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Speaker 1: Hello podcast listeners. Here from the team.

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Speaker 2: In this episode, we're going to get into the mind

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Speaker 2: of the Sicko that is, the man who made the

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Speaker 2: movies Saw and the Sore franchise Lee Wonnell.

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Speaker 1: Pluss find out why I had to take my pants off.

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Speaker 3: They're just the stuff that fits in with her maker

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Speaker 3: sto around here.

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Speaker 4: Let's talk about Floyd Mayweather.

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Speaker 5: Now there's been a list of the last decade. Who's

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Speaker 5: the sportsman who's earned.

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Speaker 4: The most money.

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Speaker 5: Christiano Ronaldo comes in at number two with eight hundred million,

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Speaker 5: Lionel Messi comes in at number three and seven hundred

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Speaker 5: and fifty million. You've got Tiger Woods in there, You've

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Speaker 5: got Lewis Hamilton's in there. But coming in at number

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Speaker 5: one is nine hundred and fifteen million dollars in the

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Speaker 5: last decade.

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Speaker 6: Does Tiger would still make those lists?

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Speaker 1: Well?

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Speaker 6: On top earn it?

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Speaker 1: Well? I still in the past decade.

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Speaker 5: If you think the Tiger Wood gets paid, I think

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Speaker 5: he gets paid like three million dollars just to rock up.

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Speaker 4: To a golf tournament without even hitting.

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Speaker 6: On the first He doesn't win anymore, does he?

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Speaker 7: No?

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Speaker 4: No, no, he went back. He won the Masters.

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Speaker 1: It was massive.

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Speaker 4: Remember we spoke about it.

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Speaker 1: Did you look to git.

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Speaker 3: Well, I'm feeling like an idiot because the group and

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Speaker 3: I played golfer front. I should have been across that

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Speaker 3: first game in fifteen years across. Yeah, what's the problem.

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Speaker 5: There's got to be something around Why have you taken

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Speaker 5: up golf while I lived?

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Speaker 4: Clients or something that.

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Speaker 6: You need to impress lazy man's sports that used to

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Speaker 6: play golf?

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Speaker 4: No, you didn't.

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Speaker 1: Probably fifteen years ago. I played golf.

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Speaker 6: Then you had to get the group to source you.

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Speaker 3: Some of the house in your early twenties. Yeah, I

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Speaker 3: played golf and then DG. Just for the record, how

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Speaker 3: did I go?

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Speaker 1: Wasn't as bad as we thought?

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Speaker 4: You were going to be married?

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Speaker 6: I told us a story about him hitting a ball

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Speaker 6: onto someone's room.

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Speaker 5: We don't talk about you remember Royal Sydney for seven

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Speaker 5: years and reciprocal rights.

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Speaker 4: You didn't play any golf, gym a.

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Speaker 1: Lot, MDG. What about the sixth the part three?

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Speaker 8: Hit it on?

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Speaker 1: Thank you?

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Speaker 3: That's coming up after road.

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Speaker 5: So nine hundred and fifteen million he's earned in the

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Speaker 5: last decade.

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Speaker 4: This is Floyd Mayweather. They reckon. He's worth overall is

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Speaker 4: one point three billion. They're saying. I mean, it's it's

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Speaker 4: tough to save it. He has.

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Speaker 5: I mean, he's probably one of the greatest boxes of

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Speaker 5: all time, one of the greatest sportsmen of all time.

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Speaker 5: I don't like him at all. I think he's arrogant

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Speaker 5: and he does like to spend his money. Floyd fifty

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Speaker 5: was good mates with Floyd Mayweather. They had a falling out.

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Speaker 5: Fifty Cent over the weekend had a interview and he

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Speaker 5: was asked about Floyd Mayweather and whether Floyd would get

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Speaker 5: back into the ring because people are talking about kind

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Speaker 5: of McGregor's the NFC where they have a second fight,

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Speaker 5: and Floyd Mayweather was asked, do you think Floyd Sorry, fifty.

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Speaker 4: Cent was asked, do you think Floyd will fight again?

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Speaker 9: I think you got to right now because the money

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Speaker 9: gone sort of money's gone. Yeah, that's what'd you say,

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Speaker 9: is freight get the money, spend the money, fake all

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Speaker 9: that money and it took two years.

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Speaker 4: Spent two years.

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Speaker 5: Since he's serious, Okay, Well, I'm going to give you

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Speaker 5: a couple of things here.

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Speaker 4: You saying when you rock up to NFL.

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Speaker 5: Game looking like that, how ugly in Louis it's a

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Speaker 5: it's a full Louis Verton suit.

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Speaker 6: It's like a jumpsuit, but then covered in bags that

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Speaker 6: are stuck to your jumps your handbag.

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Speaker 5: Now with something like that as well, you can only

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Speaker 5: wear that once taken.

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Speaker 4: You can't wear that again, can.

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Speaker 3: You goes into the wayanker closet. It's just do you

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Speaker 3: know what's interesting though? Because I follow him team what

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Speaker 3: is that? Team Money is a team money on Instagram

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Speaker 3: and it's all about money.

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Speaker 1: So last year he bought this house, god knows how

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Speaker 1: much he spent.

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Speaker 3: It was the biggest thing I've ever seen. But then

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Speaker 3: he does things where you just see him lying next

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Speaker 3: to a parlor cash or just a hole lot of watchers.

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Speaker 1: It's all private jets. Oh that's kind of fun.

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Speaker 3: But then he puts things up like how much he's

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Speaker 3: made per punch, per fight, on the total broken down,

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Speaker 3: or per second or per round, like a massive amounts

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Speaker 3: of money.

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Speaker 5: He's got over forty expensive luxury cars, these other big things,

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Speaker 5: high end watches, Sarah and watches are ridiculously expensive. There's

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Speaker 5: limited edition ones, there's rare ones, and Floyd buys them all.

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Speaker 4: The other thing as well, he's a really bad punter.

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Speaker 5: He gambles quite a bit, Like he recently just bet

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Speaker 5: a million dollars on a college football game that he

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Speaker 5: lost on.

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Speaker 6: Who would take that bet?

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Speaker 1: Ibelieve it.

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Speaker 5: I think he's a dream for bookies because he's so

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Speaker 5: arrogant and he goes, oh yeah, yeah, I'll give you

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Speaker 5: this money, and then I'll go again, and then he

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Speaker 5: tries to win it back.

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Speaker 1: This horse in the race has only got three legs.

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Speaker 4: Sure don't be surprised if you see Floyd Mayweather back

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Speaker 4: in the ring again.

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Speaker 5: And you know what, sometimes we forget that the mics

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Speaker 5: are we have a bit of a chield and you've

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Speaker 5: lost your job and then you're out on the street.

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Speaker 5: But it does happen quite a bit. This has happened

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Speaker 5: to the mayor of Georgetown over in the US set.

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Speaker 5: They were having a public meeting and he was chairing

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Speaker 5: the meeting. He was miked up and you can let

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Speaker 5: you can hear him leave here. A lady takes over

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Speaker 5: from the mayor. Just want to see if he can

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Speaker 5: work out where he goes next.

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Speaker 7: Thank you, Mayor.

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Speaker 10: I'll try and keep this brief.

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Speaker 8: I won't belabor all the details.

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Speaker 3: I'm sure most of you remember mister guest's presentation from

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Speaker 3: last time, and I imagine.

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Speaker 10: He's going to hit some of the highlights here in

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Speaker 10: a minute.

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Speaker 5: But the thing is that these deadly infections, there's something

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Speaker 5: we can.

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Speaker 11: See about it. And what we can do is.

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Speaker 3: Call on represent a governmental representatives that are higher.

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Speaker 1: Up the chain of arm.

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Speaker 6: He's really known for it.

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Speaker 1: And ask for action at the federal level. I want

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Speaker 1: to play that ten times today.

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Speaker 3: That was extraordinary and in such a formal setting.

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Speaker 1: But then she has to continue without laughing. She's just

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Speaker 1: on the bum trumpet.

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Speaker 5: Well that you remember that old trip that they used

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Speaker 5: to do. I haven't seen it, but people talk about it.

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Speaker 5: When you have a party at home, you get you

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Speaker 5: get a vision of your toilet, right, So just take

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Speaker 5: some vision before people rock up from the back of

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Speaker 5: the door onto the toilet, right, and then you have

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Speaker 5: that vision ready to go now and for ma to yours.

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Speaker 4: If he goes to the toilet or.

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Speaker 5: Something like that and he's in there for a while,

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Speaker 5: then what you do. You put the vision on the

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Speaker 5: television screen. You get everyone to come and sit in

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Speaker 5: the lounge, and then when he walks out of the toilet,

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Speaker 5: everyone just starts laughing. He looks at the television, there

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Speaker 5: sees the vision of the of the toilet, and he

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Speaker 5: thinks everyone was watching him on the toilet.

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Speaker 3: You want to come around for a beer and a

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Speaker 3: bar Reckon, it's worth it, says, You'll think we would

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Speaker 3: have been watching you on the toilet.

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Speaker 1: Now that would be doing Maybe we will.

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Speaker 3: Let's move on to another relationship story. Guys, we all

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Speaker 3: remember what it's like to go on that first date

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Speaker 3: when someone we're a little bit keen on, or the

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Speaker 3: nerves when you're getting dressed and everything.

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Speaker 1: What shirt should I wear? I used to get very nervous.

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Speaker 4: It comes, you know, straight away, first five to ten minutes.

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Speaker 4: There isn't it so important?

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Speaker 3: But when you've locked into a stinker.

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Speaker 1: That's the worst. When you're sitting across the table and

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Speaker 1: you realize.

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Speaker 3: That this pairing is not right.

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Speaker 4: Well, let's ask all your exercise.

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Speaker 3: It's not funny, mate, I'm funny because you probably know

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Speaker 3: a little bit more.

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Speaker 4: You get a chuckle out of Uncle Tom.

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Speaker 1: Tom with Monday funny. Do you know.

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Speaker 3: One of the worst is when I finished dinner and

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Speaker 3: we walked outside and we were saying goodbye, and she said,

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Speaker 3: we'll do this again. Yeah, I said, nah.

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Speaker 6: Would you say no on the spot?

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Speaker 1: That is so mean?

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Speaker 3: It's honest.

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Speaker 1: So you say, do you know what?

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Speaker 5: This was great?

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Speaker 6: Let's this was so great, have a good night.

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Speaker 3: This was so much fun. She would have known I

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Speaker 3: wasn't into it.

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Speaker 6: Says, you may make a non committal statement. Don't shut

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Speaker 6: someone down on the spot.

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Speaker 1: Hey this was fine, was it? We'll do it again? Yeah,

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Speaker 1: what a great meal, I must say.

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Speaker 3: The entre was all yeah, right home, yeah, right home,

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Speaker 3: get the uber comfort.

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Speaker 5: All you do is say, yeah, sweet, contact me, that's fine,

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Speaker 5: and then you never speak to the.

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Speaker 1: Slide into my DM.

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Speaker 4: Oh, degree's done that a few times over the years.

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Speaker 4: It didn't go down too well, did it. Yeah. It's

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Speaker 4: a matter of opinion, isn't it.

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Speaker 3: Let's move Let's move on to this date that went

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Speaker 3: terribly bad. This girl was a little bit nervous. She

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Speaker 3: was there and she went to pick up the guy.

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Speaker 3: His name was Chris anyway, Chris lives with mom and dad,

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Speaker 3: and she nervously got ready drove over to his place.

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Speaker 4: He's forty eight.

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Speaker 3: A nice to meet your mom and dad. Hi, Chris

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Speaker 3: Bells going on, Well, do you know what their first

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Speaker 3: luber went off when they were driving to dinner and

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Speaker 3: Chris was having a couple of wines in the passenger seat.

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Speaker 3: It was just necking a bit of wine. She seemed

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Speaker 3: he seemed a bit nervous, and she thought, I get it.

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Speaker 3: You know, we're all a bit nervous. We're going on

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Speaker 3: a date. We don't know each other, we met online.

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Speaker 1: But he's just.

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Speaker 3: Smashing veno right next to her in the passenger seat.

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Speaker 3: Then he says, con did me a favor. I just

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Speaker 3: need to get some cash.

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Speaker 1: Act.

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Speaker 3: We pull over at this bank.

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Speaker 1: And Chris runs into the bank. She was waiting there.

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Speaker 3: He was a little bit longer than he thought than

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Speaker 3: she thought he would be, And when he came out,

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Speaker 3: he looked a bit different as well. He had sunglasses on,

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Speaker 3: he had a hat on, and he was sweating. He

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Speaker 3: also had a gun in his hand and a thousand

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Speaker 3: dollars worth of cash. On the other hand, when he

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Speaker 3: got back in the car and yelled at her, she

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Speaker 3: realized he wasn't just going to the ATM. It was

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Speaker 3: long after it was speeding down the hallway.

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Speaker 4: Story is so good. It's so bad, but so good.

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Speaker 4: What what an absolute dog ache for him? First of

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Speaker 4: all to think he will go, well, I won't tell her.

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Speaker 4: I can't tell her, but I need to get away.

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Speaker 5: Driver reveal I have a look at this I got.

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Speaker 4: Can you do me a favor?

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Speaker 1: Go Go Go.

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Speaker 3: Was long sutill the alarms had gone off at the bank.

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Speaker 3: Cops pulled up behind. She was dragged out of the car.

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Speaker 3: He's hiding in the passenger seat until they look at him,

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Speaker 3: and he still got the gun in his hand as

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Speaker 3: he's being hand coverted and led away.

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Speaker 4: He looks back and goes second day.

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Speaker 5: Getting a tattoo for the first time, he's only tattoo

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Speaker 5: and ambience in there.

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Speaker 4: Let's get one as we are as we're talking about it.

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Speaker 5: So let's get your first tattoo. I mean, you do

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Speaker 5: freak out, and there's a lot of trust that you

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Speaker 5: put into the artist who he's doing it. I mean,

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Speaker 5: my suggestion for you is not to get one over

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Speaker 5: in Thailand or BALI.

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Speaker 4: I mean, there are some respect to tattoo.

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Speaker 6: You get yours done.

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Speaker 5: My first ever one I got in King's Cross and

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Speaker 5: you know there was yet No, it wasn't it was

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Speaker 5: a it was another symbol. But I went in there

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Speaker 5: and there was one I got told that there was

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Speaker 5: one guy in there who was the really good artist.

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Speaker 4: And I went in there and he was working.

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Speaker 5: At the time, I'd had a few drinks, went in

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Speaker 5: with James and Boltz and we said let's do this.

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Speaker 4: I said, right, go in there.

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Speaker 5: He was in their work and I went, yes, that's

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Speaker 5: the guy that I want. And then he said, mate, sweets,

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Speaker 5: sit down on the chair, let's do this and I'll

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Speaker 5: introduce you to my mate. And it was this huge

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Speaker 5: bike work experience who was just starting out which tat

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Speaker 5: was this that was on the lower balle And then

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Speaker 5: it was one of those moments I got it done

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Speaker 5: because I couldn't see them doing it because it was

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Speaker 5: on your back.

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Speaker 4: And then when I turned around, it was.

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Speaker 1: Like, ah, you quite Can I play the double?

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Speaker 3: You know? It's interesting to see.

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Speaker 1: Over the weekend, social media revealed.

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Speaker 3: That David Lennon, when we look at him and.

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Speaker 1: He shorts hit his footy shorts on, can you drop

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Speaker 1: his strides?

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Speaker 3: You've got to It's like you've got a whole ring,

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Speaker 3: almost like a garter around your leg.

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Speaker 1: Yes, what is it all?

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Speaker 4: It's the writing that's on the ring from Lord of

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Speaker 4: the Fictre.

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Speaker 6: Do you love the movie that much.

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Speaker 1: I haven't discussed this more.

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Speaker 6: What does it mean? Like we've all seen the movie,

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Speaker 6: but what are the worst?

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Speaker 1: The words don't say the important to bring. But don't

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Speaker 1: worry about it. You know what? Do you know?

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Speaker 4: What as well? Those here?

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Speaker 12: No?

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Speaker 4: No, what's the meaning? What does that mean? You don't

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Speaker 4: have to explain it to people. I like no meaning,

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Speaker 4: I like the shape of stars?

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Speaker 5: So I got two on my arm meaning I like

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Speaker 5: people go yeah, but what do you like about stuff? M?

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Speaker 10: D G?

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Speaker 1: Good?

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Speaker 4: Better?

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Speaker 1: Best on the bicep?

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Speaker 4: Yeah, that one was from my grandfather.

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Speaker 1: Was quite sentimental, but better or best?

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Speaker 4: He was best, I'm good.

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Speaker 7: But then got goldfish on his arm and I was like,

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Speaker 7: oh mate, what did you get goldfish?

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Speaker 4: And he's like, I like goldfish. Don't need to explain.

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Speaker 3: But the idea, because you know it is with you,

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Speaker 3: with you for life, is that it's meaningful and it's

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Speaker 3: got some sort of substance to it.

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Speaker 4: Can we go back the Ring? Let's go back to

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Speaker 4: Lord of the Ring. He speakers.

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Speaker 5: Orlando Bloom was in Lord of the Rings and he's

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Speaker 5: just got his first tattoo. Sarah. Now this is a

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Speaker 5: little bit cryptic. It's sort of on the back of

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Speaker 5: his arm, right, sure, forearm and goes up there. Now,

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Speaker 5: there's a certain amount of number zero one, zero six.

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Speaker 5: What is the zero one one?

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Speaker 4: Now? What that is?

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Speaker 5: Those numbers are the date of birth and the time

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Speaker 5: that his son Flynn was born. Right.

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Speaker 6: The problem is if you have more kids, you've got

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Speaker 6: to do it again.

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Speaker 1: And what's the dot?

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Speaker 5: Okay, so then there's a line underneath it and some dots.

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Speaker 5: What that is is Morse code for his son's name.

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Speaker 3: About says can be used instructionally as well. If you

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Speaker 3: were lost in the bush, you need to say he

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Speaker 3: were there with.

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Speaker 1: I like it. I like it.

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Speaker 4: It's basic yet effective.

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Speaker 6: If he has four kids, that's a whole arm.

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Speaker 1: Yeah, it's a barcode.

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Speaker 7: He's not gonna have four And Katy Perry about to

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Speaker 7: get married, no, so she wants babies.

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Speaker 1: Gosh.

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Speaker 5: Anyway, he's put it up on social media and someone's

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Speaker 5: written back and gone, sorry to tell you, Orlando, but

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Speaker 5: they've missed one of the dots. Oh dear, that's Morse

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Speaker 5: code for Frim, not Flynn, all for Frim.

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Speaker 4: Friend, my best friend. How annoying is that Sarah's given

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Speaker 4: us a if you've got tattoo regret or someone's got

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Speaker 4: it wrong. Third and twenty fourteen sair what's yours?

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Speaker 5: Good morning?

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Speaker 12: How are you?

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Speaker 4: It's in this?

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Speaker 11: This is so embarrassing because everyone's going to know it's

349
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Speaker 11: me young, dumb and stupid living in London with my husband.

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Speaker 11: I got a little caught up in the football world

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Speaker 11: and you're not even going to know the football team.

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Speaker 12: But I have property of Chilton between my flora blame.

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Speaker 6: Wow, property of Charlton Athletic Football Club?

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Speaker 4: Was this after a few drinks?

355
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Speaker 1: Said do you like?

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Speaker 6: Definitely?

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Speaker 11: After a lot of drinks.

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Speaker 1: How big is that big?

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Speaker 3: It's the fonceee, it's.

360
00:15:31,800 --> 00:15:35,200
Speaker 11: Like probably about twenty about fifteen twenty centimeters. It's between

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Speaker 11: my shoulders like that.

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Speaker 4: And have you worked out what kind of font it is?

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Speaker 1: Said?

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Speaker 4: Or what is it?

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Speaker 11: It's just so disgraceful. It's a bit scripty.

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Speaker 5: I suppose it's horrendous.

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Speaker 11: Do you guys want to pay to get a piece?

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Speaker 5: When I first started radio fifteen years ago to get

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Speaker 5: rid of that tattoo on my lower bank, I thought, well,

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Speaker 5: I'm not going to pay, you know, because it's quite expensive.

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Speaker 5: Why don't we have the worst tattoo in Sydney. Why

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Speaker 5: don't we do this Tom and whoever wins, we pay

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Speaker 5: for them to get it.

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Speaker 4: Remove worst removed. That's good.

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Speaker 5: I like that Fish absolutely, Sarah.

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Speaker 4: Are you in the running? You want to? You want to?

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Speaker 4: You want to put yourself up for this?

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00:16:19,400 --> 00:16:19,640
Speaker 10: Is this?

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00:16:19,880 --> 00:16:22,080
Speaker 11: I tell you that next to himself.

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Speaker 3: I want to talk about the NFL player what's his name?

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Speaker 1: Vernon? Vernon Davis. You split for the forty.

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Speaker 3: Vernon's retired guys. He's pulled the pin on it pretty

383
00:16:36,000 --> 00:16:38,480
Speaker 3: handy though. Back in his day. What was interesting during

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00:16:38,480 --> 00:16:40,840
Speaker 3: his career when he was playing footy, quite often people

385
00:16:40,840 --> 00:16:42,920
Speaker 3: would say to him, well, what's the plan? How many

386
00:16:42,920 --> 00:16:44,520
Speaker 3: seasons you got left? Hell and you're going to play

387
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Speaker 3: for And he would say, not too much longer. But

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Speaker 3: once I finished with footy, I'm probably going to take

389
00:16:48,600 --> 00:16:51,280
Speaker 3: up an acting career. Was really keen to get involved.

390
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Speaker 1: I mean, you've got to have a plan. Mate to

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Speaker 1: the commentary, So.

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Speaker 6: I reckon everyone looks at a sort of sport.

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Speaker 3: Yeah, sure, yeah, I can go post that.

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00:17:03,000 --> 00:17:04,080
Speaker 1: I reckon. I'll be a big name.

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Speaker 4: Was Rock Rock a sportsman?

396
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Speaker 6: He's not an actor?

397
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Speaker 1: You would call it a sport, show yourself out.

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00:17:15,320 --> 00:17:17,800
Speaker 4: Are you serious? He's the highest paid.

399
00:17:17,600 --> 00:17:19,359
Speaker 6: Actor in the world, means he's any good?

400
00:17:20,560 --> 00:17:22,720
Speaker 3: What was that movie you and I saw fits when

401
00:17:22,760 --> 00:17:29,920
Speaker 3: there's like a fault line through the that was tremendous?

402
00:17:29,920 --> 00:17:34,560
Speaker 3: Five stars Savior apology to we News.

403
00:17:35,240 --> 00:17:36,320
Speaker 4: Look, he's passable.

404
00:17:37,800 --> 00:17:40,560
Speaker 6: He's a lovely bloke by all account, good guy. Movies

405
00:17:40,600 --> 00:17:42,520
Speaker 6: make a fortune. Is he ever going to be at

406
00:17:42,520 --> 00:17:43,240
Speaker 6: the Academy AWA?

407
00:17:43,760 --> 00:17:46,760
Speaker 7: Probably because he sung the theme song for Moana and

408
00:17:46,800 --> 00:17:47,600
Speaker 7: that got nominated.

409
00:17:47,600 --> 00:17:51,560
Speaker 4: Wow, firing Ryan Gosling hasn't won an Oscar.

410
00:17:52,320 --> 00:17:54,280
Speaker 6: Okay, do you want to say Ryan Gosling is a

411
00:17:54,359 --> 00:17:54,920
Speaker 6: worse actor?

412
00:17:55,280 --> 00:17:57,160
Speaker 4: I don't.

413
00:17:57,240 --> 00:17:59,119
Speaker 3: Don't you think the Rock is a better actor than

414
00:17:59,160 --> 00:18:04,080
Speaker 3: Ryan go You can't believe Nicholas Cage has mentioned, Hey,

415
00:18:04,160 --> 00:18:10,320
Speaker 3: he was there. Unbelievable. Let's talk about let's get back

416
00:18:10,320 --> 00:18:11,520
Speaker 3: to Vernon Davis.

417
00:18:11,160 --> 00:18:13,520
Speaker 1: Because he's so committed to his acting career.

418
00:18:13,520 --> 00:18:16,000
Speaker 3: But it's almost like and he's doing an interview on

419
00:18:16,240 --> 00:18:19,600
Speaker 3: ESPN and he's chatting there at the desk, and this

420
00:18:19,680 --> 00:18:21,800
Speaker 3: is such an unfair thing. During the interview, they throw

421
00:18:21,840 --> 00:18:23,280
Speaker 3: to him to say, well, give us a line from

422
00:18:23,280 --> 00:18:25,320
Speaker 3: your movie that you're doing because he's got himselself a

423
00:18:25,320 --> 00:18:27,879
Speaker 3: small role, and it's like saying to a comedian, oh

424
00:18:27,880 --> 00:18:28,480
Speaker 3: you're a comedian.

425
00:18:28,520 --> 00:18:30,840
Speaker 1: Tells a joke, say something funny. You put him on

426
00:18:30,840 --> 00:18:33,200
Speaker 1: the spot. What I love about Vernon.

427
00:18:33,280 --> 00:18:35,320
Speaker 3: Is he go straight into one of his themes that

428
00:18:35,359 --> 00:18:37,520
Speaker 3: he's shot in this TV show. Sorry, one of the

429
00:18:38,000 --> 00:18:40,840
Speaker 3: scenes where the theme is very emotional. Have a listen

430
00:18:40,920 --> 00:18:42,280
Speaker 3: to his performance on the spot.

431
00:18:43,440 --> 00:18:44,440
Speaker 4: Give me a line real quickly.

432
00:18:45,080 --> 00:18:46,600
Speaker 3: Let me set you up for one of your lines,

433
00:18:46,640 --> 00:18:48,119
Speaker 3: Like what should I say to you to set you up?

434
00:18:48,119 --> 00:18:50,040
Speaker 4: I want to see this. You want to see me

435
00:18:50,040 --> 00:18:51,280
Speaker 4: a care, give me something.

436
00:18:52,720 --> 00:18:55,600
Speaker 3: It takes a light, but I can.

437
00:19:05,880 --> 00:19:07,159
Speaker 4: Jesus, that is great.

438
00:19:08,520 --> 00:19:09,160
Speaker 6: Wait a minute.

439
00:19:09,400 --> 00:19:16,040
Speaker 3: I legitimately my first reaction was to comfort him. Without

440
00:19:16,040 --> 00:19:19,760
Speaker 3: a setup, He's just gone into what he's thinking about

441
00:19:19,800 --> 00:19:20,160
Speaker 3: as well.

442
00:19:20,240 --> 00:19:22,879
Speaker 5: Yeah, that his bank account now that he's left the NFL,

443
00:19:23,440 --> 00:19:25,320
Speaker 5: it's actually dropped ramatically.

444
00:19:25,560 --> 00:19:28,919
Speaker 4: It wasn't acting. Friday was Valentine's Day.

445
00:19:28,920 --> 00:19:32,159
Speaker 5: I hope you guys had a nice romantic day. So

446
00:19:32,240 --> 00:19:34,920
Speaker 5: hot it felt like we chicked it off. We didn't

447
00:19:34,920 --> 00:19:36,840
Speaker 5: even have to do anything with our partners. Just by

448
00:19:36,880 --> 00:19:40,119
Speaker 5: setting up love with Brooklyn and the Billboard and she

449
00:19:40,240 --> 00:19:43,520
Speaker 5: got to meet the lovely James. This was the amazing

450
00:19:43,640 --> 00:19:45,359
Speaker 5: chemistry when they first met on air.

451
00:19:45,840 --> 00:19:51,680
Speaker 11: Hey, it's been interesting. I got to meet you. How

452
00:19:51,680 --> 00:19:53,080
Speaker 11: are you well?

453
00:19:53,080 --> 00:19:55,320
Speaker 8: Obviously our week's got to end on a high, right.

454
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Speaker 11: So are we going to go on a date or what?

455
00:19:57,600 --> 00:20:00,320
Speaker 8: Yeah, let's do it, Brooklyn, No.

456
00:20:00,320 --> 00:20:03,920
Speaker 11: Looking looking pretty good. I think it's free. Let's hook

457
00:20:04,000 --> 00:20:05,880
Speaker 11: up without all?

458
00:20:05,960 --> 00:20:13,440
Speaker 1: Right, straight to hi, Brooklyn.

459
00:20:13,440 --> 00:20:16,240
Speaker 3: Obviously you're still recovering from being on a billboard publicly

460
00:20:16,280 --> 00:20:18,760
Speaker 3: in Sydney for forty eight hours. I mean we sorted

461
00:20:18,800 --> 00:20:21,080
Speaker 3: through all the lads in Sydney to find you the

462
00:20:21,080 --> 00:20:23,680
Speaker 3: perfect date. We need to ask how did it go?

463
00:20:24,600 --> 00:20:26,080
Speaker 3: Talk us through the night.

464
00:20:26,800 --> 00:20:29,800
Speaker 11: It was actually I have nothing but good things to

465
00:20:29,840 --> 00:20:32,000
Speaker 11: say about it. It was such a good night.

466
00:20:32,119 --> 00:20:32,720
Speaker 4: Where did you go?

467
00:20:33,840 --> 00:20:37,560
Speaker 11: We went to Cafe Sydney for lunch on Friday and

468
00:20:38,000 --> 00:20:41,440
Speaker 11: then you, Oh it was so good. We even got

469
00:20:41,480 --> 00:20:44,720
Speaker 11: moved to a better table, which was pretty special.

470
00:20:45,000 --> 00:20:45,840
Speaker 4: I sent that up for you.

471
00:20:45,880 --> 00:20:48,240
Speaker 8: Thank you, I thought so, I thought so.

472
00:20:49,600 --> 00:20:57,040
Speaker 11: And then we went to the ivy afterwards, and then yeah,

473
00:20:57,320 --> 00:21:00,280
Speaker 11: we got home pretty I got home pretty.

474
00:21:00,119 --> 00:21:03,800
Speaker 6: Late, kissy poos.

475
00:21:04,720 --> 00:21:10,600
Speaker 5: Oh maybe okay, So you were sending us photos which

476
00:21:10,680 --> 00:21:13,200
Speaker 5: was great. But you said the chemistry was great. You

477
00:21:13,320 --> 00:21:15,560
Speaker 5: mean you did say to us, Brooklyn, that you were

478
00:21:15,600 --> 00:21:18,440
Speaker 5: talking with James the whole time, which you haven't done

479
00:21:18,480 --> 00:21:20,000
Speaker 5: that with an X for quite a while.

480
00:21:20,760 --> 00:21:23,159
Speaker 11: Yeah, no, we were. We spoke on the phone on

481
00:21:23,240 --> 00:21:24,760
Speaker 11: Thursday night for two hours.

482
00:21:24,880 --> 00:21:28,119
Speaker 1: Wow. Okay, that's good, that's huge.

483
00:21:29,359 --> 00:21:32,399
Speaker 11: But no, definitely, I was like so pleasantly surprised to

484
00:21:32,480 --> 00:21:34,439
Speaker 11: when I got to the Cafe Sydney, like I was,

485
00:21:34,680 --> 00:21:37,480
Speaker 11: I'm in a bit of shock about how good the

486
00:21:37,560 --> 00:21:40,480
Speaker 11: whole thing went. It was really good.

487
00:21:40,680 --> 00:21:43,280
Speaker 1: Yeah, so similar interest Brooklyn, or what were we talking about?

488
00:21:43,280 --> 00:21:44,520
Speaker 1: What were the hot topics?

489
00:21:46,640 --> 00:21:49,399
Speaker 11: Well, he kept insulting me actually about the fact that

490
00:21:49,440 --> 00:21:52,600
Speaker 11: I live in the Shire, which was you know, nice standing.

491
00:21:54,280 --> 00:21:57,960
Speaker 11: But we just spoke about, I don't know, like just everything.

492
00:21:58,119 --> 00:21:59,399
Speaker 1: Really did you talk about kids?

493
00:22:00,440 --> 00:22:03,960
Speaker 11: Oh that's did ask me actually, which I found a

494
00:22:03,960 --> 00:22:04,359
Speaker 11: bit you know.

495
00:22:07,359 --> 00:22:09,960
Speaker 5: Well, okay, let's why you don't know we're doing this.

496
00:22:10,080 --> 00:22:15,040
Speaker 5: But we've also got James on the line as Wellcome Jay, good.

497
00:22:14,840 --> 00:22:16,440
Speaker 4: Morning, by a great day.

498
00:22:16,760 --> 00:22:17,560
Speaker 6: I want a review.

499
00:22:19,040 --> 00:22:23,480
Speaker 5: Okay, okay, Brooklyn, you've got to be quiet for a second.

500
00:22:24,640 --> 00:22:26,159
Speaker 4: Talking to your new boyfriend.

501
00:22:26,600 --> 00:22:32,119
Speaker 5: And so James can we say, like talking on the

502
00:22:32,119 --> 00:22:34,240
Speaker 5: phone for two hours? I mean, that's a tick in

503
00:22:34,359 --> 00:22:37,080
Speaker 5: our book. But can I just say, first impressions of

504
00:22:37,119 --> 00:22:38,920
Speaker 5: Brooklyn when you saw her at Cafe Sydney.

505
00:22:39,440 --> 00:22:41,720
Speaker 8: Oh boy, she's absolutely stunning.

506
00:22:41,920 --> 00:22:43,600
Speaker 4: I was.

507
00:22:43,680 --> 00:22:48,000
Speaker 8: I was pleasantly surprised as well. I must say. She

508
00:22:48,560 --> 00:22:53,040
Speaker 8: did get lost, though, so go figure that out.

509
00:22:53,240 --> 00:22:54,680
Speaker 4: So was she late, James?

510
00:22:55,680 --> 00:22:57,960
Speaker 8: I think I think she was only a couple of

511
00:22:57,960 --> 00:22:58,560
Speaker 8: minutes late.

512
00:22:58,680 --> 00:23:02,360
Speaker 1: Okay, watch James, wat.

513
00:23:03,240 --> 00:23:04,879
Speaker 6: You want to start a work meeting? Could be a

514
00:23:04,960 --> 00:23:07,920
Speaker 6: few minutes later. And where's the where's the leaft?

515
00:23:08,760 --> 00:23:09,960
Speaker 1: James, James?

516
00:23:10,000 --> 00:23:12,000
Speaker 3: Just the lads here, mate, Welcome buddy, Grab a seat,

517
00:23:12,000 --> 00:23:15,960
Speaker 3: Grab a Brooklyn? Sorry, Brooklyn still there, Jim? Where did

518
00:23:16,040 --> 00:23:18,880
Speaker 3: the kiss take place? Was that at the ivy after

519
00:23:18,960 --> 00:23:20,400
Speaker 3: lunch chores? Maybe back at.

520
00:23:20,359 --> 00:23:23,600
Speaker 8: Your look you can't kiss them tell you can? Only

521
00:23:23,720 --> 00:23:24,520
Speaker 8: the boys here.

522
00:23:24,560 --> 00:23:26,280
Speaker 4: It's on the appos Uh.

523
00:23:27,000 --> 00:23:30,720
Speaker 8: It happened back in the Romance factory outside Mascot station.

524
00:23:35,720 --> 00:23:38,480
Speaker 4: So what did you get? What are you talking about?

525
00:23:38,560 --> 00:23:39,439
Speaker 3: What train station?

526
00:23:41,880 --> 00:23:43,840
Speaker 4: Were you at a train station? Jim? Is that what

527
00:23:43,880 --> 00:23:44,280
Speaker 4: you're saying?

528
00:23:45,200 --> 00:23:45,440
Speaker 2: Yeah?

529
00:23:45,520 --> 00:23:45,960
Speaker 8: Yeah?

530
00:23:46,320 --> 00:23:48,119
Speaker 6: And then you put her in a taxi home? You

531
00:23:48,200 --> 00:23:49,240
Speaker 6: dumped her at the station.

532
00:23:49,760 --> 00:23:53,200
Speaker 8: No, no, we we got an uber from the station.

533
00:23:53,480 --> 00:23:55,560
Speaker 8: You don't get the train halfway.

534
00:23:56,240 --> 00:24:00,360
Speaker 1: This is why you brought her on overcr James gone

535
00:24:00,400 --> 00:24:04,280
Speaker 1: all out. Did you both go home separately or together?

536
00:24:05,440 --> 00:24:07,160
Speaker 8: That's that's a question for Brooklyn.

537
00:24:08,080 --> 00:24:13,640
Speaker 1: We got the answer read between them lives.

538
00:24:14,560 --> 00:24:18,200
Speaker 5: Let's go back to our billboard girl, brook Brooklyn, so

539
00:24:18,320 --> 00:24:21,719
Speaker 5: I would say that this is a runaway success. So

540
00:24:21,760 --> 00:24:24,320
Speaker 5: there's differently, have you already had have you already caught

541
00:24:24,400 --> 00:24:26,360
Speaker 5: up again since Friday night?

542
00:24:27,400 --> 00:24:30,240
Speaker 11: I'm not yet because we both have been busy. But

543
00:24:31,400 --> 00:24:33,720
Speaker 11: where I think we're planning on doing that, which would

544
00:24:33,720 --> 00:24:35,280
Speaker 11: be nice.

545
00:24:35,680 --> 00:24:39,280
Speaker 5: Okay, it's beautiful, So James, would you like date number two?

546
00:24:40,480 --> 00:24:41,240
Speaker 8: Let's do it?

547
00:24:41,359 --> 00:24:44,080
Speaker 4: Yeah, it is. I don't know if there.

548
00:24:46,320 --> 00:24:48,840
Speaker 6: Would you change her up to your status.

549
00:24:48,359 --> 00:24:51,440
Speaker 3: On the Let's check check the train times and maybe

550
00:24:51,440 --> 00:24:54,480
Speaker 3: there's one leaving the station hours you could make lunch.

551
00:24:54,680 --> 00:24:55,440
Speaker 4: Well that's great.

552
00:24:55,480 --> 00:24:57,520
Speaker 5: Well well, Brooklyn, No, we want to thank you so

553
00:24:57,640 --> 00:25:00,119
Speaker 5: much putting yourself out there. We know it's such a

554
00:25:00,160 --> 00:25:03,240
Speaker 5: big thing, but hopefully it's been a run away a success.

555
00:25:03,240 --> 00:25:04,520
Speaker 4: Good luck with that, guys.

556
00:25:04,840 --> 00:25:07,600
Speaker 11: Oh, thank you so much, guys. This has been honestly

557
00:25:07,680 --> 00:25:10,479
Speaker 11: the funnest, craziest experience I've ever had. And I really

558
00:25:10,520 --> 00:25:11,960
Speaker 11: appreciate you guys letting you do it.

559
00:25:13,880 --> 00:25:17,120
Speaker 4: Send you the invoice. Tyra Banks, can we talk about her?

560
00:25:17,160 --> 00:25:19,080
Speaker 5: I mean, she had her own television show, Sarah, and

561
00:25:19,080 --> 00:25:22,240
Speaker 5: obviously America's Next Top Model was huge. But the Tyra

562
00:25:22,320 --> 00:25:26,160
Speaker 5: Banks Show went for five seasons, about eight hundred episodes.

563
00:25:26,200 --> 00:25:26,639
Speaker 1: What was it?

564
00:25:26,880 --> 00:25:27,840
Speaker 4: Very popular show?

565
00:25:28,160 --> 00:25:28,480
Speaker 1: Panel?

566
00:25:28,680 --> 00:25:32,800
Speaker 6: Yeah, no, no, what'ses she interviewing people like they were

567
00:25:32,800 --> 00:25:34,320
Speaker 6: trying to do another think she wanted to.

568
00:25:34,240 --> 00:25:35,160
Speaker 4: Be the next Oprah.

569
00:25:35,200 --> 00:25:38,040
Speaker 5: Okay, But actually, before I get onto this story, so

570
00:25:38,200 --> 00:25:41,760
Speaker 5: if this was somebody released this over the weekend, this

571
00:25:41,800 --> 00:25:43,879
Speaker 5: was from about ten years ago on Tara about the

572
00:25:44,040 --> 00:25:44,840
Speaker 5: Tarra Banks Show.

573
00:25:45,200 --> 00:25:47,800
Speaker 4: She tried to do things a little bit different to Oprah.

574
00:25:47,880 --> 00:25:50,400
Speaker 5: Okay, when she had Beyonce on for the first time,

575
00:25:50,760 --> 00:25:52,639
Speaker 5: she wanted to she started, but she wanted to do

576
00:25:52,680 --> 00:25:53,760
Speaker 5: a different interview.

577
00:25:53,680 --> 00:25:55,199
Speaker 12: Nobody got a different interview with the.

578
00:25:55,200 --> 00:25:58,560
Speaker 5: Other Okay, so everyone gets excited. What angle is she

579
00:25:58,600 --> 00:26:02,480
Speaker 5: going to go here with Beyonce? Okay, so they've isolated

580
00:26:02,640 --> 00:26:05,640
Speaker 5: just the questions that Tyra Banks head for Beyonce.

581
00:26:06,400 --> 00:26:09,480
Speaker 12: Beyonce, when was the last time you bought something in

582
00:26:09,520 --> 00:26:14,480
Speaker 12: a store. Say once, if you could communicate with anybody

583
00:26:14,600 --> 00:26:18,880
Speaker 12: that has passed away, who would it be? Breonce? What's

584
00:26:18,920 --> 00:26:23,320
Speaker 12: your favorite type of cheese? Rayonce you get older, are

585
00:26:23,359 --> 00:26:25,639
Speaker 12: you going to dye your hair? Cleyon?

586
00:26:25,760 --> 00:26:25,920
Speaker 4: Say?

587
00:26:26,520 --> 00:26:31,480
Speaker 12: Have you ever voted on American Idol? Slasha Fierce? When

588
00:26:31,520 --> 00:26:33,440
Speaker 12: was the last time you was a little tipsy?

589
00:26:34,000 --> 00:26:35,000
Speaker 1: Squash a Fierce?

590
00:26:35,240 --> 00:26:35,400
Speaker 10: Oh?

591
00:26:35,800 --> 00:26:38,760
Speaker 12: What sport do you like to play? Pasha Fierce? Who's

592
00:26:38,800 --> 00:26:42,359
Speaker 12: your favorite spice girl? Washa Fierce? Do you sing in

593
00:26:42,359 --> 00:26:42,800
Speaker 12: the shower?

594
00:26:44,200 --> 00:26:46,840
Speaker 3: How did she say yes to the idiot producer that

595
00:26:46,880 --> 00:26:53,160
Speaker 3: came up with that idea? Can we do that with

596
00:26:54,320 --> 00:26:55,120
Speaker 3: the last injury?

597
00:26:55,240 --> 00:26:58,240
Speaker 4: Let's be honest. We have done Stone and Katy.

598
00:27:00,080 --> 00:27:01,240
Speaker 6: Day Hung Kolong got on air.

599
00:27:02,119 --> 00:27:04,840
Speaker 1: True, but what about the moment when you gave birth

600
00:27:04,880 --> 00:27:06,679
Speaker 1: in front of Katy Perry? Do you remember that.

601
00:27:08,480 --> 00:27:10,639
Speaker 4: Was not defining moment?

602
00:27:10,680 --> 00:27:12,119
Speaker 1: Were you dressed as a woman? Fits?

603
00:27:12,320 --> 00:27:14,520
Speaker 3: I think you were a woman and you were lying

604
00:27:14,520 --> 00:27:16,480
Speaker 3: down with your legs open as I dragged the doll

605
00:27:16,560 --> 00:27:17,480
Speaker 3: out of your crotch in.

606
00:27:17,440 --> 00:27:17,720
Speaker 6: Front of.

607
00:27:20,240 --> 00:27:22,119
Speaker 1: Just delivered a baby with his sister.

608
00:27:23,080 --> 00:27:25,159
Speaker 3: So we said, well, you've got the experience, talk us

609
00:27:25,160 --> 00:27:26,919
Speaker 3: through how you would go what do we do. But

610
00:27:27,000 --> 00:27:29,560
Speaker 3: what was funny about it was the interview was going

611
00:27:29,720 --> 00:27:32,960
Speaker 3: really well until that moment. And when you interview Katy Perry,

612
00:27:33,000 --> 00:27:33,960
Speaker 3: it kind of goes up and down.

613
00:27:34,000 --> 00:27:35,560
Speaker 1: She gives a bit, then she tightens up, then.

614
00:27:35,520 --> 00:27:38,119
Speaker 5: Also and then she just shut down. That's not the

615
00:27:38,160 --> 00:27:40,639
Speaker 5: only Katy Perry moment that we've had. We tried to

616
00:27:40,800 --> 00:27:43,000
Speaker 5: didn't We try to get Tom to marry No, that

617
00:27:43,119 --> 00:27:44,800
Speaker 5: was yeah, yeah, Katy Perry.

618
00:27:44,520 --> 00:27:45,920
Speaker 1: Because he looked like Russell Brand.

619
00:27:45,960 --> 00:27:48,080
Speaker 3: So before Tommy in a white suit, we created an

620
00:27:48,080 --> 00:27:51,680
Speaker 3: altar so it was like flowers draped over an arch,

621
00:27:51,800 --> 00:27:54,080
Speaker 3: and it was an outside broadcast and we teased it

622
00:27:54,119 --> 00:27:56,600
Speaker 3: and she heard it in the car and she's the.

623
00:27:56,560 --> 00:27:58,880
Speaker 1: Way to the menu. You rang and said, forget.

624
00:27:58,560 --> 00:28:01,119
Speaker 5: It, I'm not doing marrying as Tom was just in

625
00:28:01,119 --> 00:28:04,719
Speaker 5: a white suit like he in his cricket white did.

626
00:28:04,760 --> 00:28:06,680
Speaker 3: The great thing was she was just around the corner.

627
00:28:06,760 --> 00:28:08,119
Speaker 3: But so by the time she walked off, it was

628
00:28:08,119 --> 00:28:09,880
Speaker 3: too awkward to pull the flowers down and tom.

629
00:28:09,720 --> 00:28:12,639
Speaker 4: Just stood there.

630
00:28:13,720 --> 00:28:18,600
Speaker 1: In a white suit under in the corner, just back.

631
00:28:18,480 --> 00:28:21,000
Speaker 5: On Tyra Banks and Tommy, this could be run for you,

632
00:28:21,640 --> 00:28:23,240
Speaker 5: And everyone's saying that this could be a bit of

633
00:28:23,280 --> 00:28:25,199
Speaker 5: a fire festival thing that she's doing here. This is

634
00:28:25,200 --> 00:28:28,679
Speaker 5: in Los Angeles, Sarah, She's basically she is starting up

635
00:28:28,720 --> 00:28:34,440
Speaker 5: an amusement park for models. So it's called Model Land, right,

636
00:28:34,560 --> 00:28:36,840
Speaker 5: and she and I must admit she has been a

637
00:28:36,840 --> 00:28:39,240
Speaker 5: great voice for people that can't get into the industry

638
00:28:39,240 --> 00:28:42,640
Speaker 5: in America's Next Top Model is a great example of that.

639
00:28:42,920 --> 00:28:45,560
Speaker 5: But you if you have tried to be a model

640
00:28:45,600 --> 00:28:48,760
Speaker 5: before part time model and it hasn't really worked, you

641
00:28:48,800 --> 00:28:51,200
Speaker 5: can go to Model Land with the family, take the

642
00:28:51,280 --> 00:28:55,040
Speaker 5: kids along, and you can be Next Top Model for

643
00:28:55,160 --> 00:28:55,720
Speaker 5: one day.

644
00:28:56,040 --> 00:28:58,000
Speaker 1: Oh so you're not there train. It's not a car.

645
00:28:58,200 --> 00:29:01,000
Speaker 5: It's like an amusement park. So first of all, hair

646
00:29:01,040 --> 00:29:02,560
Speaker 5: and makeup and you go bang.

647
00:29:02,960 --> 00:29:05,920
Speaker 6: So all the kids they have no food or beverage options,

648
00:29:05,960 --> 00:29:06,320
Speaker 6: would they?

649
00:29:06,600 --> 00:29:08,680
Speaker 5: You know, you get the right lighting done, you have

650
00:29:08,720 --> 00:29:11,000
Speaker 5: a phone, you do and then you do a catwalk,

651
00:29:11,000 --> 00:29:12,240
Speaker 5: you learn how to walk.

652
00:29:12,000 --> 00:29:12,440
Speaker 4: For the day.

653
00:29:12,520 --> 00:29:14,320
Speaker 1: So they have fake paparazzi set up. Oh my god,

654
00:29:14,360 --> 00:29:14,800
Speaker 1: that she is.

655
00:29:14,800 --> 00:29:16,160
Speaker 3: She looks so beautiful. What if you're done with your

656
00:29:16,160 --> 00:29:18,720
Speaker 3: hair and then you go and then you get lunch,

657
00:29:18,880 --> 00:29:22,920
Speaker 3: which is and then you go home to your caravan

658
00:29:22,960 --> 00:29:23,720
Speaker 3: where no one cares.

659
00:29:24,360 --> 00:29:26,520
Speaker 1: That's it so terrible?

660
00:29:27,040 --> 00:29:29,800
Speaker 4: She said, it's nearly ready. I'm not joking. They're spending

661
00:29:29,880 --> 00:29:31,719
Speaker 4: millions and hands on it. It's called Model.

662
00:29:32,200 --> 00:29:34,320
Speaker 3: If we sent you to Model Land, would you be

663
00:29:34,320 --> 00:29:34,960
Speaker 3: able to go for.

664
00:29:34,920 --> 00:29:35,720
Speaker 6: The size model?

665
00:29:36,120 --> 00:29:39,120
Speaker 1: That is not fair. That's exactly where you I never

666
00:29:39,160 --> 00:29:39,520
Speaker 1: said that.

667
00:29:39,880 --> 00:29:41,680
Speaker 3: Would you go if we sent you over to Model

668
00:29:41,720 --> 00:29:45,680
Speaker 3: Land when it opens? Tommy, get on me too, any

669
00:29:45,680 --> 00:29:48,400
Speaker 3: time away from my kids.

670
00:29:48,440 --> 00:29:51,280
Speaker 4: Another trip to lair. She's not backing out of that one.

671
00:29:51,400 --> 00:29:56,600
Speaker 3: Throwing Miami celebrating this morning Firefight Festival that took place yesterday.

672
00:29:56,680 --> 00:29:59,600
Speaker 3: I take my hat off to everyone involved. The way

673
00:29:59,600 --> 00:30:02,200
Speaker 3: it ran, the way it looked, the sound of the volunteers,

674
00:30:02,240 --> 00:30:04,840
Speaker 3: the axe, everything that they did to pull that together.

675
00:30:04,960 --> 00:30:05,719
Speaker 3: It was awesome.

676
00:30:05,800 --> 00:30:09,560
Speaker 5: What a huge operation. Nine million dollars raised yesterday. So

677
00:30:10,320 --> 00:30:13,880
Speaker 5: congratulations to everybody involved and where you were lucky enough

678
00:30:13,880 --> 00:30:16,760
Speaker 5: to get up there and try to fire everyone up.

679
00:30:17,200 --> 00:30:20,600
Speaker 5: Get everyone to buy T shirts there which models, which

680
00:30:20,640 --> 00:30:24,120
Speaker 5: you can still do at Firefight Australia dot com and

681
00:30:24,240 --> 00:30:26,040
Speaker 5: also if you go into Cotton and you can buy

682
00:30:26,040 --> 00:30:28,120
Speaker 5: the T shirts in there. They sold out at the

683
00:30:28,120 --> 00:30:31,040
Speaker 5: merchandise tents yesterday so early they sold out at about

684
00:30:31,040 --> 00:30:32,360
Speaker 5: three o'clock yesterday afternoons.

685
00:30:32,440 --> 00:30:33,840
Speaker 6: That what you were putting yours on ebait.

686
00:30:34,000 --> 00:30:36,800
Speaker 3: Yeah, so straight away you had guy Sebastian sign it

687
00:30:36,840 --> 00:30:39,080
Speaker 3: back in the green room and they went straight on EBA.

688
00:30:39,120 --> 00:30:42,520
Speaker 5: It was just backstage to watch what was going on

689
00:30:42,600 --> 00:30:47,280
Speaker 5: because they had a ten minute turnover between bands, and Jack.

690
00:30:47,120 --> 00:30:49,160
Speaker 3: Was only fifteen minutes until they sort of got to

691
00:30:49,200 --> 00:30:51,480
Speaker 3: the end and it was the bigger international acts. Leon

692
00:30:51,520 --> 00:30:54,200
Speaker 3: know you were in the stand there, and I just,

693
00:30:54,320 --> 00:30:56,640
Speaker 3: I mean, we need to briefly mention the moment fits in.

694
00:30:56,720 --> 00:31:01,640
Speaker 3: I had our five seconds of fame where we wandered out,

695
00:31:01,640 --> 00:31:03,719
Speaker 3: but unfortunately we wanted a little bit early, didn't we

696
00:31:04,320 --> 00:31:06,160
Speaker 3: The word was going you're wrong, and by the time

697
00:31:06,200 --> 00:31:07,640
Speaker 3: we got there, we were trying to talking to her

698
00:31:07,720 --> 00:31:10,320
Speaker 3: MIC's they weren't on and we were they were.

699
00:31:10,360 --> 00:31:13,040
Speaker 1: And I was pretty far back at the concept could

700
00:31:13,120 --> 00:31:15,240
Speaker 1: you see go back? And I noticed it as we

701
00:31:15,240 --> 00:31:17,960
Speaker 1: were we turned around and walked back off the stage.

702
00:31:18,040 --> 00:31:19,720
Speaker 5: You know what, there was a runway, so they had

703
00:31:19,720 --> 00:31:21,520
Speaker 5: the stage and then there was a runway that goes

704
00:31:21,560 --> 00:31:23,920
Speaker 5: down like Bono has it for you too, Sarah, and

705
00:31:24,640 --> 00:31:26,760
Speaker 5: and I said, we've got to do it, don't we?

706
00:31:26,920 --> 00:31:28,520
Speaker 4: I mean the runways there, We've got to do it.

707
00:31:28,520 --> 00:31:29,239
Speaker 3: We've got to go to the end.

708
00:31:29,280 --> 00:31:31,880
Speaker 5: So we walked all the way halfway out the runway.

709
00:31:32,040 --> 00:31:35,120
Speaker 5: Mike's weren't even on, and some bloke goes, mate, they've

710
00:31:35,160 --> 00:31:37,400
Speaker 5: been cut for a minute. You got to wait before

711
00:31:37,400 --> 00:31:40,000
Speaker 5: it starts, and then switched. We just turned, you turn

712
00:31:40,080 --> 00:31:42,200
Speaker 5: and walked straight back out. I love a walnut, though

713
00:31:42,200 --> 00:31:43,760
Speaker 5: I love ad dress rehearsal, so that was fine. I'd

714
00:31:43,760 --> 00:31:44,880
Speaker 5: take my hat off to Celeste Barb.

715
00:31:44,880 --> 00:31:47,280
Speaker 3: But of course everyone's aware of her involvement in the

716
00:31:47,360 --> 00:31:49,600
Speaker 3: fundraising when the fires were on and the way people

717
00:31:49,840 --> 00:31:53,760
Speaker 3: got behind her and supported it. A really emotional moment too,

718
00:31:53,960 --> 00:31:56,520
Speaker 3: when she wanted to say her piece to thank the volunteers.

719
00:31:56,560 --> 00:31:58,160
Speaker 3: Have a listen to Celestias.

720
00:32:00,200 --> 00:32:05,080
Speaker 1: Fetes Susan.

721
00:32:07,000 --> 00:32:13,760
Speaker 3: Yes, it was really emotional.

722
00:32:13,800 --> 00:32:17,960
Speaker 5: It was an emotional amazing efforts less as emotional. It's

723
00:32:18,000 --> 00:32:21,280
Speaker 5: seventy five thousand people they counted at the end. And

724
00:32:21,320 --> 00:32:24,600
Speaker 5: the other thing as well, is my young fellow Huey.

725
00:32:25,160 --> 00:32:27,520
Speaker 5: Because they wanted to I said, can I bring Huey

726
00:32:27,560 --> 00:32:28,960
Speaker 5: along to Tommy And they said, look, we want to

727
00:32:28,960 --> 00:32:30,760
Speaker 5: go a different angle and talk about the kids that

728
00:32:30,800 --> 00:32:34,440
Speaker 5: have been fundraising. There was a girl Olivia Kennedy yesterday, Sarah.

729
00:32:34,440 --> 00:32:38,080
Speaker 5: It was her birthday yesterday and with her birthday party,

730
00:32:38,160 --> 00:32:40,160
Speaker 5: she said to all the kids, I don't want presents.

731
00:32:40,200 --> 00:32:43,360
Speaker 5: I want everyone to donate to firefight. So they watched

732
00:32:43,320 --> 00:32:47,160
Speaker 5: at the television television screen at home in Brisbane. So

733
00:32:47,200 --> 00:32:49,680
Speaker 5: we got Hue, my son up there, ten years of age,

734
00:32:49,760 --> 00:32:51,520
Speaker 5: and at the start of the year. One of his

735
00:32:51,680 --> 00:32:54,840
Speaker 5: goals was he wanted to be better at public speaking.

736
00:32:55,000 --> 00:32:56,440
Speaker 3: God, well, here's your stage mate.

737
00:32:56,520 --> 00:32:58,440
Speaker 4: I said, all right, well, why don't we practice with

738
00:32:58,480 --> 00:33:01,520
Speaker 4: your class. You can talk with your class and then

739
00:33:01,560 --> 00:33:03,680
Speaker 4: I'll put you in front of in front of seventy

740
00:33:03,720 --> 00:33:06,520
Speaker 4: five thousand people. He did well, He did very well

741
00:33:06,520 --> 00:33:08,719
Speaker 4: because they've maked some cookies for the firefighters and they

742
00:33:08,760 --> 00:33:11,680
Speaker 4: spoke about that, but he got through it.

743
00:33:11,920 --> 00:33:14,280
Speaker 1: Just can I out of the celebration yesterday?

744
00:33:14,360 --> 00:33:16,240
Speaker 3: Right, I'm sitting home and I had to be home

745
00:33:16,240 --> 00:33:17,880
Speaker 3: for dinner with the kids and everything, and I'm watching

746
00:33:18,160 --> 00:33:20,440
Speaker 3: and Delta had been on, and then Queen were on

747
00:33:20,560 --> 00:33:23,080
Speaker 3: and John Farnam and Caddy Lang and you know, for

748
00:33:23,160 --> 00:33:26,200
Speaker 3: everything the day had done and everything the day represented

749
00:33:26,320 --> 00:33:28,920
Speaker 3: and how important it was for everybody to get behind it.

750
00:33:29,200 --> 00:33:30,440
Speaker 1: I open up the Daily Mail.

751
00:33:30,840 --> 00:33:34,400
Speaker 3: The lead story says comedian Celeste Barbara is savage for

752
00:33:34,480 --> 00:33:37,560
Speaker 3: screaming on stage and mocking people for buying bad seats

753
00:33:37,560 --> 00:33:41,040
Speaker 3: and loud, obnoxious performances. Can we not just keep it

754
00:33:41,120 --> 00:33:44,400
Speaker 3: positive for one second? I don't know who wrote the article,

755
00:33:44,720 --> 00:33:48,080
Speaker 3: but you've written it based on comments on Twitter. Now,

756
00:33:48,120 --> 00:33:50,680
Speaker 3: if you're telling me you're representing the people, you could

757
00:33:50,720 --> 00:33:52,960
Speaker 3: have chosen the positive ones to represent.

758
00:33:52,640 --> 00:33:55,080
Speaker 1: That side of the people. Why do we have to

759
00:33:55,120 --> 00:33:56,680
Speaker 1: go negative the whole time?

760
00:33:56,800 --> 00:33:58,280
Speaker 6: It wasn't it was on the day.

761
00:33:58,520 --> 00:34:01,200
Speaker 1: It was a day of celebration. She did a great job.

762
00:34:01,240 --> 00:34:03,440
Speaker 3: We know the work she did behind the scenes, and

763
00:34:03,520 --> 00:34:06,520
Speaker 3: the day was about everybody getting together. And the Daily

764
00:34:06,560 --> 00:34:10,280
Speaker 3: Mail run that headline hopeless hopeless.

765
00:34:10,400 --> 00:34:12,600
Speaker 4: It is a bit disappointing, you know.

766
00:34:12,640 --> 00:34:15,960
Speaker 5: You know at Russell Crowe another great message yesterday, very

767
00:34:16,040 --> 00:34:18,400
Speaker 5: very powerful two minutes that he got up there and spoke.

768
00:34:18,440 --> 00:34:21,120
Speaker 5: He's a bit of rus what Russell said yesterday.

769
00:34:21,800 --> 00:34:24,840
Speaker 10: If we don't erase fossil fuel use as a society,

770
00:34:25,880 --> 00:34:29,760
Speaker 10: then the extremes in our weather will just continue to increase.

771
00:34:31,000 --> 00:34:35,280
Speaker 10: We need to focus on big decisions on core problems

772
00:34:35,760 --> 00:34:41,160
Speaker 10: and put the planet and people before politics. Now everything

773
00:34:41,200 --> 00:34:44,399
Speaker 10: I've said here can be backed up and confirmed by

774
00:34:44,440 --> 00:34:46,080
Speaker 10: our brightest scientific minds.

775
00:34:46,480 --> 00:34:47,480
Speaker 1: Just ask them.

776
00:34:47,760 --> 00:34:50,000
Speaker 10: Our taxes have already paid for their bloody education. It's

777
00:34:50,000 --> 00:34:54,480
Speaker 10: time to utilize that knowledge. It is time to act.

778
00:34:56,200 --> 00:35:00,640
Speaker 1: Let's lead the way, RC very power.

779
00:35:00,719 --> 00:35:01,600
Speaker 3: That was great, wasn't it.

780
00:35:01,840 --> 00:35:04,319
Speaker 4: I hope now that this is a message I think.

781
00:35:04,320 --> 00:35:06,239
Speaker 5: So Less got up there as well and said, you know,

782
00:35:06,320 --> 00:35:08,560
Speaker 5: to the firefighter, she said, you guys did this all

783
00:35:08,600 --> 00:35:10,759
Speaker 5: on your own as well, saying that there wasn't much

784
00:35:10,760 --> 00:35:14,359
Speaker 5: support out there from up above. So hopefully yesterday it

785
00:35:14,440 --> 00:35:17,120
Speaker 5: was just I mean, it was hot out there, Leno, yesterday,

786
00:35:17,239 --> 00:35:18,960
Speaker 5: wasn't it. And for those people to stick around for

787
00:35:19,000 --> 00:35:22,320
Speaker 5: the whole day, it was just so beautiful to watch. Well,

788
00:35:22,440 --> 00:35:24,799
Speaker 5: he is the sickest man on earth. We know that

789
00:35:24,840 --> 00:35:27,880
Speaker 5: he is Australian. He has brought out some amazing films.

790
00:35:28,200 --> 00:35:30,680
Speaker 5: You would know the Sore franchise. But there is a

791
00:35:30,719 --> 00:35:32,759
Speaker 5: new movie that's coming out actually, and I were just

792
00:35:32,800 --> 00:35:35,759
Speaker 5: in la and the hype around this movie over in

793
00:35:35,800 --> 00:35:38,239
Speaker 5: America at the moment is massive. You can see it

794
00:35:38,360 --> 00:35:42,200
Speaker 5: here in Australia. Feb twenty seven. It's called The Invisible Man,

795
00:35:42,280 --> 00:35:43,080
Speaker 5: and the man.

796
00:35:42,960 --> 00:35:43,799
Speaker 4: Behind it is Lee.

797
00:35:43,960 --> 00:35:47,279
Speaker 3: Were now welcome to thank you for a man that

798
00:35:47,440 --> 00:35:50,920
Speaker 3: makes horrible films. I'm just not one for your films,

799
00:35:50,920 --> 00:35:53,879
Speaker 3: but horrible in the way I love them because I'm

800
00:35:53,960 --> 00:35:56,640
Speaker 3: so pathetic in them. But it's a great chance to

801
00:35:56,680 --> 00:35:58,960
Speaker 3: grab a girl's leg, hold a hand, or throw an

802
00:35:59,040 --> 00:35:59,520
Speaker 3: arm around.

803
00:36:00,160 --> 00:36:01,800
Speaker 4: Great date movie when.

804
00:36:01,600 --> 00:36:05,120
Speaker 3: You get inspiration for your movies, like an artist might

805
00:36:05,160 --> 00:36:06,920
Speaker 3: hear a sound or something and go that could be

806
00:36:06,920 --> 00:36:09,160
Speaker 3: good put into a song. Are you walking down the

807
00:36:09,160 --> 00:36:11,600
Speaker 3: street thinking, God, imagine if her head just fell off.

808
00:36:12,480 --> 00:36:13,919
Speaker 4: It's funnily enough, I do.

809
00:36:14,520 --> 00:36:16,799
Speaker 2: The problem with being a horror rid is that it's

810
00:36:17,200 --> 00:36:20,880
Speaker 2: way too easy to imagine the worst thing possible happening.

811
00:36:20,920 --> 00:36:23,160
Speaker 2: When you're alone in your house at night, I'll hear

812
00:36:23,200 --> 00:36:26,400
Speaker 2: the slightest noise and just conjure up the most terrific

813
00:36:26,440 --> 00:36:30,160
Speaker 2: scenario that anyone like. Instead of thinking, yeah, probably a possum,

814
00:36:30,239 --> 00:36:34,239
Speaker 2: I'm like, that's definitely a bunch of people with masks

815
00:36:34,280 --> 00:36:36,440
Speaker 2: on who are about to come in and, you know,

816
00:36:36,520 --> 00:36:38,160
Speaker 2: disembowel me with a corkscrew.

817
00:36:38,640 --> 00:36:42,680
Speaker 4: Like that's where my mind goes. But obviously this is

818
00:36:43,239 --> 00:36:47,280
Speaker 4: Elizabeth Is it Elizabeth Moss? Correct? Mate, She's a great actress.

819
00:36:47,320 --> 00:36:50,759
Speaker 5: But when you think about the Invisible Man, there's been

820
00:36:50,800 --> 00:36:54,000
Speaker 5: movies made about it over the years. It's a tough

821
00:36:54,000 --> 00:36:56,520
Speaker 5: one because, I mean, this is a thriller. You can't

822
00:36:56,560 --> 00:36:59,160
Speaker 5: be too cheesy because people are going, oh, the Invisible Man,

823
00:36:59,160 --> 00:37:00,320
Speaker 5: come on, he's in the back ground.

824
00:37:00,320 --> 00:37:01,000
Speaker 4: That kind of stuff.

825
00:37:01,080 --> 00:37:03,560
Speaker 2: Well, it was I did have those thoughts really early on.

826
00:37:03,680 --> 00:37:05,040
Speaker 2: Like I was in a meeting and there was a

827
00:37:05,080 --> 00:37:06,600
Speaker 2: bunch of people and they said, what do you think

828
00:37:06,600 --> 00:37:08,960
Speaker 2: about the Invisible Man? Is that a character you're interested in?

829
00:37:09,239 --> 00:37:10,719
Speaker 2: You know, if you were to do that.

830
00:37:10,640 --> 00:37:12,000
Speaker 4: Movie, what would you do with it?

831
00:37:12,160 --> 00:37:13,800
Speaker 2: And just purely off the top of my head, to

832
00:37:13,840 --> 00:37:16,759
Speaker 2: fill the hairtime, I was like, well, I would probably

833
00:37:17,000 --> 00:37:19,040
Speaker 2: tell the story from the point of view of the victim,

834
00:37:19,239 --> 00:37:21,320
Speaker 2: you know, I would make the Invisible Man more.

835
00:37:21,160 --> 00:37:22,920
Speaker 4: Of a background. Yes.

836
00:37:23,160 --> 00:37:25,680
Speaker 1: And they were like interesting in that way that Hollywood

837
00:37:25,719 --> 00:37:28,359
Speaker 1: people like we got a deal.

838
00:37:28,440 --> 00:37:28,600
Speaker 7: Yeah.

839
00:37:28,640 --> 00:37:32,959
Speaker 2: They were like, Debra gets it, and bring the good latte.

840
00:37:33,480 --> 00:37:33,880
Speaker 8: It was like.

841
00:37:36,760 --> 00:37:38,640
Speaker 3: And so all of a sudden I walked out of there.

842
00:37:38,719 --> 00:37:40,680
Speaker 2: My agent called me and he said, they really love

843
00:37:40,719 --> 00:37:42,399
Speaker 2: your take. And I was like, I didn't have a take,

844
00:37:42,440 --> 00:37:44,799
Speaker 2: and I just made something up on the sight, and

845
00:37:44,840 --> 00:37:46,799
Speaker 2: so my first thought was exactly what you just said.

846
00:37:46,840 --> 00:37:48,680
Speaker 2: I was like, wait a minute. You know the traditional

847
00:37:48,760 --> 00:37:51,799
Speaker 2: image of the Invisible Man is a pair of floating sunglasses. Yes,

848
00:37:51,880 --> 00:37:54,239
Speaker 2: And I was like instantly, I was like, what I

849
00:37:54,280 --> 00:37:56,120
Speaker 2: want to do with this movie is get away from that.

850
00:37:56,480 --> 00:37:58,839
Speaker 2: I had to pretend that no Invisible Man movie had

851
00:37:58,840 --> 00:38:00,799
Speaker 2: ever been made, and this was the first one. This

852
00:38:00,880 --> 00:38:03,160
Speaker 2: was a new story and new character, and so that's

853
00:38:03,200 --> 00:38:05,080
Speaker 2: the way I approached it. I actually tried to make

854
00:38:05,120 --> 00:38:07,400
Speaker 2: it grounded so that anyone watching it could think of

855
00:38:07,520 --> 00:38:09,719
Speaker 2: this could really happen. And the thing is, with tech,

856
00:38:10,000 --> 00:38:11,319
Speaker 2: a lot of things that you know, we grew up

857
00:38:11,320 --> 00:38:13,400
Speaker 2: watching sci fi movies in the agies, where you know,

858
00:38:13,560 --> 00:38:15,520
Speaker 2: I remember Total Recall. It was meant to be mind

859
00:38:15,560 --> 00:38:17,520
Speaker 2: blowing that Arnie could talk to Sharon Stone on a

860
00:38:17,640 --> 00:38:22,719
Speaker 2: video phone. Now my daughter, my six year old, thinks

861
00:38:22,719 --> 00:38:25,360
Speaker 2: nothing of walking into the kitchen and asking Alexa.

862
00:38:25,000 --> 00:38:28,560
Speaker 4: To play the Taylor Swift's Greatest hits. Like she's living

863
00:38:28,600 --> 00:38:29,359
Speaker 4: in total.

864
00:38:29,080 --> 00:38:30,680
Speaker 1: Recall and she thinks nothing of it.

865
00:38:31,200 --> 00:38:34,520
Speaker 4: Right, So I think tech has really has really.

866
00:38:34,880 --> 00:38:38,279
Speaker 2: Made some things that maybe would have seen Landish ten

867
00:38:38,400 --> 00:38:39,040
Speaker 2: twenty years ago.

868
00:38:39,640 --> 00:38:41,320
Speaker 4: Acceptable to an audience, Well, exactly.

869
00:38:41,440 --> 00:38:42,480
Speaker 1: Hard to act though too.

870
00:38:42,680 --> 00:38:45,359
Speaker 3: I mean, if you're fighting the invisible man, or that's

871
00:38:45,440 --> 00:38:47,520
Speaker 3: like that scene where the guy gets shot in the leg.

872
00:38:47,880 --> 00:38:48,839
Speaker 1: Hard to do it is?

873
00:38:48,920 --> 00:38:49,680
Speaker 4: It is? Actually.

874
00:38:49,719 --> 00:38:52,240
Speaker 2: In fact, we had an actor on the film, Elders Hodge.

875
00:38:52,239 --> 00:38:54,080
Speaker 2: He's a great actor. He's American and he came over

876
00:38:54,160 --> 00:38:56,080
Speaker 2: to do it and he was in straight out of

877
00:38:56,120 --> 00:38:58,000
Speaker 2: Compton and he's been in a bunch of stuff. I

878
00:38:58,040 --> 00:38:59,400
Speaker 2: gotta say, I've got to get if there was an

879
00:38:59,440 --> 00:39:02,759
Speaker 2: awards show for beating yourself up.

880
00:39:03,040 --> 00:39:05,120
Speaker 1: Really, that's what he was incredible.

881
00:39:05,280 --> 00:39:07,719
Speaker 5: What I was gonna ask you in this because the

882
00:39:07,760 --> 00:39:11,440
Speaker 5: invisible man in this movie actually grabs people, throws people around.

883
00:39:11,440 --> 00:39:13,799
Speaker 4: There's there's fight scenes without him in there.

884
00:39:13,880 --> 00:39:16,520
Speaker 5: Do you do you have someone on a green screen

885
00:39:16,560 --> 00:39:18,480
Speaker 5: that's actually fighting this per week?

886
00:39:18,640 --> 00:39:22,960
Speaker 2: We kind of did an an all approaches kind of

887
00:39:23,040 --> 00:39:25,600
Speaker 2: technique with it, like we didn't use one particular technique

888
00:39:25,680 --> 00:39:28,080
Speaker 2: like in the case of Elders. He just beat himself

889
00:39:28,160 --> 00:39:28,799
Speaker 2: up and.

890
00:39:28,719 --> 00:39:30,600
Speaker 4: It was incredible, Like people watch it.

891
00:39:30,680 --> 00:39:32,600
Speaker 2: I've had people watch that scene and be like, really,

892
00:39:32,840 --> 00:39:34,880
Speaker 2: you really did some great effects there. I'm like there

893
00:39:34,960 --> 00:39:38,760
Speaker 2: is no he's beating himself up. And then in other scenes,

894
00:39:38,800 --> 00:39:41,120
Speaker 2: we had this big kind of fight scene with Elizabeth

895
00:39:41,120 --> 00:39:43,800
Speaker 2: Moss in this kitchen that was a mixture of everything

896
00:39:43,880 --> 00:39:47,160
Speaker 2: from you know, cutting edge CGI. We would take a

897
00:39:47,200 --> 00:39:50,480
Speaker 2: guy in a like a total green suit and he

898
00:39:50,520 --> 00:39:53,560
Speaker 2: would be removed out of it, and then everything from

899
00:39:53,640 --> 00:39:55,759
Speaker 2: that to like old school techniques that they would have

900
00:39:55,840 --> 00:39:58,560
Speaker 2: used on the first Invisible Man movie in nineteen thirty three,

901
00:39:58,640 --> 00:40:00,280
Speaker 2: like a props guy just off camera.

902
00:40:00,360 --> 00:40:01,880
Speaker 1: Yeah, you're holding a glass on a string.

903
00:40:02,280 --> 00:40:05,080
Speaker 4: It was like it was there was no one approach.

904
00:40:05,120 --> 00:40:08,120
Speaker 4: It was whatever gets the amazing, but we got it done.

905
00:40:08,239 --> 00:40:10,359
Speaker 3: The other big thing, which you must spend so much

906
00:40:10,360 --> 00:40:13,000
Speaker 3: time on the detailers is the music. Let's gore for

907
00:40:13,040 --> 00:40:17,160
Speaker 3: the I mean, it's your climactic parts and all those

908
00:40:17,200 --> 00:40:19,040
Speaker 3: big builds need to be spot on.

909
00:40:19,440 --> 00:40:22,000
Speaker 2: Sound design is probably the most important part of a

910
00:40:22,040 --> 00:40:24,759
Speaker 2: horror film. In other films, it's like about images and

911
00:40:24,840 --> 00:40:28,560
Speaker 2: visuals and CGI. But with horror, you're often dealing with

912
00:40:28,640 --> 00:40:31,000
Speaker 2: something you can't see. Yeah, either it's a ghost or

913
00:40:31,080 --> 00:40:33,440
Speaker 2: an invisible man. So it's all about the sound. So

914
00:40:33,600 --> 00:40:35,680
Speaker 2: I really put a lot of work into the sound design.

915
00:40:35,520 --> 00:40:38,080
Speaker 5: You've done horror movies for a majority of your life.

916
00:40:38,960 --> 00:40:40,680
Speaker 5: I'm just going to throw I want to see your

917
00:40:40,719 --> 00:40:42,520
Speaker 5: thoughts on this and see if you can get these right.

918
00:40:42,600 --> 00:40:43,440
Speaker 4: What we've done, we've.

919
00:40:43,280 --> 00:40:48,200
Speaker 5: Tracked down some horror sounds and what they use to

920
00:40:48,280 --> 00:40:51,080
Speaker 5: actually get these sounds in a horror movie. So if

921
00:40:51,080 --> 00:40:55,239
Speaker 5: you wanted to crush someone's skull, what would you use

922
00:40:55,320 --> 00:40:58,120
Speaker 5: to crush someone's skull? Let's have a listen to it

923
00:40:58,239 --> 00:41:04,160
Speaker 5: right now. What are you using there?

924
00:41:05,080 --> 00:41:08,520
Speaker 2: It could be crushing eggs. It sounds almost like an

925
00:41:08,520 --> 00:41:09,960
Speaker 2: egg carton or eggshells.

926
00:41:10,200 --> 00:41:14,680
Speaker 4: Here again, it's close. It's a vegetable.

927
00:41:15,280 --> 00:41:17,280
Speaker 1: It's a vegetable. Is it pumpkin?

928
00:41:17,560 --> 00:41:23,320
Speaker 4: No, it's a capsican. It's crushing a capsican?

929
00:41:24,080 --> 00:41:25,359
Speaker 3: Okay, how come is that?

930
00:41:25,520 --> 00:41:28,000
Speaker 4: Okay? If you're pulling in testines out of a body,

931
00:41:28,440 --> 00:41:32,080
Speaker 4: have a listen to that one. What are you playing

932
00:41:32,120 --> 00:41:32,520
Speaker 4: with their?

933
00:41:33,520 --> 00:41:35,880
Speaker 1: I love secret sound on commercial radio. This is really good.

934
00:41:35,920 --> 00:41:37,600
Speaker 1: You're about to win a thousand dollars late.

935
00:41:37,760 --> 00:41:38,280
Speaker 4: I reckon.

936
00:41:38,680 --> 00:41:41,440
Speaker 2: I'm thinking my first guess is that they've gotten some

937
00:41:41,560 --> 00:41:44,680
Speaker 2: meat like chicken and stuff and they're squeezing. They're squeezing

938
00:41:44,719 --> 00:41:45,279
Speaker 2: it with their feet.

939
00:41:46,760 --> 00:41:47,360
Speaker 1: Raw chicken.

940
00:41:47,560 --> 00:41:49,640
Speaker 3: Really dollars.

941
00:41:49,800 --> 00:41:52,160
Speaker 2: I do remember a moment on the first Saw movie.

942
00:41:52,239 --> 00:41:53,680
Speaker 2: We did a pick up for the movie where you

943
00:41:53,719 --> 00:41:56,440
Speaker 2: go back and reshoot a scene. We're there and someone's

944
00:41:56,440 --> 00:41:58,719
Speaker 2: stomach supposed to be cutting open, and I remember James One,

945
00:41:58,800 --> 00:42:01,560
Speaker 2: the director, saying, can someone run down down to Chinatown

946
00:42:01,600 --> 00:42:02,800
Speaker 2: and get us some pig intestine?

947
00:42:04,520 --> 00:42:10,680
Speaker 4: Okay, what about pulling skin or pulling somebody's and really

948
00:42:10,719 --> 00:42:16,400
Speaker 4: stretching skin? What are you doing there?

949
00:42:16,520 --> 00:42:19,400
Speaker 2: That almost sounds like someone twisting a wallet, like a

950
00:42:19,480 --> 00:42:20,080
Speaker 2: leather wallet.

951
00:42:20,160 --> 00:42:23,319
Speaker 4: Well done, it's twisting a baseball glove, which is which

952
00:42:23,360 --> 00:42:27,440
Speaker 4: is leather as well? Really, my first, You've got a

953
00:42:27,440 --> 00:42:31,359
Speaker 4: real future, mate, sicot leave out.

954
00:42:31,800 --> 00:42:35,120
Speaker 5: Thanks the new movie, The Invisible Man, It's out Feb

955
00:42:35,200 --> 00:42:36,880
Speaker 5: twenty seven, Lemonel, thanks for coming in.

956
00:42:36,920 --> 00:42:37,839
Speaker 4: Thank you, thanks brother.

957
00:42:38,200 --> 00:42:39,799
Speaker 3: Got an idea for a your segment, guy, So so

958
00:42:39,800 --> 00:42:42,080
Speaker 3: many stories we'll see and we think, how did anybody

959
00:42:42,160 --> 00:42:44,680
Speaker 3: think of that, could be bothered to do that, and

960
00:42:44,800 --> 00:42:47,120
Speaker 3: how did they have the time to do that. You've

961
00:42:47,160 --> 00:42:51,080
Speaker 3: got too much time on, You've got too.

962
00:42:50,960 --> 00:42:55,759
Speaker 6: Much looks in the eye when you play that.

963
00:42:56,120 --> 00:42:58,680
Speaker 3: My finding the time to squeeze that intro would suggest

964
00:42:58,920 --> 00:43:01,239
Speaker 3: I may have a little bit too much time on

965
00:43:01,280 --> 00:43:01,640
Speaker 3: my hand.

966
00:43:04,360 --> 00:43:05,160
Speaker 1: That's confirmed it.

967
00:43:06,920 --> 00:43:09,280
Speaker 4: We'll get your phone out and ring thirteen twenty fourteen.

968
00:43:09,400 --> 00:43:10,719
Speaker 4: Get on your own segment.

969
00:43:10,800 --> 00:43:14,160
Speaker 3: If you've got too much time on your hands. Story

970
00:43:14,200 --> 00:43:16,280
Speaker 3: this morning, we need to celebrate as an Indian sprinter

971
00:43:16,320 --> 00:43:20,720
Speaker 3: that's beaten you sain Bolts record, bang usain Bolt nine

972
00:43:20,800 --> 00:43:24,600
Speaker 3: point five eight seconds. This bloke's done at nine point

973
00:43:24,640 --> 00:43:25,279
Speaker 3: five five.

974
00:43:25,480 --> 00:43:29,040
Speaker 4: No waiter, It wasn't one hundred meters race, get it right,

975
00:43:29,120 --> 00:43:30,640
Speaker 4: tell the tell the story pro.

976
00:43:31,000 --> 00:43:34,960
Speaker 1: This savansa right. He's a construction worker, not normally a sprinter.

977
00:43:35,200 --> 00:43:36,960
Speaker 3: That's why I was a little bit surprised that he'd

978
00:43:37,000 --> 00:43:39,840
Speaker 3: knocked off yousain Bolt's record. This is in South India.

979
00:43:39,840 --> 00:43:43,520
Speaker 3: He's taking part in this in a sport of Kambala.

980
00:43:43,719 --> 00:43:46,920
Speaker 3: It's called where you sprint over one hundred meters. But

981
00:43:46,920 --> 00:43:49,840
Speaker 3: the difference between Bolt and this bloke. It's done in

982
00:43:49,920 --> 00:43:52,160
Speaker 3: rice fields and you hold onto a couple of buffaloes

983
00:43:52,200 --> 00:43:52,799
Speaker 3: for do you life.

984
00:43:52,960 --> 00:43:55,680
Speaker 4: So the buffaloes are running as flat as as hard

985
00:43:55,680 --> 00:43:59,320
Speaker 4: as they can, right, and it's on water. It's amazing.

986
00:43:59,360 --> 00:44:00,799
Speaker 4: I didn't know buffalo were they quick.

987
00:44:00,920 --> 00:44:02,480
Speaker 1: He almost looks like he's water skiing.

988
00:44:02,520 --> 00:44:03,160
Speaker 4: Behind a couple of.

989
00:44:03,160 --> 00:44:07,240
Speaker 6: Buffalo running on the top of the waterside, holding onto

990
00:44:07,280 --> 00:44:08,960
Speaker 6: two buffalos who are running next.

991
00:44:08,800 --> 00:44:10,480
Speaker 1: To him, sort of in front of him.

992
00:44:10,520 --> 00:44:10,719
Speaker 8: Sair.

993
00:44:10,840 --> 00:44:12,879
Speaker 5: So it's like a rodeo, Sarah. But you're not you're

994
00:44:12,920 --> 00:44:14,520
Speaker 5: not actually on the buffalo.

995
00:44:15,560 --> 00:44:16,600
Speaker 1: Yeah, they're dragging.

996
00:44:16,760 --> 00:44:18,920
Speaker 5: Were You start a thing growing up called the Compass

997
00:44:18,960 --> 00:44:21,120
Speaker 5: Cup and you had to ride You had to ride

998
00:44:21,239 --> 00:44:24,000
Speaker 5: cows and it was like from one end of the

999
00:44:24,000 --> 00:44:27,480
Speaker 5: footy oval to the other. It's really hard to do

1000
00:44:27,719 --> 00:44:29,600
Speaker 5: and people had to hold on a lot of people

1001
00:44:29,640 --> 00:44:31,759
Speaker 5: held onto the side and try, like you said, to

1002
00:44:31,760 --> 00:44:34,200
Speaker 5: try to water ski next to the cow. But with

1003
00:44:34,280 --> 00:44:38,160
Speaker 5: this buffalo, I don't think this guy can run that fast.

1004
00:44:38,320 --> 00:44:42,880
Speaker 5: He just he's really good at holding onto a fast buffalo.

1005
00:44:43,120 --> 00:44:45,120
Speaker 1: He's broken the record for the fastest drag.

1006
00:44:45,200 --> 00:44:48,279
Speaker 3: But it looks like he's actually running, like doesn't It

1007
00:44:48,280 --> 00:44:49,920
Speaker 3: looks like he's keeping up with the buffalo.

1008
00:44:50,000 --> 00:44:52,120
Speaker 1: Yes, look, he's just he hasn't trained.

1009
00:44:52,200 --> 00:44:53,440
Speaker 4: There's no style to it.

1010
00:44:53,560 --> 00:44:54,080
Speaker 1: You don't train.

1011
00:44:54,280 --> 00:44:55,880
Speaker 4: But you know it's not I'm not joking.

1012
00:44:55,960 --> 00:44:58,680
Speaker 5: In India, they think that this guy can beat you,

1013
00:44:58,760 --> 00:45:01,960
Speaker 5: Sam Bolt. Now they're ready to so they're saying to

1014
00:45:01,320 --> 00:45:02,480
Speaker 5: hurry up.

1015
00:45:02,480 --> 00:45:04,160
Speaker 4: Get into the twenty twenty Olympics.

1016
00:45:04,239 --> 00:45:04,680
Speaker 3: Here is.

1017
00:45:07,560 --> 00:45:08,160
Speaker 1: He's holding on.

1018
00:45:08,320 --> 00:45:11,280
Speaker 3: I mean I would say to you saying, bowl, I'd

1019
00:45:11,320 --> 00:45:12,640
Speaker 3: like to see you do it a one hundred mill

1020
00:45:12,680 --> 00:45:13,000
Speaker 3: of water?

1021
00:45:13,239 --> 00:45:14,400
Speaker 6: Why the water?

1022
00:45:14,600 --> 00:45:19,920
Speaker 3: No idea buffalo's that's weird. I mean, wouldn't it be

1023
00:45:19,920 --> 00:45:21,719
Speaker 3: great if they did an Olympics where it was more

1024
00:45:21,760 --> 00:45:24,520
Speaker 3: of just a random sample of your country instead of

1025
00:45:24,560 --> 00:45:27,640
Speaker 3: the best athletes. So an official would come to Australia

1026
00:45:27,680 --> 00:45:30,359
Speaker 3: and go, you you you, you hang on, but I'm

1027
00:45:30,400 --> 00:45:33,520
Speaker 3: halfway through me pie doesn't matter. You're representing Australia, you're

1028
00:45:33,560 --> 00:45:36,239
Speaker 3: in a hundred mind it, you're a one hundred meters sprint, sun,

1029
00:45:36,280 --> 00:45:36,920
Speaker 3: You're ready to go.

1030
00:45:37,239 --> 00:45:40,160
Speaker 7: I've always thought it is worth having at the Olympics

1031
00:45:40,200 --> 00:45:44,600
Speaker 7: one lane for whatever normal athlete. There is right to

1032
00:45:44,719 --> 00:45:47,759
Speaker 7: normalize normal, just so you know how much better they

1033
00:45:47,760 --> 00:45:48,359
Speaker 7: are than the normal.

1034
00:45:48,440 --> 00:45:50,879
Speaker 5: What happens in the swimming we saw Eric the year

1035
00:45:51,560 --> 00:45:54,880
Speaker 5: There are certain sports I don't know how they qualify

1036
00:45:54,960 --> 00:45:59,040
Speaker 5: for their country because there's no one better MDG.

1037
00:45:59,160 --> 00:46:01,080
Speaker 3: Wouldn't it be great if your head like lane one,

1038
00:46:01,120 --> 00:46:03,480
Speaker 3: this is one hundred meter sprint. You've got your average assie.

1039
00:46:03,920 --> 00:46:06,719
Speaker 3: Lane two, you've got your same bolt. Lane three you've

1040
00:46:06,719 --> 00:46:11,440
Speaker 3: got performance enhancing drug field athlete, just real scope of

1041
00:46:11,480 --> 00:46:14,400
Speaker 3: the ability of the human lame fat assie.

1042
00:46:14,480 --> 00:46:16,879
Speaker 4: The bolt that's fresh, and then the drugged up lane.

1043
00:46:17,080 --> 00:46:20,840
Speaker 4: Lane five you got Darren from Marylands. And lane six you've.

1044
00:46:20,680 --> 00:46:23,480
Speaker 1: Got a buffalo. That's the Olympics.

1045
00:46:23,520 --> 00:46:25,360
Speaker 5: I want to say, is the race I want to

1046
00:46:25,400 --> 00:46:28,040
Speaker 5: see Dipsie and Whipper