speaker 1: Have you found the toilets? Have you found the kitchen? 23 00:01:05,200 --> 00:01:07,320 Speaker 4: I haven't found the toilets, but the kitchen I found. 24 00:01:07,680 --> 00:01:13,880 Speaker 5: Just think yeah, because data is always has always. 25 00:01:13,600 --> 00:01:17,360 Speaker 1: Been and four You're going to ask for your opinion 26 00:01:17,360 --> 00:01:19,319 Speaker 1: clean because I like Perry Perry, Perry Perry. 27 00:01:19,920 --> 00:01:25,440 Speaker 4: Any I did see the listeners had voted on Nando's 28 00:01:25,520 --> 00:01:26,480 Speaker 4: quite significantly. 29 00:01:31,160 --> 00:01:36,040 Speaker 2: You go the fan page Nandos. Nando's Nanos is definitely 30 00:01:36,080 --> 00:01:36,559 Speaker 2: doing well. 31 00:01:36,720 --> 00:01:37,160 Speaker 1: Where is it? 32 00:01:40,560 --> 00:01:41,679 Speaker 3: No, I did not second? 33 00:01:41,760 --> 00:01:45,480 Speaker 6: Is Perry Perry Perry Perry, Nandos Perry the platypus? 34 00:01:45,720 --> 00:01:47,760 Speaker 4: You can tell I didn't do it because my name 35 00:01:47,800 --> 00:01:49,280 Speaker 4: is not wrong and all of them, and that irks 36 00:01:49,320 --> 00:01:50,040 Speaker 4: me so much. 37 00:01:50,800 --> 00:01:53,400 Speaker 5: So boring Perry with the eye is unusual. I think 38 00:01:53,400 --> 00:01:54,320 Speaker 5: I've ever seen Perry with. 39 00:01:54,400 --> 00:01:55,960 Speaker 4: No It is unusual and people do get it wrong 40 00:01:56,000 --> 00:01:56,400 Speaker 4: all the time. 41 00:01:56,520 --> 00:01:57,360 Speaker 1: Is it sure for something? 42 00:01:57,680 --> 00:02:00,240 Speaker 4: No, my mom picked it off a record. Is picked 43 00:02:00,240 --> 00:02:01,840 Speaker 4: a record out of her collection, and that was. 44 00:02:01,720 --> 00:02:02,480 Speaker 3: The name of Perry. 45 00:02:02,560 --> 00:02:03,560 Speaker 1: It's a great, strong name. 46 00:02:03,720 --> 00:02:05,279 Speaker 7: It's a really beautiful name, Perry. 47 00:02:05,320 --> 00:02:08,280 Speaker 1: I think Perry with the why is like a female 48 00:02:08,360 --> 00:02:09,200 Speaker 1: version of Perry, isn't it? 49 00:02:09,280 --> 00:02:11,760 Speaker 4: I think, well, the eyes it's actually there was a 50 00:02:11,800 --> 00:02:13,840 Speaker 4: trio of sister's named Perry. 51 00:02:13,840 --> 00:02:15,080 Speaker 1: Okay, we've got it the other around. 52 00:02:15,400 --> 00:02:19,040 Speaker 5: Female spelling of Brodie's technically so and the male spelling 53 00:02:19,080 --> 00:02:20,399 Speaker 5: is why. 54 00:02:20,320 --> 00:02:27,320 Speaker 2: I distinctly remember Nandos leaving last night and saying bye, okay, 55 00:02:27,639 --> 00:02:31,880 Speaker 2: good boy went home. Boy distinctly remember the look he 56 00:02:31,960 --> 00:02:34,119 Speaker 2: gave us this morning when he found out what time 57 00:02:34,200 --> 00:02:34,840 Speaker 2: the team round. 58 00:02:35,160 --> 00:02:37,440 Speaker 3: Who said that, well, no, not the team. 59 00:02:37,520 --> 00:02:39,560 Speaker 1: Do you know what the team would have been not 60 00:02:39,639 --> 00:02:43,200 Speaker 1: parting all night with the baby? Orders your baby sleep, tell. 61 00:02:43,080 --> 00:02:43,680 Speaker 3: Them what happened. 62 00:02:45,040 --> 00:02:48,360 Speaker 4: I for those of you that don't have children, nighttime 63 00:02:48,480 --> 00:02:51,480 Speaker 4: is usually game time for when when you have a 64 00:02:51,520 --> 00:02:51,880 Speaker 4: young baby. 65 00:02:51,919 --> 00:02:54,560 Speaker 3: Because as black hawk down, our black. 66 00:02:54,360 --> 00:02:56,800 Speaker 4: Hawk down hour, and so I was a bit nervous 67 00:02:56,800 --> 00:02:58,359 Speaker 4: about leaving my wife. I was like, are you gonna 68 00:02:58,360 --> 00:02:58,680 Speaker 4: be okay? 69 00:02:58,720 --> 00:02:59,240 Speaker 3: Like I'm going out. 70 00:02:59,240 --> 00:03:01,080 Speaker 4: We haven't really been out too much without each other 71 00:03:01,120 --> 00:03:03,040 Speaker 4: at night time. She's like, no, no, no, go have 72 00:03:03,040 --> 00:03:06,560 Speaker 4: a good time. I was like, great, get there. Put 73 00:03:06,560 --> 00:03:08,000 Speaker 4: a beer to my lips. The second I put a 74 00:03:08,000 --> 00:03:09,359 Speaker 4: bee to my lips, my phone goes off. I look 75 00:03:09,360 --> 00:03:13,560 Speaker 4: at my phone, wife goes don't panic, nothing's wrong. But 76 00:03:13,680 --> 00:03:15,399 Speaker 4: I just sliced the top of my finger off. 77 00:03:15,880 --> 00:03:17,040 Speaker 3: What you don't need to. 78 00:03:17,000 --> 00:03:18,840 Speaker 4: Come home right now, but on your way, could you 79 00:03:18,880 --> 00:03:21,440 Speaker 4: pick up some bandages. So the whole time, in the. 80 00:03:21,400 --> 00:03:23,240 Speaker 3: Back of my head did you go home. I did go. 81 00:03:23,880 --> 00:03:24,320 Speaker 3: I waited. 82 00:03:26,800 --> 00:03:28,400 Speaker 4: She wasn't chin carnarterie. 83 00:03:28,440 --> 00:03:29,440 Speaker 3: You know, she was doing all right. 84 00:03:29,520 --> 00:03:31,040 Speaker 4: But I got there. I had to go and pick 85 00:03:31,160 --> 00:03:33,920 Speaker 4: up some some gauze on the way home, and she's 86 00:03:34,360 --> 00:03:37,200 Speaker 4: she's got a huge, huge silicon glove over and then 87 00:03:37,360 --> 00:03:38,760 Speaker 4: just like a giant thumb. 88 00:03:38,800 --> 00:03:39,560 Speaker 1: How bad was the car? 89 00:03:40,000 --> 00:03:40,520 Speaker 3: Pretty bad? 90 00:03:40,520 --> 00:03:42,160 Speaker 4: And she's messaged me today saying she's gonna have to 91 00:03:42,200 --> 00:03:43,760 Speaker 4: go to the nurse and think she's gonna get stitches 92 00:03:43,760 --> 00:03:44,480 Speaker 4: because it bled me. 93 00:03:45,720 --> 00:03:49,440 Speaker 1: What is is she working or full time mumming currently? 94 00:03:49,600 --> 00:03:51,320 Speaker 4: Yeah, so she just started back at work like the 95 00:03:51,360 --> 00:03:54,960 Speaker 4: last couple of weeks. So she's a speech pathologist. 96 00:03:55,200 --> 00:03:58,400 Speaker 1: Oh that's why she's going to the next in a hospital. 97 00:03:58,880 --> 00:04:00,840 Speaker 4: No, she works in a child care doing. 98 00:04:03,280 --> 00:04:05,200 Speaker 1: Pediatrics apology. 99 00:04:08,040 --> 00:04:09,160 Speaker 3: I hope she's okay. 100 00:04:09,760 --> 00:04:11,840 Speaker 7: To be sharing a mic is really cute. It's like 101 00:04:11,880 --> 00:04:15,040 Speaker 7: they're shooting in a film. Quip, what does it heal? 102 00:04:15,080 --> 00:04:15,800 Speaker 7: The world here. 103 00:04:17,200 --> 00:04:17,880 Speaker 6: Is just going to send you? 104 00:04:18,080 --> 00:04:18,279 Speaker 7: No? 105 00:04:18,279 --> 00:04:21,360 Speaker 1: No, no, no no, you're talking about we Are the Word. 106 00:04:21,720 --> 00:04:26,680 Speaker 1: Have you watched that documentary? No? 107 00:04:26,680 --> 00:04:31,440 Speaker 8: No, no, The Linel Richie Prince, Michael Jackson there. 108 00:04:35,320 --> 00:04:37,800 Speaker 1: Okay, so if you watch the documentary. 109 00:04:37,880 --> 00:04:41,880 Speaker 8: They literally stand around like this, we are the world, 110 00:04:42,680 --> 00:04:46,440 Speaker 8: we are the children, we are the one to make 111 00:04:46,480 --> 00:04:51,400 Speaker 8: it brighter day, So let's talk there. 112 00:04:50,480 --> 00:04:55,279 Speaker 1: Are Yeah, that was really cool anyway. In the docco 113 00:04:55,480 --> 00:04:57,839 Speaker 1: it's called the Greatest Night in Music. I think they 114 00:04:57,920 --> 00:04:59,680 Speaker 1: all sound around like this on their own microphone. But 115 00:04:59,680 --> 00:05:01,480 Speaker 1: they want to do the whole song in one take, 116 00:05:01,520 --> 00:05:03,840 Speaker 1: and each person has a line. So sometimes they get 117 00:05:03,880 --> 00:05:05,839 Speaker 1: to like the nineteenth person and they'd screw up. Then 118 00:05:05,839 --> 00:05:07,440 Speaker 1: they have to go back to the start. And then 119 00:05:07,480 --> 00:05:09,000 Speaker 1: these people would get this far and they'd get to 120 00:05:09,040 --> 00:05:10,960 Speaker 1: the same person, they'd screw it up. Back to the spot. 121 00:05:11,200 --> 00:05:13,440 Speaker 1: People waiting afterwards, We like it went to like eight 122 00:05:13,480 --> 00:05:15,239 Speaker 1: o'clock in the morning. They were still trying to record 123 00:05:15,240 --> 00:05:18,080 Speaker 1: this song after the Grammy. It is amazing. 124 00:05:18,200 --> 00:05:20,080 Speaker 7: There are some better singers than others. 125 00:05:20,320 --> 00:05:22,000 Speaker 1: Yeah, well, because it was. It was all the best 126 00:05:22,000 --> 00:05:28,240 Speaker 1: singers in the world, from Michael Jackson to one of 127 00:05:28,320 --> 00:05:37,640 Speaker 1: Richie Prince, didn't turn up, Tina Turner, They're all in it. 128 00:05:37,680 --> 00:05:42,719 Speaker 1: Whitney Houston, it's real. And then there's country singers. 129 00:05:42,440 --> 00:05:43,839 Speaker 7: Anyway that looks like you too. 130 00:05:43,680 --> 00:05:44,240 Speaker 6: Can you sing? 131 00:05:45,920 --> 00:05:48,800 Speaker 1: Did you hear him singing? Bonjovi this morning pretty good. 132 00:05:50,800 --> 00:05:53,159 Speaker 1: That is a bad key. That living on a prayers 133 00:05:53,160 --> 00:05:55,320 Speaker 1: and it's really hard to hit the high note for everyone. 134 00:05:55,560 --> 00:05:56,320 Speaker 1: We all struggle. 135 00:05:56,360 --> 00:05:59,080 Speaker 9: It's incredibly high. 136 00:05:59,480 --> 00:06:03,000 Speaker 3: You're ready, no, not ready, and there it goes and it's. 137 00:06:02,880 --> 00:06:03,760 Speaker 1: F came ready. 138 00:06:07,279 --> 00:06:11,080 Speaker 2: We are the one hand, the one hand, we will 139 00:06:11,400 --> 00:06:12,040 Speaker 2: the ones. 140 00:06:16,560 --> 00:06:17,080 Speaker 3: Here we go. 141 00:06:24,680 --> 00:06:29,400 Speaker 1: It's to make it better place for well me sing it. 142 00:06:29,480 --> 00:06:30,080 Speaker 3: Yeah, we. 143 00:06:34,120 --> 00:06:38,240 Speaker 1: Are the you. That was. 144 00:06:40,320 --> 00:06:41,400 Speaker 8: Slappy. 145 00:06:41,760 --> 00:06:42,640 Speaker 1: Then it's like. 146 00:06:43,120 --> 00:06:48,200 Speaker 3: Stevie, that's the lights on single? 147 00:06:48,839 --> 00:06:53,800 Speaker 1: Yes, what's the piano player, Stevie Wonder, Stevie Wonder. He 148 00:06:53,839 --> 00:06:56,320 Speaker 1: starts giving other people lessons. He's really funny in it. 149 00:06:56,640 --> 00:07:02,000 Speaker 1: Yeah yeah, yeah, yeah, yeah, yeah, he's amazing thing. Yeah, 150 00:07:02,920 --> 00:07:07,280 Speaker 1: seriously watch it, watching this long weekend I can. 151 00:07:07,920 --> 00:07:09,039 Speaker 3: That's our next lights on single. 152 00:07:09,240 --> 00:07:13,520 Speaker 1: Yeah, it's really fun. It's so dorky to listen to 153 00:07:13,560 --> 00:07:15,120 Speaker 1: that song and like try and pick all the voices 154 00:07:15,160 --> 00:07:16,680 Speaker 1: as they go because they do one line each. 155 00:07:17,160 --> 00:07:19,000 Speaker 3: Should we do it today? 156 00:07:19,040 --> 00:07:21,480 Speaker 1: I'm seriously put on the start of it, keep it 157 00:07:21,480 --> 00:07:24,120 Speaker 1: on the start, pick it as soon as you hear 158 00:07:24,120 --> 00:07:27,559 Speaker 1: a voice, picket what your microne? Okay? From the start. 159 00:07:28,720 --> 00:07:30,160 Speaker 1: This is a fun Friday podcast. 160 00:07:31,680 --> 00:07:33,560 Speaker 3: It's twenty second intro. That's step. 161 00:07:35,480 --> 00:07:36,320 Speaker 1: It's the orchestra. 162 00:07:37,840 --> 00:07:40,120 Speaker 6: Oh, I'm going to get to it for compy can 163 00:07:40,160 --> 00:07:41,840 Speaker 6: he Stevie? 164 00:07:41,920 --> 00:07:44,040 Speaker 3: No, it's the charity. 165 00:07:44,080 --> 00:07:47,280 Speaker 6: The algorithm doesn't care to charity standing by. 166 00:07:48,640 --> 00:07:49,760 Speaker 3: I don't know if we can play this much. And 167 00:07:50,080 --> 00:07:50,720 Speaker 3: that's what I'm thinking. 168 00:07:53,240 --> 00:07:57,640 Speaker 1: Here we go there, that's that's Linel, isn't it. 169 00:07:58,360 --> 00:08:02,000 Speaker 3: Yes, it's Linel. We've got Lionel go down. 170 00:08:02,280 --> 00:08:05,720 Speaker 1: Okay, must come together as well. Now I think that's 171 00:08:05,840 --> 00:08:07,119 Speaker 1: Steve is Steve Wonder. 172 00:08:07,320 --> 00:08:12,080 Speaker 3: Yeah, that's still no, No, no, it's not that. 173 00:08:12,320 --> 00:08:13,240 Speaker 1: I think that's Kenny Rogers. 174 00:08:13,320 --> 00:08:14,960 Speaker 3: We're going to get a copyright for Lionel. 175 00:08:15,080 --> 00:08:16,560 Speaker 7: That's not worth it. 176 00:08:17,240 --> 00:08:24,640 Speaker 2: Michael like coming up, Jesus not let someone else. 177 00:08:24,480 --> 00:08:33,439 Speaker 3: Say that the country? When does whack? Guys start? 178 00:08:36,600 --> 00:08:43,679 Speaker 1: Okay, it's gonna get better. So Diana Ross, Diane. 179 00:08:43,280 --> 00:08:49,440 Speaker 10: Warri got the game, guys, please Diana Ross. 180 00:08:49,520 --> 00:08:50,280 Speaker 1: That's Cyana Ross. 181 00:08:51,000 --> 00:08:53,880 Speaker 3: Yeah, can I die? I've known that voice anywhere? 182 00:08:54,800 --> 00:08:55,080 Speaker 6: Is it? 183 00:08:55,640 --> 00:08:58,280 Speaker 1: Diana? Michael Jackson and Diana Ross in the first charter 184 00:08:58,360 --> 00:08:59,960 Speaker 1: to be there, guys. 185 00:09:00,080 --> 00:09:06,040 Speaker 5: Okay, this is a huge cart Yeah its Jackson heaven. 186 00:09:07,480 --> 00:09:24,920 Speaker 1: There she goes, she stands out like she stays it's really. 187 00:09:26,120 --> 00:09:27,479 Speaker 3: Had to be this. 188 00:09:27,559 --> 00:09:28,559 Speaker 1: Anyone going to watch it this way? 189 00:09:28,840 --> 00:09:29,320 Speaker 3: I'll watch it. 190 00:09:29,360 --> 00:09:29,719 Speaker 7: I got you. 191 00:09:30,640 --> 00:09:31,320 Speaker 3: How long is it? 192 00:09:31,400 --> 00:09:35,679 Speaker 1: I'm back ninety minutes. It's a proper documentary. 193 00:09:36,160 --> 00:09:37,080 Speaker 3: You've gone, I'm up. 194 00:09:37,240 --> 00:09:38,000 Speaker 5: Should we put it on? 195 00:09:38,679 --> 00:09:39,400 Speaker 6: I would go for. 196 00:09:41,080 --> 00:09:43,960 Speaker 10: I could go for one because I need a bloody Mary, 197 00:09:44,040 --> 00:09:44,960 Speaker 10: and then I'll be ready to rock. 198 00:09:45,120 --> 00:09:47,720 Speaker 1: I was going to suggest, no, are you going to sleep? 199 00:09:48,640 --> 00:09:49,240 Speaker 3: Let me keep going. 200 00:09:49,240 --> 00:09:53,960 Speaker 1: I might keep going although it's a long weekend. She's 201 00:09:54,040 --> 00:09:54,839 Speaker 1: only twenty five. 202 00:09:54,880 --> 00:09:57,599 Speaker 6: I'm going for a pup crawl in Collingwood tonight. I 203 00:09:57,600 --> 00:09:58,880 Speaker 6: would mind starting name. 204 00:10:00,360 --> 00:10:00,800 Speaker 4: Fucking go. 205 00:10:01,040 --> 00:10:04,520 Speaker 3: What was your idea to go to Electric last night? 206 00:10:04,880 --> 00:10:05,000 Speaker 7: Oh? 207 00:10:05,080 --> 00:10:05,200 Speaker 3: Well? 208 00:10:05,240 --> 00:10:07,520 Speaker 6: I said it to Ali as I as I stood 209 00:10:07,559 --> 00:10:10,959 Speaker 6: up to leave ROSSI we're just doing a lemon Cello shot, 210 00:10:11,280 --> 00:10:12,640 Speaker 6: and I was like, I'm going home. Then I said 211 00:10:12,679 --> 00:10:15,280 Speaker 6: to Ali, will we just have a look in Electric and. 212 00:10:15,200 --> 00:10:16,200 Speaker 3: See how busy it is? 213 00:10:16,280 --> 00:10:20,000 Speaker 6: And she finds somewhere another lemon Cello shot, downs it 214 00:10:20,040 --> 00:10:24,000 Speaker 6: and goes, fuck yeah, And then I was like, I'm joking, 215 00:10:24,120 --> 00:10:26,959 Speaker 6: I'm going home. She's like no, and then Brodie wobbles over. 216 00:10:27,040 --> 00:10:28,080 Speaker 6: He's like, I'm going to Electric. 217 00:10:28,200 --> 00:10:32,560 Speaker 2: Not ruined my boss? Everyone going, you're still here. I 218 00:10:32,600 --> 00:10:34,920 Speaker 2: was like, don't keep saying that. You're giving me a complex. 219 00:10:35,480 --> 00:10:38,439 Speaker 1: Yeah, I kept saying, you don't even make sense. I 220 00:10:39,160 --> 00:10:41,080 Speaker 1: think you were having conversations in your own head and 221 00:10:41,120 --> 00:10:42,920 Speaker 1: then you come out with the punchline and I'm like, 222 00:10:44,960 --> 00:10:46,840 Speaker 1: you started. I was in a conversation with someone and 223 00:10:46,840 --> 00:10:48,360 Speaker 1: then you just told the end of this story. And 224 00:10:48,400 --> 00:10:50,280 Speaker 1: I was like, you didn't tell the start of that story. 225 00:10:50,480 --> 00:10:54,440 Speaker 1: I know this, I know the story, so I get 226 00:10:54,480 --> 00:10:56,000 Speaker 1: what you're saying. But to the person sitting next to me, 227 00:10:56,000 --> 00:10:57,960 Speaker 1: which I think happened to be our boss, he was like, 228 00:10:59,000 --> 00:11:00,640 Speaker 1: I might know. He just told the end of that 229 00:11:00,720 --> 00:11:01,640 Speaker 1: story about the start. 230 00:11:03,320 --> 00:11:04,199 Speaker 9: He just wanted the good bit. 231 00:11:04,320 --> 00:11:06,119 Speaker 3: And then I said the wrong thing at the. 232 00:11:06,120 --> 00:11:09,320 Speaker 1: Night God, I told him something at the Red Room, 233 00:11:09,320 --> 00:11:10,880 Speaker 1: and he decided, you know, when you give someone a 234 00:11:10,880 --> 00:11:13,320 Speaker 1: little piece of funny information about something that happened, and 235 00:11:13,400 --> 00:11:16,040 Speaker 1: instead of just going, oh, that's funny, he decided to 236 00:11:16,080 --> 00:11:17,600 Speaker 1: want to be a part of it. So we went 237 00:11:17,640 --> 00:11:19,719 Speaker 1: to someone involved and tried to have a conversation about it, 238 00:11:19,760 --> 00:11:21,880 Speaker 1: but got it completely. 239 00:11:22,600 --> 00:11:24,440 Speaker 3: And she just looked at me like, what are you 240 00:11:24,520 --> 00:11:25,640 Speaker 3: to are you talking about? 241 00:11:25,679 --> 00:11:27,280 Speaker 1: He throw me in it because you're like Lauren told 242 00:11:27,280 --> 00:11:28,720 Speaker 1: me and I'm like, that's not what happened. 243 00:11:30,600 --> 00:11:32,960 Speaker 6: Can we also talk about at the very end, when 244 00:11:33,080 --> 00:11:36,240 Speaker 6: Keita had left the stage, Kita's band were doing you 245 00:11:36,240 --> 00:11:38,719 Speaker 6: know that band, yeahtro where they go for an or 246 00:11:38,720 --> 00:11:44,119 Speaker 6: They're like waiting for thirty seconds and I'm trying. 247 00:11:43,840 --> 00:11:44,120 Speaker 3: To and. 248 00:11:46,120 --> 00:11:48,760 Speaker 6: You were walking up to obviously like do the ending 249 00:11:48,800 --> 00:11:50,839 Speaker 6: of the night, but I don't know, you just kind 250 00:11:50,840 --> 00:11:52,760 Speaker 6: of preempted the end of the band a little too early. 251 00:11:52,880 --> 00:11:53,160 Speaker 3: Jason. 252 00:11:53,200 --> 00:11:55,000 Speaker 6: Then you're on the side of the stage, but you 253 00:11:55,040 --> 00:11:57,040 Speaker 6: had to commit to being there, and then you just 254 00:11:57,080 --> 00:12:00,560 Speaker 6: had the air drumsticks going trying to match when they 255 00:12:00,920 --> 00:12:02,800 Speaker 6: goes in the big dramatic do. 256 00:12:03,920 --> 00:12:05,360 Speaker 3: Do do in My Best Life? 257 00:12:05,720 --> 00:12:06,400 Speaker 1: We cut them off. 258 00:12:06,760 --> 00:12:07,959 Speaker 6: No, no, it was just. 259 00:12:08,080 --> 00:12:11,360 Speaker 1: Yeah you could drum yeah, yeah, yeah. Then we got 260 00:12:11,440 --> 00:12:14,720 Speaker 1: up and said how good to the band ladies and 261 00:12:15,520 --> 00:12:17,880 Speaker 1: the drummer sick da. 262 00:12:19,880 --> 00:12:20,920 Speaker 3: Great bond, great. 263 00:12:20,760 --> 00:12:25,040 Speaker 1: Bund, great bud. You have a bun sitting out the front. 264 00:12:25,480 --> 00:12:26,160 Speaker 3: Was that their varn? 265 00:12:26,320 --> 00:12:26,800 Speaker 1: That would be. 266 00:12:29,080 --> 00:12:31,840 Speaker 3: Did you go you know backstage? Did you go out 267 00:12:31,880 --> 00:12:36,559 Speaker 3: the back door? That was weird, like backstage didn't connect 268 00:12:36,600 --> 00:12:37,400 Speaker 3: to the dressing room. 269 00:12:38,200 --> 00:12:40,080 Speaker 1: You had to go out, yeah, the door and went. 270 00:12:40,080 --> 00:12:41,520 Speaker 2: Just that way, and then I walked out as you 271 00:12:41,520 --> 00:12:45,000 Speaker 2: shut the door, car part with the beer. I'm like 272 00:12:45,360 --> 00:12:47,000 Speaker 2: And then I walked in the front entrance. 273 00:12:47,040 --> 00:12:47,800 Speaker 3: The gig started. 274 00:12:47,880 --> 00:12:50,520 Speaker 1: That's funny because someone said how funny. Jasonly got here 275 00:12:50,520 --> 00:12:51,840 Speaker 1: for the end, and I was like, what are you 276 00:12:51,880 --> 00:12:53,760 Speaker 1: talking about. They're like, you just rolled up. I'm like, no, 277 00:12:53,840 --> 00:12:56,760 Speaker 1: we have. At the same time, I walked in the car. 278 00:12:57,120 --> 00:12:58,920 Speaker 2: As a joke, I said to the Supernovas at the 279 00:12:58,920 --> 00:13:01,280 Speaker 2: front door, I'm like her if I'm not late. They're like, no, man, 280 00:13:01,280 --> 00:13:02,240 Speaker 2: it's on there, here's a car. 281 00:13:04,200 --> 00:13:06,680 Speaker 1: It was the guys from Lorna. She said, how funny. 282 00:13:06,679 --> 00:13:09,520 Speaker 1: He's just rocked up, and I was like, you were 283 00:13:09,559 --> 00:13:10,920 Speaker 1: fu you were on another planet though. 284 00:13:11,559 --> 00:13:13,679 Speaker 3: I came in ready to go Daddy. 285 00:13:13,880 --> 00:13:14,920 Speaker 1: Dad wanted a night out. 286 00:13:15,000 --> 00:13:16,679 Speaker 3: Dad want to night out? Dad got it. Dad's never 287 00:13:16,720 --> 00:13:20,640 Speaker 3: going had a nice coat Ellen last night, Chase, thank you, Jesse. 288 00:13:21,960 --> 00:13:23,960 Speaker 1: Have we seen any photos. I'm nervous about that. I 289 00:13:23,960 --> 00:13:27,680 Speaker 1: didn't get any. Let's get them before they go to press. 290 00:13:28,520 --> 00:13:31,719 Speaker 7: Proven those in a week. 291 00:13:32,000 --> 00:13:34,040 Speaker 1: I was going to suggest we call him, but I don't. 292 00:13:34,920 --> 00:13:37,360 Speaker 1: Who was fighting in public? 293 00:13:39,360 --> 00:13:42,120 Speaker 3: You want to go in the podcast. 294 00:13:43,000 --> 00:13:45,120 Speaker 1: No, I got a texture of him that just said morning. 295 00:13:45,920 --> 00:13:47,839 Speaker 3: Did you reply? What did you say? 296 00:13:48,080 --> 00:13:52,000 Speaker 1: Morning's supposed to be the gym? At seventh, I said, 297 00:13:52,000 --> 00:13:52,960 Speaker 1: are you at the gym? 298 00:13:53,120 --> 00:13:53,880 Speaker 3: What do you say? 299 00:13:54,679 --> 00:13:59,240 Speaker 1: Negative? It's and it wasn't because I've got his schedule. 300 00:13:59,240 --> 00:13:59,800 Speaker 1: He's changed. 301 00:14:00,040 --> 00:14:08,360 Speaker 3: Set through it tomorrow. I've got something very Oh, here 302 00:14:08,360 --> 00:14:09,800 Speaker 3: we go then, and then. 303 00:14:10,400 --> 00:14:12,360 Speaker 1: You're not leaving. 304 00:14:12,400 --> 00:14:15,760 Speaker 6: We just got doing this again. 305 00:14:16,240 --> 00:14:18,480 Speaker 9: No, it's about something that I did a week ago 306 00:14:18,600 --> 00:14:20,240 Speaker 9: that I'm going to have to set through tomorrow night, 307 00:14:20,560 --> 00:14:22,480 Speaker 9: and I'm really not looking forward to it. 308 00:14:23,040 --> 00:14:24,240 Speaker 1: Can we guess? Give us a hint? 309 00:14:24,960 --> 00:14:27,360 Speaker 3: Hang on? Hang on? So it's something you committed. 310 00:14:26,960 --> 00:14:27,840 Speaker 1: To last week. 311 00:14:27,880 --> 00:14:30,560 Speaker 9: I committed to doing this two months ago, and then 312 00:14:30,560 --> 00:14:33,240 Speaker 9: I had to follow through with it last week, and 313 00:14:33,280 --> 00:14:35,120 Speaker 9: then I'm going to have to reap my. 314 00:14:36,680 --> 00:14:37,240 Speaker 7: So the so. 315 00:14:38,840 --> 00:14:40,560 Speaker 3: You have to read what I've sawn tomorrow night. 316 00:14:41,080 --> 00:14:41,520 Speaker 1: What you were? 317 00:14:42,720 --> 00:14:46,760 Speaker 2: He said, swingers club? And tomorrow night you've got to 318 00:14:46,760 --> 00:14:47,400 Speaker 2: tell the husband. 319 00:14:49,240 --> 00:14:51,520 Speaker 9: No, but okay, kind of in the realm. 320 00:14:51,920 --> 00:14:58,240 Speaker 1: But my guess was the realm not okay. You are 321 00:14:58,280 --> 00:15:02,840 Speaker 1: going to a. 322 00:15:01,200 --> 00:15:05,800 Speaker 3: Ah, okay, it's not that close to the round. 323 00:15:07,040 --> 00:15:10,480 Speaker 1: You are going to propose. 324 00:15:11,920 --> 00:15:16,120 Speaker 2: No, no, you're going to wing set from Bummings and 325 00:15:16,160 --> 00:15:16,680 Speaker 2: tomorrow night. 326 00:15:16,720 --> 00:15:17,240 Speaker 3: You're building it. 327 00:15:17,480 --> 00:15:20,840 Speaker 7: So anyone else have a guess and you're you're pregnant. 328 00:15:21,880 --> 00:15:27,080 Speaker 6: You spot on with an audio baby. 329 00:15:27,240 --> 00:15:30,800 Speaker 9: No double date, No no, no, no, no, not a 330 00:15:30,800 --> 00:15:31,280 Speaker 9: double date. 331 00:15:31,320 --> 00:15:32,040 Speaker 3: It's tomorrow night. 332 00:15:32,160 --> 00:15:34,400 Speaker 9: Is a theater show, which is what I'm really not 333 00:15:34,440 --> 00:15:35,200 Speaker 9: looking forward to. 334 00:15:35,960 --> 00:15:39,760 Speaker 3: Draculas, it's burlesque. No, no, full tassels. 335 00:15:40,120 --> 00:15:43,760 Speaker 9: Couldn't be worried about yours. I have been in a 336 00:15:43,800 --> 00:15:47,400 Speaker 9: burli this show before, but that's a different story. So 337 00:15:48,520 --> 00:15:51,640 Speaker 9: this is you're so random, so you know what, He's 338 00:15:51,680 --> 00:15:55,320 Speaker 9: one I want to follow in a van. So about 339 00:15:55,320 --> 00:15:58,040 Speaker 9: two months ago, my partner is producing a theater show 340 00:15:58,080 --> 00:15:59,720 Speaker 9: and she asked me for a favor and said, we 341 00:15:59,840 --> 00:16:02,640 Speaker 9: need to record some vocals for it. You're an audio 342 00:16:02,720 --> 00:16:04,600 Speaker 9: person and you've got a home studio. Can you do 343 00:16:04,640 --> 00:16:06,240 Speaker 9: it for me? I was like, yeah, that's that's fine. 344 00:16:06,240 --> 00:16:07,880 Speaker 9: I record some of the actors and stuff. And she 345 00:16:07,960 --> 00:16:10,600 Speaker 9: also said, oh, and there's a male character in it 346 00:16:10,680 --> 00:16:12,920 Speaker 9: that I'm thinking maybe you could voice because you do 347 00:16:12,960 --> 00:16:17,320 Speaker 9: some voicing stuff. It's just some tender guy and there's 348 00:16:17,320 --> 00:16:19,280 Speaker 9: a launchy line in there. Would you be cool with that, 349 00:16:19,320 --> 00:16:20,000 Speaker 9: and I was like. 350 00:16:21,120 --> 00:16:23,160 Speaker 1: That's okay, that's whatever. 351 00:16:23,200 --> 00:16:23,800 Speaker 3: I'll help out. 352 00:16:24,440 --> 00:16:27,800 Speaker 9: Last week I did the recording for it and I 353 00:16:27,800 --> 00:16:29,640 Speaker 9: got the script, and it was the first time I. 354 00:16:29,600 --> 00:16:32,640 Speaker 3: Saw the script. Oh no, why don't you just read 355 00:16:32,680 --> 00:16:33,440 Speaker 3: it to us? No? 356 00:16:33,520 --> 00:16:33,960 Speaker 9: I can't. 357 00:16:34,760 --> 00:16:38,400 Speaker 1: It's have you got the script? 358 00:16:38,560 --> 00:16:42,000 Speaker 3: I do. We'll all just go quiet. I cannot. 359 00:16:42,080 --> 00:16:43,960 Speaker 9: I cannot read it. 360 00:16:44,160 --> 00:16:44,440 Speaker 1: Read it. 361 00:16:45,800 --> 00:16:50,160 Speaker 4: You won't be able to read it. 362 00:16:47,520 --> 00:16:51,840 Speaker 3: Read to read it. 363 00:16:52,720 --> 00:16:54,680 Speaker 1: I guarantee would love to read. 364 00:16:54,520 --> 00:16:59,320 Speaker 9: It, to be honest, Brady, probably I I'm bringing it 365 00:16:59,360 --> 00:17:04,440 Speaker 9: up right now, record the script in front of the 366 00:17:04,600 --> 00:17:09,399 Speaker 9: writer and produce another producer to a script. Two of 367 00:17:09,400 --> 00:17:14,480 Speaker 9: the female actors and from the show, one seing, I'm 368 00:17:14,480 --> 00:17:20,480 Speaker 9: just finding there was a line. Okay, it's the boy lines, 369 00:17:20,600 --> 00:17:21,040 Speaker 9: and this. 370 00:17:24,040 --> 00:17:24,719 Speaker 1: Everyone quiet. 371 00:17:26,240 --> 00:17:28,880 Speaker 7: I feel that maybe we can keep each other company. 372 00:17:30,119 --> 00:17:31,760 Speaker 7: Do you want me to read the hair lines as well? 373 00:17:32,359 --> 00:17:36,000 Speaker 7: If you want, I'd like that, she says. Imagine I'm 374 00:17:36,000 --> 00:17:39,800 Speaker 7: in your bed, caressing your soft skin. Okay, she says, 375 00:17:40,359 --> 00:17:43,640 Speaker 7: I grab your face and breathe into your soul. We 376 00:17:43,760 --> 00:17:47,760 Speaker 7: breathe in each other's mouths. Fuck, I want to breathe 377 00:17:47,800 --> 00:17:54,240 Speaker 7: you in so badly, baby, she says. Oh, yeah, he says, yeah. Fuck, 378 00:17:55,400 --> 00:17:57,200 Speaker 7: are you cool if we keep going like this? 379 00:17:58,040 --> 00:17:58,560 Speaker 3: Her? 380 00:17:59,240 --> 00:18:04,520 Speaker 7: Yes, okay, he says, what are you into? She says, oh, 381 00:18:04,560 --> 00:18:07,359 Speaker 7: hang on, He says, baby, you there, I want to 382 00:18:07,400 --> 00:18:09,240 Speaker 7: know what I can do to make you feel good. 383 00:18:09,560 --> 00:18:16,720 Speaker 7: This isn't too bad? Well, she says, I'm into what 384 00:18:16,840 --> 00:18:17,320 Speaker 7: you're into. 385 00:18:17,400 --> 00:18:29,280 Speaker 10: Daddy, he says in capses a little bit more. 386 00:18:29,440 --> 00:18:37,920 Speaker 1: Yeah, Jesus Christ, he says, he's got the giggles. 387 00:18:40,520 --> 00:18:42,280 Speaker 7: Do you sound like a woman? 388 00:18:44,800 --> 00:18:45,120 Speaker 1: Each other? 389 00:18:45,160 --> 00:18:45,200 Speaker 10: On? 390 00:18:46,119 --> 00:18:46,800 Speaker 3: This? Is? This? 391 00:18:46,880 --> 00:18:47,600 Speaker 7: Is this? 392 00:18:49,000 --> 00:18:52,840 Speaker 3: That's the next bit. She says. 393 00:18:58,960 --> 00:19:01,640 Speaker 7: That whole secret asking of the secrets needs to go. 394 00:19:01,960 --> 00:19:03,960 Speaker 1: Yeah, yeah, that's funny. 395 00:19:03,960 --> 00:19:05,280 Speaker 6: It does not even mean. 396 00:19:05,960 --> 00:19:06,960 Speaker 3: I might come along with this. 397 00:19:09,160 --> 00:19:09,920 Speaker 1: What she wrote this? 398 00:19:10,760 --> 00:19:18,080 Speaker 9: No, no, she's producing the show. Friend of hers. She's 399 00:19:18,080 --> 00:19:21,560 Speaker 9: producing it. A friend of hers wrote it. It's called 400 00:19:21,640 --> 00:19:22,240 Speaker 9: past debate. 401 00:19:22,440 --> 00:19:23,120 Speaker 3: It's about. 402 00:19:24,400 --> 00:19:24,640 Speaker 6: God. 403 00:19:28,880 --> 00:19:30,040 Speaker 3: There that line makes sense. 404 00:19:30,160 --> 00:19:34,360 Speaker 9: Yeah, yeah, it's a debate and it's and yeah, I'm going. 405 00:19:34,920 --> 00:19:38,120 Speaker 3: I agreed to go to it. D reference. 406 00:19:40,320 --> 00:19:42,639 Speaker 1: Welcome to the finally, JESU. 407 00:19:44,080 --> 00:19:45,720 Speaker 3: Sure we got that time stamp. 408 00:19:46,119 --> 00:19:49,920 Speaker 7: There's a few there you maybe beeps, yeah, maybe maybe 409 00:19:49,920 --> 00:19:52,159 Speaker 7: beeps and that and that one at the start of 410 00:19:52,200 --> 00:19:53,040 Speaker 7: the podcast as well. 411 00:19:53,400 --> 00:19:55,880 Speaker 1: We should go back to we are the work. 412 00:19:58,080 --> 00:19:59,200 Speaker 3: Just quickly we are. 413 00:19:59,240 --> 00:20:00,840 Speaker 10: Did you so? 414 00:20:04,520 --> 00:20:06,439 Speaker 1: Yeah, the singer that's the Cindy law a bit. 415 00:20:07,560 --> 00:20:10,520 Speaker 5: So we actually got in trouble from management last night. 416 00:20:11,160 --> 00:20:13,560 Speaker 3: So they reached out to me and they said. 417 00:20:13,480 --> 00:20:14,400 Speaker 1: Just be on the podcasts. 418 00:20:14,640 --> 00:20:17,600 Speaker 5: Yes, they said, okay, this is two days in a 419 00:20:17,680 --> 00:20:20,560 Speaker 5: row now that So what happens here is when we 420 00:20:20,600 --> 00:20:24,000 Speaker 5: finish our shift, we just pretty much press a button, 421 00:20:24,000 --> 00:20:27,040 Speaker 5: walk out, all good, and then Drive, who you would 422 00:20:27,040 --> 00:20:29,159 Speaker 5: know as Ricky, Tim and Joel come in and do 423 00:20:29,240 --> 00:20:31,639 Speaker 5: their show and Joel comes from Melbourne. But for that 424 00:20:31,760 --> 00:20:33,600 Speaker 5: to happen you have to press a few buttons and 425 00:20:33,640 --> 00:20:37,040 Speaker 5: so then that then gets broadcast out to Melbourne. But 426 00:20:37,200 --> 00:20:40,760 Speaker 5: what's happening for the last two days is when Jace 427 00:20:41,080 --> 00:20:43,680 Speaker 5: leaves the studio as we know, with his little fat 428 00:20:43,680 --> 00:20:46,560 Speaker 5: sausage fingers, and he smashes the buttons on the desk. 429 00:20:47,000 --> 00:20:50,120 Speaker 5: He's been knocking certain buttons, and for the last two 430 00:20:50,200 --> 00:20:53,320 Speaker 5: days in a row, we haven't been receiving the Drive 431 00:20:53,400 --> 00:20:56,480 Speaker 5: show because of Jason's what are you doing clumsiness? 432 00:20:56,480 --> 00:20:58,359 Speaker 7: What do you mean we haven't been receiving. 433 00:20:58,000 --> 00:21:01,920 Speaker 5: He's been pressing buttons unbernown it's to himself that hasn't 434 00:21:01,920 --> 00:21:04,000 Speaker 5: been going, hasn't been going to air. 435 00:21:03,880 --> 00:21:05,399 Speaker 7: The entire Drive show. 436 00:21:06,640 --> 00:21:07,240 Speaker 1: What do you mean? 437 00:21:07,480 --> 00:21:11,080 Speaker 5: So everywhere else around the country goes, hey, it's Rickey, 438 00:21:11,119 --> 00:21:13,000 Speaker 5: Jim and Joel in Melbourne. 439 00:21:14,680 --> 00:21:15,920 Speaker 3: But not only that. 440 00:21:15,920 --> 00:21:17,960 Speaker 6: That was that was one of the two days there 441 00:21:18,040 --> 00:21:20,960 Speaker 6: was dead air, but the order of the two days 442 00:21:21,240 --> 00:21:24,320 Speaker 6: there was no venation with DJ Scudder in the mix 443 00:21:24,400 --> 00:21:29,040 Speaker 6: for a Saturday night, so it was pumping techno A Can. 444 00:21:28,960 --> 00:21:30,520 Speaker 1: I just say when I drove into work at five 445 00:21:30,520 --> 00:21:33,560 Speaker 1: point thirty this morning and I heard Clint reading the news, 446 00:21:33,600 --> 00:21:35,600 Speaker 1: which he doesn't normally do, the five thirty news, and 447 00:21:35,640 --> 00:21:37,639 Speaker 1: I waited till the news finished. Then what are you 448 00:21:37,680 --> 00:21:39,360 Speaker 1: doing the five thirty newsbreakers? What are you talking about? 449 00:21:39,359 --> 00:21:41,520 Speaker 1: I'm still on the way in, So once again we 450 00:21:41,680 --> 00:21:46,200 Speaker 1: played yesterday's news this morning, ladies and gentlemen. So someone's 451 00:21:46,240 --> 00:21:47,080 Speaker 1: not checking something. 452 00:21:48,000 --> 00:21:50,760 Speaker 5: So the videos have come through and it turns out. 453 00:21:52,359 --> 00:21:53,200 Speaker 3: Its Big Boy. 454 00:21:54,720 --> 00:21:56,280 Speaker 1: Wait, I want to see the video. Let me see 455 00:21:56,280 --> 00:21:57,000 Speaker 1: the video. 456 00:21:57,920 --> 00:22:03,360 Speaker 6: Classage fingers have lost the video on the Prince Child. 457 00:22:04,000 --> 00:22:07,720 Speaker 1: Why you're so hardcore on Prince Charles having sausage fingers? 458 00:22:07,720 --> 00:22:11,199 Speaker 1: Because what does he do? You say that I have 459 00:22:11,320 --> 00:22:12,280 Speaker 1: really long fingers. 460 00:22:12,600 --> 00:22:14,520 Speaker 3: Yeah, your fingers are he throws that on. 461 00:22:14,920 --> 00:22:21,240 Speaker 1: I don't think they are like little chip play. We 462 00:22:21,280 --> 00:22:21,760 Speaker 1: are the world. 463 00:22:21,920 --> 00:22:27,520 Speaker 2: Just one more time, guys, have a good weekend. 464 00:22:28,560 --> 00:22:31,800 Speaker 1: We are We are the children. 465 00:22:33,640 --> 00:22:35,879 Speaker 10: We are the ones to make the brother