1
00:00:00,240 --> 00:00:03,160
Speaker 1: This is the Fits In with Her with Kate Richie podcast.

2
00:00:03,560 --> 00:00:06,160
Speaker 2: Let's talk about this weekend because it's a big one

3
00:00:06,640 --> 00:00:08,760
Speaker 2: and if you're lucky enough, you're going along to see

4
00:00:08,800 --> 00:00:09,479
Speaker 2: Taylor Swift.

5
00:00:09,920 --> 00:00:10,680
Speaker 3: This girl, I'm.

6
00:00:10,520 --> 00:00:13,440
Speaker 2: About to introduce my Shaw footage. You've heard the Pink

7
00:00:13,480 --> 00:00:16,720
Speaker 2: Concert and I went, that's a talent right there. I'd

8
00:00:16,800 --> 00:00:19,960
Speaker 2: like to introduce Marty van Fleick. Welcome to the show, Marnes.

9
00:00:21,720 --> 00:00:22,680
Speaker 1: How are you all good?

10
00:00:22,680 --> 00:00:24,759
Speaker 2: How do you describe the job that you do?

11
00:00:25,680 --> 00:00:28,160
Speaker 1: Well, it's definitely my hand signals with That's the bone

12
00:00:28,160 --> 00:00:30,960
Speaker 1: I have to stick with you. Yes, said it last

13
00:00:31,000 --> 00:00:33,120
Speaker 1: week at US I was like, I'm doing handing signals

14
00:00:33,200 --> 00:00:37,879
Speaker 1: and dancing. I'm actually the og lane and the interpret

15
00:00:37,880 --> 00:00:40,120
Speaker 1: concertlane interpreters.

16
00:00:40,680 --> 00:00:43,440
Speaker 3: But you do so much more than that money. Let's

17
00:00:43,479 --> 00:00:45,800
Speaker 3: be honest. We've seen we've seen you at the Pink

18
00:00:45,840 --> 00:00:48,159
Speaker 3: Concert and we look forward to seeing you this weekend

19
00:00:48,640 --> 00:00:52,280
Speaker 3: at Taylor Swift. Yes, yes, it's Ozland, but it's also

20
00:00:52,440 --> 00:00:58,080
Speaker 3: you're so are You're highly entertaining. There's nothing that there

21
00:00:58,160 --> 00:01:01,360
Speaker 3: is nothing that you're missing out on. When people's eyes

22
00:01:01,400 --> 00:01:04,720
Speaker 3: flick from Taylor to you, well, but hi, fear.

23
00:01:04,680 --> 00:01:07,800
Speaker 1: Is as an interpreter. I want the death audience to

24
00:01:07,840 --> 00:01:10,600
Speaker 1: have the same experience as everyone else, and so it's

25
00:01:10,640 --> 00:01:12,560
Speaker 1: someone in they're a family debt and they can't hear

26
00:01:12,600 --> 00:01:14,360
Speaker 1: a thing, but they can feal the vibrations, and I

27
00:01:14,360 --> 00:01:17,520
Speaker 1: want to show through my body through my translations. It's

28
00:01:17,560 --> 00:01:20,480
Speaker 1: the song sad, if it's happy, if it's joyful, if

29
00:01:20,520 --> 00:01:23,920
Speaker 1: it's going crazy. So that's where the body movement and

30
00:01:24,040 --> 00:01:26,640
Speaker 1: language comes in. My background isn't dance, so I think

31
00:01:26,640 --> 00:01:30,000
Speaker 1: it does come naturally as well. But I just I

32
00:01:30,000 --> 00:01:31,960
Speaker 1: don't love what I do and I love the audience

33
00:01:31,959 --> 00:01:32,880
Speaker 1: the same experience.

34
00:01:32,959 --> 00:01:35,360
Speaker 3: Credit that's that is credit to you. I'd love to

35
00:01:35,400 --> 00:01:38,640
Speaker 3: know because you are so enthusiastic. MANI have you ever

36
00:01:38,680 --> 00:01:41,480
Speaker 3: had an artist come over and acknowledge you at all?

37
00:01:42,600 --> 00:01:45,720
Speaker 1: We do sometimes if we're on the main stage with artists,

38
00:01:45,760 --> 00:01:48,600
Speaker 1: they do like to come over. Some of my favorite

39
00:01:48,600 --> 00:01:50,640
Speaker 1: people are very human nature. I've done a couple of

40
00:01:50,640 --> 00:01:52,720
Speaker 1: shows for them and they always love to come over

41
00:01:52,800 --> 00:01:56,000
Speaker 1: and have a body and the default list love that. Yeah. Well,

42
00:01:56,160 --> 00:01:58,920
Speaker 1: I did Christina Aguilera in Melbourne and we were on

43
00:01:58,920 --> 00:02:01,920
Speaker 1: the stage for that. We didn't meet her, unfortunately, but

44
00:02:01,960 --> 00:02:03,720
Speaker 1: I just see she's a little glance over, like making

45
00:02:03,720 --> 00:02:05,720
Speaker 1: sure we want to stand jumping up on stage. Shall

46
00:02:05,720 --> 00:02:09,040
Speaker 1: I tackle her or anything? Yeah, it does happen, but

47
00:02:09,080 --> 00:02:11,040
Speaker 1: the main things like Taylor, No, we won't be close

48
00:02:11,080 --> 00:02:13,040
Speaker 1: to her. We won't meet her, now, can I ask?

49
00:02:13,080 --> 00:02:14,640
Speaker 2: I mean, it's a three and a half hour show,

50
00:02:15,720 --> 00:02:18,160
Speaker 2: so you need to know all the songs, so need the.

51
00:02:18,160 --> 00:02:21,000
Speaker 1: Red bull as well, a red.

52
00:02:20,840 --> 00:02:23,400
Speaker 2: Bull so you don't have to learn all the music,

53
00:02:24,080 --> 00:02:26,720
Speaker 2: probably have an idea of the track set in the order, yes,

54
00:02:26,840 --> 00:02:29,160
Speaker 2: and then you just let rip for three and a

55
00:02:29,200 --> 00:02:30,120
Speaker 2: half hours.

56
00:02:30,360 --> 00:02:34,280
Speaker 1: I do, indeed, So basically every interpreter has their own process.

57
00:02:34,320 --> 00:02:36,560
Speaker 1: We get given a set list, let's hope a week

58
00:02:36,600 --> 00:02:39,480
Speaker 1: before it something like Taylor's kind of known. It's going

59
00:02:39,520 --> 00:02:41,360
Speaker 1: to be the same era as tour she's done overseas.

60
00:02:41,400 --> 00:02:43,520
Speaker 1: Obviously there'll be surprise songs, so we have to kind

61
00:02:43,520 --> 00:02:45,880
Speaker 1: of go on the fly with that. But me and

62
00:02:45,919 --> 00:02:48,080
Speaker 1: my other interpreter, Jens, who will be in Sydney with me,

63
00:02:48,160 --> 00:02:51,359
Speaker 1: we've split the set list and I like to just

64
00:02:51,440 --> 00:02:54,040
Speaker 1: google what the meanings of the songs are, what the

65
00:02:54,120 --> 00:02:57,040
Speaker 1: sand's about, and just make sure it's so visual. Because

66
00:02:57,160 --> 00:03:01,120
Speaker 1: Taylor's storytelling through her songs are so beautiful, smart, and

67
00:03:01,160 --> 00:03:04,120
Speaker 1: I want to give that justice into Osland is such

68
00:03:04,120 --> 00:03:09,799
Speaker 1: a beautiful language, So I've been constantly googling, writing my translations,

69
00:03:09,880 --> 00:03:12,200
Speaker 1: listening on repeat now whenever I'm in the car. I

70
00:03:12,200 --> 00:03:13,880
Speaker 1: think my son and my husband are the stick of

71
00:03:13,960 --> 00:03:18,200
Speaker 1: Payler Twist at the moment, yep, focus, focus while I practice.

72
00:03:18,480 --> 00:03:21,280
Speaker 1: It's the same with things as well, just being constantly.

73
00:03:20,800 --> 00:03:23,440
Speaker 3: Listening Marney, I just I need to just go back

74
00:03:23,560 --> 00:03:24,720
Speaker 3: very quickly before we leave.

75
00:03:24,760 --> 00:03:25,000
Speaker 2: You go.

76
00:03:25,400 --> 00:03:28,240
Speaker 3: You did say that the set list is always the same.

77
00:03:28,320 --> 00:03:30,160
Speaker 3: There are going to be the songs that she's going

78
00:03:30,200 --> 00:03:33,280
Speaker 3: to gift Sydney, right, and you you're saying that you

79
00:03:33,360 --> 00:03:36,120
Speaker 3: have to just work on the fly. Are you sure

80
00:03:36,160 --> 00:03:38,320
Speaker 3: you don't know what those extra songs are?

81
00:03:39,280 --> 00:03:41,240
Speaker 1: You have to kill me before I can actually tell

82
00:03:41,280 --> 00:03:42,120
Speaker 1: you this, So.

83
00:03:42,120 --> 00:03:42,760
Speaker 2: You do know?

84
00:03:43,080 --> 00:03:46,480
Speaker 3: Is she going to play though? Is she doing the one?

85
00:03:46,600 --> 00:03:47,160
Speaker 3: The woman?

86
00:03:47,760 --> 00:03:53,120
Speaker 1: It's just it's an NBA. SIGNED can't tell anyone. I

87
00:03:53,480 --> 00:03:55,880
Speaker 1: know you're a swifty. I know you're a swifty, my love.

88
00:03:55,880 --> 00:03:57,640
Speaker 1: I would love to tell you at all, but I

89
00:03:57,680 --> 00:03:58,640
Speaker 1: want to keep my job.

90
00:03:58,720 --> 00:04:02,720
Speaker 3: Okay, ask you now, though, when when do you get

91
00:04:02,720 --> 00:04:04,800
Speaker 3: that set list? When do you know what those songs are?

92
00:04:04,840 --> 00:04:07,040
Speaker 1: Do you know those songs? Right now? I'm going to

93
00:04:07,080 --> 00:04:09,000
Speaker 1: tell you straight up right now, we actually don't get.

94
00:04:08,920 --> 00:04:11,320
Speaker 3: Told the song oh so many you have to say.

95
00:04:11,400 --> 00:04:13,080
Speaker 1: You're giving us some ods land right now?

96
00:04:13,080 --> 00:04:14,240
Speaker 2: What does the middle finger?

97
00:04:17,600 --> 00:04:19,839
Speaker 3: Okay, thank you so much, You're an inspiration.

98
00:04:20,040 --> 00:04:21,000
Speaker 2: Good luck on the weekend.

99
00:04:21,760 --> 00:04:22,760
Speaker 1: Thanks, It's seen.

100
00:04:22,800 --> 00:04:25,960
Speaker 2: Whipper with Kate Ritchie is a Nova podcast a great

101
00:04:25,960 --> 00:04:29,200
Speaker 2: shows like this. Download the Nova player, Fie the App

102
00:04:29,240 --> 00:04:31,560
Speaker 2: Store or Google Playing the player