1 00:00:00,920 --> 00:00:02,160 Speaker 1: We love this man. 2 00:00:02,320 --> 00:00:04,880 Speaker 2: We've had a great relationship with Vents for a long time. 3 00:00:04,960 --> 00:00:07,920 Speaker 2: Send him live numerous times. He's one of the best 4 00:00:08,000 --> 00:00:10,560 Speaker 2: live acts in Australia and he is coming back to 5 00:00:10,600 --> 00:00:14,200 Speaker 2: play the Iconic Opera House in November. You can get 6 00:00:14,200 --> 00:00:16,680 Speaker 2: tickets at Frontier tiering dot com. 7 00:00:16,800 --> 00:00:21,640 Speaker 3: Vence Joy welcome, Thanks for having me, guys, I supposure. 8 00:00:21,760 --> 00:00:25,040 Speaker 4: Do you know what's so amazing about artists like yourself 9 00:00:25,079 --> 00:00:28,880 Speaker 4: fans is that not only are they quite good at 10 00:00:28,960 --> 00:00:33,159 Speaker 4: music and writing guitar instruments, but obviously you're very good 11 00:00:33,240 --> 00:00:36,520 Speaker 4: artists with the pen. Because if I look behind you there, 12 00:00:37,680 --> 00:00:40,080 Speaker 4: I don't know if that's a crayon drawing you've done. 13 00:00:40,120 --> 00:00:43,920 Speaker 2: There isn't one of mine. 14 00:00:44,040 --> 00:00:48,720 Speaker 3: I know. I'm ye I am about that gifted with 15 00:00:48,760 --> 00:00:53,320 Speaker 3: the pen. But this is my cousin's son, Finley. He 16 00:00:53,479 --> 00:00:57,639 Speaker 3: made a painting peral Tea's about four years old. 17 00:00:58,840 --> 00:01:01,720 Speaker 4: Sorry I confused that for your work mate. I'm sorry, 18 00:01:01,760 --> 00:01:05,400 Speaker 4: I thought you were branching out. Ed Sheeran likes to paint. 19 00:01:05,440 --> 00:01:07,680 Speaker 4: We learnt during the week and you know the other 20 00:01:07,760 --> 00:01:11,680 Speaker 4: day Vance joy Ed Sheeran sent FITZI and I to 21 00:01:12,720 --> 00:01:17,119 Speaker 4: marble penises and when I say marble penis I mean 22 00:01:17,240 --> 00:01:20,120 Speaker 4: close to a meter high? Yeah? Yeah, posted from the 23 00:01:20,240 --> 00:01:23,000 Speaker 4: UK ship from the UK painted green and gold. 24 00:01:23,880 --> 00:01:27,200 Speaker 3: That is legendary. What a champion. So where do they go? 25 00:01:28,480 --> 00:01:30,720 Speaker 2: Well, this is the we were We've been coming up 26 00:01:30,760 --> 00:01:33,319 Speaker 2: with ideas what to do with Advance and we were 27 00:01:33,319 --> 00:01:36,800 Speaker 2: thinking maybe we go around Sydney and we go to 28 00:01:36,920 --> 00:01:40,120 Speaker 2: workplaces and you could have team Member of the Week. 29 00:01:41,360 --> 00:01:43,800 Speaker 1: And they have it for a week from Ed Sheeran. 30 00:01:44,120 --> 00:01:47,960 Speaker 2: Makes sense where there's other ideas where you get like 31 00:01:48,080 --> 00:01:51,440 Speaker 2: the gold member section when you go to play or 32 00:01:51,480 --> 00:01:52,880 Speaker 2: go to see Ed Sheeran live. 33 00:01:53,120 --> 00:01:54,920 Speaker 4: Marble Dix, that's true. 34 00:01:55,080 --> 00:01:55,680 Speaker 3: Yeah. 35 00:01:55,800 --> 00:01:58,720 Speaker 4: Have you ever received a gift from a big name 36 00:01:58,760 --> 00:01:59,760 Speaker 4: at all Vance Joy? 37 00:02:00,720 --> 00:02:03,240 Speaker 3: No, I mean that's pretty hard to be. I heard 38 00:02:03,240 --> 00:02:06,000 Speaker 3: that Brandon Flowers got a piano from Elton John that 39 00:02:06,080 --> 00:02:08,800 Speaker 3: I would rather marble Dick from m I don't know. 40 00:02:10,440 --> 00:02:13,680 Speaker 2: We have a rule here at VITZ that we don't 41 00:02:13,680 --> 00:02:16,200 Speaker 2: need anything that's been sent in by the listeners because 42 00:02:16,240 --> 00:02:17,440 Speaker 2: we don't know what's in it. 43 00:02:17,520 --> 00:02:17,800 Speaker 3: Do you? 44 00:02:18,120 --> 00:02:19,839 Speaker 2: I mean, what are some of the things that you've 45 00:02:19,840 --> 00:02:21,680 Speaker 2: got from your fans over the years. 46 00:02:22,160 --> 00:02:25,600 Speaker 3: Oh, you know what, I do have a it's in 47 00:02:25,639 --> 00:02:27,840 Speaker 3: the other room. But I did get like a little 48 00:02:28,240 --> 00:02:31,080 Speaker 3: model version of myself that's like stitched together. It looks 49 00:02:31,160 --> 00:02:36,320 Speaker 3: kind of like a like I'm not saying I'm not 50 00:02:36,320 --> 00:02:38,760 Speaker 3: saying it's a voodoo doll, but it looks like a 51 00:02:38,800 --> 00:02:41,160 Speaker 3: voodoo doll. So it kind of freaked me out. Honestly, 52 00:02:41,160 --> 00:02:42,600 Speaker 3: I don't know what to do with it. Sometimes I 53 00:02:42,639 --> 00:02:45,160 Speaker 3: put it in the cupboard, but like you don't want to. 54 00:02:45,160 --> 00:02:47,119 Speaker 3: I don't want to disrespect the voodoo doll. For sure. 55 00:02:47,200 --> 00:02:49,440 Speaker 3: I was kind of here now it's I feel like 56 00:02:49,480 --> 00:02:50,280 Speaker 3: it has power. 57 00:02:50,480 --> 00:02:53,040 Speaker 4: Didn't you do Was it a painting you gave Taylor Swift? 58 00:02:54,200 --> 00:02:57,560 Speaker 3: Yes, I got it. Yeah, we got that commissioned by 59 00:02:57,800 --> 00:03:01,440 Speaker 3: Ken Done did one Missisi artist? Yeah, he did it. 60 00:03:02,120 --> 00:03:08,079 Speaker 3: So that may be somewhere in the abode somewhere the Swift. 61 00:03:08,760 --> 00:03:13,320 Speaker 2: I Ginski always used to give his acts an amazing 62 00:03:13,360 --> 00:03:14,680 Speaker 2: piece of indigenous art. 63 00:03:14,639 --> 00:03:16,280 Speaker 1: And I was there one night. 64 00:03:16,440 --> 00:03:19,600 Speaker 2: I was lucky enough to be backstage when he presented 65 00:03:19,600 --> 00:03:22,520 Speaker 2: to the Arctic monkeys. The look on their faces when 66 00:03:22,560 --> 00:03:25,919 Speaker 2: they receive it is because some of these pieces are unbelievable. 67 00:03:27,440 --> 00:03:32,359 Speaker 3: That's pretty amazing. Yeah, I'm still waiting for the next installment. 68 00:03:32,400 --> 00:03:35,320 Speaker 3: From I don't know, tells you if to get me 69 00:03:35,360 --> 00:03:36,480 Speaker 3: a painting, but to. 70 00:03:36,640 --> 00:03:39,000 Speaker 4: Give you anything anything back after the tour? 71 00:03:39,080 --> 00:03:41,760 Speaker 3: Can you give me something? I don't want to be 72 00:03:43,160 --> 00:03:45,280 Speaker 3: get something. I got the opportunity to open for her, 73 00:03:45,320 --> 00:03:50,760 Speaker 3: and he said she met my parents that I was 74 00:03:50,920 --> 00:03:53,800 Speaker 3: performing at Melbourne. Unless I get reminded, my manager might 75 00:03:53,840 --> 00:03:56,440 Speaker 3: tell me. Actually, but I can't quite remember. 76 00:03:56,480 --> 00:03:58,040 Speaker 1: What about pink anything from Pink? 77 00:03:59,040 --> 00:04:03,000 Speaker 3: Pink, Yes got me. I got a lovely bottle of 78 00:04:03,000 --> 00:04:06,320 Speaker 3: whiskey like she I think she yeah, I think she's 79 00:04:06,360 --> 00:04:09,280 Speaker 3: like she likes good quality scotches and whiskey. So she 80 00:04:09,360 --> 00:04:11,440 Speaker 3: got me this beautiful old one. I took it home. 81 00:04:11,480 --> 00:04:17,760 Speaker 1: And what you're basically saying is that Pink gives gifts. 82 00:04:17,800 --> 00:04:18,679 Speaker 1: Taylor Swift doesn't. 83 00:04:18,720 --> 00:04:22,479 Speaker 3: All right, there's the headline. Oh no, oh no, I've 84 00:04:22,480 --> 00:04:24,520 Speaker 3: gotten this. I've gotten this far. 85 00:04:26,279 --> 00:04:28,200 Speaker 4: Can you tell me when you talk about big artists 86 00:04:28,200 --> 00:04:30,400 Speaker 4: and never see you've toured with a few. Now, is 87 00:04:30,440 --> 00:04:32,800 Speaker 4: there someone on your radar? If fans Joy has a 88 00:04:32,839 --> 00:04:36,280 Speaker 4: wish list, if you were to collaborate with someone, who 89 00:04:36,360 --> 00:04:36,920 Speaker 4: would it be? 90 00:04:38,480 --> 00:04:41,320 Speaker 3: I don't know, I mean it would be cool. Honestly, 91 00:04:41,360 --> 00:04:43,480 Speaker 3: you never know who's going to be the best collaboration 92 00:04:43,640 --> 00:04:48,320 Speaker 3: because you know I can advance. Of course. 93 00:04:48,480 --> 00:04:51,840 Speaker 2: Is it true that one of your inspirations growing up 94 00:04:51,960 --> 00:04:52,720 Speaker 2: was Metallica? 95 00:04:53,920 --> 00:04:56,240 Speaker 3: It is, yeah, yeah, that was like the reason I 96 00:04:56,240 --> 00:05:01,000 Speaker 3: wanted to play guitar. Someone playing nothing else matters, And 97 00:05:01,120 --> 00:05:04,400 Speaker 3: I just honestly thought it was another fourteen year old boyfriend. 98 00:05:04,400 --> 00:05:06,960 Speaker 3: I was like, he's he's like a prodigy obviously, like 99 00:05:07,040 --> 00:05:09,400 Speaker 3: he's the best guitarist and just kind of the best 100 00:05:09,440 --> 00:05:11,480 Speaker 3: guitars in the world. But that got me playing. That's 101 00:05:11,520 --> 00:05:12,120 Speaker 3: why it wasn't that. 102 00:05:12,160 --> 00:05:18,920 Speaker 2: Amazing well advanced joy Metallica collaboration could be pretty. 103 00:05:18,200 --> 00:05:22,760 Speaker 4: And the guy you saw playing Metallica back then, where's 104 00:05:22,800 --> 00:05:23,240 Speaker 4: he now? 105 00:05:24,640 --> 00:05:27,200 Speaker 3: Well, his name is Darren and he think his last 106 00:05:27,240 --> 00:05:34,440 Speaker 3: name was Sizzler. It was an old crew from my 107 00:05:34,440 --> 00:05:37,320 Speaker 3: primary school days. He's made of my mate James, and yeah, 108 00:05:37,320 --> 00:05:39,080 Speaker 3: I don't know what Darren's doing now, but he was 109 00:05:39,080 --> 00:05:40,960 Speaker 3: the guy that inspired me. He played also under the 110 00:05:40,960 --> 00:05:44,120 Speaker 3: Bridge by and I was like, wow, this. 111 00:05:44,040 --> 00:05:47,360 Speaker 2: Guy, Okay, he's another one. You're talking Darren's right, he's 112 00:05:47,360 --> 00:05:50,280 Speaker 2: another one for you. We had an amazing chat last week. 113 00:05:50,800 --> 00:05:54,400 Speaker 1: This is this is all working the way I love. 114 00:05:57,040 --> 00:05:59,679 Speaker 4: Topic now is Darren's your favorite? 115 00:05:59,760 --> 00:05:59,960 Speaker 2: Darren? 116 00:06:00,400 --> 00:06:03,280 Speaker 1: We had a great chat with Darren Hayes last week. 117 00:06:03,480 --> 00:06:06,039 Speaker 2: Is it true that Savage Garden was the first ever 118 00:06:06,080 --> 00:06:07,000 Speaker 2: CD you brought? 119 00:06:07,640 --> 00:06:12,200 Speaker 3: That is? Yes, it is, that's true. Chad and Shopping 120 00:06:12,200 --> 00:06:17,159 Speaker 3: Center got the Savage Garden from Sanity. From Sanity, Yeah, 121 00:06:17,800 --> 00:06:18,640 Speaker 3: old Chatty. 122 00:06:18,320 --> 00:06:21,920 Speaker 4: The fashion capital. Do you know what I I took 123 00:06:22,000 --> 00:06:24,560 Speaker 4: up guitar as a young guy, similar situation to you, 124 00:06:24,640 --> 00:06:27,360 Speaker 4: but I was in a park up in Noosa and 125 00:06:27,440 --> 00:06:34,839 Speaker 4: Gabrielle Gata's son was playing Nirvana on in the park. 126 00:06:35,480 --> 00:06:39,960 Speaker 4: He's not his guitar very good, and I went, that 127 00:06:40,080 --> 00:06:41,640 Speaker 4: is the coolest thing I've ever seen. And then I 128 00:06:41,680 --> 00:06:44,840 Speaker 4: took up guitar and obviously amounted to nothing. You know, 129 00:06:45,279 --> 00:06:47,760 Speaker 4: everybody has to have that. Sorry, wish I shouldn't have 130 00:06:47,800 --> 00:06:50,920 Speaker 4: gone there. Let's move back on to Darren's. If you 131 00:06:50,960 --> 00:06:59,200 Speaker 4: know a Darren that's influenced you, Dodgy Darren's Darren's Sorry man, 132 00:06:59,360 --> 00:07:00,080 Speaker 4: Sorry mate. 133 00:07:00,080 --> 00:07:03,479 Speaker 3: I was so niche. It's so niche and specific park 134 00:07:03,520 --> 00:07:07,000 Speaker 3: with gabriel son and my god, just. 135 00:07:06,960 --> 00:07:08,760 Speaker 4: One of the weird ones. But I used to go 136 00:07:08,839 --> 00:07:11,040 Speaker 4: and you'll know this is a Glenaris boy. I used 137 00:07:11,040 --> 00:07:13,480 Speaker 4: to go and sit in Central Park, not far from 138 00:07:13,520 --> 00:07:17,040 Speaker 4: the outdoor gym there, and take the guitar and and 139 00:07:17,040 --> 00:07:21,800 Speaker 4: and play Nirvana. Bus No, I wasn't busking now, bust 140 00:07:21,800 --> 00:07:22,320 Speaker 4: in the city. 141 00:07:22,920 --> 00:07:25,160 Speaker 1: Did you really did you make anything? Did you busk 142 00:07:25,200 --> 00:07:26,120 Speaker 1: at all? Vans at all? 143 00:07:26,160 --> 00:07:29,400 Speaker 3: Growing up? No? I know the Central Park, it's a 144 00:07:29,400 --> 00:07:33,760 Speaker 3: great spot. I never busked. I went open mic nights. 145 00:07:33,800 --> 00:07:35,920 Speaker 3: That was my I didn't get that. 146 00:07:36,320 --> 00:07:38,120 Speaker 4: I just needed four ninety five for all. You can 147 00:07:38,160 --> 00:07:39,120 Speaker 4: eat a pizza hut. 148 00:07:39,360 --> 00:07:42,800 Speaker 1: What can you stop focusing on yourself and we'll go 149 00:07:42,880 --> 00:07:43,440 Speaker 1: a special? 150 00:07:44,520 --> 00:07:48,160 Speaker 4: So I started with Nirvana. When I move a bit 151 00:07:48,160 --> 00:07:48,520 Speaker 4: of crowd. 152 00:07:48,880 --> 00:07:52,120 Speaker 2: Sorry, he tells us a story about the amazing artists 153 00:07:52,160 --> 00:07:54,640 Speaker 2: that were inspirations and who he's played, and you tell 154 00:07:54,720 --> 00:07:57,200 Speaker 2: us a story about Gabriel gabrielle Gat's son. 155 00:07:57,280 --> 00:07:59,680 Speaker 4: I just thought that has. 156 00:08:01,360 --> 00:08:02,600 Speaker 3: Enough mentions of the show. 157 00:08:03,320 --> 00:08:07,240 Speaker 2: If you're still listening, Oh, but your your inspiration's going Metallica, 158 00:08:07,400 --> 00:08:09,800 Speaker 2: Darren Hayes, I mean, Darren Hayes. You don't realize they 159 00:08:09,880 --> 00:08:13,080 Speaker 2: only brought out two albums and how big Savage Garden 160 00:08:13,080 --> 00:08:14,000 Speaker 2: were in the nineties. 161 00:08:14,080 --> 00:08:17,440 Speaker 3: Vans, Yeah, yeah, it's crazy. I looked up there. I 162 00:08:17,440 --> 00:08:19,960 Speaker 3: mean I knew at the time, but it was just funny, 163 00:08:19,960 --> 00:08:21,600 Speaker 3: Like you go on there Wikipedia and it's like they 164 00:08:21,640 --> 00:08:25,280 Speaker 3: had huge like number one oh five number one songs 165 00:08:25,280 --> 00:08:28,280 Speaker 3: in America. So did amazing, amazing songwriting. 166 00:08:28,800 --> 00:08:31,440 Speaker 2: We were talking to him about royalties and we found 167 00:08:31,440 --> 00:08:34,080 Speaker 2: this fascinating because he lives in America now and he said, 168 00:08:34,080 --> 00:08:36,400 Speaker 2: over in America they still received checks. 169 00:08:36,520 --> 00:08:37,920 Speaker 4: Hasn't worked for ten years. 170 00:08:38,000 --> 00:08:42,040 Speaker 2: Checks for their royalties vans now with strict Can I 171 00:08:42,080 --> 00:08:44,319 Speaker 2: ask you with streaming do you even see that? 172 00:08:44,480 --> 00:08:47,000 Speaker 1: Do you even like do you know? Does your manager go, Okay, 173 00:08:47,000 --> 00:08:49,720 Speaker 1: We're just we've got a royalty check from Spotify for 174 00:08:49,960 --> 00:08:50,880 Speaker 1: all your streams. 175 00:08:51,320 --> 00:08:54,720 Speaker 3: I don't, honestly don't know how it gets. I mean, 176 00:08:54,760 --> 00:08:57,280 Speaker 3: there's collection, have these companies that collect all the every 177 00:08:57,280 --> 00:08:59,560 Speaker 3: time there's a player. There's like the money filters in 178 00:08:59,600 --> 00:09:02,559 Speaker 3: somewhere like drips in somewhere. But it's a small percentage, 179 00:09:02,559 --> 00:09:05,240 Speaker 3: but you see it, you know, but it doesn't come 180 00:09:05,240 --> 00:09:06,920 Speaker 3: in and check form and you wouldn't be able to 181 00:09:07,200 --> 00:09:10,120 Speaker 3: for me anyway, I don't know how it all boils down. 182 00:09:10,160 --> 00:09:13,000 Speaker 3: I don't know what Spotify contributes to the to the 183 00:09:13,040 --> 00:09:15,120 Speaker 3: money I make, how many downloads is ripped. 184 00:09:16,400 --> 00:09:19,599 Speaker 4: On the topic of riptide, like, dude, what do you got. 185 00:09:19,640 --> 00:09:20,920 Speaker 3: One and a half billion? 186 00:09:23,400 --> 00:09:24,040 Speaker 1: That is mess. 187 00:09:24,120 --> 00:09:27,320 Speaker 4: I wouldn't be putting cousins artwork on the wall. I'd 188 00:09:27,360 --> 00:09:30,439 Speaker 4: be buying my own can done fans. But to take 189 00:09:30,559 --> 00:09:33,240 Speaker 4: riptide right, And it's been one ad in particular, I 190 00:09:33,320 --> 00:09:35,920 Speaker 4: remember it was on but that song must have been 191 00:09:36,160 --> 00:09:39,640 Speaker 4: used or requested at least numerous times for different products 192 00:09:39,640 --> 00:09:43,280 Speaker 4: and brands. In that situation, does your management call up 193 00:09:43,679 --> 00:09:46,640 Speaker 4: and say, Vancy, you're happy to promote Nike? Are you 194 00:09:46,720 --> 00:09:49,199 Speaker 4: happy for being a night commercial? Or have you just 195 00:09:49,280 --> 00:09:51,240 Speaker 4: got to figure on it? And your managers says, yeah, 196 00:09:51,280 --> 00:09:52,160 Speaker 4: it doesn't matter. 197 00:09:52,960 --> 00:09:55,080 Speaker 3: You know, you definitely get the email. So it's like 198 00:09:57,160 --> 00:10:00,000 Speaker 3: us a few times. I definitely used a bunch of times. 199 00:10:00,040 --> 00:10:02,480 Speaker 3: Mess is mine another song for my first album. Sometimes 200 00:10:02,480 --> 00:10:05,480 Speaker 3: it's these songs that are a little less known, but 201 00:10:05,559 --> 00:10:07,640 Speaker 3: they might just have the right vibe or they might 202 00:10:07,720 --> 00:10:09,840 Speaker 3: say the right word, like a movie needs the word 203 00:10:09,880 --> 00:10:13,120 Speaker 3: home in it or some family things. So they search 204 00:10:13,160 --> 00:10:16,240 Speaker 3: it and they find my song and yeah, I always 205 00:10:16,280 --> 00:10:19,439 Speaker 3: get like a little snippet sometimes of the ador perspective 206 00:10:19,480 --> 00:10:21,600 Speaker 3: ad and you can either say yes or earth. 207 00:10:21,720 --> 00:10:23,640 Speaker 1: You should just bring out a catchy song with all 208 00:10:23,679 --> 00:10:26,840 Speaker 1: those words. It's not pretty words, so you know, you know, 209 00:10:27,080 --> 00:10:29,520 Speaker 1: like home, sunset, yeah, summer. 210 00:10:29,840 --> 00:10:32,920 Speaker 4: I just wish I had the right tool to fix 211 00:10:33,000 --> 00:10:38,280 Speaker 4: the problem. Bunning's commercial James, have you ever written a 212 00:10:38,320 --> 00:10:41,440 Speaker 4: song with a brand in mind? No? 213 00:10:41,559 --> 00:10:44,560 Speaker 3: Not yet. Yeah, but I'm getting ideas. But you know, 214 00:10:44,679 --> 00:10:47,720 Speaker 3: surprisingly you don't, you know, they still come in. They're 215 00:10:47,720 --> 00:10:50,360 Speaker 3: coming in enough that I don't need to resort to that. Yes, 216 00:10:50,920 --> 00:10:51,720 Speaker 3: it's awesome. 217 00:10:51,760 --> 00:10:55,280 Speaker 2: I'd love to do that is our relationship at the stage. 218 00:10:55,480 --> 00:10:59,520 Speaker 2: Ask that next time we see you, you can just 219 00:11:00,080 --> 00:11:03,400 Speaker 2: it's just a quick little fits in with a jingle like. 220 00:11:03,400 --> 00:11:04,440 Speaker 1: It doesn't have to do that. 221 00:11:04,600 --> 00:11:09,000 Speaker 2: It doesn't have to be long, Okay, okay, And can 222 00:11:09,000 --> 00:11:10,880 Speaker 2: it be on the yukulele or do you want to. 223 00:11:10,800 --> 00:11:13,240 Speaker 3: Go yeah ukulelely, I can do it. I think I 224 00:11:13,240 --> 00:11:13,840 Speaker 3: can do it on the you. 225 00:11:14,040 --> 00:11:14,520 Speaker 4: I can't say. 226 00:11:15,320 --> 00:11:16,920 Speaker 3: I'll kind of go into the music room and just 227 00:11:16,960 --> 00:11:19,120 Speaker 3: see what, you know, how I get inspired. 228 00:11:19,200 --> 00:11:21,480 Speaker 4: But you can't say we'd be tired either. 229 00:11:21,520 --> 00:11:22,679 Speaker 1: That's lazy whipped. 230 00:11:23,280 --> 00:11:25,040 Speaker 3: Oh my god, it would have taken me a long 231 00:11:25,080 --> 00:11:26,360 Speaker 3: time to arrive at so. 232 00:11:28,320 --> 00:11:30,360 Speaker 4: Hey vance. I mean fits, I thought you were going 233 00:11:30,440 --> 00:11:33,480 Speaker 4: to ask something else that's a bit personal. Just want 234 00:11:33,480 --> 00:11:36,680 Speaker 4: to check in how your love life is mate, still 235 00:11:36,720 --> 00:11:38,520 Speaker 4: in love at the moment, or you a bit single 236 00:11:38,559 --> 00:11:42,560 Speaker 4: and a bit single having to look around. 237 00:11:42,280 --> 00:11:44,959 Speaker 3: Or where are you at with I'm going, well, I'm 238 00:11:44,960 --> 00:11:45,920 Speaker 3: going everything is good. 239 00:11:46,200 --> 00:11:47,600 Speaker 4: You love to chat about that stuff? 240 00:11:48,040 --> 00:11:51,319 Speaker 2: No, no, what you Is it true that this new 241 00:11:51,360 --> 00:11:54,120 Speaker 2: album you played it to your girlfriend first and you 242 00:11:54,200 --> 00:11:56,560 Speaker 2: get her thoughts first before you actually put it out there? 243 00:11:56,720 --> 00:11:58,079 Speaker 3: I do. I don't play a lot of the song. 244 00:11:58,120 --> 00:12:00,320 Speaker 3: She kind of hears them all coming along, so she's 245 00:12:01,080 --> 00:12:03,160 Speaker 3: she kind of gives me a bit of feedback. But 246 00:12:03,280 --> 00:12:05,160 Speaker 3: it's all. It's all pretty positive, I have to admit. 247 00:12:05,240 --> 00:12:08,040 Speaker 3: But yeah, she had she heard all the songs in 248 00:12:08,120 --> 00:12:10,760 Speaker 3: their formation and in their demo forms and stuff. 249 00:12:10,920 --> 00:12:13,280 Speaker 4: Was there anything you'd written about her where she went? 250 00:12:13,600 --> 00:12:14,439 Speaker 4: What do you mean by that? 251 00:12:15,360 --> 00:12:19,440 Speaker 3: There are some There are some songs where I think basically, 252 00:12:19,520 --> 00:12:22,360 Speaker 3: I've learned that it helps to be more specific. So 253 00:12:22,440 --> 00:12:25,760 Speaker 3: if it's kind of a generic love song, you know 254 00:12:25,760 --> 00:12:27,600 Speaker 3: you I was not going to recognize herself. But if 255 00:12:27,640 --> 00:12:31,600 Speaker 3: you say she used some very clear pointers, like you say, 256 00:12:32,040 --> 00:12:33,400 Speaker 3: you can't but anything short. 257 00:12:33,240 --> 00:12:35,560 Speaker 1: Of saying her name of course, Yeah, a. 258 00:12:35,600 --> 00:12:37,200 Speaker 3: Bit descriptive, be a bit descriptive. 259 00:12:37,280 --> 00:12:39,319 Speaker 2: Yeah, you forgot to put the toilet roll in the beIN. 260 00:12:39,440 --> 00:12:40,280 Speaker 2: She'll know it's her. 261 00:12:40,600 --> 00:12:42,240 Speaker 1: It's just stuff like that. 262 00:12:42,320 --> 00:12:44,760 Speaker 4: Yeah. I wrote a song called did You Rip to 263 00:12:44,800 --> 00:12:49,080 Speaker 4: My Heart Out? And she knew it was about her. 264 00:12:49,480 --> 00:12:53,960 Speaker 4: She definitely didn't even know that she was in a. 265 00:12:53,960 --> 00:12:57,240 Speaker 1: Relationship with your Darren. 266 00:12:57,679 --> 00:12:59,680 Speaker 4: Sorry, I've gone off back to me. 267 00:13:00,240 --> 00:13:01,839 Speaker 1: So I'm so sorry. 268 00:13:02,240 --> 00:13:02,880 Speaker 3: Sorry mate? 269 00:13:03,000 --> 00:13:03,600 Speaker 1: Which is here? 270 00:13:03,920 --> 00:13:05,640 Speaker 4: We should have done this live? Mate? 271 00:13:05,720 --> 00:13:10,319 Speaker 2: No before you go the iconic Sydney Opera House first 272 00:13:10,320 --> 00:13:11,600 Speaker 2: time or have you played there before? 273 00:13:11,679 --> 00:13:15,480 Speaker 3: Vents, We've played inside, We've played a couple of nights 274 00:13:15,520 --> 00:13:18,079 Speaker 3: inside back in twenty sixteen, but this is the first 275 00:13:18,080 --> 00:13:21,720 Speaker 3: time in the in the full court. The bigger, biggest show, 276 00:13:21,760 --> 00:13:22,600 Speaker 3: bigger crowd love. 277 00:13:22,640 --> 00:13:24,640 Speaker 2: That's what are some of the been the biggest. I 278 00:13:24,640 --> 00:13:29,080 Speaker 2: mean Stounded House was massive. There you am I played 279 00:13:29,120 --> 00:13:31,640 Speaker 2: there it. Paul Kelly just recently did a show outside 280 00:13:31,679 --> 00:13:34,360 Speaker 2: on the Prince. Prince was inside. 281 00:13:35,400 --> 00:13:37,640 Speaker 1: Its dead. But yeah, mate, that. 282 00:13:37,720 --> 00:13:41,319 Speaker 2: Is Oh my god, that will not happen to you. 283 00:13:41,320 --> 00:13:42,760 Speaker 2: You've got a long life ahead of you. 284 00:13:42,840 --> 00:13:44,120 Speaker 3: That doesn't mean that will happen. 285 00:13:45,200 --> 00:13:47,480 Speaker 4: I'm I'm not suggesting anyone. 286 00:13:47,120 --> 00:13:51,480 Speaker 1: That can I say? Can I say though? 287 00:13:51,480 --> 00:13:53,640 Speaker 2: Mate, we've been giving away some doubles this week to 288 00:13:53,679 --> 00:13:56,760 Speaker 2: the opera show and phones have been going crazy. So mate, 289 00:13:56,960 --> 00:14:00,360 Speaker 2: the new album, in our Own Sweet Time. It's out 290 00:14:00,400 --> 00:14:03,760 Speaker 2: this Friday. You'll hear more from Vance and obviously coming 291 00:14:03,800 --> 00:14:06,640 Speaker 2: back in November. You can get tickets at frontier tering 292 00:14:06,720 --> 00:14:09,320 Speaker 2: dot com. Thank you so much for coming on, mate, 293 00:14:09,360 --> 00:14:10,280 Speaker 2: appreciate that time. 294 00:14:10,480 --> 00:14:13,040 Speaker 3: Jeez, that's you, bloody make you guys make me laugh. 295 00:14:13,080 --> 00:14:14,080 Speaker 3: It's such a pleasure. 296 00:14:14,080 --> 00:14:16,160 Speaker 2: Thank you, and we just need that sting when we 297 00:14:16,240 --> 00:14:17,840 Speaker 2: come back, that little jingle next time. 298 00:14:17,920 --> 00:14:21,320 Speaker 3: Vance, just don't forget that your legend. 299 00:14:21,400 --> 00:14:24,840 Speaker 4: Thanks buddy, Thanks guys, Thanking easy It