1 00:00:00,080 --> 00:00:04,200 Speaker 1: Oh, no, thank you. Every cold plays, Chris Martin joins fits 2 00:00:04,280 --> 00:00:15,640 Speaker 1: in with her. It was cold yellow. Oh the prolific 3 00:00:15,920 --> 00:00:18,079 Speaker 1: Chris Martin, thank you so much for doing this. 4 00:00:18,840 --> 00:00:20,040 Speaker 2: Thank you how you're doing. 5 00:00:20,400 --> 00:00:24,160 Speaker 1: I'm really good, buddy, I'm really really good. The word 6 00:00:24,200 --> 00:00:27,160 Speaker 1: prolific Is that a gift? Or is that a curse? 7 00:00:27,240 --> 00:00:29,480 Speaker 1: Sometimes where it's hard to switch off? 8 00:00:29,560 --> 00:00:33,680 Speaker 2: Chris, that's so weird that you're asking me that. Today's 9 00:00:34,120 --> 00:00:36,920 Speaker 2: very strange. This morning I was like, I wonder what 10 00:00:36,920 --> 00:00:39,839 Speaker 2: would happen if this switched off? And I think I 11 00:00:39,880 --> 00:00:43,800 Speaker 2: would be devastated. So it's good. I'm grateful. 12 00:00:44,440 --> 00:00:46,720 Speaker 1: Can you switch off, though, Chris? Can you go sit 13 00:00:46,800 --> 00:00:49,600 Speaker 1: on a beach somewhere and not think about music for 14 00:00:49,840 --> 00:00:51,800 Speaker 1: a week or two with the family? Can you do that? 15 00:00:52,280 --> 00:00:52,440 Speaker 2: No? 16 00:00:55,440 --> 00:00:57,960 Speaker 1: Can you not think about the ashes result for a 17 00:00:58,000 --> 00:00:59,680 Speaker 1: week as well, Chris? Or is that hard to get 18 00:00:59,720 --> 00:01:00,840 Speaker 1: out of mind as well? 19 00:01:01,240 --> 00:01:04,200 Speaker 2: Listen, my opinion of all the sport is that you 20 00:01:04,319 --> 00:01:06,560 Speaker 2: need the losers as much as you need the winners, 21 00:01:06,600 --> 00:01:07,880 Speaker 2: so everyone is important. 22 00:01:10,400 --> 00:01:12,760 Speaker 1: We are so excited to hear new music from your 23 00:01:13,520 --> 00:01:16,200 Speaker 1: I mean, Orphans is just brilliant. We love it. It's 24 00:01:16,240 --> 00:01:20,320 Speaker 1: another you know, gigantic sing along chorus. I've seen you 25 00:01:20,400 --> 00:01:24,080 Speaker 1: perform at Live on Saturday Night Live already does Will 26 00:01:24,120 --> 00:01:26,679 Speaker 1: behind Will behind the drums. I mean it's a very 27 00:01:26,800 --> 00:01:29,240 Speaker 1: high chorus once again, and you can get your voice 28 00:01:29,319 --> 00:01:31,760 Speaker 1: up there. Does he groan every time you bring in 29 00:01:31,800 --> 00:01:33,800 Speaker 1: a big chorus that he has to sing during a 30 00:01:33,840 --> 00:01:34,360 Speaker 1: live show. 31 00:01:34,840 --> 00:01:38,640 Speaker 2: Will sometimes groans, but never about that. It's funny. I 32 00:01:39,000 --> 00:01:42,759 Speaker 2: always think he will, but he I think ever since 33 00:01:42,760 --> 00:01:45,959 Speaker 2: I first met Well, I thought he was a brilliant singer, 34 00:01:46,240 --> 00:01:50,360 Speaker 2: and I'm always encouraging him to sing more. And I 35 00:01:50,400 --> 00:01:53,920 Speaker 2: think he's most comfortable when he's doing harmony or like 36 00:01:54,040 --> 00:01:57,240 Speaker 2: reinforcing and so on a song like that, that's what 37 00:01:57,280 --> 00:01:59,200 Speaker 2: he's doing, and so I think he's happy. You'd have 38 00:01:59,240 --> 00:02:01,840 Speaker 2: to ask him, but he's never a moment about that. 39 00:02:03,040 --> 00:02:07,320 Speaker 1: A Head Full of Dreams is It's an amazing documentary, Mate. Congratulations, 40 00:02:07,360 --> 00:02:09,960 Speaker 1: And I know it was hard for you because you 41 00:02:10,000 --> 00:02:11,880 Speaker 1: are a band and you've always said this that you're 42 00:02:11,919 --> 00:02:14,880 Speaker 1: always looking to the future and you're not looking back 43 00:02:14,919 --> 00:02:17,280 Speaker 1: on the past too much. But I just want to 44 00:02:17,280 --> 00:02:20,080 Speaker 1: thank you for sharing all that stuff. It's amazing. And 45 00:02:20,120 --> 00:02:23,600 Speaker 1: Matt Whitecross, who directed it, it's unbelievable that you've had 46 00:02:23,639 --> 00:02:26,160 Speaker 1: someone there for twenty years filming you ever since you 47 00:02:26,200 --> 00:02:29,239 Speaker 1: were young and started the band. But he said it 48 00:02:29,760 --> 00:02:31,639 Speaker 1: was a bit difficult to get over the line at 49 00:02:31,680 --> 00:02:33,720 Speaker 1: first with all that old stuff. 50 00:02:35,040 --> 00:02:38,840 Speaker 2: The truth is fitty. After the last tour, I just 51 00:02:39,080 --> 00:02:43,200 Speaker 2: I felt really calm about everything. And Phil, who's our 52 00:02:43,240 --> 00:02:46,720 Speaker 2: fifth member and our creative you know, we've been best 53 00:02:46,720 --> 00:02:49,320 Speaker 2: friends since two or thirteen. He said, hey, let's make 54 00:02:49,320 --> 00:02:52,280 Speaker 2: a documentary now, and I said, okay, as long as 55 00:02:52,280 --> 00:02:55,320 Speaker 2: I don't have to see anything. And he said okay. 56 00:02:55,360 --> 00:02:58,679 Speaker 2: So I haven't seen it. As the real truth, I 57 00:02:58,720 --> 00:03:01,160 Speaker 2: think if I did see it, I would probably not 58 00:03:01,360 --> 00:03:04,880 Speaker 2: be comfortable appearing anywhere for about fifty years. So I 59 00:03:05,040 --> 00:03:05,919 Speaker 2: just haven't watched it. 60 00:03:06,000 --> 00:03:09,440 Speaker 1: Dude, you're fine. I mean I was skinny as well 61 00:03:09,480 --> 00:03:11,600 Speaker 1: when we were young. You know, we looked a bit gawky, 62 00:03:11,680 --> 00:03:14,360 Speaker 1: but that's I mean, that's why it's so good to 63 00:03:14,400 --> 00:03:19,080 Speaker 1: see you. From scratch two thousand and one, when you 64 00:03:19,160 --> 00:03:21,760 Speaker 1: played here at the Endmore Theater and you're also at 65 00:03:21,760 --> 00:03:24,320 Speaker 1: the Howden Pavilion, and I was lucky enough to go 66 00:03:24,440 --> 00:03:26,880 Speaker 1: backstage with you and you were playing some Johnny Cash 67 00:03:26,919 --> 00:03:31,120 Speaker 1: songs to me, and it's still vivid in my mind. 68 00:03:31,280 --> 00:03:34,679 Speaker 1: You asked me about the Swans and what's the song 69 00:03:34,800 --> 00:03:36,640 Speaker 1: that you guys play? Then you went out in the 70 00:03:36,640 --> 00:03:40,120 Speaker 1: Horden Pavilion and you played you played the song, Christie, 71 00:03:40,200 --> 00:03:42,840 Speaker 1: can you remember playing the Cheer Cheer, the Red and 72 00:03:42,880 --> 00:03:43,520 Speaker 1: the White song. 73 00:03:44,240 --> 00:03:52,920 Speaker 2: No'm I'm just being honest. I'm terrible like that. I'll 74 00:03:53,000 --> 00:03:57,440 Speaker 2: learn the songs and then immediately the next day forget it, 75 00:03:57,440 --> 00:04:00,440 Speaker 2: I guess because we're on to the next Exactly. I 76 00:04:00,440 --> 00:04:02,960 Speaker 2: think it's that part of me that's like a circus performer, 77 00:04:03,080 --> 00:04:06,560 Speaker 2: and when I'm in a place, I really really care 78 00:04:06,640 --> 00:04:09,120 Speaker 2: about that more than anything. And then when I'm in 79 00:04:09,120 --> 00:04:14,080 Speaker 2: the next place, same thing. It's the best thing and 80 00:04:14,120 --> 00:04:16,600 Speaker 2: a curse. But I'll relearn it if you want, you 81 00:04:16,640 --> 00:04:19,200 Speaker 2: know what I mean. I definitely meant it at the time. 82 00:04:19,520 --> 00:04:22,120 Speaker 1: Well, I say, it's not in everyday life, it's not 83 00:04:22,160 --> 00:04:24,560 Speaker 1: in the double album. And you've got so many songs 84 00:04:24,560 --> 00:04:27,840 Speaker 1: in there. It's bands talk about double albums, Chris, and 85 00:04:28,120 --> 00:04:31,640 Speaker 1: and you know, you come up with so many songs 86 00:04:32,040 --> 00:04:34,400 Speaker 1: that you have to narrow down, you have to get 87 00:04:34,440 --> 00:04:36,360 Speaker 1: a short list and put into an album. Was this 88 00:04:36,560 --> 00:04:38,719 Speaker 1: just a moment where you thought, nah, well this is 89 00:04:38,760 --> 00:04:41,159 Speaker 1: our turn for a double album and we're going to 90 00:04:41,160 --> 00:04:42,039 Speaker 1: bring out all of them. 91 00:04:42,279 --> 00:04:45,560 Speaker 2: Well, i'll tell you what really happened, so a lot. 92 00:04:45,600 --> 00:04:47,400 Speaker 2: First of all, it's a double album, but it's shorter 93 00:04:47,520 --> 00:04:50,839 Speaker 2: than a few of our single albums in tons of time, 94 00:04:51,560 --> 00:04:54,159 Speaker 2: and that's because there's a bunch of very little songs 95 00:04:54,200 --> 00:04:57,560 Speaker 2: on it, and one is a voice mumber. You know, 96 00:04:57,680 --> 00:05:04,520 Speaker 2: it's a real misshmash of recordings and styles and everything. 97 00:05:04,600 --> 00:05:08,480 Speaker 2: And a few months ago we were in France, we 98 00:05:08,480 --> 00:05:12,600 Speaker 2: were in Paris recording and Guy, our bass player, said, hey, 99 00:05:12,600 --> 00:05:15,760 Speaker 2: can you just can we just listen through to all 100 00:05:15,800 --> 00:05:18,680 Speaker 2: the songs that you think are contenders? Can you put 101 00:05:18,720 --> 00:05:20,320 Speaker 2: them in some kind of order and we'll listen through 102 00:05:20,360 --> 00:05:23,760 Speaker 2: to them tomorrow altogether. And we did, and at the 103 00:05:23,839 --> 00:05:26,640 Speaker 2: end of it he said, yeah, that I'll do. I 104 00:05:26,720 --> 00:05:28,520 Speaker 2: was like, what what do you mean I'll do? He said, yeah, 105 00:05:28,560 --> 00:05:31,839 Speaker 2: we should just put that out. Wow, And this is 106 00:05:31,880 --> 00:05:34,080 Speaker 2: this what I just did not expect him to say that, 107 00:05:35,040 --> 00:05:39,239 Speaker 2: And so that's how it happened. No, The Cold Place, 108 00:05:39,320 --> 00:05:42,039 Speaker 2: Chris Martin, Bogery, Rod Joins Fitz and River. 109 00:05:52,120 --> 00:05:54,800 Speaker 1: I still love how you still and this is you 110 00:05:54,880 --> 00:05:57,280 Speaker 1: see this in the documentary as well? Is that how 111 00:05:57,600 --> 00:06:00,320 Speaker 1: how close you boys still are? And I'm mean you 112 00:06:00,400 --> 00:06:03,200 Speaker 1: write a majority of the songs, Chris, But how much 113 00:06:03,480 --> 00:06:06,800 Speaker 1: to get, you know, recognition from the other members in 114 00:06:06,880 --> 00:06:08,640 Speaker 1: the band when you write a good song, and how 115 00:06:08,720 --> 00:06:11,040 Speaker 1: much it means to you and how much it you 116 00:06:11,120 --> 00:06:14,280 Speaker 1: know to listen to them as well? Is that that 117 00:06:14,680 --> 00:06:17,080 Speaker 1: took a few years to learn? That, didn't it, Chris? 118 00:06:17,200 --> 00:06:21,159 Speaker 1: Because I mean it is hard to get criticism sometimes 119 00:06:21,240 --> 00:06:23,800 Speaker 1: when someone doesn't think a song is that good? Did 120 00:06:23,880 --> 00:06:25,520 Speaker 1: that take a while to learn how to do that? 121 00:06:25,880 --> 00:06:27,960 Speaker 2: Yeah? And it still takes a while and it still 122 00:06:28,040 --> 00:06:32,840 Speaker 2: takes an effort. But overriding everything is I just know 123 00:06:33,600 --> 00:06:36,960 Speaker 2: that we need each other, and I know that a 124 00:06:37,040 --> 00:06:40,520 Speaker 2: song isn't finished until everyone has either written on top 125 00:06:40,560 --> 00:06:44,520 Speaker 2: of it or decided not to. So I think unless 126 00:06:44,640 --> 00:06:47,400 Speaker 2: you're unless you're on a sports team or something like that, 127 00:06:47,720 --> 00:06:52,440 Speaker 2: it's hard to understand. But there's just a geodesic structure 128 00:06:52,480 --> 00:06:55,200 Speaker 2: where every every piece is keeping every other piece up. 129 00:06:55,440 --> 00:06:57,880 Speaker 2: And that's how we work. We work like like that. 130 00:06:58,520 --> 00:07:00,560 Speaker 2: Even if it seems like one person does more of this, 131 00:07:00,680 --> 00:07:02,640 Speaker 2: one person does more of that, it just that's just 132 00:07:02,760 --> 00:07:05,360 Speaker 2: our chemistry and the only thing that we have that's unique. 133 00:07:05,640 --> 00:07:08,000 Speaker 1: Well, it's it's brilliant for you guys to be together 134 00:07:08,120 --> 00:07:10,160 Speaker 1: for so long and for it to work like that. 135 00:07:10,400 --> 00:07:14,160 Speaker 1: It is, it's a successful sporting team. One man as 136 00:07:14,200 --> 00:07:16,119 Speaker 1: well that you're pretty close with, who's had a pretty 137 00:07:16,120 --> 00:07:19,240 Speaker 1: good career himself is Elton John Rocketman came out this year. 138 00:07:19,280 --> 00:07:21,680 Speaker 1: I mean, you didn't watch your own documentary, but did 139 00:07:21,760 --> 00:07:23,480 Speaker 1: you watch the movie Chris? 140 00:07:23,880 --> 00:07:25,800 Speaker 2: Yeah? I loved it. Yeah, I loved it. 141 00:07:26,080 --> 00:07:30,280 Speaker 1: Okay, so you've only just approved a documentary for yourself. 142 00:07:30,360 --> 00:07:33,280 Speaker 1: But if they did do a Cold Played movie, I mean, 143 00:07:33,360 --> 00:07:36,480 Speaker 1: have you thought about who would play Chris Martin? This 144 00:07:36,640 --> 00:07:37,200 Speaker 1: is a big one. 145 00:07:37,320 --> 00:07:42,960 Speaker 2: I think probably because he could add a bit more 146 00:07:43,640 --> 00:07:49,280 Speaker 2: of like interesting stuff everything about me that would be 147 00:07:49,400 --> 00:07:51,400 Speaker 2: in a good bar pick. I've never told anybody. 148 00:07:51,520 --> 00:07:54,720 Speaker 1: Well that's that's right. Well, Matt, Matt Whitecross, who did 149 00:07:54,800 --> 00:07:58,280 Speaker 1: your documentary, also did Oasis Supersonic. Did you watch the 150 00:07:58,360 --> 00:08:02,080 Speaker 1: Oasis documentary that it was a little bit different to 151 00:08:02,160 --> 00:08:03,520 Speaker 1: the Coldplay one, though, wasn't it? 152 00:08:03,800 --> 00:08:07,800 Speaker 2: Yeah? But yeah, very much so far. Some bands are 153 00:08:07,840 --> 00:08:12,440 Speaker 2: supposed to get better over time and sort of gently 154 00:08:12,560 --> 00:08:16,160 Speaker 2: burn and then other bands just explode like a firework, 155 00:08:16,560 --> 00:08:19,520 Speaker 2: you know, like Nirvana or Oasis. And you know that 156 00:08:19,960 --> 00:08:24,640 Speaker 2: film captured that firework of Oasis so perfectly because for 157 00:08:24,720 --> 00:08:27,400 Speaker 2: those few years they were I remember thinking that this 158 00:08:27,520 --> 00:08:30,800 Speaker 2: is untouchably brilliant. What's happened to this band? Yes, and 159 00:08:31,120 --> 00:08:33,360 Speaker 2: maybe that can't last and maybe a band like us 160 00:08:33,480 --> 00:08:35,000 Speaker 2: or a band like you two or something. It's a 161 00:08:35,040 --> 00:08:38,320 Speaker 2: different kind of journey. So I love that film. 162 00:08:38,440 --> 00:08:41,200 Speaker 1: In answer to your question, I've watched it about eight times. 163 00:08:41,320 --> 00:08:44,120 Speaker 1: It is so amazing and it's, like you said, for 164 00:08:44,200 --> 00:08:46,120 Speaker 1: a band to blow up like that, I mean everyone's 165 00:08:46,600 --> 00:08:48,520 Speaker 1: talking about a reunion with them as well. And I 166 00:08:48,600 --> 00:08:51,359 Speaker 1: know you can't talk about this too much. But Glastonbury's 167 00:08:51,400 --> 00:08:53,640 Speaker 1: coming up with its fiftieth anniversary as well, and a 168 00:08:53,679 --> 00:08:55,840 Speaker 1: lot of people are saying, we're hoping that Coldplay are 169 00:08:55,920 --> 00:08:57,680 Speaker 1: going to be there. But can I ask you, Chris, 170 00:08:57,760 --> 00:09:00,839 Speaker 1: I mean, for something like Glastonbury fifty years, I mean, 171 00:09:01,520 --> 00:09:04,040 Speaker 1: what would be who would you like to see play 172 00:09:04,080 --> 00:09:04,800 Speaker 1: a gig like that? 173 00:09:05,559 --> 00:09:07,800 Speaker 2: Well, first of all, we won't be playing at Glastonbury 174 00:09:07,840 --> 00:09:10,280 Speaker 2: fifty or that will. I'll boa you there because I 175 00:09:10,400 --> 00:09:14,880 Speaker 2: love going yeah home from home. Yes, but we won't 176 00:09:14,960 --> 00:09:19,760 Speaker 2: be playing and who I don't know. I think the 177 00:09:19,840 --> 00:09:22,480 Speaker 2: great thing about Grattonbury is that it's always a bit unpredictable, 178 00:09:22,559 --> 00:09:25,840 Speaker 2: or it has become more unpredictable who's going to headline 179 00:09:25,880 --> 00:09:26,880 Speaker 2: and that is a great thing. 180 00:09:27,240 --> 00:09:29,679 Speaker 1: The albums are usually when you bring out an album, 181 00:09:29,760 --> 00:09:31,719 Speaker 1: you do you know you tour for a few years. 182 00:09:31,760 --> 00:09:34,199 Speaker 1: Are we chance of seeing you back in Australia, buddy. 183 00:09:34,200 --> 00:09:36,360 Speaker 2: No, we're not going to tour this record. We're going 184 00:09:36,440 --> 00:09:39,800 Speaker 2: to do a few broad class one on YouTube on 185 00:09:39,880 --> 00:09:42,800 Speaker 2: the twenty second in November from Jordan in the Middle East. Yes. 186 00:09:43,520 --> 00:09:46,000 Speaker 2: Then we've got a few other things. We're not going 187 00:09:46,080 --> 00:09:50,480 Speaker 2: to replay very many things, but we will tour in 188 00:09:50,600 --> 00:09:53,559 Speaker 2: the future if by the grace of God, and that 189 00:09:53,600 --> 00:09:54,600 Speaker 2: won't be for a little while. 190 00:09:54,679 --> 00:09:56,360 Speaker 1: Okay, so you're not going to be doing this one, 191 00:09:56,600 --> 00:09:58,520 Speaker 1: you'll still be writing Crease or are you going to 192 00:09:58,559 --> 00:09:59,000 Speaker 1: have a rest? 193 00:10:00,960 --> 00:10:02,079 Speaker 2: I'll rest when I'm ninety. 194 00:10:02,440 --> 00:10:06,880 Speaker 1: Yeah, when you're ninety and then Elton Elton can play 195 00:10:06,920 --> 00:10:09,000 Speaker 1: you when you're ninety years of age. He may not 196 00:10:09,160 --> 00:10:12,079 Speaker 1: be with us though, that's the thing time time, you 197 00:10:12,200 --> 00:10:15,959 Speaker 1: never know with him exactly right, mate, We absolutely adore 198 00:10:16,000 --> 00:10:19,520 Speaker 1: you here in Australia loving Orphans. At the moment, we're 199 00:10:19,520 --> 00:10:22,040 Speaker 1: playing it so much on the station and can't wait 200 00:10:22,200 --> 00:10:24,559 Speaker 1: for everyday life to come to come out. We know 201 00:10:24,640 --> 00:10:26,839 Speaker 1: how busy you are, buddy, so appreciate your time. Thank 202 00:10:26,880 --> 00:10:27,440 Speaker 1: you very much. 203 00:10:28,120 --> 00:10:29,240 Speaker 2: I want to say thank you to you, and I 204 00:10:29,320 --> 00:10:31,400 Speaker 2: want to say thank you to all of your listeners 205 00:10:31,480 --> 00:10:32,880 Speaker 2: that have been very kind to us. 206 00:10:33,040 --> 00:10:35,280 Speaker 1: All right, man, thank you very much, budd it you all. 207 00:10:35,280 --> 00:10:36,720 Speaker 2: I love us. Okay, take care, brother,