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Speaker 1: Seems to be a lot of snake stories getting around

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Speaker 1: at the moment, a lot of the local Australian snake

3
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Speaker 1: stories which concerned me. I haven't had many run ins

4
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Speaker 1: with the snakes on at the beach once.

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Speaker 2: Have you ever come across and you ever walked along

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Speaker 2: on a snake? A brownie has come out in front

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Speaker 2: of you?

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Speaker 1: Yeah, it was a red belly black snake. We were

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Speaker 1: going for a trek up near Oh god, maybe it

10
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Speaker 1: was on the Central coast, going through a bit of

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Speaker 1: a trek. Just Lasa and I straight across the path

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Speaker 1: and you could see the color of the red underneath.

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Speaker 2: My cont When you do, I mean first reactions here,

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Speaker 2: you freak out.

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Speaker 3: Absolutely, you know what.

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Speaker 2: You also think yourself that they're looking at you. They're

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Speaker 2: freaking out just as.

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Speaker 4: Much are the aggressive.

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Speaker 5: Brown snakes.

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Speaker 1: Oh yeah, Inland Taipan gone a brown snake.

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Speaker 6: It will only go you if it feels threatened.

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Speaker 4: But you're walking nearby?

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Speaker 3: Is threatening?

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Speaker 6: No, No, it's not.

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Speaker 2: It'll be slithering away from you if you if you

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Speaker 2: see a snake, it's not gonna it's not going to

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Speaker 2: follow you and go. I'm gonna have a cracky You

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Speaker 2: look at.

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Speaker 1: Me, and they can move fast too. They'll chase you.

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Speaker 1: They'll chase you for kilometers.

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Speaker 2: They you know, they only have a crack at yet

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Speaker 2: if they feel threatened, so don't don't try to touch it.

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Speaker 1: Oh god, no, I think what you're saying too is

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Speaker 1: they know they're armed. There's almost an arrogance. They know

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Speaker 1: that they've got something one there that they know we're

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Speaker 1: scared of them second bite.

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Speaker 2: I don't think they do, though, because wouldn't wouldn't a

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Speaker 2: snake be thinking, well, that guy's got arms and legs.

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Speaker 6: I don't have them, so you reckon?

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Speaker 1: They can identify if anyone can tell us if a

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Speaker 1: snake is thinking, hey, he's got arms and legs, I haven't.

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Speaker 6: What is a snake thinking when it sees a human?

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Speaker 2: Please give If you are a red belly black snake,

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Speaker 2: what do you reckon?

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Speaker 1: This snake was thinking when it launched itself from a

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Speaker 1: tree and landed around Sue Ambler's neck.

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Speaker 2: Did it really launch a Yeah?

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Speaker 5: She just walking past or she.

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Speaker 1: Was in her backyard at home, says what used its

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Speaker 1: legs to jump? Didn't have legs? Was just thinking about

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Speaker 1: the fact that she's got legs and I don't anyway,

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Speaker 1: there was someone else at the house. The snake has

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Speaker 1: come from the tree around her neck and tried to

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Speaker 1: strangle her to the point where she passed out.

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Speaker 6: Awful.

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Speaker 1: Have a look at the blood vessels in her eyes.

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Speaker 1: They look like mine. Yeah, because they started to burst

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Speaker 1: in her eyeballs because of the exphyxiation. A friend who

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Speaker 1: was there ran over and quickly and I didn't know this,

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Speaker 1: grabbed the tail of the snake, the weakest point of

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Speaker 1: the snake, and unwound it off Sue's neck and she

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Speaker 1: then came back.

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Speaker 4: When did the snake turn its head and bite you

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Speaker 4: if you grab its tail?

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Speaker 1: Yeah, but I think it was one of those snaps.

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Speaker 1: It was a poor It was a python. Yeah, just

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Speaker 1: to caught a path now, it says Pithon. But I

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Speaker 1: thought they were going to talk about what type of

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Speaker 1: path and it was.

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Speaker 2: Look, I don't think it would have watched itself from

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Speaker 2: a tree. It said, I'm going to strangle this woman.

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Speaker 1: It was a drop path.

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Speaker 4: Well, it would have been dangling. And then it's she

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Speaker 4: maybe stood under the tree and it may be coiled.

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Speaker 1: Interesting. They talk in the article about the best ways

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Speaker 1: to get a snake off you like, if that's its thing,

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Speaker 1: if it's gonna suffocate you. It says you can also

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Speaker 1: make if you can make a clamp with your hands

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Speaker 1: and squeeze tight around the tail, and that can be

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Speaker 1: like a pressure point that will freak the snake out.

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Speaker 6: Don't don't constructed even more.

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Speaker 2: Don't they constrict even more?

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Speaker 1: No, well, I think the tail is a sensitive point.

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Speaker 1: It seems to go on. It says that if you

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Speaker 1: can get under cold water, like get to a shower,

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Speaker 1: then do that.

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Speaker 2: Now, hang on.

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Speaker 4: You guys laughed at me earlier for this because I said, well,

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Speaker 4: I wouldn't run into our bathroom because the shower's enclosed

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Speaker 4: to then I'd be stuck in the shower with the

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Speaker 4: snake you've got.

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Speaker 1: I mean, this is worst case. You've got to get

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Speaker 1: the snake off. The issue of being enclosed area with

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Speaker 1: the snake doesn't man tight around coming at me.

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Speaker 6: Okay, but then the snake comes off in the shower.

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Speaker 6: Then the snakes in your house.

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Speaker 1: Yeah, that's fine, you're alive. You're trying to save yourself.

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Speaker 1: This is an issue that your snake's moved.

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Speaker 2: And then then it goes and gets winny when he's

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Speaker 2: barking at it.

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Speaker 1: Well, the team, we're.

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Speaker 4: Not going to get eaten just for me this morning.

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Speaker 2: Williams sleeping, the snake goes into William's room.

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Speaker 1: Where's Gary at this stuf out the front Vegas with

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Speaker 1: his own Michael, I.

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Speaker 7: Just would say that if you want, if you want

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Speaker 7: to get rid of brown snakes, you've got to get

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Speaker 7: a red belly black snake. I was talking to a

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Speaker 7: young lady who knows quite a bit about my back

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Speaker 7: onto the National Park near Raisewell Bridge. So I've had

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Speaker 7: I've had brown snakes, which I ended up picking up

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Speaker 7: one on the end of a pitchfork when I was

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Speaker 7: turning over the compos which was interesting. And they're cranky,

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Speaker 7: they they're they're they're mean buggers. Apparently the red belly

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Speaker 7: black snakes hate them. So if you if you want

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Speaker 7: to get rid of brown snakes, you get red belly

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Speaker 7: black snakes and they fight and the red belly black

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Speaker 7: snake win.

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Speaker 2: God.

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Speaker 7: Yeah, and I've got red belly black snakes. I've put

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Speaker 7: a big pond down the bottom, yep, and they love

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Speaker 7: that because they eat all the frogs and stuff. But yeah,

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Speaker 7: I got no more brown snakes.

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Speaker 2: So your experience with the Red Belly Michael is that

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Speaker 2: they're pretty placid. Yeah they're okay, Yeah.

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Speaker 7: Yeah they are, Yeah, they're foll okay.

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Speaker 1: And who's which one's more venomous?

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Speaker 2: Brown?

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Speaker 7: I think the Browns will the King Brown.

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Speaker 2: Brown's like the most second or the third most venous.

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Speaker 1: I think we've got the top seven here in Australia.

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Speaker 1: The other thing they suggest to Michael, if you've got

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Speaker 1: a snake coming at you is if you can get

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Speaker 1: it in the eyes with pepper spray without a word

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Speaker 1: of a lie.

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Speaker 6: Gouge and eyes.

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Speaker 2: Says, this is astounding how they let this bloke into

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Speaker 2: the country.

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Speaker 6: He has a new book out.

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Speaker 2: It's called The Top Secret Undercover Notes of Buttons McGinty.

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Speaker 2: It is the magnificent race.

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Speaker 8: I love the just wait for that applause to die.

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Speaker 1: Down three minutes if you keep clapping yourself. I love

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Speaker 1: the fact that you've pointed out very clearly on the

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Speaker 1: front of the book that you've done the words and

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Speaker 1: the pictures. Yes, you've done everything.

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Speaker 8: That's important for me. I would have done the publishing too,

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Speaker 8: but they wouldn't let me.

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Speaker 2: And it's booked one down the bottom as well, which

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Speaker 2: leads into book number two. Yeah, there is smart.

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Speaker 1: No flies on that guy, he's just warming up.

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Speaker 2: How BIG's the series? Just the one?

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Speaker 6: It's the book?

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Speaker 2: Yeah, just book one, book one.

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Speaker 1: It's very rare.

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Speaker 2: You got to buy it. And you've been going around.

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Speaker 2: You be doing book signings everywhere at the moment. I

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Speaker 2: have Yeah, back in New Zealand, I do the odd signing.

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Speaker 1: How does that go mate shopping center? Gear or at

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Speaker 1: the bookstore.

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Speaker 2: Yeah, a lot of shopping centers.

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Speaker 6: People are hanging out.

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Speaker 8: It's the school holidays back there, so there was some

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Speaker 8: more action.

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Speaker 1: Not a kid cool.

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Speaker 2: You're just using the words in all good bookstores, now,

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Speaker 2: is it? Do you seem to be using that phrase

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Speaker 2: all the time? Not all the time?

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Speaker 3: And all bookstores?

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Speaker 6: All good bookstores?

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Speaker 2: What about the bad ones?

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Speaker 9: Now you won't find it in there.

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Speaker 2: Don't go to those dodgy ones or those blue ones. Disgrace.

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Speaker 2: For now we need to talk. Can you stick around

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Speaker 2: because we also need to talk about drunk his Street.

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Speaker 2: Your effort on that was just unbelievable. I have it now.

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Speaker 2: I've got a surprise for you. You've got You've got

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Speaker 2: no idea. I've got a surprise for you. But I

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Speaker 2: actually played the horse. I was far la. Wow, you

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Speaker 2: didn't know that when I went and saw you just

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Speaker 2: outside the studio before. We're going to talk about that more.

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Speaker 6: Next Restarvey sticker out.

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Speaker 2: We just happened to have played Reese Darby's favorite song,

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Speaker 2: That's usher ludicrous little John there with Yeah, I did

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Speaker 2: not believe it as sooner as we started playing it,

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Speaker 2: Reese you said you count this.

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Speaker 6: Was your wedding.

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Speaker 2: Lots that you had at your wedding.

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Speaker 8: Absolutely, yeah, it's going to be about the funeral as well.

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Speaker 2: I just love it so much.

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Speaker 6: You know, sums me?

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Speaker 2: Yeah, yeah, yeah, you.

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Speaker 3: Got a coffee mate, Yeah, one of my favorite words.

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Speaker 1: Let's talk about your book just quickly. I want to

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Speaker 1: continue on this for a tick.

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Speaker 2: Yeah, just don't get it out of your when you

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Speaker 2: hear it.

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Speaker 1: It's so catchy.

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Speaker 9: Is your book ahead?

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Speaker 1: Yeah?

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Speaker 2: Yeah, that's what you're doing at the book signing.

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Speaker 1: Yeah, you've got it here and the dedications to Leon, Rosy,

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Speaker 1: Finn and Theo. And then you've got a quote. I

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Speaker 1: assume this is from your mum. Go outside and chase yourself.

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Speaker 1: Is that what you used?

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Speaker 2: That's one of my mum's classics.

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Speaker 1: Yeah, I love that. Yeah, so you'd be screamed at.

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Speaker 3: When if I was bored, go outside and chase yourself.

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Speaker 3: Make no sense to me.

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Speaker 6: Was she the humorous one in the family?

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Speaker 8: Very humorous, Yeah, both mom and dad. Very funny. Yeah,

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Speaker 8: I guess it's just ab off the old block.

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Speaker 2: Where's Button's mcintea from. Where did you get buttons from? Well?

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Speaker 1: I do.

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Speaker 8: I do a paranormal radio show. I probably know about

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Speaker 8: the Cryptid Factor. And one of the guys on that

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Speaker 8: his name's Buttons. Well, that's his nickname because he's the producer.

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Speaker 8: He pushes on a real he's a sort of a

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Speaker 8: whiz when it comes to anything technical.

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Speaker 1: Button guy.

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Speaker 8: So yeah, I just like that name. And then the

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Speaker 8: idea of a kid. I wanted to have a name

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Speaker 8: for a character that was sort of memorable. And McGinty

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Speaker 8: comes from another sort of name I use a lot

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Speaker 8: in comedy.

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Speaker 3: Actually cool, we're talking about horses before.

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Speaker 8: You can probably bring it up again now and you

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Speaker 8: so I do this dresser piece in my stand up

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Speaker 8: and I play a horse, and you know you know

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Speaker 8: about this, and the horse I play his name is McGinty.

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Speaker 8: In there, McGinty he's the opposite of me with my years.

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Speaker 1: He's a dogging horse. Do you understand how stated would

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Speaker 1: have been. You have no idea that he was the

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Speaker 1: horse and drunk? Well, horse did? We never saw you

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Speaker 1: without that?

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Speaker 6: Well, that's right.

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Speaker 1: And even in the credits they just used the font

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Speaker 1: of the horse.

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Speaker 2: I think you recorded that over in La. Where was that?

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Speaker 1: Where did it?

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Speaker 2: Was that your place in La? Or did you just

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Speaker 2: get drunk at home?

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Speaker 3: It was just some random house where they said turn

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Speaker 3: up to this address. I went on there. Open the door.

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Speaker 3: There's a bottle of whiskey there.

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Speaker 2: And get into it. Mate.

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Speaker 1: Tell us a story.

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Speaker 2: Yeah, it's quite a colorful story, the story of Parlap

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Speaker 2: that not many people know.

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Speaker 8: About it is and it was a special to me

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Speaker 8: because it's in New Zealand and Australia share that and

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Speaker 8: so I think it was important for me to tell it.

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Speaker 3: When they asked me, I said, yeah, I'll do that.

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Speaker 2: It was either that or Russell Crowe's story. Wasn't it

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Speaker 2: you were going to do Gladiator or something like that

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Speaker 2: Russell crows story.

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Speaker 3: No, I wasn't going to do that.

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Speaker 6: No, I do go for the horse.

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Speaker 2: Do you know what I took the kids a couple

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Speaker 2: of weekends ago to the Sydney Comic Con. Oh no, yes,

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Speaker 2: and I tell you what I met some characters in there.

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Speaker 2: That is that there's so many people that just are

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Speaker 2: so dedicated to the cause and dressing up in costume.

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Speaker 2: You've done a couple of these before. Why did you

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Speaker 2: go there? What were you representing there? Ree?

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Speaker 8: Well, I'm an Vultron Legendary Defender, which is on Netflix.

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Speaker 8: DreamWorks show Vulture on as a cartoon from the eighties.

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Speaker 3: Yes, and they've brought it back.

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Speaker 8: They reimagined it, done a really bravo job on recreating

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Speaker 8: and making it even better.

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Speaker 6: So what's your character? What do you dress up as?

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Speaker 2: Well?

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Speaker 1: You've got a superpower.

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Speaker 8: I'm Koran Koran Koran the Gorgeous Man, and I'm from

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Speaker 8: out of Space.

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Speaker 1: Oh yeah, so you'd have a big following though on

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Speaker 1: those days you'd be a busy boy.

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Speaker 3: Oh. Everyone in the universe is into it.

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Speaker 2: But can you tell us some stories of some fans

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Speaker 2: that come up to you in those moments like book

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Speaker 2: signings or a comic con or something like that. Do

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Speaker 2: they try to what do they try to get out

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Speaker 2: of you?

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Speaker 6: Rees?

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Speaker 2: Other than just an autograph.

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Speaker 9: Mainly cash.

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Speaker 6: Now.

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Speaker 3: The thing is is.

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Speaker 8: That cosplay is so popular now, so the kids, there's

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Speaker 8: a lot of girls onto teenage girls love it and

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Speaker 8: they dress up where they put mustaches on and also

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Speaker 8: really really but it's a really positive, really fun thing

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Speaker 8: to do, and they make all their own outfits and

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Speaker 8: stuff like that, and they get really passionate about the

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Speaker 8: stories that are because this cartoon, this Vulture on one,

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Speaker 8: is kind of like a space opera. There's there's romance

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Speaker 8: in there and stuff, and there's also space ships and

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Speaker 8: laser guns, so it's something for everyone.

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Speaker 1: Well, Fitz was devastated that I think only one person's

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Speaker 1: for a photo. Mate, if you turned up with your

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Speaker 1: horsehead on, maybe you could have got well.

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Speaker 2: Yeah, I had one person recognize me from the radio show,

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Speaker 2: and then I just felt and then I realized that,

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Speaker 2: you know, I was signing an autograph and getting a selfie,

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Speaker 2: and then I looked over there and there was characters

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Speaker 2: there that were getting paid like twenty dollars an autograph. Yeah,

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Speaker 2: so I just grabbed the kids and got out of there.

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Speaker 9: Let's go at the end of it.

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Speaker 1: Yeah, I'm gone.

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Speaker 2: The latest book. It's the top secret undergovern notes of

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Speaker 2: Buttons McGuinty. So any good bookstore, Race, we can get.

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Speaker 8: This all on ye and it's you know, it's it's

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Speaker 8: for the sort of reluctant readers as well, because this

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Speaker 8: is a book. When I was a kid, I didn't

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Speaker 8: I saw lots of writing and books, and I thought,

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Speaker 8: I can't be bothered with that.

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Speaker 3: I'll go and kick a ball.

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Speaker 8: So I wanted to write a book that was more

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Speaker 8: like a journal, that had pictures and that had codes

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Speaker 8: and ideas and something you could flick through. But mostly

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Speaker 8: important for me was that had to be really funny

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Speaker 8: lose interests.

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Speaker 3: So that's what I've done.

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Speaker 1: Love it, love it.

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Speaker 2: It's so good to have you back in the country.

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Speaker 2: And thank you very much for coming into the studio.

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Speaker 1: Race.

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Speaker 10: Yeah, little little do.

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Speaker 2: You know what when I I'm just Tom, I'm putting

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Speaker 2: this out there. Yes, for a Friday morning. We've had

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Speaker 2: Reached Derby on the show this morning.

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Speaker 6: He was great, wasn't he.

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Speaker 2: So Marcus Mumfort's outside warming up to come into the

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Speaker 2: studio to perform live for us Friday. We've got Jeff

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Speaker 2: Horn tied two of us out the UFC. They're coming

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Speaker 2: in for wrap up of the week. Do we have

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Speaker 2: to bring a Friday down by doing riddle Time?

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Speaker 6: I thought it was best to get it out of

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Speaker 6: the way here.

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Speaker 2: In the morning.

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Speaker 1: Mate, I'm going to do something special here because I

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Speaker 1: can see Marcus Mumford. Do you want to come in

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Speaker 1: for riddle time? Mate?

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Speaker 6: He's talking about.

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Speaker 1: He's all right, guys, we're going to play. That's fine

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Speaker 1: and we're ready to get into it. Welcome once again

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Speaker 1: the riddle Time. Here we go with the first riddle.

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Speaker 1: A young girl kicks a soccer ball that goes ten

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Speaker 1: feet away from her and then comes back to her.

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Speaker 2: How is this possible?

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Speaker 1: It's a wall?

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Speaker 3: How is this possible?

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00:14:51,040 --> 00:14:54,040
Speaker 2: It's a wall. It was on an elastic piece of elastic.

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Speaker 6: No, no, can I hear it once more quickly?

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00:14:57,400 --> 00:14:59,800
Speaker 1: A young girl kicks soccer ball that goes ten feet

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Speaker 1: away away from her and then comes ten feet back

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Speaker 1: to her, kicking up hill. No, but you're the closest

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Speaker 1: to the crew.

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00:15:07,120 --> 00:15:08,280
Speaker 2: I just kicked it back to her.

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00:15:09,080 --> 00:15:13,160
Speaker 1: No, ten feet away, ten feet back to her?

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00:15:13,280 --> 00:15:14,480
Speaker 6: Is it going up in the air?

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Speaker 1: Thomas Brown, what honor to be on the board.

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Speaker 11: Thank you, say every one of those answers was correct.

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Speaker 1: It was because you kicked it.

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Speaker 2: Ten feet came ten feet back.

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Speaker 6: Yeah, Sarah's upper hill and then it just rolls back down.

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00:15:29,840 --> 00:15:32,880
Speaker 1: No, no, no, no, they're all correct. That's why you

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00:15:32,880 --> 00:15:35,560
Speaker 1: are what on elastic? You think elastics correct? And what

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Speaker 1: was your guest?

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Speaker 2: It's the war?

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00:15:38,280 --> 00:15:42,680
Speaker 1: It is not because and it comes back. Oh look

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Speaker 1: we have possibilities, guys, but we only have one answer,

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Speaker 1: and Thomas Bryan IVY has taken out round one.

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Speaker 2: I think we've we all get a point.

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Speaker 1: You're not the host, Marcus Munthford, you to here we go?

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Speaker 1: What what type of words are these, madam civic I? Level?

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Speaker 1: What are they have in common?

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00:16:07,920 --> 00:16:15,200
Speaker 5: The building terms?

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00:16:16,320 --> 00:16:19,760
Speaker 1: No, Sarah, not even close. I will go through them again.

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00:16:20,360 --> 00:16:24,280
Speaker 1: What are they got in common, guys, Madam civic I

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00:16:25,000 --> 00:16:25,640
Speaker 1: and level.

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00:16:26,880 --> 00:16:28,720
Speaker 3: Something to do with the placement of the letters.

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Speaker 2: They all have a spot if they're the same, if

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Speaker 2: you spell them backwards, if you pronounce.

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Speaker 1: The Ryan riddle of the night, thank you. The third one?

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Speaker 1: What makes a loud noise? When it's changing its jacket

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00:16:52,640 --> 00:16:55,640
Speaker 1: becomes larger? But ways less.

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00:16:56,920 --> 00:17:01,240
Speaker 2: Is it? Marcus Mumford running the here we go?

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Speaker 6: There?

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00:17:01,920 --> 00:17:07,000
Speaker 1: What makes loud noises. What makes loud noises? When it's changing,

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Speaker 1: A checker becomes larger and waghs less?

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Speaker 6: Got it?

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00:17:11,600 --> 00:17:13,080
Speaker 1: Popcorn?

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00:17:18,840 --> 00:17:19,119
Speaker 6: Did you?

395
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Speaker 4: Did you not hold the sheet up and give Tommy

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Speaker 4: answer then is not true?

397
00:17:23,880 --> 00:17:24,280
Speaker 3: So you do.

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00:17:26,760 --> 00:17:30,399
Speaker 9: It's fit. I've literally got nothing else to do. This

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00:17:30,480 --> 00:17:31,440
Speaker 9: is exactly why I'm here.

400
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Speaker 12: Let's go, let's go.

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00:17:35,280 --> 00:17:37,560
Speaker 1: He's punt for time, he's in a rush, but we'll

402
00:17:37,560 --> 00:17:40,040
Speaker 1: get him in any way. I've literally got nothing to do.

403
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Speaker 13: I've got nothing else to do. Everything is movable. I

404
00:17:43,440 --> 00:17:46,440
Speaker 13: fly to her late tomorrow morning. But until then, I'm.

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Speaker 2: A man that you can hear. Right in the end,

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Speaker 2: his heavy Friday and Marcus month ago.

407
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Speaker 6: Can we have you for the rest of the show,

408
00:17:57,840 --> 00:17:58,760
Speaker 6: let's just co hosted.

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00:17:59,520 --> 00:18:03,720
Speaker 1: Can we get a bit of gear away? Knowing you

410
00:18:03,760 --> 00:18:06,560
Speaker 1: can't do that in the States, we're a bit freer

411
00:18:06,600 --> 00:18:07,000
Speaker 1: over here.

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Speaker 9: I'm just going to see how many times I can

413
00:18:08,359 --> 00:18:09,520
Speaker 9: say the Sea word on radio.

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00:18:11,640 --> 00:18:14,080
Speaker 6: Do you like Australians interviewing you?

415
00:18:13,560 --> 00:18:13,600
Speaker 14: Do?

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Speaker 6: You do?

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00:18:14,359 --> 00:18:15,400
Speaker 2: You enjoy the process?

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Speaker 13: What I was saying before is that it's just so refreshing,

419
00:18:18,520 --> 00:18:21,399
Speaker 13: because I think in Europe and in America we just

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00:18:21,480 --> 00:18:24,879
Speaker 13: take it too seriously. When you come to yeah, definitely

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00:18:24,880 --> 00:18:27,520
Speaker 13: in Europe, and then you come to Australia and no

422
00:18:27,560 --> 00:18:32,119
Speaker 13: one really gives it yes, and we all realize that

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00:18:32,280 --> 00:18:33,080
Speaker 13: it's ridiculous.

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Speaker 2: We're just talking about music.

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00:18:34,640 --> 00:18:35,760
Speaker 12: Don't take it so seriously.

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00:18:36,160 --> 00:18:39,359
Speaker 13: So when we get here, people just so friendly straight

427
00:18:39,400 --> 00:18:41,720
Speaker 13: off the bat. And it was the first country that

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00:18:41,720 --> 00:18:44,720
Speaker 13: really embraced our band outside of the UK, and so

429
00:18:44,840 --> 00:18:48,560
Speaker 13: I've always got a sort of deep emotional connection here.

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00:18:48,600 --> 00:18:50,199
Speaker 13: And then we get there, and we get here and

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Speaker 13: people just don't really mind talking about whatever.

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Speaker 1: Don't take it too serious. Make an apology to you.

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00:18:56,200 --> 00:18:59,720
Speaker 1: Marvel and Son's played at Splenda in the Grass probably

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00:19:00,160 --> 00:19:03,359
Speaker 1: years ago, and as part of the show that I

435
00:19:03,400 --> 00:19:07,040
Speaker 1: was working at the time, you guys generously said, yeah,

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00:19:07,240 --> 00:19:09,040
Speaker 1: we'll come and perform at the pub where you're doing

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00:19:09,040 --> 00:19:11,960
Speaker 1: your radio show from and we couldn't believe it. We

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Speaker 1: were blown away. Month and sons of performing.

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00:19:14,160 --> 00:19:14,600
Speaker 2: Remember that.

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00:19:14,680 --> 00:19:18,359
Speaker 1: What we didn't realize was probably that the crowd at

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Speaker 1: the pub started sinking beers around.

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Speaker 2: Wasted.

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Speaker 9: We did one other thing like that.

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Speaker 13: We did a radio show in the state which was,

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Speaker 13: like they called it, a breakfast keg party, eight o'clock

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Speaker 13: in the morning, and everyone had just been up all

447
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Speaker 13: night completely houned, and we show up like really tired

448
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Speaker 13: because we had to wake up at six or whatever,

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Speaker 13: not even contemplating a beer and everyone.

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Speaker 1: So you guys turn up at maybe five o'clock. Everyone

451
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Speaker 1: was hammered, wearing four X hats. People were like grabbing

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Speaker 1: at your feet, and afterwards you were ushered off the

453
00:19:54,520 --> 00:19:57,119
Speaker 1: stage with security and we saw you afterwards and had

454
00:19:57,119 --> 00:20:00,520
Speaker 1: to say, I'm so sorry. We didn't realize you're going

455
00:20:00,560 --> 00:20:01,800
Speaker 1: to get out of control.

456
00:20:02,160 --> 00:20:05,720
Speaker 2: It was you boys and characters and your people. You

457
00:20:05,920 --> 00:20:08,320
Speaker 2: love being around people. You said this on the project

458
00:20:08,359 --> 00:20:10,600
Speaker 2: the other night, Marcus and and this is the thing.

459
00:20:11,040 --> 00:20:12,359
Speaker 2: Do you get a lot of people to come in

460
00:20:12,400 --> 00:20:14,000
Speaker 2: and listen to your new music if you get a

461
00:20:14,000 --> 00:20:16,040
Speaker 2: lot of people to help you In the past, we haven't. No,

462
00:20:16,160 --> 00:20:18,000
Speaker 2: in the past, we've had a real close store policy.

463
00:20:18,000 --> 00:20:20,600
Speaker 2: And that party comes from I think being a new band.

464
00:20:20,800 --> 00:20:23,399
Speaker 2: The first three records working with producers who didn't like

465
00:20:23,480 --> 00:20:26,159
Speaker 2: having lots of people in and out, even family, like

466
00:20:26,160 --> 00:20:28,040
Speaker 2: that's restrict hown't We've got to get this stuff. First

467
00:20:28,040 --> 00:20:30,679
Speaker 2: record we did on a shoe string budget, on borrowed

468
00:20:30,720 --> 00:20:33,320
Speaker 2: time and borrowed money just before having to go on tour.

469
00:20:33,320 --> 00:20:35,359
Speaker 2: We had to wrap the whole thing up in six weeks.

470
00:20:35,480 --> 00:20:38,000
Speaker 13: Dravs Our producer, wasn't getting paid, so he was just like,

471
00:20:38,080 --> 00:20:40,719
Speaker 13: let's get on with this. Of course, first day Ted

472
00:20:40,800 --> 00:20:45,000
Speaker 13: shows up without a base, I'm gonna have to get.

473
00:20:44,880 --> 00:20:45,720
Speaker 2: A bit more professor.

474
00:20:47,200 --> 00:20:49,320
Speaker 1: Can we just bring our own instruments?

475
00:20:50,520 --> 00:20:52,920
Speaker 9: The basic the basic rules of being in the band,

476
00:20:53,920 --> 00:20:55,000
Speaker 9: bring your instrument.

477
00:20:55,000 --> 00:20:57,320
Speaker 13: But then on this one it's different. We're working with

478
00:20:57,320 --> 00:20:59,520
Speaker 13: Paul Letworth at the church. We had a bit more time,

479
00:20:59,640 --> 00:21:02,159
Speaker 13: which is dangerous because you can become indulgent quite quickly,

480
00:21:02,200 --> 00:21:04,520
Speaker 13: but I think that really bread a lot of creativity

481
00:21:04,520 --> 00:21:05,800
Speaker 13: and through it we decided we want to do a

482
00:21:05,840 --> 00:21:06,320
Speaker 13: whole album.

483
00:21:06,320 --> 00:21:07,200
Speaker 2: We're not going to mess.

484
00:21:07,000 --> 00:21:09,200
Speaker 13: Around with doing singles every month the next twelve months

485
00:21:09,240 --> 00:21:11,040
Speaker 13: or whatever. We're not going to do an EP or five.

486
00:21:11,400 --> 00:21:14,879
Speaker 13: We're gonna do a whole album fourteen songs. It's very long.

487
00:21:15,200 --> 00:21:16,960
Speaker 13: There's a lot of music on it, but it means

488
00:21:16,960 --> 00:21:18,439
Speaker 13: that you get to explore things and you have a

489
00:21:18,440 --> 00:21:19,800
Speaker 13: bit more time to play ruck. So a lot of

490
00:21:19,800 --> 00:21:22,320
Speaker 13: the time it was like three am on a Friday

491
00:21:22,320 --> 00:21:25,080
Speaker 13: on a Saturday morning after what we called Friday Night Lads.

492
00:21:25,119 --> 00:21:27,200
Speaker 2: It wasn't gender specific. We do have a good time

493
00:21:27,720 --> 00:21:27,960
Speaker 2: and we.

494
00:21:28,040 --> 00:21:29,679
Speaker 13: Do Friday Night Lads and then come up with an

495
00:21:29,680 --> 00:21:31,600
Speaker 13: idea at three o'clock in the morning and just having

496
00:21:31,640 --> 00:21:32,879
Speaker 13: the freedom to do that, and then.

497
00:21:33,240 --> 00:21:35,400
Speaker 9: We we'd invite like thirty people.

498
00:21:35,119 --> 00:21:37,720
Speaker 13: To come and have beers with us. Fascinating and then

499
00:21:37,800 --> 00:21:39,280
Speaker 13: get people in and out of some really.

500
00:21:39,200 --> 00:21:43,240
Speaker 15: Interesting watching the reactions or do you get the differently

501
00:21:44,040 --> 00:21:47,240
Speaker 15: through through other ears, so you get you know, you

502
00:21:47,400 --> 00:21:50,040
Speaker 15: had some really random people coming, you know, my neighbors

503
00:21:50,119 --> 00:21:55,919
Speaker 15: came down.

504
00:21:51,640 --> 00:21:54,840
Speaker 1: The Yeah, you're It's funny when if we have a

505
00:21:54,840 --> 00:21:58,000
Speaker 1: guest in like yourself as a musician, Fitty always talks

506
00:21:58,040 --> 00:22:00,520
Speaker 1: to you like, you know, we're on one but really

507
00:22:00,560 --> 00:22:02,479
Speaker 1: I'm kind of on your side because I'm a musician

508
00:22:02,480 --> 00:22:05,280
Speaker 1: as well. Not everyone talks about it, but what I

509
00:22:05,359 --> 00:22:10,080
Speaker 1: love to see the other a unique tribute to Bob Dylan.

510
00:22:10,119 --> 00:22:12,520
Speaker 1: I think who did the original? Was you doing? I

511
00:22:12,560 --> 00:22:14,439
Speaker 1: don't think twice? It's all right if you.

512
00:22:14,520 --> 00:22:18,920
Speaker 2: Go there was something new?

513
00:22:20,440 --> 00:22:21,160
Speaker 1: Where's that from?

514
00:22:22,720 --> 00:22:27,720
Speaker 2: Change my mind? Was that with justin Yes? Too much?

515
00:22:27,800 --> 00:22:37,200
Speaker 9: Time was absolutely hammered after show, Yeah, it was.

516
00:22:37,440 --> 00:22:39,480
Speaker 13: It was one of our festivals we do this stopover

517
00:22:39,560 --> 00:22:42,000
Speaker 13: festivals and all our mates are there and we're all

518
00:22:42,040 --> 00:22:45,000
Speaker 13: playing and then they I think they trot were there

519
00:22:45,040 --> 00:22:46,600
Speaker 13: and we're like, let's do a session and.

520
00:22:46,560 --> 00:22:49,639
Speaker 9: They knew when to get out. It's like three hours after.

521
00:22:50,000 --> 00:22:52,480
Speaker 2: You've got to be careful that stuff, especially with cameras

522
00:22:52,520 --> 00:22:53,159
Speaker 2: these days.

523
00:22:54,200 --> 00:22:55,760
Speaker 1: It's quite great things.

524
00:22:58,320 --> 00:23:01,000
Speaker 6: So this is one of was she first girlfriend?

525
00:23:01,480 --> 00:23:01,680
Speaker 14: Yeah?

526
00:23:02,280 --> 00:23:04,960
Speaker 6: This was his first How old were you here?

527
00:23:05,000 --> 00:23:05,440
Speaker 1: Eighteen?

528
00:23:06,760 --> 00:23:17,439
Speaker 6: And he recorded the same song. It's very good. He

529
00:23:17,520 --> 00:23:24,120
Speaker 6: wished he was.

530
00:23:18,480 --> 00:23:26,280
Speaker 1: We had a really heavy session after.

531
00:23:26,600 --> 00:23:29,040
Speaker 9: Well, mate, I've got I've got, I've got my guitar.

532
00:23:30,240 --> 00:23:34,680
Speaker 6: Let's little do that. I don't I don't money.

533
00:23:34,680 --> 00:23:41,960
Speaker 1: William Market, Marcus Man for good to see mate. Thanks for.

534
00:23:43,520 --> 00:23:47,960
Speaker 6: You know, musicians don't don't go anywhere. Stick around.

535
00:23:48,080 --> 00:23:52,840
Speaker 2: Coming up next to performance Marcus Mounford and Michael Whipfley

536
00:23:53,160 --> 00:23:54,280
Speaker 2: playing a bit of Bob Dylan.

537
00:23:54,400 --> 00:23:54,680
Speaker 6: Next.

538
00:23:56,840 --> 00:24:00,399
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539
00:24:00,600 --> 00:24:02,200
Speaker 14: tired of feeling house bound?

540
00:24:02,560 --> 00:24:03,200
Speaker 1: I sure am.

541
00:24:03,640 --> 00:24:07,800
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542
00:24:08,359 --> 00:24:12,000
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543
00:24:12,080 --> 00:24:15,480
Speaker 14: up to sixty minutes of cord free runtime. Just think

544
00:24:15,600 --> 00:24:18,399
Speaker 14: of all of the incredible hairloks you can create in

545
00:24:18,520 --> 00:24:22,520
Speaker 14: sixty minutes unbound, away from your wall. Don't get tied

546
00:24:22,560 --> 00:24:26,240
Speaker 14: down by chords. Love your look live unbound. Check it

547
00:24:26,240 --> 00:24:32,720
Speaker 14: out at conair dot com and search unbound.

548
00:24:32,840 --> 00:24:40,359
Speaker 2: Oh, he's got the glasses on. What you've just said

549
00:24:40,680 --> 00:24:43,399
Speaker 2: is Marcus Mumpie's warming up and he's speak to you.

550
00:24:43,480 --> 00:24:45,600
Speaker 2: Remember with you on II and for your Friday morning.

551
00:24:45,760 --> 00:24:47,840
Speaker 2: We're down into the weekend and this is party time

552
00:24:47,920 --> 00:24:50,760
Speaker 2: because we just played a bit of audio before if

553
00:24:50,760 --> 00:24:55,080
Speaker 2: Marcus doing Abob Dylan cover and we there it is,

554
00:24:56,400 --> 00:24:58,280
Speaker 2: don't think to ice. We just found out that he

555
00:24:58,359 --> 00:25:00,560
Speaker 2: was loaded. It had quite a few drinks before he

556
00:25:00,640 --> 00:25:03,760
Speaker 2: actually played this song. And we've played it.

557
00:25:03,680 --> 00:25:04,919
Speaker 6: As well to his first girl.

558
00:25:04,840 --> 00:25:06,280
Speaker 1: For try and I feel like I'm about to cheat

559
00:25:06,280 --> 00:25:08,919
Speaker 1: on my first girlfriend. That's possible. We're about to do

560
00:25:08,960 --> 00:25:11,760
Speaker 1: a very special jewet here now.

561
00:25:12,160 --> 00:25:13,440
Speaker 2: I mean, are you going to let him take the

562
00:25:13,520 --> 00:25:14,800
Speaker 2: lead markers or what are you going to do?

563
00:25:14,920 --> 00:25:17,680
Speaker 9: I'm just doing bbs.

564
00:25:18,640 --> 00:25:19,120
Speaker 1: Wybe.

565
00:25:19,600 --> 00:25:19,800
Speaker 2: Oh.

566
00:25:20,040 --> 00:25:23,760
Speaker 6: Ever, you know he's in a band called Platinum.

567
00:25:23,760 --> 00:25:27,919
Speaker 1: The song we have played twice in fifteen years but

568
00:25:28,000 --> 00:25:30,639
Speaker 1: when we do play, Oh Jesus.

569
00:25:30,240 --> 00:25:32,399
Speaker 6: Stops the town, it's more copper now than.

570
00:25:32,640 --> 00:25:41,280
Speaker 1: Thank you mate, There we go, good luck man. Well

571
00:25:41,720 --> 00:25:46,560
Speaker 1: know he used to sit and wonder why bee? If

572
00:25:46,600 --> 00:25:51,000
Speaker 1: you don't know by now, and he know he used

573
00:25:51,040 --> 00:25:52,879
Speaker 1: to sit and wonder, why bee?

574
00:25:53,280 --> 00:25:54,480
Speaker 2: Why have you got your glasses on?

575
00:25:55,200 --> 00:26:01,200
Speaker 16: It'll never do somehow when the rooster a cruise at

576
00:26:01,200 --> 00:26:05,400
Speaker 16: the breaking down look out, you know.

577
00:26:05,520 --> 00:26:07,280
Speaker 2: When I'll be gone.

578
00:26:08,560 --> 00:26:14,200
Speaker 17: You're the reason I'm traveling on. I don't think twice,

579
00:26:14,440 --> 00:26:18,800
Speaker 17: it's all right. And they know you use this turning

580
00:26:18,920 --> 00:26:21,520
Speaker 17: on your life.

581
00:26:22,359 --> 00:26:23,719
Speaker 6: Like I never know.

582
00:26:25,640 --> 00:26:28,280
Speaker 9: And they know use turning on your line.

583
00:26:28,320 --> 00:26:28,800
Speaker 2: And b.

584
00:26:30,920 --> 00:26:32,560
Speaker 9: I'm on the dark side of the road.

585
00:26:34,240 --> 00:26:39,960
Speaker 18: Oh there was something you can do or say trying

586
00:26:40,000 --> 00:26:44,440
Speaker 18: to make me change my mind and stay. We never

587
00:26:44,600 --> 00:26:50,360
Speaker 18: did too much talking anyway.

588
00:26:50,640 --> 00:27:00,000
Speaker 1: I don't think twice, all right, all right, that was special.

589
00:27:00,080 --> 00:27:04,120
Speaker 2: Sure, I feel like we're around a bonfire at a party.

590
00:27:04,800 --> 00:27:07,040
Speaker 1: Man, chuck us the marge mallowd that's money ring.

591
00:27:07,280 --> 00:27:09,159
Speaker 13: You must get that all time, all the time. And

592
00:27:09,520 --> 00:27:12,800
Speaker 13: I always played Disney songs. Do you really safestpect?

593
00:27:13,200 --> 00:27:14,760
Speaker 6: Because you're a father now as well?

594
00:27:15,000 --> 00:27:15,160
Speaker 2: Well?

595
00:27:15,240 --> 00:27:18,200
Speaker 13: No, just because Roger Miller did the soundtrack for Robin

596
00:27:18,240 --> 00:27:19,919
Speaker 13: Hood and wrote some of the great songs of all

597
00:27:19,960 --> 00:27:20,359
Speaker 13: time on that.

598
00:27:20,640 --> 00:27:22,480
Speaker 6: So what's your number one song that you go to.

599
00:27:22,520 --> 00:27:25,760
Speaker 9: Not in Nottingham, remember that robind.

600
00:27:29,320 --> 00:27:33,080
Speaker 2: The lyrics don't need the lyrics.

601
00:27:32,160 --> 00:27:32,639
Speaker 12: Like this.

602
00:27:34,800 --> 00:27:39,880
Speaker 2: Retail is up.

603
00:27:44,119 --> 00:27:50,480
Speaker 9: Some times they out number of the day.

604
00:27:58,680 --> 00:28:00,600
Speaker 2: I'm inclined believe.

605
00:28:02,480 --> 00:28:04,399
Speaker 9: And then there's a whistling bit off the never won't

606
00:28:04,480 --> 00:28:05,399
Speaker 9: so down.

607
00:28:07,400 --> 00:28:07,920
Speaker 1: It's great.

608
00:28:09,680 --> 00:28:12,160
Speaker 2: That's two songs down that we've got out of Marcus Month.

609
00:28:12,800 --> 00:28:15,040
Speaker 2: So tickets you've got to go see this to it

610
00:28:15,080 --> 00:28:17,119
Speaker 2: if you haven't seen monthin and Sons yet. It is

611
00:28:17,320 --> 00:28:20,040
Speaker 2: a highlight. It is just such an entertaining show. And

612
00:28:20,119 --> 00:28:23,720
Speaker 2: tickets go on sale at nine a m. Today, So

613
00:28:24,080 --> 00:28:26,080
Speaker 2: go to the Nova website and you can check out there.

614
00:28:26,640 --> 00:28:28,440
Speaker 6: The new album Delta is out sixteenth of.

615
00:28:28,400 --> 00:28:30,600
Speaker 2: November as well. It is Marcus.

616
00:28:30,720 --> 00:28:32,040
Speaker 9: I love this, I love being here.

617
00:28:32,160 --> 00:28:36,159
Speaker 13: Thank you, having very excited to come back on tour here.

618
00:28:35,400 --> 00:28:38,479
Speaker 2: Yeah, how's your cover drive going at the moment? And cricket,

619
00:28:38,520 --> 00:28:40,360
Speaker 2: you're doing all right? Or you haven't picked up the

620
00:28:40,360 --> 00:28:42,160
Speaker 2: willow for a while? No, I did, Actually I had

621
00:28:42,160 --> 00:28:42,680
Speaker 2: to not come.

622
00:28:43,080 --> 00:28:44,600
Speaker 13: I had a knock at the last radio station I

623
00:28:44,640 --> 00:28:48,440
Speaker 13: had a bat, very very glad, straight so bad it.

624
00:28:48,800 --> 00:28:49,400
Speaker 1: Thank you, thank you.

625
00:28:51,280 --> 00:28:52,360
Speaker 2: I told you we should have kicked him in.

626
00:28:52,360 --> 00:28:56,560
Speaker 6: By the way, sirih you've got a bit of a

627
00:28:56,640 --> 00:28:58,040
Speaker 6: raw update that we need to talk about.

628
00:28:58,160 --> 00:29:01,440
Speaker 4: Yes, the countdown is on seven o'clock tonight, seven if

629
00:29:01,480 --> 00:29:03,440
Speaker 4: you want to watch it. Yeah, the Royal Wedding all

630
00:29:03,480 --> 00:29:05,680
Speaker 4: the time, seven o'clock tonight.

631
00:29:05,680 --> 00:29:07,000
Speaker 12: I'll repeat myself.

632
00:29:06,680 --> 00:29:08,240
Speaker 1: What channel channel seven?

633
00:29:09,520 --> 00:29:10,560
Speaker 2: And who's getting married?

634
00:29:11,280 --> 00:29:12,080
Speaker 3: Come on, fits?

635
00:29:12,280 --> 00:29:15,360
Speaker 4: Do you know what you'll be forgiven for showing mixed

636
00:29:15,400 --> 00:29:17,719
Speaker 4: interest that the Royal Family put out a tweet this

637
00:29:17,800 --> 00:29:21,520
Speaker 4: morning on its official Twitter account and they misspelled the groomsman.

638
00:29:24,200 --> 00:29:27,520
Speaker 4: They said Princess Eugenie and mister Jacks brook No, it's

639
00:29:27,720 --> 00:29:30,680
Speaker 4: Jaack Brooks brook Brooks.

640
00:29:31,680 --> 00:29:34,760
Speaker 2: Anyway, he's very well off. So he was in the

641
00:29:34,800 --> 00:29:35,720
Speaker 2: tequila with.

642
00:29:35,640 --> 00:29:39,440
Speaker 4: George Cloon, the ambassador for the brand to the UK.

643
00:29:39,560 --> 00:29:41,960
Speaker 4: So he and Georgia mates George and Marle expected to

644
00:29:41,960 --> 00:29:44,240
Speaker 4: be amongst the guests. You know, they've got a really

645
00:29:44,240 --> 00:29:46,960
Speaker 4: good lineup. You know your ed Sheerancy James blunts because

646
00:29:46,960 --> 00:29:52,480
Speaker 4: don't forget her sister, Princess Princess Beatrice, Sorry, was the

647
00:29:52,480 --> 00:29:55,800
Speaker 4: one who did the sword on Aurance cheek when they

648
00:29:56,200 --> 00:29:57,120
Speaker 4: had some drinks.

649
00:29:57,280 --> 00:30:00,200
Speaker 1: Yeah, when they got a sword of you.

650
00:30:00,520 --> 00:30:03,640
Speaker 4: Talk about that because they then denied that it happened.

651
00:30:03,640 --> 00:30:06,400
Speaker 4: In later interviews, James Blunt says, oh, that strow was

652
00:30:06,400 --> 00:30:09,200
Speaker 4: made up to cover something else. Who knows what actually happened.

653
00:30:09,400 --> 00:30:11,400
Speaker 4: Regardless of these people like to have a good time.

654
00:30:11,320 --> 00:30:13,280
Speaker 1: And says it was a pretty serious cut and you

655
00:30:13,320 --> 00:30:15,080
Speaker 1: can see it's a scar on his face. He's sitting

656
00:30:15,160 --> 00:30:17,080
Speaker 1: cars on the hill. It's unbelievable.

657
00:30:17,760 --> 00:30:19,040
Speaker 6: It will be a fun day.

658
00:30:19,360 --> 00:30:22,640
Speaker 4: Princess Eugenie has been spotted though out this morning. She

659
00:30:22,680 --> 00:30:25,360
Speaker 4: has dyed her hair red ahead of the Royal wedding day.

660
00:30:25,400 --> 00:30:29,000
Speaker 4: People are I know, but she's gone like she's obviously

661
00:30:29,000 --> 00:30:37,000
Speaker 4: gone in and had the color dune because it's quite

662
00:30:37,240 --> 00:30:40,640
Speaker 4: mistakingly saying it's a tribute to Fergie, which I really

663
00:30:40,720 --> 00:30:43,280
Speaker 4: do not think it is at all. Anyway, she looks great.

664
00:30:43,320 --> 00:30:45,960
Speaker 4: You know, it's going to be a big day. She's

665
00:30:46,040 --> 00:30:47,720
Speaker 4: very modern. They're saying the cake is going to be

666
00:30:47,800 --> 00:30:50,320
Speaker 4: very modern British based designer, but they won't say who

667
00:30:50,440 --> 00:30:53,920
Speaker 4: has made her dress. Fergie is obviously going to be

668
00:30:53,920 --> 00:30:57,440
Speaker 4: there playing a big role. She's apparently chosen the hymns,

669
00:30:57,800 --> 00:31:00,840
Speaker 4: and she chose Diana's two favorite hit because she wanted

670
00:31:00,840 --> 00:31:03,040
Speaker 4: it to be a tribute to Wait and See.

671
00:31:03,120 --> 00:31:05,640
Speaker 1: Thomas Mark will get an invite sadly still at the

672
00:31:05,640 --> 00:31:06,080
Speaker 1: front gate.

673
00:31:06,160 --> 00:31:09,320
Speaker 4: No, but twelve hundred members of the public will be

674
00:31:09,560 --> 00:31:10,880
Speaker 4: they have been invited, and they'll be.

675
00:31:11,080 --> 00:31:13,720
Speaker 2: Imagine if you got knock it back, if you.

676
00:31:13,800 --> 00:31:19,160
Speaker 4: Got Windsor Castle. It will be the first time Megan

677
00:31:19,200 --> 00:31:21,720
Speaker 4: and Harry have been back since they've been they were married.

678
00:31:21,720 --> 00:31:21,840
Speaker 3: There.

679
00:31:21,880 --> 00:31:22,920
Speaker 4: It's a daytime affair.

680
00:31:23,000 --> 00:31:23,800
Speaker 3: You then go to a.

681
00:31:23,800 --> 00:31:26,600
Speaker 4: Lunch reception hosted by the Queen, and then there's this

682
00:31:26,600 --> 00:31:29,560
Speaker 4: big party at the Royal Lodge and then you knows,

683
00:31:29,600 --> 00:31:31,400
Speaker 4: another big day of festivities.

684
00:31:31,440 --> 00:31:32,920
Speaker 1: You know what amazed me about when we turned up

685
00:31:32,920 --> 00:31:34,200
Speaker 1: to Windsor and we had a little bit of a

686
00:31:34,240 --> 00:31:36,280
Speaker 1: wander through the chapel there, which is great because it's

687
00:31:36,280 --> 00:31:38,080
Speaker 1: a beautiful area and you're you know, you're an hour

688
00:31:38,120 --> 00:31:40,440
Speaker 1: out of town. It's the countryside. But you when you

689
00:31:40,480 --> 00:31:42,120
Speaker 1: wander up and you see the cast on all the

690
00:31:42,160 --> 00:31:47,360
Speaker 1: imagery of this phenomenal compound with the high walls and

691
00:31:47,400 --> 00:31:50,160
Speaker 1: the cathedral. Then straight across the road, what you don't

692
00:31:50,160 --> 00:31:54,880
Speaker 1: see on TV is the matters across the outside it's just.

693
00:31:57,240 --> 00:31:59,880
Speaker 2: Down. But when you walk through windsor as well, you

694
00:32:00,040 --> 00:32:02,400
Speaker 2: walk over dead bodies like they're buried.

695
00:32:02,080 --> 00:32:03,160
Speaker 6: Under that stone.

696
00:32:03,280 --> 00:32:04,440
Speaker 5: Yeah, they are in har.

697
00:32:04,640 --> 00:32:07,200
Speaker 6: Queens and creepy. And what was my joke, Tom? It

698
00:32:07,240 --> 00:32:09,600
Speaker 6: was always when it too soon, went way too.

699
00:32:09,440 --> 00:32:12,440
Speaker 1: Soon, way too But they died in the fifteen hundred

700
00:32:12,440 --> 00:32:13,560
Speaker 1: in George the fifth.

701
00:32:14,240 --> 00:32:16,120
Speaker 5: There's something a little bit creepy about it.

702
00:32:16,120 --> 00:32:18,520
Speaker 4: It is going to be beautiful though, and WHI I would

703
00:32:18,880 --> 00:32:20,840
Speaker 4: absolutely put my money on it that you're going to

704
00:32:20,880 --> 00:32:24,360
Speaker 4: watch some of this, especially with Andre.

705
00:32:24,880 --> 00:32:25,920
Speaker 5: It's going to be beautiful.

706
00:32:25,960 --> 00:32:28,320
Speaker 4: Seven o'clock tonight, have a little I.

707
00:32:28,280 --> 00:32:29,800
Speaker 6: Can't wait to the right parcel.

708
00:32:30,840 --> 00:32:31,920
Speaker 1: Well, do you know what annoys me?

709
00:32:33,440 --> 00:32:36,360
Speaker 4: Girls eighth and ninth in line to the throne like

710
00:32:36,400 --> 00:32:37,920
Speaker 4: they're legitimate grandkids to.

711
00:32:37,920 --> 00:32:42,800
Speaker 1: Save carrying dude was the article on Andrelly the other day,

712
00:32:43,040 --> 00:32:45,920
Speaker 1: right questioning whether he was blind or not because he

713
00:32:45,960 --> 00:32:46,880
Speaker 1: was riding a horse.

714
00:32:47,200 --> 00:32:48,320
Speaker 2: He's rocked up the castle.

715
00:32:53,760 --> 00:32:54,320
Speaker 1: Suggest that.

716
00:32:56,840 --> 00:32:59,080
Speaker 6: Rember with you on that big wrap up of the week.

717
00:32:59,200 --> 00:33:02,840
Speaker 2: It's Boxing versus uf C representing boxing.

718
00:33:02,880 --> 00:33:03,880
Speaker 6: We have Jeff Horn and.

719
00:33:03,800 --> 00:33:07,680
Speaker 2: From the UFCU, the heavyweight man tied to a Varsa

720
00:33:07,880 --> 00:33:16,640
Speaker 2: is in here as well as aren't that?

721
00:33:17,280 --> 00:33:26,880
Speaker 16: Don't know how much that way later on a Buffy.

722
00:33:24,240 --> 00:33:27,520
Speaker 2: Whoa, we always get stuck anyone.

723
00:33:27,720 --> 00:33:33,320
Speaker 1: I'm not fat, Tie, am, I You're meant to be fan,

724
00:33:34,160 --> 00:33:37,200
Speaker 1: not meant to be fat. You're fit, You're always fit.

725
00:33:37,800 --> 00:33:42,080
Speaker 1: You're just You're just a big engine. I've got no excuses.

726
00:33:42,120 --> 00:33:44,560
Speaker 2: I'm just fat. And he's like, oh, no, you were

727
00:33:44,600 --> 00:33:46,160
Speaker 2: when you're a younger kid. What don't you do?

728
00:33:46,840 --> 00:33:47,040
Speaker 9: No?

729
00:33:47,960 --> 00:33:50,040
Speaker 19: No, I think after the Olympics, I blew out, have

730
00:33:50,200 --> 00:33:51,600
Speaker 19: you do you do?

731
00:33:51,760 --> 00:33:51,840
Speaker 1: Like?

732
00:33:51,840 --> 00:33:53,760
Speaker 2: Are you saying bold and knock off one hundred nuggets

733
00:33:53,800 --> 00:33:55,080
Speaker 2: after the Olympics or what did you know?

734
00:33:55,760 --> 00:33:55,920
Speaker 9: No?

735
00:33:55,960 --> 00:33:58,080
Speaker 5: But I was in there a lot getting that free machers.

736
00:34:00,720 --> 00:34:02,880
Speaker 2: All right, let's do this, chef. When you are going

737
00:34:02,920 --> 00:34:04,960
Speaker 2: first this morning, we are wrapping to jar Rowland.

738
00:34:05,400 --> 00:34:08,440
Speaker 6: He's always on time. You ready to go, brother, yep.

739
00:34:09,040 --> 00:34:13,520
Speaker 10: There going.

740
00:34:15,040 --> 00:34:15,839
Speaker 1: Keep the gloves up.

741
00:34:20,640 --> 00:34:22,960
Speaker 5: Bring that school bell, kids, because I've got a hunch.

742
00:34:23,080 --> 00:34:25,160
Speaker 5: I eat guys like Tie for my play lunch.

743
00:34:25,520 --> 00:34:28,320
Speaker 19: Look out boys on the hunt. Because tis the UFC's

744
00:34:28,320 --> 00:34:31,960
Speaker 19: equivalent of James Blunt. He's in the octagon to make

745
00:34:32,000 --> 00:34:33,840
Speaker 19: people cry, but at the end of the day, the

746
00:34:33,920 --> 00:34:35,160
Speaker 19: person crying is tired.

747
00:34:36,320 --> 00:34:38,840
Speaker 5: He's talking trash, poking fun at me. If only he

748
00:34:38,960 --> 00:34:41,839
Speaker 5: knew how to spell us. See. Usually a Matt thinks

749
00:34:41,840 --> 00:34:42,480
Speaker 5: he's the rock.

750
00:34:42,680 --> 00:34:45,799
Speaker 19: Matt's the man who left Plantation Nightclub in shock. Well him,

751
00:34:45,880 --> 00:34:48,680
Speaker 19: married life is the prediction. So don't wet your cousin's

752
00:34:48,719 --> 00:34:50,440
Speaker 19: T shirt during draught restrictions.

753
00:34:50,480 --> 00:34:52,680
Speaker 5: But there's an elephant in the room. I beg to dipper.

754
00:34:52,960 --> 00:34:54,840
Speaker 5: He's got one eyebrow. His name is Whipper.

755
00:34:55,440 --> 00:34:57,839
Speaker 19: He talks a big game, but there's no action. Think

756
00:34:57,880 --> 00:35:07,400
Speaker 19: he's the king of pop, but he's just hungry.

757
00:35:06,640 --> 00:35:10,759
Speaker 1: Jeff, if you weren't a boxer, I'll tell you the

758
00:35:10,920 --> 00:35:14,400
Speaker 1: f off. It turns out you've got a slight advantage.

759
00:35:14,640 --> 00:35:15,759
Speaker 1: So well done, mate.

760
00:35:16,560 --> 00:35:20,960
Speaker 2: Well this is written for someone with no rhythm. I've

761
00:35:20,960 --> 00:35:21,600
Speaker 2: got rhythm.

762
00:35:25,200 --> 00:35:26,680
Speaker 5: So you say that was good because I got no

763
00:35:26,760 --> 00:35:28,680
Speaker 5: rhythm and.

764
00:35:28,680 --> 00:35:29,319
Speaker 2: You can read.

765
00:35:30,440 --> 00:35:31,000
Speaker 3: I can't.

766
00:35:32,000 --> 00:35:44,160
Speaker 1: Oh, it sounds like a fair fight.

767
00:35:41,280 --> 00:35:41,480
Speaker 6: One.

768
00:35:42,440 --> 00:35:45,719
Speaker 1: You'll be right, mate, Give me right. You got this.

769
00:35:49,480 --> 00:35:52,399
Speaker 20: Big bad Jeff the fighting school teacher, and I'm done

770
00:35:52,440 --> 00:35:55,160
Speaker 20: with you. You're going to need a preacher on the UFC

771
00:35:55,320 --> 00:35:58,040
Speaker 20: chair and Jeff's just flexing, but we sit down and

772
00:35:58,120 --> 00:36:01,920
Speaker 20: call it jelly wrest. Think Fit is a really good bloke,

773
00:36:02,000 --> 00:36:04,879
Speaker 20: but he's just a bogan chasing a renaked choke. You're

774
00:36:04,920 --> 00:36:07,480
Speaker 20: an Aussie butler who tells a toll tale is only

775
00:36:07,600 --> 00:36:14,799
Speaker 20: doing his job to pay his son's baie. Jeff is

776
00:36:14,800 --> 00:36:17,759
Speaker 20: a hornet without any sting. Hand me the more team.

777
00:36:17,840 --> 00:36:20,480
Speaker 20: Let's clip his wings on the big unit. We need

778
00:36:20,480 --> 00:36:22,560
Speaker 20: to make a decision. Should Whipper be in the heavy

779
00:36:22,560 --> 00:36:28,279
Speaker 20: heavy heavyweight division. Jeff floats like a butterfly, but if

780
00:36:28,280 --> 00:36:30,880
Speaker 20: you're not clever, Whipper will catch you and keep you

781
00:36:31,040 --> 00:36:34,719
Speaker 20: forever in the ring. There's only one thing scarier than me.

782
00:36:35,000 --> 00:36:41,160
Speaker 20: It's facing a total knockout of Christine whipped Flee.

783
00:36:42,719 --> 00:36:43,000
Speaker 3: Time.

784
00:36:45,640 --> 00:36:49,400
Speaker 1: You'll be lucky if my dad, John Webb Flee doesn't

785
00:36:49,440 --> 00:36:51,480
Speaker 1: come looking for you.

786
00:36:53,600 --> 00:36:54,759
Speaker 2: That was the knockout.

787
00:36:55,800 --> 00:37:02,360
Speaker 1: God, Now, dare you as my poor mother?

788
00:37:03,360 --> 00:37:08,160
Speaker 6: Sorry podcast she she's listening right now. Do you want

789
00:37:08,160 --> 00:37:11,120
Speaker 6: to do a shout out to Christian Christine?

790
00:37:11,960 --> 00:37:12,680
Speaker 2: I'm sending you some.

791
00:37:15,040 --> 00:37:18,960
Speaker 6: Love that well, Maddie thegree You are making a decision here.

792
00:37:19,280 --> 00:37:22,640
Speaker 11: I'm not sure why anyone has to pick a winner

793
00:37:22,719 --> 00:37:24,719
Speaker 11: or a loser in this one because I'm sorry to

794
00:37:25,320 --> 00:37:29,160
Speaker 11: the loser. It's only because as an undefeated New Southwest

795
00:37:29,160 --> 00:37:32,399
Speaker 11: comment authorready approved fighter, I'd have Jeff Horne, whereas I'm

796
00:37:32,440 --> 00:37:45,440
Speaker 11: petrified of the winner. Today it was an absolute drag from.

797
00:37:48,440 --> 00:37:55,720
Speaker 1: That was Jeff. We can't help you from me, Tommy.

798
00:37:56,239 --> 00:37:59,680
Speaker 6: He's Jeff, him.

799
00:38:01,400 --> 00:38:02,560
Speaker 1: Wonder, he's Jeff.

800
00:38:02,680 --> 00:38:05,719
Speaker 2: I know, boys, if we do appreciate you coming out

801
00:38:05,719 --> 00:38:07,120
Speaker 2: of your comfort zone, we know how.

802
00:38:07,000 --> 00:38:07,480
Speaker 6: Hard it is.

803
00:38:07,680 --> 00:38:10,560
Speaker 2: Jeff. You are fighting at the sun Corps Stadium on

804
00:38:10,640 --> 00:38:14,640
Speaker 2: thirtieth and November versus Anthony Money Jeff. Tickets are on

805
00:38:14,680 --> 00:38:15,160
Speaker 2: sale now.

806
00:38:15,200 --> 00:38:16,640
Speaker 6: That's the River City rumble mate.

807
00:38:16,680 --> 00:38:18,680
Speaker 2: Good luck, mate, and appreciate you coming on the show

808
00:38:18,840 --> 00:38:21,200
Speaker 2: and Eye You're going to be fighting down in Adelaide

809
00:38:21,200 --> 00:38:22,640
Speaker 2: on Sunday, second of December.

810
00:38:22,719 --> 00:38:24,880
Speaker 6: That's in the heavyweight of the Adelaide Entertainment Center.

811
00:38:25,080 --> 00:38:28,000
Speaker 2: Tickets via ticket tick you can go get them now, mate, boys,

812
00:38:28,000 --> 00:38:29,239
Speaker 2: thank you very much for coming here.

813
00:38:30,040 --> 00:38:32,600
Speaker 5: I would have called it today. I would have called

814
00:38:32,600 --> 00:38:33,120
Speaker 5: it a tie.

815
00:38:33,120 --> 00:38:33,520
Speaker 6: Anyway.

816
00:38:33,719 --> 00:38:46,279
Speaker 12: Oh, let's talk about the Bachelorette. Last night. It was

817
00:38:46,280 --> 00:38:46,959
Speaker 12: eating up again.

818
00:38:47,000 --> 00:38:47,560
Speaker 2: I'll tell you what.

819
00:38:47,560 --> 00:38:49,120
Speaker 6: There's a fairbit going on at the moment.

820
00:38:49,719 --> 00:38:52,040
Speaker 2: I actually can I talk about I didn't bring this

821
00:38:52,160 --> 00:38:54,759
Speaker 2: up yesterday and he's gone now. The blokeing looks like

822
00:38:54,800 --> 00:38:58,480
Speaker 2: honey Badger ben He was booted out on the first night.

823
00:38:58,520 --> 00:38:59,960
Speaker 2: We didn't get to see much of Bennie.

824
00:39:00,120 --> 00:39:03,080
Speaker 3: Did you want to see No, he's apparently.

825
00:39:02,640 --> 00:39:07,479
Speaker 2: A lovely guy, but I he was selling himself. Sure,

826
00:39:07,680 --> 00:39:11,200
Speaker 2: these were his last words. This is what she was.

827
00:39:11,640 --> 00:39:14,440
Speaker 2: He was hoping at the Rose ceremony that Ali was

828
00:39:14,480 --> 00:39:16,440
Speaker 2: going to pick him, because you know, he's a bit

829
00:39:16,480 --> 00:39:18,719
Speaker 2: of a different guy. Hopefully she is looking for a

830
00:39:18,719 --> 00:39:21,680
Speaker 2: real person, because I feel I'm the most average guy.

831
00:39:21,719 --> 00:39:22,080
Speaker 2: You're going to.

832
00:39:22,080 --> 00:39:26,920
Speaker 4: Meet the most average guy you At least it's a

833
00:39:27,000 --> 00:39:29,080
Speaker 4: nice change from some of the others who think that

834
00:39:29,120 --> 00:39:30,719
Speaker 4: they are just God's gift to women.

835
00:39:30,960 --> 00:39:34,239
Speaker 2: Shane spelled c h E y n E. He's gone

836
00:39:34,239 --> 00:39:37,200
Speaker 2: as well as gone. It was because of the spelling.

837
00:39:37,480 --> 00:39:37,719
Speaker 1: I think.

838
00:39:37,760 --> 00:39:39,279
Speaker 4: I think it was the hair and the fact that

839
00:39:39,320 --> 00:39:40,160
Speaker 4: he looks like he needs to.

840
00:39:42,600 --> 00:39:47,399
Speaker 1: A bit of a couple of observations from last night. Gee,

841
00:39:47,400 --> 00:39:49,200
Speaker 1: she threw the tongue into Robert pretty quickly.

842
00:39:49,480 --> 00:39:50,320
Speaker 5: No, that was Charlie.

843
00:39:50,680 --> 00:39:53,719
Speaker 1: No, No, Robert, that was the one that she she

844
00:39:53,840 --> 00:39:54,920
Speaker 1: drags it. Can you come with me?

845
00:39:54,960 --> 00:39:55,279
Speaker 2: From him?

846
00:39:55,280 --> 00:39:58,160
Speaker 1: I've been wanting to do this all day and it

847
00:39:58,200 --> 00:40:01,000
Speaker 1: wasn't Robert her And that's a different story. What I

848
00:40:01,040 --> 00:40:07,400
Speaker 1: find funny too, Jules. Jules is the military personnel with

849
00:40:07,480 --> 00:40:09,960
Speaker 1: the creepy though. Yeah, he knows he's a bit of

850
00:40:09,960 --> 00:40:13,279
Speaker 1: a wacky guy. And the Rose ceremony last night, he's just.

851
00:40:13,239 --> 00:40:14,000
Speaker 12: Doing funny face.

852
00:40:14,320 --> 00:40:16,960
Speaker 2: What I thought he was a I like jewels.

853
00:40:17,080 --> 00:40:19,399
Speaker 1: I like jewels. I think he's funny, but he knows

854
00:40:19,480 --> 00:40:21,680
Speaker 1: he's on camera and he's maybe a little bit more

855
00:40:21,719 --> 00:40:24,560
Speaker 1: focused on getting a laugh from the lads than finding love.

856
00:40:24,920 --> 00:40:27,920
Speaker 1: But I'm a enjoying I can just leave him again.

857
00:40:28,680 --> 00:40:32,839
Speaker 2: That b leads into Nathan from the Northern Beaches. Now,

858
00:40:32,880 --> 00:40:35,160
Speaker 2: if anyone knows Nathan from the Northern Beach, just give

859
00:40:35,239 --> 00:40:37,239
Speaker 2: us a call. Thirteen twenty fourteen. We'd love to hear

860
00:40:37,280 --> 00:40:40,240
Speaker 2: from you. I mean that we were introduced to Nathan

861
00:40:40,360 --> 00:40:41,359
Speaker 2: last night with this.

862
00:40:42,440 --> 00:40:44,120
Speaker 1: I'm Nathan, I'm twenty three.

863
00:40:44,600 --> 00:40:46,160
Speaker 9: I'm from the Northern Beaches in Sydney.

864
00:40:46,680 --> 00:40:49,120
Speaker 6: I'd love to come home to frecking by chair.

865
00:40:49,680 --> 00:40:52,120
Speaker 2: Girls love it, you know, like that's the thing, like

866
00:40:52,200 --> 00:40:53,839
Speaker 2: Tom Good looking funny.

867
00:40:53,680 --> 00:40:58,560
Speaker 13: Charismatic, musty, everything that a potential partner looks for. In

868
00:40:58,600 --> 00:41:01,799
Speaker 13: a lot of ways, man Ally's compliment each other's last you.

869
00:41:01,760 --> 00:41:09,280
Speaker 15: Know, she's obviously in Babe the group two point exactly

870
00:41:09,320 --> 00:41:10,000
Speaker 15: what I was thinking.

871
00:41:13,400 --> 00:41:16,040
Speaker 11: I will happily take that because he's clearly got it

872
00:41:16,120 --> 00:41:16,560
Speaker 11: going on.

873
00:41:16,600 --> 00:41:18,759
Speaker 1: Now he doesn't. Last Night of the Rose he had

874
00:41:18,800 --> 00:41:22,759
Speaker 1: a roll next Skivy on on the jacket ski gives are.

875
00:41:22,719 --> 00:41:27,440
Speaker 4: Not filming how whenever they crossed the alley that you

876
00:41:27,440 --> 00:41:30,080
Speaker 4: can see her breath it's so cold, clearly filming in

877
00:41:30,160 --> 00:41:32,240
Speaker 4: a dress that you can see her breath.

878
00:41:34,280 --> 00:41:37,040
Speaker 2: Look, he's a bit of a character. He likes to party.

879
00:41:37,239 --> 00:41:39,560
Speaker 2: They've gone through his Facebook page and there's a couple

880
00:41:39,600 --> 00:41:42,200
Speaker 2: of nudies on there as well, Sarah. He likes the party.

881
00:41:42,239 --> 00:41:47,200
Speaker 2: The headline in the Daily Mail yesterday was Nathan TV

882
00:41:47,320 --> 00:41:51,960
Speaker 2: villain once passed out at a cancer fundraiser at Not

883
00:41:52,000 --> 00:41:56,200
Speaker 2: Good So he drank so much. He's had too much

884
00:41:56,239 --> 00:41:56,600
Speaker 2: to drink.

885
00:41:57,280 --> 00:41:59,120
Speaker 1: You can see there his botox is wearing off as well.

886
00:41:59,640 --> 00:42:01,400
Speaker 6: The charity is the focus.

887
00:42:01,520 --> 00:42:04,560
Speaker 2: I mean, that's a funny that he's in a fountain

888
00:42:04,600 --> 00:42:07,680
Speaker 2: with no clothes on, making out that he's the fountain

889
00:42:08,040 --> 00:42:09,040
Speaker 2: if you know what I mean.

890
00:42:09,000 --> 00:42:11,720
Speaker 3: Characters mature, well, I mean.

891
00:42:11,760 --> 00:42:13,840
Speaker 6: The boys would have loved that, timeless.

892
00:42:13,880 --> 00:42:15,200
Speaker 1: They often look back at that my.

893
00:42:15,239 --> 00:42:18,320
Speaker 6: Brother inflatable pool there completely.

894
00:42:18,160 --> 00:42:22,600
Speaker 2: Is he holding it, but that's two hands you young,

895
00:42:23,239 --> 00:42:23,919
Speaker 2: you know what I mean?

896
00:42:24,040 --> 00:42:24,840
Speaker 6: Like, that's the stuff.

897
00:42:25,080 --> 00:42:29,080
Speaker 11: Yeah, she went with in Bachelor in Paradise or whatever

898
00:42:29,120 --> 00:42:31,600
Speaker 11: one it was, where she was dating the American guy.

899
00:42:32,040 --> 00:42:35,239
Speaker 11: Very confident, very similar sort of personality. I think this

900
00:42:35,280 --> 00:42:37,720
Speaker 11: guy's in with a shot because she clearly likes.

901
00:42:37,800 --> 00:42:40,319
Speaker 1: Very I think I think she's smarter than you think,

902
00:42:40,560 --> 00:42:42,680
Speaker 1: and she's going to cut the cut the crap out

903
00:42:42,719 --> 00:42:44,759
Speaker 1: of this team. Now she'll find love Ali.

904
00:42:44,960 --> 00:42:48,160
Speaker 2: Nathan's in a bit of trouble next week, Sarah, you

905
00:42:48,160 --> 00:42:50,719
Speaker 2: you picked this out? This is the promo for next week.

906
00:42:50,840 --> 00:42:51,279
Speaker 12: That's good.

907
00:42:51,600 --> 00:42:54,840
Speaker 2: So apparently Nathan has found out from a few mates

908
00:42:54,840 --> 00:42:59,640
Speaker 2: on the Northern Beaches br that Ali. Obviously Ali's done

909
00:42:59,640 --> 00:43:02,720
Speaker 2: a few things with previous partners. So then he starts

910
00:43:02,719 --> 00:43:04,960
Speaker 2: spreading the word with the other guys in the house

911
00:43:05,680 --> 00:43:08,880
Speaker 2: and Charlie gets really angry about it and goes and

912
00:43:08,920 --> 00:43:10,560
Speaker 2: tells Alie, have a listen to this promo.

913
00:43:12,040 --> 00:43:14,759
Speaker 21: There's clearly some people and he aren't here for the

914
00:43:14,800 --> 00:43:17,480
Speaker 21: right reasons, and it's scary that Ali's not seeing it

915
00:43:17,560 --> 00:43:19,399
Speaker 21: and someone's going to have to tell her. He made

916
00:43:19,480 --> 00:43:21,200
Speaker 21: up stories that he knows people that are your friends,

917
00:43:21,239 --> 00:43:24,120
Speaker 21: apparently that emphasize that the roomors were true.

918
00:43:24,440 --> 00:43:25,640
Speaker 14: Oh my god, let me Adam.

919
00:43:26,040 --> 00:43:28,480
Speaker 2: I heard you were saying really disgusting things about.

920
00:43:28,280 --> 00:43:31,200
Speaker 14: Him discussnoon and I want to know what it is

921
00:43:31,239 --> 00:43:31,880
Speaker 14: that you were seeing.

922
00:43:32,840 --> 00:43:33,480
Speaker 3: Yeah, the room.

923
00:43:33,719 --> 00:43:36,680
Speaker 9: I really don't the room is Yeah, that was disgusting.

924
00:43:36,800 --> 00:43:39,840
Speaker 1: I guess what man there's the looking for her. Really

925
00:43:40,000 --> 00:43:41,560
Speaker 1: really feels sorry for Ali.

926
00:43:41,640 --> 00:43:46,320
Speaker 4: If she ever end up with you, well, say, Nathan

927
00:43:46,360 --> 00:43:47,520
Speaker 4: won't make it through next week.

928
00:43:47,600 --> 00:43:52,200
Speaker 1: So, as you mentioned, Charlie, Charlie, when he'd been on

929
00:43:52,200 --> 00:43:53,840
Speaker 1: his little date and then he came.

930
00:43:53,640 --> 00:43:56,080
Speaker 4: Back and he got got a weird date that was

931
00:43:56,160 --> 00:43:58,480
Speaker 4: being suspended between two buildings.

932
00:43:58,080 --> 00:44:00,680
Speaker 1: On a twister them. He comes, he comes back into

933
00:44:00,719 --> 00:44:02,000
Speaker 1: the room to talk to the guys and tries a

934
00:44:02,040 --> 00:44:03,799
Speaker 1: little bit of I don't kiss and tell, but he

935
00:44:03,960 --> 00:44:08,239
Speaker 1: speaks like they're married. And I feel like I was

936
00:44:08,320 --> 00:44:10,120
Speaker 1: yelling at the TV going pull back.

937
00:44:10,280 --> 00:44:11,640
Speaker 6: Charlie. No.

938
00:44:12,120 --> 00:44:14,040
Speaker 2: I thought he handled it really well and said, well,

939
00:44:14,400 --> 00:44:15,760
Speaker 2: I'm not going to tell you what I did.

940
00:44:15,600 --> 00:44:18,239
Speaker 1: On then he cut off another date which we saw

941
00:44:18,280 --> 00:44:21,560
Speaker 1: at the end. There's the Keno tag being stuck to

942
00:44:21,600 --> 00:44:25,640
Speaker 1: his forehead and guy, you're right and you can smell

943
00:44:25,719 --> 00:44:28,200
Speaker 1: desperation and Marles, I've backed.

944
00:44:28,040 --> 00:44:29,880
Speaker 4: Him for the wind though, I still think because he

945
00:44:29,920 --> 00:44:31,680
Speaker 4: sat there and he was looking idle eye to her

946
00:44:31,680 --> 00:44:33,800
Speaker 4: and doing the whole trust thing. She was falling hook.

947
00:44:33,640 --> 00:44:36,239
Speaker 6: Climb and splatter the Jared tag all over.

948
00:44:36,320 --> 00:44:38,239
Speaker 1: I haven't said it yet. I haven't said it yet.

949
00:44:38,560 --> 00:44:40,400
Speaker 1: Keep an eye on Todd to the guy with the

950
00:44:40,440 --> 00:44:42,000
Speaker 1: nose ring, I reckon, he's quite achieved.

951
00:44:42,000 --> 00:44:44,760
Speaker 6: I know what you're talking about.

952
00:44:44,960 --> 00:44:52,480
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953
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954
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955
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956
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957
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959
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960
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