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Speaker 1: Rightchel Griffith, you beautiful woman? How are you?

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Speaker 4: Is that your whip?

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Speaker 5: That was fits? But I can float just as that

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Speaker 5: righteously if you'd like?

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Speaker 2: Whither is a very good flood? I remember it from

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Speaker 2: last time I was thinking to you today?

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Speaker 5: Yes, thank you?

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Speaker 2: Thinking about the hashtag.

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Speaker 4: Me too of you?

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Speaker 2: I'm sorry, I mean me too hashtag? You have made

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Speaker 2: It's got again?

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Speaker 1: You know what?

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Speaker 2: Right?

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Speaker 6: You are one of our favorite guests on the show,

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Speaker 6: and we are so excited about this movie.

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Speaker 1: Has it? Has it? How stressed? Are you?

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Speaker 4: Right?

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Speaker 6: I know you've put a lot of effort into this movie.

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Speaker 4: Yeah, four years of effort.

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Speaker 2: But we had our premiere at the beautiful Cremorne Orphium

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Speaker 2: last night and it was like the atmosphere honestly, I

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Speaker 2: thought they might have got the billing wrong and they

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Speaker 2: thought a K pop band was coming on. It was

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Speaker 2: just like so whipped up and apparently Gay Waterhouse was

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Speaker 2: there and just was yelling all through the film. They go, Michelle,

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Speaker 2: it's not live Gay.

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Speaker 1: You must know you know the outcome going.

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Speaker 2: Richie might have been calling her horse in the in

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Speaker 2: the final in the Melbourne cover which didn't win. It's

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Speaker 2: like no, no, no, that moment's passed.

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Speaker 4: Gay.

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Speaker 2: You thought it was absolutely oneful. We had a bunch

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Speaker 2: of trainers and we were very privileged also to have

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Speaker 2: Hugh Bowman in the realm.

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Speaker 1: Yeah.

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Speaker 2: Currently, he said the racing sequences were extraordinary and really

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Speaker 2: made you feel what it was like inside the race.

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Speaker 6: Well, talking about go and getting up and just screaming

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Speaker 6: out and that's the racing industry. But that's how Michelle

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Speaker 6: got her start with these trainers, didn't She walk into

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Speaker 6: a room Rach and said to all the big trainers.

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Speaker 1: Around Australia. I'm Michelle Paine.

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Speaker 6: If anyone wants me to ride your horses, I'm more

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Speaker 6: than happy to do it.

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Speaker 1: Is that how it happened?

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Speaker 2: Yeah, Look, I think it's like you know, you and

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Speaker 2: me too. You know you're not on the door and

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Speaker 2: go I want to be in radio or just be

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Speaker 2: out of here. I'll make tea coffee. You know, we're

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Speaker 2: only ever going to start at the bottom. I think

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Speaker 2: you know, my first kid was an ice cream commercial

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Speaker 2: which I was I being fired from. So yes, but

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Speaker 2: you know you're gonna have a dream and then you've

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Speaker 2: got to be sticky and but a little bit more

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Speaker 2: complicated than that because you know her dad, daddy was

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Speaker 2: a trainer, and I don't think it's a coincidence that

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Speaker 2: to be the first woman to win the hardest.

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Speaker 4: Richest brace in the world.

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Speaker 2: You're the youngest of ten. Your father's a trainer. He

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Speaker 2: had seven sisters riding before you. Your oldest sister won

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Speaker 2: the Bendigo Cut, and your sister Bridget was the second

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Speaker 2: girl to ride professionally in Victoria. So we stand on

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Speaker 2: the sisters metaphorically women when we try to break thristlings.

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Speaker 2: But you know, she really did, and she saw her

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Speaker 2: sisters do it, and she she says, they had it

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Speaker 2: much harder than her, like they were getting changed in

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Speaker 2: broom closets and around the back of sheds because there

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Speaker 2: was no girls.

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Speaker 5: Of course, of course, what's exciting to Sam Nils in

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Speaker 5: the movie mc malloy, I think plays one of the

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Speaker 5: jockeys as well, one of.

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Speaker 1: The trainers, and it could never be a job. What's great?

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Speaker 1: What's great?

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Speaker 5: Right is that Stevie, Michelle's brother plays himself in the film.

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Speaker 5: Is that right?

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Speaker 4: He steals the film.

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Speaker 2: I think that's been so farther know, unanimous verdict despite

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Speaker 2: two extraordinary performances from Teresa Palmer, who really does a

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Speaker 2: career making turn. She's such an extraordinarily emotionally available actor

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Speaker 2: and incredible athletes and Sam Neil playing Patty of course

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Speaker 2: the man A few words, but look, Stevie is just

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Speaker 2: no one can compete with him. When he's on screen, it's.

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Speaker 4: All you look at.

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Speaker 2: He gets all the last His timing is unbelievable. He

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Speaker 2: just doesn't he doesn't skip a beat and it will look.

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Speaker 2: It would have been very hard to recast anyone else

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Speaker 2: because to find an actor that has the equine skills

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Speaker 2: that he has, which you see in the film. You see,

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Speaker 2: you know, Stevie training not just horses.

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Speaker 4: Thorough breads. Can I just.

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Speaker 2: Breads are their own category of.

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Speaker 6: Direct to me, they're all wild BRUMBI let's do that

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Speaker 6: scene again.

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Speaker 2: I wish I had wild rumbies on my.

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Speaker 1: Next time.

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Speaker 5: Rach, did you make him audition for the role or

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Speaker 5: did you always think you were going to put him

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Speaker 5: in there as the brothers?

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Speaker 2: No? I did. We did do. It was more of

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Speaker 2: a kind of a workshop, you know, because I look

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Speaker 2: right away, I just felt, well, how do I explain

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Speaker 2: to Stevie that there's a person better to play Hidn't

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Speaker 2: than himself. You know, twenty years ago, thirty years ago,

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Speaker 2: you get Dustin Hoffman to play that role. You can't

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Speaker 2: do that anymore.

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Speaker 4: We're living in a beautiful world.

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Speaker 2: Of inclusive cinema where you know, people should, you know,

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Speaker 2: be closer to representing the people they play. You don't

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Speaker 2: cast why if it's an Asian role, you go for

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Speaker 2: an Asian actor. So look, we workshop just to see

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Speaker 2: how would he work? And he did this beautiful scene.

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Speaker 2: We had a we had a coat stand and I

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Speaker 2: had a scarf on the coat stand and I gave

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Speaker 2: him a hair brush and I just said, imagine this is,

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Speaker 2: you know, the prince, and you're just getting him ready

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Speaker 2: for the cup. And he started stroking the scarf so

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Speaker 2: beautifully and gently with his hair brush and he.

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Speaker 4: Said, how are you boy?

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Speaker 2: You're going to win today? We'd tear it up all

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Speaker 2: the time, and you know, we've kind of worked in

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Speaker 2: that way. There were definitely, you know, lines is written

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Speaker 2: that he had to land because they were great jokes.

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Speaker 2: And then there were scenes where, you know, one of

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Speaker 2: the classic moments with him and Sam Neil, they just improvised,

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Speaker 2: and he and Teresa also those scenes are a bit

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Speaker 2: more fluid and improvisational. And the extraordines thing about Stevie

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Speaker 2: is that everybody does their best work with him. I

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Speaker 2: think it gets actors out of their heads. And I said,

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Speaker 2: all you want from an actor is you want the

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Speaker 2: present in the moment. You want them open to the

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Speaker 2: actor opposite and you want them to be created in

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Speaker 2: their choices. And you did that every day.

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Speaker 1: So how much real footage do you have from that?

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Speaker 1: Do you use a lot of footage from the Melbourne cut?

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Speaker 1: Is there a lot of real footage in the film, right.

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Speaker 2: Yeah, Well, I mean the great thing about having Stevie

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Speaker 2: and also Maddie, who was the other strap from the

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Speaker 2: Prince of Pendant that day, so I could cut back

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Speaker 2: and forth saw that footage. Theresa looks remarkably like Michelle,

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Speaker 2: so you know, there are big wide shots of her

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Speaker 2: coming in, you know, the under the Arch of Roses

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Speaker 2: that are the real footage. And you know, it's just

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Speaker 2: one of those great kind of you know with the

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Speaker 2: Allen dialects, where you just keep cutting in and you go,

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Speaker 2: we'll use that, but then we'll set up that and

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Speaker 2: we'll fake that, but when she gets off, we'll use

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Speaker 2: this shot from Channel seven. We're very generous giving us

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Speaker 2: all their footage, so that was great, and then we

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Speaker 2: cut in big racing footage from you know, her fifteen

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Speaker 2: year career, and then we have all our own, you know,

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Speaker 2: inside we really want We're saying, it's like a Disney

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Speaker 2: Princess movie meets hackshaw Ridge and the moment you're in

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Speaker 2: the gate until you cross finishing nine in a war

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Speaker 2: film like these, use the pounding flesh for flying gral.

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Speaker 2: I love that these jockeys are scream.

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Speaker 4: With each other.

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Speaker 2: We don't know that apparently not the language they use

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Speaker 2: in my film and like get out of my way.

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Speaker 2: In real life they use f and words, screaming.

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Speaker 1: On the track and they sledge each other.

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Speaker 2: Yeah, pledging, it's pledgerama on the.

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Speaker 1: Back of those you know what. I remember?

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Speaker 5: Rachel and Michelle Payne came in after the wind and

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Speaker 5: I had no idea, But like anybody that's going for

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Speaker 5: a run, you can feel how much energy is in

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Speaker 5: your legs and how you're feeling during the run. You

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Speaker 5: can feel how much is in the tank of the

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Speaker 5: horse when you're sitting on top of him. And she

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Speaker 5: tells that story of turning into the strait and realizing

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Speaker 5: how much was left in this horse and it's one.

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Speaker 1: Hundred and one horse. This is the thing is.

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Speaker 6: I had a good mate of mine who's a television producer,

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Speaker 6: Ady Brown, who's one of the owner's rage and we

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Speaker 6: got him on our show before the Melbourne Cup that

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Speaker 6: year and even he said to us.

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Speaker 1: So we said, what are the odds are your horse winning?

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Speaker 6: And he said, oh, I'd put a couple of don

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Speaker 6: He said, I've put a couple of bucks on it

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Speaker 6: each way, but.

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Speaker 1: That's all he said. To us. We didn't listen, so

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Speaker 1: even the owners didn't know.

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Speaker 6: But but you know what, that horse wouldn't have won

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Speaker 6: without Michelle Paine.

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Speaker 1: It was an amazing effort. It was just unbelievable race.

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Speaker 2: It was all that it was, you know. And when

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Speaker 2: I first went wanted to make the film, I just thought,

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Speaker 2: this is just a great Australian sports film that I

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Speaker 2: don't think we've made before, and I think we could

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Speaker 2: only you know, we don't. We're not really a big

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Speaker 2: you know, celebrants of the hero's journey as Australians because

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Speaker 2: you know, when someone goes, I want to do that,

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Speaker 2: and then they spend the film trying and then they

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Speaker 2: do it, we're like, all right, you know that was

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Speaker 2: a bit dull.

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Speaker 4: But when it's the outside.

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Speaker 2: When it's one hundred to one, when you know, the

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Speaker 2: last of the letter it's a girl on the horse,

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Speaker 2: you've got a bunch of owners, probably on their last

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Speaker 2: horse before their wives divorce them riding against it. You know.

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Speaker 2: The cheek has put a billion dollars, you know, into

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Speaker 2: the racing industry.

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Speaker 6: You've got I.

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Speaker 2: Mean, the hardest thing when I went to get money

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Speaker 2: out of you know, the film, the racing industry, but

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Speaker 2: this is going to be this is the greatest throw

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Speaker 2: in sports. And I went to all these owners and

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Speaker 2: of course their memories of that day were all that

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Speaker 2: they lost, so they were very close cropted. I was like, oh,

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Speaker 2: it's going to be quite difficult. Eventually, we did get

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Speaker 2: people to kind of see the merits beyond the fact

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Speaker 2: that their own horse.

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Speaker 1: Didn't win that year and celebrate the story.

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Speaker 2: We celebrate the story and celebrate this extraordinary family. I

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Speaker 2: mean it's not just Michelle, it's you know, it's Caveats,

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Speaker 2: Rose of Bernadead, all the girls that were riding that

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Speaker 2: really are the girls that you know, created a world.

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Speaker 2: Today we're half of the apprentices and our female and

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Speaker 2: I think last year's top apprentice was female. And you've

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Speaker 2: got you know, Linda Beach and a whole bunch of

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Speaker 2: girls coming through who are now being kept on the

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Speaker 2: group one of aus. But it's so much work by mind.

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Speaker 4: It's all very well to say you.

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Speaker 2: Have a dream. We tell our kids you want to

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Speaker 2: have a dream. But I think what this story does

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Speaker 2: is it just celebrates that you've got to be You've

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Speaker 2: got to be focused, you've got to be resilient. You've

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Speaker 2: got to be tenacious, You've got to be gritty. You're

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Speaker 2: going to run into dickheads. You'll run into people that

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Speaker 2: tell you can't do it. I won't do it, and

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Speaker 2: I can't be a snowflake. Got to hold onto your

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Speaker 2: dream and fight back.

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Speaker 6: Right when you're you going to do a movie about

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Speaker 6: an Australian actress who had a bend at this the

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Speaker 6: Marti Gras and decided to buy a house.

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Speaker 5: That's such a good story that when I've heard so

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Speaker 5: many rumors.

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Speaker 4: But the thing about that is it's the only I

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Speaker 4: think it's.

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Speaker 2: Actually the only real set I've ever made money on.

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Speaker 2: My biggest mistake is that I've only bought property sober

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Speaker 2: and all that consideration and rigor that I've applied and

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Speaker 2: nothing nowhere.

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Speaker 1: I mean, you could direct it.

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Speaker 6: I mean Kate Blanchett could play you.

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Speaker 2: You would play me at the mud.

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Speaker 4: I think I would get that gorgeous breakout childer yet

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Speaker 4: to be released woman that I just had a spectacular

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Speaker 4: premiere Toronto Film Festival. I think I think I'd rather she.

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Speaker 2: Would play me.

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Speaker 1: Yeah, it's all coming, okay.

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Speaker 4: There should be.

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Speaker 2: Lying passed out under the coconut tree somewhere wherever we

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Speaker 2: were that night before, I went and bought myself my

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Speaker 2: first apartment, and I.

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Speaker 1: Can be an extra at the option.

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Speaker 2: We'd Mick malloy made made a beautiful performance debut in

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Speaker 2: this in this film, so I might I might be

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Speaker 2: looking for both of you tories into some roles in

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Speaker 2: the next one.

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Speaker 6: In Rach, we know how busy you've been. You've been

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Speaker 6: promoting this movie. We were so excited about it. Ride

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Speaker 6: Like a Girl. It hits Australian cinemas September twenty six.

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Speaker 6: Thank you very much for joining us, young lady.

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Speaker 1: We love having your mind.

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Speaker 2: I love you boys.

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Speaker 1: Thanks Ray, Thanks right her voice