1 00:00:00,360 --> 00:00:03,040 Speaker 1: Fitzy and with Kate Ritchie Podcast. 2 00:00:03,720 --> 00:00:07,160 Speaker 2: Kate Richie Podcast. It is the Far Too Personal Podcast 3 00:00:07,280 --> 00:00:09,760 Speaker 2: with the Far Too Personal producer. That is what they 4 00:00:09,760 --> 00:00:10,080 Speaker 2: call me. 5 00:00:10,160 --> 00:00:10,920 Speaker 1: Jess is my name. 6 00:00:10,960 --> 00:00:14,200 Speaker 2: I'm here with Michael Sean Whitsley of the Whitsley Family. 7 00:00:14,200 --> 00:00:15,440 Speaker 1: What are you smoking over there? A pen? 8 00:00:15,720 --> 00:00:18,040 Speaker 3: Just my finger again? Oh no, sorry about that. 9 00:00:19,239 --> 00:00:21,560 Speaker 2: We're back for another episode to delve a little bit 10 00:00:21,640 --> 00:00:25,320 Speaker 2: deeper into the book, The Far Too Personal Trainer Guilty. 11 00:00:25,520 --> 00:00:27,720 Speaker 2: What I'd love to do today is to pick your 12 00:00:27,800 --> 00:00:32,000 Speaker 2: mind on fan casting. This okay, so this is who 13 00:00:32,040 --> 00:00:35,760 Speaker 2: your ideal movie cast would be. Because we tried to 14 00:00:35,760 --> 00:00:38,680 Speaker 2: get Russell Crowe on the show, Hold your thoughts, try 15 00:00:38,720 --> 00:00:42,479 Speaker 2: to get Russell Crowe on. Unfortunately, he thought that instead 16 00:00:42,479 --> 00:00:44,240 Speaker 2: of erotic, you had made. 17 00:00:46,400 --> 00:00:49,280 Speaker 1: What did he think you're meant to say? Poetic? 18 00:00:49,440 --> 00:00:53,959 Speaker 3: Petic? Mystic? Mystic? Is that the word? Yeah? 19 00:00:54,040 --> 00:00:54,400 Speaker 1: Mystic? 20 00:00:55,360 --> 00:00:58,640 Speaker 3: There was a collection of words that rhymed or were 21 00:00:58,680 --> 00:00:59,640 Speaker 3: similar to erotic. 22 00:01:00,000 --> 00:01:02,560 Speaker 1: Definitely thought it was a type No, I like you're 23 00:01:02,560 --> 00:01:04,120 Speaker 1: saying type. He thought it was a TYPEO. 24 00:01:04,480 --> 00:01:07,120 Speaker 3: Yeah, no wrong, Russell. If you're still listening and you 25 00:01:07,120 --> 00:01:09,759 Speaker 3: want to get part of this audiobook, you can love 26 00:01:09,800 --> 00:01:12,440 Speaker 3: you to do read RC He said, I don't think 27 00:01:12,440 --> 00:01:12,840 Speaker 3: it's for me. 28 00:01:13,160 --> 00:01:15,000 Speaker 1: No, that's fine, which is interesting. 29 00:01:15,120 --> 00:01:17,720 Speaker 3: I think he would play a role though, Jess. I 30 00:01:17,720 --> 00:01:19,319 Speaker 3: think he could be Ben's dad. 31 00:01:19,800 --> 00:01:22,600 Speaker 1: Oh interesting, Yeah, mister Holder. 32 00:01:22,400 --> 00:01:26,800 Speaker 3: Ken Holder his name is, so he would be Ken 33 00:01:29,520 --> 00:01:34,280 Speaker 3: and he would say things like, Babe Burn, what have 34 00:01:34,360 --> 00:01:36,400 Speaker 3: I said to you about sleeping with married women? 35 00:01:36,760 --> 00:01:39,039 Speaker 1: That's a very good Russell voice. 36 00:01:38,720 --> 00:01:41,240 Speaker 3: On my signal? Tell us another story about hooking up 37 00:01:41,280 --> 00:01:44,559 Speaker 3: with a married woman? Would that work? 38 00:01:44,760 --> 00:01:50,280 Speaker 1: You're not entertained? What about don't go too far? Can Holder? 39 00:01:50,640 --> 00:01:51,400 Speaker 3: You do that? Well? 40 00:01:51,640 --> 00:01:53,360 Speaker 1: Thank you? That's my That really work. 41 00:01:53,400 --> 00:01:54,600 Speaker 3: We don't need Russell anymore. 42 00:01:54,720 --> 00:01:57,600 Speaker 1: No, thank you for your Russell's here, isn't it? 43 00:01:57,640 --> 00:01:59,080 Speaker 3: Thanks for your little Russell. 44 00:01:58,840 --> 00:02:03,960 Speaker 2: In the bedroom. Someone we did have full success with 45 00:02:04,520 --> 00:02:05,320 Speaker 2: was Eila Fisher. 46 00:02:05,480 --> 00:02:06,280 Speaker 3: Yeah. I loved it. 47 00:02:06,480 --> 00:02:07,760 Speaker 1: She was a great chat on the show. 48 00:02:07,960 --> 00:02:10,040 Speaker 2: People should check out that full interview because it was 49 00:02:10,040 --> 00:02:11,720 Speaker 2: a very funny chat. And she said she wants the 50 00:02:11,800 --> 00:02:14,919 Speaker 2: rights to this novel and she wants to cast Kate 51 00:02:15,000 --> 00:02:16,920 Speaker 2: in it. What are your thoughts on casting Kate as 52 00:02:16,919 --> 00:02:17,640 Speaker 2: Emily Shine? 53 00:02:17,880 --> 00:02:21,640 Speaker 3: Emily Shine, Kate continues to put her foot forward. She said, 54 00:02:21,680 --> 00:02:24,920 Speaker 3: I will be I will play any role now, I 55 00:02:25,000 --> 00:02:27,040 Speaker 3: find that confronting. I look at Kate like a sister, 56 00:02:27,520 --> 00:02:29,960 Speaker 3: and some of the roles that they're played by women 57 00:02:30,040 --> 00:02:33,800 Speaker 3: in the book are very racy without revealing too much. 58 00:02:33,880 --> 00:02:36,799 Speaker 3: There's a scene where he goes along to their therapist 59 00:02:36,960 --> 00:02:40,160 Speaker 3: for his behavior and jess, what do you think happens 60 00:02:40,160 --> 00:02:43,360 Speaker 3: with the therapist? Now, if Kate was the therapist, just 61 00:02:43,639 --> 00:02:46,600 Speaker 3: knowing what goes on in that therapy room when there's 62 00:02:46,720 --> 00:02:49,600 Speaker 3: just a box of tissues that normally use for tears, 63 00:02:49,600 --> 00:02:50,360 Speaker 3: and a ticking. 64 00:02:50,120 --> 00:02:53,440 Speaker 2: Clock and a long couch someone's lying, and a long 65 00:02:53,600 --> 00:02:57,400 Speaker 2: couch likely yeah, not the casting couch, a therapy couch. 66 00:02:58,000 --> 00:03:01,160 Speaker 3: But I just I'm concerned that I would see Kate 67 00:03:01,200 --> 00:03:03,960 Speaker 3: in that light, and that's not how I see Kate. Now. 68 00:03:04,000 --> 00:03:07,400 Speaker 3: If Kate was to be in a mothering role alongside 69 00:03:07,840 --> 00:03:11,560 Speaker 3: Russell Crowe as Ben's mump, then that would be a 70 00:03:11,560 --> 00:03:12,600 Speaker 3: preferred role for Kate. 71 00:03:12,680 --> 00:03:15,120 Speaker 2: I'm a bit concerned that as the author of the book, 72 00:03:15,639 --> 00:03:19,080 Speaker 2: you can't separate the art of what you've written with 73 00:03:19,200 --> 00:03:22,320 Speaker 2: a colleague, and for that reason she can't play a 74 00:03:22,360 --> 00:03:25,359 Speaker 2: sexy role, you're limiting her career. 75 00:03:25,440 --> 00:03:26,720 Speaker 1: This could be a breakout role. 76 00:03:26,800 --> 00:03:29,560 Speaker 3: I said there's a role for her, Jess. Now if 77 00:03:29,880 --> 00:03:30,800 Speaker 3: her managing. 78 00:03:30,520 --> 00:03:33,080 Speaker 1: It into the box that you want to put her in, 79 00:03:33,840 --> 00:03:34,760 Speaker 1: just be very. 80 00:03:34,560 --> 00:03:38,040 Speaker 3: Careful with your wording, because I don't think Kate would 81 00:03:38,040 --> 00:03:41,400 Speaker 3: want to play a sexy scene as well. Now we 82 00:03:41,520 --> 00:03:43,240 Speaker 3: need to think about this. I sit next to. 83 00:03:43,240 --> 00:03:45,280 Speaker 1: Her for three hours, two hours. 84 00:03:45,720 --> 00:03:50,200 Speaker 3: Oh, you're Rightno, she hangs around the office sometimes maybe 85 00:03:50,200 --> 00:03:50,560 Speaker 3: for an. 86 00:03:50,480 --> 00:03:53,120 Speaker 1: Hour, so actually stays way longer than you do. 87 00:03:53,320 --> 00:03:56,840 Speaker 3: Yeah, like about ten past nine, she's gone ten minutes 88 00:03:56,880 --> 00:03:59,800 Speaker 3: more So, Look, if Kate really wants to play one 89 00:03:59,800 --> 00:04:02,400 Speaker 3: of these roles, maybe the therapist's role, maybe she could 90 00:04:02,480 --> 00:04:05,480 Speaker 3: be Annabelle, who Ben has a car accident with. 91 00:04:06,120 --> 00:04:09,120 Speaker 1: Oh yeah, but annabel gets a little sexy, doesn't she? 92 00:04:09,200 --> 00:04:11,840 Speaker 3: Yes, she does, so Kate might want to play Annabell's role. 93 00:04:12,120 --> 00:04:14,400 Speaker 3: She lives in a huge house in Belleville Hill, like 94 00:04:14,520 --> 00:04:19,360 Speaker 3: Kate in Sydney's East. She's a very wealthy woman. She's 95 00:04:19,400 --> 00:04:19,960 Speaker 3: a lawyer. 96 00:04:20,279 --> 00:04:21,200 Speaker 1: Wasn't on home and away? 97 00:04:21,320 --> 00:04:23,400 Speaker 3: Was she was on home and away for nineteen years 98 00:04:23,440 --> 00:04:26,840 Speaker 3: Kti Tilly twenty and then she lives in this huge 99 00:04:26,880 --> 00:04:30,720 Speaker 3: house with the massive front gate and there's a pebble 100 00:04:30,920 --> 00:04:38,680 Speaker 3: stoned driveway. Very lucky Yes, with cypress pine guiding the 101 00:04:38,760 --> 00:04:41,480 Speaker 3: driveway shaped like a flame with military posture. 102 00:04:41,560 --> 00:04:44,440 Speaker 2: If there's something we do know about our cats that 103 00:04:44,520 --> 00:04:47,640 Speaker 2: she loves to take a picture of a plant or 104 00:04:47,680 --> 00:04:50,880 Speaker 2: a tree in her garden and circulate it if they 105 00:04:50,880 --> 00:04:52,880 Speaker 2: look a bit phallic or a little bit you know. 106 00:04:52,960 --> 00:04:55,040 Speaker 3: Yes, and if she sees a plant that looks a 107 00:04:55,080 --> 00:04:57,880 Speaker 3: little phallic, then it will be put on the group 108 00:04:57,960 --> 00:04:59,400 Speaker 3: chat for a bit of a laugh. I'm a look 109 00:04:59,400 --> 00:05:02,000 Speaker 3: at the shape of I don't. 110 00:05:01,800 --> 00:05:04,040 Speaker 1: Know if she knows she's doing it, though, do. 111 00:05:04,000 --> 00:05:06,160 Speaker 2: You know what, because there's almost a side group chat 112 00:05:06,160 --> 00:05:08,280 Speaker 2: that you and I have but talk about how phallic 113 00:05:08,320 --> 00:05:09,039 Speaker 2: the plants are. 114 00:05:09,120 --> 00:05:10,120 Speaker 1: She's not leading that. 115 00:05:10,240 --> 00:05:12,560 Speaker 3: I think she is. I think she knows when she 116 00:05:12,600 --> 00:05:18,760 Speaker 3: sends it that that rose looks like I think she 117 00:05:18,839 --> 00:05:22,120 Speaker 3: definitely knows, because she was the one that pointed out 118 00:05:22,120 --> 00:05:25,120 Speaker 3: that the ice bovo also looks a little bit. Anyway, 119 00:05:26,360 --> 00:05:29,119 Speaker 3: we move on from what Kate Richie thinks it looks 120 00:05:29,160 --> 00:05:31,760 Speaker 3: like females genitals. We move on from that. Yes, are 121 00:05:31,800 --> 00:05:34,240 Speaker 3: you still suggesting that Kate should be in a sexy 122 00:05:34,320 --> 00:05:37,360 Speaker 3: role because I kind of had Margot Robbie in there. 123 00:05:37,640 --> 00:05:41,440 Speaker 1: Do you know what perfect choice. Margot will never mark 124 00:05:41,520 --> 00:05:42,719 Speaker 1: my words ever? 125 00:05:43,279 --> 00:05:43,680 Speaker 2: Do this? 126 00:05:43,880 --> 00:05:46,440 Speaker 3: Hang on a minute. In The Wolf of Wall Street, 127 00:05:46,880 --> 00:05:50,560 Speaker 3: Margot Robbie does some really racy scenes. Now, what's the 128 00:05:50,600 --> 00:05:56,320 Speaker 3: difference between a story about a drug addicted a drug 129 00:05:56,360 --> 00:05:59,760 Speaker 3: addicted stockbroker and a personal trainer that likes women? 130 00:05:59,880 --> 00:06:01,640 Speaker 2: I tell you what I think the difference is, And 131 00:06:01,680 --> 00:06:03,719 Speaker 2: it's not so much the movie or the content. 132 00:06:03,920 --> 00:06:05,480 Speaker 1: It's where Margo is in her career. 133 00:06:05,560 --> 00:06:08,680 Speaker 2: So her and her husband and their friends started their company, 134 00:06:08,800 --> 00:06:12,520 Speaker 2: Lucky Chap, and it focuses on female empowered stories. 135 00:06:12,520 --> 00:06:14,919 Speaker 1: They did Ay Tanya, they did Promising Young Woman. 136 00:06:15,360 --> 00:06:19,000 Speaker 2: Any stories that puts in goo a female front and center, 137 00:06:20,440 --> 00:06:21,320 Speaker 2: that's where they're playing. 138 00:06:21,320 --> 00:06:23,280 Speaker 3: Well, this is where I jump in, Jess, because if 139 00:06:23,279 --> 00:06:25,719 Speaker 3: I'm pitching to you, was Margo's match? So you manage 140 00:06:25,760 --> 00:06:26,880 Speaker 3: Margo and Kate, do you? 141 00:06:27,520 --> 00:06:27,560 Speaker 2: So? 142 00:06:27,920 --> 00:06:28,120 Speaker 3: Yeah? 143 00:06:28,360 --> 00:06:31,200 Speaker 1: So weirdly both getting as many scripts. 144 00:06:30,839 --> 00:06:34,800 Speaker 3: Your client Margo? Right? Could you tell her that in 145 00:06:34,839 --> 00:06:38,040 Speaker 3: the far two Personal Trainer, every time there's an intimate scene, 146 00:06:38,040 --> 00:06:41,679 Speaker 3: it's the woman coming onto Ben. The woman hits on Ben. 147 00:06:42,240 --> 00:06:44,360 Speaker 3: Ben is the one that looks like the weaker sex 148 00:06:44,400 --> 00:06:47,440 Speaker 3: out of the two, because the woman dominates Ben every. 149 00:06:47,240 --> 00:06:49,440 Speaker 2: Time well that might just get Margo over the line. 150 00:06:49,440 --> 00:06:50,679 Speaker 2: I've got a call with her in tenor. 151 00:06:51,360 --> 00:06:52,200 Speaker 3: That's good news. 152 00:06:52,320 --> 00:06:54,479 Speaker 1: It's a FaceTime, of course it's stupid. 153 00:06:54,880 --> 00:06:57,120 Speaker 3: Well see if Leo's there, because he could be Ben. 154 00:06:57,760 --> 00:07:00,320 Speaker 1: Oh Leo is Ben nice to is? 155 00:07:00,640 --> 00:07:03,400 Speaker 3: What is he now? Forty eight fifty? Yeah? Couldn't you 156 00:07:03,400 --> 00:07:04,120 Speaker 3: just send fifty? 157 00:07:04,360 --> 00:07:06,880 Speaker 1: He's something like that and his girlfriends are still getting younger. 158 00:07:06,960 --> 00:07:12,240 Speaker 3: That's right. Interesting, who's the young version of Leo getting around? Now? 159 00:07:12,920 --> 00:07:13,600 Speaker 3: What do you reckon? 160 00:07:13,680 --> 00:07:14,080 Speaker 1: What about? 161 00:07:14,080 --> 00:07:18,160 Speaker 2: There's that Aussie actor Jacoberlaordie. He's just played Elvis in 162 00:07:18,200 --> 00:07:22,040 Speaker 2: the new movie, not Austin, the other guy. He could 163 00:07:22,120 --> 00:07:25,400 Speaker 2: be like, do you manage him? I don't about to 164 00:07:25,440 --> 00:07:25,880 Speaker 2: get him. 165 00:07:25,760 --> 00:07:26,240 Speaker 1: On the books. 166 00:07:26,240 --> 00:07:27,600 Speaker 3: What's your management service called? 167 00:07:27,720 --> 00:07:28,600 Speaker 1: It's called. 168 00:07:30,320 --> 00:07:31,120 Speaker 3: Margo and Kate? 169 00:07:31,440 --> 00:07:33,120 Speaker 2: No, no, no, I don't want to let myself called 170 00:07:33,120 --> 00:07:36,360 Speaker 2: Margo and More. Oh right, so Kate, it's just one element. 171 00:07:36,360 --> 00:07:38,560 Speaker 1: Although weirdly she's out of the More park. Can I 172 00:07:38,600 --> 00:07:39,040 Speaker 1: tell you this? 173 00:07:39,120 --> 00:07:41,000 Speaker 2: When I brought Kate on board and she was not 174 00:07:41,120 --> 00:07:44,640 Speaker 2: overly keen to come on, well you know, fis a fees. 175 00:07:45,040 --> 00:07:47,240 Speaker 2: Then she heard I had Margo and she said I'll 176 00:07:47,280 --> 00:07:52,400 Speaker 2: come over on one condition, can you also manage Milko. 177 00:07:53,160 --> 00:07:57,480 Speaker 3: I'll so your Margo More and Milko. Yes, so she 178 00:07:57,520 --> 00:07:59,200 Speaker 3: still doesn't get her name, but Milko does. 179 00:07:59,320 --> 00:08:01,360 Speaker 2: And I just send Milko to a lot of gigs 180 00:08:01,360 --> 00:08:02,840 Speaker 2: and it doesn't matter if they want him or not 181 00:08:02,880 --> 00:08:04,080 Speaker 2: because no one can see him. 182 00:08:04,120 --> 00:08:06,840 Speaker 3: Well Milko. I sat next to Milko last night actually 183 00:08:06,840 --> 00:08:11,320 Speaker 3: at the GK Awards eight Milko's meal, which is why 184 00:08:11,360 --> 00:08:13,160 Speaker 3: I love turning up with Milk, which. 185 00:08:12,880 --> 00:08:23,680 Speaker 1: Is what you often do, not Margo Milko More. Yeah, 186 00:08:23,720 --> 00:08:24,200 Speaker 1: there's Kate. 187 00:08:24,240 --> 00:08:26,560 Speaker 2: There's a few others, but I don't know who's your 188 00:08:26,680 --> 00:08:27,920 Speaker 2: dream ben Holder. 189 00:08:28,520 --> 00:08:30,960 Speaker 3: I got to think about it. They need to be fit, 190 00:08:31,360 --> 00:08:34,600 Speaker 3: they need to be Aussie, they need to be cheeky. No, 191 00:08:34,800 --> 00:08:38,160 Speaker 3: it's too old. He's got sort of those bags under 192 00:08:38,160 --> 00:08:40,840 Speaker 3: his eyes, which is the sort of sagging past his chin. 193 00:08:40,960 --> 00:08:44,400 Speaker 3: These days, you know, you've got to find a guy 194 00:08:44,880 --> 00:08:47,920 Speaker 3: who's still a bloke. Now. I'm not having a crack 195 00:08:47,960 --> 00:08:51,000 Speaker 3: up personal trainers, but a personal trainer these days is 196 00:08:51,040 --> 00:08:53,560 Speaker 3: a little bit different the personal trainer that used to 197 00:08:53,559 --> 00:08:56,320 Speaker 3: be a bit more porn star. You know, I'm picturing 198 00:08:56,480 --> 00:09:00,720 Speaker 3: just somebody with hairy legs, hairy chest, almost like the 199 00:09:00,800 --> 00:09:05,720 Speaker 3: old style sports teacher. Now, the far too personal sport 200 00:09:06,000 --> 00:09:08,280 Speaker 3: sports Teacher is not a bad book either. 201 00:09:08,480 --> 00:09:09,280 Speaker 1: That's similar. 202 00:09:09,320 --> 00:09:11,280 Speaker 2: I'm pretty sure that book is a podcast and it's 203 00:09:11,280 --> 00:09:12,280 Speaker 2: called The Teacher's Pets. 204 00:09:12,320 --> 00:09:15,200 Speaker 3: Oh FYI, No, let's not do that. A different story. 205 00:09:15,240 --> 00:09:16,760 Speaker 1: No, that's and that's not a lot. 206 00:09:16,840 --> 00:09:19,520 Speaker 3: But this one's made up, by the way, personal trainer 207 00:09:19,640 --> 00:09:23,679 Speaker 3: is not a true story. Right, and he you know, 208 00:09:23,720 --> 00:09:25,920 Speaker 3: the old sports coach, It would have a whistle around 209 00:09:25,960 --> 00:09:28,600 Speaker 3: his neck and the short shorts. That's the look I'm going. 210 00:09:28,480 --> 00:09:30,160 Speaker 1: Lecturing you on gonorrhea or something. 211 00:09:30,360 --> 00:09:33,360 Speaker 3: Yeah, come on, kids, dry yourself after the showers and 212 00:09:33,360 --> 00:09:35,080 Speaker 3: make sure you u stell compounder on your plum. 213 00:09:35,240 --> 00:09:37,559 Speaker 1: Can I throw a suggestion out there? You just you've 214 00:09:37,600 --> 00:09:38,840 Speaker 1: painted a picture in my mind. 215 00:09:38,880 --> 00:09:43,080 Speaker 2: I'm sort of looking at someone maybe similar, hairy legs, 216 00:09:43,120 --> 00:09:45,600 Speaker 2: hairy back sports teacher. 217 00:09:45,440 --> 00:09:47,800 Speaker 1: Like Mick malloy. Maybe. 218 00:09:47,920 --> 00:09:51,679 Speaker 3: Oh well, we were trying to find someone younger than me. 219 00:09:52,160 --> 00:09:53,160 Speaker 1: Is Mick older than you? 220 00:09:54,360 --> 00:09:58,120 Speaker 3: He's got about ten years on me. That's a concern, Hey, Siri, 221 00:09:58,360 --> 00:10:02,400 Speaker 3: how old is Mick molloy? Oh my god, he's fifty seven? 222 00:10:03,080 --> 00:10:03,800 Speaker 1: Is he actually? 223 00:10:04,000 --> 00:10:04,520 Speaker 3: Yeah? 224 00:10:04,640 --> 00:10:07,599 Speaker 1: Surely not? Surely not fifty seven. Let me, Google, it 225 00:10:07,800 --> 00:10:12,480 Speaker 1: can't be fifty seven. He is fifty seven? Is he 226 00:10:12,720 --> 00:10:14,880 Speaker 1: eleventh of July nineteen sixty six. 227 00:10:15,480 --> 00:10:17,240 Speaker 3: So he's more like fifteen years older than me? 228 00:10:17,840 --> 00:10:18,760 Speaker 1: Okay, so let's check. 229 00:10:19,080 --> 00:10:22,280 Speaker 3: It could be Ben Holder's grandfather. 230 00:10:22,480 --> 00:10:25,320 Speaker 1: You know what, he could be Russell's brother. He could 231 00:10:25,360 --> 00:10:31,080 Speaker 1: be Ben older. Oh thank you out here all day? 232 00:10:31,280 --> 00:10:37,440 Speaker 3: Oh my god. From Margo More and Milkow that's Jess, Jess. 233 00:10:37,520 --> 00:10:39,240 Speaker 3: I'm not going to put a name to Ben at 234 00:10:39,240 --> 00:10:42,320 Speaker 3: the moment, we're still casting. Sure, I've got some calls 235 00:10:42,400 --> 00:10:45,400 Speaker 3: next week with some big agencies in the States, Milco 236 00:10:45,520 --> 00:10:47,840 Speaker 3: More and me not that one, I mean Margo Me, 237 00:10:47,880 --> 00:10:51,199 Speaker 3: and I've got the BBC in the UK. And then 238 00:10:51,240 --> 00:10:54,360 Speaker 3: I've got ubs Yes, are they a packing service? 239 00:10:55,520 --> 00:10:56,280 Speaker 1: That's ups? 240 00:10:56,760 --> 00:11:00,640 Speaker 3: Okay, So anyway, some big, high profile call next week 241 00:11:00,679 --> 00:11:02,040 Speaker 3: with heavy hitter directors and. 242 00:11:02,280 --> 00:11:04,080 Speaker 2: Why don't you look back in? I know it's holidays, 243 00:11:04,080 --> 00:11:10,120 Speaker 2: but we love to munch content. Sorry, excuse me. 244 00:11:10,160 --> 00:11:12,360 Speaker 1: I just couldn't help that. I was much of why 245 00:11:12,360 --> 00:11:14,240 Speaker 1: don't we come back in? And you can tell me 246 00:11:14,240 --> 00:11:15,120 Speaker 1: how those calls went? 247 00:11:16,679 --> 00:11:19,360 Speaker 2: And Whipper with Kate Ritchie is a Nova podcast for 248 00:11:19,480 --> 00:11:20,960 Speaker 2: more great comedy shows. 249 00:11:20,679 --> 00:11:23,480 Speaker 1: Like this head to Nova podcast dot com. Jod Au