WEBVTT - Natalie Barr just set a breakfast TV record. But she isn't boasting about it

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<v Speaker 1>Hello, and welcome to Something to Talk About the Stella Podcast.

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<v Speaker 1>I'm Sarah La marquand your host, and every week I

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<v Speaker 1>sit down with some of the biggest names in the

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<v Speaker 1>country because when Australia's celebrities are ready to talk, they

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<v Speaker 1>come to Something to talk about. This is a big

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<v Speaker 1>year for Natalie bar In December, she and her husband

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<v Speaker 1>Andrew will celebrate their thirtieth wedding anniversary. Twenty twenty five

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<v Speaker 1>also marks her twenty third year on Sunrise, making her

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<v Speaker 1>Australia's longest serving breakfast television anchor. As a woman who's

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<v Speaker 1>been called quote unquote breakfast TV's greatest survivor, nat has

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<v Speaker 1>woken up with the nation for more than two decades

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<v Speaker 1>or while building a life with her husband and raising

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<v Speaker 1>their two sons. Yet she insists she's much more focused

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<v Speaker 1>on what's coming up on next week's show than on

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<v Speaker 1>celebrating mile stones or pausing to take stock of just

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<v Speaker 1>how far she's come. But in today's episode, I ask

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<v Speaker 1>her to do just that, take a minute or forty

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<v Speaker 1>to reflect on navigating the highs and lows that come

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<v Speaker 1>with both a stable and successful marriage and media career,

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<v Speaker 1>and how she's navigating life as an empty nester. Nat

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<v Speaker 1>also opens up on the unique partnership she's built with

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<v Speaker 1>her work husband Matt Shervington, and shares an update on

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<v Speaker 1>a few of her former on air co hosts, including

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<v Speaker 1>David Kosh and Samantha Armitage. Natalie Barr Welcome back to

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<v Speaker 1>the Stellar Podcast.

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<v Speaker 2>It's great to be back, Sarah.

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<v Speaker 1>It's so good to I like you.

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<v Speaker 2>Said, I like the new set. It's cool.

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<v Speaker 1>Oh that's good. I mean that's a high compliment from

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<v Speaker 1>somebody that works in broadcast media. They're quite comfy. It's

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<v Speaker 1>a Friday morning while you and I are sitting here,

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<v Speaker 1>although having said that, you've been up since three am,

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<v Speaker 1>so it probably feels like early evening in your in

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<v Speaker 1>your time zone.

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<v Speaker 3>No one. I'm going through a phase. I often go

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<v Speaker 3>through phases where I can't sleep properly at the moment

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<v Speaker 3>I'm getting up at one thirty, so I just get up.

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<v Speaker 3>I lie there for a while, realize I can't sleep,

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<v Speaker 3>and then I think stuff this, So I just get

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<v Speaker 3>up at one thirty, I have a show and sit

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<v Speaker 3>in the lounge room with my coffee, with my first coffee.

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<v Speaker 1>And on a day like that, when would you start

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<v Speaker 1>to wilt.

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<v Speaker 3>Then if at all I'm right about now Okay, sorry,

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<v Speaker 3>good time and all the good thing.

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<v Speaker 1>We've got the comfy chairs. Then you just go back,

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<v Speaker 1>have a little snooze. It's all good. So one of

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<v Speaker 1>the things that's happened officially, I think since you and

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<v Speaker 1>I last spoke, which was at the beginning of last year,

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<v Speaker 1>is that you have officially now become the longest serving

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<v Speaker 1>anchor on Breakfast TV in Australia twenty three years. You

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<v Speaker 1>have now been on Sunrise. What does that milestone mean

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<v Speaker 1>to you?

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<v Speaker 3>You know, I've never been one to sort of count

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<v Speaker 3>the milestones. I sort of almost feel a bit weird.

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<v Speaker 3>I don't really know why. I'm just one of those

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<v Speaker 3>people who loves still getting up even though it's a

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<v Speaker 3>non godly hour and going in and doing the job.

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<v Speaker 3>I get excited to do this job every single day.

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<v Speaker 3>I get in there and I'm reading papers and talking

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<v Speaker 3>to the producers about what angle we're going to take

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<v Speaker 3>on a story and what questions we should and shouldn't ask,

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<v Speaker 3>And then of course it all changes sometimes when we're

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<v Speaker 3>in the studio and you're in the thick of the

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<v Speaker 3>interview and you're reading trying to read.

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<v Speaker 2>The facial sort of signs of someone. When you're in the.

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<v Speaker 3>Middle of an interview, I don't think of how long

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<v Speaker 3>I've been doing it or how it started. That it

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<v Speaker 3>doesn't really kind of get me going.

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<v Speaker 1>It's a bit like that saying life is what happens

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<v Speaker 1>when you're making other plans.

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<v Speaker 3>Of course, it just happens, I know, And it's nice

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<v Speaker 3>to reflect and then you sort of think, Okay, great,

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<v Speaker 3>and what's in the show on Monday. Let's make it

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<v Speaker 3>the most exciting show we've had for a Monday in

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<v Speaker 3>a while. You just kind of get on with it,

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<v Speaker 3>and I know we're at a great spot in the show.

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<v Speaker 3>Chevo and I a real sweet spot. He's been on

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<v Speaker 3>the show for a couple of years now, and we've

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<v Speaker 3>got lots of exciting things planned for the rest of

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<v Speaker 3>the half of the year, and the producers are working

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<v Speaker 3>on next year. It's just I feel like we're in

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<v Speaker 3>a real flow. So I'm just excited for what's ahead.

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<v Speaker 3>I'm not really looking at what came behind.

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<v Speaker 1>When you and I last sat down, Chervo would have

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<v Speaker 1>been sitting alongside you for about a year. How is

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<v Speaker 1>that dynamic with Chervo has that evolved more. At the

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<v Speaker 1>time you described it as it was going really beautifully,

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<v Speaker 1>but it had been a huge gamble because anyone stepping

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<v Speaker 1>into that chair is a high risk because there's huge

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<v Speaker 1>scrutiny and people will either then observe how they're performing

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<v Speaker 1>in the role, but also how that changes the dynamic

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<v Speaker 1>with everyone else on the show, most importantly of course

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<v Speaker 1>their co host, which is you. So yeah, as we're

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<v Speaker 1>sitting here towards the second half of twenty twenty five

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<v Speaker 1>hours of going with the two of.

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<v Speaker 3>You, fantastic Australia Love Chervo and we just get along

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<v Speaker 3>really well. He knows how to niggle me, I know how.

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<v Speaker 2>To give him hates as well.

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<v Speaker 3>And sometimes during the news I hate to admit it,

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<v Speaker 3>we're actually not listening to some of the news bulletins.

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<v Speaker 3>We're actually trying to whisper to ourselves and either talk

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<v Speaker 3>about what story is coming up or actually have a

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<v Speaker 3>bit of a gossip.

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<v Speaker 2>We just get along really well.

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<v Speaker 3>It's going really really well, so I guess better than

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<v Speaker 3>anyone could have hoped. It's just really really great.

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<v Speaker 2>Yeah.

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<v Speaker 1>I know you and I've talked before about times where

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<v Speaker 1>you don't necessarily be best friends with whoever you're working

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<v Speaker 1>with behind the scenes, all in there, but you just

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<v Speaker 1>get on with it. But what does it add to

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<v Speaker 1>it when there is that genuine friendship that you are

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<v Speaker 1>even chatting during the news no offense to the fabulous

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<v Speaker 1>news presenters, of course, exactly.

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<v Speaker 3>I think. I think it just helps being with someone

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<v Speaker 3>for that long. We sit next to each other for

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<v Speaker 3>a long time. We're on air for nearly four hours,

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<v Speaker 3>five days a week, so it's a long relationship and

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<v Speaker 3>you're sitting we're touching each other, our knees are virtually touching.

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<v Speaker 3>It's a very sort of physically close relationship. And very

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<v Speaker 3>few officers are like that, I guess very few work

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<v Speaker 3>relationships are like that. And then we're presenting to Australia,

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<v Speaker 3>so we get to know each other on a really

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<v Speaker 3>sort of I guess, a deep level, because we get

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<v Speaker 3>to know each other's families and each other's likes and dislikes.

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<v Speaker 3>And when someone's a bit off one day, or when

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<v Speaker 3>someone's you know, on a high one day, or they're

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<v Speaker 3>looking forward to the weekend, or you know they've got

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<v Speaker 3>something coming up, or you kind of know everything that's

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<v Speaker 3>happening in their life.

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<v Speaker 2>You know what not to.

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<v Speaker 3>Mention because they're sort of a bit sensitive about something

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<v Speaker 3>both of us, and it's sort of like a deep

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<v Speaker 3>dive in everyone's life.

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<v Speaker 2>It's a real yin and yang relationship.

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<v Speaker 3>It's sort of like no relationship that you have because

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<v Speaker 3>it's obviously not as close as your family, but it's

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<v Speaker 3>not as far away as any office relationship. So I

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<v Speaker 3>just I love it. I love the fact that we

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<v Speaker 3>can have such a fun work relationship and we can

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<v Speaker 3>share that with the nation as well.

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<v Speaker 1>But it's also I imagine the trust net that's required

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<v Speaker 1>because it's live TV and you've really got to know

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<v Speaker 1>that you've got one another's backs, and if one of

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<v Speaker 1>you is stumbling or not sure that the other one

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<v Speaker 1>will be there, and if the other one's just really

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<v Speaker 1>killing it, that also that person isn't threatened and is

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<v Speaker 1>supporting them. So that trust and that intensity is probably

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<v Speaker 1>what creates that very unique dynamic.

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<v Speaker 3>Do you think you're on a sort of heightened alert

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<v Speaker 3>in that studio and you're on it for nearly four hours,

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<v Speaker 3>so you're really alert to what's happening in front of

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<v Speaker 3>the camera the person that you're interviewing. But you're right,

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<v Speaker 3>you're really alert to whether you think the other person

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<v Speaker 3>wants another question or whether they're being affected personally by

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<v Speaker 3>what's being said, because a lot of the stuff we

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<v Speaker 3>do is quite emotional. You know, there are some really

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<v Speaker 3>sad interviews and you think, oh my goodness, this is

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<v Speaker 3>really striking my co host, or it's really striking me,

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<v Speaker 3>and he can notice when it's affecting me, or vice versa.

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<v Speaker 3>We've had quite a few instances where we've both thought

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<v Speaker 3>the same thing because we've both got teenage kids, and

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<v Speaker 3>I feel like we're on the same plane with a

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<v Speaker 3>lot of those thought processes. When we're interviewing someone where

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<v Speaker 3>they may have lost someone and we both are taking

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<v Speaker 3>it to heart so much, and you can feel the

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<v Speaker 3>energy because we're so close to each other and the heaviness,

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<v Speaker 3>and we're thinking, oh my goodness, this person is you know,

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<v Speaker 3>we're deeply affected by what this person is saying. And

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<v Speaker 3>then we get off air and we both look at

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<v Speaker 3>each other and we've both had tears in our eyes.

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<v Speaker 3>We've definitely had many many moments, and that definitely brings

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<v Speaker 3>you closer together.

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<v Speaker 1>That empathy that you and Chervo both have, I think

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<v Speaker 1>is a really important trait to hold on to all

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<v Speaker 1>the good journals I know have it, despite I think

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<v Speaker 1>assumptions probably that people in the media don't have it.

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<v Speaker 1>The flip side of that, of course, is when we're

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<v Speaker 1>then trying, as you say, you come off air with

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<v Speaker 1>tears in your eyes, and when that spills in. I'm

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<v Speaker 1>reminded of the moment where you did tear up on

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<v Speaker 1>air when you were talking back in the aftermath of

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<v Speaker 1>the Link Cafe siege in twenty fourteen, where Katrina Dawson

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<v Speaker 1>had passed away. Now, that moment is probably the only

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<v Speaker 1>time I remember seeing you visibly emotional on air. How

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<v Speaker 1>did you feel in that moment, because the I know

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<v Speaker 1>it felt I imagine I thought it was a really beautiful,

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<v Speaker 1>heartfelt moment. But would I be wrong to assume that

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<v Speaker 1>you might have felt a bit uncomfortable or hard on

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<v Speaker 1>yourself after it.

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<v Speaker 3>I've actually had many moments since then that I've been

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<v Speaker 3>upset on air, and it's you don't nessar like when

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<v Speaker 3>you've mourned someone who you've lost after the fact, maybe

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<v Speaker 3>a year or two or five years or ten years.

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<v Speaker 3>You don't know when it's going to come at you.

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<v Speaker 3>We've all had that situation and it hits you and

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<v Speaker 3>you think, where did that come from. It wasn't necessarily

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<v Speaker 3>the anniversary. It wasn't necessarily the Mother's Day or the

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<v Speaker 3>Father's Day or Christmas. It was just something and sometimes

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<v Speaker 3>you don't even know why, and it just hits you

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<v Speaker 3>and you can't recover.

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<v Speaker 2>And I've had moments like that.

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<v Speaker 3>On air where you just feel for this person and think,

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<v Speaker 3>I suppose like all of us. I've had many many

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<v Speaker 3>messages where people have written into us and said, oh,

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<v Speaker 3>I was crying in my lune room too when you

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<v Speaker 3>interviewed that mum or that dad or that person who

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<v Speaker 3>lost their brother. Because there are so many awful stories

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<v Speaker 3>in the world, and.

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<v Speaker 2>I think.

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<v Speaker 3>As a journalist, you never want the story to be

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<v Speaker 3>about you. It is not about us. So I feel

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<v Speaker 3>bad when I get upset. But just and Shiv's the same.

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<v Speaker 3>Sometimes we can't help it. It just gets to you.

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<v Speaker 3>We're human too, obviously, and you try and be professional

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<v Speaker 3>because that's the job we have. That sometimes you just

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<v Speaker 3>feel so deeply for these people who've been through this tragic,

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<v Speaker 3>tragic event that you can't help it.

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<v Speaker 1>So in that twenty three years that you've been on

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<v Speaker 1>the show, do you think the expectations of the audience

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<v Speaker 1>have changed in that way.

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<v Speaker 2>I don't know.

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<v Speaker 3>Look I look back and I think we've always had

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<v Speaker 3>a big laugh Sunrise. There's a lot of old footage

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<v Speaker 3>of us having a laugh. But lately, I think with

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<v Speaker 3>after COVID, with the cost of living crisis, with people

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<v Speaker 3>sort of you know, going through a lot the last

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<v Speaker 3>few years, people tune in and they want the news,

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<v Speaker 3>and we've found that people are coming back to particularly

0:12:26.600 --> 0:12:29.480
<v Speaker 3>Free to Wear at television. You know, the stats are

0:12:29.480 --> 0:12:33.000
<v Speaker 3>showing it, particularly this last year. I think people are

0:12:33.040 --> 0:12:37.880
<v Speaker 3>turning back to us. They want they want respected news,

0:12:38.240 --> 0:12:41.480
<v Speaker 3>and they also want a bit of fun and that's

0:12:41.480 --> 0:12:44.680
<v Speaker 3>what we're giving them. And I suppose like you're sitting

0:12:44.720 --> 0:12:47.760
<v Speaker 3>around a table, you're chatting about you know, world events,

0:12:48.360 --> 0:12:51.640
<v Speaker 3>and once once you get that information, then you can

0:12:51.679 --> 0:12:54.440
<v Speaker 3>sit back and you can relax with a friend. That's

0:12:54.480 --> 0:12:58.319
<v Speaker 3>how it feels. That's I mean, we're laughing amongst ourselves

0:12:58.320 --> 0:13:01.440
<v Speaker 3>and chatting on that desk, and it's almost like the

0:13:01.480 --> 0:13:04.840
<v Speaker 3>audience is part of us. We're not we're in their

0:13:04.920 --> 0:13:08.000
<v Speaker 3>lounge room, but they're sort of in our studio as well.

0:13:08.200 --> 0:13:11.200
<v Speaker 3>That's how we're inviting them in and it's part of

0:13:11.240 --> 0:13:14.120
<v Speaker 3>the chat. And then people DM me all the time

0:13:14.200 --> 0:13:17.360
<v Speaker 3>in my Instagram messages and I chat with them and

0:13:17.360 --> 0:13:19.240
<v Speaker 3>they want to know what top one I'm wearing or

0:13:19.559 --> 0:13:21.680
<v Speaker 3>where the chicken recipe is and I'll find it on

0:13:21.720 --> 0:13:26.439
<v Speaker 3>the website send it to them. It's a conversation. It's

0:13:26.480 --> 0:13:29.960
<v Speaker 3>a community, and I think people You're right, people really

0:13:30.000 --> 0:13:32.400
<v Speaker 3>want to be part of a community. And we've got

0:13:32.760 --> 0:13:34.960
<v Speaker 3>thousands and thousands and thousands of people who are part

0:13:35.000 --> 0:13:38.360
<v Speaker 3>of the Sunrise community and we love that and it's growing.

0:13:39.440 --> 0:13:41.560
<v Speaker 1>When you first started on the show, you knew what

0:13:41.679 --> 0:13:44.880
<v Speaker 1>the audience wanted that. I mean, there's always ratings and

0:13:45.120 --> 0:13:47.480
<v Speaker 1>people would have been still writing in the old school

0:13:47.600 --> 0:13:50.280
<v Speaker 1>mail bag and they wear your post and then the

0:13:50.360 --> 0:13:54.480
<v Speaker 1>email thing with that literal direct line to you. Now,

0:13:54.840 --> 0:13:57.360
<v Speaker 1>I mean people listen to this. I didn't know natcheck

0:13:57.440 --> 0:13:59.679
<v Speaker 1>to DMS. I mean, you might start getting lots of

0:14:00.360 --> 0:14:04.400
<v Speaker 1>now for what you're wearing and recipe recommendations. So hopefully

0:14:04.480 --> 0:14:05.360
<v Speaker 1>you embrace.

0:14:05.040 --> 0:14:05.640
<v Speaker 2>Yourself for that.

0:14:06.600 --> 0:14:10.640
<v Speaker 1>Has your knowledge of the audience increased in that way?

0:14:10.760 --> 0:14:14.280
<v Speaker 1>Do you think because of the era that we're living in,

0:14:14.320 --> 0:14:16.040
<v Speaker 1>the parasocial age?

0:14:16.559 --> 0:14:16.760
<v Speaker 3>Yeah?

0:14:16.760 --> 0:14:17.920
<v Speaker 2>Absolutely, I have.

0:14:18.160 --> 0:14:22.440
<v Speaker 3>I have really interesting discussion discussions on my DMS. You know,

0:14:22.600 --> 0:14:25.680
<v Speaker 3>even I do sort of like I often do cooking

0:14:25.720 --> 0:14:30.840
<v Speaker 3>segments myself where I find recipes online because I'm not

0:14:30.880 --> 0:14:33.320
<v Speaker 3>a great cook. I'm just like I would say, the

0:14:33.440 --> 0:14:37.000
<v Speaker 3>average Aussie cook. So I get recipes onlines from a

0:14:37.040 --> 0:14:38.960
<v Speaker 3>cook or a chef, and I try and replicate them

0:14:38.960 --> 0:14:41.920
<v Speaker 3>in my kitchen with you know, varying degrees of success,

0:14:41.920 --> 0:14:44.560
<v Speaker 3>often failure. But I just sort of, you know, say

0:14:44.560 --> 0:14:47.280
<v Speaker 3>what the recipe says, and the cook or the chef

0:14:47.320 --> 0:14:50.200
<v Speaker 3>who actually wrote the recipe has not realized, you know,

0:14:50.280 --> 0:14:51.640
<v Speaker 3>what is a dollop supposed to be?

0:14:51.920 --> 0:14:53.640
<v Speaker 2>Or what is it? One to two? Ta spens? Is

0:14:53.640 --> 0:14:54.240
<v Speaker 2>it one or two?

0:14:54.400 --> 0:14:56.400
<v Speaker 3>You know, I try and do exactly what they say,

0:14:56.480 --> 0:14:59.000
<v Speaker 3>and then they probably realize that, you know, the recipe

0:14:59.080 --> 0:15:01.480
<v Speaker 3>is quite and big you us, And then lots of

0:15:01.480 --> 0:15:05.680
<v Speaker 3>people end up writing in and sort of discussing recipes.

0:15:05.760 --> 0:15:06.920
<v Speaker 2>It's what we do every day.

0:15:07.360 --> 0:15:10.000
<v Speaker 3>Girls got to eat, people have got to cook their dinner,

0:15:10.440 --> 0:15:13.040
<v Speaker 3>so we do it all the time, and people want

0:15:13.080 --> 0:15:14.840
<v Speaker 3>to discuss their chicken recipe.

0:15:15.080 --> 0:15:16.720
<v Speaker 1>I want to ask you a little bit in a

0:15:16.760 --> 0:15:20.320
<v Speaker 1>moment about your actual husband, because you know, I know

0:15:20.360 --> 0:15:22.840
<v Speaker 1>you're not counting milestones, but there's one coming up there

0:15:22.880 --> 0:15:25.480
<v Speaker 1>this year. But if I just stay on your on

0:15:25.600 --> 0:15:29.880
<v Speaker 1>screen husband for now, we've spoken about Chervo David Kosh.

0:15:29.920 --> 0:15:34.120
<v Speaker 1>Of course, you work together for so many years, had

0:15:34.120 --> 0:15:37.560
<v Speaker 1>a really close relationship. Now that he's been off the

0:15:37.640 --> 0:15:40.000
<v Speaker 1>show for two years, do you still keep in touch

0:15:40.040 --> 0:15:40.440
<v Speaker 1>with him?

0:15:40.600 --> 0:15:40.800
<v Speaker 3>Yeah?

0:15:40.800 --> 0:15:42.120
<v Speaker 2>We do, Yeah, we do.

0:15:43.040 --> 0:15:46.520
<v Speaker 3>We catch up for lunch sometimes and you know, I

0:15:46.560 --> 0:15:49.680
<v Speaker 3>congratulate him on things he's done. We text each other

0:15:50.280 --> 0:15:53.360
<v Speaker 3>and you know, see what the kids, the grandkids are doing. Yeah.

0:15:53.360 --> 0:15:55.320
<v Speaker 3>I think when you work with someone for a long time,

0:15:55.440 --> 0:16:00.160
<v Speaker 3>Mel as well talk to Mel, I think, yeah, I

0:16:00.160 --> 0:16:01.880
<v Speaker 3>think you always do that sort of thing when you've

0:16:01.880 --> 0:16:03.200
<v Speaker 3>worked with someone for that long.

0:16:04.440 --> 0:16:07.000
<v Speaker 2>Yeah, you just keep in touch. So it's nice.

0:16:07.120 --> 0:16:09.800
<v Speaker 1>Is it interesting to sort of say, well, how is

0:16:09.800 --> 0:16:12.280
<v Speaker 1>it like? How is his sleep routine change?

0:16:12.360 --> 0:16:12.440
<v Speaker 3>Like?

0:16:12.520 --> 0:16:16.160
<v Speaker 1>What does the day look differently to miss it? Are

0:16:16.200 --> 0:16:19.840
<v Speaker 1>you at home going? Oh? I mean he's still producing

0:16:19.960 --> 0:16:23.560
<v Speaker 1>content range of platform as his male of course, but

0:16:23.680 --> 0:16:27.480
<v Speaker 1>that particular sitting in the living room of Australians for

0:16:27.880 --> 0:16:30.440
<v Speaker 1>more than three hours a day, does that give you

0:16:30.840 --> 0:16:33.360
<v Speaker 1>a bit of an insight into what it would look

0:16:33.440 --> 0:16:36.800
<v Speaker 1>like if you ever leave and also find out him

0:16:36.840 --> 0:16:39.560
<v Speaker 1>from you what it's still like being in the middle

0:16:39.560 --> 0:16:40.400
<v Speaker 1>of it every day.

0:16:41.720 --> 0:16:44.840
<v Speaker 3>I can't think that far down the line because this

0:16:44.960 --> 0:16:48.440
<v Speaker 3>job is so consuming. This job is your life. When

0:16:48.440 --> 0:16:51.920
<v Speaker 3>you're in it, it's your life. There's I mean, I

0:16:51.960 --> 0:16:53.640
<v Speaker 3>sort of, you know. I go to bed at seven

0:16:53.800 --> 0:16:57.160
<v Speaker 3>thirty eight o'clock. I'm up at well, this morning was

0:16:57.200 --> 0:16:59.960
<v Speaker 3>one thirty. Sometimes mostly it's two thirty. My lum is

0:17:00.080 --> 0:17:02.920
<v Speaker 3>set for two forty, but usually I beat it. I'm

0:17:03.000 --> 0:17:05.000
<v Speaker 3>up and turn it off when I'm heading down to

0:17:05.040 --> 0:17:07.399
<v Speaker 3>the bathroom. I'm at my desk at three point thirty.

0:17:07.880 --> 0:17:09.840
<v Speaker 3>I'm down to make up at ten past four. I'm

0:17:09.880 --> 0:17:12.440
<v Speaker 3>in the studio at quarter past five. It's very regimented.

0:17:12.760 --> 0:17:15.400
<v Speaker 3>And then I'm home mid morning. I have a nap

0:17:15.440 --> 0:17:17.280
<v Speaker 3>for an hour in the middle of the day. My

0:17:17.480 --> 0:17:21.600
<v Speaker 3>afternoon is reading news, then making dinner.

0:17:22.080 --> 0:17:24.440
<v Speaker 2>It's pretty all consuming.

0:17:25.000 --> 0:17:27.520
<v Speaker 3>It's so much easier now that I don't have kids,

0:17:28.040 --> 0:17:30.640
<v Speaker 3>you know, little kids that was you know, as you know.

0:17:30.880 --> 0:17:31.920
<v Speaker 2>That is all consuming.

0:17:32.240 --> 0:17:35.480
<v Speaker 3>If you're a working mum particularly, that's really really hard.

0:17:35.760 --> 0:17:37.919
<v Speaker 3>Particularly if you're a single mom or a single parent,

0:17:38.080 --> 0:17:41.000
<v Speaker 3>that's very, very hard. So I couldn't say that it

0:17:41.080 --> 0:17:46.400
<v Speaker 3>was that hard, But now I feel like I can't.

0:17:47.119 --> 0:17:49.440
<v Speaker 3>I can't see past what I'm doing now. I'm sort

0:17:49.440 --> 0:17:50.920
<v Speaker 3>of just trying to live in the moment.

0:17:51.720 --> 0:17:55.240
<v Speaker 1>Obviously, one of your former colleagues, Samantha Armitage, she left

0:17:55.320 --> 0:17:57.439
<v Speaker 1>Channel six. Yeah, and that's of course when you became

0:17:57.560 --> 0:18:01.800
<v Speaker 1>co hosts at four years ago. Now, wow, it doesn't

0:18:01.840 --> 0:18:04.320
<v Speaker 1>feel like that long. Well, I was going to ask

0:18:04.359 --> 0:18:08.440
<v Speaker 1>you about that, but with Sam so she's at nine

0:18:08.520 --> 0:18:11.880
<v Speaker 1>now and there over the summer when you were on break,

0:18:12.200 --> 0:18:14.560
<v Speaker 1>she filled in on the Today Show for a few days,

0:18:14.600 --> 0:18:16.640
<v Speaker 1>which I did ask Carl about earlier in the year.

0:18:16.720 --> 0:18:19.439
<v Speaker 1>But for you, because you were on leave, I mean,

0:18:19.480 --> 0:18:22.120
<v Speaker 1>I don't know if you saw it. But also would

0:18:22.160 --> 0:18:24.920
<v Speaker 1>that have been weird if you had been on air

0:18:25.119 --> 0:18:28.080
<v Speaker 1>and then a former because I know it's a small industry,

0:18:28.080 --> 0:18:31.640
<v Speaker 1>and I know that TV is musical chairs, there's musical chairs,

0:18:31.680 --> 0:18:34.320
<v Speaker 1>and then there's like sitting on your lap musical chairs.

0:18:34.480 --> 0:18:37.200
<v Speaker 1>That would have to be strange if you had been

0:18:37.440 --> 0:18:40.840
<v Speaker 1>on Sunrise and then sam would be on Today at

0:18:40.880 --> 0:18:42.040
<v Speaker 1>the same time, would.

0:18:41.800 --> 0:18:44.240
<v Speaker 2>It or No?

0:18:44.240 --> 0:18:44.520
<v Speaker 1>No?

0:18:44.720 --> 0:18:47.640
<v Speaker 3>Because I mean, look, she was really happy to leave,

0:18:48.040 --> 0:18:52.639
<v Speaker 3>and you know she's doing great. She's got a big

0:18:52.720 --> 0:18:56.000
<v Speaker 3>new show coming out. I missed her at the logis

0:18:56.920 --> 0:18:59.240
<v Speaker 3>because I saw shots of her and I didn't run

0:18:59.240 --> 0:19:01.960
<v Speaker 3>into her. She was at one of the tables, I think,

0:19:02.000 --> 0:19:03.399
<v Speaker 3>in just in front of us, so I meant to

0:19:03.400 --> 0:19:07.640
<v Speaker 3>catch up with her, but I'm missed her. So yeah, No,

0:19:07.960 --> 0:19:12.119
<v Speaker 3>I think there's this whole sort of philosophy that everyone

0:19:12.240 --> 0:19:15.560
<v Speaker 3>sort of you know, somehow enemies in the media were

0:19:15.600 --> 0:19:18.240
<v Speaker 3>actually not surprisingly.

0:19:19.920 --> 0:19:23.080
<v Speaker 1>And coming up nat on three decades of marriage and

0:19:23.119 --> 0:19:29.199
<v Speaker 1>the secret that's kept her and Andrew together for thirty years.

0:19:29.760 --> 0:19:33.360
<v Speaker 1>I mentioned I wanted to talk about your actual husband,

0:19:33.840 --> 0:19:39.399
<v Speaker 1>not on air husband, and also milestones. So it's actually

0:19:39.560 --> 0:19:42.480
<v Speaker 1>thirty years this year since you and your husband, Andrew

0:19:42.840 --> 0:19:47.040
<v Speaker 1>were married. Got married in December nineteen ninety five. It

0:19:47.320 --> 0:19:50.480
<v Speaker 1>was what are your memories of that day?

0:19:52.160 --> 0:19:56.600
<v Speaker 3>Wow, I can't believe it's thirty years. We were so young.

0:19:58.280 --> 0:20:03.080
<v Speaker 3>We were twenty seven, yes, many years ago, and it

0:20:03.200 --> 0:20:06.800
<v Speaker 3>was just a great day. We had a beautiful marquis

0:20:06.920 --> 0:20:10.719
<v Speaker 3>that my mum and her friends had decorated, and we

0:20:10.720 --> 0:20:13.359
<v Speaker 3>were living in LA at the time, and we'd come

0:20:13.440 --> 0:20:17.840
<v Speaker 3>back to get married and then we sort of Andrew

0:20:17.960 --> 0:20:20.640
<v Speaker 3>went back to La after then, and I moved back

0:20:20.680 --> 0:20:23.360
<v Speaker 3>to Sydney, so we've had sort of trying to sort

0:20:23.359 --> 0:20:26.919
<v Speaker 3>of coordinate ourselves into one city. It was just a

0:20:26.920 --> 0:20:31.720
<v Speaker 3>beautiful day. We were friends for years before that, so

0:20:32.080 --> 0:20:35.639
<v Speaker 3>we had started as best friends. We'd started our relationship

0:20:35.640 --> 0:20:39.479
<v Speaker 3>as best friends, and we still are. So I feel really,

0:20:39.560 --> 0:20:44.119
<v Speaker 3>really grateful that that's been our relationship. I could not

0:20:44.160 --> 0:20:46.960
<v Speaker 3>have done any of this without him, no one day.

0:20:48.119 --> 0:20:52.280
<v Speaker 1>Have there been times, I imagine he's extremely proud of

0:20:52.320 --> 0:20:57.240
<v Speaker 1>what you have done with your career and the fact

0:20:57.280 --> 0:21:01.239
<v Speaker 1>that you are there twenty three years on in that

0:21:01.359 --> 0:21:04.639
<v Speaker 1>role and it's a tough industry. And you've spoken to

0:21:04.760 --> 0:21:07.119
<v Speaker 1>me and other people in the media in the past

0:21:07.119 --> 0:21:09.280
<v Speaker 1>about the challenges have come along the way, and there

0:21:09.320 --> 0:21:13.439
<v Speaker 1>were times we've been given opportunities that didn't seem like opportunities.

0:21:14.200 --> 0:21:17.680
<v Speaker 1>How has he felt about that, the good times and

0:21:17.760 --> 0:21:19.760
<v Speaker 1>the bad, and for you as well, because I think

0:21:19.800 --> 0:21:23.879
<v Speaker 1>any partnership, any friendship, any marriage thirty years on, even

0:21:24.040 --> 0:21:26.960
<v Speaker 1>just through what the other person is going through professionally,

0:21:27.680 --> 0:21:31.879
<v Speaker 1>is their success, is your success and their hard moments

0:21:32.160 --> 0:21:34.359
<v Speaker 1>you feel those just as much as they are.

0:21:34.800 --> 0:21:38.200
<v Speaker 3>Yeah, well, you live through each other's You know, successes

0:21:38.400 --> 0:21:42.280
<v Speaker 3>and not such good times. You raise a family, you're

0:21:42.320 --> 0:21:46.520
<v Speaker 3>a team, and we've I've always felt like we're a team,

0:21:46.680 --> 0:21:49.840
<v Speaker 3>and I feel really, you know, grateful that we've had

0:21:49.880 --> 0:21:53.400
<v Speaker 3>each other through this time. I feel grateful that we've

0:21:53.440 --> 0:21:56.959
<v Speaker 3>had two beautiful kids through that time, and that, you know,

0:21:57.080 --> 0:22:00.359
<v Speaker 3>we talk to each other several times a day, support

0:22:00.400 --> 0:22:03.399
<v Speaker 3>each other. Every bit of news goes to him first,

0:22:03.480 --> 0:22:08.240
<v Speaker 3>and the same with him me. So yeah, it's a

0:22:08.359 --> 0:22:11.160
<v Speaker 3>wonderful thing to be able to share your life with someone.

0:22:11.440 --> 0:22:15.320
<v Speaker 3>It's a real gift. So I'm very, very thankful.

0:22:15.480 --> 0:22:18.440
<v Speaker 1>It's so nice that you still talk multiple times a day,

0:22:18.640 --> 0:22:22.400
<v Speaker 1>because you don't always hear that in any long term relationship.

0:22:22.640 --> 0:22:25.399
<v Speaker 1>Sometimes even a few years on, people go, oh, well,

0:22:25.840 --> 0:22:28.840
<v Speaker 1>you know, like a bit, I'll talk to them tonight

0:22:28.960 --> 0:22:31.960
<v Speaker 1>or something to have had that I imagine is a

0:22:32.080 --> 0:22:37.480
<v Speaker 1>huge indication of how that relationship has had such longevity.

0:22:37.960 --> 0:22:41.000
<v Speaker 3>Well, he does joke that I do talk a lot,

0:22:41.680 --> 0:22:45.720
<v Speaker 3>and on the weekend sometimes it's like I'm just watching

0:22:45.720 --> 0:22:50.760
<v Speaker 3>the forty. Honey, you're paid to work during you've paid

0:22:50.800 --> 0:22:51.960
<v Speaker 3>to talk during the week.

0:22:52.680 --> 0:22:56.280
<v Speaker 2>You're not paid to talk. Here, maybe a bit of silence.

0:22:57.359 --> 0:23:00.679
<v Speaker 3>So yeah, there's no problem with me talking and cheering.

0:23:00.880 --> 0:23:02.240
<v Speaker 2>He would attest to that.

0:23:02.720 --> 0:23:06.160
<v Speaker 1>As a mum of two boys and they are at

0:23:06.160 --> 0:23:08.680
<v Speaker 1>both at university. Now your sons and they're not living

0:23:08.680 --> 0:23:11.600
<v Speaker 1>at home. But is that also feedback that you got

0:23:11.920 --> 0:23:14.160
<v Speaker 1>from your sons. I mean as a you know, mum

0:23:14.160 --> 0:23:17.000
<v Speaker 1>of two boys myself. Now, I might just be happening

0:23:17.040 --> 0:23:21.040
<v Speaker 1>to ask that for a friend. The observation little less chat.

0:23:20.880 --> 0:23:21.800
<v Speaker 2>A little less chat.

0:23:22.160 --> 0:23:24.440
<v Speaker 3>Yeah, I find that you have to get the message

0:23:25.000 --> 0:23:29.280
<v Speaker 3>in the first sentence, the very first part of the

0:23:29.320 --> 0:23:34.520
<v Speaker 3>first sentence, and I wouldn't be I wouldn't be including

0:23:34.560 --> 0:23:37.200
<v Speaker 3>any key messages in the second sentence.

0:23:38.000 --> 0:23:40.000
<v Speaker 2>Really, I'm not even joking.

0:23:39.800 --> 0:23:43.080
<v Speaker 1>Because by the time you've gotten to the core information

0:23:43.240 --> 0:23:47.000
<v Speaker 1>ten words in eyes have glazed over. Sorry I didn't

0:23:47.000 --> 0:23:49.280
<v Speaker 1>actually hear I'm sorry, I wasn't really listening in the

0:23:49.440 --> 0:23:50.320
<v Speaker 1>later trance.

0:23:50.119 --> 0:23:51.920
<v Speaker 3>Or they've picked up the phone, or they've yeah, they're

0:23:51.960 --> 0:23:55.280
<v Speaker 3>mentally onto something else. And now that I because one's

0:23:55.320 --> 0:24:00.320
<v Speaker 3>in Canberra and one's been in Melbourne. Now I've find

0:24:00.560 --> 0:24:05.080
<v Speaker 3>that they'll be distracted when you're calling them, not all

0:24:05.119 --> 0:24:07.240
<v Speaker 3>the time, and it depends what it is, because they're

0:24:07.280 --> 0:24:10.800
<v Speaker 3>really they are really you know, they're they're actually both

0:24:10.840 --> 0:24:15.639
<v Speaker 3>really good talkers. So strangely enough, they've picked that up

0:24:15.640 --> 0:24:19.159
<v Speaker 3>from somewhere I can't think where. Yeah, but there is

0:24:19.200 --> 0:24:21.720
<v Speaker 3>a moment you can see in the conversation where you

0:24:21.720 --> 0:24:24.720
<v Speaker 3>would probably happily talk for another half hour and this,

0:24:25.400 --> 0:24:28.200
<v Speaker 3>and you can feel it. You're like, Okay, I'd better

0:24:28.200 --> 0:24:31.159
<v Speaker 3>wrap this up. It's basically it's time for a commercial break.

0:24:31.400 --> 0:24:33.080
<v Speaker 2>Yeah, right, you're used to that.

0:24:33.160 --> 0:24:36.320
<v Speaker 1>I'm not producer in your Okay, you've got thirty seconds.

0:24:36.359 --> 0:24:37.360
<v Speaker 2>You're like, you can feel right.

0:24:37.400 --> 0:24:39.480
<v Speaker 1>Same when I'm talking. Yeah, the same when I'm talking

0:24:39.520 --> 0:24:42.679
<v Speaker 1>to my sons. So do you? And and you have

0:24:42.760 --> 0:24:47.119
<v Speaker 1>anything planned for the actual thirtieth anniversary in December? And

0:24:47.160 --> 0:24:49.080
<v Speaker 1>I think you recently went to Europe?

0:24:49.119 --> 0:24:49.600
<v Speaker 2>Is that right?

0:24:49.640 --> 0:24:51.399
<v Speaker 1>So was that a bit early, just to sort of

0:24:51.440 --> 0:24:53.840
<v Speaker 1>take advantage of the northern Yes summer.

0:24:54.040 --> 0:24:58.120
<v Speaker 3>We hadn't been to Europe for about together for about

0:24:58.240 --> 0:25:01.280
<v Speaker 3>twenty five years since before we have, and we thought

0:25:01.320 --> 0:25:04.199
<v Speaker 3>instead of having a party, we'd like to we'd like

0:25:04.280 --> 0:25:06.320
<v Speaker 3>to go to Europe. So we went for two weeks

0:25:07.000 --> 0:25:11.480
<v Speaker 3>and it was amazing, and we met up with one

0:25:11.520 --> 0:25:13.640
<v Speaker 3>of my sons who was on a UNI break who

0:25:13.880 --> 0:25:17.639
<v Speaker 3>you know. In his couple of semesters, he you know,

0:25:17.880 --> 0:25:20.080
<v Speaker 3>worked at apart and saved his money and he was

0:25:20.160 --> 0:25:22.199
<v Speaker 3>away with his mates. So we met up with him

0:25:22.200 --> 0:25:23.880
<v Speaker 3>for the last few days and flew home with him.

0:25:23.960 --> 0:25:27.560
<v Speaker 3>So he was great. It was so wonderful. I think

0:25:27.600 --> 0:25:31.240
<v Speaker 3>you get so tied up with you know, with your

0:25:31.240 --> 0:25:34.440
<v Speaker 3>life and working and looking after the kids. That yeah,

0:25:34.440 --> 0:25:37.040
<v Speaker 3>we hadn't done anything like that for an awful long time.

0:25:37.920 --> 0:25:40.680
<v Speaker 3>So made us want to definitely try and do more.

0:25:40.880 --> 0:25:42.040
<v Speaker 2>But then you're back at work.

0:25:42.800 --> 0:25:45.280
<v Speaker 1>Your wedding dress do you still have a do you

0:25:45.359 --> 0:25:45.680
<v Speaker 1>like I.

0:25:45.640 --> 0:25:50.080
<v Speaker 3>Do in mum's wardrobe at home in Bumbrey. Yeah, deveil everything.

0:25:51.000 --> 0:25:51.280
<v Speaker 2>I know.

0:25:51.920 --> 0:25:55.680
<v Speaker 3>I loved my wedding dress, even though it's that old. Wow,

0:25:55.760 --> 0:25:57.400
<v Speaker 3>I haven't got it up for a while. Maybe this

0:25:57.440 --> 0:25:58.200
<v Speaker 3>is the year.

0:25:58.320 --> 0:26:00.119
<v Speaker 1>The thirtieth anniversary, I think.

0:26:00.200 --> 0:26:04.720
<v Speaker 3>So you can't believe it's that here, So you really can't.

0:26:05.240 --> 0:26:07.120
<v Speaker 3>That feels like it's someone else saying that.

0:26:07.440 --> 0:26:12.520
<v Speaker 1>When thinking about this cover with you, was looking and

0:26:12.520 --> 0:26:15.520
<v Speaker 1>saw that it was your thirtieth wedding anniversary coming up

0:26:15.560 --> 0:26:19.200
<v Speaker 1>at the end of the year, and suggested from my people,

0:26:19.200 --> 0:26:20.159
<v Speaker 1>spoke to your people.

0:26:20.200 --> 0:26:21.119
<v Speaker 2>I said to my people.

0:26:21.119 --> 0:26:23.919
<v Speaker 1>Can we see if NAT's husband Andrew would be like

0:26:24.000 --> 0:26:26.760
<v Speaker 1>one of the photos with that and good luck with

0:26:26.760 --> 0:26:28.760
<v Speaker 1>that polite, polite decline.

0:26:28.880 --> 0:26:32.520
<v Speaker 2>So it's always a polite decline. He will neverline. It's

0:26:32.560 --> 0:26:34.160
<v Speaker 2>a big night intimate.

0:26:34.240 --> 0:26:37.760
<v Speaker 1>I wanted to ask you about that the relationship because

0:26:37.760 --> 0:26:42.040
<v Speaker 1>obviously some relationships, especially when people have such a familiar

0:26:42.440 --> 0:26:46.040
<v Speaker 1>relationship with you in the format of breakfast TV, is

0:26:46.160 --> 0:26:48.800
<v Speaker 1>so intimate that people feel that they know you. And

0:26:48.800 --> 0:26:50.760
<v Speaker 1>obviously over the years it would have been the chat.

0:26:50.840 --> 0:26:54.959
<v Speaker 1>You know, there's anecdotal chat about family life and your

0:26:55.040 --> 0:26:58.720
<v Speaker 1>husband almost as a supporting character off screen for instance.

0:26:59.320 --> 0:27:03.800
<v Speaker 1>But that aspect of him keeping his life very private

0:27:03.920 --> 0:27:06.720
<v Speaker 1>and the two of you being very private. Has that

0:27:07.119 --> 0:27:11.600
<v Speaker 1>been something that was intentional from you from the start?

0:27:11.840 --> 0:27:14.240
<v Speaker 1>Was that just who you are and that hasn't changed

0:27:14.720 --> 0:27:17.800
<v Speaker 1>And do you think that's affected at all or been

0:27:17.880 --> 0:27:21.240
<v Speaker 1>one of the many, many factors in the longevity of

0:27:21.280 --> 0:27:22.200
<v Speaker 1>the relationship.

0:27:23.560 --> 0:27:28.480
<v Speaker 3>It was something that we decided years ago. Well, he

0:27:28.560 --> 0:27:31.760
<v Speaker 3>was never interested in doing media stuff.

0:27:32.720 --> 0:27:33.240
<v Speaker 2>Photos.

0:27:33.280 --> 0:27:35.800
<v Speaker 3>There's the odd photo when he was I think roped

0:27:35.800 --> 0:27:38.439
<v Speaker 3>in when we may have gone to a premiere. So

0:27:38.480 --> 0:27:41.720
<v Speaker 3>there's the odd photo of him around it's just not

0:27:41.800 --> 0:27:48.400
<v Speaker 3>his bag. We also said no for We also didn't

0:27:48.440 --> 0:27:51.280
<v Speaker 3>want the kids to do photoshots either, and we've been asked,

0:27:51.320 --> 0:27:53.159
<v Speaker 3>like you would have asked, many many times, can we

0:27:53.160 --> 0:27:54.119
<v Speaker 3>do shoots with the kids.

0:27:54.400 --> 0:27:57.320
<v Speaker 2>We also decided very early on we weren't going to

0:27:57.320 --> 0:27:58.000
<v Speaker 2>do stuff with the kids.

0:27:58.000 --> 0:28:00.840
<v Speaker 3>So I think we did one Women's Weekly shoot, and

0:28:01.320 --> 0:28:03.080
<v Speaker 3>you know, one of our kids was over atained and

0:28:03.119 --> 0:28:05.520
<v Speaker 3>the other was nearly iteen, and I think that's the

0:28:05.520 --> 0:28:07.240
<v Speaker 3>only shit we've ever done with the kids. It was

0:28:07.280 --> 0:28:11.119
<v Speaker 3>just a personal preference, and I think everyone just makes

0:28:11.160 --> 0:28:14.560
<v Speaker 3>their own decision, and that was ours that I feel

0:28:14.560 --> 0:28:19.160
<v Speaker 3>like I shared lots of my private life on air.

0:28:19.600 --> 0:28:21.200
<v Speaker 2>I talk a lot about.

0:28:20.920 --> 0:28:24.520
<v Speaker 3>Me and what I'm doing and what I think about things,

0:28:24.720 --> 0:28:27.159
<v Speaker 3>and I have for many, many years. But we kind of,

0:28:27.600 --> 0:28:29.560
<v Speaker 3>I suppose you kind of feel like you need to

0:28:29.640 --> 0:28:33.400
<v Speaker 3>draw the line somewhere, and that's where we personally drew

0:28:33.400 --> 0:28:36.000
<v Speaker 3>the line. So we drew it and we just kept

0:28:36.000 --> 0:28:39.720
<v Speaker 3>it and that was it, and you know, that's our

0:28:39.800 --> 0:28:42.200
<v Speaker 3>little family decision and we're kind of happy with it.

0:28:43.320 --> 0:28:46.040
<v Speaker 1>Last time we spoke, we talked a little bit about

0:28:46.560 --> 0:28:49.640
<v Speaker 1>you and Andrew being empty nesters. Yeah, you kind of

0:28:49.680 --> 0:28:52.479
<v Speaker 1>footloose and fancy free. How does that impact you as

0:28:52.520 --> 0:28:54.480
<v Speaker 1>a couple and as two individuals.

0:28:54.640 --> 0:28:57.280
<v Speaker 3>Yeah, I think we're getting used to it, because I was.

0:28:57.400 --> 0:29:01.160
<v Speaker 3>You're right, it was a real shock. And since since

0:29:02.080 --> 0:29:05.880
<v Speaker 3>our seconds unmoved out early last year, I've had time.

0:29:05.920 --> 0:29:10.320
<v Speaker 3>I've talked to so many women who've said, Wow, this

0:29:10.440 --> 0:29:14.680
<v Speaker 3>crept up on me. My. You know, even one or

0:29:14.920 --> 0:29:17.640
<v Speaker 3>more children have moved out or they've moved away, and

0:29:17.680 --> 0:29:20.520
<v Speaker 3>I was not prepared for this. And I feel like

0:29:21.920 --> 0:29:26.680
<v Speaker 3>I've not counseled. But I've commiserated with quite a few

0:29:27.320 --> 0:29:30.960
<v Speaker 3>women who were not prepared, and several men actually who

0:29:31.160 --> 0:29:34.200
<v Speaker 3>were just actually a man on the red carpet at

0:29:34.400 --> 0:29:40.200
<v Speaker 3>who I won't name, at the logis and he was like, Wow,

0:29:40.320 --> 0:29:43.600
<v Speaker 3>I'm my wife, and I just so sad one of

0:29:43.600 --> 0:29:45.640
<v Speaker 3>our kids has just moved away, like I did.

0:29:45.800 --> 0:29:47.280
<v Speaker 2>We we just weren't prepared.

0:29:46.960 --> 0:29:50.000
<v Speaker 3>And we just didn't you know, we just didn't expect

0:29:50.000 --> 0:29:51.200
<v Speaker 3>this emotion to happen.

0:29:51.200 --> 0:29:53.160
<v Speaker 2>And we're just wandering around the house. It's just not

0:29:53.240 --> 0:29:53.680
<v Speaker 2>the same.

0:29:54.040 --> 0:29:56.440
<v Speaker 3>I don't know whether so many things have talked about

0:29:56.640 --> 0:30:00.120
<v Speaker 3>now that weren't talked about twenty years ago. Different aspects

0:30:00.160 --> 0:30:02.640
<v Speaker 3>of lives right. And I don't know whether this one

0:30:02.840 --> 0:30:05.640
<v Speaker 3>has talked about the impact it has on you when

0:30:05.640 --> 0:30:10.520
<v Speaker 3>your kids move away, and it's I'm sort of used

0:30:10.560 --> 0:30:13.960
<v Speaker 3>to it now because it's been eighteen months and they

0:30:14.080 --> 0:30:16.200
<v Speaker 3>come back and go away and come back and go

0:30:16.240 --> 0:30:18.400
<v Speaker 3>away a bit, and it's not like they never come

0:30:18.440 --> 0:30:22.240
<v Speaker 3>home to visit. But yeah, I've definitely coming to terms

0:30:22.240 --> 0:30:24.400
<v Speaker 3>with it. And I think as you speak to more people,

0:30:25.440 --> 0:30:29.480
<v Speaker 3>especially older people who've been through it, it's kind of

0:30:29.480 --> 0:30:32.000
<v Speaker 3>an interesting topic to talk to them about and make

0:30:32.240 --> 0:30:34.240
<v Speaker 3>you realize that you know, you're not the only one

0:30:34.280 --> 0:30:36.360
<v Speaker 3>who feels strange.

0:30:36.480 --> 0:30:39.520
<v Speaker 1>I agree. It was a really powerful component of the

0:30:39.560 --> 0:30:43.040
<v Speaker 1>conversation when we last spoken. It's something that people are

0:30:43.160 --> 0:30:46.760
<v Speaker 1>talking about more and more socially and I think in

0:30:46.800 --> 0:30:49.800
<v Speaker 1>the media. But Amanda Kella also was a guest on

0:30:49.840 --> 0:30:52.840
<v Speaker 1>the Stellar podcast last year and that was really emotional

0:30:52.920 --> 0:30:57.080
<v Speaker 1>for her as well. I think it is as that

0:30:57.120 --> 0:30:59.240
<v Speaker 1>person said to you, it can be something that creeps

0:30:59.320 --> 0:31:00.880
<v Speaker 1>up on you and look, this is not this is

0:31:00.920 --> 0:31:03.719
<v Speaker 1>still ahead of me yet. But I do think the

0:31:03.760 --> 0:31:06.760
<v Speaker 1>bittersweet quality of it, because of course, like so many

0:31:06.840 --> 0:31:10.239
<v Speaker 1>other things that we've now normalized, whether it's you know,

0:31:10.320 --> 0:31:13.800
<v Speaker 1>metapause or conversations around mental health. They've always been there.

0:31:13.800 --> 0:31:18.520
<v Speaker 1>We're just now normalizing the conversation. I think that empty

0:31:18.560 --> 0:31:23.000
<v Speaker 1>ness slash free birding is the new frontier because also

0:31:23.560 --> 0:31:27.560
<v Speaker 1>the relationship between children and parents has evolved from what

0:31:27.560 --> 0:31:29.959
<v Speaker 1>it was in previous generations. I mean, I know, of

0:31:29.960 --> 0:31:32.600
<v Speaker 1>course you very close to your mum, were very close

0:31:32.600 --> 0:31:35.040
<v Speaker 1>to your late dad, but a lot of people from

0:31:35.200 --> 0:31:38.240
<v Speaker 1>Gen X and Baby Boomers didn't necessarily have that closeness.

0:31:38.240 --> 0:31:40.280
<v Speaker 1>Once they moved out, it became a bit of sort

0:31:40.280 --> 0:31:43.760
<v Speaker 1>of you know, Christmas and Easter. That close relationship of

0:31:43.840 --> 0:31:47.120
<v Speaker 1>them coming back, I think is meaning that the conversation

0:31:47.240 --> 0:31:49.480
<v Speaker 1>is shifted a little bit for our generation.

0:31:49.680 --> 0:31:52.080
<v Speaker 2>Maybe or they just didn't talk about it.

0:31:53.040 --> 0:31:58.120
<v Speaker 3>I think maybe it was particularly mums. I think they

0:31:58.240 --> 0:32:00.320
<v Speaker 3>just sort of had to go, you know, cry in

0:32:00.360 --> 0:32:06.360
<v Speaker 3>the bathroom, yes, and not vocalize it. So now I

0:32:06.400 --> 0:32:10.160
<v Speaker 3>think because we talk about everything, you know, I think

0:32:10.200 --> 0:32:14.080
<v Speaker 3>it's just something that yeah, I've had I've had quite

0:32:14.080 --> 0:32:18.960
<v Speaker 3>a few conversations, and I think it's just nice to

0:32:19.080 --> 0:32:21.920
<v Speaker 3>chat with other people who are going through it or

0:32:21.920 --> 0:32:26.280
<v Speaker 3>who might be about to go through it, and it's

0:32:26.560 --> 0:32:28.000
<v Speaker 3>you know, it's not the end of the world, but

0:32:28.040 --> 0:32:31.440
<v Speaker 3>it's nice to sort of have support and you want

0:32:31.480 --> 0:32:34.080
<v Speaker 3>your kids. You don't want your kids to be still

0:32:34.120 --> 0:32:35.800
<v Speaker 3>living at home at thirty five, do you.

0:32:36.960 --> 0:32:39.480
<v Speaker 1>Before we wrap up, I just wanted to come a

0:32:39.480 --> 0:32:45.680
<v Speaker 1>bit full circle reflecting on your status as the ultimate

0:32:45.720 --> 0:32:52.520
<v Speaker 1>survivor of this TV. No, you're fifty seven, and as

0:32:52.560 --> 0:32:54.160
<v Speaker 1>I just said, I don't think you look a day

0:32:54.160 --> 0:32:55.720
<v Speaker 1>older than you did when you were in your wedding

0:32:55.800 --> 0:33:00.240
<v Speaker 1>dress in nineteen twenty five. I mean, really, we cover

0:33:00.280 --> 0:33:02.840
<v Speaker 1>Asella today. I mean we look fantastic. I'm not saying

0:33:02.840 --> 0:33:05.440
<v Speaker 1>everyone has to look that fantastic at fifty seven, but

0:33:05.520 --> 0:33:07.920
<v Speaker 1>you do. And I'm not blowing smoke. That's just true.

0:33:08.320 --> 0:33:13.240
<v Speaker 1>I'd love to ask you about how that veteran status.

0:33:13.240 --> 0:33:15.120
<v Speaker 1>And I almost I caught myself there because I was

0:33:15.120 --> 0:33:17.680
<v Speaker 1>going to say, oh, is veteran a loaded word? But

0:33:17.720 --> 0:33:20.000
<v Speaker 1>why is that a loaded word? If I was sitting

0:33:20.040 --> 0:33:23.120
<v Speaker 1>here to Carl, I didn't think that. If I'd said

0:33:23.120 --> 0:33:25.200
<v Speaker 1>to Kyl, you're like the veteran of today, I don't

0:33:25.200 --> 0:33:28.520
<v Speaker 1>think there's any tension around that. He is and he

0:33:28.560 --> 0:33:32.680
<v Speaker 1>inhabits that space with great confidence, and Koshi did as well.

0:33:33.240 --> 0:33:36.400
<v Speaker 1>I'm assuming I'm thinking that because oh, there's a loaded

0:33:36.440 --> 0:33:40.719
<v Speaker 1>dynamic because women are judged differently from an agism perspective,

0:33:40.800 --> 0:33:42.760
<v Speaker 1>just that the Logis. The other day there was that

0:33:42.880 --> 0:33:47.440
<v Speaker 1>joke about the it's still rare to have women over

0:33:47.560 --> 0:33:50.640
<v Speaker 1>sixty on TV, and I'd like to personally think that

0:33:50.640 --> 0:33:53.840
<v Speaker 1>that's come a long long way from where it was ten, fifteen,

0:33:53.920 --> 0:33:56.560
<v Speaker 1>twenty years ago. But I think the fact that it's

0:33:56.640 --> 0:33:59.120
<v Speaker 1>even being used as a punchline at the Logis means

0:33:59.160 --> 0:34:01.560
<v Speaker 1>it's still a thing. What are your thoughts on all

0:34:01.600 --> 0:34:01.800
<v Speaker 1>of that?

0:34:04.960 --> 0:34:07.520
<v Speaker 2>On how long I'm gonna last?

0:34:10.200 --> 0:34:14.879
<v Speaker 1>Even the fact that that would be a conversation if

0:34:14.920 --> 0:34:19.800
<v Speaker 1>I'm saying to you, you're the reigning veteran of Australian

0:34:19.840 --> 0:34:24.960
<v Speaker 1>Breakfast TV. Can you just inhabit and own that or

0:34:25.000 --> 0:34:27.440
<v Speaker 1>do you think, oh, what does that mean? Like is

0:34:27.480 --> 0:34:29.920
<v Speaker 1>she saying that I'm old? Of course I'm not. But

0:34:30.560 --> 0:34:33.000
<v Speaker 1>Carl and Koshi I don't think would have second guessed

0:34:33.040 --> 0:34:34.640
<v Speaker 1>that in any way, And maybe you're not.

0:34:35.960 --> 0:34:38.840
<v Speaker 3>No, I don't think too much about those sort of labels.

0:34:39.000 --> 0:34:42.279
<v Speaker 3>I don't think too much about my age. I just

0:34:42.480 --> 0:34:44.560
<v Speaker 3>I'm just the person who goes into work and does

0:34:44.600 --> 0:34:49.400
<v Speaker 3>my job, and I just I really just try and

0:34:49.600 --> 0:34:50.200
<v Speaker 3>work hard.

0:34:50.360 --> 0:34:51.560
<v Speaker 2>And I.

0:34:53.280 --> 0:34:56.560
<v Speaker 3>Don't think too much about age either. I really don't.

0:34:56.719 --> 0:34:59.880
<v Speaker 3>I mean, I walk in with no makeup on the

0:35:00.000 --> 0:35:02.920
<v Speaker 3>They all see me how I wake up. I scrape

0:35:02.960 --> 0:35:05.480
<v Speaker 3>my hair back with none of these hair pieces and

0:35:05.600 --> 0:35:08.560
<v Speaker 3>no aleshes and no makeup. They see what I look like.

0:35:08.680 --> 0:35:12.400
<v Speaker 3>I'm coming in cold, and then we do we tv

0:35:12.440 --> 0:35:16.000
<v Speaker 3>afy ourselves because that's how it looks better on camera,

0:35:16.880 --> 0:35:19.800
<v Speaker 3>and that's how I present. And then when I do

0:35:19.920 --> 0:35:22.520
<v Speaker 3>my cooking videos, I have no makeup on either. I

0:35:22.560 --> 0:35:25.879
<v Speaker 3>think I'm as advertised. People see me both ways. I'm

0:35:25.880 --> 0:35:29.839
<v Speaker 3>not hiding, so I think, you know, you.

0:35:29.960 --> 0:35:30.760
<v Speaker 2>Just do your best.

0:35:30.840 --> 0:35:34.839
<v Speaker 3>You go in, do your job, work hard, and we'll

0:35:34.880 --> 0:35:37.839
<v Speaker 3>just see what happens, won't we. I've never looked too

0:35:38.000 --> 0:35:41.840
<v Speaker 3>far into the future. The whole time I was reading news,

0:35:41.840 --> 0:35:43.960
<v Speaker 3>people ask me, what's the next step? Where do you

0:35:44.000 --> 0:35:46.480
<v Speaker 3>want to go? What do you want to be? Do

0:35:46.520 --> 0:35:48.440
<v Speaker 3>you want to take over from Mel? Do you want

0:35:48.480 --> 0:35:51.279
<v Speaker 3>to take over from Sam? Every single interview I did,

0:35:52.120 --> 0:35:56.040
<v Speaker 3>I honestly have never looked that far forward, and I

0:35:56.120 --> 0:36:00.399
<v Speaker 3>kind of think that's worked. So I I'm just living

0:36:00.480 --> 0:36:03.440
<v Speaker 3>in the moment. It's a great job and I'm really

0:36:03.560 --> 0:36:06.360
<v Speaker 3>enjoying it, and I honestly can't think too far ahead.

0:36:07.120 --> 0:36:10.400
<v Speaker 2>It's it's for now.

0:36:11.360 --> 0:36:14.359
<v Speaker 1>Do you get annoyed when people like me, like you

0:36:14.440 --> 0:36:17.840
<v Speaker 1>interview people every day? So it's a journal interviewing your journal?

0:36:18.040 --> 0:36:18.279
<v Speaker 2>Yeah?

0:36:18.400 --> 0:36:21.040
<v Speaker 1>Are you thinking come on and the milestones and this

0:36:21.160 --> 0:36:24.520
<v Speaker 1>and that I'm living my life when you're coming in

0:36:24.520 --> 0:36:26.480
<v Speaker 1>to do an interview like this? Is there a part

0:36:26.520 --> 0:36:28.440
<v Speaker 1>of anything? So that's just not how I think, and

0:36:28.520 --> 0:36:29.120
<v Speaker 1>I don't.

0:36:28.920 --> 0:36:31.719
<v Speaker 2>Want to go there. Yeah.

0:36:31.920 --> 0:36:35.480
<v Speaker 3>Yeah, I would much rather be asking the question Sarah.

0:36:35.719 --> 0:36:40.040
<v Speaker 3>And you know that I'm not as comfortable on this side,

0:36:40.360 --> 0:36:43.200
<v Speaker 3>so I do get an insight into how everyone else

0:36:43.200 --> 0:36:45.400
<v Speaker 3>feels when I'm doing the interviewing.

0:36:45.840 --> 0:36:47.960
<v Speaker 2>It's not my natural habitat.

0:36:47.800 --> 0:36:50.880
<v Speaker 1>Well, look, thank you for your time and your generously.

0:36:50.960 --> 0:36:54.000
<v Speaker 1>My final question, actually, because it was recently the logis

0:36:54.920 --> 0:36:59.120
<v Speaker 1>was that Lynn McGranger. Of course, yes, one this year

0:36:59.200 --> 0:37:02.480
<v Speaker 1>Lynn was on the Pop cast early this year. Last

0:37:02.560 --> 0:37:05.800
<v Speaker 1>year was Larry MdeR. Larry hasn't been on the Stellar podcasts.

0:37:05.800 --> 0:37:07.799
<v Speaker 1>I don't know how he wanted to logo, but there

0:37:07.840 --> 0:37:10.000
<v Speaker 1>you go, because everyone else that's one the Gold logo

0:37:10.040 --> 0:37:13.920
<v Speaker 1>has been on the Stellar podcast. Heah, exactly, but love

0:37:14.000 --> 0:37:15.680
<v Speaker 1>Larry our Sonia the year before.

0:37:16.719 --> 0:37:17.799
<v Speaker 3>So this.

0:37:19.440 --> 0:37:22.040
<v Speaker 1>My question is, now, when are we going to see

0:37:22.040 --> 0:37:27.160
<v Speaker 1>you up there? Because that's got surely there's got to

0:37:27.239 --> 0:37:28.960
<v Speaker 1>I know you don't like to look into the future,

0:37:29.440 --> 0:37:32.440
<v Speaker 1>but there's surely got to be a gold LOGI.

0:37:32.239 --> 0:37:35.080
<v Speaker 2>Oh god, no, look at you as I say, I

0:37:35.239 --> 0:37:37.120
<v Speaker 2>just rock up and do my job.

0:37:37.400 --> 0:37:41.759
<v Speaker 1>Not thank you for squelching the natural aversion to coming

0:37:41.800 --> 0:37:46.239
<v Speaker 1>and talking about yourself me asking the questions. But it's

0:37:46.280 --> 0:37:49.880
<v Speaker 1>been lovely to talk to you. Congratulations on your upcoming

0:37:50.360 --> 0:37:55.040
<v Speaker 1>thirtieth wedding anniversary to you and Andrew, and congratulations on

0:37:55.120 --> 0:37:56.120
<v Speaker 1>twenty three years.

0:37:56.280 --> 0:37:57.840
<v Speaker 2>Thank you, sun Rise, thanks.

0:37:57.640 --> 0:37:59.919
<v Speaker 1>For having and you of course can see the fab

0:38:00.520 --> 0:38:04.680
<v Speaker 1>Natalie Barr on Sunrise on weekdays on the Seven Network.

0:38:04.920 --> 0:38:09.480
<v Speaker 1>Thanks again, now, thank you, thank you for tuning in today.

0:38:09.560 --> 0:38:11.720
<v Speaker 1>Before you go, we'd love if you take a moment

0:38:11.800 --> 0:38:14.560
<v Speaker 1>to leave a review or send this episode to a friend.

0:38:15.120 --> 0:38:18.120
<v Speaker 1>I'll be back in your ears with another exclusive guest

0:38:18.360 --> 0:38:18.919
<v Speaker 1>next week.