1 00:00:00,080 --> 00:00:03,840 Speaker 1: Hello, Welcome to the podcast. Tina Rainer joining us. 2 00:00:04,400 --> 00:00:09,720 Speaker 2: Babe, look at me George pop stars back in the day? 3 00:00:09,800 --> 00:00:12,040 Speaker 1: Yeah, I did. I quite enjoyed that, Sophie. 4 00:00:12,320 --> 00:00:16,560 Speaker 3: And there was Belinda, Katie underwo Katie underwod. 5 00:00:16,560 --> 00:00:17,640 Speaker 4: Who's the fourth one, Tiffany? 6 00:00:17,680 --> 00:00:21,200 Speaker 1: Would he would there another one? Yeah? 7 00:00:21,239 --> 00:00:25,960 Speaker 2: Someone got the stealing and the pop Stars House, wasn't 8 00:00:25,960 --> 00:00:30,240 Speaker 2: it no Chanel sh shantell? 9 00:00:30,400 --> 00:00:35,560 Speaker 1: What did she that? I remember that? Yes, it was 10 00:00:35,600 --> 00:00:39,159 Speaker 1: a good show. They should bring Chantel stole from them 11 00:00:39,240 --> 00:00:41,239 Speaker 1: in the pop Stars House? Was it all? 12 00:00:41,479 --> 00:00:42,840 Speaker 3: Wasn't pop stars all girls? 13 00:00:44,600 --> 00:00:48,199 Speaker 1: They did? They did scandal us with tomorrow. 14 00:00:48,159 --> 00:00:51,680 Speaker 3: Don't she feel so bad? Don't and make you mad? 15 00:00:55,720 --> 00:00:56,120 Speaker 1: With Carl? 16 00:00:56,160 --> 00:00:58,680 Speaker 4: And he was wasn't that the song was singing Clint, 17 00:01:00,080 --> 00:01:01,240 Speaker 4: I'm making him on. 18 00:01:01,320 --> 00:01:01,560 Speaker 5: The s. 19 00:01:05,840 --> 00:01:10,800 Speaker 2: Yeah you knew about Sure, he's fine me talking about this. 20 00:01:11,240 --> 00:01:12,960 Speaker 2: I'm pretty sure he's spoken about it before. But I 21 00:01:13,040 --> 00:01:15,880 Speaker 2: was living with him and his girlfriend, and I'd wake 22 00:01:15,959 --> 00:01:18,400 Speaker 2: up and be like, hey, yeah, was Carl. I had 23 00:01:18,440 --> 00:01:20,039 Speaker 2: to go in and voice some commercials And then I'd 24 00:01:20,080 --> 00:01:21,640 Speaker 2: go into work and be like you've seen Carl and like, no, 25 00:01:21,720 --> 00:01:22,400 Speaker 2: he hasn't come in yet. 26 00:01:23,360 --> 00:01:24,759 Speaker 1: And he was scandalous. 27 00:01:26,720 --> 00:01:28,760 Speaker 2: Yeah, I remember him saying, trying to do that in 28 00:01:28,880 --> 00:01:31,200 Speaker 2: their little free Mitsubishi mirage was quite hard. 29 00:01:31,240 --> 00:01:33,399 Speaker 3: Hang on. The band was called scandal Yeah. 30 00:01:33,400 --> 00:01:35,440 Speaker 1: And the song self titled No it wasn't it. 31 00:01:35,520 --> 00:01:39,640 Speaker 3: It was called Poison. That was that was, Oh, should 32 00:01:39,640 --> 00:01:40,680 Speaker 3: I've been seeing the wrong song for? 33 00:01:41,520 --> 00:01:42,680 Speaker 1: Is poison? Poison? 34 00:01:43,800 --> 00:01:44,399 Speaker 4: What did they sing? 35 00:01:45,240 --> 00:01:46,680 Speaker 1: So so so scandalous? 36 00:01:47,200 --> 00:01:50,640 Speaker 3: With myself and I me myself and I. 37 00:01:52,440 --> 00:01:53,280 Speaker 1: Me myself? 38 00:01:53,320 --> 00:01:59,480 Speaker 3: Then this was boys and Girls. Did you Carl Sandalands 39 00:01:59,560 --> 00:02:01,840 Speaker 3: was in scan know he was stupid. 40 00:02:03,360 --> 00:02:04,440 Speaker 1: Tomorrow he married her. 41 00:02:04,920 --> 00:02:07,880 Speaker 3: Scandalous machine scandalous he had. 42 00:02:07,720 --> 00:02:10,800 Speaker 1: One hang on, I mean myself. 43 00:02:13,639 --> 00:02:16,720 Speaker 3: Yeah, that looks like a j from Backstroke Boys. Yeah, 44 00:02:17,560 --> 00:02:19,880 Speaker 3: she doesn't get a lot there she is, Yeah she is. 45 00:02:22,240 --> 00:02:22,800 Speaker 1: Well, that's a. 46 00:02:25,280 --> 00:02:26,400 Speaker 3: Sophie Monkin. 47 00:02:29,400 --> 00:02:39,720 Speaker 4: Show to be pulled together, women and catching up. 48 00:02:41,360 --> 00:02:43,320 Speaker 3: I think I like Poison better. I think I like 49 00:02:43,600 --> 00:02:46,040 Speaker 3: Poison was the song I think I like Bardo better. 50 00:02:46,520 --> 00:02:52,600 Speaker 1: That was the o G to make missake, make me deep, busy. 51 00:02:54,680 --> 00:03:00,280 Speaker 2: Auditions that line them up. They were like cattle in 52 00:03:00,360 --> 00:03:03,520 Speaker 2: a hall and then they all stand up in a judge. 53 00:03:05,440 --> 00:03:09,320 Speaker 2: I was there recording it for radio bring Back. They 54 00:03:09,320 --> 00:03:11,480 Speaker 2: would all stand up in groups of five and Jackie 55 00:03:11,520 --> 00:03:13,480 Speaker 2: and the other judges would walk along while they sing. 56 00:03:14,760 --> 00:03:19,000 Speaker 3: Judge and Kyle no not, he was stupid. 57 00:03:19,960 --> 00:03:21,359 Speaker 1: He was just stopping them. 58 00:03:21,880 --> 00:03:26,320 Speaker 3: Should we do our own version of pop stars and 59 00:03:26,400 --> 00:03:29,840 Speaker 3: we'll get like, We'll get someone like who? 60 00:03:30,480 --> 00:03:32,280 Speaker 1: I just feel like all the good things have been discovered. 61 00:03:32,760 --> 00:03:33,359 Speaker 3: To write a song? 62 00:03:33,880 --> 00:03:35,680 Speaker 1: Oh yeah, he'll be up for it. Just text him now, 63 00:03:35,760 --> 00:03:37,080 Speaker 1: get Tina Renda to write the song. 64 00:03:37,880 --> 00:03:43,080 Speaker 3: Keith Urban, Maybe let's start a pop bands. Jason Lawrence and. 65 00:03:43,160 --> 00:03:45,760 Speaker 1: You know what Final Breakfast. 66 00:03:45,880 --> 00:03:47,600 Speaker 3: They can they can sing the footy songs. 67 00:03:47,760 --> 00:03:48,720 Speaker 1: Were something here. 68 00:03:48,800 --> 00:03:50,880 Speaker 2: There's a doco floating around at the moment about the 69 00:03:51,240 --> 00:03:52,160 Speaker 2: creeping management. 70 00:03:52,240 --> 00:03:54,400 Speaker 1: Listening, guys, there's a doco floating. 71 00:03:54,160 --> 00:03:57,080 Speaker 2: Around the moment about the creeping management behind the Backstreet Boys. 72 00:03:57,480 --> 00:03:59,560 Speaker 1: Wat yeah, And then that. 73 00:03:59,560 --> 00:04:01,880 Speaker 3: Would be sitting and Jason's microphone. 74 00:04:01,920 --> 00:04:05,360 Speaker 1: Don sitting there brainstorming judges. 75 00:04:06,120 --> 00:04:09,800 Speaker 3: We're not standing Yeah no, we're not in the band. 76 00:04:10,080 --> 00:04:13,640 Speaker 3: Were the Simon cow we could discover five sauce? Is 77 00:04:13,640 --> 00:04:14,440 Speaker 3: that what he discovered? 78 00:04:15,920 --> 00:04:19,920 Speaker 1: And Lauren one direction going around to visit the second 79 00:04:20,120 --> 00:04:21,320 Speaker 1: visits them at home, home. 80 00:04:21,240 --> 00:04:24,080 Speaker 3: Visits Jase, Lauren clint here. 81 00:04:24,760 --> 00:04:27,240 Speaker 1: Congratulations I'm standing in the car you're in. 82 00:04:27,640 --> 00:04:29,240 Speaker 3: You've got thirty seconds to sing to us. 83 00:04:29,440 --> 00:04:30,560 Speaker 1: You're going to the Gold Coast. 84 00:04:30,600 --> 00:04:34,520 Speaker 3: Okay, let's imagine. Okay, we're not we're going to want 85 00:04:34,520 --> 00:04:35,120 Speaker 3: a ticket. 86 00:04:35,160 --> 00:04:37,960 Speaker 5: We're knocking on Jesus door and he's got thirty seconds 87 00:04:38,040 --> 00:04:39,560 Speaker 5: to sing a song, and we'll all tell you you're 88 00:04:39,560 --> 00:04:40,120 Speaker 5: in the band or not. 89 00:04:40,560 --> 00:04:42,839 Speaker 3: Hi, Jose's Jase, Lauren and Clint. You got thirty seconds 90 00:04:42,880 --> 00:04:43,479 Speaker 3: to sing to us. 91 00:04:44,600 --> 00:04:48,640 Speaker 4: Lisa, here's your birthday from Lisa? 92 00:04:49,800 --> 00:04:56,440 Speaker 1: Do we spin on our chairs? Your birthday? But that's 93 00:04:56,480 --> 00:04:57,080 Speaker 1: what wo happened. 94 00:04:57,320 --> 00:04:58,560 Speaker 3: Okay, let's go to Bradie's. 95 00:04:59,120 --> 00:05:01,120 Speaker 1: I just want to say I've had a very tough life. 96 00:05:01,200 --> 00:05:02,240 Speaker 1: I'm very s mate. 97 00:05:02,320 --> 00:05:08,080 Speaker 3: We're going to go to the next house, Brodie's house. Hello, Brodie, 98 00:05:08,080 --> 00:05:09,960 Speaker 3: it's Jase, Lauren and Clint. You've got thirty seconds to 99 00:05:10,000 --> 00:05:10,279 Speaker 3: sing us. 100 00:05:10,279 --> 00:05:11,120 Speaker 1: So side, are you sick? 101 00:05:12,520 --> 00:05:12,680 Speaker 4: Very? 102 00:05:13,040 --> 00:05:15,840 Speaker 1: He looks. I believe I can fly. 103 00:05:17,040 --> 00:05:19,719 Speaker 3: I believe can touch the scarf. 104 00:05:25,120 --> 00:05:26,560 Speaker 1: And then what we do is we hoard them and 105 00:05:26,600 --> 00:05:27,480 Speaker 1: throw them into the van. 106 00:05:27,560 --> 00:05:29,360 Speaker 3: And we drive to the next into the second We're 107 00:05:29,360 --> 00:05:35,760 Speaker 3: going to Alley's house. Now, gen Z, Okay, you're hey, 108 00:05:36,920 --> 00:05:37,280 Speaker 3: you've been. 109 00:05:37,720 --> 00:05:40,360 Speaker 1: You're in the back of the van. You mean cable tied. 110 00:05:40,400 --> 00:05:41,520 Speaker 1: You're in the back of the van. We've gone in 111 00:05:41,560 --> 00:05:43,159 Speaker 1: the next house to go to Z's house. 112 00:05:43,800 --> 00:05:45,520 Speaker 3: Oh, hijen Z, stay, Lauren and Clint. 113 00:05:45,560 --> 00:05:49,000 Speaker 5: You got thirty seconds to do your best performance sleezing 114 00:05:49,080 --> 00:05:49,640 Speaker 5: and teasing. 115 00:05:49,680 --> 00:05:53,680 Speaker 4: I'm sitting on him time and a dripping on him. 116 00:05:53,600 --> 00:05:54,640 Speaker 3: Doesn't she's taking it? 117 00:05:54,920 --> 00:05:57,720 Speaker 1: Well, she just got I ordered two more ones because 118 00:05:57,760 --> 00:05:59,160 Speaker 1: tonight we need a little bit. 119 00:05:59,120 --> 00:06:01,000 Speaker 3: Of Yeah, okay, she came home strong. 120 00:06:01,640 --> 00:06:04,320 Speaker 1: What about She's the we're going to need. 121 00:06:05,200 --> 00:06:07,280 Speaker 3: Should we say? Should we save Moby's home? 122 00:06:09,440 --> 00:06:11,520 Speaker 1: Hello Moby? Hello? Maybe Hello Moby? 123 00:06:11,560 --> 00:06:12,440 Speaker 3: You got thirty seconds? 124 00:06:13,400 --> 00:06:17,760 Speaker 1: Is this life to it? Yes? Big moment. 125 00:06:19,040 --> 00:06:21,200 Speaker 3: You got thirty seconds to impress us with the song? 126 00:06:21,240 --> 00:06:26,240 Speaker 3: You could get in the van the van, Come on, Moby, maybe. 127 00:06:26,680 --> 00:06:30,800 Speaker 1: Maybe send into the wed that's up. That's where I 128 00:06:31,000 --> 00:06:35,000 Speaker 1: lose song. Blow to watch this show. I'll do it. 129 00:06:35,120 --> 00:06:38,880 Speaker 3: Do I drive the bar play saved so from public? 130 00:06:39,400 --> 00:06:41,920 Speaker 3: So okay, let's got it. 131 00:06:41,960 --> 00:06:47,760 Speaker 1: So fate the door? Hello, so, so Fate. I'm a 132 00:06:47,960 --> 00:06:54,120 Speaker 1: Barbie girl in a Barbie werd live and plastic style. 133 00:06:55,200 --> 00:07:00,800 Speaker 1: I'll be honest. The band's getting quiet question, he's what about. 134 00:07:03,120 --> 00:07:04,240 Speaker 3: Will be home at this time of the morning. 135 00:07:04,240 --> 00:07:06,280 Speaker 1: Then he's broken on the west skate. We'll swing past 136 00:07:06,320 --> 00:07:06,840 Speaker 1: the west gates. 137 00:07:06,880 --> 00:07:08,280 Speaker 5: Here, he's got. 138 00:07:08,240 --> 00:07:10,280 Speaker 3: Thirty seconds to see if you're in the band. 139 00:07:11,160 --> 00:07:14,320 Speaker 1: Let's all go to the lobby. Let's all go to 140 00:07:14,400 --> 00:07:18,440 Speaker 1: the lobby. Has the van got roof racks? We could 141 00:07:18,440 --> 00:07:19,360 Speaker 1: put him on top. 142 00:07:20,200 --> 00:07:23,720 Speaker 3: So he's not in the bund So he's not making 143 00:07:23,760 --> 00:07:24,040 Speaker 3: it in the. 144 00:07:24,040 --> 00:07:26,240 Speaker 1: Tour bus jingle? So do we book go pros in 145 00:07:26,280 --> 00:07:26,680 Speaker 1: the barye? 146 00:07:26,760 --> 00:07:28,960 Speaker 3: We should get a bus every other show we're doing 147 00:07:29,000 --> 00:07:29,880 Speaker 3: a bus. Let's get a. 148 00:07:29,920 --> 00:07:32,960 Speaker 1: Bus, the pop stars bus. We can't get a pop stars. 149 00:07:34,520 --> 00:07:36,880 Speaker 3: Whoever walks past our studio next, we're going to knock on. 150 00:07:36,840 --> 00:07:41,000 Speaker 1: The I will fuck it lave Evan artist is in 151 00:07:41,120 --> 00:07:47,280 Speaker 1: doing somewhere. It's Sebasti. It's not store. You to know 152 00:07:47,480 --> 00:07:47,760 Speaker 1: from me? 153 00:07:49,720 --> 00:07:52,040 Speaker 5: Okay, So whoever walks past next, We've just got to 154 00:07:52,040 --> 00:07:52,880 Speaker 5: see if they're in the band. 155 00:07:53,720 --> 00:07:57,160 Speaker 1: Who is there? I hang on? Who is that? Are 156 00:07:57,200 --> 00:07:57,560 Speaker 1: you going? 157 00:07:57,880 --> 00:07:58,240 Speaker 5: All right? 158 00:07:58,560 --> 00:08:00,360 Speaker 3: Welcome to jas Lauren and is. 159 00:08:00,360 --> 00:08:02,120 Speaker 1: It Lauren Stars? You got thirty. 160 00:08:04,320 --> 00:08:10,960 Speaker 3: Erin singing thirty seconds? You can join them? 161 00:08:12,880 --> 00:08:20,840 Speaker 4: Birth date, lad pick up the place birth day? 162 00:08:23,080 --> 00:08:25,120 Speaker 1: Do we hoard her and put her in the She's 163 00:08:25,160 --> 00:08:27,720 Speaker 1: not in the road. Sorry, gotta gotta go. 164 00:08:28,040 --> 00:08:28,520 Speaker 2: We're gonna go. 165 00:08:29,080 --> 00:08:31,760 Speaker 1: Sorry, the engines running it feels expense, Okay, we have 166 00:08:31,840 --> 00:08:32,000 Speaker 1: to go. 167 00:08:32,160 --> 00:08:34,200 Speaker 3: Good job though, Erin, thanks for trying, Thanks for playing. 168 00:08:35,880 --> 00:08:37,680 Speaker 1: I think we just we're show you what your parents 169 00:08:37,720 --> 00:08:42,880 Speaker 1: were killed in natural disaster in d With that, let's 170 00:08:42,920 --> 00:08:44,960 Speaker 1: play some soft music. You tell us about the disaster. 171 00:08:45,080 --> 00:08:47,480 Speaker 5: Okay, who thinks jays Lauren includes pop stars is going 172 00:08:47,559 --> 00:08:48,760 Speaker 5: to be We can't call it pop stars? 173 00:08:48,800 --> 00:08:52,920 Speaker 3: Okay, rock stars? What about stars? 174 00:08:53,200 --> 00:08:58,400 Speaker 1: Not the stars? Love that Lauren's not. I can call 175 00:08:58,520 --> 00:09:00,840 Speaker 1: it a bandon of barn. 176 00:09:01,480 --> 00:09:03,319 Speaker 3: We could do a street party. We could call it 177 00:09:03,440 --> 00:09:05,319 Speaker 3: uber Beats. We'll come to you and we'll be singing. 178 00:09:05,480 --> 00:09:07,880 Speaker 1: The other place does the street party, or. 179 00:09:07,880 --> 00:09:10,559 Speaker 3: We'll do uber Beats. Then we'll get a sponsored byby Beat. 180 00:09:10,679 --> 00:09:14,479 Speaker 1: Is great. They could sing at the Grand Final Breakfast. 181 00:09:14,559 --> 00:09:16,120 Speaker 3: Or the Christmas party. They could do we could do 182 00:09:16,200 --> 00:09:17,480 Speaker 3: our own Carols by candle light? 183 00:09:18,120 --> 00:09:20,120 Speaker 1: All right, we're doing it. Do we need a detained it? 184 00:09:20,160 --> 00:09:21,160 Speaker 1: This year's Christmas pant? 185 00:09:21,320 --> 00:09:21,920 Speaker 3: Should we do it? 186 00:09:22,040 --> 00:09:25,120 Speaker 5: Carol by candle light? And everyone's got to be named Carol. 187 00:09:25,160 --> 00:09:28,000 Speaker 5: You can only get in if your name is Carol 188 00:09:28,120 --> 00:09:29,520 Speaker 5: and you can sing att Christmas party? 189 00:09:29,600 --> 00:09:34,400 Speaker 3: Does anyone know Carol? Can you do the pa all? 190 00:09:35,520 --> 00:09:36,800 Speaker 3: Is there a Carol in the building? 191 00:09:37,920 --> 00:09:39,959 Speaker 1: Safentional stuff? Is there a Carol in the building? 192 00:09:40,760 --> 00:09:45,680 Speaker 3: We should get sushi Carol. Okay, I loved today. 193 00:09:46,320 --> 00:09:49,280 Speaker 1: Do you know what? The best ideas are made on 194 00:09:49,360 --> 00:09:58,199 Speaker 1: the run? Hang on? Apparently there's another potential auditioned. 195 00:09:59,040 --> 00:09:59,880 Speaker 3: If they're walking pack. 196 00:10:00,040 --> 00:10:02,160 Speaker 1: Someone who wants to be in the Courtney Courtney. We 197 00:10:02,240 --> 00:10:03,640 Speaker 1: think you need to give us a heads up. 198 00:10:03,800 --> 00:10:05,120 Speaker 3: We'll have to save Courtney's hard. 199 00:10:05,400 --> 00:10:08,719 Speaker 1: She chickened out. Courtney's not hard, Courtney's not well. Guess what. 200 00:10:08,920 --> 00:10:14,400 Speaker 2: Courtney is not part of the band van We're coming. 201 00:10:14,520 --> 00:10:15,640 Speaker 3: We're coming for you, Melbourne. 202 00:10:16,360 --> 00:10:19,600 Speaker 1: Be on YouTube, the youtubetube.