1 00:00:00,280 --> 00:00:03,200 Speaker 1: This is the Fitting in Whipper with Kate Richie podcast. 2 00:00:03,360 --> 00:00:06,040 Speaker 2: It's a brand new movie. It's called Spit that stars 3 00:00:06,120 --> 00:00:10,520 Speaker 2: David Wenham. Thanky is hot operation. 4 00:00:12,600 --> 00:00:14,280 Speaker 3: I do not believe this darkness willen. 5 00:00:14,360 --> 00:00:16,439 Speaker 2: Do I need to get across the bridge into Pearl Bay. 6 00:00:16,720 --> 00:00:17,480 Speaker 3: It's not possible. 7 00:00:17,520 --> 00:00:17,880 Speaker 4: I'm a fro. 8 00:00:18,120 --> 00:00:20,760 Speaker 2: This is Australia. It's still a free country, isn't it. 9 00:00:20,880 --> 00:00:24,320 Speaker 5: Sean Francis Scotiri has been located alive. 10 00:00:24,480 --> 00:00:27,639 Speaker 3: I'm currently suffering from a very bad case of amnth casion. 11 00:00:28,760 --> 00:00:31,440 Speaker 4: So twenty two years ago Australia was gifted with the 12 00:00:31,480 --> 00:00:36,680 Speaker 4: amazing movie Getting Square and Johnny Spatiri was born, and 13 00:00:36,720 --> 00:00:38,960 Speaker 4: twenty two years later we have a brand new movie. 14 00:00:39,080 --> 00:00:40,120 Speaker 2: David Wenham joins us. 15 00:00:40,120 --> 00:00:43,159 Speaker 3: Now, Dad, Oh, good morning, good to be here. 16 00:00:43,440 --> 00:00:46,520 Speaker 2: Do you know what I've seen the film? Fit's bloody hilarious. 17 00:00:46,600 --> 00:00:49,000 Speaker 2: I've got to see it and it is so great. 18 00:00:49,200 --> 00:00:49,760 Speaker 3: It must be. 19 00:00:49,880 --> 00:00:51,919 Speaker 2: David's such a huge reward to. 20 00:00:51,920 --> 00:00:54,960 Speaker 5: Sit there in the cinema and see a crowd reacting 21 00:00:55,000 --> 00:00:56,160 Speaker 5: the way they were the other night. 22 00:00:56,440 --> 00:00:59,080 Speaker 3: Yeah it is. I've been sort of traveling around the country. 23 00:00:59,720 --> 00:01:03,240 Speaker 3: Show the film before it opens. Much to six and 24 00:01:03,520 --> 00:01:05,880 Speaker 3: you're right. The reaction has been pretty extraordinary. Actually, I 25 00:01:05,959 --> 00:01:10,039 Speaker 3: was at two sessions last night in Sydney and the 26 00:01:10,200 --> 00:01:12,640 Speaker 3: cremorn Orphium one. I thought they were going to, you know, 27 00:01:12,680 --> 00:01:15,000 Speaker 3: the roof was about to blow off with the level 28 00:01:15,040 --> 00:01:17,200 Speaker 3: of laughter. Yeah, very, very very Do. 29 00:01:17,160 --> 00:01:18,440 Speaker 5: You know what The other thing I love about it 30 00:01:18,480 --> 00:01:21,360 Speaker 5: too is your character is a. 31 00:01:21,080 --> 00:01:25,199 Speaker 2: True supporter, if not a role model for the mullet. Now, 32 00:01:25,360 --> 00:01:28,000 Speaker 2: there was eighty hours went into that wig, is that correct? 33 00:01:28,720 --> 00:01:32,760 Speaker 3: Eighty hours of your hand sewing hair by hair right 34 00:01:32,840 --> 00:01:35,200 Speaker 3: onto a piece of lace to make the wig, and 35 00:01:35,240 --> 00:01:38,040 Speaker 3: then once it's put on my head, I sit in 36 00:01:38,040 --> 00:01:41,000 Speaker 3: front of a mirror myself and makeup and hair artists 37 00:01:41,040 --> 00:01:43,240 Speaker 3: testna totally. We sort of craft and she cuts like, 38 00:01:43,520 --> 00:01:45,920 Speaker 3: we'll take that bit there. That did there? And there's 39 00:01:45,959 --> 00:01:48,600 Speaker 3: also in the in the wig a lovely piece of devon, 40 00:01:48,720 --> 00:01:51,880 Speaker 3: as I call it, the ball patch at the back. 41 00:01:52,120 --> 00:01:52,720 Speaker 2: So was that? 42 00:01:52,920 --> 00:01:55,320 Speaker 4: But was there a moment where you thought about growing 43 00:01:55,360 --> 00:01:57,760 Speaker 4: it yourself, David? Were you going to do it yourself 44 00:01:57,800 --> 00:01:59,000 Speaker 4: before you made the movie? 45 00:01:59,080 --> 00:02:01,280 Speaker 3: Well, the mullet fine, but it's having the piece of 46 00:02:01,280 --> 00:02:02,800 Speaker 3: devon at the back of her head. I'd have to 47 00:02:02,840 --> 00:02:04,400 Speaker 3: do a bit of a shaved job, and I wasn't 48 00:02:04,440 --> 00:02:05,160 Speaker 3: prepared to do that. 49 00:02:05,360 --> 00:02:06,600 Speaker 2: And if you had a snack with a bit of 50 00:02:06,640 --> 00:02:08,720 Speaker 2: tomato sauce, yeah I know. 51 00:02:08,840 --> 00:02:10,680 Speaker 3: But did I think I'd smell it a little bit 52 00:02:10,680 --> 00:02:12,560 Speaker 3: too much? Johnny? Probably? You know, he's got a bit 53 00:02:12,560 --> 00:02:13,679 Speaker 3: of a whiff, but not that much. 54 00:02:13,760 --> 00:02:16,480 Speaker 4: Well, tell us about like leading into a role, because 55 00:02:16,480 --> 00:02:18,720 Speaker 4: you've been faramire in the Lord of the Rings trilogy 56 00:02:18,800 --> 00:02:24,320 Speaker 4: Fry Carlin van helsing dillios for three hundred rips, David, 57 00:02:24,840 --> 00:02:27,120 Speaker 4: So how do you prepare for Johnny Spatiri? 58 00:02:28,880 --> 00:02:32,040 Speaker 3: Literally the wardrobe is the key for me with this one. 59 00:02:32,160 --> 00:02:35,560 Speaker 3: And I hadn't worn a pair of thongs in twenty 60 00:02:35,560 --> 00:02:39,880 Speaker 3: two years. I'd graduated to birkenstocks. Real, Yeah, sometimes I 61 00:02:39,880 --> 00:02:43,560 Speaker 3: shouldn't admit at birkenstocks and socks, but been twenty two 62 00:02:43,639 --> 00:02:46,240 Speaker 3: years out of the thongs. But seriously, the minute I 63 00:02:46,240 --> 00:02:49,359 Speaker 3: put the thongs back on, the character sort of came 64 00:02:49,400 --> 00:02:52,200 Speaker 3: back to me, and the thongs dictate how the character walks, 65 00:02:52,200 --> 00:02:54,760 Speaker 3: and you know, then I feel it. Then I squeeze 66 00:02:54,760 --> 00:02:57,800 Speaker 3: into his lovely, lovely tight jeans, and you know, the 67 00:02:57,880 --> 00:03:00,600 Speaker 3: mullet with a ball patch goes on, and yeah, it 68 00:03:00,639 --> 00:03:02,120 Speaker 3: comes back pretty quickly. 69 00:03:02,200 --> 00:03:03,600 Speaker 2: You know what I thought was so great too. 70 00:03:03,639 --> 00:03:05,720 Speaker 5: And you look at how when you look at world 71 00:03:05,800 --> 00:03:08,720 Speaker 5: stage films that are made here in Australia, like Elvis 72 00:03:08,720 --> 00:03:11,560 Speaker 5: that you were in, and Helen Thompson was also in that. 73 00:03:11,480 --> 00:03:13,160 Speaker 3: Which plays Elvis's dad. 74 00:03:13,200 --> 00:03:16,040 Speaker 5: Here, yeah, she's in Spit two, which is phenomenal. But 75 00:03:16,120 --> 00:03:20,000 Speaker 5: when you look at Ossie talent and Ossie films being made, 76 00:03:20,160 --> 00:03:23,079 Speaker 5: it's great to see the Hollywood version of Basis Elvis, 77 00:03:23,600 --> 00:03:27,720 Speaker 5: but to see the Ossie character in Australia. I mean, 78 00:03:27,760 --> 00:03:30,880 Speaker 5: it's just so relatable that everybody can fall in love with. 79 00:03:31,240 --> 00:03:32,720 Speaker 2: You know, you just want more and more of it. 80 00:03:32,720 --> 00:03:34,560 Speaker 3: It's pretty cool. Yeah, as you say, we've got a 81 00:03:34,639 --> 00:03:37,040 Speaker 3: number of the cast members from Getting Square who come 82 00:03:37,040 --> 00:03:39,160 Speaker 3: back twenty two years ago, twenty two years ago, and 83 00:03:39,200 --> 00:03:44,240 Speaker 3: we'd look exactly the same. But please don't laugh at me, 84 00:03:45,080 --> 00:03:50,880 Speaker 3: love towards me. But we also have the same crew essentially, 85 00:03:50,960 --> 00:03:54,200 Speaker 3: same director, same cinematographer, same designer and whatever. And a 86 00:03:54,200 --> 00:03:57,240 Speaker 3: lot of those people they do get offered big jobs 87 00:03:57,280 --> 00:04:00,920 Speaker 3: on big American films. They turned down so much work 88 00:04:01,080 --> 00:04:04,640 Speaker 3: in order to actually work on this little independent Australian 89 00:04:04,680 --> 00:04:07,360 Speaker 3: production because it actually meant so much to them, and 90 00:04:07,400 --> 00:04:10,320 Speaker 3: we had we shot it seven weeks, very very quick 91 00:04:10,360 --> 00:04:13,000 Speaker 3: to show. Yeah, and it was, I got to say, 92 00:04:13,280 --> 00:04:16,720 Speaker 3: the most productive and creative time that I've worked on 93 00:04:16,920 --> 00:04:19,640 Speaker 3: a film shoot in many a year, and probably the 94 00:04:19,640 --> 00:04:23,560 Speaker 3: most uplifting and joyous for the whole crew. Yeah, we 95 00:04:23,640 --> 00:04:23,960 Speaker 3: loved it. 96 00:04:24,040 --> 00:04:27,560 Speaker 4: Well, it's obviously a comedy, but we are being told 97 00:04:27,680 --> 00:04:29,839 Speaker 4: and we have to get this lady on. We have 98 00:04:29,960 --> 00:04:32,640 Speaker 4: some We've had someone's been ringing us all morning knowing 99 00:04:32,640 --> 00:04:35,000 Speaker 4: that you're coming on the show. Her name Cianne. She's 100 00:04:35,040 --> 00:04:38,200 Speaker 4: from Elwood and she's seen the movie. Cianne, What did 101 00:04:38,200 --> 00:04:39,159 Speaker 4: you want to say to David? 102 00:04:39,360 --> 00:04:40,680 Speaker 3: The floor is yours. 103 00:04:41,000 --> 00:04:44,440 Speaker 1: Oh look, I absolutely loved the movie. I saw Getting 104 00:04:44,440 --> 00:04:47,240 Speaker 1: Square when it first came back the Wheel's first release, 105 00:04:47,880 --> 00:04:50,680 Speaker 1: many many years ago, and the only character I could 106 00:04:50,720 --> 00:04:54,520 Speaker 1: remember out of that entire movie was Johnny SPACII. So 107 00:04:55,160 --> 00:04:57,360 Speaker 1: when I saw that the Rit Cinema was having a 108 00:04:57,400 --> 00:05:00,240 Speaker 1: special screening of it, I not only booked it get 109 00:05:00,279 --> 00:05:02,760 Speaker 1: for me, but I booked it for my imaginary friend 110 00:05:02,880 --> 00:05:05,320 Speaker 1: I was going to take with me. I hadn't even 111 00:05:05,440 --> 00:05:09,680 Speaker 1: seen the movie and I went and I absolutely adored it. 112 00:05:09,720 --> 00:05:11,520 Speaker 2: I laughed, I cried. 113 00:05:12,440 --> 00:05:15,080 Speaker 1: I just loved Johnny. I loved how he ran in 114 00:05:15,160 --> 00:05:18,760 Speaker 1: his song and he's such an ozzy little battler and 115 00:05:18,800 --> 00:05:22,320 Speaker 1: it was the best fun and it was so joyful. 116 00:05:22,400 --> 00:05:24,760 Speaker 1: And at the end of the spreading last night, everyone 117 00:05:24,800 --> 00:05:26,520 Speaker 1: claps so brilliant. 118 00:05:26,680 --> 00:05:30,440 Speaker 4: So the emotional what is the emotional side to it, David, 119 00:05:30,640 --> 00:05:31,719 Speaker 4: There is there moment. 120 00:05:32,080 --> 00:05:34,120 Speaker 3: Yeah, there's a little bit of a surprise for the 121 00:05:34,120 --> 00:05:36,200 Speaker 3: audience because we didn't want to make Getting square two, 122 00:05:36,320 --> 00:05:37,840 Speaker 3: so there had to be a really good reason to 123 00:05:37,880 --> 00:05:41,640 Speaker 3: bring the character back. And the first time I read 124 00:05:41,640 --> 00:05:44,360 Speaker 3: the very first draft of this script Chris Nist, who 125 00:05:44,360 --> 00:05:48,480 Speaker 3: wrote it, I just thought, oh my god, it is inspired. Na. Yeah, 126 00:05:48,520 --> 00:05:51,760 Speaker 3: he's absolutely nailed it. And without giving too much away, 127 00:05:52,760 --> 00:05:55,400 Speaker 3: we get to we get to see Johnny's backstory, we 128 00:05:55,440 --> 00:05:58,120 Speaker 3: get to understand why Johnny is the way he is, 129 00:05:59,200 --> 00:06:01,400 Speaker 3: and we also get to see him in a really 130 00:06:01,480 --> 00:06:06,680 Speaker 3: interesting environment. He's basically like an alien thrown into on 131 00:06:06,720 --> 00:06:08,840 Speaker 3: another planet whereby here we go, I'll give you a 132 00:06:08,839 --> 00:06:10,840 Speaker 3: little bit of a spoiler. At the beginning, he tries 133 00:06:10,880 --> 00:06:14,640 Speaker 3: to sneak into Australia using a fast false passport that 134 00:06:14,760 --> 00:06:17,400 Speaker 3: doesn't get too far so he gets thrown into immigration 135 00:06:17,480 --> 00:06:21,440 Speaker 3: to tension, and so we meet some fantastic new friends 136 00:06:21,440 --> 00:06:26,080 Speaker 3: in there, and yeah, very much more. Suffice to say 137 00:06:26,120 --> 00:06:29,520 Speaker 3: that it's extremely funny and yeah, quite poignant. 138 00:06:30,320 --> 00:06:33,000 Speaker 2: David done a F bomb count on the film. 139 00:06:35,360 --> 00:06:38,160 Speaker 3: All I know is that we're willing to triple figures. 140 00:06:38,960 --> 00:06:41,440 Speaker 3: Jonathan and I knew there were rather a few f 141 00:06:41,440 --> 00:06:43,479 Speaker 3: bombs in it, but I've got to be honest, we 142 00:06:43,480 --> 00:06:45,840 Speaker 3: weren't aware of how many until the very first time 143 00:06:45,839 --> 00:06:49,320 Speaker 3: we screened the film at Johnny's Pateria's spiritual home on 144 00:06:49,360 --> 00:06:51,799 Speaker 3: the Gold Coast Course, and at the end of the film, 145 00:06:51,800 --> 00:06:53,760 Speaker 3: we both turned to each other and, oh my god, 146 00:06:53,839 --> 00:06:54,760 Speaker 3: we didn't realize this. 147 00:06:56,000 --> 00:06:58,920 Speaker 2: They make sense because there's teaching in it. 148 00:06:59,000 --> 00:07:02,000 Speaker 3: There is a clue. Every one of every F bomb 149 00:07:02,120 --> 00:07:02,760 Speaker 3: is justified. 150 00:07:02,800 --> 00:07:03,760 Speaker 2: When you talk about. 151 00:07:03,520 --> 00:07:05,599 Speaker 5: Big films that he can talk about crew and casts 152 00:07:05,640 --> 00:07:07,679 Speaker 5: that you want to work on, Ozzie films and local 153 00:07:07,720 --> 00:07:10,240 Speaker 5: films are there? Films are the states that you've said 154 00:07:10,280 --> 00:07:12,320 Speaker 5: no to or that you regret turning down when it 155 00:07:12,360 --> 00:07:12,960 Speaker 5: was on the table. 156 00:07:13,240 --> 00:07:18,480 Speaker 3: Yeah, any characters, Yeah, there has been a few. I 157 00:07:18,600 --> 00:07:21,200 Speaker 3: tell you one little story I got quite so many 158 00:07:21,400 --> 00:07:23,880 Speaker 3: years ago. I got off at a film. It was 159 00:07:23,920 --> 00:07:26,520 Speaker 3: an American job and it was only five days work 160 00:07:26,840 --> 00:07:29,120 Speaker 3: and they said, it's only five days work and this 161 00:07:29,160 --> 00:07:32,160 Speaker 3: is the amount of money. Went oh, yeah, I'm in great, okay, 162 00:07:33,000 --> 00:07:36,280 Speaker 3: and send the script. The script came, I started to 163 00:07:36,320 --> 00:07:39,240 Speaker 3: read it. Then my character in Inverted Commas came up 164 00:07:39,640 --> 00:07:42,240 Speaker 3: and it was I thought, I can't do it. It's like 165 00:07:42,360 --> 00:07:47,400 Speaker 3: the character was so unbelievably violent but with no reason. 166 00:07:47,440 --> 00:07:50,000 Speaker 3: It wasn't justified, and I thought, you know, I've got kids. 167 00:07:50,520 --> 00:07:52,440 Speaker 3: I can't do it. So I rang my agent. I 168 00:07:52,440 --> 00:07:54,200 Speaker 3: said I'm sorry, I'm going to have to turn it down. 169 00:07:54,520 --> 00:07:57,160 Speaker 3: And he said, are you serious? And I said, yeah, 170 00:07:57,480 --> 00:08:00,240 Speaker 3: I can't do it, and he said really, okay, okay. 171 00:08:01,400 --> 00:08:04,720 Speaker 3: Cut to nobody has ever seen that film. It died 172 00:08:04,760 --> 00:08:06,560 Speaker 3: at the box office and no one saw it. Cut 173 00:08:06,600 --> 00:08:08,360 Speaker 3: to the very next thing. I got offered to do 174 00:08:08,400 --> 00:08:11,600 Speaker 3: a Marvel job and I didn't get to read the 175 00:08:11,600 --> 00:08:14,239 Speaker 3: script or anything. It was a television series. I find 176 00:08:14,240 --> 00:08:17,160 Speaker 3: myself not too many months after turning down that film 177 00:08:17,560 --> 00:08:20,440 Speaker 3: on the Marvel job that I hadn't read, two o'clock 178 00:08:20,480 --> 00:08:23,600 Speaker 3: in the morning in a warehouse in New York. I'm 179 00:08:23,640 --> 00:08:27,280 Speaker 3: bent over this body on the floor with a hammer 180 00:08:27,440 --> 00:08:31,520 Speaker 3: in each hand, bashing the skull of this person. Yeah, 181 00:08:31,600 --> 00:08:34,320 Speaker 3: and I had two special effects person people on either 182 00:08:34,360 --> 00:08:37,680 Speaker 3: side of me squirting me with blood and I'm thinking, 183 00:08:37,880 --> 00:08:40,000 Speaker 3: oh my god, what. 184 00:08:40,160 --> 00:08:44,199 Speaker 5: I could have taken the cash completely. 185 00:08:45,320 --> 00:08:47,600 Speaker 3: You are these casting. 186 00:08:47,280 --> 00:08:52,960 Speaker 4: Agents, so like n he'd be perfect. Yeah, exactly, we 187 00:08:52,960 --> 00:08:56,320 Speaker 4: had Hugo Weaving. He said his favorite Australia. Australian film 188 00:08:56,320 --> 00:08:58,400 Speaker 4: industry is very healthy at the moment, and I know 189 00:08:58,480 --> 00:09:01,559 Speaker 4: you're a massive supporter. His favorite movie was Ten Canoes. 190 00:09:01,559 --> 00:09:03,840 Speaker 4: What's your favorite Australian movie of all time? 191 00:09:03,920 --> 00:09:06,280 Speaker 3: David? Have you got one that I'm in or not in? 192 00:09:06,440 --> 00:09:11,440 Speaker 3: No spit that I'm in? Definitely spit and yeah, yeah, 193 00:09:11,480 --> 00:09:14,760 Speaker 3: no spit, spit, spit and not. What I'm not in 194 00:09:15,360 --> 00:09:17,280 Speaker 3: is a film that was made in the nineteen seventies. 195 00:09:17,559 --> 00:09:20,360 Speaker 3: It's called Wake in Fright, which I think is probably 196 00:09:20,640 --> 00:09:23,120 Speaker 3: it's my favorite iras best Australian film ever made. I 197 00:09:23,160 --> 00:09:25,360 Speaker 3: could go on and on about you know, some greatest films, 198 00:09:25,360 --> 00:09:26,200 Speaker 3: but I'll stop there. 199 00:09:26,280 --> 00:09:28,600 Speaker 5: Well, David, why are you're in here? Because it's commercial radio. 200 00:09:28,679 --> 00:09:30,120 Speaker 5: We want to maximize your talent. 201 00:09:30,440 --> 00:09:31,319 Speaker 3: Do I have to read something? 202 00:09:31,360 --> 00:09:31,400 Speaker 2: No? 203 00:09:31,480 --> 00:09:32,480 Speaker 3: You don't have to read, but we. 204 00:09:32,440 --> 00:09:36,079 Speaker 2: Want you to play a game called brand Man. What's 205 00:09:36,080 --> 00:09:43,680 Speaker 2: the Game's what I thought? 206 00:09:43,760 --> 00:09:45,280 Speaker 5: David at the premier the other art of the new 207 00:09:45,320 --> 00:09:48,160 Speaker 5: movie spit out March six, he said, I will come 208 00:09:48,200 --> 00:09:50,679 Speaker 5: into the studio as long as we can play brand Man. 209 00:09:50,760 --> 00:09:58,199 Speaker 3: Okay, great, yeah, yeah, gagging you truly honest. 210 00:09:58,240 --> 00:10:01,400 Speaker 5: Very very simple game here. So you look, let's have 211 00:10:01,440 --> 00:10:04,760 Speaker 5: a half a million brands in the world, so the 212 00:10:04,800 --> 00:10:05,520 Speaker 5: game is simple. 213 00:10:08,480 --> 00:10:10,559 Speaker 2: Your buzz a, David, Right, So you're going to get 214 00:10:10,679 --> 00:10:12,559 Speaker 2: I'm going to read it a question about a brand 215 00:10:12,600 --> 00:10:13,640 Speaker 2: and you've got to answer. 216 00:10:13,440 --> 00:10:16,559 Speaker 5: To score a point ten questions. Whoever gets the most 217 00:10:16,840 --> 00:10:19,319 Speaker 5: right is the winner. Question can be from anything from 218 00:10:19,320 --> 00:10:22,160 Speaker 5: colors of the logo to a slogan to a jingle. 219 00:10:22,880 --> 00:10:25,160 Speaker 5: All right, here we go. Let's go with the first one. 220 00:10:25,559 --> 00:10:28,240 Speaker 5: Which deodorant brand's logo includes. 221 00:10:27,760 --> 00:10:31,520 Speaker 2: A tick to day? 222 00:10:31,760 --> 00:10:32,280 Speaker 3: Start with R. 223 00:10:33,720 --> 00:10:36,960 Speaker 2: Yes, it is good, David goes bang. 224 00:10:37,280 --> 00:10:38,800 Speaker 3: I was down. 225 00:10:40,840 --> 00:10:41,000 Speaker 1: Here. 226 00:10:41,360 --> 00:10:43,040 Speaker 3: You're going to go down the links right there? 227 00:10:43,080 --> 00:10:45,920 Speaker 5: Okay, Open Happiness. There's a tagline for which brand? 228 00:10:46,360 --> 00:10:50,240 Speaker 3: Open Happiness? Open Happiness? Tommy, do you want to get 229 00:10:50,240 --> 00:10:51,560 Speaker 3: involved Tinder? 230 00:10:54,400 --> 00:10:57,520 Speaker 2: You've let your mind run a little farther, but it's not. 231 00:10:57,720 --> 00:10:58,920 Speaker 2: It's not only fans either. 232 00:10:59,200 --> 00:10:59,480 Speaker 4: It's not. 233 00:10:59,640 --> 00:11:00,720 Speaker 2: No, that's for sure. 234 00:11:01,720 --> 00:11:03,520 Speaker 3: Open Happy is it? Can we have a clue? 235 00:11:04,080 --> 00:11:09,320 Speaker 2: It's a popular soft drink. Open Happiness, Tom, it's not 236 00:11:09,400 --> 00:11:10,000 Speaker 2: Coca con. 237 00:11:12,880 --> 00:11:16,800 Speaker 3: Heard that campaign? Who came up with that happiness? Yeah? 238 00:11:17,320 --> 00:11:20,040 Speaker 2: Open it? There's the happiness Here we go, Snap, crackle 239 00:11:20,080 --> 00:11:22,520 Speaker 2: and pop. A found on which serials it's David Rice. 240 00:11:22,400 --> 00:11:26,760 Speaker 5: Bubbles, David Good? 241 00:11:27,600 --> 00:11:30,160 Speaker 2: On which streaming service would you hear this noise? 242 00:11:33,800 --> 00:11:34,280 Speaker 3: Netflix? 243 00:11:35,600 --> 00:11:37,960 Speaker 2: James? Law and Order? 244 00:11:38,000 --> 00:11:42,160 Speaker 5: Isn't it very law in Order? How many do you do? 245 00:11:42,640 --> 00:11:44,240 Speaker 5: Is a question asked by which brand? 246 00:11:45,559 --> 00:11:46,080 Speaker 3: Wheat bitch? 247 00:11:46,200 --> 00:11:47,000 Speaker 2: Congratulations? 248 00:11:47,679 --> 00:11:48,920 Speaker 3: How many do you do? David? 249 00:11:48,960 --> 00:11:50,800 Speaker 4: How many did you do back in the day, the 250 00:11:50,880 --> 00:11:53,280 Speaker 4: day I'd be, I'd be three, you'd be you'd be 251 00:11:53,320 --> 00:11:56,720 Speaker 4: the dozen the day we got up to twelve? Well, Trevor, 252 00:11:57,360 --> 00:12:00,720 Speaker 4: Trevor Hindy used to do twelve and so that's I 253 00:12:00,880 --> 00:12:01,880 Speaker 4: tried to keep up with him. 254 00:12:01,920 --> 00:12:06,560 Speaker 2: Do you and Trevor handle? You're really simil put on fture? Okay? 255 00:12:06,640 --> 00:12:09,959 Speaker 5: What brand uses the tagline the Happiest place on Earth? 256 00:12:12,960 --> 00:12:19,640 Speaker 3: Disneyland? It's very close to call them between Queensland and Disneyland. 257 00:12:19,800 --> 00:12:22,560 Speaker 4: And I love how you're going into the Johnny's Patteria character. 258 00:12:24,080 --> 00:12:25,640 Speaker 3: That's just nerves. 259 00:12:26,280 --> 00:12:33,160 Speaker 5: Which brand does this jingle belong to? 260 00:12:38,800 --> 00:12:44,840 Speaker 3: My dad makes the fruit? That makes that? 261 00:12:44,960 --> 00:12:48,199 Speaker 2: I like members my dad Pixies? 262 00:12:48,280 --> 00:12:52,160 Speaker 3: No, that's I don't remember that brand? Which that one? 263 00:12:52,800 --> 00:12:55,240 Speaker 2: John would have loved that? Okay? 264 00:12:55,320 --> 00:12:59,800 Speaker 5: Which brand has a Polaroid camera within its logo? 265 00:13:00,320 --> 00:13:00,880 Speaker 2: Just go on? 266 00:13:01,920 --> 00:13:03,719 Speaker 3: Probably not, but I'm going to guess you can go 267 00:13:03,760 --> 00:13:06,880 Speaker 3: out on the Limono codec But it's not. No, it's 268 00:13:06,960 --> 00:13:10,360 Speaker 3: not to say Instagram is r Yes, I really wanted 269 00:13:10,400 --> 00:13:12,000 Speaker 3: to say Polaroid. I've got to be honest. 270 00:13:13,600 --> 00:13:15,840 Speaker 2: Would have made sense. Okay, here we go. 271 00:13:15,920 --> 00:13:20,240 Speaker 5: It probably does, it creates Okay, takes the rainbow? Is 272 00:13:20,280 --> 00:13:22,400 Speaker 5: the slogan for which brand? Fitz Fitzy? 273 00:13:22,520 --> 00:13:23,080 Speaker 3: That's skittle? 274 00:13:23,160 --> 00:13:25,080 Speaker 2: You are flying? Ryan James, Well, if I hit. 275 00:13:25,000 --> 00:13:28,000 Speaker 3: The lead, I think I've taken it. I thought it 276 00:13:28,040 --> 00:13:30,240 Speaker 3: was going to be pride. 277 00:13:30,559 --> 00:13:35,240 Speaker 5: What about this on the skittles? Look the eye dot 278 00:13:35,679 --> 00:13:39,160 Speaker 5: is dotted with a skittle. What color is the skittle? David, 279 00:13:44,240 --> 00:13:47,400 Speaker 5: we go out on a high, Ryan James, you've bet them, David, 280 00:13:47,400 --> 00:13:50,080 Speaker 5: When them by one, you'll be your Tom. You were pathetic, 281 00:13:50,160 --> 00:13:52,200 Speaker 5: quite a lot everybody. 282 00:13:51,520 --> 00:13:55,120 Speaker 2: What a great game. Don't you think David the best? 283 00:13:55,240 --> 00:13:57,320 Speaker 5: Just not we're not recording or anything, but could you 284 00:13:57,320 --> 00:13:59,640 Speaker 5: if you could just say, Hi, I'm David Wenner. 285 00:14:00,240 --> 00:14:01,520 Speaker 2: Brand Man is a great game. 286 00:14:02,400 --> 00:14:06,200 Speaker 3: Hi, I'm David Wenham. I only play brand Game. 287 00:14:06,559 --> 00:14:07,679 Speaker 2: Okay, the brand Man. 288 00:14:08,880 --> 00:14:12,720 Speaker 3: Yeah, because the brand Well you're not recording, so we're recording. Okay. Hi, 289 00:14:12,840 --> 00:14:17,640 Speaker 3: I'm David Wenham and I only play brand Man. You 290 00:14:17,679 --> 00:14:18,319 Speaker 3: don't have to. 291 00:14:18,240 --> 00:14:21,960 Speaker 2: Set him up just before. It's hard to work. 292 00:14:21,960 --> 00:14:25,600 Speaker 3: Well, do you do cash for comments? I'm what you're 293 00:14:25,640 --> 00:14:27,320 Speaker 3: talking about talking about? 294 00:14:27,680 --> 00:14:28,760 Speaker 2: Can we get him out of the building? 295 00:14:29,760 --> 00:14:33,120 Speaker 4: March six Spit will be in cinemas. It is magnificent. 296 00:14:33,160 --> 00:14:35,600 Speaker 4: Great to have Johnny's Pieri back. David Wenham, love you mate, 297 00:14:35,600 --> 00:14:36,520 Speaker 4: Thanks for coming in same. 298 00:14:36,600 --> 00:14:37,320 Speaker 2: Thanks. Buds. 299 00:14:37,640 --> 00:14:40,800 Speaker 5: Whipper with Kate Ritchie is a Nova podcast walk great 300 00:14:40,840 --> 00:14:41,560 Speaker 5: shows like this. 301 00:14:41,880 --> 00:14:45,000 Speaker 2: Download the Nova player, fire the app store or Google 302 00:14:45,040 --> 00:14:45,560 Speaker 2: Playing the