1 00:00:03,200 --> 00:00:06,119 Speaker 1: Is it by and We are y podcast? 2 00:00:07,200 --> 00:00:11,959 Speaker 2: Kate Richie podcast is not the normal podcast, though, is it? 3 00:00:11,960 --> 00:00:15,960 Speaker 2: It's the farty personal podcast producer Jess here with the 4 00:00:16,000 --> 00:00:19,840 Speaker 2: man smoking his pen over there is the author in question, 5 00:00:20,120 --> 00:00:20,880 Speaker 2: Michael Whipley. 6 00:00:21,000 --> 00:00:25,040 Speaker 1: Welcome to the podcast with whim. It's going to putty good. 7 00:00:25,720 --> 00:00:28,880 Speaker 2: Now. When we left off last week, you told me 8 00:00:28,920 --> 00:00:30,280 Speaker 2: and I thought you were joking, but you. 9 00:00:30,400 --> 00:00:32,560 Speaker 1: Just told me. He just told me. You just told 10 00:00:32,560 --> 00:00:33,520 Speaker 1: me that you weren't chalking. 11 00:00:33,960 --> 00:00:37,280 Speaker 2: That you had a call with someone in the States 12 00:00:37,479 --> 00:00:39,559 Speaker 2: about this turning this into as. 13 00:00:39,520 --> 00:00:42,640 Speaker 3: Sometimes they come to me and they say, hey, we 14 00:00:42,840 --> 00:00:43,680 Speaker 3: need a new movie. 15 00:00:43,920 --> 00:00:50,320 Speaker 1: So was it de Niro Robert de Niro's, But hey, Rundov, 16 00:00:51,120 --> 00:00:52,400 Speaker 1: show me that squad again. 17 00:00:52,680 --> 00:00:56,400 Speaker 3: They come to me, same, we need the movie. We 18 00:00:56,440 --> 00:00:58,920 Speaker 3: need something strong, like a good script. 19 00:01:00,240 --> 00:01:02,120 Speaker 1: That is that. When you had to leave the call. 20 00:01:03,680 --> 00:01:07,440 Speaker 3: I said, guys, I got it for you. I got 21 00:01:07,480 --> 00:01:10,880 Speaker 3: the movie. I got the next blockbuster Sit. 22 00:01:10,800 --> 00:01:12,440 Speaker 1: A Lord with my little friend. 23 00:01:12,720 --> 00:01:16,280 Speaker 2: And then he just whipped out, Jess, stop talking, okay, 24 00:01:16,840 --> 00:01:18,840 Speaker 2: stop the characters, stop everything. 25 00:01:18,920 --> 00:01:20,520 Speaker 1: I apologize to you and the listener. 26 00:01:20,600 --> 00:01:22,600 Speaker 3: Big news go on. Got a phone call. 27 00:01:22,640 --> 00:01:23,440 Speaker 1: Do you want a drum roll? 28 00:01:23,560 --> 00:01:24,480 Speaker 3: Yes? Please, I'll hang on. 29 00:01:24,520 --> 00:01:26,520 Speaker 1: I'm on the wrong page. For a drum roll? 30 00:01:28,280 --> 00:01:32,240 Speaker 3: What's Oh my god? Do you do it manually with 31 00:01:32,280 --> 00:01:37,640 Speaker 3: your mouth? Okay, here we go, Jess. You're not going 32 00:01:37,720 --> 00:01:40,839 Speaker 3: to believe it. I've had my first meeting with a big, 33 00:01:41,160 --> 00:01:45,399 Speaker 3: big movie house in the US. I found the clap. 34 00:01:45,520 --> 00:01:48,520 Speaker 1: That's no, that's me clap. That's how I'm stopping. That 35 00:01:48,600 --> 00:01:50,600 Speaker 1: was what are you talking about? 36 00:01:50,600 --> 00:01:54,000 Speaker 3: Amount pictures? What was on the phone to a guy 37 00:01:54,040 --> 00:01:58,520 Speaker 3: by the name of Devon? Yes, now, Devon is one 38 00:01:58,560 --> 00:02:05,240 Speaker 3: of the EPs and development content development managers at Paramount. 39 00:02:05,840 --> 00:02:11,080 Speaker 1: Get Out And what on earth was Devon talking to you? 40 00:02:11,160 --> 00:02:12,760 Speaker 3: Or I wanted to know what this would look like 41 00:02:12,800 --> 00:02:15,360 Speaker 3: as a movie? Had I had it turned into a script? Yet? 42 00:02:15,560 --> 00:02:17,919 Speaker 3: Will I get it turned into a script? Who would 43 00:02:18,000 --> 00:02:21,960 Speaker 3: play the characters? And should this be made? Could this be? 44 00:02:22,120 --> 00:02:24,800 Speaker 3: Could there be an American version? If this was based 45 00:02:25,800 --> 00:02:29,320 Speaker 3: by the beach, South Beach, Miami, Florida? 46 00:02:29,800 --> 00:02:32,760 Speaker 1: And so was it a positive call? Like did you 47 00:02:32,840 --> 00:02:33,720 Speaker 1: book this time. 48 00:02:35,919 --> 00:02:38,520 Speaker 3: Just for the Florida? Just drop Florida or any people 49 00:02:38,520 --> 00:02:39,080 Speaker 3: will be fine to. 50 00:02:39,160 --> 00:02:43,200 Speaker 1: Just three or five? Yeah, oh I've got one. Wait 51 00:02:43,240 --> 00:02:43,880 Speaker 1: where were you? 52 00:02:43,919 --> 00:02:50,560 Speaker 2: Where was where Miami Floridai. 53 00:02:51,200 --> 00:02:56,520 Speaker 3: So he then said, we really love the story. We 54 00:02:56,560 --> 00:02:58,440 Speaker 3: got put onto it by a friend who heard the 55 00:02:58,480 --> 00:03:02,280 Speaker 3: audio book. Kate rich Kay, Richie, Isla Fisher, Yes, Isla 56 00:03:02,360 --> 00:03:05,200 Speaker 3: Fisher No. And this is the tricky thing. I'm not 57 00:03:05,240 --> 00:03:07,040 Speaker 3: going to need to call Ala Fisher and say, hey, 58 00:03:07,400 --> 00:03:09,760 Speaker 3: you spoke spoke about buying the rights to this story. 59 00:03:09,960 --> 00:03:13,080 Speaker 3: I've not now got Paramount Pitchers wanting to jump on 60 00:03:13,080 --> 00:03:15,600 Speaker 3: this reeks of a bidding water, doesn't it Now you 61 00:03:15,680 --> 00:03:20,519 Speaker 3: need leverage in any negotiation. They know who it is, 62 00:03:20,520 --> 00:03:22,000 Speaker 3: Isla and Sasha Baron k I'm. 63 00:03:21,919 --> 00:03:24,760 Speaker 1: Going to say, you've got this borat going. 64 00:03:24,960 --> 00:03:27,680 Speaker 3: This is the next big thing. Now when I speak 65 00:03:27,720 --> 00:03:29,920 Speaker 3: to Paramount Pittchures next week, Jess as part of my 66 00:03:29,960 --> 00:03:32,320 Speaker 3: management team, we're going to need to hit them hard 67 00:03:32,400 --> 00:03:34,840 Speaker 3: and go, guys, this is this is how you pretend 68 00:03:34,880 --> 00:03:37,360 Speaker 3: to be Paramount Pittures. Okay, and I will be me. 69 00:03:37,680 --> 00:03:43,360 Speaker 2: All right, giddy Michael, I mean I don't take it. Hey, Michael, 70 00:03:43,400 --> 00:03:45,120 Speaker 2: it's Devin here. How are you hey? 71 00:03:45,240 --> 00:03:47,640 Speaker 3: Dev? Yeah? 72 00:03:48,160 --> 00:03:50,720 Speaker 2: Sorry, man, I normally lead these chats and it's don't 73 00:03:50,720 --> 00:03:53,000 Speaker 2: have much time for chit chat. Hope balls well down 74 00:03:53,080 --> 00:03:56,320 Speaker 2: onder talk to me about this film. Man, we can 75 00:03:56,400 --> 00:03:57,680 Speaker 2: really see it getting up there. 76 00:03:58,040 --> 00:04:00,360 Speaker 3: I don't have to stop your dev please go on, Dev, 77 00:04:00,400 --> 00:04:02,080 Speaker 3: How do I put this? We've got a bit of 78 00:04:02,120 --> 00:04:04,640 Speaker 3: an issue. We're got a problem down under. 79 00:04:05,280 --> 00:04:07,240 Speaker 1: Oh no, if you got crabs again. 80 00:04:07,320 --> 00:04:09,200 Speaker 3: I'm gonna have to crack the whip on this, Dev. 81 00:04:09,560 --> 00:04:10,320 Speaker 1: Crack yourself. 82 00:04:10,440 --> 00:04:12,840 Speaker 3: No, no, sorry, that's an aussy slang term. Crack the whip. 83 00:04:12,880 --> 00:04:13,760 Speaker 1: You're cracking one out. 84 00:04:14,280 --> 00:04:15,120 Speaker 3: Shut up, Devon. 85 00:04:15,520 --> 00:04:15,720 Speaker 1: WHOA. 86 00:04:16,160 --> 00:04:17,080 Speaker 3: I don't like your name. 87 00:04:18,200 --> 00:04:19,599 Speaker 1: I don't like how your taste on bread. 88 00:04:19,760 --> 00:04:24,040 Speaker 3: No with tomato sauce. It can be okay anyway, Devin, 89 00:04:24,200 --> 00:04:27,640 Speaker 3: here's the issue. You heard of the movie Borat Yeah, 90 00:04:27,800 --> 00:04:29,200 Speaker 3: played by Sasha Baron Cohen. 91 00:04:29,320 --> 00:04:29,520 Speaker 1: Yeah. 92 00:04:29,680 --> 00:04:31,200 Speaker 3: Have you heard of his wife, Isla Fisher. 93 00:04:31,680 --> 00:04:33,400 Speaker 1: I'm super stunny. 94 00:04:35,000 --> 00:04:37,720 Speaker 3: Devon for the bor right here? This is serious. 95 00:04:37,839 --> 00:04:38,440 Speaker 1: Sorry, go on. 96 00:04:39,160 --> 00:04:41,039 Speaker 3: They approached me first, and I got to be honest 97 00:04:41,080 --> 00:04:43,120 Speaker 3: with you. They want the movie rights. You're coming to 98 00:04:43,160 --> 00:04:45,640 Speaker 3: be heavy over here from Paramount Pictures. I know you're 99 00:04:45,640 --> 00:04:47,920 Speaker 3: the eight ton gorilla, You're the beast in the game, 100 00:04:48,320 --> 00:04:50,920 Speaker 3: but I've got to go with my rights here over 101 00:04:50,960 --> 00:04:53,159 Speaker 3: with Isle of Fisher and Sasha Baron Cohen. They jumped 102 00:04:53,160 --> 00:04:55,760 Speaker 3: in first, So what are you going to do, Devon? 103 00:04:56,040 --> 00:04:58,040 Speaker 3: What are you going to do? Secure this story? 104 00:04:58,120 --> 00:05:00,840 Speaker 1: Can I say to you? What was it? 105 00:05:00,880 --> 00:05:05,000 Speaker 2: We're personally Loyalty does not get you far over here 106 00:05:05,040 --> 00:05:06,039 Speaker 2: in Hollywood. Man. 107 00:05:06,560 --> 00:05:09,279 Speaker 3: They've offered me fifty million dollars to keep the rights. 108 00:05:09,400 --> 00:05:11,719 Speaker 2: That's a lot of money and we would never offer 109 00:05:11,760 --> 00:05:14,400 Speaker 2: you that much. You should take that off. You got 110 00:05:14,440 --> 00:05:18,440 Speaker 2: forty We have nothing close to what have we got? 111 00:05:18,720 --> 00:05:21,800 Speaker 2: We've got a Blu Ray at least on Blu Ray. 112 00:05:21,960 --> 00:05:25,440 Speaker 3: Oh well, it looks like we don't have a deal, Devon. 113 00:05:26,200 --> 00:05:31,880 Speaker 1: Looks like you're rope Creek without a off Devon the meeting, 114 00:05:31,960 --> 00:05:34,440 Speaker 1: Sorry Devon, he snapped that, this is me coming on. 115 00:05:34,680 --> 00:05:36,479 Speaker 1: Sorry Devon, We'll just have to cut off there. 116 00:05:36,880 --> 00:05:40,800 Speaker 2: My client is unfortunately suffering it a nervous breakdown, hungover, 117 00:05:41,839 --> 00:05:42,880 Speaker 2: and Devon's hung off. 118 00:05:43,120 --> 00:05:46,080 Speaker 3: Okay, so that's not how the call went. The call 119 00:05:46,360 --> 00:05:47,800 Speaker 3: ended with me saying, why. 120 00:05:47,640 --> 00:05:49,480 Speaker 1: Did we practice the call? You've already done? 121 00:05:50,200 --> 00:05:56,920 Speaker 3: Because actually, sorry, that was next week's care. I hope 122 00:05:56,960 --> 00:05:58,920 Speaker 3: it goes better than that, sure, I hope they buy 123 00:05:58,960 --> 00:06:01,320 Speaker 3: the line. What I'm teaching your Jess is about leverage. 124 00:06:01,600 --> 00:06:05,920 Speaker 3: Now in that negation, learning with now. I probably didn't 125 00:06:06,520 --> 00:06:09,800 Speaker 3: use Arla Fisher and Sasha Baron Kahn well enough then, 126 00:06:10,640 --> 00:06:12,760 Speaker 3: because it would have been great to have Arla Fisher 127 00:06:12,800 --> 00:06:16,679 Speaker 3: on the phone or even someone impersonating her to talk to, Actually, Devon. 128 00:06:17,480 --> 00:06:19,000 Speaker 1: Do you need me to do the role of Devon 129 00:06:19,080 --> 00:06:21,920 Speaker 1: and Isla too much? Do you want to call Kate? 130 00:06:23,360 --> 00:06:24,400 Speaker 3: She knows Isla, doesn't she? 131 00:06:24,720 --> 00:06:24,840 Speaker 2: No? 132 00:06:24,960 --> 00:06:26,880 Speaker 1: I thought Kate could play the role of Isla in 133 00:06:26,880 --> 00:06:27,240 Speaker 1: our role. 134 00:06:27,279 --> 00:06:28,360 Speaker 3: Can we call Kate now? 135 00:06:28,800 --> 00:06:30,920 Speaker 1: I think she's in a She had an eleven thirty. 136 00:06:31,000 --> 00:06:33,200 Speaker 3: Anyway, So I'm meeting with Paramount again next week at a 137 00:06:33,240 --> 00:06:35,560 Speaker 3: phone call with them, and I'm hoping to get something 138 00:06:35,720 --> 00:06:38,040 Speaker 3: just in writing. That's all it is. 139 00:06:38,120 --> 00:06:41,279 Speaker 2: I love this journey. I wish you every success. I 140 00:06:41,320 --> 00:06:43,640 Speaker 2: mean that so genuinely. The book is amazing. It is 141 00:06:43,720 --> 00:06:50,839 Speaker 2: available at the far too person you writing a dot com. 142 00:06:50,240 --> 00:06:51,040 Speaker 1: Contractually? 143 00:06:51,960 --> 00:06:54,080 Speaker 3: No, I haven't right the audiobook. What did you think 144 00:06:54,080 --> 00:06:56,119 Speaker 3: of the love? You haven't heard? You said you hadn't? 145 00:06:58,400 --> 00:07:00,160 Speaker 3: I mean you across this story? 146 00:07:00,440 --> 00:07:01,840 Speaker 2: I mean, what more do you want from me? I've 147 00:07:01,839 --> 00:07:05,400 Speaker 2: come in on my holidays. I'm doing this podcast with you. 148 00:07:05,440 --> 00:07:07,719 Speaker 2: I can't hear the whole book, can I I. 149 00:07:07,760 --> 00:07:09,320 Speaker 3: Can't hear the whole book and be define at the 150 00:07:09,320 --> 00:07:09,680 Speaker 3: same time. 151 00:07:09,720 --> 00:07:10,920 Speaker 1: And now I'm going to come over to your place 152 00:07:10,920 --> 00:07:11,720 Speaker 1: and help you pack some. 153 00:07:11,880 --> 00:07:13,960 Speaker 3: Thank you, Jess Pleasure, Let's get packing. 154 00:07:14,800 --> 00:07:17,680 Speaker 2: Dizzy and Wepper with Kate Ritchie is a Nova podcast. 155 00:07:17,800 --> 00:07:20,880 Speaker 1: For more great comedy shows like this, head to novapodcast 156 00:07:20,920 --> 00:07:21,960 Speaker 1: dot com. Jod Au