WEBVTT - The Things Adelaide Want At Their Funerals Will Blow Your Mind

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<v Speaker 1>Get adelaide. Let's do this, and we pay our respects

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<v Speaker 1>to the late Sandlog and it's very.

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<v Speaker 2>Old when we played the reverly Here's nine and telnost

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<v Speaker 2>theme and then missus Mbalis. We'll pay our respects to shannonhity.

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<v Speaker 3>All. That's not respectful.

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<v Speaker 2>So what about this? She hadn't very sadly died of

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<v Speaker 2>cancer at age fifty three on the weekend. However, she

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<v Speaker 2>has left a list of people she doesn't wanted her funeral.

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<v Speaker 2>Give that a clap?

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<v Speaker 1>Yeah, good stuff, shading a nice little a nice little

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<v Speaker 1>parting whack.

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<v Speaker 2>Yeah. So she's spoken about her plans and her burial

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<v Speaker 2>arrangements on her Let's Be Clear podcast, where she frequently

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<v Speaker 2>opened up about her health journey and her hopes for

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<v Speaker 2>the future. This is what she said and I loved it.

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<v Speaker 2>She claimed that there would be some people who will

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<v Speaker 2>only go to her funeral big as they feel like

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<v Speaker 2>they have to, feeling the pressure not to look bad. Okay,

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<v Speaker 2>I've thought about this. Have you ever thought about the

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<v Speaker 2>people that were to turn up to your funeral just

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<v Speaker 2>because they don't want other people to go? Oh my god,

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<v Speaker 2>he didn't come, or she din car.

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<v Speaker 1>And I've often thought about the people who maybe some

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<v Speaker 1>people and everyone's got one that you work with, and

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<v Speaker 1>you're like, do I have to go to their funeral?

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<v Speaker 1>I don't think they want me their funeral. If I

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<v Speaker 1>don't go, it's going to look bad. Yeah.

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<v Speaker 2>So she said, they'll show up because it's the politically

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<v Speaker 2>correct thing to do, and they don't want to look bad.

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<v Speaker 2>So I kind of want to take the pressure off them.

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<v Speaker 2>And I want my funeral to be like a love fest,

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<v Speaker 2>she said. I don't want people crying or people to

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<v Speaker 2>be privately like, thank God that bitch is dead.

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<v Speaker 1>Now one more die.

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<v Speaker 2>Absolutely, all right, let's go around the room. Who don't

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<v Speaker 2>you want it your funeral? I'll start Daniel Lane. When

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<v Speaker 2>I was fourteen, he was my first boyfriend. He broke

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<v Speaker 2>my heart. He left me for Melissa Wilson because she

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<v Speaker 2>was a lot more developed than I was. If you

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<v Speaker 2>know what I mean, No, what do you mean emotionally?

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<v Speaker 2>Emotionally developed?

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<v Speaker 1>She was mature.

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<v Speaker 2>So he's not coming. Anyone who's ever come up to

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<v Speaker 2>me in the street and said, oh my goodness, you

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<v Speaker 2>look so much better off the telly. You're not coming

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<v Speaker 2>to my funeral.

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<v Speaker 1>I haven't hang on how many times does that happen

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<v Speaker 1>a lot?

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<v Speaker 2>What happens all the time? You're so much prettier in

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<v Speaker 2>real life. That's but I kind of I'm torn with

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<v Speaker 2>that because I think would it be worse the other

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<v Speaker 2>way round? Meet me in real life and go, oh

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<v Speaker 2>my god, you're so much prettier on the Telly.

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<v Speaker 1>How about you just want a version where people like

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<v Speaker 1>you're pretty on Telly and in real life.

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<v Speaker 2>Okay, so those people aren't coming on about you hazy for.

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<v Speaker 1>Me and just just just hear me out here for me,

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<v Speaker 1>And this has probably been a strict wall of mine,

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<v Speaker 1>probably from the beginning, but for me, no NECROPHILIAX, straight up,

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<v Speaker 1>and it's going to be. It's going to be in

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<v Speaker 1>my last letter, No necrophiliac my funeral for obvious reasons.

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<v Speaker 1>I just sort of feel like he could ruin the

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<v Speaker 1>vice you're going to get. What about you produce that?

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<v Speaker 2>Oh my god?

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<v Speaker 4>And no, I don't know.

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<v Speaker 5>I don't hold grudges, So everyone can come except except

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<v Speaker 5>Ethan Powell from year seven. We kissed at the bike

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<v Speaker 5>crack Yeah, yeah, it was really cute, and then after

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<v Speaker 5>school that day he kissed a listen at the bike

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<v Speaker 5>crack two girls in one day.

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<v Speaker 2>Day What's.

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<v Speaker 1>Layer turns out boys as players to.

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<v Speaker 2>Yeah boys players. Okay, God, Abby, I need you to

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<v Speaker 2>narrow your list of people who don't want funeral.

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<v Speaker 6>Now.

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<v Speaker 4>I'm trying to think who I wouldn't want their Probably

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<v Speaker 4>like Tank Andry would just bark the entire time, So

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<v Speaker 4>probably not them.

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<v Speaker 2>Yeah they'd yeah, but they'd be super annoying, would be disrespectful.

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<v Speaker 4>Yeah, exactly. I'd probably say, Yeah, I'm the same a

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<v Speaker 4>boy that I kissed at school at the bag racks.

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<v Speaker 2>He was my first kiss.

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<v Speaker 3>And then he.

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<v Speaker 4>And then he got his friend to break up with

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<v Speaker 4>me over the phone during school holidays. He didn't even

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<v Speaker 4>do it himself because we're going to high school and

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<v Speaker 4>we're going to two different schools, so he can.

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<v Speaker 2>Primary school thing. Because I remember saying that Daniel, let's

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<v Speaker 2>hang out on the holidays. Is like about that? Seea

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<v Speaker 2>really mean with.

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<v Speaker 1>You clearly got plans with Ethan.

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<v Speaker 2>Sorry, ladies, we spoke a little earlier about Shannondoherty and

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<v Speaker 2>she has left a list of people she does not

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<v Speaker 2>want at her funeral, and you can probably guess one

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<v Speaker 2>or two. Lissa Milano, her co star and charm they

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<v Speaker 2>never got.

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<v Speaker 1>Along famously, never got a long term, didn't she. Yeah,

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<v Speaker 1>she had some enemies.

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<v Speaker 2>Yeah, she was a little bit difficult on the set

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<v Speaker 2>of nine O two or oero apparently. So she has

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<v Speaker 2>basically said, I don't want people to come along crying,

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<v Speaker 2>or people to be privately like thank god that bitch

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<v Speaker 2>is dead.

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<v Speaker 1>I like how blun she is.

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<v Speaker 2>That is her attitude. But it got us to thinking

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<v Speaker 2>planning your funeral. You got some ideas of how you

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<v Speaker 2>want things to run.

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<v Speaker 1>And I think I think most people are like, well,

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<v Speaker 1>I don't want it to be sad, but most funerals

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<v Speaker 1>are sad.

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<v Speaker 2>Yeah, let's be honest about that.

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<v Speaker 1>And even when people try and play happy music, it

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<v Speaker 1>almost adds to the sadness.

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<v Speaker 2>Yeah, would you.

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<v Speaker 1>Like he would have been so happy? Which makes us sad.

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<v Speaker 1>I don't know if I'm happy or sad. But this

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<v Speaker 1>year is coming out.

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<v Speaker 2>What a raft of emotions you go through at funerals.

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<v Speaker 1>I know what about you? You got a theme on your funeral?

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<v Speaker 2>I do so. When they're lowering the coffin down, yeah,

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<v Speaker 2>I want someone to play this.

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<v Speaker 1>Please please explain the concept here.

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<v Speaker 5>Wait for it.

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<v Speaker 2>It comes step.

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<v Speaker 1>Apparent lower her into the ground. Okay, I see, I

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<v Speaker 1>just thought you want people to working at your own funerals.

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<v Speaker 3>Yeah, very very interesting.

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<v Speaker 2>Yeah, I want you front and setter working at my

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<v Speaker 2>funeral place and kick things off. I know people are

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<v Speaker 2>going to be shy, right, No one wants to be

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<v Speaker 2>the first one on the dance floor. But on this occasion,

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<v Speaker 2>you start the tworking.

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<v Speaker 1>Okay, that's fine, I'll start the working out of my funeral.

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<v Speaker 1>You need to start the work. I want the first

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<v Speaker 1>song on the dance floor to be this place. Yeah, yeah, much,

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<v Speaker 1>and I'll be watching Papa Bad going. Come on, someone

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<v Speaker 1>dares do it? Just I would want you to not

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<v Speaker 1>be awkward. Okay, stop looking at each other. Maybe, what

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<v Speaker 1>the hell are we playing this?

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<v Speaker 2>We both just put each other under extraordinary pressure at

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<v Speaker 2>each other's funerals. Haven't we any other thoughts for your funeral?

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<v Speaker 6>Um?

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<v Speaker 1>Yeah not really. I want it to be I want

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<v Speaker 1>it to be on Friday too, by the way.

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<v Speaker 2>Oh why some people get the dath work.

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<v Speaker 1>Some people get the dath work and they can genuinely

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<v Speaker 1>have a good time. The amount of funerals that I

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<v Speaker 1>see that are held on a Monday or a Tuesday,

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<v Speaker 1>and then it turns into it. Oh, I've got to

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<v Speaker 1>go to this funeral. Yeah, got to go there. I've

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<v Speaker 1>got to be seen. Won't Maybe I'll have a beer

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<v Speaker 1>or two, but it's a Monday. Can't go nuts. I

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<v Speaker 1>want people to go nuts.

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<v Speaker 2>Yeah, that's a very valid point.

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<v Speaker 1>I want them to celebrate responsibly with twenty to forty

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<v Speaker 1>five yeers e.

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<v Speaker 2>So fifteen twenty four ten, please give us a call

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<v Speaker 2>right now. Have you planned your funeral meticulously gone? This

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<v Speaker 2>is how I want it to go down.

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<v Speaker 1>Yes, it's not really more. But because you want to

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<v Speaker 1>a lot of people there. I think most people wanted

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<v Speaker 1>to be crowded. Yeah, but also you want to go

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<v Speaker 1>out with the bang. Yeah, you want it to be memorable.

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<v Speaker 2>I have one more a prerequisite for my funeral, and

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<v Speaker 2>that is every morning that attends has to go up

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<v Speaker 2>to my husband Greek and say, don't you ever ever

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<v Speaker 2>find love again? So do you ever find an ounce

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<v Speaker 2>of happiness? Because she's gone and you can never replace her.

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<v Speaker 1>You know, in heaven she's not being with anyone. She's

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<v Speaker 1>faithful to you even when she's up in heaven.

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<v Speaker 2>Well, it depends.

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<v Speaker 1>Celebrities take it to the next level zone. Yeah, they do.

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<v Speaker 5>Some of these celebrities and their wishes have been outrageous.

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<v Speaker 5>First of all, Tupac, obviously one of the most epic

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<v Speaker 5>rappers of all time. He skipped the funeral, had his

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<v Speaker 5>ashes smoked by members of his.

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<v Speaker 2>Old group Outlaws.

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<v Speaker 1>Very good, shut up.

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<v Speaker 5>They sat around and smoked his ashes.

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<v Speaker 2>Are you kidding?

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<v Speaker 7>That?

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<v Speaker 5>Not insane? For a long time it was just a rumor,

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<v Speaker 5>but they confirmed it in twenty eleven.

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<v Speaker 1>They did it, so it didn't And maybe you've got

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<v Speaker 1>this one here, didn't Keith Richard's snort his dad's ashes?

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<v Speaker 3>Oh god, I don't know.

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<v Speaker 2>That's insane though.

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<v Speaker 1>I've just I've just thrown that out of nowhere. Hopefully

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<v Speaker 1>that's Yeah.

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<v Speaker 5>I hope you made it up, because that is.

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<v Speaker 3>Hunter S.

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<v Speaker 5>Thompson. Maybe not as commonly known, but he old school

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<v Speaker 5>died and his wishes were to have his ashes blasted

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<v Speaker 5>out of the cannon.

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<v Speaker 3>Yeah.

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<v Speaker 2>I love that.

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<v Speaker 5>Yeah, isn't that insane? He was an author authors of you.

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<v Speaker 2>Know, different build a bit, different authors, aren't they. Yeah?

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<v Speaker 5>Fred power At, the inventor of pringles. He wanted to

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<v Speaker 5>be buried in Pringles can.

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<v Speaker 1>Okay, that's fine as well.

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<v Speaker 2>What flavor though? That's a really good question.

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<v Speaker 5>Because you're not going out original.

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<v Speaker 1>But also being the last pringle in that point of

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<v Speaker 1>view for the prinkle when you see the person looking

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<v Speaker 1>in there and they're trying to get it as.

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<v Speaker 2>Well, even in death, you're like you still, I know he's.

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<v Speaker 1>Going to tilt me now I'm bugging.

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<v Speaker 4>That's how it feels to be the last single person

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<v Speaker 4>on the planet.

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<v Speaker 1>What would you plan for your funeral? Good morning to you, Claire.

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<v Speaker 1>You've been planning your funeral?

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<v Speaker 6>Yeah, a little bit, Ye, a little bit.

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<v Speaker 8>What are we doing on Oh, we're definitely going to

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<v Speaker 8>have party piles and like sausage rolls and stuff there,

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<v Speaker 8>like that sort of.

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<v Speaker 9>Food, because.

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<v Speaker 1>Because you can't be sad when you're having a party,

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<v Speaker 1>it's a party.

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<v Speaker 2>Good morning, mel.

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<v Speaker 7>Hello, good morning. How are you?

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<v Speaker 2>We're good your funeral director?

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<v Speaker 7>I am? I am all sorts of things.

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<v Speaker 2>Yes, absolutely, Okay, I don't want to drill down because

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<v Speaker 2>we don't have too much time. But what are some

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<v Speaker 2>of the most amazing things you've ever seen at the funeral?

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<v Speaker 3>Oh?

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<v Speaker 7>Look, the most amazing thing I had was a lady

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<v Speaker 7>pre planned hers. She wanted everybody to write on her

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<v Speaker 7>coffin have a shot of dam Booker and then wanted

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<v Speaker 7>to be carried out to put another log on the fire.

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<v Speaker 1>It's talking about. She was watching on from above and

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<v Speaker 1>she was very content. You can guarantee that.

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<v Speaker 2>That is incredible. Now, yeah, so you've got experience on

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<v Speaker 2>this front. What do you want to happen at yours?

0:10:11.120 --> 0:10:13.880
<v Speaker 7>I mine's very simple. I just want somebody to come

0:10:13.920 --> 0:10:16.000
<v Speaker 7>along dressed as the Grim Reapers, to stand at the

0:10:16.000 --> 0:10:17.280
<v Speaker 7>back of the room and say nothing.

0:10:19.520 --> 0:10:20.960
<v Speaker 1>It's like, oh, no, he is here.

0:10:21.800 --> 0:10:26.079
<v Speaker 2>Yeah, he's actually physically here. Oh, we could talk to

0:10:26.080 --> 0:10:27.240
<v Speaker 2>you all day. Thank you so much.

0:10:27.280 --> 0:10:29.520
<v Speaker 1>Well, so, Mel before you go, obviously you're a funeral director.

0:10:29.600 --> 0:10:31.520
<v Speaker 1>Surely discount discompt for your own funeral.

0:10:32.160 --> 0:10:34.679
<v Speaker 7>Oh maybe maybe hopefully fingers crossed.

0:10:34.760 --> 0:10:36.840
<v Speaker 2>You know, well, it's not Male's problem. She didn't have

0:10:36.840 --> 0:10:38.640
<v Speaker 2>to pay for it, does she. Someone else got to

0:10:38.679 --> 0:10:39.200
<v Speaker 2>flip the bill.

0:10:39.280 --> 0:10:41.520
<v Speaker 1>That'spot on cold. Good morning to you, Good.

0:10:41.320 --> 0:10:43.559
<v Speaker 2>Morning, good morning. What do you want at your funeral?

0:10:44.360 --> 0:10:44.440
<v Speaker 1>No?

0:10:44.640 --> 0:10:47.800
<v Speaker 6>My is my husband. Actually he has decided it's going

0:10:47.880 --> 0:10:51.200
<v Speaker 6>to be in Victoria Square, in the middle of Victoria Square,

0:10:51.600 --> 0:10:55.800
<v Speaker 6>and he wants a group of fifty or sixty Italian

0:10:55.920 --> 0:10:59.480
<v Speaker 6>old Italian women in black fining Maria to him, I.

0:10:59.320 --> 0:11:07.640
<v Speaker 1>Thank you what to send off? What a gorgeous send off?

0:11:07.840 --> 0:11:09.440
<v Speaker 1>Very nice.

0:11:09.520 --> 0:11:11.240
<v Speaker 6>I don't know how that happen.

0:11:11.800 --> 0:11:14.200
<v Speaker 2>Yeah, And the best thing about that is all the

0:11:14.240 --> 0:11:17.960
<v Speaker 2>people wandering down from Good Austrata, like what that it's

0:11:18.080 --> 0:11:23.679
<v Speaker 2>going on here, dear and good morning? What do you want?

0:11:25.720 --> 0:11:27.800
<v Speaker 8>Well, I'm yet to convince my parents, but what I

0:11:27.840 --> 0:11:30.439
<v Speaker 8>really want is like a clue game. So they need

0:11:30.440 --> 0:11:32.600
<v Speaker 8>to rent a castle instead of a church. And I

0:11:32.600 --> 0:11:35.240
<v Speaker 8>want everybody nineteen twenty so dressed up to a tea

0:11:35.280 --> 0:11:38.560
<v Speaker 8>and my death to be incorporated into the story, paid

0:11:38.559 --> 0:11:39.439
<v Speaker 8>actors and everything.

0:11:40.400 --> 0:11:43.559
<v Speaker 1>That's what we're talking about. Let's turn it into something.

0:11:43.600 --> 0:11:44.920
<v Speaker 1>It's genuinely interesting.

0:11:45.280 --> 0:11:47.640
<v Speaker 2>That is a lot of effort, though. That's like when

0:11:47.640 --> 0:11:50.040
<v Speaker 2>people ask you and I to go to dress up parties,

0:11:50.040 --> 0:11:52.240
<v Speaker 2>and for the love of God its Saturday afternoon. Cannot

0:11:52.240 --> 0:11:55.200
<v Speaker 2>be bothered. But if it's a funeral, maybe a different story. Yeah.

0:11:55.280 --> 0:11:59.280
<v Speaker 1>I like that. Let's all continue to plan our funerals

0:11:59.360 --> 0:12:01.360
<v Speaker 1>for the future. Yes, please, nice, isn't.

0:12:01.160 --> 0:12:05.000
<v Speaker 2>It's where you're waking up to Adelaide.

0:12:08.960 --> 0:12:09.920
<v Speaker 3>Hies.

0:12:11.200 --> 0:12:13.199
<v Speaker 2>Let's hope everyone can get them complete.

0:12:13.600 --> 0:12:16.120
<v Speaker 3>Let's start with this rats.

0:12:16.440 --> 0:12:19.439
<v Speaker 2>There has been a photo post of the social media

0:12:19.679 --> 0:12:23.760
<v Speaker 2>showing a very unwelcome visitor at the Royal Adelaide Hospital.

0:12:24.080 --> 0:12:30.360
<v Speaker 2>Oh my goodness, it's been called ra to tulli ye.

0:12:33.400 --> 0:12:33.640
<v Speaker 3>Else.

0:12:33.720 --> 0:12:39.440
<v Speaker 2>Thanks thanks producing m. Yeah. So it shows the rodent

0:12:40.360 --> 0:12:42.720
<v Speaker 2>and a rattle dock appears to show the rodent and

0:12:42.800 --> 0:12:45.240
<v Speaker 2>is accompanied by the words top tip to hospital managers.

0:12:45.240 --> 0:12:48.920
<v Speaker 2>Cutting cleanness duties to save costs probably works out worse

0:12:49.000 --> 0:12:51.840
<v Speaker 2>in the long term when it results in rats in

0:12:52.000 --> 0:12:55.840
<v Speaker 2>said hospitals. Doesn't say where it was taken in the hospital.

0:12:56.640 --> 0:12:59.000
<v Speaker 2>This hospital costs two point seven billion dollars. We've got

0:12:59.080 --> 0:12:59.720
<v Speaker 2>rats run around.

0:13:00.200 --> 0:13:02.840
<v Speaker 1>Just a rat cruise and pass. Yeah, just finished up.

0:13:02.880 --> 0:13:05.160
<v Speaker 1>Maybe he's watching The Origin was the last night. Yeah,

0:13:05.280 --> 0:13:06.640
<v Speaker 1>maybe just caught up with the main and he had

0:13:06.640 --> 0:13:07.120
<v Speaker 1>too many beers.

0:13:07.160 --> 0:13:07.920
<v Speaker 2>He's watching Origin.

0:13:08.400 --> 0:13:10.080
<v Speaker 1>He just cruise and I haven't been like New South

0:13:10.120 --> 0:13:13.160
<v Speaker 1>World and he got filmed at the Royal Adelaide to

0:13:13.160 --> 0:13:15.760
<v Speaker 1>Hospital and everyone's like, oh, you're like, that's not fair,

0:13:16.360 --> 0:13:18.400
<v Speaker 1>especially when you're a rat and you cruise it through

0:13:18.440 --> 0:13:24.720
<v Speaker 1>and you're like, I'm a slick rain and everyone's like,

0:13:28.080 --> 0:13:29.680
<v Speaker 1>you guys don't deserve that sort of reputation.

0:13:29.840 --> 0:13:31.199
<v Speaker 2>I get it, I get it. It's just a rat

0:13:31.240 --> 0:13:33.280
<v Speaker 2>trying to watch the origin and get home, you know,

0:13:33.679 --> 0:13:34.959
<v Speaker 2>took a little detour through the.

0:13:34.880 --> 0:13:37.200
<v Speaker 1>Hospital and trying to get home safely. He doesn't need

0:13:37.240 --> 0:13:40.000
<v Speaker 1>that sort of backlash. Not good for his.

0:13:39.960 --> 0:13:41.079
<v Speaker 2>Mental health and judgment.

0:13:41.880 --> 0:13:44.240
<v Speaker 4>Everyone knows that there's rats all through the city though

0:13:44.360 --> 0:13:46.840
<v Speaker 4>it's a thing. Are they I used to work in

0:13:46.840 --> 0:13:49.120
<v Speaker 4>a hotel or I won't say which one, and there

0:13:49.160 --> 0:13:52.280
<v Speaker 4>was always constantly rats. Really, yeah, it doesn't matter how

0:13:52.360 --> 0:13:56.160
<v Speaker 4>much clean. Where do they go like to sleep? Because

0:13:56.160 --> 0:13:58.840
<v Speaker 4>I saw underground tunnels, so they sleep in the tunnels

0:13:58.920 --> 0:13:59.520
<v Speaker 4>under Adelaide?

0:13:59.559 --> 0:14:00.920
<v Speaker 2>Do they? We don't.

0:14:00.920 --> 0:14:02.880
<v Speaker 4>Actually, I haven't know how much rat sleep. But yeah,

0:14:03.240 --> 0:14:05.320
<v Speaker 4>there's rats everywhere. Cot croaches too.

0:14:05.440 --> 0:14:06.520
<v Speaker 1>You've goated a couple of rats?

0:14:06.520 --> 0:14:10.520
<v Speaker 4>A oh, I've dated all of the rats, all of

0:14:10.520 --> 0:14:11.880
<v Speaker 4>them across the country.

0:14:11.880 --> 0:14:13.920
<v Speaker 2>I actually know where they sleep. Then if you've gone

0:14:13.960 --> 0:14:14.200
<v Speaker 2>back to.

0:14:14.200 --> 0:14:17.240
<v Speaker 4>The rats, they're not sleeping there in someone else's bed usually.

0:14:17.480 --> 0:14:18.440
<v Speaker 3>Oh.

0:14:19.560 --> 0:14:20.960
<v Speaker 2>Oh they're rats.

0:14:21.000 --> 0:14:21.360
<v Speaker 1>They're not.

0:14:21.600 --> 0:14:23.800
<v Speaker 2>Okay, got any more real news for us.

0:14:24.280 --> 0:14:25.720
<v Speaker 4>We're not gonna talk about rats. We are going to

0:14:25.760 --> 0:14:27.760
<v Speaker 4>talk about animals and keep that theme going. So the

0:14:27.880 --> 0:14:30.760
<v Speaker 4>RSPCA are hosting for the first time ever a twilight

0:14:30.840 --> 0:14:35.560
<v Speaker 4>adoption night, So essentially they're throwing their new headquarters open

0:14:35.640 --> 0:14:38.000
<v Speaker 4>down at o'halor and Hill my Deck of the Woods,

0:14:38.040 --> 0:14:40.920
<v Speaker 4>and they'll be open from four until eight. There's around

0:14:41.000 --> 0:14:45.560
<v Speaker 4>twenty three cats and kittens. There's twenty six dogs and puppies.

0:14:45.600 --> 0:14:48.960
<v Speaker 4>There's some guinea pigs. So if you are looking for

0:14:49.120 --> 0:14:52.920
<v Speaker 4>a new pet, maybe not a rat to cuddle up

0:14:52.920 --> 0:14:54.720
<v Speaker 4>to at night, go to the RSPCA.

0:14:54.880 --> 0:14:58.080
<v Speaker 1>I just know, personality wise, guinea pigs not going to

0:14:58.160 --> 0:15:01.160
<v Speaker 1>offer a lot. Okay, thank you, small little brick.

0:15:01.280 --> 0:15:03.280
<v Speaker 2>I know so many people who love guinea pigs.

0:15:03.280 --> 0:15:07.400
<v Speaker 1>Though, good for practicing shot put, that's all. I wouldn't

0:15:07.440 --> 0:15:10.200
<v Speaker 1>do it myself. Yeah, I'm a former guinea pig owner.

0:15:10.360 --> 0:15:14.760
<v Speaker 2>Yeah, I know. They can't up in Queensland. They're not

0:15:14.800 --> 0:15:17.280
<v Speaker 2>allowed to have them. So I've got a friend. Yeah,

0:15:17.840 --> 0:15:19.720
<v Speaker 2>they're a pest up there.

0:15:19.200 --> 0:15:23.000
<v Speaker 4>Yeah, so every time she every time she comes down,

0:15:23.360 --> 0:15:26.360
<v Speaker 4>her auntie has one, so she loses it because they're

0:15:26.400 --> 0:15:27.320
<v Speaker 4>not allowed to have him up there.

0:15:27.640 --> 0:15:30.200
<v Speaker 2>Great guinea pig chat, you guys, guinea pig chat.

0:15:30.320 --> 0:15:31.680
<v Speaker 1>Yeah, we had a squeeze and it's sick.

0:15:31.680 --> 0:15:34.320
<v Speaker 2>Eleven do you have any news or no?

0:15:34.360 --> 0:15:36.120
<v Speaker 1>They'll do okays.

0:15:36.280 --> 0:15:37.440
<v Speaker 2>He doesn't even know what day it is.

0:15:37.520 --> 0:15:40.280
<v Speaker 1>What I will say is though producer Emily has just

0:15:40.480 --> 0:15:43.840
<v Speaker 1>quite rudely just shifted out of the studio. Oh my gosh,

0:15:43.880 --> 0:15:44.920
<v Speaker 1>what's their problem.

0:15:45.880 --> 0:15:47.360
<v Speaker 2>She's probably going to throw up again.

0:15:47.240 --> 0:15:48.160
<v Speaker 1>Just having a little speed.

0:15:48.920 --> 0:15:51.760
<v Speaker 2>She is pregnant. Can we practice that? Oh my god,

0:15:52.600 --> 0:15:53.240
<v Speaker 2>we're an over.

0:15:53.120 --> 0:15:54.280
<v Speaker 1>And honest out.

0:15:54.880 --> 0:15:57.680
<v Speaker 2>Okay, can we do the six fifteen betting machine?

0:15:57.680 --> 0:15:59.480
<v Speaker 1>Couz sure? Can you drop the first question next?

0:15:59.560 --> 0:15:59.720
<v Speaker 2>Yes?

0:15:59.760 --> 0:16:03.560
<v Speaker 1>But oh gosh, here comes Emily. That awesome most awesome

0:16:06.800 --> 0:16:10.200
<v Speaker 1>is most awesome coffee with the good coffee that's coffee

0:16:10.200 --> 0:16:12.560
<v Speaker 1>in the city. Oh, that's what we're doing, Joe's. We

0:16:12.600 --> 0:16:14.040
<v Speaker 1>could get off a couple of weeks ago with Jodian

0:16:14.080 --> 0:16:17.880
<v Speaker 1>Hate's Most Awesome donut. And didn't that just go absolutely bokers.

0:16:17.880 --> 0:16:24.640
<v Speaker 1>Oh I'm crazy, crazy, crazy, really crazy stuff. You're crazy.

0:16:25.560 --> 0:16:28.000
<v Speaker 2>We are on the hand for Adelaide's Most Awesome Coffee.

0:16:28.040 --> 0:16:30.360
<v Speaker 2>So what we need you to do is nominate your

0:16:30.360 --> 0:16:33.240
<v Speaker 2>favorite place, get around them, get around your local business

0:16:33.280 --> 0:16:35.840
<v Speaker 2>where you frequent each and every day, and you love

0:16:35.920 --> 0:16:37.040
<v Speaker 2>the brew that they serve up.

0:16:37.120 --> 0:16:40.320
<v Speaker 1>I've said this before but I am genuinely in love

0:16:40.720 --> 0:16:43.800
<v Speaker 1>with everything that comes with Willow Band on, Queen Shreat

0:16:43.800 --> 0:16:44.240
<v Speaker 1>and rest Word.

0:16:44.520 --> 0:16:47.160
<v Speaker 2>I saw the Willow Band van outside of my house yesterday.

0:16:47.160 --> 0:16:48.800
<v Speaker 3>I think it's a bit we had a hazy center

0:16:49.040 --> 0:16:49.640
<v Speaker 3>around here.

0:16:49.720 --> 0:16:50.280
<v Speaker 2>What's happening?

0:16:50.280 --> 0:16:51.840
<v Speaker 1>They must have heard that you don't go there, so

0:16:51.880 --> 0:16:53.800
<v Speaker 1>they're coming to knock on your door to recruit you.

0:16:53.920 --> 0:16:57.880
<v Speaker 2>I go to Nathaniels, which is my local. They are outstanding.

0:16:57.960 --> 0:16:59.920
<v Speaker 1>See I've heard that Nathaniel sucks.

0:17:00.400 --> 0:17:04.679
<v Speaker 2>Skyl do not start. Do not start beef between Nathaniels

0:17:04.680 --> 0:17:06.800
<v Speaker 2>and Willow Bend. But that's the rivalry.

0:17:06.880 --> 0:17:09.080
<v Speaker 1>That's what it's like if someone ragged on your local

0:17:09.080 --> 0:17:11.440
<v Speaker 1>coffee shop. Genuinely take it personally.

0:17:11.440 --> 0:17:14.400
<v Speaker 2>Well, I just did mate put down that nith thanks

0:17:14.520 --> 0:17:14.920
<v Speaker 2>very much.

0:17:16.160 --> 0:17:16.400
<v Speaker 3>Yes.

0:17:16.480 --> 0:17:20.359
<v Speaker 2>So some nominations so far. Commune in Setan, Stacks of

0:17:20.480 --> 0:17:24.680
<v Speaker 2>snacks on Goodwood Road, great coffee there apparently been to Heaven.

0:17:24.800 --> 0:17:25.240
<v Speaker 1>Coffee, the.

0:17:27.240 --> 0:17:30.560
<v Speaker 4>Very nice love that the seller door se double l

0:17:30.600 --> 0:17:33.800
<v Speaker 4>e door in Brighton and coffee factory important no longer

0:17:34.520 --> 0:17:35.880
<v Speaker 4>all right, gotta.

0:17:35.640 --> 0:17:39.000
<v Speaker 1>Be quick too. Yes, nominations close this afternoon, so make

0:17:39.040 --> 0:17:39.520
<v Speaker 1>sure you had to know.

0:17:39.680 --> 0:17:39.720
<v Speaker 2>No.

0:17:39.760 --> 0:17:42.840
<v Speaker 1>One nine Facebook page nominate your favorite coffee places. Finalists

0:17:43.119 --> 0:17:45.080
<v Speaker 1>will be announced tomorrow morning.

0:17:45.080 --> 0:17:46.679
<v Speaker 2>You can also text to so for double O nine

0:17:46.720 --> 0:17:48.280
<v Speaker 2>one nine number nine, or head to the jd in

0:17:48.320 --> 0:17:49.359
<v Speaker 2>Hazy Instagram page.

0:17:49.560 --> 0:17:52.400
<v Speaker 1>Let's talk clowns, Showery and also I'll put the question

0:17:52.440 --> 0:17:57.000
<v Speaker 1>out there. Do you suffer from cool rephobia fair clowns? Yes,

0:17:57.480 --> 0:18:00.840
<v Speaker 1>an extreme or irrational fear of clowns on do you

0:18:00.960 --> 0:18:04.639
<v Speaker 1>it's a genuine thing. I'm not really sure, because of

0:18:04.680 --> 0:18:06.879
<v Speaker 1>course you've got some of the lovable clowns like Krusty

0:18:06.920 --> 0:18:11.119
<v Speaker 1>the clowns and the clown.

0:18:12.600 --> 0:18:16.520
<v Speaker 3>Up little Staffy Laffy clown.

0:18:17.400 --> 0:18:21.360
<v Speaker 1>But then also you've got Pennywise to clown. Oh my

0:18:21.480 --> 0:18:24.280
<v Speaker 1>very goodness, he's an evil clown. Yeah, I really scary.

0:18:24.480 --> 0:18:27.320
<v Speaker 1>Or you've also you've got the clown off happy Gilmore

0:18:27.600 --> 0:18:29.720
<v Speaker 1>that spits the ball back it happy after he sinks

0:18:29.800 --> 0:18:35.720
<v Speaker 1>up part clown.

0:18:38.400 --> 0:18:41.399
<v Speaker 2>He's so angry happy, he's got angry issues.

0:18:41.560 --> 0:18:43.760
<v Speaker 1>Almost that happy. He's got a bit of cool erphobia.

0:18:45.320 --> 0:18:47.800
<v Speaker 1>David ket Are you familiar with his work?

0:18:47.960 --> 0:18:50.479
<v Speaker 2>Courtney Cox's X Yeah.

0:18:50.080 --> 0:18:51.800
<v Speaker 1>Yeah, okay. The ship I've got in front of me

0:18:51.840 --> 0:18:55.800
<v Speaker 1>says his best work is he's rolling screen but Courtney

0:18:55.840 --> 0:18:58.199
<v Speaker 1>Cox's X obviously, so it didn't work out. But he

0:18:58.200 --> 0:18:59.480
<v Speaker 1>was the partner of Pretty Sure.

0:18:59.480 --> 0:19:01.959
<v Speaker 2>They had a daughter Cocos together. Why do I know

0:19:02.000 --> 0:19:02.480
<v Speaker 2>this stuff?

0:19:02.520 --> 0:19:05.600
<v Speaker 1>That is nice? But I know him. His best work

0:19:05.920 --> 0:19:13.359
<v Speaker 1>his role in Scary Movie as Officer Doofy for those

0:19:13.400 --> 0:19:19.919
<v Speaker 1>that know how good. Oh gosh, he is using his

0:19:20.000 --> 0:19:22.600
<v Speaker 1>time now and obviously he's got a favorite of spare time.

0:19:23.000 --> 0:19:27.080
<v Speaker 1>He wants to give clowns the chance to be reborn

0:19:27.119 --> 0:19:29.320
<v Speaker 1>again because they've got a really, really bad rap.

0:19:29.440 --> 0:19:32.640
<v Speaker 2>Wow. How does David plan on going about this?

0:19:32.880 --> 0:19:35.840
<v Speaker 1>He said? The clowns have been demonized by depictions in

0:19:35.880 --> 0:19:38.240
<v Speaker 1>horror movies such as American Horror Story and of course

0:19:38.280 --> 0:19:41.480
<v Speaker 1>it Pennywise a clown. He said, there's more good clowns

0:19:41.520 --> 0:19:44.120
<v Speaker 1>out there then there are scary clowns, despite what kinds

0:19:44.119 --> 0:19:46.520
<v Speaker 1>of films are being made. He said, I love clowns

0:19:46.520 --> 0:19:49.320
<v Speaker 1>in general, and if you find clowns creepy, you should

0:19:49.320 --> 0:19:51.879
<v Speaker 1>give them a second shot. And I've got to be honest,

0:19:52.240 --> 0:19:54.600
<v Speaker 1>I feel like back in the day, clowns were trustworthy,

0:19:55.080 --> 0:19:58.280
<v Speaker 1>and now clowns are scary as hell.

0:19:58.760 --> 0:20:00.600
<v Speaker 2>Almost like clowns have been canceled.

0:20:00.840 --> 0:20:03.480
<v Speaker 1>No clowns are being canceled, and if you're a clown,

0:20:03.520 --> 0:20:05.680
<v Speaker 1>feel free to give us call third A twenty four

0:20:05.640 --> 0:20:09.240
<v Speaker 1>to ten. We'll put your on air. Promise you that, Yeah,

0:20:09.480 --> 0:20:13.840
<v Speaker 1>and you can support your people because do you remember

0:20:13.840 --> 0:20:16.800
<v Speaker 1>that was that clown group, the Scary Clowns group thing

0:20:16.800 --> 0:20:19.840
<v Speaker 1>that was going around on Facebook. Oh, yes, like the

0:20:19.880 --> 0:20:24.920
<v Speaker 1>Adelaide's Scary Clowns. Yes, that was insanely terrifying. Yes, horrible

0:20:25.080 --> 0:20:27.199
<v Speaker 1>And if you saw one of those clowns and it

0:20:27.240 --> 0:20:28.600
<v Speaker 1>got to the stage where we didn't even know if

0:20:28.600 --> 0:20:30.920
<v Speaker 1>they actually existed, yeah, because there was far dos and stuff.

0:20:31.200 --> 0:20:32.560
<v Speaker 1>But if you saw one of those kinds, particular if

0:20:32.560 --> 0:20:34.840
<v Speaker 1>you were youngster, you'd be scarred for life.

0:20:34.960 --> 0:20:39.000
<v Speaker 2>Are they in jail? I don't Adelaide Scary Clowns.

0:20:39.080 --> 0:20:42.200
<v Speaker 1>I don't really know that would potentially sort them out.

0:20:42.720 --> 0:20:45.440
<v Speaker 2>It wouldn't be a maximum facility like Yahler would. It

0:20:45.440 --> 0:20:48.119
<v Speaker 2>would sort of be like a clown rehab place. No

0:20:48.720 --> 0:20:50.320
<v Speaker 2>huge powers for good not evil.

0:20:50.400 --> 0:20:52.199
<v Speaker 1>What are you guys doing? We're in here because we

0:20:52.200 --> 0:20:54.760
<v Speaker 1>were staring children with blood on our faces and also

0:20:54.920 --> 0:21:00.919
<v Speaker 1>nice but also this, you guys are hilarious forgetting people's names.

0:21:01.280 --> 0:21:04.240
<v Speaker 1>I know as soon as you get introduced to someone,

0:21:04.560 --> 0:21:08.000
<v Speaker 1>it's like you've been given this responsibility of remembering that

0:21:08.080 --> 0:21:11.840
<v Speaker 1>person's remembering people's kids' names as well.

0:21:11.960 --> 0:21:13.080
<v Speaker 2>Oh, that's even harder.

0:21:13.160 --> 0:21:15.440
<v Speaker 1>It can be really, really tricky. I've told you the

0:21:15.480 --> 0:21:17.600
<v Speaker 1>story before about a bloke that I was calling Paul

0:21:17.640 --> 0:21:19.440
<v Speaker 1>for the best part of two two and a half years,

0:21:19.480 --> 0:21:23.600
<v Speaker 1>only to learn later on his name was Steve. So

0:21:23.640 --> 0:21:26.040
<v Speaker 1>there's one part of that that's like, why did you

0:21:26.119 --> 0:21:28.879
<v Speaker 1>let it happen? But also the other parts on me

0:21:29.160 --> 0:21:32.040
<v Speaker 1>to do it so confidently. Yeah, and we've never spoken

0:21:32.040 --> 0:21:34.399
<v Speaker 1>about I just sort of transitioned from Paul into his

0:21:34.440 --> 0:21:35.200
<v Speaker 1>correct name, Steve.

0:21:35.400 --> 0:21:38.400
<v Speaker 2>Can I from the other side of the fence talk

0:21:38.440 --> 0:21:40.480
<v Speaker 2>about that because that's happened to both me and my

0:21:40.560 --> 0:21:45.000
<v Speaker 2>husband this year. So Greg has at school sport every

0:21:45.040 --> 0:21:49.240
<v Speaker 2>Saturday of the season, gone along to netball and be

0:21:49.359 --> 0:21:50.280
<v Speaker 2>called Mark.

0:21:50.200 --> 0:21:52.560
<v Speaker 1>Mark and he doesn't look like a mark, by the way.

0:21:52.680 --> 0:21:55.600
<v Speaker 2>Not a mark, And it's so far down the track

0:21:55.640 --> 0:21:57.639
<v Speaker 2>that he doesn't know how to correct it, you know

0:21:57.640 --> 0:21:58.879
<v Speaker 2>what I mean, Like, if you don't do it the

0:21:58.880 --> 0:22:02.040
<v Speaker 2>first time, then it's like if you eventually correct.

0:22:01.800 --> 0:22:03.520
<v Speaker 3>The people go why didn't you stop me?

0:22:03.800 --> 0:22:04.000
<v Speaker 10>Yeah?

0:22:04.080 --> 0:22:05.600
<v Speaker 1>As it's so far down the line that if he

0:22:05.760 --> 0:22:07.800
<v Speaker 1>saw this person, the person did recognizing me, be like,

0:22:07.840 --> 0:22:10.679
<v Speaker 1>it's me Mark, It's very.

0:22:10.520 --> 0:22:11.359
<v Speaker 3>Mark, he'd own it.

0:22:11.720 --> 0:22:13.960
<v Speaker 2>And then I was at a gym class the other

0:22:14.040 --> 0:22:15.600
<v Speaker 2>day and it was one of those situations where the

0:22:15.640 --> 0:22:19.119
<v Speaker 2>instructor goes, okay, everyone pair up, which is oh God, okay,

0:22:19.200 --> 0:22:21.679
<v Speaker 2>I'd rather just don't my own thing. But anyway, so

0:22:22.080 --> 0:22:24.320
<v Speaker 2>this woman came over to me, and she's so lovely,

0:22:24.400 --> 0:22:27.440
<v Speaker 2>and I've chatted with her before, but she goes, hey, Beck,

0:22:27.520 --> 0:22:28.320
<v Speaker 2>do you want a partner?

0:22:28.520 --> 0:22:30.680
<v Speaker 1>Oh jeez, And so you were Beck.

0:22:30.840 --> 0:22:31.080
<v Speaker 3>I'm not.

0:22:31.119 --> 0:22:33.080
<v Speaker 2>I don't think I am a being Excuse.

0:22:32.760 --> 0:22:35.480
<v Speaker 1>Me very much, it's Rebecca.

0:22:36.800 --> 0:22:39.280
<v Speaker 2>Correct her on the incorrect name that she's calling, and

0:22:39.320 --> 0:22:41.080
<v Speaker 2>I swear to God, during the course of that class

0:22:41.119 --> 0:22:43.359
<v Speaker 2>she called me back four or five times, and I

0:22:43.440 --> 0:22:46.119
<v Speaker 2>just didn't have the heart. No, let's be honest. I

0:22:46.160 --> 0:22:48.480
<v Speaker 2>didn't have the courage to correct her at that point.

0:22:48.720 --> 0:22:50.600
<v Speaker 1>This is my fear. This is my fear that you

0:22:50.720 --> 0:22:53.920
<v Speaker 1>think that you're owning the situation by going really strong

0:22:53.960 --> 0:22:56.520
<v Speaker 1>and confident with someone's name and it's the wrong name.

0:22:56.600 --> 0:22:58.520
<v Speaker 2>Yeah, But I never go strong and confident because I

0:22:58.520 --> 0:23:00.280
<v Speaker 2>always second guess myself.

0:23:00.280 --> 0:23:02.000
<v Speaker 1>Do you hate this person? Now? Don't you No?

0:23:02.040 --> 0:23:06.640
<v Speaker 2>I don't you know? I don't she So she just

0:23:06.680 --> 0:23:07.880
<v Speaker 2>thinks that I'm someone else.

0:23:07.960 --> 0:23:09.480
<v Speaker 1>I don't know if're supposed to correct her as well.

0:23:09.520 --> 0:23:11.520
<v Speaker 1>So there's two sites as well. There really is is

0:23:11.600 --> 0:23:13.639
<v Speaker 1>such a disgustingly awkward situation.

0:23:13.840 --> 0:23:16.280
<v Speaker 2>Do you have a system with Kara when you don't

0:23:16.320 --> 0:23:18.600
<v Speaker 2>know someone's name? Because I have a system with Greg.

0:23:18.800 --> 0:23:24.160
<v Speaker 1>Now I just call everyone mate, do you woman, man, child, animal?

0:23:24.359 --> 0:23:28.159
<v Speaker 1>Hey mate? Especially dogs, hey mate.

0:23:30.080 --> 0:23:33.119
<v Speaker 2>When I know that I don't know someone's name and

0:23:33.160 --> 0:23:35.640
<v Speaker 2>they're coming over towards us, I'll just go introduce yourself

0:23:35.720 --> 0:23:37.800
<v Speaker 2>and I go, oh, hi, this is my husband Greg,

0:23:37.840 --> 0:23:40.639
<v Speaker 2>and he knows to go hello, I'm Greg and hold out.

0:23:40.520 --> 0:23:42.680
<v Speaker 1>His hands and your husband's motor mount. So you guys

0:23:42.680 --> 0:23:43.080
<v Speaker 1>get our money.

0:23:44.119 --> 0:23:49.000
<v Speaker 3>People are like, what, no, wonder he's been called mark?

0:23:49.200 --> 0:23:52.000
<v Speaker 1>Names are irrelevant now, it's about trying to undstand what

0:23:52.000 --> 0:23:54.320
<v Speaker 1>the hell's coming out of his mouth. So if you're

0:23:54.320 --> 0:23:56.479
<v Speaker 1>in this boat as well, we should speak to an

0:23:56.520 --> 0:23:59.720
<v Speaker 1>expert next, like a genuine doctor, about the best ways

0:23:59.720 --> 0:24:03.320
<v Speaker 1>pop to retain information. When it comes to learning people's

0:24:03.400 --> 0:24:03.760
<v Speaker 1>names on.

0:24:03.680 --> 0:24:05.560
<v Speaker 2>The spot, it's gotten that serious. It's medical now.

0:24:05.720 --> 0:24:07.760
<v Speaker 1>I know. It's one of my news resolutions as well,

0:24:07.800 --> 0:24:10.119
<v Speaker 1>to learn your name mine, Jamie.

0:24:11.520 --> 0:24:15.120
<v Speaker 2>We were just chatting about forgetting people's names, which, oh

0:24:15.160 --> 0:24:17.240
<v Speaker 2>my god, let's face it is everyone the greatest fear.

0:24:17.400 --> 0:24:19.520
<v Speaker 1>Yeah. I think there's a part of your brain that goes, hey,

0:24:19.640 --> 0:24:21.760
<v Speaker 1>don't forget that, don't forget that, and as soon as

0:24:21.760 --> 0:24:23.800
<v Speaker 1>you veer away from the thought, bang, it is gone.

0:24:23.840 --> 0:24:25.399
<v Speaker 1>And I told you this story about how I was

0:24:25.400 --> 0:24:27.119
<v Speaker 1>calling a bloke whose name was Steve, I call him

0:24:27.119 --> 0:24:29.920
<v Speaker 1>Paul best part of two years to which it didn't

0:24:29.920 --> 0:24:32.679
<v Speaker 1>correct me and that's on him. Yeah, but it's a really,

0:24:32.760 --> 0:24:35.359
<v Speaker 1>really gross feeling when you know you've stuffed up someone's name.

0:24:35.440 --> 0:24:37.240
<v Speaker 2>Well, i'd also like to know how to deal with

0:24:37.240 --> 0:24:39.560
<v Speaker 2>it when someone calls you the wrong name. Do you

0:24:39.560 --> 0:24:41.879
<v Speaker 2>correct it straight away? What are some techniques? Please?

0:24:41.960 --> 0:24:44.879
<v Speaker 1>One? Okay, well, then it's time to speak to an

0:24:44.960 --> 0:24:49.680
<v Speaker 1>absolute medical expert. Ladies and gentlemen, please meet doctor Zach Turner.

0:24:49.840 --> 0:24:51.080
<v Speaker 1>Good morning to you, doctor.

0:24:50.960 --> 0:24:55.560
<v Speaker 9>Zach, Good morning, and thank you for having me. What

0:24:55.680 --> 0:24:59.159
<v Speaker 9>a fun little topic. I hope we can kind of

0:25:00.320 --> 0:25:01.680
<v Speaker 9>stores for memories of.

0:25:01.920 --> 0:25:06.120
<v Speaker 1>Gosh, it's it's terrifying to be honest with you, and

0:25:06.480 --> 0:25:09.320
<v Speaker 1>especially when you get a complicated name, I straight away

0:25:09.560 --> 0:25:11.840
<v Speaker 1>my brain tells me, hey, guess what champ, You're going

0:25:11.880 --> 0:25:14.040
<v Speaker 1>to forget that? So I have a negative mindset on

0:25:14.080 --> 0:25:15.680
<v Speaker 1>it before I even put it into practice.

0:25:16.600 --> 0:25:18.960
<v Speaker 9>Well, that is definitely not helpful. So, like one of

0:25:19.040 --> 0:25:21.280
<v Speaker 9>the biggest things about remembering names.

0:25:21.080 --> 0:25:22.400
<v Speaker 2>And it's a little bit about.

0:25:22.480 --> 0:25:25.199
<v Speaker 9>Like if you don't use it, you lose it. So

0:25:25.240 --> 0:25:28.479
<v Speaker 9>there's lots of things you can do to help remember

0:25:28.480 --> 0:25:30.479
<v Speaker 9>people's names. And these are some of the techniques and

0:25:30.560 --> 0:25:34.800
<v Speaker 9>tips that I have that have definitely helped me. I

0:25:34.840 --> 0:25:36.600
<v Speaker 9>guess one of the first ones is is that when

0:25:36.680 --> 0:25:38.840
<v Speaker 9>you meet someone, it's about saying their name back to you.

0:25:38.880 --> 0:25:40.920
<v Speaker 9>It's like pleasure to meet you, and you can often

0:25:40.920 --> 0:25:42.840
<v Speaker 9>need to shake their hand or if you're giving them

0:25:42.840 --> 0:25:45.359
<v Speaker 9>a kiss and the cheek. But saying a name originally

0:25:45.520 --> 0:25:48.639
<v Speaker 9>helps you to identify the person. It gives you a

0:25:48.720 --> 0:25:50.800
<v Speaker 9>brand chance to go, oh, look this is what they

0:25:50.840 --> 0:25:54.280
<v Speaker 9>look like, smell like, function like, sound like, all those

0:25:54.320 --> 0:25:56.560
<v Speaker 9>sorts of things, and gives a couple of cues. And

0:25:56.760 --> 0:25:59.960
<v Speaker 9>certainly things can reduce your memory, like like stress, orings,

0:26:00.080 --> 0:26:03.000
<v Speaker 9>idea or alcohol. Certainly alcohol or other things like that.

0:26:03.080 --> 0:26:07.040
<v Speaker 9>So those of the things can really reduce your memory.

0:26:07.119 --> 0:26:11.719
<v Speaker 9>But from that idea of storage is saying that person's

0:26:11.800 --> 0:26:13.399
<v Speaker 9>name when you're having a chat to them. I think

0:26:13.440 --> 0:26:15.159
<v Speaker 9>it's really great as well. Sometimes if you're at an

0:26:15.160 --> 0:26:18.639
<v Speaker 9>event trying to introduce that person to somebody else.

0:26:18.880 --> 0:26:21.399
<v Speaker 2>What are the little tips and techniques can people use,

0:26:21.440 --> 0:26:25.840
<v Speaker 2>Because quite often if I say meet a Jemima, Okay, okay,

0:26:26.000 --> 0:26:29.359
<v Speaker 2>that's jemimah Jemima Jamima, Jemima from play school, or attach

0:26:29.440 --> 0:26:31.440
<v Speaker 2>it to something else to joggy.

0:26:31.200 --> 0:26:34.000
<v Speaker 9>Memory, I think that's a great way. So I attach

0:26:34.080 --> 0:26:35.560
<v Speaker 9>it to lots of things. And that's what I'm saying

0:26:35.560 --> 0:26:37.600
<v Speaker 9>about the second part. After you've got their name, stay

0:26:37.680 --> 0:26:39.880
<v Speaker 9>that lauder in your head and then try to associate

0:26:39.920 --> 0:26:44.680
<v Speaker 9>the name with a story or something that's happened, or

0:26:44.720 --> 0:26:48.960
<v Speaker 9>a memory or play school or different things. Hopefully it's

0:26:49.000 --> 0:26:52.240
<v Speaker 9>not rude, because otherwise every time you say it, well,

0:26:52.400 --> 0:26:54.320
<v Speaker 9>maybe you do. Hopefully maybe you could be more fun

0:26:54.359 --> 0:26:58.040
<v Speaker 9>that way. But certainly there are different ways and things

0:26:58.040 --> 0:27:02.320
<v Speaker 9>that we associate things with, and we can better recall

0:27:02.400 --> 0:27:04.879
<v Speaker 9>and retrieve information if we associate with things that we

0:27:05.240 --> 0:27:06.280
<v Speaker 9>are used to retrieving.

0:27:06.600 --> 0:27:09.760
<v Speaker 1>Doctor Zach, So, what about this in a social situation,

0:27:10.040 --> 0:27:12.359
<v Speaker 1>if you have picked up that someone has not just

0:27:12.400 --> 0:27:14.200
<v Speaker 1>forgotten their name, but they've called you by the wrong name,

0:27:14.600 --> 0:27:16.560
<v Speaker 1>are you correcting them or do we just let it.

0:27:16.520 --> 0:27:19.720
<v Speaker 9>Slide only correct them when it's appropriately No, one is

0:27:19.760 --> 0:27:23.720
<v Speaker 9>sort of embarrassing. No, my name is my own, Zach.

0:27:23.760 --> 0:27:26.160
<v Speaker 9>I mean, I've got two other brothers who we all

0:27:26.200 --> 0:27:30.000
<v Speaker 9>look the same. Even mum gets it wrong sometimes a

0:27:30.040 --> 0:27:32.320
<v Speaker 9>repetition and different things. So it's normal for you to

0:27:32.320 --> 0:27:35.240
<v Speaker 9>get some people's names wrong when they're associated with a

0:27:35.280 --> 0:27:38.560
<v Speaker 9>similar thing. It's like you've got three boys, and I mean,

0:27:38.800 --> 0:27:40.919
<v Speaker 9>it kind of makes sense, but you just kind of

0:27:41.119 --> 0:27:43.199
<v Speaker 9>corrected and they'll kind of get it right, or you

0:27:43.320 --> 0:27:46.080
<v Speaker 9>kind of get like a brandolina name or something like that,

0:27:46.119 --> 0:27:47.400
<v Speaker 9>and you can combine.

0:27:46.960 --> 0:27:49.280
<v Speaker 2>Some Doctor Zach, does your mum forget your name because

0:27:49.320 --> 0:27:50.760
<v Speaker 2>she thinks you're the most boring of the brothers?

0:27:53.280 --> 0:27:58.200
<v Speaker 9>I'm obviously the favorite, definitely the favorite, or I've paid

0:27:58.200 --> 0:27:58.600
<v Speaker 9>her off.

0:27:59.480 --> 0:28:02.040
<v Speaker 1>We will put are these techniques to you. So thank

0:28:02.040 --> 0:28:05.240
<v Speaker 1>you so much for joining us. Oh geez, hang on

0:28:05.240 --> 0:28:07.200
<v Speaker 1>a second now, I'm just kidding, Doctor Zach Turner. Thank

0:28:07.240 --> 0:28:07.680
<v Speaker 1>you so much.

0:28:07.720 --> 0:28:08.000
<v Speaker 2>Mate.

0:28:08.160 --> 0:28:10.600
<v Speaker 1>You're so welcome, right, Chad. So here's the issue that

0:28:10.600 --> 0:28:12.520
<v Speaker 1>if I'm using all my brain power just trying to

0:28:12.560 --> 0:28:15.119
<v Speaker 1>remember someone's names, then all the other little things that

0:28:15.160 --> 0:28:17.560
<v Speaker 1>go off in terms of a checklist can get absolutely skewed.

0:28:17.600 --> 0:28:20.760
<v Speaker 1>For example, next time say I don't know Dan Houston

0:28:20.840 --> 0:28:23.200
<v Speaker 1>comes in here and I'm saying to myself, remember it's Dan.

0:28:23.320 --> 0:28:25.359
<v Speaker 1>Remember it's Dan. Instead of shaking his hand, Bang, I'll

0:28:25.359 --> 0:28:28.160
<v Speaker 1>give me my kiss on the forehead. Great, yeah, thank you.

0:28:28.400 --> 0:28:31.520
<v Speaker 2>Well that's more your inability to read social situations. But

0:28:31.640 --> 0:28:33.960
<v Speaker 2>was okay hanging there? It's fine. I'm sure Dan loves thinking.

0:28:34.119 --> 0:28:35.840
<v Speaker 1>So what's Dan more offended by me give him a

0:28:35.880 --> 0:28:37.520
<v Speaker 1>kiss on the forehead or me calling him Dean?

0:28:37.840 --> 0:28:38.800
<v Speaker 2>Maybe he likes it.

0:28:50.480 --> 0:28:55.280
<v Speaker 1>Battle of the ber it's time bangers the fist, little

0:28:55.320 --> 0:28:58.120
<v Speaker 1>contest we do each and every week where we want

0:28:58.160 --> 0:29:00.520
<v Speaker 1>to set you in the right zone. It's sort of

0:29:00.560 --> 0:29:02.480
<v Speaker 1>fired for the weekend. That's what it's all about.

0:29:03.120 --> 0:29:08.000
<v Speaker 2>We do this week. Our theme is controversy. Obviously on

0:29:08.040 --> 0:29:10.880
<v Speaker 2>the back of Tenacious Day and the whole Little Palapha.

0:29:11.160 --> 0:29:13.719
<v Speaker 2>It was a place to perform on Monday night and

0:29:13.760 --> 0:29:19.480
<v Speaker 2>then they said something inappropriate and oh.

0:29:17.960 --> 0:29:20.560
<v Speaker 1>Concert cancel, concert canceled, and who knows what the future

0:29:20.640 --> 0:29:23.040
<v Speaker 1>lies for Tenacious Tea? Do you reckon they're done?

0:29:23.640 --> 0:29:24.040
<v Speaker 3>Mate?

0:29:24.400 --> 0:29:28.200
<v Speaker 2>Honestly, if I said something stupid or controversial and you

0:29:28.280 --> 0:29:30.160
<v Speaker 2>turned your back of me and said, oh, I'm so

0:29:30.320 --> 0:29:32.880
<v Speaker 2>embarrassed and a shaven and he blindsided me, but it

0:29:32.880 --> 0:29:35.720
<v Speaker 2>w'd be done and they were together for thirty years.

0:29:35.800 --> 0:29:38.960
<v Speaker 1>Oh lageous. He's really washed his hands with it, doesn't he?

0:29:39.040 --> 0:29:41.720
<v Speaker 1>Jack Black and you don't blame him, but he's certainly

0:29:41.800 --> 0:29:43.840
<v Speaker 1>not like, Oh, okay, you said that. Now we have

0:29:43.880 --> 0:29:45.800
<v Speaker 1>to own it. I know I don't know this guy.

0:29:46.080 --> 0:29:52.120
<v Speaker 2>Yeah, get off exactly. Okay, So controversy, controversy, it's our

0:29:52.880 --> 0:29:55.000
<v Speaker 2>theme this week. Do you want to go first?

0:29:55.880 --> 0:29:57.320
<v Speaker 1>Ladies? First, where have you got?

0:29:57.480 --> 0:29:58.480
<v Speaker 2>I want to hear what you've got?

0:29:58.520 --> 0:30:02.160
<v Speaker 1>Okay, look, want a channel, habloku. I mean we're talking

0:30:02.160 --> 0:30:04.200
<v Speaker 1>about Joey b and also Donald Trump and everything that's

0:30:04.240 --> 0:30:07.320
<v Speaker 1>going over there. Perhaps at one stage people thought he

0:30:07.400 --> 0:30:08.360
<v Speaker 1>was going to run for president.

0:30:08.680 --> 0:30:10.400
<v Speaker 8>Taylor, I'm really happy for you.

0:30:10.440 --> 0:30:13.000
<v Speaker 1>I'll let you finish. But Beyonce had one of her

0:30:13.000 --> 0:30:21.960
<v Speaker 1>best videos of all time. Oh Kanye, that's controversial. Ya West,

0:30:22.480 --> 0:30:27.400
<v Speaker 1>The Prince of controversy stronger. That's my nomination.

0:30:27.680 --> 0:30:32.080
<v Speaker 2>Yeah, yeah, I don't hate it, thank you. Let's begin

0:30:32.160 --> 0:30:34.600
<v Speaker 2>with that. I am going to go with the og

0:30:34.960 --> 0:30:38.880
<v Speaker 2>female of controversy. Okay, so let's wind back the clock

0:30:38.960 --> 0:30:42.120
<v Speaker 2>back in time. This woman released a book simply called

0:30:42.280 --> 0:30:45.440
<v Speaker 2>s e x. Oh gosh, that is how controversial she is.

0:30:45.560 --> 0:30:47.920
<v Speaker 2>And then she had a song that was.

0:30:47.840 --> 0:30:50.720
<v Speaker 1>Called well just don't work out with that spells.

0:30:53.680 --> 0:30:58.360
<v Speaker 2>And then she had a song called Erotica ah, and

0:30:58.440 --> 0:31:00.200
<v Speaker 2>it was forbidden on most radio.

0:31:00.520 --> 0:31:03.560
<v Speaker 1>Because this was was this late eighties or nineties Probably

0:31:03.560 --> 0:31:04.600
<v Speaker 1>would be nineties, wouldn't it.

0:31:04.560 --> 0:31:07.880
<v Speaker 2>Maybe late eighties. I'm not entirely sure. Yeah. AnyWho, this

0:31:08.040 --> 0:31:10.240
<v Speaker 2>is one of her most controversial songs of all time

0:31:10.240 --> 0:31:12.680
<v Speaker 2>because I remember when it was released back in the day,

0:31:12.760 --> 0:31:16.440
<v Speaker 2>people were like, oh my god, blasphemy. Hit us with

0:31:16.480 --> 0:31:18.000
<v Speaker 2>a bit of madge, please bang.

0:31:24.600 --> 0:31:26.040
<v Speaker 1>Do you know what, Joe, it's usually for the sake

0:31:26.080 --> 0:31:26.200
<v Speaker 1>of it.

0:31:26.240 --> 0:31:27.000
<v Speaker 2>I hate your songs.

0:31:27.200 --> 0:31:30.240
<v Speaker 1>Don't hate this one. I don't hate it like a

0:31:30.280 --> 0:31:31.120
<v Speaker 1>prayer Madonna.

0:31:31.160 --> 0:31:34.520
<v Speaker 2>Do you remember the film uh no, can you enlighten me?

0:31:34.600 --> 0:31:35.800
<v Speaker 1>Was it was it very sexual?

0:31:35.880 --> 0:31:39.200
<v Speaker 2>Oh no, it's very religious. It's the reason she was

0:31:39.240 --> 0:31:43.280
<v Speaker 2>so controversial, right, Yeah, so it was her sort of

0:31:43.320 --> 0:31:45.920
<v Speaker 2>dancing around. Remember it had all the wooden steaks. Ab

0:31:45.960 --> 0:31:48.240
<v Speaker 2>do you remember this were you had all the wooden

0:31:48.280 --> 0:31:51.600
<v Speaker 2>steaks and they were a light and everything was going

0:31:51.640 --> 0:31:54.000
<v Speaker 2>on and yeah, she was worshiping and there was a

0:31:54.040 --> 0:31:54.520
<v Speaker 2>guy in it.

0:31:54.600 --> 0:31:56.760
<v Speaker 1>Yeah it was it was a different time. I then

0:31:57.000 --> 0:31:59.240
<v Speaker 1>it was a different time. Yeah, all right, So there

0:31:59.240 --> 0:32:02.760
<v Speaker 1>you go, Madonna, like prayer versus at Kanye West, it's stronger. Yeah,

0:32:03.080 --> 0:32:04.600
<v Speaker 1>Controversy is the theme today.

0:32:04.680 --> 0:32:07.120
<v Speaker 2>It is jump on the Jody in Hazy Instagram page.

0:32:07.160 --> 0:32:07.880
<v Speaker 2>Cast your vote please.

0:32:07.960 --> 0:32:10.640
<v Speaker 1>All right, we will reveal the winning song tomorrow morning

0:32:10.680 --> 0:32:13.200
<v Speaker 1>at eight o'clock. No, it's birthday, pay day not too

0:32:13.240 --> 0:32:15.480
<v Speaker 1>far away, and very very soon. We just want to

0:32:15.520 --> 0:32:19.840
<v Speaker 1>help Jody become a better listener. You will succeed, probably not,

0:32:19.920 --> 0:32:21.960
<v Speaker 1>but we'll give it a crack anyway. So it's all

0:32:22.000 --> 0:32:25.000
<v Speaker 1>about techniques and just finding ways to make sure that

0:32:25.040 --> 0:32:30.520
<v Speaker 1>the information sinks and stays in your brain. Jokes listening,

0:32:30.640 --> 0:32:32.880
<v Speaker 1>Oh my gosh, And that's exactly what we're talking about.

0:32:32.920 --> 0:32:36.640
<v Speaker 1>There's been a few thoughts and suggestions that maybe Jody

0:32:36.760 --> 0:32:40.040
<v Speaker 1>isn't a very good active listener, am I right? Ladies.

0:32:40.400 --> 0:32:41.320
<v Speaker 1>All right, say that.

0:32:41.680 --> 0:32:47.480
<v Speaker 2>Oh jeez, right, I was listening then when you bat me.

0:32:47.440 --> 0:32:50.080
<v Speaker 1>In, yeah, I bet. We feel like when it comes

0:32:50.080 --> 0:32:54.200
<v Speaker 1>to hearing things, maybe it's not your strength, but maybe

0:32:54.240 --> 0:32:56.840
<v Speaker 1>it's a visual thing. Okay, So we just wonder we

0:32:56.880 --> 0:33:00.120
<v Speaker 1>want to put something to the test. Maybe you absorb

0:33:00.400 --> 0:33:04.000
<v Speaker 1>information better if you can see the words coming out

0:33:04.080 --> 0:33:04.719
<v Speaker 1>of our mouths.

0:33:04.720 --> 0:33:05.520
<v Speaker 3>See, this is the thing.

0:33:05.520 --> 0:33:08.160
<v Speaker 2>When one sense is dull, the other one is enhanced normally.

0:33:09.240 --> 0:33:11.800
<v Speaker 1>Okay, so let's test this. We'll call it loose lips.

0:33:12.120 --> 0:33:13.800
<v Speaker 1>What we're going to do is I'm going to give

0:33:13.840 --> 0:33:17.160
<v Speaker 1>you three phrases and you're going to see if you

0:33:17.200 --> 0:33:20.640
<v Speaker 1>can read my lips. Whoa Okay. So on top of that,

0:33:20.680 --> 0:33:22.479
<v Speaker 1>obviously you can't hear anything. We're gonna give you some

0:33:22.640 --> 0:33:25.520
<v Speaker 1>noise canceling headphones. Okay, so you can pop them on

0:33:26.200 --> 0:33:28.240
<v Speaker 1>and then we'll just go for this thing. You do

0:33:28.280 --> 0:33:31.440
<v Speaker 1>your absolute best to read the information that is coming

0:33:31.520 --> 0:33:32.320
<v Speaker 1>out of my mouth.

0:33:32.640 --> 0:33:34.560
<v Speaker 2>Asking for a friend, Can I take those noise canceling

0:33:34.600 --> 0:33:35.160
<v Speaker 2>headphones home?

0:33:37.680 --> 0:33:38.880
<v Speaker 1>Depends on how where you do with this.

0:33:38.960 --> 0:33:49.560
<v Speaker 10>Okay, Okay, shady and loose lips, all right, here we go.

0:33:49.800 --> 0:33:53.200
<v Speaker 1>Joe's look at my lips. All right, ready, I'm not

0:33:53.600 --> 0:33:55.360
<v Speaker 1>really saying anything.

0:33:56.080 --> 0:33:58.040
<v Speaker 3>No to we on your cat.

0:33:59.080 --> 0:34:01.080
<v Speaker 1>No, that is no, that's.

0:34:03.400 --> 0:34:04.080
<v Speaker 3>Not it.

0:34:04.160 --> 0:34:10.760
<v Speaker 1>That's an outrageous sentence. I'm not really saying anything. I'm

0:34:10.760 --> 0:34:12.960
<v Speaker 1>not really saying anything.

0:34:13.960 --> 0:34:17.279
<v Speaker 2>I am going to Oh, I've got it. I'm not

0:34:17.320 --> 0:34:18.480
<v Speaker 2>going to wee on anything.

0:34:20.280 --> 0:34:23.439
<v Speaker 1>That's getting there but also extremely rough.

0:34:23.640 --> 0:34:24.919
<v Speaker 3>What's the word anything? Right?

0:34:25.080 --> 0:34:27.680
<v Speaker 1>Oh my gosh, take your headphones off. Take them off.

0:34:28.400 --> 0:34:29.640
<v Speaker 1>You need to lower your voice.

0:34:29.640 --> 0:34:33.000
<v Speaker 2>Am I even close?

0:34:33.200 --> 0:34:40.600
<v Speaker 1>It was? I'm not really saying anything. All right, next time,

0:34:40.640 --> 0:34:45.520
<v Speaker 1>my headphones back on. The duck flies at midnight.

0:34:45.760 --> 0:34:47.800
<v Speaker 3>I'm going to get my fly undone.

0:34:48.600 --> 0:34:53.120
<v Speaker 1>Oh my god, I can't get a flying bridge makes

0:34:53.120 --> 0:34:57.080
<v Speaker 1>a lot of sense. The duck flies at midnight.

0:34:58.320 --> 0:35:01.759
<v Speaker 3>This a fly eyes as a peacock. I don't know.

0:35:04.360 --> 0:35:10.040
<v Speaker 1>That's last one. The duck flies at midnight.

0:35:10.520 --> 0:35:12.040
<v Speaker 3>I'm going to fly, so be nice.

0:35:12.320 --> 0:35:15.480
<v Speaker 1>That's pretty good. That's pretty good. Headphones off, headphones off.

0:35:16.080 --> 0:35:22.640
<v Speaker 1>The duck flies at midnight. Different, you give me us

0:35:22.640 --> 0:35:24.960
<v Speaker 1>different variations of it, so I was actually not too bad.

0:35:25.400 --> 0:35:27.880
<v Speaker 1>Headphones on. Here you go. Last one. I like to

0:35:27.960 --> 0:35:29.400
<v Speaker 1>read in the shower.

0:35:31.320 --> 0:35:32.480
<v Speaker 3>I like beers in the shower.

0:35:32.680 --> 0:35:36.960
<v Speaker 1>Oh, it's close. It was close. It was close. I

0:35:37.080 --> 0:35:39.040
<v Speaker 1>like to read in the shower.

0:35:39.040 --> 0:35:40.160
<v Speaker 3>You like to wear in the shower?

0:35:43.239 --> 0:35:47.320
<v Speaker 1>No more, one more. I like to read in the shower.

0:35:47.360 --> 0:35:55.160
<v Speaker 3>I like to read in the shower.

0:35:55.840 --> 0:35:58.040
<v Speaker 1>Right from three on your fifteenth to tenth and the

0:35:58.080 --> 0:35:58.799
<v Speaker 1>third is not so.

0:36:01.000 --> 0:36:02.200
<v Speaker 3>Oh what a fun girl.

0:36:02.239 --> 0:36:03.920
<v Speaker 1>Also, you know me, so you do know that I

0:36:03.960 --> 0:36:04.919
<v Speaker 1>would love to wear the ship.

0:36:05.320 --> 0:36:07.120
<v Speaker 2>It makes sense a man daring beer