1
00:00:00,400 --> 00:00:10,240
Speaker 1: Look up, gooday podcast listeners, and welcome to another twenty

2
00:00:10,360 --> 00:00:13,880
Speaker 1: twenty best of fits in Whipper podcast. Get excited because

3
00:00:13,880 --> 00:00:15,840
Speaker 1: still coming down the podcast line, we've got the best

4
00:00:15,880 --> 00:00:18,319
Speaker 1: of cotting a quote face. We're going to revisit the

5
00:00:18,360 --> 00:00:21,680
Speaker 1: Hot Wheels World Record journey from twenty twenty, but in

6
00:00:21,720 --> 00:00:25,720
Speaker 1: this podcast we're celebrating Sing Song Sang, a game the

7
00:00:25,720 --> 00:00:29,240
Speaker 1: Whipper came up with and named after the infamous karaoke

8
00:00:29,400 --> 00:00:32,120
Speaker 1: joint here in Sydney Ding Dong Dang And like all

9
00:00:32,159 --> 00:00:34,240
Speaker 1: this podcasts, I'd like to play this game with you

10
00:00:34,320 --> 00:00:34,880
Speaker 1: as well.

11
00:00:34,960 --> 00:00:36,640
Speaker 2: So let's play it as.

12
00:00:36,520 --> 00:00:38,800
Speaker 1: Sing song saying. Right now, I'm going to give you

13
00:00:38,800 --> 00:00:40,320
Speaker 1: the first part of a song and you have to

14
00:00:40,320 --> 00:00:42,400
Speaker 1: complete it. I'll let you know what the rest of

15
00:00:42,400 --> 00:00:45,000
Speaker 1: the song is at the end of the podcast.

16
00:00:45,080 --> 00:00:45,599
Speaker 3: Here we go.

17
00:00:50,720 --> 00:00:52,400
Speaker 1: Yeah, it's a classic from Taylor Swift.

18
00:00:52,479 --> 00:00:54,640
Speaker 2: Give me the rest of that song. I'll see you

19
00:00:54,680 --> 00:01:02,600
Speaker 2: at the end of the podcast with the reveal s

20
00:01:04,360 --> 00:01:13,600
Speaker 2: SO S S s S Why sing songs? Soon and everybody,

21
00:01:13,840 --> 00:01:17,360
Speaker 2: welcome to Sing Song Sang Not at the institution of

22
00:01:17,400 --> 00:01:20,319
Speaker 2: course Ding Dong Dang Gone. Today, I've introduced a couple

23
00:01:20,319 --> 00:01:21,959
Speaker 2: of categories. Guys, that's how it's going to play. We've

24
00:01:21,959 --> 00:01:25,160
Speaker 2: got a few rounds here, eighties, Taylor Swift movies, Ozzie's Coach,

25
00:01:25,200 --> 00:01:28,560
Speaker 2: Ella Fitzy, which is in your wheelhouse? Range things up

26
00:01:28,560 --> 00:01:31,000
Speaker 2: a little bit, really, some feedback last week. You don't know.

27
00:01:31,120 --> 00:01:33,000
Speaker 2: You just have to tweak things as you go along, mate,

28
00:01:33,040 --> 00:01:35,640
Speaker 2: did Yeah, you gotta be flexible like this, gotta be

29
00:01:35,720 --> 00:01:37,520
Speaker 2: malleable playing today? Is Fitzy?

30
00:01:37,680 --> 00:01:38,640
Speaker 3: Tell me it's.

31
00:01:40,680 --> 00:01:43,160
Speaker 2: The feedback was so bad after week one that I

32
00:01:43,160 --> 00:01:45,640
Speaker 2: couldn't be happy to be sitting out talking. When the

33
00:01:45,720 --> 00:01:47,360
Speaker 2: music stops, you gotta give me the next line of

34
00:01:47,400 --> 00:01:49,080
Speaker 2: that song. Right. You get the lyrics right, you stay

35
00:01:49,080 --> 00:01:50,960
Speaker 2: in the game. You get them wrong, you are out.

36
00:01:51,080 --> 00:01:54,480
Speaker 2: Let's play sing song. Sang all right, says you're up first.

37
00:01:54,760 --> 00:01:56,880
Speaker 2: Here we go. I'm gonna play the start of this song.

38
00:01:56,920 --> 00:01:58,280
Speaker 2: When the music stops, you need to give me the

39
00:01:58,280 --> 00:02:06,800
Speaker 2: next line. Okay, she loves it. She's dancing, Houston. I

40
00:02:06,880 --> 00:02:17,080
Speaker 2: want to dance with somebody. I want to dance with

41
00:02:17,240 --> 00:02:18,760
Speaker 2: some buds so easy.

42
00:02:19,280 --> 00:02:21,680
Speaker 4: I want to build a heat with somebody.

43
00:02:21,800 --> 00:02:25,240
Speaker 2: Perfect, Sarah, You're in three the next that was fine.

44
00:02:25,360 --> 00:02:27,880
Speaker 2: We did such a good job, very simple. That's how

45
00:02:28,000 --> 00:02:29,880
Speaker 2: to play. We need to demonstrate this, so you're ready

46
00:02:29,919 --> 00:02:32,000
Speaker 2: to go, mister Fitzgerald. When the music stops, give me

47
00:02:32,000 --> 00:02:42,280
Speaker 2: the next line. Bon Jovi living on a prey. He's nervous.

48
00:02:46,960 --> 00:02:47,800
Speaker 2: Get ready, mane, here.

49
00:02:47,720 --> 00:02:53,160
Speaker 5: We go, hold on with what we've got.

50
00:02:53,680 --> 00:02:56,320
Speaker 6: It doesn't make a difference if we made it on.

51
00:02:59,440 --> 00:03:02,320
Speaker 2: Really trying sing like some don't be sure. Here we go.

52
00:03:02,560 --> 00:03:04,760
Speaker 2: This is around one of the eighties. As I mentioned, Tommy,

53
00:03:04,760 --> 00:03:05,639
Speaker 2: you're up.

54
00:03:14,680 --> 00:03:18,240
Speaker 5: And I need you now tonight and need you more

55
00:03:18,680 --> 00:03:21,680
Speaker 5: than everyone through the rounds around well.

56
00:03:23,120 --> 00:03:26,200
Speaker 3: Through the eighties. Round that was Bond.

57
00:03:26,320 --> 00:03:32,240
Speaker 2: Tyler made the version, Yeah you're Mefe could get up there,

58
00:03:32,240 --> 00:03:37,360
Speaker 2: he could another shops Round two, which might test a

59
00:03:37,400 --> 00:03:39,440
Speaker 2: couple of people in the room is Tanner swift. So

60
00:03:39,600 --> 00:03:41,640
Speaker 2: we kick it off back with you here, sing the

61
00:03:41,680 --> 00:03:43,040
Speaker 2: next line. With the music stop.

62
00:03:43,240 --> 00:03:45,960
Speaker 6: We were both young s.

63
00:03:47,160 --> 00:03:51,640
Speaker 2: Close my eyes and the flashback starts. I'm standing there.

64
00:03:55,400 --> 00:03:57,520
Speaker 4: On the balcony. No one cares.

65
00:03:58,920 --> 00:03:59,680
Speaker 6: Sorry, That's just.

66
00:03:59,640 --> 00:04:04,680
Speaker 4: How I swift up than my one song that I like.

67
00:04:04,800 --> 00:04:10,800
Speaker 2: Style on a balcony in summer are Sarah bombs out? Okay, Fitty,

68
00:04:10,960 --> 00:04:11,520
Speaker 2: are you ready?

69
00:04:11,880 --> 00:04:12,160
Speaker 3: Swet?

70
00:04:12,200 --> 00:04:13,000
Speaker 2: We're getting to tell.

71
00:04:12,920 --> 00:04:18,640
Speaker 1: Us swiftly, how this one hands and mine.

72
00:04:19,279 --> 00:04:24,280
Speaker 6: I can make the bad guys good for a weekend.

73
00:04:22,760 --> 00:04:32,200
Speaker 2: At sounds like he's got I have no idea.

74
00:04:32,520 --> 00:04:35,480
Speaker 4: So it's going to be forever you can. It's going

75
00:04:35,520 --> 00:04:37,400
Speaker 4: to go down in flames.

76
00:04:37,480 --> 00:04:40,960
Speaker 3: Like what you should do next week? I don't get it.

77
00:04:41,000 --> 00:04:42,200
Speaker 3: Tommy should have a crack at night.

78
00:04:42,279 --> 00:04:44,840
Speaker 2: Tom's going to Tom He's got his own one. We're

79
00:04:44,839 --> 00:04:50,400
Speaker 2: going to let you through. There, I got fits. Okay,

80
00:04:50,800 --> 00:04:51,560
Speaker 2: you're back in as well.

81
00:04:52,360 --> 00:04:54,400
Speaker 3: Okay, here's seeing the next time.

82
00:05:01,000 --> 00:05:06,960
Speaker 6: What people say? What people say?

83
00:05:06,400 --> 00:05:09,880
Speaker 5: I go on too many dates, but I can't make

84
00:05:09,920 --> 00:05:10,440
Speaker 5: them stay.

85
00:05:10,600 --> 00:05:17,680
Speaker 2: Wow, Tom Ivey has got standing work for the sake

86
00:05:17,760 --> 00:05:19,240
Speaker 2: of it. Do we go through to the next round?

87
00:05:19,279 --> 00:05:23,560
Speaker 3: Everyone? No, we'll wear out? Yeah, technically one.

88
00:05:23,440 --> 00:05:28,680
Speaker 2: Game to play the game for a bit longer. Do

89
00:05:28,680 --> 00:05:29,240
Speaker 2: you want to.

90
00:05:32,720 --> 00:05:33,000
Speaker 7: What I.

91
00:05:35,600 --> 00:05:39,520
Speaker 3: Should should have? Put should back of the past?

92
00:05:39,800 --> 00:05:47,719
Speaker 2: Wait while I put around this segment? Sing songs? Try everybody.

93
00:05:47,920 --> 00:05:49,480
Speaker 2: I'll give you the category. I'll give you the song

94
00:05:49,560 --> 00:05:51,800
Speaker 2: you need to fill in the next line when the

95
00:05:51,920 --> 00:05:55,400
Speaker 2: music stops. It is all very very simple fits to

96
00:05:55,440 --> 00:05:59,279
Speaker 2: Europe first mate. But the category is rock songs, and

97
00:05:59,320 --> 00:06:02,200
Speaker 2: when the music toops, you need to give me the

98
00:06:02,200 --> 00:06:03,160
Speaker 2: next line. Here we go.

99
00:06:07,600 --> 00:06:08,400
Speaker 3: We got it.

100
00:06:14,000 --> 00:06:21,400
Speaker 2: We'll give it a shot. Ye have there he's giving

101
00:06:22,920 --> 00:06:26,880
Speaker 2: yes fit flies. We've done that already.

102
00:06:26,960 --> 00:06:28,560
Speaker 4: Yeah, last week, that's okay.

103
00:06:28,800 --> 00:06:36,200
Speaker 2: Didn't we didn't live on we But it's all good

104
00:06:36,200 --> 00:06:36,640
Speaker 2: because you know.

105
00:06:38,640 --> 00:06:40,200
Speaker 3: You can't go out in the first round anyway.

106
00:06:41,080 --> 00:06:43,479
Speaker 2: Lucy, Let's move on to Sarah's there.

107
00:06:44,520 --> 00:06:45,720
Speaker 4: You're make a.

108
00:06:45,640 --> 00:06:48,280
Speaker 6: Big nice green industry, your.

109
00:06:48,240 --> 00:06:52,560
Speaker 2: Big you got man on your face, your big disgrace,

110
00:06:53,000 --> 00:06:57,159
Speaker 2: kicking your can all over the she's good, was on

111
00:06:57,200 --> 00:06:59,680
Speaker 2: your foont's too different doing this one. You got mud

112
00:06:59,720 --> 00:07:02,000
Speaker 2: on your face is the first one, first verse, the.

113
00:07:01,920 --> 00:07:04,080
Speaker 4: Next verse they do that, and they also don't say

114
00:07:04,160 --> 00:07:05,000
Speaker 4: kicking your cannons.

115
00:07:05,279 --> 00:07:09,560
Speaker 2: Great ry, really good detail. Welcome to round one, everybody

116
00:07:09,560 --> 00:07:13,720
Speaker 2: on sing song sang again, tell me here we go?

117
00:07:16,920 --> 00:07:20,320
Speaker 5: Absolutely no idea, absolutely no idea.

118
00:07:20,840 --> 00:07:24,280
Speaker 2: Lady, serious, what a stitch up?

119
00:07:37,760 --> 00:07:40,640
Speaker 3: We just thought we'd try that one incause you're a huge.

120
00:07:40,440 --> 00:07:44,480
Speaker 2: Ack dack affair is your wedding r The topic here

121
00:07:44,480 --> 00:07:48,160
Speaker 2: and you can be booted out this round everybody, hopefully

122
00:07:49,080 --> 00:07:51,200
Speaker 2: the topic is boy bands.

123
00:07:52,200 --> 00:07:53,000
Speaker 3: My specialty.

124
00:07:53,480 --> 00:07:54,840
Speaker 4: Why wouldn't you start with it?

125
00:07:54,920 --> 00:07:58,560
Speaker 2: Here we go, Please be in sync this is.

126
00:07:58,680 --> 00:08:09,240
Speaker 6: If it's you're on, I can come home, let go.

127
00:08:09,840 --> 00:08:11,600
Speaker 3: You're a natural role.

128
00:08:12,320 --> 00:08:16,320
Speaker 2: You belongs to me, I belong to do.

129
00:08:16,400 --> 00:08:17,760
Speaker 3: You know what? I'm going to let you through because

130
00:08:17,760 --> 00:08:20,080
Speaker 3: you gave me more than I wanted. And you may

131
00:08:20,120 --> 00:08:21,120
Speaker 3: have started badly.

132
00:08:20,920 --> 00:08:23,080
Speaker 2: But you picked it up the end. Mister Fitzgerald gets

133
00:08:23,080 --> 00:08:25,360
Speaker 2: through to the next round. All right, Sarah, you're on.

134
00:08:25,440 --> 00:08:25,920
Speaker 3: Good luck?

135
00:08:29,960 --> 00:08:33,040
Speaker 4: Just another player in your game for two? Shoot me

136
00:08:33,200 --> 00:08:35,840
Speaker 4: hate me because it ain't no la baby.

137
00:08:37,000 --> 00:08:39,240
Speaker 3: That is really disappointing me, you know that?

138
00:08:39,400 --> 00:08:39,559
Speaker 7: Yeah?

139
00:08:39,600 --> 00:08:40,240
Speaker 4: What can I say?

140
00:08:40,400 --> 00:08:40,679
Speaker 3: JT?

141
00:08:40,880 --> 00:08:41,360
Speaker 6: Stating there?

142
00:08:41,400 --> 00:08:44,079
Speaker 4: That's how I to finished myself? Did I sing a

143
00:08:44,120 --> 00:08:46,320
Speaker 4: different first? I'm out?

144
00:08:46,559 --> 00:08:46,880
Speaker 2: You know what.

145
00:08:46,920 --> 00:08:48,760
Speaker 3: I'm going to let you through because you got.

146
00:08:49,880 --> 00:08:52,600
Speaker 4: Beause No, I can find the bit that I sang.

147
00:08:52,800 --> 00:08:55,760
Speaker 2: The further part that you gave me wasn't correct, but

148
00:08:55,800 --> 00:08:58,480
Speaker 2: you gave me more than I needed you through. Oh

149
00:08:59,200 --> 00:09:02,760
Speaker 2: this is us, tom Ivey, You're up seeing the next

150
00:09:02,800 --> 00:09:09,920
Speaker 2: line is huge? Why why do I get the short

151
00:09:10,000 --> 00:09:10,640
Speaker 2: leading anyway?

152
00:09:10,720 --> 00:09:10,960
Speaker 3: Lucky?

153
00:09:10,960 --> 00:09:11,360
Speaker 2: I know it?

154
00:09:11,840 --> 00:09:12,920
Speaker 3: Tell me why he.

155
00:09:13,240 --> 00:09:15,400
Speaker 5: Nothing but a hardache?

156
00:09:16,040 --> 00:09:18,199
Speaker 2: Tell me why nothing?

157
00:09:21,160 --> 00:09:22,439
Speaker 3: Tell me well done?

158
00:09:22,880 --> 00:09:24,800
Speaker 2: We all controlled around three?

159
00:09:24,920 --> 00:09:28,640
Speaker 1: How's the feed just feels like time isn't a big concern,

160
00:09:28,679 --> 00:09:30,000
Speaker 1: which is why I got cut out of the game.

161
00:09:30,000 --> 00:09:32,880
Speaker 3: But I'm here loving it, still.

162
00:09:32,720 --> 00:09:35,720
Speaker 2: A bit angry. Let's move on. We move on to

163
00:09:36,520 --> 00:09:42,280
Speaker 2: Girl Man's Guys Gone from Boys to the Girls fou

164
00:09:42,559 --> 00:09:46,560
Speaker 2: with Serah first scandalous, all right, good luck says you.

165
00:09:50,240 --> 00:09:51,400
Speaker 4: Give take in.

166
00:09:51,559 --> 00:09:56,760
Speaker 3: It's too easy, but that the way it is.

167
00:09:57,000 --> 00:10:02,240
Speaker 2: It doesn't matter. You are the next round, Melsy, good luck, Tom.

168
00:10:02,320 --> 00:10:09,640
Speaker 5: The girl bands when no one is around you, see Babby.

169
00:10:09,720 --> 00:10:15,080
Speaker 2: I love you, Tom, well done, Fitzy.

170
00:10:16,040 --> 00:10:19,560
Speaker 4: Good luck engine the back of your.

171
00:10:26,679 --> 00:10:31,559
Speaker 2: Don't you Your girlfriend was hot like me? Next line, No,

172
00:10:31,640 --> 00:10:33,160
Speaker 2: that's the line that's not finished up.

173
00:10:33,800 --> 00:10:34,839
Speaker 4: Your girlfriend was.

174
00:10:36,760 --> 00:10:40,360
Speaker 2: No, Sarah was smooth like gee me.

175
00:10:41,040 --> 00:10:42,400
Speaker 4: Don't perfectly get out against right.

176
00:10:42,440 --> 00:10:42,840
Speaker 3: I'm sorry.

177
00:10:42,880 --> 00:10:45,400
Speaker 2: I'm gonna have to let you go. The next category

178
00:10:45,440 --> 00:10:49,000
Speaker 2: is head shearing everybody and every time here we go, Sarah,

179
00:10:49,080 --> 00:10:51,000
Speaker 2: You're gonna have a winning time, Sarah, good luck. When

180
00:10:51,000 --> 00:10:53,679
Speaker 2: the music stops, give me the next line. My heart

181
00:10:53,800 --> 00:10:57,319
Speaker 2: is into I'm in love with your body.

182
00:10:58,080 --> 00:11:01,160
Speaker 4: Last night you were in my room and I'm a

183
00:11:01,240 --> 00:11:06,120
Speaker 4: bad she'd smell like you, Sarah. I thought I was

184
00:11:06,160 --> 00:11:09,120
Speaker 4: just going to get that. No, no, no, all.

185
00:11:09,080 --> 00:11:10,640
Speaker 2: Right, Tom, I let's move on.

186
00:11:15,600 --> 00:11:20,760
Speaker 6: Dancing and you that seen.

187
00:11:23,160 --> 00:11:29,559
Speaker 5: Bare foot on the grass drinking well Sarah and then

188
00:11:29,720 --> 00:11:36,120
Speaker 5: drinking on the grass.

189
00:11:33,760 --> 00:11:39,160
Speaker 3: Have a listen, be gross yeah with you.

190
00:11:39,679 --> 00:11:52,560
Speaker 2: Into takes up sing song sig, Sing song sig. Sing

191
00:11:52,760 --> 00:11:58,080
Speaker 2: song signs you nervous, doesn't You're like you put everything

192
00:11:58,080 --> 00:12:03,280
Speaker 2: into the opening you moon three weeks in the making,

193
00:12:03,320 --> 00:12:04,920
Speaker 2: and we've tried this a couple of times off air.

194
00:12:05,000 --> 00:12:07,839
Speaker 2: Welcome to the show, guys. It's very very simple. How

195
00:12:07,880 --> 00:12:10,640
Speaker 2: we do this with sing song sang. We're going to

196
00:12:10,640 --> 00:12:12,520
Speaker 2: play a little bit of music. When the music stops,

197
00:12:12,559 --> 00:12:14,720
Speaker 2: you have to sing the next line. Someone will lead

198
00:12:14,800 --> 00:12:17,440
Speaker 2: each round, which you'll be pointed to, and once the

199
00:12:17,480 --> 00:12:20,920
Speaker 2: first line is sung, you will then need to continue on.

200
00:12:21,040 --> 00:12:23,760
Speaker 2: So Sarah, for example, if you sang the first line

201
00:12:23,760 --> 00:12:25,880
Speaker 2: of the song, then Ryan, you would need to continue

202
00:12:25,880 --> 00:12:28,280
Speaker 2: with the next line. Tom. You would then continue, and

203
00:12:28,280 --> 00:12:30,920
Speaker 2: Michelle is also playing, you would need to sing the

204
00:12:30,920 --> 00:12:32,480
Speaker 2: continuing line from Tom.

205
00:12:32,520 --> 00:12:32,960
Speaker 6: So hang on.

206
00:12:33,040 --> 00:12:35,120
Speaker 4: If Tom by the time it gets him, he can't

207
00:12:35,160 --> 00:12:35,400
Speaker 4: do it.

208
00:12:35,440 --> 00:12:38,160
Speaker 2: He's out, he's gone. Okay, simple as that. So to

209
00:12:38,280 --> 00:12:42,040
Speaker 2: warm up, let's have a very simple round. We're going

210
00:12:42,040 --> 00:12:46,880
Speaker 2: to start with the national anthem, Oh go, Sarah, will

211
00:12:46,880 --> 00:12:48,840
Speaker 2: start with you because you're close to my right here,

212
00:12:50,480 --> 00:12:54,520
Speaker 2: so the music will stop Astralians or I have to

213
00:12:54,559 --> 00:13:00,840
Speaker 2: sing it fitsy for we are young and free, gold

214
00:13:00,920 --> 00:13:04,679
Speaker 2: and soil and wealth for toil. Our home is goodbye,

215
00:13:04,760 --> 00:13:13,199
Speaker 2: see Sarah, our landa bounds in nh is good of beauty, Tom.

216
00:13:12,920 --> 00:13:18,280
Speaker 5: In history page, Let every stage dance Australia fair.

217
00:13:18,480 --> 00:13:20,120
Speaker 2: Now we understand how the game has plowed.

218
00:13:20,440 --> 00:13:23,160
Speaker 3: He has very second, very still very confused.

219
00:13:23,200 --> 00:13:26,240
Speaker 2: No, it's not confused. People cheating in now all right,

220
00:13:27,600 --> 00:13:30,280
Speaker 2: you're not there, Linden says. I was hoping Fortune Cookie

221
00:13:30,320 --> 00:13:36,160
Speaker 2: Friday was coming round. The Reasons guy used to come

222
00:13:36,200 --> 00:13:38,080
Speaker 2: in and said, no, this feels a bit off.

223
00:13:40,720 --> 00:13:43,920
Speaker 4: He made by you boxes and boxes of fortune cookies.

224
00:13:44,120 --> 00:13:47,480
Speaker 4: You just didn't say you were said you made us

225
00:13:47,480 --> 00:13:48,200
Speaker 4: by your cookie.

226
00:13:48,360 --> 00:13:50,959
Speaker 2: All right, here we go, guys. So we're on national

227
00:13:51,080 --> 00:13:54,760
Speaker 2: round for sing song sang. We will start with you, Sarah,

228
00:13:54,840 --> 00:13:57,160
Speaker 2: and we'll go around the room, letting far off the music.

229
00:13:57,200 --> 00:13:59,960
Speaker 2: When the music stopped, Sarah, we need to come in

230
00:14:00,080 --> 00:14:03,120
Speaker 2: with the next line.

231
00:14:04,720 --> 00:14:06,760
Speaker 4: It's not the next line. If it's the first line.

232
00:14:07,640 --> 00:14:10,600
Speaker 2: Coming with the first line, then here we had.

233
00:14:10,480 --> 00:14:11,840
Speaker 4: The chance to turn the pages over.

234
00:14:12,520 --> 00:14:18,160
Speaker 2: Yep, not right, tough to write what we want to

235
00:14:18,280 --> 00:14:21,920
Speaker 2: raise Tom. We're going to make and me to.

236
00:14:22,120 --> 00:14:28,880
Speaker 3: He gets a little colder. It's a little cold.

237
00:14:31,120 --> 00:14:34,080
Speaker 2: The first round half cut in the publishing. That mate,

238
00:14:34,520 --> 00:14:35,000
Speaker 2: that's Tom.

239
00:14:35,040 --> 00:14:35,640
Speaker 3: You are out.

240
00:14:35,760 --> 00:14:38,840
Speaker 2: We needed. We're going to make ends meet before we

241
00:14:38,880 --> 00:14:42,720
Speaker 2: get much older. Okay, Michelle, I get wrong.

242
00:14:43,240 --> 00:14:43,680
Speaker 3: We will.

243
00:14:43,760 --> 00:14:46,000
Speaker 2: It's we have the chance to turn the pages over.

244
00:14:46,520 --> 00:14:50,640
Speaker 2: We have You're in, You're still in. It's a little

245
00:14:50,640 --> 00:14:52,640
Speaker 2: bit of a a little bit of we danced to

246
00:14:52,760 --> 00:14:53,240
Speaker 2: dance a bit.

247
00:14:53,400 --> 00:14:53,640
Speaker 3: Okay.

248
00:14:53,680 --> 00:14:57,600
Speaker 2: If we're going to start with you, Michelle's no, Michelle

249
00:14:57,600 --> 00:15:01,960
Speaker 2: doesn't need to continue. If Tom's gone, that round is okay. Fitzy,

250
00:15:02,080 --> 00:15:03,800
Speaker 2: we are starting with you. From Fitzy, we'll go to

251
00:15:03,800 --> 00:15:05,960
Speaker 2: Michelle and then back to Sarah. With the three remaining

252
00:15:06,000 --> 00:15:10,920
Speaker 2: people in sing song sang here we go from the

253
00:15:10,960 --> 00:15:12,480
Speaker 2: start here, Fitzy, you need to give me the first

254
00:15:12,520 --> 00:15:13,280
Speaker 2: line of this song.

255
00:15:15,720 --> 00:15:18,840
Speaker 3: Coming out of my cage. Michelle and I was doing

256
00:15:19,120 --> 00:15:22,360
Speaker 3: just fine, gotta gotta be down because I want it all.

257
00:15:22,720 --> 00:15:24,640
Speaker 3: Fitzy started out with a kiss.

258
00:15:24,680 --> 00:15:26,520
Speaker 2: I did it, and I'm like this, Sarah.

259
00:15:27,000 --> 00:15:28,440
Speaker 4: It was only a drag.

260
00:15:28,800 --> 00:15:31,920
Speaker 7: It was only a kiss you're out son, It was

261
00:15:33,000 --> 00:15:38,920
Speaker 7: only dress is a drag? Sorry, now she's taking a drag?

262
00:15:39,080 --> 00:15:40,240
Speaker 2: Is where you've got confused?

263
00:15:40,280 --> 00:15:40,440
Speaker 7: There?

264
00:15:40,520 --> 00:15:43,160
Speaker 4: That's later on in the song, and it's my favorite song.

265
00:15:43,280 --> 00:15:46,240
Speaker 2: We come down to remaining too, Ryan Fitzgerald. Michelle is

266
00:15:46,280 --> 00:15:48,840
Speaker 2: still in the sing song. Sang you're going to run

267
00:15:48,920 --> 00:15:52,040
Speaker 2: out of songs very quickly. That everybody knows. I'm running

268
00:15:52,040 --> 00:15:53,960
Speaker 2: out of people playing. To be honest, I thought we'd

269
00:15:54,000 --> 00:15:56,720
Speaker 2: still be in at this stage. You're only at round four. Okay,

270
00:15:56,960 --> 00:16:00,320
Speaker 2: this is a song. So who's Michelle. You're going to

271
00:16:00,360 --> 00:16:02,680
Speaker 2: start here, so I'm going to warm you up here.

272
00:16:03,560 --> 00:16:05,800
Speaker 2: You got to remember we go through his first part.

273
00:16:05,920 --> 00:16:07,640
Speaker 3: I need Can I call a friend?

274
00:16:07,840 --> 00:16:11,080
Speaker 2: No, you can't. All right, Michelle. When he starts to

275
00:16:11,200 --> 00:16:14,320
Speaker 2: actually wrap and stops talking, I'm going to need your

276
00:16:14,360 --> 00:16:18,840
Speaker 2: first line. Okay one morning, would you let it slip? No? No,

277
00:16:20,440 --> 00:16:23,000
Speaker 2: just here we go, Michelle.

278
00:16:23,280 --> 00:16:25,600
Speaker 4: My palms are sweaty, weak knees, arms are heavy.

279
00:16:26,840 --> 00:16:27,960
Speaker 3: Vomit on my sweater.

280
00:16:28,360 --> 00:16:29,840
Speaker 2: Moum spaghetti.

281
00:16:31,240 --> 00:16:32,920
Speaker 3: Going, Michelle, that.

282
00:16:33,040 --> 00:16:33,800
Speaker 6: Guy is that rough?

283
00:16:36,160 --> 00:16:37,280
Speaker 4: Sat back to reality?

284
00:16:39,400 --> 00:16:43,120
Speaker 2: No, no, no, to start with his palms of sweaty knees, week,

285
00:16:43,200 --> 00:16:45,680
Speaker 2: arms are heavy? What did you go with fits on

286
00:16:45,800 --> 00:16:49,640
Speaker 2: my sweater already mum spaghetti Michelle. He's nervous, but on

287
00:16:49,720 --> 00:16:52,600
Speaker 2: the surface he looks calm and ready to drop bombs. FITZI,

288
00:16:52,680 --> 00:16:53,600
Speaker 2: you have taken.

289
00:16:53,400 --> 00:16:55,600
Speaker 6: Out fast round.

290
00:16:57,080 --> 00:16:58,760
Speaker 3: Song sid.

291
00:17:00,240 --> 00:17:06,280
Speaker 2: Sing song, sing song, saying tell me we're stilling live

292
00:17:06,400 --> 00:17:07,840
Speaker 2: on the Facebook page.

293
00:17:07,920 --> 00:17:10,280
Speaker 3: Yeah, absolutely we are. Lots of people are keen to

294
00:17:10,400 --> 00:17:12,120
Speaker 3: jump on board and play this game.

295
00:17:12,200 --> 00:17:14,880
Speaker 2: Lots of people calling through the look at that while

296
00:17:15,240 --> 00:17:19,680
Speaker 2: everyone went through calling through, look at it. It's my god,

297
00:17:19,800 --> 00:17:20,560
Speaker 2: lines are crashing.

298
00:17:21,359 --> 00:17:24,560
Speaker 4: I know someone who'd love to play who Sorry?

299
00:17:27,400 --> 00:17:33,040
Speaker 2: Could a relegation system where the loser of one week

300
00:17:33,119 --> 00:17:33,640
Speaker 2: drops out?

301
00:17:33,800 --> 00:17:35,600
Speaker 3: Sorry, I'm.

302
00:17:37,080 --> 00:17:41,120
Speaker 2: Thirteen twenty fourteen. Give us you will too, will Let's

303
00:17:41,119 --> 00:17:43,000
Speaker 2: get into it with sing songs, saying the idea is

304
00:17:43,040 --> 00:17:45,520
Speaker 2: you will hear the music play. When the music stops,

305
00:17:45,560 --> 00:17:47,240
Speaker 2: you need to give me the next line. If you

306
00:17:47,280 --> 00:17:50,080
Speaker 2: get it wrong, you are out. First Up Thomas Brown

307
00:17:50,160 --> 00:17:57,080
Speaker 2: IVY from the Ivy Family. Here we go, Thomas, how

308
00:17:57,400 --> 00:17:58,040
Speaker 2: was I sink?

309
00:18:02,000 --> 00:18:04,320
Speaker 5: That's something wasn't right here?

310
00:18:04,800 --> 00:18:09,679
Speaker 2: By Yeah, your free denim jacket.

311
00:18:09,840 --> 00:18:10,400
Speaker 3: Very excited.

312
00:18:10,560 --> 00:18:12,880
Speaker 2: I should have pointed out also its nineties female pop

313
00:18:12,920 --> 00:18:17,040
Speaker 2: stars as the first round here we go, fits this

314
00:18:17,200 --> 00:18:19,399
Speaker 2: is you. When the music stops, give me the next line.

315
00:18:22,680 --> 00:18:23,800
Speaker 4: So in your wheelhouse.

316
00:18:28,880 --> 00:18:31,719
Speaker 6: You gotta do it the right ways, mate, How did

317
00:18:31,760 --> 00:18:32,360
Speaker 6: you get that wrong?

318
00:18:32,920 --> 00:18:36,439
Speaker 2: You got to rub me the no one goes out

319
00:18:36,520 --> 00:18:37,359
Speaker 2: in the first round.

320
00:18:37,440 --> 00:18:38,320
Speaker 3: Mate, you're in line.

321
00:18:39,200 --> 00:18:40,000
Speaker 2: No, you're not here.

322
00:18:40,080 --> 00:18:42,600
Speaker 3: We go to call it to represent me?

323
00:18:42,800 --> 00:18:51,120
Speaker 2: Is anyone on the line? All right? What's your name? Mate?

324
00:18:51,960 --> 00:18:52,480
Speaker 5: From the news?

325
00:18:52,560 --> 00:18:52,800
Speaker 7: Babe?

326
00:18:52,920 --> 00:18:54,920
Speaker 3: Okay, all right, you're representing me.

327
00:18:55,880 --> 00:18:58,639
Speaker 2: Good luck, thanks for coming along. All right, here we

328
00:18:58,720 --> 00:19:01,720
Speaker 2: go says this is on to you. When the music stops,

329
00:19:01,760 --> 00:19:11,359
Speaker 2: give me the next line. Take me anywhere you want to,

330
00:19:11,640 --> 00:19:18,320
Speaker 2: baby nest where you want to baby near. Forget the

331
00:19:18,359 --> 00:19:19,040
Speaker 2: tune and the tone.

332
00:19:19,080 --> 00:19:21,000
Speaker 3: The words will spot on and that's all you need.

333
00:19:21,080 --> 00:19:23,399
Speaker 2: Here. Let's move on, guys around to his Disney songs.

334
00:19:23,400 --> 00:19:25,200
Speaker 2: Tell me you're up first once again. Here here we go.

335
00:19:27,160 --> 00:19:28,639
Speaker 3: I can show you the.

336
00:19:32,640 --> 00:19:35,280
Speaker 2: Shining, shimmering splendo.

337
00:19:40,800 --> 00:19:46,199
Speaker 7: Everybody knows that childhood shining, shimmering splendid.

338
00:19:46,440 --> 00:19:49,040
Speaker 2: Tell me, yeah what a song says you're up now here.

339
00:19:48,960 --> 00:19:50,880
Speaker 6: We go, good luck, wonder and free.

340
00:19:51,680 --> 00:20:00,159
Speaker 4: I wish I could be part of your Workrmaid.

341
00:19:58,640 --> 00:20:02,760
Speaker 3: But I'm saying moving on to Captain Disney himself. Are

342
00:20:02,800 --> 00:20:05,840
Speaker 3: you ready, buddy? Good Now I'm represented by m DG. Okay,

343
00:20:05,960 --> 00:20:08,760
Speaker 3: so who's doing this? MDG? Or your good luck.

344
00:20:13,240 --> 00:20:15,040
Speaker 1: When the beware.

345
00:20:18,280 --> 00:20:19,040
Speaker 3: Little help.

346
00:20:20,800 --> 00:20:22,399
Speaker 2: On the end of the one line. Well done, so

347
00:20:22,560 --> 00:20:25,880
Speaker 2: FITZI through MDGs through to the next round in one

348
00:20:25,880 --> 00:20:28,200
Speaker 2: of the great boycotts we've seen. Okay, here we go

349
00:20:28,359 --> 00:20:32,280
Speaker 2: round three rap songs. M d G on behalf of Fitzy.

350
00:20:32,359 --> 00:20:34,440
Speaker 2: You are up first. When the music stops, sing the

351
00:20:34,520 --> 00:20:35,280
Speaker 2: next line.

352
00:20:37,640 --> 00:20:39,639
Speaker 6: These weak arms and heap vomit.

353
00:20:40,680 --> 00:20:50,000
Speaker 2: Oh, I'm spaghetti arms. Spaghetti, really spaghetti with a machine

354
00:20:50,040 --> 00:20:55,080
Speaker 2: gun spaghetti. Yeah, there's vomit on his sweater already, mum spaghetti.

355
00:20:55,760 --> 00:20:58,440
Speaker 2: All right, MDG and fitz thank you very much for playing.

356
00:21:00,240 --> 00:21:04,240
Speaker 3: Bye, Sarah, you're up here we.

357
00:21:04,320 --> 00:21:09,800
Speaker 4: Go, so take a by your clothes.

358
00:21:10,080 --> 00:21:13,159
Speaker 3: I am getting so hot I want to take my

359
00:21:13,359 --> 00:21:19,720
Speaker 3: cloe too much. Never get that, I want to take

360
00:21:19,800 --> 00:21:22,080
Speaker 3: my clothes off. Get that. And if you're watching, you

361
00:21:22,119 --> 00:21:24,120
Speaker 3: would have enjoyed the rap hands that I am out.

362
00:21:24,200 --> 00:21:26,359
Speaker 4: Well, they were sort of like comp hands or we

363
00:21:26,440 --> 00:21:26,720
Speaker 4: might have.

364
00:21:26,720 --> 00:21:28,320
Speaker 2: A winner here because tell me, I don't know how

365
00:21:28,359 --> 00:21:31,000
Speaker 2: you're going to go. Well, all right, on the topic,

366
00:21:31,040 --> 00:21:36,400
Speaker 2: of rap songs. Here we got good luck my black

367
00:21:36,480 --> 00:21:37,240
Speaker 2: cape must tonight.

368
00:21:39,160 --> 00:21:40,840
Speaker 3: Course would know that he's got it.

369
00:21:40,960 --> 00:21:41,840
Speaker 2: I didn't think you'd know that.

370
00:21:41,960 --> 00:21:42,520
Speaker 6: Everyone knows.

371
00:21:42,560 --> 00:21:44,560
Speaker 4: That's the only line in the song you can actually understand.

372
00:21:45,760 --> 00:21:47,880
Speaker 2: We're going to jump around six Helen know if you've

373
00:21:47,880 --> 00:21:51,080
Speaker 2: got that here, Uh, Sarah, we'll go with you. First

374
00:21:52,480 --> 00:22:01,800
Speaker 2: number one singles in twenty twenty, Lady Gaga is calming downs.

375
00:22:05,840 --> 00:22:08,159
Speaker 4: She says it again, it's coming down on me.

376
00:22:09,680 --> 00:22:10,919
Speaker 6: I let it rain on.

377
00:22:11,119 --> 00:22:13,399
Speaker 2: Me, and we're after a little bit more than that.

378
00:22:14,000 --> 00:22:17,560
Speaker 2: Is that? That's what she says next, Yeah, there's it's

379
00:22:17,680 --> 00:22:21,000
Speaker 2: coming down on me, which is correct, but at.

380
00:22:21,000 --> 00:22:24,159
Speaker 4: Least I'm a lab or something like that. I don't know,

381
00:22:24,240 --> 00:22:26,160
Speaker 4: like why would you make me sing Mariah Kerry and Goga?

382
00:22:26,240 --> 00:22:28,360
Speaker 4: And if five minutes to a management said don't sing

383
00:22:28,400 --> 00:22:29,320
Speaker 4: on it, you got it wrong?

384
00:22:29,400 --> 00:22:31,440
Speaker 2: Like this is my firing right, So I'm ready. Rain

385
00:22:31,520 --> 00:22:33,400
Speaker 2: on me is what we needed. Let's see how Tom

386
00:22:33,480 --> 00:22:41,840
Speaker 2: goes with his Okay, now I can't sleep until I

387
00:22:42,080 --> 00:22:54,280
Speaker 2: feel your touch. We gotta win to tell run to

388
00:22:54,560 --> 00:22:55,240
Speaker 2: complay for me.

389
00:22:56,760 --> 00:23:00,240
Speaker 4: So so well this is my hands than.

390
00:23:02,040 --> 00:23:04,119
Speaker 1: End whipper Hey guys me again back at the end

391
00:23:04,160 --> 00:23:06,600
Speaker 1: of the podcast for a quick reveal for our little

392
00:23:06,800 --> 00:23:09,280
Speaker 1: game of sing songs, saying that we're playing just you

393
00:23:09,359 --> 00:23:11,120
Speaker 1: and me. I played to the start of this song

394
00:23:16,040 --> 00:23:18,560
Speaker 1: and I wanted you to give me the next few lines,

395
00:23:18,640 --> 00:23:20,399
Speaker 1: which were you just start?

396
00:23:22,040 --> 00:23:25,159
Speaker 3: So can you just guys from the count you need

397
00:23:25,280 --> 00:23:25,960
Speaker 3: to calm down.

398
00:23:26,040 --> 00:23:26,880
Speaker 2: I hope you got it right.

399
00:23:27,000 --> 00:23:28,880
Speaker 1: I won't judge you if you didn't, and I will

400
00:23:28,960 --> 00:23:31,240
Speaker 1: see you on the next fifteen Whipper Best of twenty

401
00:23:31,320 --> 00:23:32,040
Speaker 1: twenty podcast.