1 00:00:00,240 --> 00:00:03,120 Speaker 1: This is the Fits In with Her with Kate Richie podcast. 2 00:00:03,480 --> 00:00:05,400 Speaker 2: Is it the greatest film clip of all time? I 3 00:00:06,040 --> 00:00:07,560 Speaker 2: think it has to be. I think it had the 4 00:00:07,600 --> 00:00:11,840 Speaker 2: biggest impact. But nineteen eighty four Michael Jackson's Thriller, Oh 5 00:00:11,880 --> 00:00:16,320 Speaker 2: my gosh, I remember watching it for the first time. 6 00:00:16,360 --> 00:00:18,799 Speaker 2: I reckon it was on Rage No do you know what? 7 00:00:19,600 --> 00:00:22,799 Speaker 2: Can anyone back me up here? I actually think that 8 00:00:22,840 --> 00:00:26,120 Speaker 2: they did a TV special on it. It was on TV. 9 00:00:26,280 --> 00:00:28,920 Speaker 2: It was on Free to Wear TV. What you would suggest. 10 00:00:28,960 --> 00:00:31,880 Speaker 1: It was kind of the first mini movie made out 11 00:00:31,880 --> 00:00:34,000 Speaker 1: of a film clip, and Michael Jackson went on to 12 00:00:34,040 --> 00:00:38,920 Speaker 1: own that space of creating short films out of film clips. 13 00:00:39,560 --> 00:00:43,080 Speaker 2: And it was so scary as a kid, it freaks 14 00:00:43,159 --> 00:00:43,560 Speaker 2: me out. 15 00:00:43,760 --> 00:00:45,400 Speaker 1: I'm not like other guys. 16 00:00:45,800 --> 00:00:46,960 Speaker 2: Do you well know? You know? 17 00:00:47,080 --> 00:00:47,320 Speaker 3: Mate? 18 00:00:47,479 --> 00:00:49,440 Speaker 2: Do you remember the woman that was in it? Yes, 19 00:00:49,840 --> 00:00:52,360 Speaker 2: twenty three years of age. She was a model and actress. 20 00:00:52,360 --> 00:00:55,800 Speaker 2: Her name was Ola Ray. So she's spoken on a 21 00:00:55,960 --> 00:00:59,160 Speaker 2: podcast for the first time, and obviously this was at 22 00:00:59,160 --> 00:01:02,360 Speaker 2: the peak of my Michael Jackson. I think how many Grammys 23 00:01:02,400 --> 00:01:04,560 Speaker 2: did he win that year? I think he won like 24 00:01:04,640 --> 00:01:05,880 Speaker 2: something like ten Grammys. 25 00:01:05,959 --> 00:01:07,720 Speaker 1: I think so well. The Thriller, the album went on 26 00:01:07,760 --> 00:01:10,080 Speaker 1: to be the number one selling album of all time. 27 00:01:10,959 --> 00:01:11,960 Speaker 1: That's how big it was. 28 00:01:12,440 --> 00:01:15,320 Speaker 2: So Alla Ray talks, I mean, you get the job, 29 00:01:15,840 --> 00:01:19,120 Speaker 2: and it's just it's crazy. This is her talking about it. 30 00:01:19,360 --> 00:01:21,959 Speaker 3: Oh my god. I just felt like I was the 31 00:01:22,040 --> 00:01:26,040 Speaker 3: luckiest girl in the world having Michael jest and flirt 32 00:01:26,280 --> 00:01:29,040 Speaker 3: and dance and sing around me. That's how can you 33 00:01:29,080 --> 00:01:30,639 Speaker 3: see the smilest on my face? 34 00:01:32,080 --> 00:01:34,560 Speaker 2: And there was there was a moment there where she said, 35 00:01:34,600 --> 00:01:37,399 Speaker 2: you know, they were talking and this was the best 36 00:01:37,400 --> 00:01:39,959 Speaker 2: thing about Michael. He said, I don't I don't know 37 00:01:40,080 --> 00:01:42,000 Speaker 2: to do anything that you're not comfortable with. But there 38 00:01:42,040 --> 00:01:44,360 Speaker 2: was that. There was that hugging scene and that kissing 39 00:01:44,400 --> 00:01:48,120 Speaker 2: scene before he turns into a zombie. I've given it away. 40 00:01:48,120 --> 00:01:51,920 Speaker 2: I'm sorry if you haven't seen it yet. But this 41 00:01:52,000 --> 00:01:54,680 Speaker 2: is this is her talking about that intimate scene. 42 00:01:54,920 --> 00:01:58,280 Speaker 3: I asked Michaels before we shot that quarte, I'm like, 43 00:01:58,400 --> 00:02:00,280 Speaker 3: what do you want me to kiss you? To know? 44 00:02:00,320 --> 00:02:02,720 Speaker 3: Where do you want to kiss me? I said, well, 45 00:02:02,800 --> 00:02:06,720 Speaker 3: I haven't decided yet, And so when we actually shot 46 00:02:06,800 --> 00:02:09,320 Speaker 3: that part, I just reached step and kissed him on 47 00:02:09,360 --> 00:02:12,079 Speaker 3: the cheek. Oh so funny. That's why we were laughing 48 00:02:12,120 --> 00:02:15,240 Speaker 3: about that too, because we had our own little inside Josephs. 49 00:02:15,280 --> 00:02:17,000 Speaker 3: We were filming cue. 50 00:02:16,800 --> 00:02:19,560 Speaker 2: I see inside jokes and actually, do you know what? 51 00:02:19,639 --> 00:02:21,120 Speaker 2: I didn't know this, but he was a bit of 52 00:02:21,160 --> 00:02:21,760 Speaker 2: a joke Sure. 53 00:02:22,160 --> 00:02:25,360 Speaker 3: He was always joking. And at the end of each 54 00:02:25,520 --> 00:02:29,160 Speaker 3: day he would jump on top of his limbo and 55 00:02:29,320 --> 00:02:31,920 Speaker 3: put one hand in the air and grab his crunch 56 00:02:32,280 --> 00:02:34,600 Speaker 3: and stream at the top of his lines. He did 57 00:02:34,600 --> 00:02:37,440 Speaker 3: this every night. He was such a jokester. He's always 58 00:02:37,520 --> 00:02:40,040 Speaker 3: jumping out trying to scare me or he was always 59 00:02:40,080 --> 00:02:41,680 Speaker 3: doing a little crazy stuff like that. 60 00:02:42,240 --> 00:02:45,440 Speaker 1: She got a crush on him, you know, gone fit. 61 00:02:45,800 --> 00:02:49,040 Speaker 2: You could say that he you could call him this. 62 00:02:49,280 --> 00:02:56,000 Speaker 1: Michael Prankston, Michael Michael Prankston. 63 00:02:57,760 --> 00:03:06,560 Speaker 2: With Michael Prankston, What a pity? What ai that? Did 64 00:03:06,560 --> 00:03:06,960 Speaker 2: you record? 65 00:03:07,120 --> 00:03:07,200 Speaker 1: Ye? 66 00:03:07,960 --> 00:03:12,480 Speaker 2: Why can we hear it? It's amazing. It took him 67 00:03:12,480 --> 00:03:17,919 Speaker 2: about half an hour to record this. Prankston, What a penny? 68 00:03:18,360 --> 00:03:21,120 Speaker 2: Can Tommy? Can we play hey? Just before we go 69 00:03:21,240 --> 00:03:26,200 Speaker 2: on that? Can I play someone? A fan has? A 70 00:03:26,200 --> 00:03:32,160 Speaker 2: fan has gone to Smooth Criminal, the song smooth Smooth Criminal, right, 71 00:03:32,240 --> 00:03:37,720 Speaker 2: And what they've done is they've taken every non word 72 00:03:37,880 --> 00:03:38,760 Speaker 2: in the song. 73 00:03:39,920 --> 00:03:43,720 Speaker 1: Every non just the sounds, Yeah, sounds. 74 00:03:43,880 --> 00:03:47,480 Speaker 2: They've taken every non word in the song and then 75 00:03:47,840 --> 00:03:52,520 Speaker 2: put it in the level of intensity. So how much intensity, 76 00:03:52,600 --> 00:03:57,520 Speaker 2: Bucael Jackson. So it starts low, it builds up. This 77 00:03:57,600 --> 00:04:03,480 Speaker 2: is just in one song, one song, smooth criminal non 78 00:04:03,560 --> 00:04:36,480 Speaker 2: words have a listener's. 79 00:04:20,520 --> 00:04:25,280 Speaker 1: Extraordinary from one song. He must be exhausted at the 80 00:04:25,360 --> 00:04:25,880 Speaker 1: end of the day. 81 00:04:26,000 --> 00:04:29,520 Speaker 2: You can imagine the guy in the studio, Marca. We've 82 00:04:29,520 --> 00:04:31,120 Speaker 2: got a few of those. I don't think we need 83 00:04:31,160 --> 00:04:31,680 Speaker 2: any more. 84 00:04:31,680 --> 00:04:33,000 Speaker 1: You're sure you don't need a couple more. 85 00:04:33,000 --> 00:04:33,520 Speaker 2: For safety. 86 00:04:33,560 --> 00:04:36,360 Speaker 1: I think there's a plane going over. Oh my god, 87 00:04:36,480 --> 00:04:37,440 Speaker 1: that is amazing. 88 00:04:37,640 --> 00:04:39,120 Speaker 2: Michael Princeton. 89 00:04:40,320 --> 00:04:43,240 Speaker 1: Sits in Whipper with Kate Ritchie is a Nova podcast 90 00:04:43,440 --> 00:04:46,760 Speaker 1: walk great shows like this. Download the Nova player, find 91 00:04:46,839 --> 00:04:48,480 Speaker 1: the App Store or Google Playing