1 00:00:02,240 --> 00:00:04,040 Speaker 1: With Kate podcast. 2 00:00:05,559 --> 00:00:10,200 Speaker 2: Welcome to the podcast. Great discussion today why women are 3 00:00:10,280 --> 00:00:12,400 Speaker 2: choosing to date ugly guys. 4 00:00:13,600 --> 00:00:18,919 Speaker 3: We've got Lisa on the line. Honeyney, you must have 5 00:00:18,920 --> 00:00:19,520 Speaker 3: cut out. 6 00:00:19,440 --> 00:00:20,560 Speaker 2: Not just plump. 7 00:00:21,200 --> 00:00:23,800 Speaker 4: No, no, no, we're going down the road of guys 8 00:00:23,840 --> 00:00:25,960 Speaker 4: that aren't physically attractive. 9 00:00:26,040 --> 00:00:29,320 Speaker 3: But she's that can make you laughter. She's a real, 10 00:00:29,880 --> 00:00:32,480 Speaker 3: real hoot. After a couple of skuies. 11 00:00:33,159 --> 00:00:36,599 Speaker 2: Can I tell you something fits? My boys have been 12 00:00:36,640 --> 00:00:39,600 Speaker 2: doing sex at at school and the teacher basically said, 13 00:00:39,640 --> 00:00:42,480 Speaker 2: you know, if your dad's hairy, you're going to be harry. 14 00:00:42,600 --> 00:00:44,760 Speaker 2: If your dad's tall, you're going to be tall, all 15 00:00:44,800 --> 00:00:47,440 Speaker 2: this sort of stuff. And Ted said to me when 16 00:00:47,479 --> 00:00:49,599 Speaker 2: I said, when they said if your dad's hairy and 17 00:00:49,640 --> 00:00:51,640 Speaker 2: you're going to be tall, I just thought to myself, done, 18 00:00:53,920 --> 00:00:55,920 Speaker 2: I can't believe it. I'm going to be short and hairy. 19 00:00:56,440 --> 00:00:57,080 Speaker 2: That's what he thought. 20 00:00:57,120 --> 00:01:00,480 Speaker 5: And he was disappointed with that's human to do, as 21 00:01:00,520 --> 00:01:02,040 Speaker 5: there're a humor bit in there as well. 22 00:01:02,320 --> 00:01:05,080 Speaker 2: To be funny. It's the realization that my kids look 23 00:01:05,160 --> 00:01:07,160 Speaker 2: at me as it failed. 24 00:01:08,200 --> 00:01:08,840 Speaker 3: Do you tell you? 25 00:01:09,200 --> 00:01:11,280 Speaker 4: Do you tell your kids that you're on heavy medication 26 00:01:11,440 --> 00:01:13,560 Speaker 4: to make your hair thicker because you're worried you're going 27 00:01:13,600 --> 00:01:14,160 Speaker 4: to go bald. 28 00:01:14,200 --> 00:01:16,720 Speaker 2: He had found the monjar open in the fridge last night. 29 00:01:17,319 --> 00:01:21,679 Speaker 4: Seriously, yeah, that you judge yourself to make yourself thinner. 30 00:01:22,040 --> 00:01:24,760 Speaker 2: Who cares? I mean, you know, I'm happy. 31 00:01:24,440 --> 00:01:28,600 Speaker 6: With myselfs It's not a dirty world. 32 00:01:30,319 --> 00:01:32,240 Speaker 2: Anyway. You're going to find out a few more of 33 00:01:32,280 --> 00:01:33,440 Speaker 2: the issues on the podcast. 34 00:01:33,840 --> 00:01:36,919 Speaker 7: This is the Fitzi and Whipper with Cape Ritchie podcast. 35 00:01:37,080 --> 00:01:41,039 Speaker 4: It's happened again. What so the grid iron over in 36 00:01:41,080 --> 00:01:44,080 Speaker 4: the States. You know, I had problems with people messaging 37 00:01:44,120 --> 00:01:48,200 Speaker 4: me yes, okay, saying there was a guy. There was 38 00:01:48,240 --> 00:01:50,960 Speaker 4: a quarterback for the Miami Dolphins. His name was Ryan 39 00:01:50,960 --> 00:01:55,200 Speaker 4: Fitzpatrick and he was a Every time he had a 40 00:01:55,200 --> 00:02:00,400 Speaker 4: bad game, I was receiving death threats from the from 41 00:02:00,480 --> 00:02:03,960 Speaker 4: fans on Twitter because he didn't have a Twitter account. Awesome, 42 00:02:05,240 --> 00:02:10,600 Speaker 4: Carolina Panthers have got a new rookie faced kicker, a punter. 43 00:02:11,800 --> 00:02:15,200 Speaker 3: I have a listen to these The rookie Ryan Fitzgerald, 44 00:02:15,800 --> 00:02:19,400 Speaker 3: undrafted free agent the last six years at Florida State 45 00:02:19,400 --> 00:02:23,119 Speaker 3: and All American trying to win at Lambeau. 46 00:02:25,880 --> 00:02:26,680 Speaker 2: Pull this down. 47 00:02:26,760 --> 00:02:30,760 Speaker 3: The kicker is up end of the words done. 48 00:02:33,880 --> 00:02:38,520 Speaker 2: Ryan Fitzger delivers. I mean, it must be good to 49 00:02:38,520 --> 00:02:40,480 Speaker 2: have at least one successful athlete. 50 00:02:41,160 --> 00:02:43,680 Speaker 3: Ryan Fitzgerald. It's got a ring to it, doesn't it. 51 00:02:44,080 --> 00:02:49,320 Speaker 3: Ryan Fitzgerald delivers. From from now on, mate, just call 52 00:02:49,440 --> 00:02:50,360 Speaker 3: me the Postman. 53 00:02:52,000 --> 00:02:55,079 Speaker 7: This is the Fitzian Whipper with Cape Ritchie podcast. 54 00:02:56,120 --> 00:02:57,360 Speaker 8: Well a fun lets. 55 00:02:57,080 --> 00:03:02,520 Speaker 2: Again, Lucky. I don't have a lot of me, doesn't 56 00:03:05,080 --> 00:03:06,240 Speaker 2: this song to be. 57 00:03:06,639 --> 00:03:09,640 Speaker 4: Let's go back to nineteen ninety seven, seventh of April. 58 00:03:09,760 --> 00:03:16,799 Speaker 4: This song was released by an English band called Blue. 59 00:03:18,200 --> 00:03:20,880 Speaker 3: I'll mean, everyone knows that it's a great song. 60 00:03:21,120 --> 00:03:23,880 Speaker 4: It fires any dance floor up, and it is, and 61 00:03:23,919 --> 00:03:27,600 Speaker 4: it's such a basic, simple song, very interesting the origins 62 00:03:27,600 --> 00:03:31,239 Speaker 4: of this song. Let's talk about their genius singer, Damon 63 00:03:31,280 --> 00:03:35,160 Speaker 4: Albarn And we know how good he's been with Gorillas 64 00:03:35,200 --> 00:03:38,240 Speaker 4: as well, and the amount of songs that he samples 65 00:03:38,880 --> 00:03:41,920 Speaker 4: and sort of takes. I mean, we've spoken about this before. 66 00:03:41,960 --> 00:03:45,280 Speaker 4: He used to just a basic sort of keyboard and 67 00:03:45,360 --> 00:03:49,840 Speaker 4: just one of the sort of registered sort of beats 68 00:03:49,840 --> 00:03:52,680 Speaker 4: that the keyboard and put that into a song. 69 00:03:53,040 --> 00:03:55,480 Speaker 3: So that god, oh yeah. 70 00:03:55,600 --> 00:04:00,320 Speaker 4: So he speaks about his interesting way of putting music together. 71 00:04:00,920 --> 00:04:02,840 Speaker 9: I mean, the whole thing about pop music is that 72 00:04:02,880 --> 00:04:04,880 Speaker 9: you're just you know, you're ripping off as many people 73 00:04:05,320 --> 00:04:07,440 Speaker 9: as you possibly can, you know, and the trick is 74 00:04:07,520 --> 00:04:08,760 Speaker 9: just listened to the right people. 75 00:04:09,840 --> 00:04:10,760 Speaker 3: So that's what he does. 76 00:04:10,840 --> 00:04:12,440 Speaker 4: He listens to a lot of music and then he 77 00:04:12,480 --> 00:04:15,840 Speaker 4: puts it into a song. So song two was actually 78 00:04:15,880 --> 00:04:18,719 Speaker 4: inspired by a Brazilian pop style. 79 00:04:18,839 --> 00:04:23,520 Speaker 3: Have a listen to? This song is kind of bottle over. 80 00:04:25,760 --> 00:04:30,760 Speaker 4: Right, So bozs and over is a Brazilian music style, 81 00:04:30,880 --> 00:04:33,839 Speaker 4: and that's what he brought to the band. So Graham 82 00:04:33,880 --> 00:04:38,200 Speaker 4: Cox and the lead guitarist, talks about and they've actually 83 00:04:38,200 --> 00:04:41,280 Speaker 4: got an example of what the original demo of song 84 00:04:41,360 --> 00:04:41,839 Speaker 4: two was. 85 00:04:41,880 --> 00:04:42,440 Speaker 3: Have a listen. 86 00:04:43,279 --> 00:04:45,520 Speaker 10: Well, Damon had this little song that he had on 87 00:04:45,560 --> 00:04:48,880 Speaker 10: acoustic guitar. He had demo it's very slow on as 88 00:04:49,040 --> 00:04:49,839 Speaker 10: guitar and it went. 89 00:04:51,000 --> 00:04:57,120 Speaker 6: To do do to to. 90 00:05:06,240 --> 00:05:15,120 Speaker 3: That was the original. Isn't that amazing? And then blur? 91 00:05:15,480 --> 00:05:17,640 Speaker 5: Then have you listened to Graham Cox and talk about 92 00:05:17,640 --> 00:05:20,280 Speaker 5: this right, Because they listened to it and went They're 93 00:05:20,279 --> 00:05:23,200 Speaker 5: a bit off their record company at the time, so 94 00:05:23,240 --> 00:05:25,920 Speaker 5: they said, let's turn this into a piece take thinking 95 00:05:25,960 --> 00:05:28,120 Speaker 5: that the record company would hate it. 96 00:05:29,040 --> 00:05:30,920 Speaker 10: I was like, this is quite this is quite good letter, 97 00:05:31,120 --> 00:05:35,760 Speaker 10: really really fast, really really noisy and horrible, and tell 98 00:05:35,800 --> 00:05:38,200 Speaker 10: the record label that we want to record it as 99 00:05:38,200 --> 00:05:42,000 Speaker 10: a single. I was scared them to death. I hate it, 100 00:05:43,200 --> 00:05:44,919 Speaker 10: and so that's what we did. And they came in 101 00:05:44,960 --> 00:05:49,240 Speaker 10: and we played it to them, giggling, claim that one, 102 00:05:49,279 --> 00:05:52,680 Speaker 10: you know, the one that second song we recorded, and 103 00:05:53,400 --> 00:05:55,640 Speaker 10: they're like, wow, this is excellent. 104 00:05:57,000 --> 00:05:58,080 Speaker 2: Just to annoy them. 105 00:05:58,440 --> 00:06:01,800 Speaker 4: It blew up in their faces. And lyric wise, Damon 106 00:06:02,000 --> 00:06:04,919 Speaker 4: was just throwing words. He just this is what I 107 00:06:04,960 --> 00:06:07,919 Speaker 4: love about him, like less is more so throwing words 108 00:06:07,960 --> 00:06:10,400 Speaker 4: in and it just stuck and he didn't want to 109 00:06:10,520 --> 00:06:24,000 Speaker 4: change it. 110 00:06:20,200 --> 00:06:27,000 Speaker 10: And it's a good vocal thoughn't it. It's just it's relaxed, 111 00:06:27,040 --> 00:06:28,760 Speaker 10: and I think he wrote lyrics and how to go 112 00:06:28,920 --> 00:06:33,480 Speaker 10: doing the vocal again. It's just not it is either 113 00:06:33,600 --> 00:06:36,960 Speaker 10: trying too hard or something and was self conscious or 114 00:06:37,440 --> 00:06:38,320 Speaker 10: was just like I'll blow it. 115 00:06:38,440 --> 00:06:41,360 Speaker 3: Just have these do you know what? 116 00:06:41,960 --> 00:06:46,120 Speaker 4: They weren't even trying with this song, and it became 117 00:06:46,160 --> 00:06:47,679 Speaker 4: their biggest song of all time. 118 00:06:47,520 --> 00:06:49,080 Speaker 2: Because I was when you brought the song up to 119 00:06:49,080 --> 00:06:50,880 Speaker 2: start with this, I was about to say, I don't 120 00:06:50,920 --> 00:06:53,320 Speaker 2: know one word of this song. I know the song 121 00:06:53,480 --> 00:06:56,400 Speaker 2: very well, and they but I don't know anything else. 122 00:06:56,800 --> 00:07:00,640 Speaker 4: So they, I mean, Damon had an idea out of 123 00:07:00,720 --> 00:07:03,440 Speaker 4: spite of their record company. They try to make the 124 00:07:03,480 --> 00:07:07,159 Speaker 4: worst version of that idea. He threw in words that 125 00:07:07,160 --> 00:07:10,560 Speaker 4: that don't make sense. And it's now their biggest song 126 00:07:10,560 --> 00:07:10,840 Speaker 4: of all. 127 00:07:10,840 --> 00:07:12,800 Speaker 2: Wow, and what it's called song? 128 00:07:12,880 --> 00:07:13,840 Speaker 3: Two songs? 129 00:07:13,880 --> 00:07:16,080 Speaker 2: They didn't even bother giving it a proper name. 130 00:07:17,560 --> 00:07:20,440 Speaker 1: This is the Fits In with Her with Kate Richie podcast. 131 00:07:20,720 --> 00:07:23,560 Speaker 2: Hey, this is interesting. It's Pete Davidson. We've always been 132 00:07:23,560 --> 00:07:26,679 Speaker 2: blown away by the amazing looking women that he dates. 133 00:07:26,680 --> 00:07:28,800 Speaker 2: To me on a list at all? I mean Kim 134 00:07:28,880 --> 00:07:30,400 Speaker 2: Kardashian was a famous one. 135 00:07:30,440 --> 00:07:36,000 Speaker 11: But yes, yeah, and they're engaged briefly. Yes they were, 136 00:07:36,120 --> 00:07:38,800 Speaker 11: Kate Beckhamsale who we know? 137 00:07:39,200 --> 00:07:43,960 Speaker 3: Ma Kayah Gerber. I don't think she got along with 138 00:07:44,000 --> 00:07:48,440 Speaker 3: the Gerber family, did she? Hmm? What do you mean? 139 00:07:50,640 --> 00:07:59,320 Speaker 3: What do I risk? No the Gerbers? If anyone said 140 00:07:59,400 --> 00:08:00,480 Speaker 3: Christmas with the Gerbers? 141 00:08:00,680 --> 00:08:08,000 Speaker 11: Yeah, terrible Radikowski, Oh, Emily, Yes, and I mean the 142 00:08:08,040 --> 00:08:08,800 Speaker 11: list goes on and on. 143 00:08:09,280 --> 00:08:11,920 Speaker 2: Now the girlfriend, now, who is a model? I believe 144 00:08:12,000 --> 00:08:12,920 Speaker 2: she's pregnant. 145 00:08:13,160 --> 00:08:15,600 Speaker 3: Yeah, you think birth very soon? Twenty nine year old model. 146 00:08:15,560 --> 00:08:18,600 Speaker 2: Tell me, you're just you're right across Pete Davidson's back catalog. 147 00:08:18,640 --> 00:08:20,160 Speaker 2: Thank you for being so in depth with that. 148 00:08:20,320 --> 00:08:22,160 Speaker 11: Thank you Gerbers. 149 00:08:23,560 --> 00:08:26,200 Speaker 2: Anyone that said Christmas with a Gerber from one Gurber 150 00:08:26,280 --> 00:08:30,560 Speaker 2: to a Gerber. Okay, anyway. Study has been done about 151 00:08:30,680 --> 00:08:36,960 Speaker 2: why women love a funny man, and they're saying, this 152 00:08:37,040 --> 00:08:39,440 Speaker 2: is what Pete Davidson is because he's not the best 153 00:08:39,440 --> 00:08:43,680 Speaker 2: looking guy, but he's a funny, interesting guy, and that's 154 00:08:43,720 --> 00:08:48,319 Speaker 2: the win. So the revolts. The result revolts revealed that 155 00:08:48,400 --> 00:08:50,800 Speaker 2: men are willing to sacrifice their own attractiveness to have 156 00:08:50,840 --> 00:08:53,000 Speaker 2: a good looking partner, but wanted to be the funny 157 00:08:53,040 --> 00:08:56,240 Speaker 2: and wealthy one in the relationship. Well, women, they were 158 00:08:56,280 --> 00:08:59,640 Speaker 2: completely the opposite, preferring to be prettier and intelligent, but 159 00:08:59,679 --> 00:09:02,600 Speaker 2: one a partner that could make them laugh, who had 160 00:09:02,640 --> 00:09:06,600 Speaker 2: money and ambition. So that's why it's funny that you 161 00:09:06,600 --> 00:09:09,200 Speaker 2: would never I don't think you kind of see it 162 00:09:09,200 --> 00:09:12,080 Speaker 2: the other way around, do you. You might see an 163 00:09:12,160 --> 00:09:15,960 Speaker 2: unattractive guy with a good looking girl, but it's not 164 00:09:16,000 --> 00:09:19,920 Speaker 2: often you see the unattractive woman with a really good 165 00:09:19,960 --> 00:09:26,079 Speaker 2: looking guy. And I think that's because naturally the relationship 166 00:09:26,160 --> 00:09:28,199 Speaker 2: forms through the sense of humor of the guy. 167 00:09:29,440 --> 00:09:29,680 Speaker 12: I know. 168 00:09:29,800 --> 00:09:32,520 Speaker 3: I think there's guys that go out with funny girls. 169 00:09:32,640 --> 00:09:35,280 Speaker 2: Oh yeah, there are, but you don't see that mismatch 170 00:09:35,480 --> 00:09:39,400 Speaker 2: as much. I don't think in partners. I mean, there's 171 00:09:39,440 --> 00:09:42,800 Speaker 2: guys that I know, and they've hit every ugly stick, 172 00:09:43,360 --> 00:09:45,840 Speaker 2: every branch when they fell out of the tree, and 173 00:09:45,880 --> 00:09:46,959 Speaker 2: they've got great. 174 00:09:47,120 --> 00:09:50,040 Speaker 3: A climb to the top. Or do you let from 175 00:09:50,080 --> 00:09:50,800 Speaker 3: the first brand? 176 00:09:52,040 --> 00:09:54,320 Speaker 2: I'd like to know, Itteen twenty four to ten. Are 177 00:09:54,360 --> 00:09:57,520 Speaker 2: you a girl dating a guy that's not the best looking, 178 00:09:57,640 --> 00:10:00,559 Speaker 2: but he's a bit of a lart, he's quite funny, 179 00:10:00,920 --> 00:10:03,079 Speaker 2: and therefore you fell in love with him because you 180 00:10:03,280 --> 00:10:05,600 Speaker 2: just wanted more Justine and manly? 181 00:10:06,360 --> 00:10:06,840 Speaker 3: Talk to me? 182 00:10:07,240 --> 00:10:11,679 Speaker 2: Do you guys you like ugly men? You like an 183 00:10:11,720 --> 00:10:12,720 Speaker 2: ugly man that's funny. 184 00:10:14,240 --> 00:10:17,040 Speaker 13: I don't mind an only man that's funny, okay. But 185 00:10:18,400 --> 00:10:21,719 Speaker 13: you know, it's up to the individual. What they think 186 00:10:21,880 --> 00:10:24,480 Speaker 13: is ugly, I mean, or what they think of mine 187 00:10:24,600 --> 00:10:27,720 Speaker 13: is attractive. You know. I think the fact that a man, 188 00:10:28,000 --> 00:10:30,160 Speaker 13: if a man, can make you laugh. Laughing makes you 189 00:10:30,200 --> 00:10:33,000 Speaker 13: feel good. You know. It's a good start. 190 00:10:33,120 --> 00:10:35,080 Speaker 2: And that's what it's about, isn't It's about how you 191 00:10:35,160 --> 00:10:37,840 Speaker 2: feel in the relationship, Justine, exactly are you in a 192 00:10:37,840 --> 00:10:39,040 Speaker 2: relationship right now? 193 00:10:39,440 --> 00:10:40,880 Speaker 13: I'm actually not Okay. 194 00:10:41,120 --> 00:10:44,160 Speaker 2: The guys, the guys you've been out with before, have 195 00:10:44,280 --> 00:10:49,240 Speaker 2: you always been better looking than them? 196 00:10:49,440 --> 00:10:51,560 Speaker 13: It's not necessarily it's hard. 197 00:10:51,760 --> 00:10:53,640 Speaker 3: That's judge, isn't it. 198 00:10:54,040 --> 00:10:54,280 Speaker 12: Yeah? 199 00:10:54,440 --> 00:11:00,560 Speaker 13: Yeah, look, yes, I've probably you know, there's been some ugly, 200 00:11:00,640 --> 00:11:05,720 Speaker 13: funny ones and some good looking boring? 201 00:11:05,920 --> 00:11:07,119 Speaker 3: Is right? 202 00:11:07,880 --> 00:11:12,400 Speaker 2: You know you prefer the funny over the good looking boring? 203 00:11:12,520 --> 00:11:13,120 Speaker 2: Is that right? 204 00:11:15,280 --> 00:11:15,760 Speaker 13: Definitely? 205 00:11:16,559 --> 00:11:21,040 Speaker 2: It's interesting, thank you. Justin There are guys I know too, 206 00:11:21,640 --> 00:11:26,080 Speaker 2: and they're handsome lads, but one on one, my god, 207 00:11:26,160 --> 00:11:31,000 Speaker 2: they're boring, unbelievably boring. I good name ten of them. 208 00:11:31,000 --> 00:11:31,240 Speaker 3: Go on. 209 00:11:31,720 --> 00:11:33,960 Speaker 6: No, I'm not going to name talking about hell Man 210 00:11:34,040 --> 00:11:38,840 Speaker 6: or Man Mountain the lads, mate, you're talking about smack Daddy. 211 00:11:40,640 --> 00:11:43,080 Speaker 6: Don't bring the dazzler up. There's nothing boring about the dazzler. 212 00:11:44,600 --> 00:11:45,560 Speaker 6: James and Marsfield? 213 00:11:45,640 --> 00:11:47,760 Speaker 4: Hello, how are you boys? 214 00:11:47,920 --> 00:11:48,640 Speaker 2: What's going on? 215 00:11:48,679 --> 00:11:48,920 Speaker 3: Mane? 216 00:11:49,559 --> 00:11:51,600 Speaker 14: I've got a head like a drop pie. But humor 217 00:11:51,679 --> 00:11:55,720 Speaker 14: is on point, mate, you have it the girls, mate, 218 00:11:55,720 --> 00:11:57,439 Speaker 14: you gotta be careful of a funny guy because you 219 00:11:57,559 --> 00:11:59,560 Speaker 14: laugh and laugh and laugh and then boom your naked. 220 00:12:03,600 --> 00:12:05,719 Speaker 2: That's how it works. Does a gym world on? 221 00:12:05,960 --> 00:12:10,719 Speaker 3: Jamie Well, I love his confidence. 222 00:12:12,000 --> 00:12:13,440 Speaker 2: You've got to be honest as well. When you look 223 00:12:13,480 --> 00:12:15,640 Speaker 2: in the mirror sometimes and whatever looks back at you, 224 00:12:15,640 --> 00:12:18,120 Speaker 2: you two eyes. You're seeing it straight up. 225 00:12:18,240 --> 00:12:22,679 Speaker 1: This is the Fitty and Whipper with Kate Richie podcast. 226 00:12:23,559 --> 00:12:29,240 Speaker 3: We're on. It's time for sixty seconds starts Ritchie time. 227 00:12:29,960 --> 00:12:35,840 Speaker 1: Still standing now, so ready set demo event she's on now. 228 00:12:35,920 --> 00:12:39,320 Speaker 1: It's Sydney City Kia. Is it Sibbey City Kia in 229 00:12:39,400 --> 00:12:41,520 Speaker 1: a redon street Alexandria. 230 00:12:41,559 --> 00:12:44,560 Speaker 3: It's the key K for Sedan. It's worth thirty three 231 00:12:44,640 --> 00:12:47,040 Speaker 3: thousand dollars. You get on. I'm still standing. You're in 232 00:12:47,040 --> 00:12:47,520 Speaker 3: the running. 233 00:12:47,960 --> 00:12:50,640 Speaker 4: Our producer Olie. He's out the front of the Arias 234 00:12:50,720 --> 00:12:53,920 Speaker 4: where the Arias are tomorrow night at the Howden Pavilion. 235 00:12:54,400 --> 00:12:58,160 Speaker 4: Congratulations up for Best Dance Trapp World An. 236 00:12:58,440 --> 00:12:59,880 Speaker 3: We thank you so much. 237 00:13:00,160 --> 00:13:02,280 Speaker 12: Yeah, Fitz, you were just saying it's your favorite award 238 00:13:02,280 --> 00:13:03,920 Speaker 12: tonight on the calendar, so I thought i'd take your 239 00:13:03,960 --> 00:13:05,840 Speaker 12: word for it. Come down and check it up. They've 240 00:13:05,920 --> 00:13:09,040 Speaker 12: just laid down the red carpet. There's leaf blowing going on. 241 00:13:09,360 --> 00:13:11,760 Speaker 2: Made on the blow at a stop just for like one. 242 00:13:13,120 --> 00:13:16,840 Speaker 12: He's getting very into it. But we're down here very excited. 243 00:13:16,880 --> 00:13:17,240 Speaker 3: Olivia. 244 00:13:17,280 --> 00:13:20,040 Speaker 12: Dean's going to be performing tomorrow night, so maybe we 245 00:13:20,080 --> 00:13:22,160 Speaker 12: might run into her doing his sound check. But we've 246 00:13:22,160 --> 00:13:25,280 Speaker 12: managed to find some dancers from the Brent Street dance 247 00:13:25,280 --> 00:13:28,480 Speaker 12: class just down here as well. Laura from Paramatta is 248 00:13:28,520 --> 00:13:30,200 Speaker 12: here and she's ready to win some cash. 249 00:13:30,400 --> 00:13:31,520 Speaker 3: Oh my god, I'm so ready. 250 00:13:31,520 --> 00:13:32,400 Speaker 8: I'm really excited. 251 00:13:32,600 --> 00:13:34,920 Speaker 2: So what sort of dancing do you do, Lara, you're 252 00:13:34,960 --> 00:13:36,520 Speaker 2: a professional dancer. 253 00:13:36,280 --> 00:13:39,000 Speaker 3: Or yes, I am a professional dancer. 254 00:13:39,120 --> 00:13:42,360 Speaker 2: I specialize in freestyle dancing. But everyone's got their own 255 00:13:42,559 --> 00:13:45,920 Speaker 2: niche thing. Yeah, well, Ollie is very good at crumping. 256 00:13:46,080 --> 00:13:47,840 Speaker 2: Do you want to show? Do you want to show, 257 00:13:47,880 --> 00:13:51,560 Speaker 2: Lara how you crump? Don't do that again. 258 00:13:52,559 --> 00:13:56,360 Speaker 4: Fortnight Fortnite dance. That is so gross, Lara. How many 259 00:13:56,360 --> 00:13:58,920 Speaker 4: hours a week do you reckon? You do it Brent Street? 260 00:13:59,440 --> 00:13:59,760 Speaker 9: Well? 261 00:13:59,840 --> 00:14:01,480 Speaker 3: I do at Brent Street. 262 00:14:01,559 --> 00:14:04,839 Speaker 7: Since we're dancing Monday to Friday six hours a week, 263 00:14:05,080 --> 00:14:09,560 Speaker 7: six hours every day, that's what thirty hours. And everyone's 264 00:14:09,600 --> 00:14:10,600 Speaker 7: doing teaching on the. 265 00:14:10,600 --> 00:14:13,439 Speaker 13: Side, so it probably adds up to thirty five hours. 266 00:14:13,960 --> 00:14:17,320 Speaker 4: Great work, all right, So this is the deal You're 267 00:14:17,440 --> 00:14:20,320 Speaker 4: you're going up against Whipper today five hundred dollars cash 268 00:14:20,400 --> 00:14:21,960 Speaker 4: up for grabs that you're in the running for that 269 00:14:22,040 --> 00:14:23,840 Speaker 4: brand new car as well. If you get one wrong, 270 00:14:23,920 --> 00:14:26,080 Speaker 4: power goes over to Whip. Whoever has the pair at 271 00:14:26,080 --> 00:14:28,600 Speaker 4: the inner sixty seconds is the winner? Here we go, Lara, 272 00:14:28,720 --> 00:14:31,560 Speaker 4: your sixty second starts now? 273 00:14:32,120 --> 00:14:37,320 Speaker 3: If one? If one is short for what? Lara? Formula one? 274 00:14:37,520 --> 00:14:38,320 Speaker 3: That is correct? 275 00:14:38,560 --> 00:14:42,240 Speaker 4: What artists fan base call themselves believers? 276 00:14:43,240 --> 00:14:43,760 Speaker 15: Oh? 277 00:14:43,960 --> 00:14:44,520 Speaker 2: Justin Bieber? 278 00:14:44,920 --> 00:14:46,120 Speaker 3: Justin Bieber is correct? 279 00:14:46,360 --> 00:14:50,360 Speaker 4: Has Rihanna released five or eight studio albums? 280 00:14:50,360 --> 00:14:51,440 Speaker 3: Oh? This one? 281 00:14:52,680 --> 00:14:53,400 Speaker 12: Is it? Is it? 282 00:14:54,040 --> 00:14:54,400 Speaker 2: Six? 283 00:14:54,800 --> 00:14:54,960 Speaker 12: No? 284 00:14:55,080 --> 00:14:55,240 Speaker 9: Oh? 285 00:14:55,240 --> 00:14:55,480 Speaker 7: Wait? 286 00:14:55,520 --> 00:14:55,800 Speaker 12: Five? 287 00:14:55,960 --> 00:14:57,920 Speaker 3: Five? Five is correct? World? 288 00:14:57,960 --> 00:15:02,880 Speaker 4: Don't which DJ has the hit Summer one Kiss and Slide? 289 00:15:06,240 --> 00:15:10,000 Speaker 3: I actually I can't even remember this one. Alvin Harris 290 00:15:10,080 --> 00:15:12,840 Speaker 3: over to Whipper Whipper. What do Andrew Garfield and Taviy 291 00:15:12,920 --> 00:15:15,040 Speaker 3: McGuire maguire have in common? 292 00:15:15,840 --> 00:15:16,840 Speaker 2: They played spider Man? 293 00:15:17,240 --> 00:15:19,840 Speaker 3: Yes, who directed Jaws and Jurassic Park? 294 00:15:20,960 --> 00:15:24,200 Speaker 2: Jeors and Jurassic Park Too long? 295 00:15:24,320 --> 00:15:30,160 Speaker 3: Steven Spielberg over to Lara. Lara, what device measures temperature thermometer? 296 00:15:30,600 --> 00:15:34,920 Speaker 4: Correct? Mary Fowler is dating? Which fellows Lara? 297 00:15:35,000 --> 00:15:36,280 Speaker 2: Five hundred dollars. 298 00:15:39,760 --> 00:15:41,640 Speaker 12: All the dances A very excited to get their cut 299 00:15:41,680 --> 00:15:42,640 Speaker 12: of the five hundred dollars. 300 00:15:42,640 --> 00:15:48,080 Speaker 2: I think, well done, great job, Lara, five hundred dollars 301 00:15:48,160 --> 00:15:50,960 Speaker 2: or yours? And are you performing at the Arias tomorrow 302 00:15:51,080 --> 00:15:52,600 Speaker 2: night or you just happen to be there. 303 00:15:53,240 --> 00:15:54,240 Speaker 3: I'm just going to be there. 304 00:15:54,480 --> 00:15:59,360 Speaker 2: Also, jump back on the leaf blower, mate, and finish 305 00:15:59,440 --> 00:16:01,320 Speaker 2: up the job wild. Thank you, buddy. 306 00:16:01,800 --> 00:16:04,680 Speaker 1: This is the Fitz and Whipper with Kate Richie podcast. 307 00:16:04,920 --> 00:16:07,480 Speaker 4: He's got a brand new single. It's called The Keys. 308 00:16:07,520 --> 00:16:12,920 Speaker 4: It's available now and welcome. It's amazing and you know, 309 00:16:13,080 --> 00:16:15,840 Speaker 4: it's amazing how you can write a song after losing 310 00:16:15,880 --> 00:16:16,440 Speaker 4: your keys. 311 00:16:16,520 --> 00:16:17,440 Speaker 3: That's unbelievable. 312 00:16:17,440 --> 00:16:17,760 Speaker 14: It is. 313 00:16:18,040 --> 00:16:19,320 Speaker 3: It's a true effort, you know. 314 00:16:19,520 --> 00:16:22,440 Speaker 8: It's one of those things I know people can relate to. 315 00:16:22,480 --> 00:16:23,800 Speaker 2: Every week and we'll. 316 00:16:25,360 --> 00:16:25,640 Speaker 3: Keys. 317 00:16:26,360 --> 00:16:30,960 Speaker 2: Hey, we've actually got invites to guys Sebastian Nova's Red Rooms. 318 00:16:31,320 --> 00:16:37,200 Speaker 2: You're not gonna believe have been I've been asked to host. 319 00:16:37,960 --> 00:16:39,880 Speaker 2: Have you got the lucky invitation? 320 00:16:40,280 --> 00:16:40,440 Speaker 1: Oh? 321 00:16:40,640 --> 00:16:44,120 Speaker 2: Look at that and we see personally we will go. 322 00:16:44,280 --> 00:16:44,760 Speaker 2: I've got the. 323 00:16:44,720 --> 00:16:48,480 Speaker 4: Big guns in Yeah, if you can. It's at Machine Hall. 324 00:16:48,600 --> 00:16:52,440 Speaker 4: It's Clarence Street in the city. It's Wednesday, third of December. 325 00:16:52,520 --> 00:16:54,960 Speaker 4: So we announced this last night. Thank you so much, guy, 326 00:16:55,000 --> 00:16:57,920 Speaker 4: because we love our Red Room. They're intimate performances. You 327 00:16:57,960 --> 00:17:01,040 Speaker 4: get the Guy Sebastian fans coming along and you're going 328 00:17:01,120 --> 00:17:02,960 Speaker 4: to be playing some of your new hits. Kylie and 329 00:17:03,000 --> 00:17:10,240 Speaker 4: Catherine Field, You're going along to go see guys to that. 330 00:17:10,720 --> 00:17:12,200 Speaker 8: I'll see you there, guys. 331 00:17:12,680 --> 00:17:15,080 Speaker 2: Kylie, is there a song you'd like him to open with? 332 00:17:16,880 --> 00:17:17,880 Speaker 13: I like before I go? 333 00:17:18,960 --> 00:17:21,040 Speaker 8: Absolutely? 334 00:17:21,119 --> 00:17:21,920 Speaker 2: Can you open with that? 335 00:17:22,000 --> 00:17:22,119 Speaker 9: Man? 336 00:17:22,200 --> 00:17:25,520 Speaker 8: I will before I go? Did you say yes? 337 00:17:25,800 --> 00:17:25,919 Speaker 12: Oh? 338 00:17:26,320 --> 00:17:27,439 Speaker 2: Yeah? 339 00:17:26,960 --> 00:17:28,800 Speaker 8: Am I doing before I go? 340 00:17:29,160 --> 00:17:31,520 Speaker 2: You are? Now I'll do you know what, I'll. 341 00:17:31,400 --> 00:17:33,679 Speaker 8: Do a bit of it for you because I'll do 342 00:17:33,720 --> 00:17:34,119 Speaker 8: a bit of it. 343 00:17:34,240 --> 00:17:34,440 Speaker 3: Yes. 344 00:17:36,480 --> 00:17:38,920 Speaker 2: Can we talk thanks? KRLS will see you there. Can 345 00:17:38,960 --> 00:17:39,919 Speaker 2: we talk the keys? 346 00:17:40,240 --> 00:17:40,440 Speaker 3: Yes? 347 00:17:40,640 --> 00:17:42,480 Speaker 2: So when you're writing a song like that that's so 348 00:17:42,560 --> 00:17:45,600 Speaker 2: personal about your beautiful wife Jewels, do you run it 349 00:17:45,680 --> 00:17:48,920 Speaker 2: past her or you go, hey, this has got a 350 00:17:49,000 --> 00:17:51,600 Speaker 2: ribbon around it. Now look what I've done. 351 00:17:52,600 --> 00:17:54,639 Speaker 8: She's super honest with me, which is great. I mean, 352 00:17:54,680 --> 00:17:56,680 Speaker 8: we've been together a long time, so she will tell 353 00:17:56,680 --> 00:17:59,119 Speaker 8: me if the songs rubbish like, she'll be like, hm, 354 00:17:59,240 --> 00:18:02,359 Speaker 8: it's not your best and but this one she loved. 355 00:18:03,680 --> 00:18:05,840 Speaker 8: It's very hard to write a song like this because 356 00:18:05,880 --> 00:18:08,280 Speaker 8: it's it's such a grand concept. So I went into 357 00:18:08,320 --> 00:18:11,439 Speaker 8: the writing session with the title. I was like, the 358 00:18:11,440 --> 00:18:16,159 Speaker 8: titles the keys, and I often write backwards, so you know, 359 00:18:16,400 --> 00:18:18,879 Speaker 8: I'll have the last couple of lines like only you 360 00:18:18,920 --> 00:18:20,919 Speaker 8: can build a man like me, So that's why you. 361 00:18:21,520 --> 00:18:22,200 Speaker 3: Hold the keys. 362 00:18:22,240 --> 00:18:25,040 Speaker 8: So so basically this grand thought of like, oh you 363 00:18:25,080 --> 00:18:27,040 Speaker 8: had you met me at my worst, most people would go, 364 00:18:27,160 --> 00:18:30,240 Speaker 8: now that's all right, off demolition job. But you saw 365 00:18:30,280 --> 00:18:32,719 Speaker 8: something in it, you know, you saw something to build, 366 00:18:32,760 --> 00:18:35,360 Speaker 8: and you rolled up your sleeves, you etch your name 367 00:18:35,400 --> 00:18:37,399 Speaker 8: in the in the wet concrete on the pavement, and 368 00:18:37,440 --> 00:18:39,719 Speaker 8: then you got to work. And now that I'm standing 369 00:18:39,720 --> 00:18:42,840 Speaker 8: on two strong feet, now that you've built this this thing, 370 00:18:43,720 --> 00:18:46,760 Speaker 8: it's you who gets the keys. I did my achilles, 371 00:18:47,920 --> 00:18:50,720 Speaker 8: and she stood by me. You know, I've got one 372 00:18:50,800 --> 00:18:51,920 Speaker 8: bun calf. 373 00:18:53,560 --> 00:18:53,800 Speaker 3: Bad. 374 00:18:53,880 --> 00:18:55,600 Speaker 8: Now I had a couple of search and there she 375 00:18:55,800 --> 00:18:57,240 Speaker 8: is just building me up. 376 00:18:57,600 --> 00:19:00,440 Speaker 3: Loyal Listening to your wife is a big one. The guy. 377 00:19:00,480 --> 00:19:02,480 Speaker 3: This is a deep question, but is there an age 378 00:19:02,520 --> 00:19:03,720 Speaker 3: do you think that you get. 379 00:19:03,520 --> 00:19:05,640 Speaker 4: To where you mature and go, oh my gosh, god, 380 00:19:05,760 --> 00:19:08,639 Speaker 4: you know, Jules has been there through everything. And I 381 00:19:08,800 --> 00:19:11,479 Speaker 4: was young, made stupid decisions at certain points, and she 382 00:19:11,600 --> 00:19:13,800 Speaker 4: was with me the whole time, and then you go. 383 00:19:13,760 --> 00:19:15,000 Speaker 3: Oh my god, I reckon. 384 00:19:15,040 --> 00:19:17,439 Speaker 4: It's when you when you see your children growing up 385 00:19:17,440 --> 00:19:19,520 Speaker 4: as well, and see you see her as a mother. 386 00:19:20,280 --> 00:19:21,880 Speaker 4: It was there a time where you just went, oh 387 00:19:21,920 --> 00:19:25,639 Speaker 4: my gosh, like I probably didn't pay enough attention to 388 00:19:25,840 --> 00:19:29,000 Speaker 4: her during that period, and now I need to show 389 00:19:29,040 --> 00:19:30,159 Speaker 4: her how much I do love it. 390 00:19:30,720 --> 00:19:35,600 Speaker 8: Na, Na, I've been She's a sounded load that didn't. 391 00:19:37,080 --> 00:19:37,119 Speaker 13: Know. 392 00:19:37,560 --> 00:19:45,080 Speaker 8: She is also the luckiest woman. I'm joking, of course. 393 00:19:45,160 --> 00:19:47,800 Speaker 8: I mean there's als, there's always times I think I 394 00:19:47,800 --> 00:19:50,480 Speaker 8: think more than anything, right, because you know, when you're 395 00:19:50,520 --> 00:19:52,520 Speaker 8: in a relationship for a long time, people go, oh, 396 00:19:52,600 --> 00:19:55,239 Speaker 8: what's the secret. I genuinely just think I'm lucky. Like, 397 00:19:55,280 --> 00:19:58,760 Speaker 8: not everyone is that lucky, because as human beings, like 398 00:19:59,200 --> 00:20:01,920 Speaker 8: there's two people that get together and you're just together 399 00:20:02,000 --> 00:20:05,280 Speaker 8: and then suddenly you've got to go through different parts 400 00:20:05,280 --> 00:20:07,919 Speaker 8: of life and still like each other through those parts. 401 00:20:07,920 --> 00:20:10,080 Speaker 8: So some people have kids and it's really tough and 402 00:20:10,119 --> 00:20:12,520 Speaker 8: it's really challenging, and a side comes out to them 403 00:20:12,560 --> 00:20:14,639 Speaker 8: that the other person doesn't like. Or you know, and 404 00:20:14,640 --> 00:20:17,600 Speaker 8: that's just human life. And so I don't think there's 405 00:20:17,640 --> 00:20:20,840 Speaker 8: any advice I can give beyond just I am lucky 406 00:20:20,920 --> 00:20:23,520 Speaker 8: like she's. I have looked at her in every scenario 407 00:20:23,640 --> 00:20:26,920 Speaker 8: and gone like she's she's gold, and obviously she's done 408 00:20:26,960 --> 00:20:27,320 Speaker 8: the same. 409 00:20:27,480 --> 00:20:31,679 Speaker 2: So there was absolutely Goal's song at the moment, my 410 00:20:31,880 --> 00:20:35,119 Speaker 2: golden husband. I heard a statistic the other day and 411 00:20:35,119 --> 00:20:37,399 Speaker 2: it said couples have been married more than ten years 412 00:20:37,520 --> 00:20:40,440 Speaker 2: or ten years, plass sort of thing. It was that 413 00:20:41,480 --> 00:20:46,520 Speaker 2: the guys in the relationship said sixty percent of guys 414 00:20:46,720 --> 00:20:51,280 Speaker 2: said that my wife is my best friend, thirty percent 415 00:20:51,320 --> 00:20:52,960 Speaker 2: of women said my husband. 416 00:20:52,800 --> 00:20:53,560 Speaker 3: Is my best friend. 417 00:20:53,720 --> 00:20:57,920 Speaker 8: Really, it's all these one way best friends, BFF friendship. 418 00:20:58,560 --> 00:21:00,159 Speaker 2: I'd just say that if consider them. 419 00:21:01,560 --> 00:21:02,119 Speaker 3: Statistic. 420 00:21:02,200 --> 00:21:06,440 Speaker 8: They're sitting in here feeling good about relationships. Listeners are like, yeah, 421 00:21:06,480 --> 00:21:08,320 Speaker 8: you know what I need to need to be more 422 00:21:08,359 --> 00:21:11,320 Speaker 8: best friends, and then you come out with that statu 423 00:21:12,240 --> 00:21:13,280 Speaker 8: completely undone. 424 00:21:13,920 --> 00:21:15,080 Speaker 2: She doesn't love you. 425 00:21:15,720 --> 00:21:16,280 Speaker 8: I'm feel good. 426 00:21:16,320 --> 00:21:17,520 Speaker 3: It's breakfast radio. 427 00:21:17,760 --> 00:21:19,920 Speaker 6: Okay, Well, that's why we have a game my pause leaving, 428 00:21:20,119 --> 00:21:21,479 Speaker 6: because it's commercial radio. 429 00:21:21,720 --> 00:21:24,520 Speaker 2: One no wonder guy Sebastian. We do this at six 430 00:21:24,600 --> 00:21:26,760 Speaker 2: fifteen every morning. All right, I thought we'd test you. 431 00:21:26,920 --> 00:21:27,359 Speaker 3: I reckon. 432 00:21:27,359 --> 00:21:30,920 Speaker 2: There's easy ones and some hard ones here, Jess, do 433 00:21:30,920 --> 00:21:32,200 Speaker 2: you want to throw one at guy? 434 00:21:32,560 --> 00:21:33,200 Speaker 3: What song is this? 435 00:21:35,480 --> 00:21:35,640 Speaker 7: Oh? 436 00:21:35,760 --> 00:21:38,800 Speaker 3: What sounds like the sale of the Centry thing? Doesn't 437 00:21:38,800 --> 00:21:42,399 Speaker 3: it go again? Fuck? 438 00:21:42,760 --> 00:21:43,720 Speaker 2: No? Idea, no idea? 439 00:21:43,760 --> 00:21:45,960 Speaker 4: Can you give him a little bit more, Jess, give 440 00:21:46,000 --> 00:21:46,800 Speaker 4: him a little bit more? 441 00:21:50,840 --> 00:21:57,119 Speaker 8: It sounds like the eighties? Yeah it Duranne, Duranne cyrus you. 442 00:21:57,760 --> 00:21:59,440 Speaker 8: Oh no, I'm going to be bad at this time. 443 00:21:59,520 --> 00:21:59,879 Speaker 3: Know here we go. 444 00:22:00,080 --> 00:22:01,439 Speaker 2: Let's give him another gad start. 445 00:22:03,760 --> 00:22:07,280 Speaker 4: Oh, I mean come on, give him, give him a 446 00:22:07,359 --> 00:22:09,400 Speaker 4: little bit more, Jess, give him a little bit more. 447 00:22:11,800 --> 00:22:14,840 Speaker 8: Oh that that's I got my hand. 448 00:22:18,040 --> 00:22:21,399 Speaker 4: It's not give him at it's an Australian bout. Actually, 449 00:22:21,440 --> 00:22:24,480 Speaker 4: there's rumors that they're getting back together. Female singer have 450 00:22:24,480 --> 00:22:26,399 Speaker 4: a listen again killing. 451 00:22:27,760 --> 00:22:32,400 Speaker 3: No? No is Natalie bassingth Oh road Traders. 452 00:22:32,800 --> 00:22:39,280 Speaker 2: That's no, it's the body Rockers. Doesn't know what it 453 00:22:39,400 --> 00:22:41,040 Speaker 2: is either. It's got the sheet in front of him. 454 00:22:42,480 --> 00:22:47,720 Speaker 2: I tried this one, guy, Sebastian. That's a hard one. 455 00:22:47,800 --> 00:22:48,680 Speaker 8: Is that Keith Urban? 456 00:22:48,880 --> 00:22:49,479 Speaker 2: Here's a bit more? 457 00:22:49,520 --> 00:22:49,840 Speaker 3: Hang on? 458 00:22:55,160 --> 00:23:03,000 Speaker 8: I know that one. Hang on, No, No, it's tough. 459 00:23:03,359 --> 00:23:06,639 Speaker 2: You can't get it. No, no, you didn't get one 460 00:23:06,640 --> 00:23:07,560 Speaker 2: out of the five I've got. 461 00:23:07,560 --> 00:23:08,040 Speaker 3: Here is it? 462 00:23:08,119 --> 00:23:12,840 Speaker 2: That's dancing? People are screaming in their cars that you go. 463 00:23:13,119 --> 00:23:15,680 Speaker 8: No, I thought a little bit it was a as well. 464 00:23:16,000 --> 00:23:20,320 Speaker 2: No no, yeah, no, no, no, no, what about this one? 465 00:23:22,880 --> 00:23:31,040 Speaker 8: Oh my god? A little bit more coming Rob what's 466 00:23:31,080 --> 00:23:33,199 Speaker 8: his name? With Santana? 467 00:23:36,720 --> 00:23:41,159 Speaker 2: He goes out a winner that we love it, but 468 00:23:42,000 --> 00:23:44,560 Speaker 2: we love it. Well done on the new song, Yeah, 469 00:23:45,000 --> 00:23:45,359 Speaker 2: thank you? 470 00:23:45,400 --> 00:23:46,879 Speaker 8: Anymore depressing? 471 00:23:47,520 --> 00:23:54,400 Speaker 2: Yeah, fifty relationships and divorce and divorce. But if you've 472 00:23:54,440 --> 00:23:57,119 Speaker 2: got the keys, yeah, then you said you're going to 473 00:23:57,160 --> 00:24:01,160 Speaker 2: be okay more invites to coming forward the Nova Red. 474 00:24:01,440 --> 00:24:03,320 Speaker 8: I can't wait for that. That's gonna be And if 475 00:24:03,359 --> 00:24:05,440 Speaker 8: you have a look at that machine Hall, it's sick. 476 00:24:05,480 --> 00:24:08,280 Speaker 8: We've went through heaps of different venues. That one's called. 477 00:24:08,280 --> 00:24:10,760 Speaker 8: It's really long and it's awesome. 478 00:24:11,000 --> 00:24:13,359 Speaker 4: Can't wait, mate, Thanks for coming in, legend, Thank you 479 00:24:13,440 --> 00:24:14,440 Speaker 4: this soon, sobody. 480 00:24:14,640 --> 00:24:15,240 Speaker 2: This is the. 481 00:24:15,119 --> 00:24:17,520 Speaker 1: Fitzy and Whipper with Kate Richie podcast. 482 00:24:17,800 --> 00:24:19,920 Speaker 3: Can wait talk about a couple of sisters that are 483 00:24:20,000 --> 00:24:21,320 Speaker 3: underneath us at the moment. 484 00:24:21,359 --> 00:24:27,240 Speaker 2: What I'm allowable to do that on air, Mate. 485 00:24:27,600 --> 00:24:29,760 Speaker 3: Ruby and Jesse. 486 00:24:31,160 --> 00:24:33,600 Speaker 4: They are under Sydney at the moment. They are the 487 00:24:33,640 --> 00:24:35,120 Speaker 4: two boring. 488 00:24:34,880 --> 00:24:39,200 Speaker 2: Machines, two boring sisters, nothing to do with them monogues. 489 00:24:39,600 --> 00:24:42,399 Speaker 3: So they're thirty five meters beneath the water. 490 00:24:42,240 --> 00:24:45,120 Speaker 4: Surface at the moment, and there it's the twenty four 491 00:24:45,200 --> 00:24:48,720 Speaker 4: kilometer Metro West rail line between the CBD and Westmead. 492 00:24:49,720 --> 00:24:53,200 Speaker 4: But Tommy, did you say they're under the Maritime Museum 493 00:24:53,240 --> 00:24:53,720 Speaker 4: at the moment. 494 00:24:53,800 --> 00:24:55,000 Speaker 3: Is that correct? Yes, that's right. 495 00:24:55,040 --> 00:24:59,240 Speaker 11: They're about thirty five meters underground. Thirty five meters, yeah. 496 00:24:59,359 --> 00:25:00,760 Speaker 3: So no one can feel anything. 497 00:25:00,760 --> 00:25:02,680 Speaker 2: There's no shaking at the Maritime Museum. 498 00:25:02,720 --> 00:25:03,960 Speaker 3: They haven't got I. 499 00:25:03,880 --> 00:25:07,240 Speaker 11: Don't think so they're moving. I think fits about ninety meters. 500 00:25:06,920 --> 00:25:11,360 Speaker 2: A day's massive if you consider the size of those machines. 501 00:25:11,600 --> 00:25:14,440 Speaker 2: My god, to be doing nearly one hundred meters a day. 502 00:25:15,040 --> 00:25:18,520 Speaker 4: So I'm trying to work held because everyone's trying to 503 00:25:18,560 --> 00:25:19,040 Speaker 4: work out. 504 00:25:19,080 --> 00:25:21,880 Speaker 3: So once you bore a hole into the ground, under 505 00:25:21,920 --> 00:25:22,920 Speaker 3: the ground. 506 00:25:23,359 --> 00:25:27,040 Speaker 4: So then they concrete it afterwards, whip so they bore 507 00:25:27,520 --> 00:25:31,440 Speaker 4: and then there's concreting straight away to reinforce it. 508 00:25:31,640 --> 00:25:34,160 Speaker 3: Because I'm because you immediately think to yourself, well, that's 509 00:25:34,200 --> 00:25:36,320 Speaker 3: just going to cave in, isn't it? What do you 510 00:25:36,320 --> 00:25:37,080 Speaker 3: want to search? 511 00:25:37,119 --> 00:25:40,480 Speaker 2: So that's the processes? Is it? They bore because you 512 00:25:40,520 --> 00:25:42,560 Speaker 2: see quite a lot in the tunnels. They'll also pin 513 00:25:42,640 --> 00:25:45,080 Speaker 2: it two fits that you would need to pour the 514 00:25:45,080 --> 00:25:49,199 Speaker 2: concrete before you pin. And those sort of cables that 515 00:25:49,240 --> 00:25:51,159 Speaker 2: you see sticking out of the walls, they're sort of 516 00:25:51,240 --> 00:25:52,840 Speaker 2: holding the walls of the tunnel. 517 00:25:53,240 --> 00:25:55,879 Speaker 4: Now, I tell you one thing, right, I've had a 518 00:25:55,920 --> 00:25:58,560 Speaker 4: few concretors at my house before, and I tell you what, 519 00:25:58,600 --> 00:26:00,880 Speaker 4: I would not have them around a couple of sisters. 520 00:26:00,880 --> 00:26:04,360 Speaker 2: That's sure, no way knock off drinks on a Friday 521 00:26:04,760 --> 00:26:08,440 Speaker 2: to the tunnel they I. 522 00:26:08,320 --> 00:26:11,359 Speaker 4: Mean, I didn't know this, but concreting is the only 523 00:26:11,480 --> 00:26:14,399 Speaker 4: trade that you don't need an apprenticeship in. So some 524 00:26:14,600 --> 00:26:18,560 Speaker 4: bloke told me that concretors are usually traders who tried 525 00:26:18,600 --> 00:26:21,280 Speaker 4: other trades and got booted out of those trades and 526 00:26:21,280 --> 00:26:22,639 Speaker 4: they end up doing concreting. 527 00:26:22,760 --> 00:26:23,600 Speaker 3: Yeah, and now they're. 528 00:26:23,440 --> 00:26:25,879 Speaker 2: Chasing a couple of sisters thirty five meters under the ground. 529 00:26:25,920 --> 00:26:28,480 Speaker 3: If you're a concretor, I've met you before. Mate. 530 00:26:28,480 --> 00:26:31,000 Speaker 4: You have KFC for breakfast and you're drinking a beer 531 00:26:31,000 --> 00:26:32,720 Speaker 4: at a pub at eleven am in the morning. 532 00:26:32,840 --> 00:26:35,240 Speaker 2: Yeah, if you're a concreteor and you're angry, what fits 533 00:26:35,280 --> 00:26:37,960 Speaker 2: you're saying on now thirteen twenty four ten, come in 534 00:26:37,960 --> 00:26:40,960 Speaker 2: and call up and defend yourself. So when we out 535 00:26:41,000 --> 00:26:43,080 Speaker 2: the other side, like how long is the tunnel? 536 00:26:43,520 --> 00:26:46,080 Speaker 3: Well, by Christmas we could have that open up. 537 00:26:46,119 --> 00:26:47,680 Speaker 4: Now that that's going to be we're going to have 538 00:26:47,760 --> 00:26:50,200 Speaker 4: out the one out the front of Pimont here where 539 00:26:50,200 --> 00:26:53,080 Speaker 4: our studio is. Okay, there's going to be one near 540 00:26:53,119 --> 00:26:56,439 Speaker 4: the power station at Bao Main Like I mean, I 541 00:26:56,480 --> 00:26:59,159 Speaker 4: don't think the whole tunnel was not going to be 542 00:26:59,160 --> 00:27:01,399 Speaker 4: opened up until two thirty two. But that goes all 543 00:27:01,440 --> 00:27:03,760 Speaker 4: the way. That's the Metro West rail line. It's all 544 00:27:04,080 --> 00:27:05,880 Speaker 4: I mean, Minsi's it's already. 545 00:27:05,520 --> 00:27:06,359 Speaker 3: Blown out mate. 546 00:27:06,359 --> 00:27:09,160 Speaker 4: I mean when you get a quote from a trade 547 00:27:09,160 --> 00:27:11,200 Speaker 4: for twenty five million and then it goes out to 548 00:27:11,240 --> 00:27:14,520 Speaker 4: twenty seven billion, I mean you can't. There's no one 549 00:27:14,520 --> 00:27:16,359 Speaker 4: else that really can come in and do the job, 550 00:27:16,400 --> 00:27:17,000 Speaker 4: you know what I mean. 551 00:27:17,080 --> 00:27:18,800 Speaker 2: Yeah, But you know, if you want the sister's mate, 552 00:27:18,840 --> 00:27:20,359 Speaker 2: if you want the best, I mean you could get 553 00:27:20,359 --> 00:27:23,000 Speaker 2: a couple, couple of team. They might have some smaller 554 00:27:23,000 --> 00:27:23,880 Speaker 2: boring machines. 555 00:27:24,240 --> 00:27:28,960 Speaker 4: So Jesse and Ruby they're working twenty four hours a day. 556 00:27:29,080 --> 00:27:30,840 Speaker 2: Keep drilling, girls, keep dryling. 557 00:27:31,240 --> 00:27:34,320 Speaker 7: This is the Fitzi and Whibber with Cape Ritchie podcast. 558 00:27:34,640 --> 00:27:35,840 Speaker 3: Spoke about this yesterday. 559 00:27:35,840 --> 00:27:38,560 Speaker 4: This was a bit full on Zach Lomax leaving the 560 00:27:38,600 --> 00:27:42,760 Speaker 4: paramattat Eels and look, you do have to think about 561 00:27:42,800 --> 00:27:45,840 Speaker 4: your family at the end of your career. You know 562 00:27:45,960 --> 00:27:48,560 Speaker 4: you've got maybe five years left in your career. Why 563 00:27:48,600 --> 00:27:51,960 Speaker 4: wouldn't you be chasing here? We found out yesterday that 564 00:27:52,040 --> 00:27:54,280 Speaker 4: if you go to this R three sixty as well, 565 00:27:54,920 --> 00:27:57,960 Speaker 4: double the money and it's tax free card, so. 566 00:27:57,960 --> 00:28:01,560 Speaker 2: He'd be on effectively three million dollars your tax free. 567 00:28:01,680 --> 00:28:03,760 Speaker 4: Yeah, let's say he's getting paid one and a half 568 00:28:03,800 --> 00:28:06,000 Speaker 4: to two million dollars. You double that because you're not 569 00:28:06,000 --> 00:28:09,920 Speaker 4: getting taxed at all. So, Zach Lomax, we know Ryan 570 00:28:10,400 --> 00:28:13,399 Speaker 4: Pappenhausen has left Melbourne Storm as well. There's talk of 571 00:28:13,480 --> 00:28:16,760 Speaker 4: pain Hesse might be doing it. Valandi's is he's a 572 00:28:16,800 --> 00:28:19,080 Speaker 4: little bit nervous at the moment. Apparently there's been some 573 00:28:19,119 --> 00:28:22,600 Speaker 4: emergency phone calls to pain hess to say, but do 574 00:28:22,680 --> 00:28:23,240 Speaker 4: you have to. 575 00:28:23,320 --> 00:28:24,840 Speaker 3: Bump up secretly? 576 00:28:24,880 --> 00:28:26,240 Speaker 4: Do you have to give him a couple of brown 577 00:28:26,280 --> 00:28:28,320 Speaker 4: paper bags just to say, can you stay in the 578 00:28:28,440 --> 00:28:31,320 Speaker 4: NRL now you wonder to well you know that he 579 00:28:31,560 --> 00:28:34,600 Speaker 4: got very very angry. He said, if anyone's thinking about 580 00:28:34,640 --> 00:28:37,720 Speaker 4: going to R three sixty ten year ban, your manager 581 00:28:37,760 --> 00:28:41,000 Speaker 4: gets a ten year ban as well. So Valandi's came 582 00:28:41,040 --> 00:28:43,760 Speaker 4: out yesterday whip and this is what he had. 583 00:28:43,840 --> 00:28:46,080 Speaker 3: This was the advice he had for Zach Lomax. 584 00:28:46,720 --> 00:28:48,880 Speaker 9: Don't gamble your future. That's what I'm saying with the 585 00:28:48,960 --> 00:28:49,760 Speaker 9: NRL players. 586 00:28:49,960 --> 00:28:51,440 Speaker 3: Stay loyal, Stay. 587 00:28:51,200 --> 00:28:54,680 Speaker 9: Loyal to the junior competition that you came through. Stay 588 00:28:54,720 --> 00:28:57,120 Speaker 9: loy to the investment that we've made in you, because 589 00:28:57,160 --> 00:28:58,480 Speaker 9: you will get that investment back. 590 00:29:00,040 --> 00:29:02,680 Speaker 3: Can I just that first line again? Have you got that, Jess? 591 00:29:02,880 --> 00:29:04,160 Speaker 9: Don't gamble your future? 592 00:29:04,640 --> 00:29:09,320 Speaker 3: What was Peter Velandi's thoughts on gambling? Though sport is 593 00:29:09,360 --> 00:29:10,920 Speaker 3: better with gambling? Is that? 594 00:29:11,160 --> 00:29:12,280 Speaker 2: Is that truly what you believe? 595 00:29:12,360 --> 00:29:16,240 Speaker 3: Look, it's entertainment. You don't gamble to win money. 596 00:29:16,400 --> 00:29:19,160 Speaker 9: You don't do it to become rich. 597 00:29:19,320 --> 00:29:22,880 Speaker 3: You do it to entertain yourself. Gambling it's fun. 598 00:29:23,000 --> 00:29:25,080 Speaker 2: Well, come back with you. 599 00:29:26,320 --> 00:29:28,120 Speaker 3: Why wouldn't you gamble with your future? 600 00:29:28,120 --> 00:29:30,520 Speaker 2: It's fun? 601 00:29:30,760 --> 00:29:31,840 Speaker 3: Do it? You don't do it? 602 00:29:31,920 --> 00:29:34,400 Speaker 4: Like Zach Lomaxon is not doing it for the money. 603 00:29:35,240 --> 00:29:38,520 Speaker 4: He's doing it because it's fun and it's enterta that's. 604 00:29:38,400 --> 00:29:40,920 Speaker 2: What it is. I love the Landis too. I mean, 605 00:29:40,960 --> 00:29:43,160 Speaker 2: he's the face and he's the spokesperson, he's not the 606 00:29:43,160 --> 00:29:46,520 Speaker 2: CEO of the NRL just makes me laugh. That power 607 00:29:46,640 --> 00:29:49,400 Speaker 2: rank of having him in there. I mean, he's a 608 00:29:49,440 --> 00:29:52,720 Speaker 2: weapon and he's always outspoken. I love how direct. 609 00:29:52,480 --> 00:29:55,440 Speaker 4: Is I know, but this, this is this is quite 610 00:29:55,480 --> 00:29:58,120 Speaker 4: scary now because you know what all it takes is 611 00:29:58,160 --> 00:30:00,600 Speaker 4: one or two players to kick it off and then 612 00:30:00,640 --> 00:30:04,000 Speaker 4: everyone else goes, well, how's Zach lomax getting a half 613 00:30:04,000 --> 00:30:09,040 Speaker 4: a milk tax freep? So it's going to be really 614 00:30:09,120 --> 00:30:10,960 Speaker 4: interesting over the next six months. 615 00:30:11,040 --> 00:30:13,520 Speaker 2: Peter Bland, He's always welcome on the show to discuss Tom. 616 00:30:13,800 --> 00:30:16,880 Speaker 7: This is the Fitzian Whipper with Cape Ritchie podcast. 617 00:30:17,160 --> 00:30:21,760 Speaker 4: Another stage of parenting last night, and I had experienced 618 00:30:21,760 --> 00:30:24,400 Speaker 4: for the first time. So here he started footy training 619 00:30:24,440 --> 00:30:28,440 Speaker 4: already preseason kicks off last night. Get in the car 620 00:30:28,760 --> 00:30:32,080 Speaker 4: and I'm trying to talk to him and he's a mess, 621 00:30:32,600 --> 00:30:36,880 Speaker 4: like nerves. He's just found out he's in the under eighteens. 622 00:30:36,960 --> 00:30:39,000 Speaker 4: He's just found out the under sixteens have done a 623 00:30:39,000 --> 00:30:44,239 Speaker 4: two kilometer time troll, So then you know that you 624 00:30:44,320 --> 00:30:48,960 Speaker 4: have to push your body to its extreme to get 625 00:30:49,000 --> 00:30:51,920 Speaker 4: your best time in a two kilometer time troll. How 626 00:30:52,040 --> 00:30:55,720 Speaker 4: quickly can you do that two kilometers whip? So then 627 00:30:56,720 --> 00:30:59,480 Speaker 4: probably it is probably a wrong move. But I used 628 00:30:59,480 --> 00:31:02,800 Speaker 4: to go look to get him to make you feel 629 00:31:02,800 --> 00:31:05,480 Speaker 4: better this, I was exactly the same. I was a 630 00:31:05,520 --> 00:31:08,840 Speaker 4: mess first training session back, always a mess. But you 631 00:31:08,880 --> 00:31:11,000 Speaker 4: know what, once you do it, you feel on top 632 00:31:11,040 --> 00:31:11,520 Speaker 4: of the world. 633 00:31:11,840 --> 00:31:14,479 Speaker 3: All right, Dad, shut up, shut up. I don't okay, 634 00:31:14,560 --> 00:31:15,760 Speaker 3: I don't want to hear this. I don't want you 635 00:31:15,800 --> 00:31:16,320 Speaker 3: to talk to me. 636 00:31:16,920 --> 00:31:19,040 Speaker 4: So I was trying to explain to him that having 637 00:31:19,120 --> 00:31:21,640 Speaker 4: nerves is actually a good thing. If you don't have nerves, 638 00:31:21,760 --> 00:31:24,600 Speaker 4: it's a bad thing because it gets the blood pumping, 639 00:31:24,800 --> 00:31:28,480 Speaker 4: the adrenaline's going, and you're ready to go. So I'm 640 00:31:28,480 --> 00:31:31,760 Speaker 4: trying to explain to him and he's then he asked me, 641 00:31:31,880 --> 00:31:35,360 Speaker 4: what's the hardest session that you've done, and I said, well, 642 00:31:36,240 --> 00:31:38,560 Speaker 4: we had to do I wasn't. I'm not a very 643 00:31:38,560 --> 00:31:41,080 Speaker 4: good cycle so I've got skinny legs, never really got 644 00:31:41,080 --> 00:31:41,880 Speaker 4: on the bike. 645 00:31:42,040 --> 00:31:44,040 Speaker 3: And I remember one training session for. 646 00:31:44,040 --> 00:31:47,000 Speaker 4: Footy, we were told that we all had to get 647 00:31:47,040 --> 00:31:52,360 Speaker 4: a bike and we had to ride up this mountain. 648 00:31:52,400 --> 00:31:53,040 Speaker 3: It was a bounce. 649 00:31:53,520 --> 00:31:56,400 Speaker 4: It was called the Norton Summer and it's ten kilometers 650 00:31:56,440 --> 00:31:59,120 Speaker 4: upper mountain whip. You had to do it in the 651 00:31:59,160 --> 00:32:02,360 Speaker 4: third hardest gear. You weren't allowed to change gears death, 652 00:32:02,760 --> 00:32:03,719 Speaker 4: death to the legs. 653 00:32:03,960 --> 00:32:05,320 Speaker 3: And I was so bad at it. 654 00:32:05,360 --> 00:32:07,960 Speaker 4: There was a point where I was hardly moving on 655 00:32:08,000 --> 00:32:10,360 Speaker 4: the bike and I was starting to freak out and panic. 656 00:32:10,960 --> 00:32:13,440 Speaker 4: And I remember, because this is one of the greatest 657 00:32:13,440 --> 00:32:15,640 Speaker 4: cycling coaches that we've had here in Australia, is a 658 00:32:15,640 --> 00:32:18,440 Speaker 4: guy called Charlie Welsh. He was there and he remember, 659 00:32:18,480 --> 00:32:21,400 Speaker 4: He's going to relax your shoulders and relax you shoulders. 660 00:32:21,480 --> 00:32:23,160 Speaker 4: You'll be all right, You'll get through it. 661 00:32:23,160 --> 00:32:25,000 Speaker 3: It's the hardest thing I ever did. We got to 662 00:32:25,080 --> 00:32:26,600 Speaker 3: the top of the ten kilometer mountain. 663 00:32:27,120 --> 00:32:29,200 Speaker 4: When we got up to the top, Charlie goes everyone 664 00:32:29,280 --> 00:32:30,600 Speaker 4: right down and we're doing it again. 665 00:32:30,720 --> 00:32:34,920 Speaker 2: Oh my god. It absolutely to the point of did 666 00:32:34,960 --> 00:32:35,520 Speaker 2: you have a spew? 667 00:32:36,240 --> 00:32:36,320 Speaker 13: No? 668 00:32:36,600 --> 00:32:39,600 Speaker 4: And then what happened was all the all the coaches, 669 00:32:39,600 --> 00:32:43,760 Speaker 4: all the assistant coaches were watching everybody's reaction to see 670 00:32:43,760 --> 00:32:47,000 Speaker 4: how they would react, and if you reacted badly, you'd 671 00:32:47,000 --> 00:32:48,320 Speaker 4: get an extra session to. 672 00:32:48,360 --> 00:32:49,400 Speaker 2: Take the seat off your bike. 673 00:32:49,800 --> 00:32:51,720 Speaker 3: So it was like you had to just stand there 674 00:32:51,720 --> 00:32:54,080 Speaker 3: and go oh yeah, oh cool, let's do it again. 675 00:32:54,560 --> 00:32:57,320 Speaker 2: Oh you wouldn't have been able to walk the next day. 676 00:32:57,680 --> 00:32:59,920 Speaker 4: So Hugh, he did quite well. He got seven minutes 677 00:33:00,360 --> 00:33:02,880 Speaker 4: in his two k time trial life and then afterwards 678 00:33:02,920 --> 00:33:05,600 Speaker 4: everything was fine. He was back to normal. But it's 679 00:33:05,720 --> 00:33:08,600 Speaker 4: just trying to talk to a child when they're just 680 00:33:08,640 --> 00:33:10,600 Speaker 4: going this is going to be the worst thing ever. 681 00:33:10,760 --> 00:33:13,920 Speaker 2: Mate. I did a I did a twelve course degastation one. 682 00:33:14,080 --> 00:33:16,120 Speaker 2: I remember hitting the ninth course and they brought out 683 00:33:16,120 --> 00:33:17,560 Speaker 2: more bread and I remember thinking I'm. 684 00:33:17,400 --> 00:33:19,000 Speaker 3: Not going to get through this. He didn't warm up 685 00:33:19,040 --> 00:33:21,080 Speaker 3: for it as well, because you just had lunch before. 686 00:33:21,360 --> 00:33:24,120 Speaker 4: Maddie in Penrith, what was the hardest thing you ever 687 00:33:24,120 --> 00:33:24,840 Speaker 4: did to your body? 688 00:33:24,880 --> 00:33:27,480 Speaker 5: Maddie, Hey, guys, two years. 689 00:33:27,320 --> 00:33:29,280 Speaker 15: Ago, I did the Sydney Marathon and a pair of 690 00:33:29,280 --> 00:33:30,240 Speaker 15: Budgy smugglers. 691 00:33:30,280 --> 00:33:33,080 Speaker 3: Oh my god, the entire time. 692 00:33:32,960 --> 00:33:37,800 Speaker 4: Forty two ks of weggie any chafing, Mattes No. 693 00:33:38,160 --> 00:33:40,320 Speaker 15: I had this stuff called body glide, and honestly I'd 694 00:33:40,360 --> 00:33:42,520 Speaker 15: buy shares in it because no chape whatsoever. 695 00:33:42,800 --> 00:33:45,720 Speaker 2: That's extraordinary. Good Maddie. How were you the next day? 696 00:33:45,800 --> 00:33:45,880 Speaker 12: Like? 697 00:33:45,920 --> 00:33:48,320 Speaker 2: What were the what was the injuries like? Or the 698 00:33:48,720 --> 00:33:49,800 Speaker 2: blisters on your feet? 699 00:33:51,160 --> 00:33:52,120 Speaker 13: My legs were pretty sore. 700 00:33:52,280 --> 00:33:54,080 Speaker 15: I hadn't trained for it either, but it ended up 701 00:33:54,080 --> 00:33:56,000 Speaker 15: being my marathon TV and I think that's. 702 00:33:55,840 --> 00:33:57,040 Speaker 13: Just because I was dying of shame. 703 00:33:58,080 --> 00:33:58,400 Speaker 3: Maddie. 704 00:33:58,400 --> 00:34:00,960 Speaker 2: Well was good, the legs were, Maddie. I love that 705 00:34:01,040 --> 00:34:03,320 Speaker 2: expression too, that if you want to win a race, 706 00:34:04,000 --> 00:34:05,920 Speaker 2: run one hundred meters, if you want to learn something 707 00:34:05,920 --> 00:34:07,280 Speaker 2: about yourself, frun a marathon. 708 00:34:07,960 --> 00:34:11,880 Speaker 7: Oh that's pretty balance when you come up with that. 709 00:34:12,200 --> 00:34:15,120 Speaker 4: I had it yesterday, Penny in Castle Hill. What did 710 00:34:15,120 --> 00:34:16,120 Speaker 4: you push your body to? 711 00:34:17,520 --> 00:34:20,680 Speaker 15: I pushed my body through one hundred kilometers for ox fans. 712 00:34:20,800 --> 00:34:21,920 Speaker 2: Oh God, how'd you go? 713 00:34:22,040 --> 00:34:22,279 Speaker 3: Penn? 714 00:34:23,640 --> 00:34:27,279 Speaker 15: Oh look we did it. It took us thirty eight hours. 715 00:34:27,000 --> 00:34:32,000 Speaker 4: Though, yeah, how much like I've done it as well, Penny. 716 00:34:32,000 --> 00:34:35,440 Speaker 3: But do you know what, It's one of the greatest experiences. 717 00:34:34,840 --> 00:34:36,640 Speaker 4: I've ever had because you do it with your best 718 00:34:36,680 --> 00:34:40,160 Speaker 4: mates as well, and there are moments where you are 719 00:34:40,560 --> 00:34:44,000 Speaker 4: just beyond repair, like you go, I cannot do this. 720 00:34:45,360 --> 00:34:45,919 Speaker 13: That nd. 721 00:34:46,400 --> 00:34:49,120 Speaker 15: I remember it was about three in the morning, and 722 00:34:49,200 --> 00:34:51,840 Speaker 15: at that point everyone was pretty much keeping to themselves, 723 00:34:51,840 --> 00:34:54,839 Speaker 15: and I was trying to find a particular song on 724 00:34:54,880 --> 00:34:57,680 Speaker 15: my head piece and I couldn't find it, and I 725 00:34:57,719 --> 00:34:58,760 Speaker 15: just burst into tears. 726 00:35:00,040 --> 00:35:02,400 Speaker 2: Any you know what. 727 00:35:03,160 --> 00:35:03,480 Speaker 3: I was. 728 00:35:03,680 --> 00:35:06,000 Speaker 2: I was with a guy at the eighty five k 729 00:35:06,160 --> 00:35:08,680 Speaker 2: mark and he was standing next to me at the 730 00:35:08,800 --> 00:35:12,799 Speaker 2: urinal and he passed out while he was doing a 731 00:35:12,840 --> 00:35:16,759 Speaker 2: WII urinal. Yeah, so his head went forward and hit 732 00:35:16,800 --> 00:35:19,440 Speaker 2: the tray and then he just slid down the urinal 733 00:35:19,520 --> 00:35:22,359 Speaker 2: while I was yelling at for the help. It was horrendous. 734 00:35:22,400 --> 00:35:27,359 Speaker 4: Penny Steven, Steven five, do what have you put yourself through? 735 00:35:27,360 --> 00:35:28,520 Speaker 3: A painful situation? 736 00:35:28,640 --> 00:35:33,520 Speaker 14: Store marathons? Hands down? You guys are having a newborn. 737 00:35:33,600 --> 00:35:39,239 Speaker 14: He's always a massive thrill and expedition. My wife said, 738 00:35:39,280 --> 00:35:42,040 Speaker 14: whatever you do, do not let her wake up. So 739 00:35:42,480 --> 00:35:45,520 Speaker 14: we just got boped out. I sat down with the remote, 740 00:35:45,600 --> 00:35:49,480 Speaker 14: my daughter and I pawed to TV and I had 741 00:35:49,520 --> 00:35:52,839 Speaker 14: to watch TV for four hours because I didn't want 742 00:35:52,880 --> 00:35:54,200 Speaker 14: to wait for the young one. 743 00:35:54,440 --> 00:35:54,840 Speaker 2: Steve, that. 744 00:35:57,960 --> 00:36:00,720 Speaker 4: I mean, were there moments where you broke down and cried, 745 00:36:00,760 --> 00:36:02,480 Speaker 4: Steve and said I can't do this anymore. 746 00:36:05,680 --> 00:36:08,680 Speaker 2: You're our hero for today, Steve from five Doc. Who 747 00:36:08,680 --> 00:36:10,480 Speaker 2: would have thought you'd be able to get through four 748 00:36:10,480 --> 00:36:13,600 Speaker 2: hours of pause? TV hundred was at a good spot 749 00:36:13,680 --> 00:36:16,560 Speaker 2: during the show. You'd won a really good spot. 750 00:36:16,680 --> 00:36:19,520 Speaker 8: It's in Whipper with Kate Ritchie is a Nova podcast 751 00:36:19,600 --> 00:36:22,640 Speaker 8: to walk great shows like this. Download the Nova Player 752 00:36:22,840 --> 00:36:25,760 Speaker 8: by the App Store or Google Play in the player