1 00:00:00,280 --> 00:00:06,159 Speaker 1: Are you to get it? It's a podcast. 2 00:00:06,600 --> 00:00:10,399 Speaker 2: Hey guys, Lizzie here, I'm the social media producer for Fitzie, 3 00:00:10,400 --> 00:00:13,920 Speaker 2: Whipper and Kate and welcome to our summer podcast on 4 00:00:13,960 --> 00:00:18,079 Speaker 2: the Fitzie Whipper with Kate Richie Podcast episode special bonus 5 00:00:18,120 --> 00:00:21,520 Speaker 2: episode for you. This is called the Social Network Edition. 6 00:00:21,280 --> 00:00:23,920 Speaker 1: Where I'm going to be taking you through some of. 7 00:00:23,840 --> 00:00:26,560 Speaker 2: Our biggest moments on social media this year that you 8 00:00:26,560 --> 00:00:29,440 Speaker 2: would have seen on our Instagram, Facebook or TikTok. The 9 00:00:29,480 --> 00:00:32,520 Speaker 2: second episode of the Social Network Edition is all about 10 00:00:32,520 --> 00:00:35,239 Speaker 2: Marina Abramovich. Now, when Whipper first came to me with 11 00:00:35,280 --> 00:00:37,199 Speaker 2: this idea to post as a social video, I have 12 00:00:37,280 --> 00:00:41,000 Speaker 2: to say I wasn't super intrigued, but he proved me wrong, 13 00:00:41,159 --> 00:00:43,239 Speaker 2: as he always does and is very happy to do 14 00:00:43,360 --> 00:00:46,880 Speaker 2: to anyone who will listen. Marina is an artist who 15 00:00:47,320 --> 00:00:50,559 Speaker 2: did a very emotional, touching piece of art with her 16 00:00:50,880 --> 00:00:55,200 Speaker 2: now X, I'm gonna say Yule or Ula don't come 17 00:00:55,200 --> 00:00:59,440 Speaker 2: for me art fans on the Internet. But this video 18 00:00:59,640 --> 00:01:02,800 Speaker 2: went also super viral on all of our socials with people. 19 00:01:02,840 --> 00:01:05,160 Speaker 2: We still have people resharing this video to this day, 20 00:01:05,640 --> 00:01:08,280 Speaker 2: So take a listen. Fitzi and WEP with. 21 00:01:08,400 --> 00:01:12,280 Speaker 3: Kate Richie on nov My favorite topic, love guys. Now. 22 00:01:12,280 --> 00:01:14,760 Speaker 3: I touched on this story the other day and I 23 00:01:14,840 --> 00:01:17,080 Speaker 3: kind of danced around it with not a lot of information. 24 00:01:17,280 --> 00:01:19,080 Speaker 3: I wanted to revisit and sort of fill in some 25 00:01:19,120 --> 00:01:20,880 Speaker 3: gaps I may have left in the story that I 26 00:01:20,959 --> 00:01:25,479 Speaker 3: was telling. It's about the artist Marina Abramovich and her 27 00:01:25,560 --> 00:01:28,080 Speaker 3: man U lay I think his name is. I think 28 00:01:28,080 --> 00:01:30,959 Speaker 3: that's how pronounce it, The oil of you life. Yes, 29 00:01:31,040 --> 00:01:34,199 Speaker 3: that's right. He made that just after he did Doctor 30 00:01:34,280 --> 00:01:37,480 Speaker 3: Luyin's Private Formula and a couple of the other ones. 31 00:01:37,640 --> 00:01:40,720 Speaker 4: It's got beautiful stuff for skin, beautiful skid out it out. 32 00:01:40,800 --> 00:01:42,840 Speaker 3: So they were sort of an active couple in the 33 00:01:42,959 --> 00:01:45,919 Speaker 3: art scene, and they were dating for a solid twelve years. 34 00:01:45,959 --> 00:01:48,520 Speaker 3: Fitz I was telling this story about when they broke 35 00:01:48,640 --> 00:01:52,160 Speaker 3: up for the last time. As part of an art piece, 36 00:01:52,240 --> 00:01:55,800 Speaker 3: they decided to walk the Wall of China, the Great 37 00:01:55,840 --> 00:01:58,600 Speaker 3: Wall of China, and meet in the middle to say 38 00:01:58,640 --> 00:02:03,240 Speaker 3: goodbye one last time. It's very dramatic, it is. And 39 00:02:03,280 --> 00:02:05,040 Speaker 3: you were saying, well, how long does that take? How 40 00:02:05,080 --> 00:02:06,040 Speaker 3: far big is the Great Wall? 41 00:02:06,160 --> 00:02:08,079 Speaker 5: Child, Well, it shouldn't matter how long it takes if 42 00:02:08,080 --> 00:02:09,200 Speaker 5: it's an important moment. 43 00:02:09,240 --> 00:02:10,560 Speaker 1: In life like that. 44 00:02:10,960 --> 00:02:15,520 Speaker 3: Well, seeing text messages so fishing enough. That's not art, mate, 45 00:02:15,560 --> 00:02:16,200 Speaker 3: I'm so sorry. 46 00:02:16,240 --> 00:02:17,160 Speaker 1: I romantic. 47 00:02:17,480 --> 00:02:19,840 Speaker 3: I'll stop that big heart of yours right there, Ryan Jones, 48 00:02:19,840 --> 00:02:22,640 Speaker 3: because that is not art. It was called the Lovers. 49 00:02:22,639 --> 00:02:27,320 Speaker 6: Have a listen The Lovers, in which Marina and Uli 50 00:02:27,440 --> 00:02:31,320 Speaker 6: walked the Great Wall of China was an epic. The 51 00:02:31,600 --> 00:02:36,440 Speaker 6: three months process of walking towards each other, very simple, 52 00:02:37,520 --> 00:02:41,600 Speaker 6: really paired down, and extraordinary in its clarity. 53 00:02:42,440 --> 00:02:46,200 Speaker 1: This was the last of their relation works, and of 54 00:02:46,240 --> 00:02:50,880 Speaker 1: course the way the Great Wall Walk ended was with 55 00:02:51,000 --> 00:02:51,880 Speaker 1: their splitting up. 56 00:02:52,880 --> 00:02:55,600 Speaker 3: It was quite beautiful because she carried a flag, a 57 00:02:55,639 --> 00:02:57,680 Speaker 3: big blue flag, and he carried a big red flag 58 00:02:57,720 --> 00:03:00,800 Speaker 3: as they treked three months, three months till they met. 59 00:03:00,720 --> 00:03:01,840 Speaker 1: In the middle, be somewhere. 60 00:03:01,840 --> 00:03:03,680 Speaker 3: Wouldn't you want to do more once you actually met 61 00:03:03,800 --> 00:03:05,160 Speaker 3: in the middle if you've made. 62 00:03:05,000 --> 00:03:07,720 Speaker 5: The decision, I mean, what was the three month walk, 63 00:03:08,040 --> 00:03:10,000 Speaker 5: contemplation and the bill. 64 00:03:10,400 --> 00:03:13,239 Speaker 3: It's a consideration of how far they'd each come as individuals, 65 00:03:13,240 --> 00:03:15,560 Speaker 3: and then meeting one last final time in the middle. 66 00:03:15,639 --> 00:03:16,760 Speaker 1: Wow, you've bought into this. 67 00:03:16,880 --> 00:03:18,480 Speaker 3: Oh yeah, and it was beautiful. 68 00:03:18,560 --> 00:03:19,679 Speaker 1: You did show me a bit of it. 69 00:03:20,280 --> 00:03:23,320 Speaker 4: Unfortunately, had to all the way back to Kidney Cars. 70 00:03:23,520 --> 00:03:26,200 Speaker 1: One of them, no Ubers on the Great Wall. 71 00:03:26,120 --> 00:03:29,480 Speaker 3: Should have parked closer to the centerpoint, unfortunately, and you 72 00:03:29,480 --> 00:03:33,280 Speaker 3: wouldn't believe the parking, finding it bloody, throw the roof 73 00:03:33,360 --> 00:03:36,000 Speaker 3: the figure being towed. Anyway, you got his car back 74 00:03:36,040 --> 00:03:37,480 Speaker 3: at the end. Let's move on to the next part 75 00:03:37,520 --> 00:03:39,080 Speaker 3: because this is the more interesting part. And we were 76 00:03:39,120 --> 00:03:40,960 Speaker 3: watching this footage the other day. If you can bring 77 00:03:41,000 --> 00:03:43,760 Speaker 3: it up on the screen. She did a thing called 78 00:03:44,040 --> 00:03:47,040 Speaker 3: the Artist in Present. So the idea was that Marina 79 00:03:47,080 --> 00:03:50,640 Speaker 3: sat in a museum and then she invited everybody to 80 00:03:50,640 --> 00:03:53,400 Speaker 3: come and sit in front of her. You've got a minute. 81 00:03:54,440 --> 00:03:56,880 Speaker 3: You got a minute to look at her, and they 82 00:03:56,920 --> 00:03:59,680 Speaker 3: gazed into each other's eyes. Whoever you were, no matter where, 83 00:04:00,200 --> 00:04:02,480 Speaker 3: what where you were from, you could do this. What 84 00:04:02,520 --> 00:04:05,080 Speaker 3: was interesting. I think this is beautifully described because it 85 00:04:05,120 --> 00:04:09,280 Speaker 3: said it was utterly public but intensely private, and they're 86 00:04:09,320 --> 00:04:12,320 Speaker 3: talking about the intensity of looking into somebody's. 87 00:04:11,760 --> 00:04:13,680 Speaker 1: Eyes as if no one else is there. 88 00:04:13,760 --> 00:04:16,279 Speaker 3: I think a show on the ABC did a similar 89 00:04:16,320 --> 00:04:18,200 Speaker 3: thing not long ago. Will you sit down with an 90 00:04:18,279 --> 00:04:21,279 Speaker 3: X and look into their eyes to see what happens? 91 00:04:21,680 --> 00:04:24,279 Speaker 3: And the story goes that these guys hadn't seen each 92 00:04:24,279 --> 00:04:29,080 Speaker 3: other for around ten years. He sits down. What's beautiful 93 00:04:29,080 --> 00:04:32,800 Speaker 3: about the moment is that when there's a new person 94 00:04:32,880 --> 00:04:35,240 Speaker 3: sitting in the chair, she will shut her eyes and 95 00:04:35,279 --> 00:04:37,159 Speaker 3: then lift her head and open her. 96 00:04:37,040 --> 00:04:39,360 Speaker 1: Eyes, so like a reset. 97 00:04:39,760 --> 00:04:43,359 Speaker 3: So she sees him sitting in the chair and bursts 98 00:04:43,360 --> 00:04:44,360 Speaker 3: into tears. 99 00:04:44,960 --> 00:04:50,080 Speaker 5: Slowly, though not in a dramatic not in a dreamtic, emotional. 100 00:04:49,600 --> 00:04:50,440 Speaker 1: Heart felt. 101 00:04:50,600 --> 00:04:54,120 Speaker 3: Yeah, realizing the moment of what they farewelled, what they 102 00:04:54,160 --> 00:04:55,040 Speaker 3: went through. 103 00:04:55,080 --> 00:04:56,120 Speaker 1: Flood of emotion. 104 00:04:56,279 --> 00:04:59,360 Speaker 3: God, he's and now it's a bit serious, isn't he? Well, 105 00:04:59,400 --> 00:05:02,159 Speaker 3: this is the thing. You sat there and kept eye 106 00:05:02,200 --> 00:05:07,359 Speaker 3: contact with Marina for that one minute. What was interesting? 107 00:05:07,400 --> 00:05:10,640 Speaker 3: Afterwards she reaches across the table, breaks all the rules 108 00:05:10,680 --> 00:05:14,479 Speaker 3: and they hold hands. But the saddest part is he 109 00:05:14,560 --> 00:05:17,680 Speaker 3: then gets up, his minute is done, and he walks 110 00:05:17,720 --> 00:05:20,640 Speaker 3: away and leaves the museum. She's left there for the 111 00:05:20,680 --> 00:05:22,360 Speaker 3: next person to look into their eyes? 112 00:05:23,279 --> 00:05:23,720 Speaker 1: Is that it? 113 00:05:24,040 --> 00:05:24,760 Speaker 3: That is? It? 114 00:05:24,839 --> 00:05:25,600 Speaker 1: Was this set up? 115 00:05:25,800 --> 00:05:30,240 Speaker 3: I mean, I don't Richie. He then does to be 116 00:05:30,279 --> 00:05:35,760 Speaker 3: set up? Ule died He didn't he did? When what what? What? What? 117 00:05:35,800 --> 00:05:38,080 Speaker 3: Got hit by a bus on the way and not 118 00:05:38,160 --> 00:05:41,160 Speaker 3: on the same days walking back to give his skink. 119 00:05:41,440 --> 00:05:44,960 Speaker 3: He was pretty heavy on the gasp. He fell off 120 00:05:44,960 --> 00:05:47,240 Speaker 3: the wall going back to get his car. No, he 121 00:05:47,279 --> 00:05:48,680 Speaker 3: was pretty heavy on the gaspers. And I think he 122 00:05:48,720 --> 00:05:50,520 Speaker 3: got lung cancer and died. 123 00:05:53,520 --> 00:05:58,160 Speaker 5: He was so emotional and so know it proves that 124 00:05:58,240 --> 00:06:01,000 Speaker 5: you don't need words to communicate. 125 00:06:01,839 --> 00:06:04,640 Speaker 3: So true, I mean of radio. But I'm kind of 126 00:06:04,680 --> 00:06:07,640 Speaker 3: running out of wards at the moment. It's a story, but. 127 00:06:10,040 --> 00:06:12,360 Speaker 4: It's a bigger few to her though, isn't it, Because 128 00:06:12,360 --> 00:06:14,800 Speaker 4: it's basically he's gone to the effort to rock up. 129 00:06:15,440 --> 00:06:17,920 Speaker 4: She's crying her eyes out, going, oh my gosh, you're back. 130 00:06:18,520 --> 00:06:23,520 Speaker 4: And then he leaves and just goes, this is what 131 00:06:23,560 --> 00:06:26,080 Speaker 4: you could have had You didn't have to scale the 132 00:06:26,120 --> 00:06:27,400 Speaker 4: old Great Wall of China. 133 00:06:27,480 --> 00:06:30,080 Speaker 3: You stuff this. He just didn't have to hook up 134 00:06:30,120 --> 00:06:33,000 Speaker 3: with Brian, you idiot. Apparently he had a bit of 135 00:06:33,040 --> 00:06:40,239 Speaker 3: a thing for the lead is why they actually separated. Really, 136 00:06:41,320 --> 00:06:43,279 Speaker 3: then she started getting it on with one of his mates. 137 00:06:43,760 --> 00:06:45,440 Speaker 3: I'm not making that up. 138 00:06:45,000 --> 00:06:46,440 Speaker 1: You are making it. 139 00:06:46,560 --> 00:06:47,640 Speaker 3: I'm not making that up. 140 00:06:48,560 --> 00:06:51,560 Speaker 1: Look at her like head in her hands as he. 141 00:06:51,680 --> 00:06:52,400 Speaker 3: As he walks away. 142 00:06:52,440 --> 00:06:54,760 Speaker 1: He leaves the room. She's regrouping because she's going to 143 00:06:54,839 --> 00:06:56,640 Speaker 1: have another person to stare into. 144 00:06:56,360 --> 00:07:01,160 Speaker 3: One a Minute's not another guy that she's anyway, Here's 145 00:07:01,160 --> 00:07:02,880 Speaker 3: what I want to do, Here's what I want to 146 00:07:02,920 --> 00:07:05,560 Speaker 3: tell you. You finally got to it. Why do you 147 00:07:05,560 --> 00:07:08,480 Speaker 3: want to see your old flame one more time? 148 00:07:09,440 --> 00:07:09,560 Speaker 7: Like? 149 00:07:09,760 --> 00:07:11,720 Speaker 3: What is it? What is is it? 150 00:07:11,760 --> 00:07:14,040 Speaker 1: The power of something burning inside of you? 151 00:07:14,480 --> 00:07:17,480 Speaker 3: Is there is there power justin looking into each other's 152 00:07:17,520 --> 00:07:23,200 Speaker 3: eyes to recognize what you went through? Is their unanswered questions? 153 00:07:23,320 --> 00:07:25,360 Speaker 1: Are you allowed to talk to them? So we're not 154 00:07:25,440 --> 00:07:26,840 Speaker 1: doing this kind of art? 155 00:07:27,040 --> 00:07:29,320 Speaker 3: You're allowed to talk to them version. I think most 156 00:07:29,320 --> 00:07:33,120 Speaker 3: people leave a relationship with not getting a chance to 157 00:07:33,160 --> 00:07:37,520 Speaker 3: share their side of the story, maybe or wondering why 158 00:07:38,480 --> 00:07:39,960 Speaker 3: someone else reacted in that. 159 00:07:39,920 --> 00:07:42,920 Speaker 5: What decisions they made. I also do think, though, that 160 00:07:42,960 --> 00:07:47,640 Speaker 5: if you have spent a period of time apart and 161 00:07:47,800 --> 00:07:51,640 Speaker 5: you have processed a lot of why you aren't together anymore, 162 00:07:52,280 --> 00:07:56,280 Speaker 5: things can are allowed to remain unanswered. You don't need 163 00:07:56,320 --> 00:07:59,680 Speaker 5: all the answers. And I think sometimes one of our 164 00:07:59,720 --> 00:08:03,000 Speaker 5: downs is looking to the person who you're not with 165 00:08:03,120 --> 00:08:06,720 Speaker 5: anymore for the answers, because guess what, guys, the answer 166 00:08:06,920 --> 00:08:07,680 Speaker 5: is within you. 167 00:08:08,920 --> 00:08:11,960 Speaker 3: Oh that's really deep and sort. 168 00:08:11,800 --> 00:08:14,200 Speaker 1: Of ruined your boner no one, no one. 169 00:08:14,280 --> 00:08:16,280 Speaker 5: The reason why you broke up with someone is probably 170 00:08:16,320 --> 00:08:18,920 Speaker 5: because they couldn't answer certain things for you. And then, 171 00:08:19,200 --> 00:08:21,520 Speaker 5: if you like, seriously move forward. 172 00:08:21,600 --> 00:08:26,280 Speaker 3: Don't you want to say, though, Hey, did you see 173 00:08:26,320 --> 00:08:29,480 Speaker 3: your life with me? Did you see us as a 174 00:08:29,560 --> 00:08:34,720 Speaker 3: sixty year old couple? Your headspace there? That's you, whipper. 175 00:08:35,000 --> 00:08:37,600 Speaker 4: You've always been like that, and that's why you had 176 00:08:37,640 --> 00:08:40,920 Speaker 4: such close relationships with your first partners. And you talk 177 00:08:40,960 --> 00:08:43,440 Speaker 4: about this, you could never let them go like I 178 00:08:43,480 --> 00:08:45,000 Speaker 4: couldn't think of anything worse. 179 00:08:45,960 --> 00:08:48,440 Speaker 1: You're looking for closure, moving from. 180 00:08:48,360 --> 00:08:51,400 Speaker 3: Lover to friendship is what fits is talking about. As 181 00:08:51,480 --> 00:08:55,920 Speaker 3: I'm mates with X's some of them, yes, but I 182 00:08:56,000 --> 00:08:57,320 Speaker 3: found it hard man. 183 00:08:57,440 --> 00:09:01,000 Speaker 4: You were in love with some of them. 184 00:09:00,480 --> 00:09:03,839 Speaker 3: The heavier ones I'm not close with absolutely not, because. 185 00:09:03,600 --> 00:09:05,840 Speaker 1: It was too much and problematic, too. 186 00:09:05,760 --> 00:09:10,120 Speaker 3: Much to then maintain a normal friendship that happens in relationships. 187 00:09:10,720 --> 00:09:12,240 Speaker 3: Can we talk to Emma and clavally? 188 00:09:14,120 --> 00:09:19,959 Speaker 7: Hi guy, thanks. 189 00:09:17,600 --> 00:09:19,600 Speaker 3: For calling on what is a bit of a heavier topic. 190 00:09:20,200 --> 00:09:22,600 Speaker 3: Love to know why you'd want to see your old 191 00:09:22,640 --> 00:09:23,920 Speaker 3: flame just one more time. 192 00:09:24,720 --> 00:09:27,160 Speaker 7: I'd like to see the guy that I lost my 193 00:09:27,320 --> 00:09:30,200 Speaker 7: virginity through. Actually, when I was young and I'd like 194 00:09:30,240 --> 00:09:32,120 Speaker 7: to look into his eyes and I'd like to ask 195 00:09:32,200 --> 00:09:33,480 Speaker 7: him why he was so mean to me? 196 00:09:34,520 --> 00:09:34,880 Speaker 3: Right? 197 00:09:37,400 --> 00:09:40,720 Speaker 4: Closure on that, Imma, do you think was their love 198 00:09:40,800 --> 00:09:42,840 Speaker 4: there in your eyes? And I know you probably would 199 00:09:42,880 --> 00:09:45,240 Speaker 4: have been young, but was their love in your eyes? 200 00:09:45,559 --> 00:09:47,720 Speaker 7: I think so? Yes, I think so, but I couldn't. 201 00:09:47,760 --> 00:09:49,840 Speaker 7: He was just mean, and I just I think i'd 202 00:09:49,880 --> 00:09:52,720 Speaker 7: like to ask ask him, you know, did he actually 203 00:09:52,800 --> 00:09:55,680 Speaker 7: really love me? Or was he just kind of using me. 204 00:09:55,840 --> 00:09:58,319 Speaker 7: I've always thought that this is a great topic guys, 205 00:09:58,320 --> 00:09:58,600 Speaker 7: by the. 206 00:09:58,559 --> 00:10:01,959 Speaker 3: Way, because it's also you're wonder too, does that person 207 00:10:02,360 --> 00:10:05,280 Speaker 3: like if we shared something special right like Emma's talking, 208 00:10:05,600 --> 00:10:06,960 Speaker 3: does that person ever think about me? 209 00:10:07,120 --> 00:10:09,520 Speaker 5: I know, yeah, I know I do agree with that. 210 00:10:09,640 --> 00:10:11,760 Speaker 5: I think you can think those things such and Emma. 211 00:10:11,559 --> 00:10:14,920 Speaker 3: Probably wants to know if that guy also regrets how 212 00:10:14,960 --> 00:10:16,400 Speaker 3: we behaved back then? Am I right? 213 00:10:16,400 --> 00:10:20,040 Speaker 7: Em Yes? Absolutely, I mean I'm over it obviously, But 214 00:10:20,080 --> 00:10:23,679 Speaker 7: am I really calling you guys? Well we know decades 215 00:10:23,760 --> 00:10:24,600 Speaker 7: later exactly? 216 00:10:24,640 --> 00:10:26,520 Speaker 5: You know what though, Emma, going back to what I 217 00:10:26,600 --> 00:10:29,520 Speaker 5: was saying before, I mean, I know there's probably things 218 00:10:29,520 --> 00:10:32,120 Speaker 5: you've had to deal with with being having someone be 219 00:10:32,200 --> 00:10:35,520 Speaker 5: so mean to you that you've shared something so special 220 00:10:35,559 --> 00:10:38,840 Speaker 5: with or it's such a big milestone in your life. 221 00:10:39,240 --> 00:10:41,280 Speaker 5: But there is a point where you have to think, 222 00:10:41,760 --> 00:10:44,320 Speaker 5: you know what, it doesn't it doesn't really matter. It 223 00:10:44,360 --> 00:10:46,319 Speaker 5: doesn't it doesn't matter anymore. 224 00:10:46,520 --> 00:10:47,640 Speaker 1: It was just part of it. 225 00:10:48,480 --> 00:10:50,680 Speaker 7: Maybe I should get some therapy on it. Now that 226 00:10:50,720 --> 00:10:52,520 Speaker 7: I've wrung you, I feel like I've opened up some scar. 227 00:10:52,800 --> 00:10:54,400 Speaker 3: No, that's good, it's good to talk about it. But 228 00:10:54,440 --> 00:10:57,160 Speaker 3: don't you think, also the way I look at it too, 229 00:10:57,200 --> 00:11:00,679 Speaker 3: if you've shared something special with somebody, then I'm always 230 00:11:00,679 --> 00:11:03,240 Speaker 3: going to be there for that person, don't you think? 231 00:11:03,840 --> 00:11:04,439 Speaker 1: Not always? 232 00:11:06,320 --> 00:11:09,120 Speaker 3: You've been They have a family, now you've moved on. 233 00:11:09,640 --> 00:11:13,720 Speaker 3: I'm not offering anything that will interrupt for family life. Say, 234 00:11:13,800 --> 00:11:15,520 Speaker 3: if I was ever needed to be called on, I 235 00:11:15,520 --> 00:11:16,920 Speaker 3: would always go to an extra length. 236 00:11:17,160 --> 00:11:19,760 Speaker 4: But why would they call on you when they have 237 00:11:19,920 --> 00:11:21,760 Speaker 4: other important people in their lives. 238 00:11:21,760 --> 00:11:26,160 Speaker 3: That's irrelevant. The point is you're talking about sharing something special, 239 00:11:26,200 --> 00:11:30,319 Speaker 3: and therefore I think there's a respect that is existing 240 00:11:30,360 --> 00:11:31,280 Speaker 3: from what you did share. 241 00:11:31,400 --> 00:11:36,920 Speaker 5: I think if there has been a positive end experience 242 00:11:36,920 --> 00:11:40,840 Speaker 5: to the relationship. I think sometimes some relationships you just 243 00:11:40,880 --> 00:11:42,880 Speaker 5: need to get as far away from. 244 00:11:42,720 --> 00:11:45,800 Speaker 1: Us as possible. Those ones exist, and they are not. 245 00:11:45,960 --> 00:11:48,240 Speaker 1: They're never going to help you. It's Weafer with Kate. 246 00:11:48,360 --> 00:11:50,000 Speaker 1: Ritchie is a Nova podcast. 247 00:11:50,120 --> 00:11:53,200 Speaker 7: For more great comedy shows like this, head to novapodcast 248 00:11:53,280 --> 00:11:53,720 Speaker 7: dot com. 249 00:11:53,800 --> 00:11:54,280 Speaker 1: Jd Are You