1
00:00:05,921 --> 00:00:07,281
Speaker 1: Approache production.

2
00:00:11,521 --> 00:00:15,321
Speaker 2: On this episode of We Will Always Have, really really

3
00:00:15,361 --> 00:00:19,721
Speaker 2: have to ask you, are you sure I can't go through?

4
00:00:19,921 --> 00:00:20,921
Speaker 3: No? Nor can I.

5
00:00:21,161 --> 00:00:24,800
Speaker 4: Okay, you're making yourself out to be the person here

6
00:00:24,841 --> 00:00:26,521
Speaker 4: that had the most trauma.

7
00:00:26,841 --> 00:00:30,321
Speaker 3: I was the one that was traumatic.

8
00:00:30,001 --> 00:00:33,121
Speaker 2: Because who had to face the people to say she's

9
00:00:33,241 --> 00:00:39,161
Speaker 2: in there shitting herself. This is season four of We

10
00:00:39,281 --> 00:00:42,400
Speaker 2: Will Always Have, where me and Chrissy are exploring the

11
00:00:42,441 --> 00:00:45,760
Speaker 2: Blue Mountains, a place that I have visited countless times

12
00:00:45,760 --> 00:00:46,001
Speaker 2: as a.

13
00:00:46,081 --> 00:00:48,161
Speaker 1: Child and my parents now call home.

14
00:00:48,321 --> 00:00:50,720
Speaker 2: I love it here. It is the depths of winter.

15
00:00:51,161 --> 00:00:54,921
Speaker 2: It is cold. We've spent a very busy five days

16
00:00:54,961 --> 00:00:58,041
Speaker 2: doing a bunch of activities and sitting down and just

17
00:00:58,121 --> 00:01:01,521
Speaker 2: having a laugh. So please enjoy season four.

18
00:01:01,441 --> 00:01:06,121
Speaker 1: Of We Will Always Have to hold a little intervention

19
00:01:06,241 --> 00:01:08,241
Speaker 1: with you or with me? Yes, with you?

20
00:01:08,281 --> 00:01:09,241
Speaker 3: God? What have I done? Now?

21
00:01:09,840 --> 00:01:11,401
Speaker 2: Do you remember what the first thing you said to

22
00:01:11,441 --> 00:01:13,321
Speaker 2: me when you picked me up at penus station.

23
00:01:13,321 --> 00:01:16,481
Speaker 3: Was no, hurry up and giddy and let's go.

24
00:01:17,121 --> 00:01:19,121
Speaker 1: It wasn't hurry up. You took me bloody time. Now,

25
00:01:19,121 --> 00:01:21,081
Speaker 1: it was no, no, no. I'm a good driver. I am

26
00:01:21,121 --> 00:01:22,601
Speaker 1: a good driver. I'm a good driver.

27
00:01:23,521 --> 00:01:25,481
Speaker 2: I'm a top driver, Christine.

28
00:01:25,681 --> 00:01:26,401
Speaker 3: Do you think I'm not?

29
00:01:26,681 --> 00:01:29,041
Speaker 2: Oh, Christine, I know I'm not a good driver. I

30
00:01:29,041 --> 00:01:31,241
Speaker 2: can admit that I am not good at driving.

31
00:01:31,241 --> 00:01:32,441
Speaker 3: Do you think i'm quite.

32
00:01:32,280 --> 00:01:34,560
Speaker 1: Oh, Christine? Okay, well I've written the list.

33
00:01:34,761 --> 00:01:36,121
Speaker 3: Oh here we go.

34
00:01:36,241 --> 00:01:43,961
Speaker 2: Okay. Christine goes sixty five in an eighty zone, then

35
00:01:44,041 --> 00:01:48,961
Speaker 2: winters about people being right up her bum and says

36
00:01:49,361 --> 00:01:52,001
Speaker 2: spaeding kills, spading kills.

37
00:01:52,081 --> 00:01:56,001
Speaker 3: Mini yaris. I can hardly get it.

38
00:01:56,001 --> 00:01:57,361
Speaker 1: It was on the flat surface.

39
00:01:57,601 --> 00:01:59,161
Speaker 2: Did he just flushes lights at me?

40
00:01:59,241 --> 00:02:01,881
Speaker 1: And in my head, I'm sitting there going Kristy, and

41
00:02:02,121 --> 00:02:06,001
Speaker 1: you're doing sixty in an eighty.

42
00:02:05,561 --> 00:02:08,961
Speaker 2: But speeding kills Christiane, I'm like yet, but also going

43
00:02:09,081 --> 00:02:12,201
Speaker 2: twenty kilometers under the speed limit and having someone up

44
00:02:12,201 --> 00:02:15,281
Speaker 2: your bum can also be a recipe for disaster.

45
00:02:15,121 --> 00:02:16,441
Speaker 3: Being very harsh.

46
00:02:16,520 --> 00:02:20,721
Speaker 1: I don't think I am. Okay. Then Christine proceeds to

47
00:02:20,761 --> 00:02:21,960
Speaker 1: go sixty in or forty zone.

48
00:02:24,841 --> 00:02:29,441
Speaker 2: Spreading kills, Chris, he's spreeding kills. You got right up

49
00:02:29,441 --> 00:02:32,520
Speaker 2: this person's ass, and I'm like the forty.

50
00:02:32,641 --> 00:02:37,321
Speaker 3: Very conscious of the car lengths between the cars, okay,

51
00:02:37,601 --> 00:02:38,240
Speaker 3: five lengths.

52
00:02:38,601 --> 00:02:45,641
Speaker 2: We need to talk about lane merging, Christine, you are

53
00:02:45,680 --> 00:02:47,520
Speaker 2: one of those people. This could just come down to

54
00:02:47,561 --> 00:02:51,321
Speaker 2: the fact I see the lane is ending, the lane,

55
00:02:51,441 --> 00:02:55,201
Speaker 2: the lane is soon. I'm in a vehicle that struggles

56
00:02:55,240 --> 00:02:57,761
Speaker 2: to maintain a speed. So what I'm going to do

57
00:02:58,161 --> 00:03:00,441
Speaker 2: is slow right down to all those people in the

58
00:03:00,481 --> 00:03:04,521
Speaker 2: overtaking link and get past me, and then I'll bit

59
00:03:04,520 --> 00:03:09,081
Speaker 2: at the back of all those people. Can see it's all.

60
00:03:08,960 --> 00:03:09,721
Speaker 1: The lady's heading.

61
00:03:09,881 --> 00:03:12,001
Speaker 2: She goes from sixty to them, does the speed limit

62
00:03:12,041 --> 00:03:15,081
Speaker 2: of eighty, gets into the single lane now, and then

63
00:03:15,201 --> 00:03:18,521
Speaker 2: coasts back down to sixty, and there's all these people

64
00:03:18,520 --> 00:03:21,960
Speaker 2: are parass and I am stressed to the fucking eyeballs.

65
00:03:23,081 --> 00:03:24,800
Speaker 2: It is so stressful.

66
00:03:25,520 --> 00:03:26,041
Speaker 1: Okay.

67
00:03:26,281 --> 00:03:30,761
Speaker 2: The other issue, there's so many more, many more when

68
00:03:31,041 --> 00:03:36,401
Speaker 2: merging is I think the overarching problem is street signs

69
00:03:36,521 --> 00:03:40,761
Speaker 2: are there to be read. And what I'm getting is

70
00:03:41,401 --> 00:03:44,161
Speaker 2: one you're not even ready the speed limits eighty. You're like,

71
00:03:44,761 --> 00:03:47,521
Speaker 2: is it I'm like, well, we've passed four signs that

72
00:03:47,641 --> 00:03:51,001
Speaker 2: say eighty in a big red circle, so yes it is.

73
00:03:51,481 --> 00:03:55,561
Speaker 2: And then every time a lane ends, you're like, I'm like,

74
00:03:55,881 --> 00:03:59,081
Speaker 2: there's five arrows on the road that tell you there's

75
00:03:59,321 --> 00:04:00,921
Speaker 2: three signs that say.

76
00:04:00,721 --> 00:04:04,001
Speaker 1: Five hundred meters the lane will end. Two hundred meters

77
00:04:04,081 --> 00:04:04,721
Speaker 1: the lane will and.

78
00:04:04,761 --> 00:04:12,841
Speaker 2: You're we're driving on fucking gravel and oh okay, what

79
00:04:12,881 --> 00:04:15,881
Speaker 2: else have I got written down here? Well, it's to

80
00:04:15,921 --> 00:04:18,441
Speaker 2: do with the sign. This is not reading the signs.

81
00:04:18,441 --> 00:04:20,281
Speaker 3: Well, because I'm listening to you.

82
00:04:20,401 --> 00:04:23,720
Speaker 2: We could go left to Bathist, oh this is you,

83
00:04:23,880 --> 00:04:28,161
Speaker 2: or right to Katoomba. Right. Chrissy throws on her indicator

84
00:04:28,201 --> 00:04:30,400
Speaker 2: to go to Bathists and I'm like, we're going home.

85
00:04:30,601 --> 00:04:33,880
Speaker 2: This is home. There's a big fuck off sign literally

86
00:04:33,921 --> 00:04:34,681
Speaker 2: in your face.

87
00:04:35,320 --> 00:04:38,841
Speaker 3: What did you do yesterday? When I was driving you said, Chris.

88
00:04:38,481 --> 00:04:40,641
Speaker 2: My buttole and praying for deal lite.

89
00:04:40,921 --> 00:04:43,361
Speaker 3: You said to me, Quissy, go right here. I want

90
00:04:43,361 --> 00:04:44,041
Speaker 3: you to go right.

91
00:04:44,761 --> 00:04:46,721
Speaker 1: I said, okay, I'll go right, and then I said

92
00:04:46,761 --> 00:04:47,601
Speaker 1: I met the other right.

93
00:04:47,801 --> 00:04:49,441
Speaker 3: I met the other right, which was my fault.

94
00:04:49,521 --> 00:04:50,440
Speaker 1: That's not yourself.

95
00:04:50,561 --> 00:04:52,681
Speaker 2: I own that I'm not good with my left and

96
00:04:52,761 --> 00:04:55,841
Speaker 2: rights in this instance, I said nothing because there was

97
00:04:55,880 --> 00:04:58,520
Speaker 2: a fuck off sign that said left to Katomba, and

98
00:04:58,561 --> 00:05:01,681
Speaker 2: I thought it was obvious that's where we're staying. And

99
00:05:01,721 --> 00:05:03,241
Speaker 2: you get in the right hand line and throw your

100
00:05:03,281 --> 00:05:05,921
Speaker 2: right hand indicator on, and I was like, you might

101
00:05:05,961 --> 00:05:07,281
Speaker 2: want to go, I put my hat.

102
00:05:07,841 --> 00:05:11,880
Speaker 4: I have terrible orientate. To orientate me, I like to

103
00:05:11,921 --> 00:05:13,601
Speaker 4: put me. I have no idea.

104
00:05:13,761 --> 00:05:16,361
Speaker 2: Look that's fine. I'm also very bad. But I have

105
00:05:16,521 --> 00:05:21,961
Speaker 2: put steps in place, steps in place, a GPS, GPS.

106
00:05:22,281 --> 00:05:25,041
Speaker 3: But my GPS thing lies to me get.

107
00:05:24,880 --> 00:05:26,641
Speaker 2: A new fucking GPS.

108
00:05:26,841 --> 00:05:29,561
Speaker 3: I need a new phone. But it lies why.

109
00:05:29,440 --> 00:05:31,801
Speaker 2: I'm so angry at you. I'm just I shouldn't be so.

110
00:05:32,521 --> 00:05:33,841
Speaker 3: God, you're really painted.

111
00:05:34,001 --> 00:05:36,961
Speaker 2: But look, there's a couple more things a couple. So

112
00:05:37,401 --> 00:05:39,801
Speaker 2: there's a lot of roads that might need a bit

113
00:05:39,841 --> 00:05:42,081
Speaker 2: of potholes filling in here and there, there's a lot

114
00:05:42,081 --> 00:05:45,681
Speaker 2: of potholes. Look, the car is one pothole away from

115
00:05:45,801 --> 00:05:51,041
Speaker 2: the axle snapping in half. And the potholes are the

116
00:05:51,081 --> 00:05:54,681
Speaker 2: size of maybe two meters wide, so they're very visible.

117
00:05:54,801 --> 00:05:57,281
Speaker 3: And what are you saying that I haven't spotted them?

118
00:05:57,841 --> 00:06:02,241
Speaker 2: So I gave you, I think, one chance to see

119
00:06:02,241 --> 00:06:06,121
Speaker 2: a pothole on this trip and to avoid it throw

120
00:06:06,241 --> 00:06:06,640
Speaker 2: into it.

121
00:06:06,681 --> 00:06:09,281
Speaker 1: And it was like and I was like, oh my god,

122
00:06:09,281 --> 00:06:11,121
Speaker 1: how is the car still functioning after this?

123
00:06:11,561 --> 00:06:14,921
Speaker 2: And so every time there's a pothole pothole and I

124
00:06:14,961 --> 00:06:17,041
Speaker 2: can see it, and I'm like, you sort.

125
00:06:16,921 --> 00:06:19,041
Speaker 1: Of don't see it, and then you swerve at the

126
00:06:19,121 --> 00:06:23,681
Speaker 1: last minute. I got the general sense that I'm.

127
00:06:23,481 --> 00:06:27,361
Speaker 2: Like, what is she thinking about or looking at while driving?

128
00:06:27,401 --> 00:06:30,440
Speaker 2: Because it's not the street science, it's not the potholes

129
00:06:30,440 --> 00:06:31,001
Speaker 2: in the road.

130
00:06:31,721 --> 00:06:33,081
Speaker 1: She said she was a good driver.

131
00:06:33,241 --> 00:06:36,720
Speaker 2: I am like I tell people, I'm not a good driver.

132
00:06:37,001 --> 00:06:38,881
Speaker 1: I'm not very good, and I do all.

133
00:06:38,761 --> 00:06:41,481
Speaker 2: The things you do, but I admit and I own

134
00:06:41,641 --> 00:06:42,281
Speaker 2: those things.

135
00:06:42,361 --> 00:06:45,080
Speaker 3: I don't think I've got anything. I think I'm a

136
00:06:45,121 --> 00:06:46,401
Speaker 3: good safe driver.

137
00:06:47,681 --> 00:06:50,041
Speaker 2: Yeah, ask your children.

138
00:06:50,761 --> 00:06:51,521
Speaker 1: They'll probably lie to you.

139
00:06:51,601 --> 00:06:56,161
Speaker 3: Thoo, am I a good driver? Ricardo Well won't ask

140
00:06:56,241 --> 00:06:58,681
Speaker 3: him because he thinks I won't ask him.

141
00:06:58,681 --> 00:06:59,721
Speaker 1: He never lets me drive.

142
00:07:00,121 --> 00:07:06,161
Speaker 2: I wonder why, you know. I very passionate about my

143
00:07:06,241 --> 00:07:10,561
Speaker 2: cafe experience. I just want the simple things in life.

144
00:07:11,321 --> 00:07:15,561
Speaker 2: Eggs on toast side of smoke salmon. I don't think

145
00:07:15,561 --> 00:07:16,761
Speaker 2: it's a lot to k I don't think it's a

146
00:07:16,761 --> 00:07:19,441
Speaker 2: lot to ask either. You go to a cafe, you're

147
00:07:19,521 --> 00:07:22,840
Speaker 2: sitting there, you're having a great time. There is one

148
00:07:23,441 --> 00:07:28,321
Speaker 2: type of person that ruins cafe experiences for me.

149
00:07:28,841 --> 00:07:29,961
Speaker 1: And do you know who that type of was?

150
00:07:30,041 --> 00:07:32,201
Speaker 3: I'm waiting to hear with baited breath go.

151
00:07:32,761 --> 00:07:37,201
Speaker 2: Dog people, not the dogs.

152
00:07:37,441 --> 00:07:38,160
Speaker 1: It's not the dogs.

153
00:07:38,241 --> 00:07:38,881
Speaker 3: It's not the dogs.

154
00:07:38,881 --> 00:07:39,721
Speaker 2: It's the dog people.

155
00:07:40,041 --> 00:07:42,161
Speaker 3: And what sets them apart from other people?

156
00:07:42,201 --> 00:07:47,561
Speaker 2: Do you think they think they're fucking dogs are the greatest, cutest,

157
00:07:47,681 --> 00:07:53,081
Speaker 2: most amazing thing. And they bring them inside and they

158
00:07:53,161 --> 00:07:56,841
Speaker 2: let them back smith, they let them loose, they let

159
00:07:56,921 --> 00:08:01,041
Speaker 2: them sit at the table. Oh, it's in fucking sufferable.

160
00:08:01,201 --> 00:08:02,441
Speaker 3: I don't like it myself.

161
00:08:02,521 --> 00:08:06,720
Speaker 4: Look, if it's an outside venue, look lovely, lovely, that's fine.

162
00:08:06,761 --> 00:08:10,121
Speaker 4: You sit away fit. The dog sits under the chair.

163
00:08:10,241 --> 00:08:12,521
Speaker 4: They've gone out for a walk and they've decided.

164
00:08:12,161 --> 00:08:13,321
Speaker 3: To pop in for coffee.

165
00:08:13,521 --> 00:08:17,881
Speaker 4: If you were going to go undercover into a restaurant

166
00:08:17,961 --> 00:08:22,401
Speaker 4: with bricks and mortar and have an animal sit there

167
00:08:23,361 --> 00:08:25,521
Speaker 4: and then bark when that dog barked.

168
00:08:25,521 --> 00:08:28,721
Speaker 2: So we went to a cafe recently up in the mountains,

169
00:08:28,801 --> 00:08:32,081
Speaker 2: gorgeous cafe. You walk in and says pet friendly, we're

170
00:08:32,121 --> 00:08:32,681
Speaker 2: pet friendly.

171
00:08:34,801 --> 00:08:36,281
Speaker 1: Oh, that should have been the first time.

172
00:08:36,761 --> 00:08:39,801
Speaker 2: And those dogs are everywhere. Every fucker has a dog.

173
00:08:39,841 --> 00:08:41,881
Speaker 2: And look, I understand a lot of people have.

174
00:08:41,921 --> 00:08:45,321
Speaker 3: Dogs dogs, fair baby, but I.

175
00:08:45,241 --> 00:08:49,401
Speaker 2: Think you're crazy. He's friendly, he's friendly, And this dog

176
00:08:49,601 --> 00:08:52,401
Speaker 2: was sitting just behind us and just bark.

177
00:08:53,721 --> 00:08:55,841
Speaker 1: Scared the fucking shit out of the two of us.

178
00:08:56,161 --> 00:08:59,041
Speaker 2: We shoultered, did almost got whiplash.

179
00:08:59,201 --> 00:08:59,601
Speaker 3: I did.

180
00:08:59,841 --> 00:09:04,361
Speaker 2: And then it was like this, oh stop stop and.

181
00:09:04,361 --> 00:09:04,961
Speaker 1: It did it again.

182
00:09:05,241 --> 00:09:07,441
Speaker 2: Oh don't this is the owner.

183
00:09:07,521 --> 00:09:08,201
Speaker 1: No stop.

184
00:09:08,481 --> 00:09:12,041
Speaker 2: I'm like, you fucking take that thing outside. Okay, it

185
00:09:12,081 --> 00:09:14,441
Speaker 2: doesn't get a second chest it did it again. I

186
00:09:14,481 --> 00:09:17,641
Speaker 2: was like, I can't eat here anymore. I am on tenderhook.

187
00:09:17,721 --> 00:09:19,561
Speaker 2: Like I don't like noises.

188
00:09:20,161 --> 00:09:23,321
Speaker 1: My nerves were were gone. Do you know.

189
00:09:23,441 --> 00:09:25,841
Speaker 2: I've got a phobia of balloons. And the reason why

190
00:09:25,881 --> 00:09:28,401
Speaker 2: they hate balloons is because at any moment they can

191
00:09:28,441 --> 00:09:30,881
Speaker 2: pop make a loud noise, and I don't like it.

192
00:09:30,881 --> 00:09:33,481
Speaker 2: It's the same for dogs, Yes, any moment they can

193
00:09:33,521 --> 00:09:37,401
Speaker 2: bark at anything. She wasn't even barking at anything, and

194
00:09:37,441 --> 00:09:41,681
Speaker 2: it was that big, loud, guttural bark and it hurts

195
00:09:41,721 --> 00:09:45,761
Speaker 2: your ears.

196
00:09:46,001 --> 00:09:46,801
Speaker 1: I'm like, I don't care.

197
00:09:47,321 --> 00:09:49,841
Speaker 2: This is a human cafe for humans.

198
00:09:49,481 --> 00:09:50,241
Speaker 1: Exactly right.

199
00:09:50,321 --> 00:09:51,281
Speaker 3: No, it's not my fan.

200
00:09:51,401 --> 00:09:54,401
Speaker 4: I'm not a fan of animals inside apart from you know,

201
00:09:54,401 --> 00:09:56,041
Speaker 4: when you're out and about and gone for a walk,

202
00:09:56,201 --> 00:09:58,961
Speaker 4: right and you go, oh, let's stop in for a coffee.

203
00:09:58,961 --> 00:10:02,721
Speaker 4: That's fine outside, I don't look. Yes, side, fine, it's fine,

204
00:10:03,081 --> 00:10:03,801
Speaker 4: not inside.

205
00:10:03,921 --> 00:10:04,881
Speaker 1: I'll go sit inside.

206
00:10:05,321 --> 00:10:08,761
Speaker 2: Have your dog space outside. The other thing I witnessed

207
00:10:08,841 --> 00:10:10,881
Speaker 2: in in a cafe and I was in the inner

208
00:10:10,881 --> 00:10:14,761
Speaker 2: Western Sydney. The fucking worst was this woman had a

209
00:10:14,801 --> 00:10:18,401
Speaker 2: small dog off the leash and it was just roaming around,

210
00:10:19,401 --> 00:10:22,721
Speaker 2: just roaming around. Don't come anywhere near me, yuck, No,

211
00:10:22,881 --> 00:10:27,161
Speaker 2: I don't go that dog now I go. That owner

212
00:10:27,401 --> 00:10:32,241
Speaker 2: is not respecting one the space and two the safety

213
00:10:32,321 --> 00:10:34,801
Speaker 2: for the poor dog he is running around. The other

214
00:10:34,841 --> 00:10:37,881
Speaker 2: thing I get is he's running around greeting other dogs,

215
00:10:38,521 --> 00:10:40,881
Speaker 2: but he's friendly. I'm like, I don't care if he's friendly.

216
00:10:41,401 --> 00:10:45,441
Speaker 2: The other dog on the lead tucked away may not

217
00:10:45,521 --> 00:10:47,921
Speaker 2: be friendly and it'll attack him anyway.

218
00:10:47,921 --> 00:10:50,561
Speaker 1: The dog goes into the kitchen. I see it going

219
00:10:50,561 --> 00:10:53,121
Speaker 1: into the kitchen, and the staff are like, oh, so.

220
00:10:53,161 --> 00:10:55,921
Speaker 2: The lady picks up the dog, brings it out, and

221
00:10:55,921 --> 00:10:58,921
Speaker 2: it's like, whose dog is this? The dog owner goes,

222
00:10:59,041 --> 00:11:01,801
Speaker 2: excuse me, please don't pick up my dog, and I

223
00:11:01,921 --> 00:11:07,681
Speaker 2: was like, who the fuck is the bit. I wanted

224
00:11:07,721 --> 00:11:10,041
Speaker 2: to stand up and say, maybe put your dog in

225
00:11:10,081 --> 00:11:12,281
Speaker 2: a lead so it doesn't walk into the kitchen. The

226
00:11:12,361 --> 00:11:14,441
Speaker 2: waitress was like, oh, he was just in the kitchen, Okay,

227
00:11:14,441 --> 00:11:15,161
Speaker 2: you can put him down.

228
00:11:15,201 --> 00:11:16,001
Speaker 1: Please put him down.

229
00:11:16,241 --> 00:11:19,561
Speaker 2: And I was like, take your fucking dog and your

230
00:11:19,561 --> 00:11:22,321
Speaker 2: coffee and get out.

231
00:11:22,601 --> 00:11:26,441
Speaker 3: Very very passionate. I can see the passion.

232
00:11:26,641 --> 00:11:29,801
Speaker 2: Because dog owners are insufferable human being.

233
00:11:30,561 --> 00:11:34,001
Speaker 4: I don't just think to myself sometimes what the dog

234
00:11:34,041 --> 00:11:35,121
Speaker 4: do you?

235
00:11:35,201 --> 00:11:35,841
Speaker 3: No?

236
00:11:35,841 --> 00:11:37,321
Speaker 1: No, have you ever here?

237
00:11:37,361 --> 00:11:39,401
Speaker 3: We have but dogs on leads.

238
00:11:40,121 --> 00:11:42,801
Speaker 4: I don't like this new age of dog owner that

239
00:11:43,081 --> 00:11:45,641
Speaker 4: just see that they're babies and they'll pick the dog

240
00:11:45,761 --> 00:11:48,121
Speaker 4: up and they'll almost put it over their shoulder and

241
00:11:48,161 --> 00:11:48,601
Speaker 4: burb it.

242
00:11:48,681 --> 00:11:52,961
Speaker 3: You know, after it's an animal. It needs to be

243
00:11:53,001 --> 00:11:55,961
Speaker 3: on the ground. It has its own But also like.

244
00:11:56,041 --> 00:11:58,081
Speaker 1: Oh no, he doesn't like walking on a lead.

245
00:11:58,401 --> 00:12:02,401
Speaker 2: Yeah, no, I understand that. Go and live on a farm.

246
00:12:03,441 --> 00:12:05,241
Speaker 2: Don't live in the city like I live in a

247
00:12:05,281 --> 00:12:08,521
Speaker 2: high density area and there'll be dogs off the lead walking.

248
00:12:08,601 --> 00:12:11,281
Speaker 1: I'm like, why is it off the lead? It's just roads.

249
00:12:11,761 --> 00:12:14,561
Speaker 2: I don't understand it's gonna walk onto the red and

250
00:12:14,641 --> 00:12:15,121
Speaker 2: kill itself.

251
00:12:15,161 --> 00:12:16,001
Speaker 1: Like put it on the lead.

252
00:12:16,681 --> 00:12:18,201
Speaker 2: And again, I don't care if it's funny there are

253
00:12:18,201 --> 00:12:19,201
Speaker 2: other dogs around, but.

254
00:12:19,161 --> 00:12:22,481
Speaker 4: The fanatical dog owners who take their dogs and they

255
00:12:22,561 --> 00:12:27,081
Speaker 4: get groomed every other week they go doggie daycare.

256
00:12:27,641 --> 00:12:29,201
Speaker 2: Jobs for other people, job for the people.

257
00:12:29,401 --> 00:12:31,241
Speaker 4: All right then, but no, I'm not a fan of

258
00:12:31,241 --> 00:12:33,521
Speaker 4: animals in restaurants or anywhere near food.

259
00:12:33,681 --> 00:12:36,121
Speaker 2: Yeah, if you own a dog like I really love you,

260
00:12:36,201 --> 00:12:37,761
Speaker 2: just never approach me in public with.

261
00:12:37,881 --> 00:12:38,681
Speaker 3: Your dog off the lead.

262
00:12:52,281 --> 00:12:54,761
Speaker 2: Firstly, before we go into this house, do you need

263
00:12:54,801 --> 00:12:55,641
Speaker 2: to use the bathroom?

264
00:12:55,921 --> 00:12:56,441
Speaker 3: No?

265
00:12:56,441 --> 00:12:57,601
Speaker 1: No, you're good. I'm good now.

266
00:12:57,761 --> 00:13:00,401
Speaker 4: No, I'm surprised.

267
00:13:00,121 --> 00:13:02,561
Speaker 2: I've decided to take us to another open house after

268
00:13:02,601 --> 00:13:04,001
Speaker 2: the absolute disaster.

269
00:13:05,121 --> 00:13:08,481
Speaker 3: I understand your reservations, but I can promise you I'm I.

270
00:13:08,441 --> 00:13:10,761
Speaker 2: Really couldn't pass this one up because this house they're

271
00:13:10,761 --> 00:13:13,801
Speaker 2: about to see sold in twenty nineteen for three million

272
00:13:13,841 --> 00:13:17,801
Speaker 2: dollars eighty eight back House Lane, went Worth falls over there.

273
00:13:18,081 --> 00:13:18,921
Speaker 1: No, not that one.

274
00:13:19,161 --> 00:13:21,401
Speaker 3: Oh, I thought for sale on the front.

275
00:13:21,721 --> 00:13:23,201
Speaker 1: Other houses are allowed to be for sale.

276
00:13:23,561 --> 00:13:24,921
Speaker 3: I thought that's the one we were looking at.

277
00:13:25,041 --> 00:13:27,641
Speaker 2: What's interesting about this this thing is they've got two

278
00:13:27,681 --> 00:13:30,401
Speaker 2: point seven on it, so they want to.

279
00:13:30,361 --> 00:13:31,161
Speaker 1: Sell it at a loss.

280
00:13:32,041 --> 00:13:36,241
Speaker 2: Five bedrooms, five bathrooms, two cars, nestled in one of

281
00:13:36,241 --> 00:13:39,161
Speaker 2: the Blue Mountain's most coveted locations. Oh, how do you

282
00:13:39,201 --> 00:13:41,801
Speaker 2: pronounce that it's got a French sounding name, offers both

283
00:13:41,841 --> 00:13:46,481
Speaker 2: remarkable privacy and breathtaking escarpment views. Situated an hour and

284
00:13:46,521 --> 00:13:49,081
Speaker 2: a half drive west of Sydney and near the charming

285
00:13:49,121 --> 00:13:52,881
Speaker 2: villages of Wentworth Falls and Laura, this spacious and sophisticated

286
00:13:52,921 --> 00:13:58,161
Speaker 2: residence faces the iconic Mount Solitary, creating a postcard worthy backdrop.

287
00:13:58,601 --> 00:14:01,841
Speaker 2: So I've seen the photos. It's got a really good view.

288
00:14:01,881 --> 00:14:04,081
Speaker 2: So I think you're paying for the view in this way,

289
00:14:04,521 --> 00:14:08,561
Speaker 2: So in and just really really have to ask you,

290
00:14:09,161 --> 00:14:09,961
Speaker 2: are you sure?

291
00:14:11,121 --> 00:14:12,001
Speaker 1: I can't go.

292
00:14:11,921 --> 00:14:15,841
Speaker 4: Through no, nor can I okay stress nor making yourself

293
00:14:15,881 --> 00:14:19,001
Speaker 4: out to be the person here that had the most trauma.

294
00:14:19,241 --> 00:14:22,961
Speaker 3: I was the one that was traumatized.

295
00:14:22,401 --> 00:14:25,601
Speaker 2: Because who had to face the people to say she's

296
00:14:25,641 --> 00:14:28,201
Speaker 2: in there shitting herself? Me?

297
00:14:29,081 --> 00:14:30,881
Speaker 1: I would have had to have taken the branch of.

298
00:14:30,761 --> 00:14:34,001
Speaker 4: That we're never going there again, that house, We're never

299
00:14:34,041 --> 00:14:35,721
Speaker 4: going near that house ever again.

300
00:14:35,761 --> 00:14:37,161
Speaker 1: Do you know what? Do you know what I thing

301
00:14:37,161 --> 00:14:37,681
Speaker 1: I'm going to do.

302
00:14:38,041 --> 00:14:40,601
Speaker 2: What I'm going to write a children's book called Please

303
00:14:40,641 --> 00:14:42,761
Speaker 2: Don't Shot in the Open Home, and it's going to

304
00:14:42,801 --> 00:14:44,321
Speaker 2: be like a horror thriller.

305
00:14:44,961 --> 00:14:48,361
Speaker 1: He's coming up the stairs. Lock the door, Lock the door.

306
00:14:49,081 --> 00:14:51,521
Speaker 1: His voice is getting closer. Lock the door.

307
00:14:51,601 --> 00:14:52,841
Speaker 3: I can't, I can't.

308
00:14:53,801 --> 00:14:56,161
Speaker 1: All right, let's go in.

309
00:15:05,841 --> 00:15:08,321
Speaker 3: Watch the things on the ground.

310
00:15:09,081 --> 00:15:10,601
Speaker 1: Oh it's up a quaint little street.

311
00:15:10,881 --> 00:15:12,321
Speaker 3: It is very cute.

312
00:15:12,361 --> 00:15:16,201
Speaker 1: It's very mountains. Look at that entrance, Look at the gate,

313
00:15:16,761 --> 00:15:19,001
Speaker 1: the heaches, the gardens, the cobbled stone.

314
00:15:19,921 --> 00:15:23,721
Speaker 2: First impression, very gorgeous, very immaculate gardens.

315
00:15:24,761 --> 00:15:25,881
Speaker 1: Okay, just before we go.

316
00:15:25,801 --> 00:15:30,761
Speaker 3: In one one.

317
00:15:32,321 --> 00:15:34,961
Speaker 1: It's the same agents. Well I don't think they know

318
00:15:35,081 --> 00:15:36,041
Speaker 1: it was us.

319
00:15:36,681 --> 00:15:37,801
Speaker 3: Is the one from the other house.

320
00:15:37,841 --> 00:15:38,721
Speaker 1: That's the same people.

321
00:15:39,201 --> 00:15:43,561
Speaker 3: Oh god, context you do you think you.

322
00:15:43,641 --> 00:15:46,241
Speaker 1: Go in first? Or you're going without me? You're just going?

323
00:15:55,241 --> 00:16:02,521
Speaker 1: Whoa that? Wow? No, look at the sun room.

324
00:16:02,801 --> 00:16:07,241
Speaker 3: Oh, Christine, isn't the sunroom stunning? Oh god, look at that.

325
00:16:08,121 --> 00:16:10,721
Speaker 1: This view, it's a similar view to what we have

326
00:16:11,521 --> 00:16:12,121
Speaker 1: in our one.

327
00:16:12,681 --> 00:16:14,561
Speaker 3: Yeah, it's so sunny.

328
00:16:14,561 --> 00:16:16,481
Speaker 2: You just look out over the Jamison Valley and it's

329
00:16:17,161 --> 00:16:22,041
Speaker 2: really really stunning. No, it's not my style, but this view,

330
00:16:22,681 --> 00:16:26,321
Speaker 2: this view is the second house we saw. Don't really

331
00:16:26,321 --> 00:16:27,841
Speaker 2: know about the third house because we weren't there for

332
00:16:27,921 --> 00:16:31,881
Speaker 2: very long. I like that they've got four glass walls

333
00:16:32,001 --> 00:16:36,961
Speaker 2: to the view. Completely open to this view stunning. So

334
00:16:37,001 --> 00:16:40,601
Speaker 2: they're capitalized on it. But honestly, how many people could

335
00:16:40,641 --> 00:16:41,201
Speaker 2: afford this?

336
00:16:42,321 --> 00:16:48,121
Speaker 3: Nobody? But they selling it less than what they purchased

337
00:16:48,161 --> 00:16:48,401
Speaker 3: it for.

338
00:16:48,601 --> 00:16:52,081
Speaker 1: Well it's listed for two point seven. Oh what's the

339
00:16:52,121 --> 00:16:52,881
Speaker 1: bastroom like.

340
00:16:55,161 --> 00:16:55,721
Speaker 5: Bel Tween?

341
00:16:55,721 --> 00:16:56,241
Speaker 1: It's nice.

342
00:16:56,401 --> 00:16:58,081
Speaker 6: I love the bathroom tiles.

343
00:16:58,401 --> 00:17:00,001
Speaker 1: No, they're stunning.

344
00:17:00,121 --> 00:17:04,161
Speaker 2: There are gorgeous, like deep ocean blue. They're like mosaic

345
00:17:04,321 --> 00:17:08,801
Speaker 2: tiles and chapes the very seventies, but modern, modern seventies.

346
00:17:09,041 --> 00:17:09,721
Speaker 1: The rest of the house.

347
00:17:10,521 --> 00:17:12,801
Speaker 4: See, I think they've gotten really confused with the art.

348
00:17:13,600 --> 00:17:16,201
Speaker 4: We're now here in this room with a floral kind

349
00:17:16,241 --> 00:17:16,801
Speaker 4: of pace.

350
00:17:17,041 --> 00:17:21,000
Speaker 2: They've got themed wallpaper on every wall and it's not

351
00:17:21,041 --> 00:17:21,761
Speaker 2: doing it for me.

352
00:17:22,600 --> 00:17:25,840
Speaker 1: But you've just got this gorgeous it's the view. Wall

353
00:17:25,921 --> 00:17:30,921
Speaker 1: of glass. It's a wall of glass, absolutely stunning view.

354
00:17:31,521 --> 00:17:34,400
Speaker 1: Oh Christine, look at that.

355
00:17:37,761 --> 00:17:42,360
Speaker 2: We come downstairs, enormous, a huge.

356
00:17:42,041 --> 00:17:44,201
Speaker 1: Living here with a fight? Is it real? Now it's

357
00:17:44,241 --> 00:17:45,001
Speaker 1: cat's fireplace?

358
00:17:46,321 --> 00:17:49,481
Speaker 2: And then again, walls of glass. You can go out

359
00:17:49,521 --> 00:17:53,561
Speaker 2: onto a little patio, do you.

360
00:17:53,600 --> 00:17:55,240
Speaker 3: Know what I mean? It just needs somebody come in

361
00:17:55,241 --> 00:17:58,001
Speaker 3: with a new eye, go through the place, freshen it up.

362
00:17:58,080 --> 00:17:59,641
Speaker 1: I'm not a fan of the layout.

363
00:18:00,041 --> 00:18:04,880
Speaker 3: The layout, Well, you don't like the layer, the dream.

364
00:18:06,201 --> 00:18:07,441
Speaker 3: Oh I'm never getting up.

365
00:18:10,120 --> 00:18:13,640
Speaker 1: Oh I'm just gonna shot herself getting up. Oh please,

366
00:18:14,521 --> 00:18:17,441
Speaker 1: You don't know how nervous I am here. I'm so nervous.

367
00:18:19,120 --> 00:18:20,281
Speaker 5: So you come into.

368
00:18:20,120 --> 00:18:24,640
Speaker 2: Oh wow, holy shit, look at that two bunk beds

369
00:18:24,681 --> 00:18:26,081
Speaker 2: that are like built in like.

370
00:18:26,080 --> 00:18:31,321
Speaker 3: Four I have seen these in Pinterest, so it's.

371
00:18:31,321 --> 00:18:33,761
Speaker 1: Very American you go up into.

372
00:18:34,201 --> 00:18:37,600
Speaker 2: So you have a lot of kids here because this

373
00:18:37,681 --> 00:18:39,480
Speaker 2: is in the exact same bed I've got. This is

374
00:18:39,481 --> 00:18:42,960
Speaker 2: the exact same four post of bed by this whole paste,

375
00:18:43,281 --> 00:18:45,561
Speaker 2: but got a great taste just for the four post

376
00:18:45,600 --> 00:18:46,161
Speaker 2: of bed.

377
00:18:46,561 --> 00:18:48,441
Speaker 1: Do you know what goes on in here? If it's

378
00:18:48,441 --> 00:18:49,360
Speaker 1: anything like my bed?

379
00:18:49,880 --> 00:18:53,080
Speaker 6: There's some headen hooks here on them. Oh no, they

380
00:18:53,080 --> 00:18:56,521
Speaker 6: don't have books, so they're not hanging anything from the ceiling.

381
00:18:57,721 --> 00:19:01,400
Speaker 1: Yeah, this isn't for me. I take the castle over this.

382
00:19:01,721 --> 00:19:08,601
Speaker 1: Maybe not after you visited now, m oh oh my.

383
00:19:10,120 --> 00:19:17,440
Speaker 4: Oh sauna laughing, Oh wow, absolutely is a spar and sauna.

384
00:19:18,600 --> 00:19:21,281
Speaker 1: Oh my god, that's incredible.

385
00:19:22,481 --> 00:19:23,240
Speaker 5: It's nice.

386
00:19:24,241 --> 00:19:28,680
Speaker 3: But it's not two point seven no.

387
00:19:27,521 --> 00:19:36,920
Speaker 5: No, im okay, this is why I tell you. I

388
00:19:37,001 --> 00:19:38,041
Speaker 5: have to go to the toilet.

389
00:19:39,321 --> 00:19:42,001
Speaker 1: Let's go. I will not be shooting.

390
00:19:42,321 --> 00:19:44,480
Speaker 3: Do you need to go? Are you serious?

391
00:19:44,600 --> 00:19:47,561
Speaker 1: Yeah, that's okay. I can hold it. Oh, okay, I

392
00:19:47,561 --> 00:19:49,120
Speaker 1: can hold it in.

393
00:19:49,080 --> 00:19:49,561
Speaker 2: The spar.

394
00:19:52,961 --> 00:19:59,801
Speaker 6: Oh I thought we were locked down? Shall we discussing

395
00:19:59,840 --> 00:20:04,120
Speaker 6: the car? I feel Christine. My favorite part of this

396
00:20:04,561 --> 00:20:09,761
Speaker 6: is you're pocketing some lawn, don't You're stealing. We can't

397
00:20:09,801 --> 00:20:10,641
Speaker 6: just take the laundry.

398
00:20:10,721 --> 00:20:14,401
Speaker 1: Let it. It's a little I'm recording a public podcast.

399
00:20:18,160 --> 00:20:24,201
Speaker 2: Thank My favorite part is when we walked in. The

400
00:20:24,241 --> 00:20:26,841
Speaker 2: agent that greeted us was a different agent, but he's offside.

401
00:20:26,840 --> 00:20:29,281
Speaker 2: It was the one from the previous house, was he Yeah.

402
00:20:29,360 --> 00:20:33,241
Speaker 2: The new agent looked at us and it was like this,

403
00:20:34,561 --> 00:20:35,801
Speaker 2: I don't need to take your details.

404
00:20:35,880 --> 00:20:42,521
Speaker 1: You're not buying this. It's really in a really gorgeous location.

405
00:20:44,160 --> 00:20:46,481
Speaker 3: But I've worked out something. I've worked out.

406
00:20:46,561 --> 00:20:49,120
Speaker 4: The reason why they're only asking for two point seven

407
00:20:50,080 --> 00:20:56,801
Speaker 4: is because they've made three hundred thousand through airbnby.

408
00:20:55,041 --> 00:20:59,840
Speaker 3: Well, I don't see how you can much over four.

409
00:20:59,681 --> 00:21:01,921
Speaker 1: Or five years. You wouldn't be selling it.

410
00:21:02,640 --> 00:21:04,640
Speaker 3: Oh, it's not like it was.

411
00:21:08,241 --> 00:21:12,201
Speaker 2: It was just I can't even with you know, even

412
00:21:12,241 --> 00:21:13,600
Speaker 2: if I was to make it a thing.

413
00:21:14,521 --> 00:21:19,681
Speaker 1: I don't think the guy. I don't think I could

414
00:21:19,721 --> 00:21:22,401
Speaker 1: make it homely. No, like it felt very hotel.

415
00:21:22,681 --> 00:21:27,200
Speaker 3: No, it didn't feel the view was magnificenty to you.

416
00:21:28,801 --> 00:21:32,680
Speaker 3: Oh you're not going to pay anything left for a

417
00:21:32,801 --> 00:21:36,161
Speaker 3: view like that. But I think the over the topness

418
00:21:36,160 --> 00:21:36,400
Speaker 3: of it.

419
00:21:38,481 --> 00:21:38,721
Speaker 1: Yeah.

420
00:21:38,761 --> 00:21:41,321
Speaker 2: No, that's interesting because that was the most expensive home

421
00:21:41,761 --> 00:21:43,080
Speaker 2: over the last four that we saw.

422
00:21:43,840 --> 00:21:45,441
Speaker 1: That one was the most expensive.

423
00:21:45,561 --> 00:21:48,640
Speaker 2: My favorite one was the second one.

424
00:21:47,840 --> 00:21:51,041
Speaker 1: Yeah. I loved the castle, what I was able to

425
00:21:51,080 --> 00:21:51,601
Speaker 1: see of it.

426
00:21:52,400 --> 00:21:54,401
Speaker 3: I'm never going to live this down any.

427
00:21:54,080 --> 00:21:56,521
Speaker 1: Absolutely never in your life.

428
00:21:59,521 --> 00:22:02,961
Speaker 2: Sort these things by the typically quoted average.

429
00:22:02,600 --> 00:22:03,720
Speaker 1: Number of them.

430
00:22:03,961 --> 00:22:04,761
Speaker 3: Oh god, sad.

431
00:22:05,441 --> 00:22:10,521
Speaker 2: Sort these things by the typically quoted average number of them.

432
00:22:10,640 --> 00:22:12,080
Speaker 3: Okay, typically correct.

433
00:22:11,961 --> 00:22:14,761
Speaker 2: Most to least nuts in a Snickers bar?

434
00:22:15,281 --> 00:22:17,600
Speaker 3: Oh the fuck side, who's gone?

435
00:22:17,681 --> 00:22:20,720
Speaker 4: I just want to know, right, he's actually gone and said,

436
00:22:21,041 --> 00:22:24,041
Speaker 4: let's count how many nuts there are in a Snickers bar?

437
00:22:24,321 --> 00:22:26,961
Speaker 2: Creator of the game sort Yeah.

438
00:22:26,721 --> 00:22:29,201
Speaker 4: But like, what data is he getting? Is he going

439
00:22:29,241 --> 00:22:31,840
Speaker 4: to Snickers and say we need to know how many?

440
00:22:32,321 --> 00:22:34,041
Speaker 4: Look at him and say, you're a film I'll.

441
00:22:33,840 --> 00:22:34,681
Speaker 1: Just get an average?

442
00:22:35,001 --> 00:22:37,561
Speaker 3: Oh right, did you not do much in school?

443
00:22:37,880 --> 00:22:38,120
Speaker 1: Yeah?

444
00:22:38,120 --> 00:22:39,521
Speaker 3: But the median.

445
00:22:39,201 --> 00:22:42,041
Speaker 2: Amount of nuts in a Snickers bar, and then you

446
00:22:42,080 --> 00:22:45,321
Speaker 2: do the Bell curve, so you get the average, which

447
00:22:45,321 --> 00:22:46,120
Speaker 2: will be in the middle.

448
00:22:46,481 --> 00:22:47,921
Speaker 1: And do you know what a median is?

449
00:22:48,321 --> 00:22:50,200
Speaker 2: Oh? Love that I'm giving you a lesson, and I

450
00:22:50,241 --> 00:22:51,721
Speaker 2: really hope that I'm completely wrong.

451
00:22:51,721 --> 00:22:53,521
Speaker 3: But I'm going to man explain this.

452
00:22:53,681 --> 00:22:56,761
Speaker 2: I'm going to man explain the difference between the median

453
00:22:56,880 --> 00:22:58,360
Speaker 2: and the average.

454
00:22:58,761 --> 00:23:01,680
Speaker 1: So say you've got everyone on twenty.

455
00:23:01,400 --> 00:23:04,080
Speaker 2: Eight thousand dollars a year income, okay, and Bill Gates

456
00:23:04,120 --> 00:23:07,521
Speaker 2: on forty five billion. Right now, to work out the average,

457
00:23:07,561 --> 00:23:08,960
Speaker 2: you add it all up and you divide it by

458
00:23:08,961 --> 00:23:11,720
Speaker 2: the total amount of people. Right, the average would be

459
00:23:11,761 --> 00:23:14,480
Speaker 2: so skewed because Bill Gates is earning forty four billion dollars,

460
00:23:14,761 --> 00:23:16,241
Speaker 2: So the average would be everyone owns.

461
00:23:16,080 --> 00:23:18,561
Speaker 1: Five hundred million. Well, no, it's not right. That's right.

462
00:23:19,120 --> 00:23:21,201
Speaker 2: Percent of people are earning twenty eight thousand dollars, So

463
00:23:21,241 --> 00:23:23,920
Speaker 2: the median is sort of the most It's like the

464
00:23:23,961 --> 00:23:26,401
Speaker 2: clump in the Bell curve in the middle. It's where

465
00:23:26,400 --> 00:23:29,401
Speaker 2: the most amount of people are earning. So it would

466
00:23:29,441 --> 00:23:30,680
Speaker 2: be twenty eight thousand dollars.

467
00:23:30,801 --> 00:23:34,001
Speaker 3: Okay, that just went in one ear and the other.

468
00:23:34,761 --> 00:23:36,720
Speaker 2: I realized as I was saying it was so boring.

469
00:23:36,801 --> 00:23:37,601
Speaker 3: Did a gloss over?

470
00:23:37,880 --> 00:23:38,160
Speaker 1: Yeah?

471
00:23:38,521 --> 00:23:41,521
Speaker 2: I think you were checking TikTok halfway through that as well. Okay,

472
00:23:41,600 --> 00:23:45,561
Speaker 2: not seeing a Snickers bar. Words red per minute by

473
00:23:45,561 --> 00:23:50,440
Speaker 2: the average reader of a fact side is times a

474
00:23:50,561 --> 00:23:54,241
Speaker 2: baby laughs each day. I know some babies that constantly

475
00:23:54,321 --> 00:23:56,880
Speaker 2: laugh and some that don't want to kill you. Hairs

476
00:23:56,921 --> 00:23:59,600
Speaker 2: in an eyebrow, or different languages in the world.

477
00:24:01,761 --> 00:24:05,001
Speaker 4: The key factor on this one is very, very low.

478
00:24:05,681 --> 00:24:07,321
Speaker 4: I think we just turn it over and just tell

479
00:24:07,321 --> 00:24:10,721
Speaker 4: the people, just put them out of their misery, because

480
00:24:10,880 --> 00:24:11,521
Speaker 4: I don't.

481
00:24:11,241 --> 00:24:13,640
Speaker 2: Want to point out that it's the last day of

482
00:24:13,721 --> 00:24:16,720
Speaker 2: this session to record and we're about to go to

483
00:24:16,761 --> 00:24:18,041
Speaker 2: a Japanese bath.

484
00:24:17,801 --> 00:24:19,160
Speaker 3: House, which I've just carried.

485
00:24:19,400 --> 00:24:22,041
Speaker 2: I cannot fucking wait, my god. And Chris is like,

486
00:24:22,640 --> 00:24:24,801
Speaker 2: do we have to record today? Do we have to

487
00:24:24,840 --> 00:24:26,000
Speaker 2: go out today? Oh?

488
00:24:26,041 --> 00:24:27,921
Speaker 1: I don't want to really go out. Oh I really

489
00:24:27,961 --> 00:24:29,601
Speaker 1: don't want to go get breakfast.

490
00:24:29,321 --> 00:24:31,481
Speaker 3: Get Uber eats in. I wonder if they go Uber

491
00:24:31,521 --> 00:24:31,921
Speaker 3: out here.

492
00:24:32,441 --> 00:24:35,280
Speaker 2: No, no, no, that's right, Okay, Well I'll just read it.

493
00:24:35,360 --> 00:24:35,920
Speaker 3: I just read it.

494
00:24:37,041 --> 00:24:39,961
Speaker 2: Languages this is number one, Okay, six and a half

495
00:24:40,041 --> 00:24:43,561
Speaker 2: thousand languages in the World. Hairs in the eyebrow is

496
00:24:43,640 --> 00:24:46,921
Speaker 2: number two at five hundred and fifty. Apparently babies laugh

497
00:24:47,041 --> 00:24:50,840
Speaker 2: up to three hundred times a day. Is that right, Jesus?

498
00:24:51,001 --> 00:24:53,001
Speaker 1: Why are they so happy? I think you've ever seen

499
00:24:53,001 --> 00:24:54,561
Speaker 1: her just crying? Anyway?

500
00:24:54,840 --> 00:24:58,721
Speaker 2: Average words per minute two hundred and fifty.

501
00:24:58,921 --> 00:25:00,480
Speaker 3: A normal person would speak.

502
00:25:00,561 --> 00:25:01,961
Speaker 1: Are you a slow reader? Oh?

503
00:25:02,481 --> 00:25:03,801
Speaker 3: I'm almost slower at everything?

504
00:25:03,840 --> 00:25:07,321
Speaker 1: Pretty much? Good point. And there's fifteen nuts in a

505
00:25:07,360 --> 00:25:07,880
Speaker 1: Snickers bar?

506
00:25:08,600 --> 00:25:11,280
Speaker 4: Right, we are getting a Snickers bar today, and I

507
00:25:11,600 --> 00:25:13,480
Speaker 4: want to get a snake.

508
00:25:13,481 --> 00:25:14,600
Speaker 1: A great idea.

509
00:25:14,801 --> 00:25:17,081
Speaker 3: I want to dissect it and count them. I want

510
00:25:17,120 --> 00:25:17,921
Speaker 3: to prove that wrong.

511
00:25:18,041 --> 00:25:19,760
Speaker 2: Okay, well, I really want to go out and get

512
00:25:19,761 --> 00:25:21,600
Speaker 2: breakfast at some point, and we'll go to a swing

513
00:25:21,640 --> 00:25:22,120
Speaker 2: by Aldi.

514
00:25:22,761 --> 00:25:24,641
Speaker 1: Oh they won't have snakes. I don't think Aldi would

515
00:25:24,640 --> 00:25:25,161
Speaker 1: have don't.

516
00:25:25,001 --> 00:25:28,200
Speaker 3: Have the Lolli shot mite.

517
00:25:29,080 --> 00:25:30,961
Speaker 2: Sorry, I'm just trying to think, like, what's the German

518
00:25:31,001 --> 00:25:32,520
Speaker 2: named snakes?

519
00:25:35,761 --> 00:25:37,080
Speaker 3: Are your old buddy did?

520
00:25:38,561 --> 00:25:40,601
Speaker 1: I'll get the spot.

521
00:25:40,840 --> 00:25:41,201
Speaker 5: And the.

522
00:25:47,321 --> 00:25:49,520
Speaker 3: I think one day we're going to go to the logis.

523
00:25:49,561 --> 00:25:52,041
Speaker 2: Now we are men of fucked.

524
00:25:52,961 --> 00:25:55,201
Speaker 3: We're going to have Julia hand us the LOGI.

525
00:25:55,801 --> 00:25:58,641
Speaker 1: Oh, we're going to win a LOGI. Yeah, I don't

526
00:25:58,681 --> 00:25:58,880
Speaker 1: know you.

527
00:25:59,080 --> 00:26:00,561
Speaker 3: I have sh It's.

528
00:26:00,400 --> 00:26:08,241
Speaker 2: Taken in an open home and the nominees are Christy

529
00:26:08,400 --> 00:26:12,521
Speaker 2: hearn from We will always have end of nominees.

530
00:26:13,840 --> 00:26:14,801
Speaker 1: The LOGI goes to.

531
00:26:16,241 --> 00:26:18,480
Speaker 2: Do you want to win a log? Look? I just

532
00:26:18,521 --> 00:26:21,720
Speaker 2: think watches are so boring. Oh no, I want to

533
00:26:21,761 --> 00:26:23,481
Speaker 2: go to What have you ever been to a WAT show?

534
00:26:23,600 --> 00:26:23,761
Speaker 1: No?

535
00:26:24,880 --> 00:26:26,640
Speaker 3: No, I want to go.

536
00:26:26,761 --> 00:26:31,600
Speaker 4: I have manifested myself on stage and Julia Morris.

537
00:26:31,241 --> 00:26:33,481
Speaker 1: Oh you want to go and win? You just don't

538
00:26:33,481 --> 00:26:35,720
Speaker 1: want to go and be like a person that watches.

539
00:26:36,521 --> 00:26:38,600
Speaker 3: I'm sorry, I'm go home and go a hard Go ahead,

540
00:26:38,640 --> 00:26:39,121
Speaker 3: We'll go home.

541
00:26:39,160 --> 00:26:41,561
Speaker 2: Well maybe if you Travel Guides then gets through.

542
00:26:41,801 --> 00:26:44,521
Speaker 3: Oh they're not going to pick up the phone. We're out.

543
00:26:45,321 --> 00:26:49,240
Speaker 4: But nominations closed on the sixteenth of June.

544
00:26:49,481 --> 00:26:50,561
Speaker 3: We're now coming to.

545
00:26:51,001 --> 00:26:51,801
Speaker 1: Yeah, they probably picked.

546
00:26:51,801 --> 00:26:54,321
Speaker 2: They've probably a really started feeling that season. To be fair,

547
00:26:55,160 --> 00:26:57,801
Speaker 2: you'll get nominated for a LOGI. I will never because

548
00:26:57,201 --> 00:26:59,561
Speaker 2: I couldn't. I couldn't do television.

549
00:27:00,041 --> 00:27:01,480
Speaker 1: She could absolutely not.

550
00:27:01,840 --> 00:27:03,960
Speaker 2: I hate it so much work.

551
00:27:04,640 --> 00:27:08,360
Speaker 3: So see okay, so would I have to retain lines?

552
00:27:08,561 --> 00:27:10,641
Speaker 1: Like I said, it depends what you want to do.

553
00:27:10,961 --> 00:27:13,441
Speaker 2: Because Travel Guide's not easy but I don't think anyone's

554
00:27:13,441 --> 00:27:16,481
Speaker 2: winning a LOGI for being a travel guide. Well they are,

555
00:27:18,441 --> 00:27:20,920
Speaker 2: but it's like if travel guides win, you're gonna make

556
00:27:21,281 --> 00:27:25,120
Speaker 2: I was in the background of episode thirteen, season nine.

557
00:27:25,600 --> 00:27:28,241
Speaker 1: That's my LOGI, that's my LOGI.

558
00:27:28,600 --> 00:27:31,801
Speaker 4: Yeah, I'd like to go and see what it's like.

559
00:27:31,921 --> 00:27:34,120
Speaker 4: I'd love to see in the crowd. I'd like to

560
00:27:34,201 --> 00:27:38,241
Speaker 4: hear the gossip in the bathrooms, what goes on behind

561
00:27:38,241 --> 00:27:39,281
Speaker 4: the closed doors.

562
00:27:39,360 --> 00:27:42,521
Speaker 2: Yeah, I'm definitely in the relationship between the two us.

563
00:27:42,521 --> 00:27:45,760
Speaker 2: I'm realizing I'm very persimistic about everything and you're very optimistic.

564
00:27:46,241 --> 00:27:48,880
Speaker 2: But I just don't think that shit happens. It's like

565
00:27:49,041 --> 00:27:52,520
Speaker 2: six hours long. It's live life. Just take out all

566
00:27:52,561 --> 00:27:54,961
Speaker 2: the shit and yeah, it's long.

567
00:27:55,840 --> 00:27:58,200
Speaker 3: Do you remember though, the classic LOGI.

568
00:27:58,241 --> 00:28:03,001
Speaker 2: See the classic logo's different story. Internet logis, that's where

569
00:28:03,001 --> 00:28:05,601
Speaker 2: the gossip is. That's where everything's happening. Now everyone's concern

570
00:28:05,921 --> 00:28:09,360
Speaker 2: camera phones, recording devices. A lot of the media go

571
00:28:09,521 --> 00:28:12,321
Speaker 2: to write stories. So everyone's on their best behavior and

572
00:28:12,360 --> 00:28:15,321
Speaker 2: they sit there and I don't think they have alcohol anymore.

573
00:28:15,160 --> 00:28:17,801
Speaker 3: Is that right they at Yeah, Oh that's a shame.

574
00:28:17,961 --> 00:28:20,400
Speaker 1: Yeah, And it's just I just think I love.

575
00:28:20,360 --> 00:28:25,881
Speaker 4: A messy loading, Give me an old school loado any time.

576
00:28:26,481 --> 00:28:27,600
Speaker 2: Absolutely.

577
00:28:28,160 --> 00:28:29,920
Speaker 3: But Newton was up on stage.

578
00:28:29,961 --> 00:28:32,361
Speaker 2: Do you remember when Bert he worked for Channel ten

579
00:28:32,400 --> 00:28:35,400
Speaker 2: and the logos were on Channel nine. And he turns

580
00:28:35,400 --> 00:28:37,680
Speaker 2: around and he's hosting the award and he's got a

581
00:28:37,681 --> 00:28:38,561
Speaker 2: big ten logo on.

582
00:28:38,561 --> 00:28:41,000
Speaker 1: His back, maybe talking about shameless self promotion.

583
00:28:41,081 --> 00:28:43,161
Speaker 2: It was like, it's really good to see that not

584
00:28:43,201 --> 00:28:46,681
Speaker 2: many people are shamelessly self promoting, you know, their networks.

585
00:28:46,721 --> 00:28:49,201
Speaker 2: And everyone comes together in one home and it's being

586
00:28:49,201 --> 00:28:50,321
Speaker 2: hosted on Channel nine.

587
00:28:50,401 --> 00:28:52,681
Speaker 1: And then he goes, so this gorgeous set here and

588
00:28:52,721 --> 00:28:55,161
Speaker 1: he turns around. There's a huge Channel ten logo on

589
00:28:55,201 --> 00:28:57,841
Speaker 1: his back. It's very funny, very funny, very funny.

590
00:28:57,881 --> 00:29:00,801
Speaker 4: And look, there's no logis unless Carl has hung over

591
00:29:01,161 --> 00:29:02,960
Speaker 4: or even not even slept.

592
00:29:03,281 --> 00:29:06,801
Speaker 3: Yeah for the Today Show. Yes, you know that's classic LOGI.

593
00:29:06,921 --> 00:29:10,440
Speaker 2: But I also don't think people care enough anymore. Like

594
00:29:10,761 --> 00:29:14,361
Speaker 2: the logos were the big night. But it's like television

595
00:29:14,441 --> 00:29:15,921
Speaker 2: is not what television used to be.

596
00:29:16,201 --> 00:29:17,401
Speaker 3: No, we've talked about that.

597
00:29:17,441 --> 00:29:21,041
Speaker 1: But the other thing, like there are no television shows. No,

598
00:29:21,681 --> 00:29:23,280
Speaker 1: it's all reality.

599
00:29:23,041 --> 00:29:27,121
Speaker 4: Which I like, but I'm totally over the block's about

600
00:29:27,161 --> 00:29:27,561
Speaker 4: to start.

601
00:29:27,561 --> 00:29:30,480
Speaker 2: When you watch The Block, Oh god, he's just season

602
00:29:30,641 --> 00:29:33,281
Speaker 2: sixty five of The Block. You know what, I would

603
00:29:33,361 --> 00:29:35,841
Speaker 2: watch the Block if it was about the design and

604
00:29:35,921 --> 00:29:39,441
Speaker 2: about the architecture and the freedom, and if it went

605
00:29:39,481 --> 00:29:41,241
Speaker 2: back to its old school roots where it was just

606
00:29:41,281 --> 00:29:43,801
Speaker 2: the couples and then they just got to choose and

607
00:29:43,801 --> 00:29:44,401
Speaker 2: do everything.

608
00:29:44,761 --> 00:29:48,121
Speaker 1: It's thank you. I'm such a pessimist, but it's just been.

609
00:29:48,321 --> 00:29:50,361
Speaker 3: If everyone loves drama, If you take.

610
00:29:50,201 --> 00:29:51,641
Speaker 2: A step back, what is the Block.

611
00:29:51,801 --> 00:29:53,481
Speaker 1: It's a show to make money for Channel nine.

612
00:29:53,561 --> 00:30:01,161
Speaker 2: It's a business, of course, sponsors.

613
00:29:58,761 --> 00:30:01,561
Speaker 1: And the only way to appease of sponsors.

614
00:30:01,081 --> 00:30:02,401
Speaker 2: To get the views, and the only way to get

615
00:30:02,401 --> 00:30:04,521
Speaker 2: the views these days is the drama.

616
00:30:05,441 --> 00:30:06,641
Speaker 1: They just fucking love drama.

617
00:30:06,961 --> 00:30:07,521
Speaker 3: Love the drama.

618
00:30:07,601 --> 00:30:10,081
Speaker 1: They love the drama, and so it's just it's not

619
00:30:10,121 --> 00:30:13,240
Speaker 1: the Block. It's not a show about renovating apartments.

620
00:30:13,481 --> 00:30:16,201
Speaker 2: It's a show about which couple is going to divorce,

621
00:30:16,601 --> 00:30:19,121
Speaker 2: which Paul is going to cause someone to kill someone else.

622
00:30:19,441 --> 00:30:22,401
Speaker 3: Whitaker and Shane A. Blaze I love them, Yeah, I

623
00:30:22,441 --> 00:30:23,361
Speaker 3: have no interest in it.

624
00:30:23,761 --> 00:30:26,441
Speaker 2: I do think that some of the casting for I'm

625
00:30:26,481 --> 00:30:29,721
Speaker 2: a Celebrity, Get Me out of Here has improved the UK.

626
00:30:30,321 --> 00:30:30,921
Speaker 1: I'm a celeb.

627
00:30:31,081 --> 00:30:34,240
Speaker 2: They all got along and it was so nice to

628
00:30:34,281 --> 00:30:36,480
Speaker 2: see a group of people all get along and support

629
00:30:36,521 --> 00:30:39,281
Speaker 2: each other. And I think this season of the Australian

630
00:30:39,281 --> 00:30:42,440
Speaker 2: cast and even the last season, they just all got along.

631
00:30:42,601 --> 00:30:45,561
Speaker 2: And I really put from Carry and Kelliam good Dom

632
00:30:45,681 --> 00:30:48,801
Speaker 2: love Tom. I just loved watching people work together as

633
00:30:48,801 --> 00:30:51,561
Speaker 2: a team and all that's boring.

634
00:30:51,641 --> 00:30:55,081
Speaker 4: You want drama, you want to know who's throwing, then.

635
00:30:55,281 --> 00:30:56,041
Speaker 2: You're the problem.

636
00:30:56,481 --> 00:30:57,601
Speaker 1: I love drama.

637
00:30:57,841 --> 00:31:00,081
Speaker 3: Now talk to me Big Brother UK.

638
00:31:00,561 --> 00:31:03,161
Speaker 4: What about the most recent series, the one that is

639
00:31:03,241 --> 00:31:05,801
Speaker 4: just kind of finished in recent months?

640
00:31:06,161 --> 00:31:09,361
Speaker 3: What's her name? Jojo Siwa and Christopher.

641
00:31:09,041 --> 00:31:11,681
Speaker 2: The television I watch, she's served to me in two

642
00:31:11,721 --> 00:31:13,480
Speaker 2: minute clips on TikTok okay.

643
00:31:13,521 --> 00:31:15,361
Speaker 3: So that'sically over months.

644
00:31:15,681 --> 00:31:18,161
Speaker 2: So I know that GI just of what happened. So

645
00:31:18,281 --> 00:31:21,561
Speaker 2: Jojo came out as a lesbian, Well.

646
00:31:21,641 --> 00:31:25,681
Speaker 3: She did initially back in the day, like a couple

647
00:31:25,721 --> 00:31:27,441
Speaker 3: of years ago. Came out as a lesbian.

648
00:31:27,561 --> 00:31:29,241
Speaker 1: Yes, she is a lesbian.

649
00:31:29,561 --> 00:31:32,041
Speaker 3: Well, she now identifies as queer.

650
00:31:32,241 --> 00:31:33,241
Speaker 1: So she went on a Big Brother.

651
00:31:33,561 --> 00:31:37,041
Speaker 2: She was singing another woman yet at the time, and

652
00:31:37,161 --> 00:31:38,841
Speaker 2: she's done in love with a man on Big Brother

653
00:31:38,961 --> 00:31:40,960
Speaker 2: and then people just didn't like that.

654
00:31:41,601 --> 00:31:42,281
Speaker 1: They hated it.

655
00:31:42,361 --> 00:31:45,321
Speaker 3: Do you think, yeah, she got she's so much.

656
00:31:45,201 --> 00:31:46,000
Speaker 1: Backlash for it.

657
00:31:46,041 --> 00:31:49,200
Speaker 4: Oh do you think because she was the relationship of

658
00:31:49,241 --> 00:31:51,881
Speaker 4: the way that ended was not It wasn't great.

659
00:31:51,921 --> 00:31:54,441
Speaker 1: But JoJo's like twenty one, twenty two.

660
00:31:54,361 --> 00:31:56,241
Speaker 3: He's a baby, so young.

661
00:31:56,561 --> 00:31:58,440
Speaker 2: And what was crazy to me is I don't like

662
00:31:58,481 --> 00:32:02,121
Speaker 2: what she did to her former girlfriend Kav. It wasn't great.

663
00:32:02,321 --> 00:32:04,761
Speaker 2: But I think people are being like, oh, she was

664
00:32:04,801 --> 00:32:07,960
Speaker 2: like she was queer baiting. Oh she's not actually a lesbian,

665
00:32:08,041 --> 00:32:10,321
Speaker 2: she's with a man. I'm like bisexual.

666
00:32:10,601 --> 00:32:12,361
Speaker 1: I think bisexual people get a bad rap.

667
00:32:12,601 --> 00:32:15,200
Speaker 2: You're only bisexual if you're in a gay relationship, and

668
00:32:15,201 --> 00:32:17,401
Speaker 2: then as soon as you enter into a heterosexual one,

669
00:32:17,481 --> 00:32:19,761
Speaker 2: you're no longer part of our community. See.

670
00:32:19,841 --> 00:32:22,240
Speaker 3: I just hate the labels. Why can't you just be

671
00:32:22,321 --> 00:32:25,161
Speaker 3: the person that you are? Regardle why do people are well,

672
00:32:25,201 --> 00:32:27,801
Speaker 3: now I'm queer, okay, all right, we're queer.

673
00:32:27,841 --> 00:32:29,601
Speaker 2: Now what's not with that?

674
00:32:29,841 --> 00:32:32,121
Speaker 4: Well, because I just don't think people should be telling

675
00:32:32,121 --> 00:32:33,921
Speaker 4: people what they are and what they should be.

676
00:32:34,481 --> 00:32:35,720
Speaker 3: They should just be able to be.

677
00:32:36,121 --> 00:32:38,801
Speaker 1: But unfortunately that's not the laws, that's not the rules.

678
00:32:39,161 --> 00:32:40,081
Speaker 3: Well, is it a rule?

679
00:32:40,241 --> 00:32:42,321
Speaker 1: Is it a law? Yes? In some countries you get

680
00:32:42,401 --> 00:32:42,881
Speaker 1: killed for it.

681
00:32:43,201 --> 00:32:45,960
Speaker 4: What I'm trying to get at is why do you

682
00:32:46,161 --> 00:32:49,481
Speaker 4: have to fucking tell anybody or everybody what you are?

683
00:32:50,481 --> 00:32:52,761
Speaker 1: I don't know which part of people's identity here.

684
00:32:52,681 --> 00:32:54,601
Speaker 4: But I wouldn't go up to somebody that I first

685
00:32:54,641 --> 00:32:56,761
Speaker 4: meet and say, Hi, I'm Christy Hearn.

686
00:32:56,801 --> 00:32:57,641
Speaker 3: I'm heterosexual.

687
00:32:58,241 --> 00:33:00,881
Speaker 2: No, but you go, hi, I'm Christy Hearn. I'm fifty four.

688
00:33:01,121 --> 00:33:03,321
Speaker 2: I could cope with being fifty four, So identify as

689
00:33:03,361 --> 00:33:06,401
Speaker 2: forty nine and that's okay. Well, what's wrong with saying hi,

690
00:33:06,481 --> 00:33:08,921
Speaker 2: I'm Christian? Hw I love putting Dix in my mouth?

691
00:33:12,681 --> 00:33:14,801
Speaker 2: Now what you're trying to say? In a real world,

692
00:33:15,121 --> 00:33:16,201
Speaker 2: that shouldn't be a thing.

693
00:33:16,521 --> 00:33:18,200
Speaker 3: No, I don't think it should be.

694
00:33:18,281 --> 00:33:21,521
Speaker 1: Religion has turned it into something you know and run

695
00:33:21,561 --> 00:33:25,161
Speaker 1: with it. Now. I don't even know if we're slowly progressing.

696
00:33:25,841 --> 00:33:28,240
Speaker 4: Think we are progressing. At times I think we just

697
00:33:28,281 --> 00:33:29,481
Speaker 4: go backwards.

698
00:33:30,681 --> 00:33:33,401
Speaker 3: I just be who the fuck you are? Why do

699
00:33:33,441 --> 00:33:37,441
Speaker 3: you have to tell somebody I'm queer? Oh, now I'm bad.

700
00:33:37,561 --> 00:33:39,721
Speaker 2: I don't think i'm pair, but I think it's an

701
00:33:39,761 --> 00:33:42,721
Speaker 2: identity for people. It's a way that they express themselves

702
00:33:43,201 --> 00:33:47,321
Speaker 2: like people who are pan sexual express themselves a little

703
00:33:47,321 --> 00:33:52,081
Speaker 2: bit differently, or they find people who understand their rationale

704
00:33:52,161 --> 00:33:52,881
Speaker 2: or their thinking.

705
00:33:53,121 --> 00:33:55,921
Speaker 3: Or I just want people just to take people at face.

706
00:33:56,241 --> 00:33:58,561
Speaker 1: But people don't show me who you are.

707
00:33:58,681 --> 00:34:00,921
Speaker 3: I don't need to be told who you are.

708
00:34:01,441 --> 00:34:04,961
Speaker 4: If you are a good person, someone that pays their tax,

709
00:34:05,241 --> 00:34:07,481
Speaker 4: is someone who lives because.

710
00:34:07,161 --> 00:34:10,000
Speaker 1: You're very supportive and open and you don't care.

711
00:34:10,281 --> 00:34:12,281
Speaker 3: I don't care. I just want people to live their

712
00:34:12,281 --> 00:34:12,841
Speaker 3: best lives.

713
00:34:12,841 --> 00:34:15,281
Speaker 1: But you're not the norm. Well you are. There's a

714
00:34:15,281 --> 00:34:15,801
Speaker 1: lot of you.

715
00:34:16,041 --> 00:34:18,441
Speaker 3: I'd say we are a lot of people. We just

716
00:34:18,681 --> 00:34:21,121
Speaker 3: but then there's just people hidden voices.

717
00:34:21,001 --> 00:34:22,001
Speaker 1: That are just awful.

718
00:34:22,401 --> 00:34:24,321
Speaker 3: Oh, there are people that are awful, and I don't

719
00:34:24,441 --> 00:34:24,601
Speaker 3: like it.

720
00:34:24,721 --> 00:34:26,961
Speaker 1: I don't like So it's about finding the people that

721
00:34:27,001 --> 00:34:27,721
Speaker 1: you can try.

722
00:34:27,841 --> 00:34:29,241
Speaker 3: Your people find you trial.

723
00:34:29,521 --> 00:34:32,841
Speaker 2: How do you find your people without going in my mouth?

724
00:34:32,961 --> 00:34:33,801
Speaker 2: Where are the other dick?

725
00:34:33,921 --> 00:34:34,201
Speaker 1: Mouth?

726
00:34:34,401 --> 00:34:37,881
Speaker 2: Is they are over there? Because some people are like, well,

727
00:34:38,041 --> 00:34:41,681
Speaker 2: just because I'm gay, that's doesn't define who I am

728
00:34:41,841 --> 00:34:46,401
Speaker 2: exactly to me, fucking defines who I am. Really homosexual,

729
00:34:47,201 --> 00:34:49,721
Speaker 2: very sexual, love pink.

730
00:34:50,001 --> 00:34:52,721
Speaker 1: I mean again, it's the stereotype. But I'm just very gay.

731
00:34:53,521 --> 00:34:56,201
Speaker 4: You say you're very gay, but I've seen you out

732
00:34:56,241 --> 00:34:58,721
Speaker 4: in the community. You're not doing the sumber down the

733
00:34:58,721 --> 00:34:59,641
Speaker 4: middle of the road.

734
00:34:59,521 --> 00:35:03,801
Speaker 2: But I've got the gay voice, the hands, the mannerisms.

735
00:35:05,121 --> 00:35:09,521
Speaker 2: They're constantly being on grinder cod of men that just

736
00:35:09,561 --> 00:35:12,841
Speaker 2: circulate through my place. But it's just a huge part

737
00:35:12,881 --> 00:35:15,041
Speaker 2: of Yeah. I mean, I know what you mean one.

738
00:35:15,081 --> 00:35:15,921
Speaker 3: Part of you.

739
00:35:16,201 --> 00:35:21,281
Speaker 4: The other parts are you're creative, you're funny, you're handsome,

740
00:35:21,601 --> 00:35:22,520
Speaker 4: you're good.

741
00:35:23,561 --> 00:35:25,601
Speaker 1: Your taking off again to know, I.

742
00:35:25,641 --> 00:35:26,121
Speaker 3: Know you're not.

743
00:35:26,361 --> 00:35:28,761
Speaker 4: But there's so many more parts of your apart from

744
00:35:28,841 --> 00:35:31,121
Speaker 4: just being gay.

745
00:35:32,001 --> 00:35:34,321
Speaker 3: It's only one part of who you are.

746
00:35:34,521 --> 00:35:35,961
Speaker 1: But you want to take that part.

747
00:35:35,841 --> 00:35:38,241
Speaker 3: Away, No, I don't. I don't want to take you away.

748
00:35:38,561 --> 00:35:38,881
Speaker 2: People.

749
00:35:39,001 --> 00:35:41,721
Speaker 3: I just don't want you defined by that. I want

750
00:35:41,841 --> 00:35:43,081
Speaker 3: it to be the whole.

751
00:35:43,521 --> 00:35:45,601
Speaker 1: I mean, Jojo is not defined by that.

752
00:35:45,641 --> 00:35:47,921
Speaker 3: Well, people are. People are pigeonholing her.

753
00:35:47,881 --> 00:35:50,361
Speaker 1: Now, But why can't she go from those men to why.

754
00:35:50,201 --> 00:35:52,641
Speaker 3: Can't you just be a young woman just finding away.

755
00:35:52,441 --> 00:35:54,281
Speaker 1: Because people fucking criticize her and.

756
00:35:54,801 --> 00:36:01,281
Speaker 4: It I hate it was very much pressure on somebody, but.

757
00:36:01,201 --> 00:36:03,721
Speaker 2: Also people being like, I can't believe she would queer

758
00:36:03,801 --> 00:36:04,561
Speaker 2: bait us like that.

759
00:36:04,881 --> 00:36:06,721
Speaker 1: She hes twenty two figuring it out.

760
00:36:06,801 --> 00:36:08,281
Speaker 3: Oh what does queer baiting mean?

761
00:36:08,481 --> 00:36:12,041
Speaker 2: It's pretending to be queer and you're not, but not

762
00:36:12,121 --> 00:36:15,041
Speaker 2: to that degree. People think the artist Benson Boone and

763
00:36:15,081 --> 00:36:20,081
Speaker 2: Harry styles queer bait because they dressed quite camp. Benson

764
00:36:20,481 --> 00:36:23,961
Speaker 2: Boone would wear stuff from Freddy Mercury and people like,

765
00:36:23,961 --> 00:36:27,721
Speaker 2: he's queer baiting. I'm like that, can't he express himself? Like,

766
00:36:27,761 --> 00:36:31,081
Speaker 2: can't he discover who he is? And look, he might

767
00:36:31,281 --> 00:36:34,521
Speaker 2: dress gay because he wants to appeal to a gay audience,

768
00:36:34,521 --> 00:36:38,361
Speaker 2: but I don't think that's in every circumstance of the way,

769
00:36:38,441 --> 00:36:38,641
Speaker 2: you know.

770
00:36:38,681 --> 00:36:41,121
Speaker 3: So would they think that David Bowie was quick?

771
00:36:41,481 --> 00:36:43,601
Speaker 1: No, because he was openly bisexual.

772
00:36:43,761 --> 00:36:46,521
Speaker 3: I love David Bowie, God, he was magnificent. And Freddie

773
00:36:46,561 --> 00:36:49,281
Speaker 3: Mercury he was, well, he was gay.

774
00:36:50,481 --> 00:36:52,321
Speaker 2: What the problem has been is there was a show

775
00:36:52,441 --> 00:36:54,361
Speaker 2: called a Heart Stopper?

776
00:36:54,881 --> 00:36:55,761
Speaker 1: Did you ever hear about that?

777
00:36:56,041 --> 00:36:59,241
Speaker 2: And it was a book the actors play these gay

778
00:36:59,361 --> 00:37:04,001
Speaker 2: characters and the lead was gay and the other lead

779
00:37:05,121 --> 00:37:06,121
Speaker 2: was unidentified.

780
00:37:06,761 --> 00:37:09,881
Speaker 1: But because he played a gay character, people were like, you.

781
00:37:09,921 --> 00:37:12,601
Speaker 2: Don't allowed to play go chacter, Like he's que bating

782
00:37:12,601 --> 00:37:14,161
Speaker 2: and now he's doing all this stuff and his queibetting.

783
00:37:14,201 --> 00:37:16,161
Speaker 2: He had to come out to say, actually, I'm just

784
00:37:16,161 --> 00:37:17,801
Speaker 2: discovering who I am and you're forcing me out of

785
00:37:17,801 --> 00:37:18,201
Speaker 2: the closet.

786
00:37:18,201 --> 00:37:20,481
Speaker 3: And see, that's what I don't like. I don't like

787
00:37:20,521 --> 00:37:24,001
Speaker 3: it that people are making they're forcing yeah, and I

788
00:37:24,041 --> 00:37:26,161
Speaker 3: think you can't do that. You've got to let them

789
00:37:26,201 --> 00:37:26,921
Speaker 3: find their own way.

790
00:37:27,001 --> 00:37:28,321
Speaker 1: It's a gay community to do it too.

791
00:37:29,041 --> 00:37:32,921
Speaker 2: You're taking mannerisms from Freddie Mercury and using them on stage.

792
00:37:32,961 --> 00:37:35,481
Speaker 2: That's queer patting and not allowed to take a huge

793
00:37:35,601 --> 00:37:40,081
Speaker 2: our culture essentially it is. I also think it boils

794
00:37:40,081 --> 00:37:41,841
Speaker 2: down to it if he was to say he wasn't

795
00:37:42,161 --> 00:37:45,361
Speaker 2: dressing like Freddie Mercury and using Freddy sort of mannerisms

796
00:37:45,361 --> 00:37:47,481
Speaker 2: and stuff, then you'd be like, well you are, and

797
00:37:47,521 --> 00:37:50,441
Speaker 2: you're now just ignoring the fact that you're taking a

798
00:37:50,521 --> 00:37:54,361
Speaker 2: huge gay cultural icon and not saying that that was

799
00:37:54,401 --> 00:37:55,041
Speaker 2: the inspiration.

800
00:37:55,201 --> 00:37:56,881
Speaker 1: But I don't think he's doing that.

801
00:37:57,041 --> 00:37:59,681
Speaker 2: Just feels weird that you've either got to come out

802
00:37:59,721 --> 00:38:01,601
Speaker 2: and say you're gay, I hate it or.

803
00:38:03,081 --> 00:38:05,041
Speaker 1: Okay. Now I started to understand where your head's at.

804
00:38:05,401 --> 00:38:08,841
Speaker 2: You shouldn't people should just let people just discover who

805
00:38:08,881 --> 00:38:11,681
Speaker 2: they are and be, but they can then come out

806
00:38:11,721 --> 00:38:13,561
Speaker 2: and say that they're gay, and you should have the

807
00:38:13,601 --> 00:38:16,481
Speaker 2: same reaction as when you knew, and if you didn't know,

808
00:38:17,401 --> 00:38:19,441
Speaker 2: like it should be okay, cool, Well that makes sense.

809
00:38:19,601 --> 00:38:21,241
Speaker 3: One of the boys is has never come out in

810
00:38:21,281 --> 00:38:24,121
Speaker 3: a day in his life one of yours, and we've

811
00:38:24,121 --> 00:38:26,721
Speaker 3: always won. Which you reckon.

812
00:38:27,881 --> 00:38:28,841
Speaker 1: Jackson, straight's an arrow.

813
00:38:29,201 --> 00:38:30,681
Speaker 2: I'll crack him.

814
00:38:31,281 --> 00:38:32,801
Speaker 1: Sorry, that's weird. I shouldn't be talking about that.

815
00:38:33,121 --> 00:38:35,681
Speaker 3: But I just think that there should be no pressure.

816
00:38:35,801 --> 00:38:39,601
Speaker 3: You just be who you are, You evolve, you grow,

817
00:38:40,201 --> 00:38:41,281
Speaker 3: you then work out.

818
00:38:41,641 --> 00:38:44,201
Speaker 4: You don't have any pressures of people saying, oh, well

819
00:38:44,281 --> 00:38:46,641
Speaker 4: you're gay, You're bye.

820
00:38:46,841 --> 00:38:49,121
Speaker 2: You're saying what some of the people do to like

821
00:38:49,241 --> 00:38:52,440
Speaker 2: ten year olds on TikTok, the flamboyant ten year olds

822
00:38:52,521 --> 00:38:53,641
Speaker 2: and the comments underneath.

823
00:38:53,721 --> 00:38:54,921
Speaker 3: Yeah, I find that really offense.

824
00:38:56,561 --> 00:38:59,361
Speaker 1: We shouldn't be putting your kids on socials.

825
00:39:00,401 --> 00:39:03,881
Speaker 4: You're really passionate about that, though, aren't you. Yes, children

826
00:39:03,921 --> 00:39:06,281
Speaker 4: should not be on social media at all.

827
00:39:07,041 --> 00:39:12,441
Speaker 2: Yeah, even though there's some on there. There's one kid's

828
00:39:12,561 --> 00:39:17,121
Speaker 2: very very young and he's like a fashion designer the

829
00:39:17,201 --> 00:39:21,041
Speaker 2: other day, but I'm like, I love seeing his creativity

830
00:39:21,041 --> 00:39:22,521
Speaker 2: and how his mind works.

831
00:39:23,161 --> 00:39:25,361
Speaker 3: But then I'm like, and then I love seeing him

832
00:39:25,361 --> 00:39:30,321
Speaker 3: on the trampoline year old, being a little person.

833
00:39:30,601 --> 00:39:34,561
Speaker 1: But then I go, I'm so torn.

834
00:39:35,361 --> 00:39:38,241
Speaker 2: I'm so like, because he couldn't be doing what he

835
00:39:38,441 --> 00:39:40,561
Speaker 2: is doing and have the opportunities he has.

836
00:39:40,601 --> 00:39:43,281
Speaker 1: He wouldn't be sitting next to Anna Wintour had not

837
00:39:43,321 --> 00:39:45,681
Speaker 1: been happening. So it's it opens a lot of doors.

838
00:39:45,881 --> 00:39:47,881
Speaker 1: But then I'm like, oh, it's scary.

839
00:39:48,281 --> 00:39:49,201
Speaker 3: It's very scary.

840
00:39:50,441 --> 00:39:53,881
Speaker 4: I worry about these kids that are growing up. They're

841
00:39:53,921 --> 00:39:57,521
Speaker 4: just having so much pressure applied to them to be

842
00:39:58,081 --> 00:39:59,921
Speaker 4: out and doing what they should be.

843
00:39:59,881 --> 00:40:03,241
Speaker 3: Doing or no I'm not, or yes i am. Just

844
00:40:03,361 --> 00:40:04,001
Speaker 3: let them be.

845
00:40:05,041 --> 00:40:07,881
Speaker 2: That's why I don't want any kids too difficult being

846
00:40:07,881 --> 00:40:08,241
Speaker 2: a parent.

847
00:40:08,321 --> 00:40:09,001
Speaker 1: No thanks.

848
00:40:11,281 --> 00:40:14,721
Speaker 7: On the next episode of We Will Always Have Christine

849
00:40:15,601 --> 00:40:17,521
Speaker 7: Christian type, eventually we're in a cafe were and Fed

850
00:40:17,561 --> 00:40:20,281
Speaker 7: in the Blue Mountains. Just hold on, Christine because the

851
00:40:20,281 --> 00:40:22,161
Speaker 7: people need to know the debaucherous thing.

852
00:40:22,281 --> 00:40:23,761
Speaker 1: And then you slammed the table.

853
00:40:23,801 --> 00:40:27,121
Speaker 4: Really could, But I was opening the menu to take

854
00:40:27,121 --> 00:40:28,881
Speaker 4: a photo to put it on my socials, to say

855
00:40:28,881 --> 00:40:30,641
Speaker 4: how much I love feed here in the Blue Mountain.

856
00:40:30,961 --> 00:40:33,761
Speaker 3: And then it's his tenure Hennessy. It's commented on one

857
00:40:33,761 --> 00:40:34,281
Speaker 3: of your posts.

858
00:40:34,961 --> 00:40:38,281
Speaker 4: I have nearly hyperventilated and bang the table quite aggressively.

859
00:40:38,401 --> 00:40:38,441
Speaker 5: So