WEBVTT - Dark Horse Is Katy Perry's BEST SONG! Does Adelaide Agree?

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<v Speaker 1>We got Getty morning every day, Alida, Yes, and it's

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<v Speaker 1>a little fierce battle this week.

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<v Speaker 2>So the topic is this Dark Horse by Katie Perry

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<v Speaker 2>is the greatest Katie Perry song of all time.

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<v Speaker 3>I'm for you against and you seem to sit okay

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<v Speaker 3>with this?

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<v Speaker 2>I sit very well with this.

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<v Speaker 3>That's a good Joe.

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<v Speaker 2>I think a lot of us were really really refreshed

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<v Speaker 2>and energized when we learn who the hell Juicy j was.

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<v Speaker 3>It's so true.

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<v Speaker 4>Also, have Katie Perry's listening this morning. Feel free to

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<v Speaker 4>wait in for your songs.

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<v Speaker 2>But that is so true. The lines are open as

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<v Speaker 2>of now. Go for Katie third, three, four day. Do

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<v Speaker 2>you want me to go first?

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<v Speaker 3>Please?

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<v Speaker 2>Okay, here we go, Here we go. I'm up Catherine Perry.

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<v Speaker 2>So many epic songs, one that captured the heart and

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<v Speaker 2>soul of the world. Because we learned about a beautiful

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<v Speaker 2>artist by the name of Juicy j known for his

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<v Speaker 2>trunk style characterized by heavy breathing, stomping sound effects. Juicy

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<v Speaker 2>j Ah, You're a prince of a man, and Juicy

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<v Speaker 2>j was the one who brought this man's work to

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<v Speaker 2>our attention. Your heart help Jeff. And so they were like, Oh,

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<v Speaker 2>who is this Jeffrey Dharma character? Finda sounds nice. Let's

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<v Speaker 2>just give him a bit of a gurgle. Oh, here

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<v Speaker 2>he is Milwaukee Monster, American serial killer dismembering seventeen people.

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<v Speaker 2>Oh my god, why Jeffrey your six? Oh yeah, I

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<v Speaker 2>get it, eat your heart out? Yeah, I understand. Great

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<v Speaker 2>song though, Sorry, Joe's got a little bit side by

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<v Speaker 2>the Milwaukee Monster. But it's a good song. I think

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<v Speaker 2>it's a great song.

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<v Speaker 3>Honestly, get your on the prize, mate.

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<v Speaker 2>I'm sorry, but boy, oh boy, do yourself a favor

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<v Speaker 2>and do not google Jeffrey Darmer.

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<v Speaker 4>Okay, I'm going to dig a little deeper into the

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<v Speaker 4>subject matter of the debate this weekend. That is Katie

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<v Speaker 4>Perry's songs. Let me just drill down on the dark

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<v Speaker 4>Horse rap. Shall I call her Karma?

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<v Speaker 3>She eat You're Hot like Jeffrey drama.

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<v Speaker 4>So incorporating a serial killer with cannibalistic tendencies into a catchy,

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<v Speaker 4>upbeat pop song is very counterintuitive. Dark Horse slaps, But

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<v Speaker 4>Catherine Elizabeth Hudson has had much bigger bangers with much

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<v Speaker 4>more impressive lyrics. Remember that time she sung about the

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<v Speaker 4>biggest Friday Night of her life where she got blackout drunk,

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<v Speaker 4>and then try explaining those lyrics to a five year old?

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<v Speaker 4>And what about the time she sung about being a

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<v Speaker 4>cold bag in a storm?

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<v Speaker 3>Do you ever feel like a plastic bell sifting through

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<v Speaker 3>the winding starting? Yeah, lyrical genius?

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<v Speaker 4>What about this banger I got, the the tune that

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<v Speaker 4>made people dump it Toxi Partners and buy a tiger?

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<v Speaker 4>And where would you be without the song that launched

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<v Speaker 4>a thousand Master Chef contestants' careers? How very dare you

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<v Speaker 4>try to imagine a world without Julie Goodwin, Callum han

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<v Speaker 4>and poland yell the real name Sharon by the way,

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<v Speaker 4>sun fact in some reason ever put Katie in a corner.

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<v Speaker 4>She's an AFL Grand Final singing goddess married to Orlando,

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<v Speaker 4>and she's magnificently unhinged and we love her suck.

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<v Speaker 2>Okay, Yeah, it's gotta be tough for me from here.

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<v Speaker 2>Off the back of that, Jason, Okay, you just finished

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<v Speaker 2>so strong.

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<v Speaker 3>I love that audio from Katie.

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<v Speaker 2>Michelle take us through who won the debate? In your eyes? Okay?

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<v Speaker 2>What was it? What was it?

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<v Speaker 4>Was it?

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<v Speaker 2>The way that she even even I felt defeated as

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<v Speaker 2>soon as I've done it, so that's okay.

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<v Speaker 3>I don't be down on yourself, Michelle, thank you. So

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<v Speaker 3>she has.

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<v Speaker 4>Got so many good songs. That's very, very true. It's

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<v Speaker 4>Vicky from Goodwa Good morning Vicky, Good morning morning Vicky.

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<v Speaker 4>Sorry though, do you know what Eve?

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<v Speaker 2>And I can very much agree with you. Jody had

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<v Speaker 2>a bit of debate this week, also.

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<v Speaker 3>Don't apologize, Vicky.

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<v Speaker 4>The anything left for Vicky to save him was it's

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<v Speaker 4>not you, it's me.

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<v Speaker 2>Yeah, okay, do you know what? It is? Best? The three?

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<v Speaker 2>But can I at least try and make it too one?

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<v Speaker 2>Can we go to Taylor from Roseworthy? Taylor, who are

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<v Speaker 2>you voting for this week's three? Zip yep? Awesome? Thank you?

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<v Speaker 2>That really sort of splatted in my face.

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<v Speaker 3>Feeling really bad for you. But then I think his

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<v Speaker 3>songs a song, song song, and I go nutscrew him?

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<v Speaker 2>Oh that is true. Congrats Joe's It's now five to

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<v Speaker 2>one in the debates, and it would seem that there

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<v Speaker 2>are better Katie Perry songs and dark Horse Yeah, well.

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<v Speaker 4>And she's got a Monty off them and I can't

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<v Speaker 4>wait to hear the matter concerts is mate?

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<v Speaker 2>Thank you so much for everyone who voted. You got

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<v Speaker 2>yourself on air. You're now on standby this Frey winter

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<v Speaker 2>weekend Escape. We will draw that on Friday, and let's

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<v Speaker 2>leave you with this and maybe you will never like

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<v Speaker 2>dark Horse again.

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<v Speaker 3>I need to know, I need to know now. I

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<v Speaker 3>need to know. I need to know.

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<v Speaker 2>I need to know what news today to know.

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<v Speaker 3>This is what you need to know.

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<v Speaker 2>What you need to know with Jody. And as weather

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<v Speaker 2>outside is weather, it's very weathery.

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<v Speaker 4>When you said before hate weather chat next, everyone must

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<v Speaker 4>have been.

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<v Speaker 3>Like, whoa stick around for that joke?

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<v Speaker 2>We got me.

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<v Speaker 4>Nowhere because that's what people go to when they've got

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<v Speaker 4>nothing else to say.

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<v Speaker 3>You talk about the weather.

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<v Speaker 2>Shut up, they're about to talk about the weather.

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<v Speaker 4>Sivie weather swept across our beautiful state last night, causing

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<v Speaker 4>some significant traffic disruptions and safety concerns as well. There

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<v Speaker 4>was a delay of about fifty five minutes on the

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<v Speaker 4>Southern Expressway between Lonsdale and Seaford. The salt Fleet Street

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<v Speaker 4>Bridge at Portland in London was closed for this second

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<v Speaker 4>time in a month due to flooding. How would Fitzer

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<v Speaker 4>get to his house?

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<v Speaker 3>That's my question. Oh my gosh, that's the gateway to fits.

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<v Speaker 2>His manch yould probably fly. That man can do anything.

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<v Speaker 3>Yeah, that's true.

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<v Speaker 4>And in the Adelaide Hills there was morning hail, there

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<v Speaker 4>was heavy rain, there were icy roads near Mount Barker,

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<v Speaker 4>so very hazardous at driving conditions as well, and then

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<v Speaker 4>there was a three car crash near the His and

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<v Speaker 4>Tunnels at around six thirty.

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<v Speaker 2>Oh goodness, gracious, it's all happening. You've got any updates

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<v Speaker 2>as well in your area, please get involved thirteen twenty

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<v Speaker 2>four ten gifts cool, send us a text as well.

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<v Speaker 2>Fall double nine nine one nine. Let's get through this

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<v Speaker 2>crazy weather together. Yes, so, particularly if there's any stoppages

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<v Speaker 2>or delays on your road, let us know so we

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<v Speaker 2>can spread the good words.

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<v Speaker 3>Yeah. Absolutely.

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<v Speaker 4>So the good news is the forecast for the rest

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<v Speaker 4>of today. There's still a high chance of showers and

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<v Speaker 4>damaging winds, but it'll ease by this afternoon, which is good.

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<v Speaker 3>And then the rest of the week looks okay.

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<v Speaker 4>Cloud in fifteen sixteen, Friday fifteen and fifteen.

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<v Speaker 3>For the weekend.

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<v Speaker 4>There you go, it's all right, it's not great, but

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<v Speaker 4>it's the middle of winter, so.

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<v Speaker 2>You know, you feel like as well, it wasn't that

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<v Speaker 2>long ago. We We're like, wow, it was a rain

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<v Speaker 2>for so long. It's so dry in the city, and

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<v Speaker 2>that all of a sudden they went, Okay, we'll make

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<v Speaker 2>up for it. We'll make up for yeah.

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<v Speaker 3>Yeah.

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<v Speaker 4>And also I just have to say, I'm just lying

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<v Speaker 4>in bed last night, and as lovely as the rain

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<v Speaker 4>is hazy on your.

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<v Speaker 3>Roof, I just I thought, I hope that there's a Code.

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<v Speaker 4>Blue tonight with these heavy showers, because obviously a lot

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<v Speaker 4>of people sleep rough. But Nat drove into work this

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<v Speaker 4>morning and we're bangs back in the middle of the

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<v Speaker 4>city at ho Much Square here, and I saw two

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<v Speaker 4>homeless people and I thought, oh, my goodness, you guys

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<v Speaker 4>slept in that last night.

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<v Speaker 2>That's tough, isn't it.

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<v Speaker 4>It's so spare a thought for those people who aren't

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<v Speaker 4>fortunate enough to have a home.

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<v Speaker 2>Spot on fifteen degrees across Adelaide, say, probably feels like

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<v Speaker 2>seven eight degrees thirteen and twenty four to ten. Matthews

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<v Speaker 2>caught through. Hey Matthew, can you please share your feelings

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<v Speaker 2>about the whole This is what it is, but what

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<v Speaker 2>it feels like? Are you four or against that little philosophy.

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<v Speaker 3>I am absolutely against it.

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<v Speaker 2>Who haven't made that feels like weather?

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<v Speaker 3>Oh?

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<v Speaker 1>Mate, that's a terrible belly.

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<v Speaker 4>Does it upset you so much? Matthew, I feel like

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<v Speaker 4>you really triggered.

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<v Speaker 3>I am. I always look at the weather and then

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<v Speaker 3>see that feels like it just grinds my.

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<v Speaker 2>Gears on team Matt with this one.

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<v Speaker 4>Yeah, because you're optimistic when you see a temperature of

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<v Speaker 4>around fifteen to sixteen, and then you see the feels

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<v Speaker 4>like eight or nine.

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<v Speaker 3>You go, well, thanks for that.

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<v Speaker 2>Just give it to me straight, sugarcreat it all right.

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<v Speaker 4>Yeah.

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<v Speaker 3>Yeah.

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<v Speaker 4>It's like when you walk into a party and you

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<v Speaker 4>think this is going to be a bit of fun

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<v Speaker 4>and then they go, no, it's our goal free and.

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<v Speaker 2>You go, oh, god, appreciate the gore mat lines are

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<v Speaker 2>always open. Thirty and twenty fourteen. Jode's the correct age

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<v Speaker 2>to get married? Oh, I mean, love knows no rules,

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<v Speaker 2>It's true. Yeah, sometimes it's timing is poor. Yeah, and

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<v Speaker 2>who can absolutely schedule these things? Do you know what

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<v Speaker 2>I mean?

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<v Speaker 3>You can't tell love what to do.

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<v Speaker 2>They have done a study, though, and it's found that

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<v Speaker 2>men who marry after I said, after the age of

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<v Speaker 2>twenty five tend to live longer than those who marry younger.

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<v Speaker 3>Is this because you always need to sew some motes?

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<v Speaker 2>I'm not really sure. Researchers believe that out of maturity,

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<v Speaker 2>emotional stability, and better financial footing later in life may

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<v Speaker 2>contribute to improve longevity in relationship satisfaction. Men who marry

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<v Speaker 2>in their late twenties or early thirties are more likely

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<v Speaker 2>to enter healthier, more stable marriages. According to the data,

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<v Speaker 2>early marriages, while not inherently harmful, showed more signs of stress, conflict,

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<v Speaker 2>and instability.

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<v Speaker 4>Because it's that passion, isn't It's that passion of youth

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<v Speaker 4>need get to get with someone, and it just explodes,

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<v Speaker 4>and sometimes.

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<v Speaker 2>There's fireworks, and sometimes the fireworks they laugh.

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<v Speaker 3>Sometimes that's the problem is all out.

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<v Speaker 2>You said something about sewing some oats nice and early.

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<v Speaker 2>I think for a lot of guys as well. And

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<v Speaker 2>how do I say this without sounding just a little

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<v Speaker 2>bit peculiarly.

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<v Speaker 3>I don't think you can.

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<v Speaker 2>I think a lot of boks need to get things

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<v Speaker 2>out of their systems when they're young.

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<v Speaker 3>Why do you just say blokes though some women like

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<v Speaker 3>to do that.

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<v Speaker 2>And some women as well, And then what would happen.

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<v Speaker 2>Is for a lot of blokes. Once they get that

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<v Speaker 2>out of the system, somethin For a lot of them,

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<v Speaker 2>you realize, well, it's not that fulfilling anyway. No, But

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<v Speaker 2>then the guys that don't do that, and maybe they

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<v Speaker 2>got shacked up nice and early, always have that in

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<v Speaker 2>the back of their mind. And you can't explain to

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<v Speaker 2>some of those blokes that, hey, those things that you

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<v Speaker 2>wanted to do, you're probably going to be unfulfilled anyway. Yeah, right,

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<v Speaker 2>until it actually happens.

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<v Speaker 3>My god, this is the wisdom of Uncle Andrew, isn't it beautiful?

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<v Speaker 2>I why I say something intelligent here?

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<v Speaker 3>Vaguely?

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<v Speaker 2>What's going on? Hey, guys, what happened? I just blacked

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<v Speaker 2>out for two minutes? Where are we?

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<v Speaker 3>Can we resume? Can we resume business as usual?

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<v Speaker 2>Please?

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<v Speaker 3>Fuddy footy?

0:10:27.760 --> 0:10:30.439
<v Speaker 2>The other thing I will say as well, is it guys? Am?

0:10:30.480 --> 0:10:30.760
<v Speaker 4>I right?

0:10:30.800 --> 0:10:35.640
<v Speaker 2>Where itiots? We're absolute idiots. Early twenties, mid twenties come on,

0:10:36.160 --> 0:10:40.200
<v Speaker 2>Like when I was twenty five, I was such a child. Yeah,

0:10:40.280 --> 0:10:42.480
<v Speaker 2>I don't think I started to really understand what was

0:10:42.520 --> 0:10:46.719
<v Speaker 2>going on until forty about forty two, and I'm forty now,

0:10:47.240 --> 0:10:49.560
<v Speaker 2>so in two years time, I'll start to work it

0:10:49.559 --> 0:10:52.040
<v Speaker 2>out dead set, early thirties, mid thirties, you start to

0:10:52.080 --> 0:10:53.000
<v Speaker 2>work out what's going on.

0:10:53.000 --> 0:10:57.240
<v Speaker 3>I reckon Pasily, what's after twenty five? Is right?

0:10:57.280 --> 0:10:59.600
<v Speaker 4>All the good things happen, But when is the ideal

0:10:59.679 --> 0:11:01.320
<v Speaker 4>time do you think to get married?

0:11:01.720 --> 0:11:04.520
<v Speaker 2>Well, I mean, if you had to schedule it out,

0:11:04.520 --> 0:11:09.320
<v Speaker 2>i'd say early thirties. Yeah, right, because, yeah, the difference

0:11:09.320 --> 0:11:12.120
<v Speaker 2>between early twenties and early thirties, it feels like decades

0:11:12.120 --> 0:11:13.880
<v Speaker 2>and decades, not just ten years. You know what I mean?

0:11:14.000 --> 0:11:17.120
<v Speaker 2>In terms of knowledge twenty one year old boys to

0:11:17.200 --> 0:11:20.560
<v Speaker 2>twenty five, Yeah, I think there's something that sort of

0:11:20.600 --> 0:11:24.320
<v Speaker 2>prioritizes laugh, knowledge and other things, if you know what

0:11:24.360 --> 0:11:25.959
<v Speaker 2>I mean. Joe, Yeah, I know.

0:11:25.920 --> 0:11:27.640
<v Speaker 4>I understand exactly what he's saying. What do you make

0:11:27.679 --> 0:11:29.760
<v Speaker 4>of twenty old twenty one year old women who make

0:11:29.800 --> 0:11:31.560
<v Speaker 4>the decision to get married. What do you think about that?

0:11:31.760 --> 0:11:32.880
<v Speaker 4>Is that distance to flourish?

0:11:33.040 --> 0:11:35.320
<v Speaker 2>Well, I'm not really sure. It depends on your partner.

0:11:35.679 --> 0:11:37.840
<v Speaker 2>But once again, and I know people. I know people

0:11:37.840 --> 0:11:41.400
<v Speaker 2>who got married nice and early and it's fantastic, beautiful relations.

0:11:41.520 --> 0:11:43.800
<v Speaker 4>And equally there's people that get married in their thirty

0:11:43.800 --> 0:11:46.400
<v Speaker 4>who are divorced by forty two, So who's to say?

0:11:46.520 --> 0:11:49.120
<v Speaker 4>Whatever it was for you, love is love God, just

0:11:49.200 --> 0:11:49.719
<v Speaker 4>roll with it.

0:11:49.880 --> 0:11:51.600
<v Speaker 2>Yeah, but you know how I'm talking to, don't you

0:11:51.760 --> 0:11:54.160
<v Speaker 2>wink wink? That's right, you dropping on the road down

0:11:54.200 --> 0:12:01.719
<v Speaker 2>Now you're dirty birds easy, forty live blessed. Didn't think

0:12:01.720 --> 0:12:03.319
<v Speaker 2>i'd find myself in the situation where I'm giving you

0:12:03.360 --> 0:12:04.679
<v Speaker 2>some sort of laugh advice. But here we go.

0:12:04.880 --> 0:12:06.880
<v Speaker 3>I didn't see you coming in, To be honest, no

0:12:06.920 --> 0:12:07.560
<v Speaker 3>one really did.

0:12:07.679 --> 0:12:09.800
<v Speaker 2>Okay, as we lead up to the big night on Thursday,

0:12:09.880 --> 0:12:11.480
<v Speaker 2>each and every day, I got two little bits of

0:12:11.600 --> 0:12:15.440
<v Speaker 2>laugh advice for you, the wisdom that comes with forty. Okay,

0:12:15.600 --> 0:12:20.240
<v Speaker 2>first bit, when reheating pizza, don't put the pizza box

0:12:20.280 --> 0:12:23.880
<v Speaker 2>in the oven because it will catch a light. Unfortunately

0:12:23.920 --> 0:12:27.679
<v Speaker 2>I did that first hand. Okay, not that long ago, all.

0:12:27.520 --> 0:12:30.280
<v Speaker 4>The things you've learnt in your life. Don't put a

0:12:30.320 --> 0:12:32.120
<v Speaker 4>cardboard pizza box in the oven.

0:12:32.160 --> 0:12:34.480
<v Speaker 2>It'll catch a light. Guys, well done, it will catch

0:12:34.800 --> 0:12:37.800
<v Speaker 2>a light. All right, I'll save you from putting yourself

0:12:37.800 --> 0:12:40.000
<v Speaker 2>in that really potentially disastrous situation.

0:12:40.080 --> 0:12:42.080
<v Speaker 4>How many twenty year old blots out there going, oh

0:12:42.200 --> 0:12:43.400
<v Speaker 4>my god, thank God.

0:12:43.280 --> 0:12:45.720
<v Speaker 2>For haze, Oh jeez, worrying up for dinner tonight. Now

0:12:46.480 --> 0:12:48.319
<v Speaker 2>you might have to whack it in the microwave. I've

0:12:48.320 --> 0:12:50.040
<v Speaker 2>got another one for you. Maybe it's a bit more serious.

0:12:50.400 --> 0:12:52.440
<v Speaker 2>Stop giving time and attention to people you don't like.

0:12:52.960 --> 0:12:55.640
<v Speaker 2>Do you know what I've learned that in the last

0:12:55.920 --> 0:12:59.520
<v Speaker 2>year or so, I reckon, you ignore You don't pay

0:12:59.600 --> 0:13:01.600
<v Speaker 2>enough for two to the people that you do like

0:13:02.000 --> 0:13:04.560
<v Speaker 2>and that they like you because you're too busy trying

0:13:04.600 --> 0:13:07.640
<v Speaker 2>to make other people like you, and you give time

0:13:07.720 --> 0:13:11.000
<v Speaker 2>and appreciation to the people who don't like you. Yeah,

0:13:11.040 --> 0:13:13.680
<v Speaker 2>I know, So just move on because what you do

0:13:13.840 --> 0:13:16.400
<v Speaker 2>learn is that there's a bunch of people that don't

0:13:16.480 --> 0:13:18.600
<v Speaker 2>like you, whether you like it or not. The most

0:13:18.640 --> 0:13:23.760
<v Speaker 2>popular people on earth still have haters. I worry about

0:13:23.760 --> 0:13:25.760
<v Speaker 2>the people that can't, that are not ever going to

0:13:25.880 --> 0:13:26.040
<v Speaker 2>like you.

0:13:26.160 --> 0:13:28.480
<v Speaker 4>It's a lot of jealousy though, too, I think, don't

0:13:28.520 --> 0:13:30.880
<v Speaker 4>you reckon? I think if people actively don't like you,

0:13:30.920 --> 0:13:31.240
<v Speaker 4>there's a.

0:13:31.160 --> 0:13:34.000
<v Speaker 3>Fear amount of jealousy involved. Okay, because I can't imagine

0:13:34.000 --> 0:13:35.360
<v Speaker 3>any idea and.

0:13:35.280 --> 0:13:37.760
<v Speaker 2>You're situpactual he DAGs through. What are they jealous of?

0:13:38.200 --> 0:13:41.360
<v Speaker 3>Ask you? Oh? Having a bit of a.

0:13:42.840 --> 0:13:44.240
<v Speaker 2>No, no, but do you know what I mean? So

0:13:44.280 --> 0:13:46.760
<v Speaker 2>when you think of the top people on the planet,

0:13:47.440 --> 0:13:50.600
<v Speaker 2>they've still Gottron James Lebron James has got so many

0:13:50.640 --> 0:13:53.360
<v Speaker 2>haters and for whatever reason, and it's not just me,

0:13:53.440 --> 0:13:56.600
<v Speaker 2>we're wired to really try and convert the people that

0:13:56.640 --> 0:13:59.679
<v Speaker 2>don't like us instead of just keeping on giving channeling

0:13:59.679 --> 0:14:01.520
<v Speaker 2>that love the people you do have a connection with,

0:14:01.559 --> 0:14:02.959
<v Speaker 2>because when it's all said and done, there will be

0:14:03.000 --> 0:14:05.240
<v Speaker 2>a time where you go, why did I waste so

0:14:05.320 --> 0:14:08.080
<v Speaker 2>much time on those absolute knobs who don't like me

0:14:08.160 --> 0:14:10.080
<v Speaker 2>and never want to like me? You can't flick it?

0:14:10.280 --> 0:14:13.319
<v Speaker 3>Yeah, absolutely, And we're here for such a finite time

0:14:13.320 --> 0:14:15.720
<v Speaker 3>on the planet. God stop, don't stress. I agree.

0:14:15.800 --> 0:14:17.640
<v Speaker 4>This is a really big one that I think you

0:14:17.760 --> 0:14:20.040
<v Speaker 4>learn sort of a little bit later in life. Oh

0:14:20.080 --> 0:14:22.680
<v Speaker 4>my god, stop giving energy to people who don't deserve it.

0:14:22.840 --> 0:14:27.160
<v Speaker 2>Yes, there we Yes, Joe's Oh my gosh.

0:14:26.720 --> 0:14:28.520
<v Speaker 3>So deep and I don't know what to do now.

0:14:28.720 --> 0:14:30.560
<v Speaker 2>How do you have so much wisdom when you're fortieth

0:14:30.560 --> 0:14:31.520
<v Speaker 2>is so far away?

0:14:33.080 --> 0:14:33.960
<v Speaker 3>Spoil kids.

0:14:34.360 --> 0:14:36.960
<v Speaker 4>It's a really fine line, isn't it, in between giving

0:14:36.960 --> 0:14:39.640
<v Speaker 4>them what they want and making them happy, but also

0:14:40.040 --> 0:14:42.040
<v Speaker 4>being a little bit disciplined and being like, you can't

0:14:42.080 --> 0:14:42.560
<v Speaker 4>have everything.

0:14:43.440 --> 0:14:48.000
<v Speaker 2>I mean, yes, dad, no joke, particularly with my daughter. Yeah,

0:14:48.160 --> 0:14:52.000
<v Speaker 2>she rules the house. Harsh from my son, absolute sucker

0:14:52.040 --> 0:14:52.480
<v Speaker 2>for my daughter.

0:14:52.600 --> 0:14:55.160
<v Speaker 3>Yeah, I know. And little girls do that to their dads.

0:14:55.640 --> 0:14:58.960
<v Speaker 3>Their dad's fingers are like this. Little girls have little

0:14:59.000 --> 0:15:02.320
<v Speaker 3>pinky fingers, more fingers, Yeah, and you dad's just wrapped

0:15:02.320 --> 0:15:03.320
<v Speaker 3>around them like that.

0:15:03.400 --> 0:15:06.080
<v Speaker 2>How I'm six foot two completely wrapped around that tiny

0:15:06.120 --> 0:15:07.800
<v Speaker 2>little finger. Does it even work physically?

0:15:07.800 --> 0:15:09.760
<v Speaker 3>It doesn't seem possible, and yet here we are.

0:15:10.280 --> 0:15:13.240
<v Speaker 4>So we're bringing this up because Ossie DJ Fisher real

0:15:13.320 --> 0:15:16.320
<v Speaker 4>name Paul Fisher has given his one year old daughter

0:15:16.480 --> 0:15:17.840
<v Speaker 4>a designer.

0:15:17.360 --> 0:15:19.280
<v Speaker 3>Bag for her birthday. I'm not even joking.

0:15:20.000 --> 0:15:23.240
<v Speaker 4>He has given her a sixteen hundred dollar Eve Saint

0:15:23.320 --> 0:15:26.840
<v Speaker 4>Laurent handbag, isn't it. I'm sorry, that's ridiculous, all.

0:15:26.680 --> 0:15:29.080
<v Speaker 2>Fun of game until she starts carried in with text.

0:15:30.680 --> 0:15:34.880
<v Speaker 4>I know, finger painting on it doesn't. That just seem obscene?

0:15:34.920 --> 0:15:38.160
<v Speaker 4>But as parents, we're all walking that fine line of

0:15:38.640 --> 0:15:41.400
<v Speaker 4>just how do you keep your kids happy but also

0:15:41.480 --> 0:15:44.000
<v Speaker 4>not spoiled. There are seven signs, and I've taken the

0:15:44.000 --> 0:15:46.800
<v Speaker 4>liberty of looking them up on Fisher's behalf to see

0:15:46.880 --> 0:15:48.840
<v Speaker 4>if you're spoiling your child.

0:15:48.640 --> 0:15:50.560
<v Speaker 3>Or if you have a spoilt brat for a kid.

0:15:50.800 --> 0:15:53.040
<v Speaker 2>Ready for This is going to be confronting, isn't it.

0:15:53.120 --> 0:15:57.000
<v Speaker 3>Let's worst, let's work backwards. They refuse to complete even

0:15:57.040 --> 0:15:59.360
<v Speaker 3>simple tasks until you beg or bribe them.

0:15:59.400 --> 0:16:01.760
<v Speaker 2>Oh, this is kids, I'm kids.

0:16:02.920 --> 0:16:06.680
<v Speaker 3>This is classic Gregotti. This is hey, go and have

0:16:06.760 --> 0:16:09.960
<v Speaker 3>a shower, or you don't get a chocolate, or we'll.

0:16:09.800 --> 0:16:12.440
<v Speaker 2>Give you a blue note? Was a blue note ten dollars?

0:16:12.560 --> 0:16:15.160
<v Speaker 3>Oh wow, yeah, go and have a shower. And then

0:16:15.720 --> 0:16:17.760
<v Speaker 3>I'm not even joking. A minute half later it's like,

0:16:18.120 --> 0:16:19.640
<v Speaker 3>if you're going to have a shower and get your chocolate?

0:16:19.720 --> 0:16:21.920
<v Speaker 2>Yeah, Like, come on, I'll give you a peaknote. And

0:16:21.920 --> 0:16:23.440
<v Speaker 2>then the response is your kidnap you?

0:16:23.640 --> 0:16:23.760
<v Speaker 3>Right?

0:16:23.760 --> 0:16:24.240
<v Speaker 2>A blue note?

0:16:25.840 --> 0:16:26.400
<v Speaker 3>Number six.

0:16:26.640 --> 0:16:28.720
<v Speaker 4>They don't give up until they get what they want.

0:16:28.720 --> 0:16:31.560
<v Speaker 4>Oh the nagging, The nagging that gets you, doesn't it?

0:16:31.760 --> 0:16:35.360
<v Speaker 4>Number five? They sore losers, so when a sporting sense,

0:16:35.520 --> 0:16:37.320
<v Speaker 4>if they lose, then they pick up their bat and.

0:16:37.360 --> 0:16:39.600
<v Speaker 3>Ball and go home. Henry saw loser.

0:16:40.240 --> 0:16:41.720
<v Speaker 2>He's good now, it's good now. I think it was

0:16:41.760 --> 0:16:43.640
<v Speaker 2>early on where we sort of had to really drill

0:16:43.640 --> 0:16:45.400
<v Speaker 2>into him where it was almost like if he wasn't

0:16:45.440 --> 0:16:47.520
<v Speaker 2>good at something instantly didn't want to do it, so

0:16:47.680 --> 0:16:50.000
<v Speaker 2>to really sort of knuckle in the whole perseverance thing.

0:16:50.200 --> 0:16:50.600
<v Speaker 3>Yeah.

0:16:50.680 --> 0:16:53.640
<v Speaker 4>Yeah, so that's like my daughter Harper doesn't want to

0:16:53.640 --> 0:16:56.080
<v Speaker 4>do acro on a Saturday dance because she.

0:16:56.120 --> 0:16:57.040
<v Speaker 3>Falls on her head.

0:16:57.240 --> 0:16:58.880
<v Speaker 2>Yeah.

0:16:59.040 --> 0:17:05.679
<v Speaker 4>Number number four. They demand things asap. I want it

0:17:05.720 --> 0:17:07.760
<v Speaker 4>and I want it now. Number three. They think the

0:17:07.800 --> 0:17:09.840
<v Speaker 4>world revolves around them. I know it as adults like that.

0:17:11.160 --> 0:17:12.919
<v Speaker 3>It's their world. We're just living in it.

0:17:13.000 --> 0:17:14.480
<v Speaker 2>Some people grow out of it, some people don't.

0:17:14.520 --> 0:17:15.200
<v Speaker 3>Yeah. Number two.

0:17:15.240 --> 0:17:17.800
<v Speaker 4>Then never satisfied with what they have, they always want more,

0:17:17.840 --> 0:17:19.480
<v Speaker 4>doesn't matter. They could have all the toys in the world,

0:17:19.480 --> 0:17:20.280
<v Speaker 4>Andrew Hayes, but.

0:17:20.240 --> 0:17:25.879
<v Speaker 3>They still want more. Or he now house houses on roadblocks.

0:17:26.359 --> 0:17:26.920
<v Speaker 3>Oh my god.

0:17:27.160 --> 0:17:29.360
<v Speaker 2>Yeah, we go through a robox phase as well. Yeah yeah,

0:17:29.359 --> 0:17:30.960
<v Speaker 2>Big Lego Fast two was still going through that. But

0:17:31.040 --> 0:17:33.120
<v Speaker 2>Dad Luck's Lego two number one.

0:17:33.800 --> 0:17:36.760
<v Speaker 4>When you tell them no and they throw a tantrum

0:17:36.840 --> 0:17:38.600
<v Speaker 4>until they get their way.

0:17:38.680 --> 0:17:39.639
<v Speaker 2>Especially in public.

0:17:39.880 --> 0:17:40.879
<v Speaker 3>Yeah, how fun.

0:17:41.200 --> 0:17:44.600
<v Speaker 2>Yeah, Dad gives in every single time to the daughter.

0:17:44.480 --> 0:17:46.440
<v Speaker 3>Talk us through a lotty tantrum in public place.

0:17:46.520 --> 0:17:50.639
<v Speaker 2>Well, what ends with a lotty tantrum is the most

0:17:50.640 --> 0:17:54.000
<v Speaker 2>aggressive sentence that I've ever heard out of someone's mouth,

0:17:54.119 --> 0:17:57.399
<v Speaker 2>particularly a youngster, over something that's really really small and trivial,

0:17:57.440 --> 0:18:00.560
<v Speaker 2>and that is I wish you were dead. Gosh, you

0:18:00.600 --> 0:18:02.879
<v Speaker 2>were dead, Oh God.

0:18:04.480 --> 0:18:06.240
<v Speaker 3>And then your soul is broken.

0:18:05.960 --> 0:18:07.240
<v Speaker 2>My soul is fractured.

0:18:07.560 --> 0:18:07.720
<v Speaker 1>You.

0:18:08.119 --> 0:18:10.280
<v Speaker 4>Harp To had one the other night and these words

0:18:10.280 --> 0:18:13.240
<v Speaker 4>came out of her mouth. I hate this family. I'm

0:18:13.280 --> 0:18:17.240
<v Speaker 4>going to find a new one. At that point where like,

0:18:17.359 --> 0:18:18.000
<v Speaker 4>good go.

0:18:19.760 --> 0:18:21.720
<v Speaker 2>If you see a little five year old just cruiser

0:18:21.800 --> 0:18:23.639
<v Speaker 2>out of the streets, that's harp She's looking for a

0:18:23.680 --> 0:18:24.200
<v Speaker 2>new family.

0:18:24.480 --> 0:18:25.000
<v Speaker 3>She's not bad.