1 00:00:05,921 --> 00:00:12,361 Speaker 1: Approche production on this episode of We Will Always Have 2 00:00:12,641 --> 00:00:14,841 Speaker 1: You're good at everything that you are. Do you think 3 00:00:14,921 --> 00:00:17,241 Speaker 1: that I do? I do? I think that you have 4 00:00:17,320 --> 00:00:21,281 Speaker 1: this natural ability, this craft mind, that right side of 5 00:00:21,321 --> 00:00:24,601 Speaker 1: your brain that just anything you have the audacity to. 6 00:00:24,761 --> 00:00:26,961 Speaker 1: Whatever you pick up, you do really really well. 7 00:00:27,001 --> 00:00:32,361 Speaker 2: At Hi, it's Christian here and armed with the best mate, 8 00:00:33,001 --> 00:00:36,840 Speaker 2: best mate a mate, Chrissy. We've decided to take this 9 00:00:36,881 --> 00:00:38,641 Speaker 2: season of We Will Always Have to camera. 10 00:00:38,881 --> 00:00:40,681 Speaker 1: Christy and I are going to do a bunch of things. 11 00:00:40,921 --> 00:00:43,081 Speaker 1: God knows what they are. I mean, you're about to 12 00:00:43,081 --> 00:00:43,641 Speaker 1: find out. 13 00:00:43,881 --> 00:00:46,321 Speaker 2: It's probably mostly yelling and screaming and then discussing a 14 00:00:46,321 --> 00:00:49,560 Speaker 2: bunch of random topics. Christy and I keep ourselves entertained 15 00:00:49,601 --> 00:00:53,920 Speaker 2: and hopefully you enjoy what the hell this is. We 16 00:00:54,001 --> 00:01:02,321 Speaker 2: Will Always Have camera. So We're sitting at a cafe 17 00:01:03,081 --> 00:01:06,201 Speaker 2: bar after seeing works and I'm in the middle of 18 00:01:06,241 --> 00:01:08,681 Speaker 2: having an absolute fucking meltdown because I put my phone 19 00:01:08,681 --> 00:01:10,961 Speaker 2: in water and now I can't record anything with the microphones. 20 00:01:11,441 --> 00:01:13,921 Speaker 2: But Christine, being the beautiful human being that she is, 21 00:01:14,441 --> 00:01:17,640 Speaker 2: has ordered me a beverigino to help calm me down. 22 00:01:17,961 --> 00:01:19,201 Speaker 2: Now I'm just going to hand you the phone I 23 00:01:19,241 --> 00:01:21,720 Speaker 2: would like you. Oh, should I. 24 00:01:21,640 --> 00:01:22,840 Speaker 1: Have a sip and that? What? 25 00:01:23,081 --> 00:01:23,241 Speaker 2: How? 26 00:01:24,521 --> 00:01:28,321 Speaker 1: Yeah, because you just ordered, you just basically ordered go. 27 00:01:28,601 --> 00:01:30,520 Speaker 1: So I went up to the counter and I said, now, 28 00:01:30,521 --> 00:01:33,640 Speaker 1: of course I want my apparol spirits, but what I 29 00:01:33,801 --> 00:01:37,200 Speaker 1: want is also a drink that is a little bit cheeky. 30 00:01:38,441 --> 00:01:41,440 Speaker 1: And she said, I've got the perfect one for you, cheeky. 31 00:01:41,640 --> 00:01:44,360 Speaker 1: She said, what about a Cloud nine? And I said, no, 32 00:01:44,761 --> 00:01:47,201 Speaker 1: oh no, I'm so angry. No, we don't need a 33 00:01:47,241 --> 00:01:50,081 Speaker 1: cloud night. What is another option you could provide? She 34 00:01:50,281 --> 00:01:54,721 Speaker 1: goes and she said, what about a curious George? And 35 00:01:54,841 --> 00:01:57,561 Speaker 1: I said to her, I think that's the go. Now. 36 00:01:57,801 --> 00:01:59,561 Speaker 1: I want you to taste it because there is a 37 00:01:59,801 --> 00:02:02,921 Speaker 1: fruit involved. Don't look at the fruit that's already in there, 38 00:02:03,681 --> 00:02:05,681 Speaker 1: but every fruit is involved. 39 00:02:06,281 --> 00:02:11,241 Speaker 2: Christine, it's called a cuous George. It'll be a banana. 40 00:02:11,641 --> 00:02:16,840 Speaker 1: Oh, yeah, of course it will be. I haven't even 41 00:02:16,881 --> 00:02:19,561 Speaker 1: had to sit here. No, and you know, Geeshu's made 42 00:02:19,601 --> 00:02:22,721 Speaker 1: this aparol lovely? What's it because it's mostly wine? Oh 43 00:02:22,761 --> 00:02:27,840 Speaker 1: it's beautiful. Let's see how you like yours? All right, 44 00:02:27,881 --> 00:02:31,400 Speaker 1: we've all the eyes are now getting quite large. Are 45 00:02:31,441 --> 00:02:34,680 Speaker 1: we going in for a second? Taste. Mmmmmm. 46 00:02:35,240 --> 00:02:40,441 Speaker 2: My initial my initial thoughts and feelings were no. But 47 00:02:40,561 --> 00:02:45,601 Speaker 2: on second go it's always, oh, it's really tropical. It's 48 00:02:45,601 --> 00:02:48,201 Speaker 2: actually really lovely. I think because maybe the banana syrup 49 00:02:48,201 --> 00:02:49,680 Speaker 2: was on the bottom and I used to straw. Let's 50 00:02:49,680 --> 00:02:54,520 Speaker 2: just do a bit of a nix. Oh that's calming 51 00:02:54,601 --> 00:02:58,241 Speaker 2: me down, unless I feel so much less aggressive now. 52 00:03:01,081 --> 00:03:03,321 Speaker 1: I have to laugh when you say, oh, I'm losing 53 00:03:03,361 --> 00:03:06,361 Speaker 1: my shit. I'm having a mountdown. If that's what a 54 00:03:06,441 --> 00:03:11,921 Speaker 1: meltdown is, that's my life. That's just the way I 55 00:03:11,960 --> 00:03:14,641 Speaker 1: conduct my life as a fifty five year old woman 56 00:03:14,680 --> 00:03:17,241 Speaker 1: identifying as forty nine. Do you think you are really 57 00:03:17,240 --> 00:03:19,841 Speaker 1: having a mountdown? Yes, I'm having I'm a meltdown right now? 58 00:03:19,960 --> 00:03:20,560 Speaker 1: Are you really? 59 00:03:20,761 --> 00:03:20,960 Speaker 2: Yes? 60 00:03:21,960 --> 00:03:24,481 Speaker 1: I thought you would. I'm probably putting a lid on it. 61 00:03:24,481 --> 00:03:25,241 Speaker 1: It's also hot. 62 00:03:25,361 --> 00:03:27,921 Speaker 2: So the meltdown is we're using the phone to record 63 00:03:28,001 --> 00:03:30,400 Speaker 2: because my four hundred dollar mics don't want to work. 64 00:03:30,441 --> 00:03:32,601 Speaker 1: I have no other alternative, and we're trying to record a. 65 00:03:32,520 --> 00:03:36,001 Speaker 2: Podcast and it's like, oh, I just I don't have 66 00:03:36,041 --> 00:03:37,801 Speaker 2: the brain capacity for anything to go wrong. 67 00:03:38,241 --> 00:03:41,281 Speaker 1: I just don't have the tolerance. And so my phone 68 00:03:41,361 --> 00:03:43,720 Speaker 1: was like, actually, do your magaphone, don't when it work. 69 00:03:44,001 --> 00:03:47,841 Speaker 2: Water detected and I literally had a meltdown. 70 00:03:48,121 --> 00:03:49,921 Speaker 1: You didn't think I threw a little tantrum at all, 71 00:03:50,161 --> 00:03:52,641 Speaker 1: Not at all. If that was you having a tantrum, 72 00:03:52,721 --> 00:03:57,721 Speaker 1: blowing your shit coming undone, Well, there's no problems. Got 73 00:03:57,801 --> 00:04:00,401 Speaker 1: down here, okay, just what you to pace yourself right? 74 00:04:00,601 --> 00:04:03,001 Speaker 1: And got oh do you got it? You're going to 75 00:04:03,041 --> 00:04:04,521 Speaker 1: have to drive home. Oh my god, it's going to 76 00:04:04,521 --> 00:04:07,401 Speaker 1: be absolutely you're sculling it. Mate. You don't scull a 77 00:04:07,481 --> 00:04:11,881 Speaker 1: cocktail one standard drink. Oh, it's a cure. It would 78 00:04:11,881 --> 00:04:15,001 Speaker 1: be a shock. Yeah, but but again, a cure not 79 00:04:15,121 --> 00:04:19,001 Speaker 1: quite twelve o'clock somewhere, and you just had breakfast not 80 00:04:19,081 --> 00:04:23,641 Speaker 1: long ago. I just did a bit of help calming down. Yeah, 81 00:04:23,801 --> 00:04:26,080 Speaker 1: just take some breaths in and out. 82 00:04:26,561 --> 00:04:29,640 Speaker 2: When we get the mics working, I want to talk 83 00:04:29,681 --> 00:04:34,281 Speaker 2: about crafting and art because we just went to glassworks, 84 00:04:34,281 --> 00:04:37,641 Speaker 2: we went to some markets, and I'm really inspired. I 85 00:04:37,681 --> 00:04:39,721 Speaker 2: also having a little bit of a meltdown because I 86 00:04:39,761 --> 00:04:41,481 Speaker 2: just want to escape and do some basket Well you 87 00:04:41,481 --> 00:04:45,761 Speaker 2: think like I do you? Yeah, let's just my phone 88 00:04:45,801 --> 00:04:47,320 Speaker 2: needs to drive you to put it in some rice 89 00:04:47,841 --> 00:04:50,921 Speaker 2: and then yeah, but thank you this cocktail? 90 00:04:51,841 --> 00:05:06,601 Speaker 1: Seven? Oh? Ten? Can I get another one? Place? Oh? 91 00:05:06,641 --> 00:05:09,041 Speaker 2: That cocktails kicked in. I'm feeling a lot better now. 92 00:05:09,880 --> 00:05:12,921 Speaker 2: Letting me is your phone that's not pure? I've smashed 93 00:05:12,921 --> 00:05:15,361 Speaker 2: my iPhone, my good one, and now I've dropped the 94 00:05:15,401 --> 00:05:16,121 Speaker 2: other one in water. 95 00:05:16,401 --> 00:05:18,761 Speaker 1: No you have in a moment. Okay, I've calmed down. 96 00:05:19,201 --> 00:05:25,161 Speaker 1: I've relaxed into what you thought was a melt curious jewey. 97 00:05:25,281 --> 00:05:32,121 Speaker 1: Very nice, wasn't it. Well, I get you another one, 98 00:05:32,241 --> 00:05:36,760 Speaker 1: remnants out of it. Let's talk arts crafts. Okay. So 99 00:05:36,841 --> 00:05:39,001 Speaker 1: what I want to talk to you about is I 100 00:05:39,041 --> 00:05:41,561 Speaker 1: love the fact that you are into so many things. 101 00:05:41,601 --> 00:05:44,640 Speaker 1: But what really gives me the shits is that you're 102 00:05:44,641 --> 00:05:46,801 Speaker 1: good at everything that you are. Do you think that 103 00:05:47,081 --> 00:05:49,200 Speaker 1: I do? I do. I think that you have this 104 00:05:49,361 --> 00:05:53,281 Speaker 1: natural ability, this craft mind, that right side of your 105 00:05:53,281 --> 00:05:56,921 Speaker 1: brain that just anything you have the audacity to, whatever 106 00:05:56,961 --> 00:05:59,801 Speaker 1: you pick up, you do really really well at. And 107 00:05:59,841 --> 00:06:01,721 Speaker 1: I get it. I see, really. 108 00:06:01,521 --> 00:06:04,561 Speaker 2: Sting because that's what I thought about Mum. And it 109 00:06:04,641 --> 00:06:07,201 Speaker 2: used to me off because I'd be struggling to do 110 00:06:07,241 --> 00:06:11,561 Speaker 2: something and she'd just sworn in effortlessly do it without 111 00:06:11,601 --> 00:06:14,881 Speaker 2: any instructions, and it would look amazing and rather than 112 00:06:14,921 --> 00:06:16,961 Speaker 2: me learning from her, and she'd be like, I ain't 113 00:06:16,961 --> 00:06:20,521 Speaker 2: you Why can't I do itho way today? 114 00:06:20,721 --> 00:06:23,041 Speaker 1: Well, I think it got to a point I think 115 00:06:23,081 --> 00:06:23,880 Speaker 1: the same as you. 116 00:06:23,961 --> 00:06:26,760 Speaker 2: Like that sounds so arrogant. I think I am the 117 00:06:26,880 --> 00:06:29,001 Speaker 2: van go of the craft world, but like. 118 00:06:29,401 --> 00:06:32,081 Speaker 1: She just hold out, Yeah, oh days, it's a very 119 00:06:32,161 --> 00:06:35,001 Speaker 1: peace flip my hair, my non existent hair. 120 00:06:35,841 --> 00:06:40,241 Speaker 2: Only recently have I realized or have I adapted into 121 00:06:40,880 --> 00:06:44,481 Speaker 2: being my mother, where she would always be like, no, 122 00:06:44,601 --> 00:06:47,081 Speaker 2: just keep going, just just keep going through it, just. 123 00:06:47,001 --> 00:06:47,481 Speaker 1: Push through it. 124 00:06:47,521 --> 00:06:49,481 Speaker 2: And she and I would throw a tantrum and walk away, 125 00:06:49,761 --> 00:06:51,681 Speaker 2: and then I would come back and she'd have pushed 126 00:06:51,721 --> 00:06:53,041 Speaker 2: through whatever she was doing and it would be this 127 00:06:53,201 --> 00:06:57,881 Speaker 2: beautiful mosaicing draw just everything. Mind you, at that point, 128 00:06:57,921 --> 00:07:01,001 Speaker 2: I was a teenager. She was an adult who worked 129 00:07:01,001 --> 00:07:03,320 Speaker 2: in the fashion industry, and she had a lot of experience. 130 00:07:04,041 --> 00:07:07,440 Speaker 1: Yeah, but she's got it. I don't know a natural 131 00:07:07,481 --> 00:07:09,281 Speaker 1: intuition on how things should look. 132 00:07:09,440 --> 00:07:12,081 Speaker 2: I don't care anymore when I'm doing something. I don't 133 00:07:12,081 --> 00:07:16,201 Speaker 2: need it to work perfectly. I don't need it because 134 00:07:16,201 --> 00:07:18,721 Speaker 2: I've really learned to trust the process. 135 00:07:19,081 --> 00:07:21,321 Speaker 1: Okay, we'll learn from the process. 136 00:07:21,401 --> 00:07:23,121 Speaker 2: So if you do it and you fuck up, why 137 00:07:23,921 --> 00:07:25,321 Speaker 2: just do it again and don't do that. 138 00:07:25,841 --> 00:07:28,761 Speaker 1: See I don't see that. I see you being a perfectionist. 139 00:07:29,361 --> 00:07:31,841 Speaker 1: I used to be and you said to me, oh, 140 00:07:32,121 --> 00:07:34,561 Speaker 1: just trust the process and work through it. But like 141 00:07:34,641 --> 00:07:38,041 Speaker 1: you have this natural ability to have that patience, I 142 00:07:38,041 --> 00:07:41,121 Speaker 1: would not go fuck you. I'm off, no, done, can't 143 00:07:41,121 --> 00:07:43,161 Speaker 1: do it. Off you go off your fuck in a 144 00:07:43,161 --> 00:07:46,161 Speaker 1: plastic bag in the tag in the because that's where 145 00:07:46,161 --> 00:07:51,761 Speaker 1: my craft is, in multiples, in the garage, stacked, because 146 00:07:52,081 --> 00:07:53,201 Speaker 1: because I can't be perfect. 147 00:07:54,081 --> 00:07:57,801 Speaker 2: You can't learn something in two hours that takes someone 148 00:07:57,881 --> 00:07:58,761 Speaker 2: years and years to master. 149 00:07:58,881 --> 00:08:02,761 Speaker 1: But I think that's the ADHD and diagnose the audacity 150 00:08:03,361 --> 00:08:08,881 Speaker 1: to think, oh pick that up, yeah, problemo, it's easy. No, 151 00:08:08,961 --> 00:08:09,201 Speaker 1: it's not. 152 00:08:09,401 --> 00:08:12,161 Speaker 2: We walked past the store at the bus Depot markets. 153 00:08:12,801 --> 00:08:15,401 Speaker 2: This Lush Corner is the name of the store, and 154 00:08:15,401 --> 00:08:16,321 Speaker 2: then you pulled me in. 155 00:08:16,481 --> 00:08:19,801 Speaker 1: Oh I did. I'm very excited because you've taken up 156 00:08:19,841 --> 00:08:22,561 Speaker 1: a new hobby. We haven't taken it up yet. 157 00:08:22,681 --> 00:08:25,961 Speaker 2: You've bought the supplies that I and see guarantee you 158 00:08:26,201 --> 00:08:27,281 Speaker 2: will not get opened. 159 00:08:27,441 --> 00:08:30,601 Speaker 1: And that's the downfall. This is the slippery slope that 160 00:08:30,641 --> 00:08:34,681 Speaker 1: I've taken. I've met the lovely Leah who has this 161 00:08:34,961 --> 00:08:39,281 Speaker 1: amazing setup on her store and she's got this very simple, 162 00:08:39,641 --> 00:08:43,721 Speaker 1: almost humble looking project that she's working on. It looks 163 00:08:43,721 --> 00:08:45,681 Speaker 1: like you could do it with your eyes closed. I'm sorry. 164 00:08:45,801 --> 00:08:48,641 Speaker 1: It's basket weaving, but with hemp. She had one with hemp, 165 00:08:48,641 --> 00:08:51,801 Speaker 1: but the one that she was working on was dute. Right, Yes, 166 00:08:52,161 --> 00:08:53,721 Speaker 1: I'll just take it out of the bag. That's the 167 00:08:53,761 --> 00:08:57,401 Speaker 1: moment you bought. What did you buy? Well, this is 168 00:08:57,521 --> 00:09:01,641 Speaker 1: called a sheene. I think I've said that correctly. Yep. 169 00:09:01,761 --> 00:09:07,041 Speaker 1: And it's just a fabric spool of it, exactly right. Yeah, 170 00:09:07,161 --> 00:09:09,801 Speaker 1: she was in the processes and making a little basket, 171 00:09:09,841 --> 00:09:13,441 Speaker 1: which I thought the audacity takes over. Oh fuck, you know, 172 00:09:14,001 --> 00:09:18,201 Speaker 1: easy down buy this afternoon. Yeah, it looked great. So 173 00:09:18,241 --> 00:09:22,761 Speaker 1: you've bought your dude. I'm not gonna lie eyed dude. 174 00:09:23,281 --> 00:09:27,921 Speaker 1: You said, Jue, you didn't add that. That's a totally 175 00:09:28,001 --> 00:09:32,921 Speaker 1: that's a whole separate religion, the jute. But it was 176 00:09:33,121 --> 00:09:33,681 Speaker 1: just so. 177 00:09:34,441 --> 00:09:36,681 Speaker 2: I think you go into a post like that, it's 178 00:09:36,681 --> 00:09:41,681 Speaker 2: also incredibly inspiring and you suddenly get this itch to scratch. 179 00:09:41,281 --> 00:09:44,761 Speaker 1: It hard though it is so intense. 180 00:09:44,601 --> 00:09:49,241 Speaker 2: So intense, like I refrained from buying what did. 181 00:09:49,121 --> 00:09:50,881 Speaker 1: You what did you frame from? Because I'll tell you 182 00:09:50,921 --> 00:09:52,281 Speaker 1: my list of refrain? Oh my god. 183 00:09:52,321 --> 00:09:54,921 Speaker 2: Go. So in one corner she had this gorgeous little 184 00:09:54,961 --> 00:09:56,241 Speaker 2: Master Food spice jar. 185 00:09:56,241 --> 00:09:57,721 Speaker 1: That was empty, was lit off. 186 00:09:58,001 --> 00:09:59,921 Speaker 2: She was weaving around the base of it, so she's 187 00:09:59,961 --> 00:10:01,761 Speaker 2: like weaving a little basket around. 188 00:10:01,601 --> 00:10:03,681 Speaker 1: So it looked like a little drum, yes. 189 00:10:03,561 --> 00:10:05,881 Speaker 2: Almost, and it was just coming up the bottle in 190 00:10:06,041 --> 00:10:07,841 Speaker 2: very fine colored hemp. 191 00:10:08,081 --> 00:10:11,441 Speaker 1: It was. It was. It was like a hemp cotton mixture. 192 00:10:12,081 --> 00:10:14,881 Speaker 1: And I was like, I can't buying every single. 193 00:10:14,641 --> 00:10:17,161 Speaker 2: Color, Like I was actually like, okay, how much for 194 00:10:17,241 --> 00:10:18,241 Speaker 2: those twenty four colors? 195 00:10:18,521 --> 00:10:18,841 Speaker 1: Okay? 196 00:10:18,921 --> 00:10:20,041 Speaker 2: And then I can do that. And then I'm going 197 00:10:20,081 --> 00:10:21,721 Speaker 2: to sit there in front of the TV and did 198 00:10:21,881 --> 00:10:24,921 Speaker 2: we do that? She would have made a fucking killing sale. 199 00:10:24,921 --> 00:10:28,481 Speaker 2: But she comes up, she goes, I wouldn't start there. 200 00:10:29,361 --> 00:10:33,441 Speaker 2: And as soon as she said that, thankfully I trusted 201 00:10:33,481 --> 00:10:36,401 Speaker 2: her to go, yeah, you know what, if I start here, 202 00:10:36,761 --> 00:10:39,161 Speaker 2: I'm going to maybe throw a tantrum and not, you know, 203 00:10:39,281 --> 00:10:40,001 Speaker 2: not stick with that. 204 00:10:40,241 --> 00:10:42,601 Speaker 1: And she was like, why don't we do this? And 205 00:10:42,641 --> 00:10:44,681 Speaker 1: then she was talking bigger bang for your buckhof and 206 00:10:44,841 --> 00:10:46,441 Speaker 1: She was trying to get her that that was very 207 00:10:46,441 --> 00:10:49,761 Speaker 1: intricate and that you wouldn't you need experience. You can't. 208 00:10:50,441 --> 00:10:52,401 Speaker 1: I think you could just walk straight into that. I'm sorry, 209 00:10:52,401 --> 00:10:53,481 Speaker 1: how hard could it be? 210 00:10:53,721 --> 00:10:57,041 Speaker 2: It's just oh, I said to her. Over She goes, 211 00:10:57,281 --> 00:10:59,681 Speaker 2: it's not over under. She said this to me, lover. 212 00:11:00,121 --> 00:11:01,921 Speaker 2: I thought she was brilliant because I was like, oh, yeah, 213 00:11:01,921 --> 00:11:03,361 Speaker 2: it's just a bit of over under. She was like, no, 214 00:11:04,041 --> 00:11:11,201 Speaker 2: it's over threw around. I was like, didn't mean to criticize. 215 00:11:10,761 --> 00:11:13,161 Speaker 1: You, No, set the rts. 216 00:11:13,321 --> 00:11:16,161 Speaker 2: I think she's sick to death of people like us, 217 00:11:16,441 --> 00:11:20,161 Speaker 2: probably her main clientele, who's sworn in and go easy, 218 00:11:20,561 --> 00:11:21,081 Speaker 2: let's do it. 219 00:11:21,361 --> 00:11:23,161 Speaker 1: And she's like, it's not easy, but I want to 220 00:11:23,161 --> 00:11:28,361 Speaker 1: make it. Yeah, right, chin, just take my money. What 221 00:11:28,441 --> 00:11:32,801 Speaker 1: I love is that you've bought some jew one. Ye, 222 00:11:33,561 --> 00:11:35,241 Speaker 1: you probably need a bit more than that. But also, 223 00:11:36,161 --> 00:11:39,121 Speaker 1: now what, Well, I'll get on the YouTube and I'll 224 00:11:39,161 --> 00:11:41,681 Speaker 1: be a whiz by the end of the day. But 225 00:11:41,841 --> 00:11:44,161 Speaker 1: like the list of things I wanted, I wanted that 226 00:11:44,201 --> 00:11:47,401 Speaker 1: little wooden sphere that had the holes around the edges 227 00:11:48,241 --> 00:11:50,881 Speaker 1: because I thought I could make a lovely little basket 228 00:11:51,081 --> 00:11:55,521 Speaker 1: or a lovely little fruit bowl as we look to 229 00:11:55,561 --> 00:11:56,361 Speaker 1: see if there's. 230 00:11:56,281 --> 00:12:02,121 Speaker 2: Sorry, something fell on me. I did see that it 231 00:12:02,161 --> 00:12:05,001 Speaker 2: was like a wooden coaster. Yeah, that would have been 232 00:12:05,241 --> 00:12:08,321 Speaker 2: I think too much because you think about that. It 233 00:12:08,361 --> 00:12:10,721 Speaker 2: was a wooden coaster with about thirty holes around the side. 234 00:12:10,961 --> 00:12:13,081 Speaker 2: You've got to string the thirty holes and then you've 235 00:12:13,081 --> 00:12:13,961 Speaker 2: got to do you like. 236 00:12:13,921 --> 00:12:16,641 Speaker 1: All your I was how you did it? I thought 237 00:12:16,641 --> 00:12:19,161 Speaker 1: she said it was a blanket stitch and then you 238 00:12:19,161 --> 00:12:22,961 Speaker 1: would just take it from the blanket stitch. Oh, well 239 00:12:23,001 --> 00:12:26,161 Speaker 1: not if you're weaving weaving years. But I think the 240 00:12:26,201 --> 00:12:29,001 Speaker 1: way she had done it was just a blanket stitch. 241 00:12:29,041 --> 00:12:30,721 Speaker 1: And she was that the other one. I think there 242 00:12:30,801 --> 00:12:33,521 Speaker 1: was the other one where you coil. Yeah, I think 243 00:12:33,521 --> 00:12:36,881 Speaker 1: that was crowst shaying that one. Yeah. Oh look, I'm in, 244 00:12:37,081 --> 00:12:39,361 Speaker 1: I'm all in. I'm going to be going on the website. 245 00:12:39,441 --> 00:12:45,201 Speaker 1: Her website looks amazing. It's www. This lush corner dot 246 00:12:45,241 --> 00:12:49,481 Speaker 1: com and her name is Leah. She's located in the 247 00:12:49,601 --> 00:12:55,561 Speaker 1: Snowy Mountains. Oh. Her stuff beautiful was stunning. Did you 248 00:12:55,601 --> 00:12:58,321 Speaker 1: see the bathcloths like you had the little. 249 00:12:58,001 --> 00:13:01,721 Speaker 2: Hand out of oh. 250 00:13:00,881 --> 00:13:03,401 Speaker 1: And the little carry bag. I fucking lovel I frock 251 00:13:03,481 --> 00:13:03,921 Speaker 1: for that shit. 252 00:13:04,041 --> 00:13:07,321 Speaker 2: When I did a camp in America, I was the 253 00:13:07,561 --> 00:13:10,561 Speaker 2: art coordinator. So I ran the really, yeah, so I 254 00:13:10,681 --> 00:13:12,761 Speaker 2: ran the arts. Thank you for reading my book. 255 00:13:12,881 --> 00:13:15,521 Speaker 1: I ran the arts. I did listen to it, and 256 00:13:15,681 --> 00:13:16,201 Speaker 1: it was so. 257 00:13:16,321 --> 00:13:19,921 Speaker 2: You were asleep at the time, and it was like 258 00:13:20,001 --> 00:13:22,921 Speaker 2: an eclectic array of all these art activities. And you've 259 00:13:22,921 --> 00:13:25,401 Speaker 2: also got the kids for like two hours, so you 260 00:13:25,521 --> 00:13:28,881 Speaker 2: have to grab them really quickly in these art sessions 261 00:13:28,881 --> 00:13:29,481 Speaker 2: that you've got with them. 262 00:13:29,601 --> 00:13:32,121 Speaker 1: So to be employed in that position, did you have to. 263 00:13:34,121 --> 00:13:37,761 Speaker 2: Absolutely not put No. This was like a Madson family 264 00:13:37,881 --> 00:13:40,441 Speaker 2: ranch in the middle of California. I mean it was 265 00:13:40,961 --> 00:13:43,681 Speaker 2: how old were you when you did that? Nineteen twenty 266 00:13:43,721 --> 00:13:45,161 Speaker 2: twenty one. I was twenty one when I was the 267 00:13:45,201 --> 00:13:47,121 Speaker 2: art coordinator. So I've done the camp for two years 268 00:13:47,121 --> 00:13:51,361 Speaker 2: and proven myself that I'm somewhat creative, like I've. 269 00:13:51,001 --> 00:13:53,121 Speaker 1: Got a push, very very passion for the art yea. 270 00:13:53,441 --> 00:13:54,721 Speaker 2: And then they said do you want to be the 271 00:13:54,761 --> 00:13:56,921 Speaker 2: art coordinator? I was like, ah, it's a fucking lonely 272 00:13:57,121 --> 00:13:57,481 Speaker 2: And that was. 273 00:13:57,481 --> 00:13:59,761 Speaker 1: In twenty one, when I was twenty one, when you 274 00:13:59,801 --> 00:14:01,121 Speaker 1: were twenty one, yea, yeah. 275 00:14:01,201 --> 00:14:04,161 Speaker 2: And so it was organizing all the art activities and 276 00:14:04,201 --> 00:14:06,641 Speaker 2: One of them I wanted to do was basket weaving. 277 00:14:07,321 --> 00:14:09,641 Speaker 2: So you order in all the reads, like just huge 278 00:14:09,721 --> 00:14:11,201 Speaker 2: coils of reads, and you've got to soak them. So 279 00:14:11,241 --> 00:14:14,641 Speaker 2: I would go in before the day and soak them 280 00:14:14,681 --> 00:14:16,681 Speaker 2: all to get them ready really, and then the kids 281 00:14:16,681 --> 00:14:18,321 Speaker 2: would if they wanted to do them. Yep, they come, 282 00:14:18,361 --> 00:14:20,801 Speaker 2: and then I would teach them how to weave the basket. 283 00:14:20,881 --> 00:14:23,561 Speaker 2: And that's also because then you've got to quickly learn 284 00:14:23,681 --> 00:14:24,361 Speaker 2: how to do it. 285 00:14:24,881 --> 00:14:27,881 Speaker 1: No internet. Oh really, yeah, so there's books. There's a 286 00:14:27,881 --> 00:14:28,281 Speaker 1: lot of books. 287 00:14:28,281 --> 00:14:30,401 Speaker 2: So you're just like, okay, I need these reads to 288 00:14:30,401 --> 00:14:32,041 Speaker 2: create the base and then you bend it. 289 00:14:32,001 --> 00:14:34,241 Speaker 1: Around, and so I would do a test one. 290 00:14:34,561 --> 00:14:37,001 Speaker 2: And then also what I learned is kids have the 291 00:14:37,121 --> 00:14:40,801 Speaker 2: patience of no one, and so sometimes I would just 292 00:14:40,801 --> 00:14:41,921 Speaker 2: have to pre make some of the. 293 00:14:41,841 --> 00:14:44,041 Speaker 1: Basis, get them stuff. They are tricky. 294 00:14:44,201 --> 00:14:46,201 Speaker 2: Once they were able to see that they were making it, 295 00:14:46,241 --> 00:14:49,121 Speaker 2: then in like they are yes, over under, over under over. 296 00:14:49,161 --> 00:14:52,401 Speaker 1: And I loved weaving with these reads. 297 00:14:52,481 --> 00:14:57,401 Speaker 2: And you would just make these incredible sort of weird shapes. 298 00:14:57,481 --> 00:14:59,481 Speaker 1: And did you keep any of the ones you made? 299 00:14:59,881 --> 00:15:02,001 Speaker 1: I did, but I don't have them anymore. I have 300 00:15:02,081 --> 00:15:04,321 Speaker 1: a real thing for basket weaving at the moment. 301 00:15:05,401 --> 00:15:07,601 Speaker 2: It's always been with me, and so when I saw 302 00:15:08,041 --> 00:15:11,161 Speaker 2: her store leaving Yep, I was like, oh, you're all 303 00:15:11,161 --> 00:15:12,881 Speaker 2: the way in. But part of me really wants to 304 00:15:12,881 --> 00:15:15,001 Speaker 2: buy reds and do the baskets because you can buy 305 00:15:15,001 --> 00:15:16,921 Speaker 2: different thicknesses and then you can dye them. 306 00:15:17,001 --> 00:15:21,001 Speaker 1: It's some like fabric dies. How hard is it? Like 307 00:15:21,201 --> 00:15:24,561 Speaker 1: a scale of one to ten, ten be the most 308 00:15:24,841 --> 00:15:28,681 Speaker 1: like look intricate kind of bullshit stuff. I want easy, beasy. 309 00:15:28,841 --> 00:15:30,681 Speaker 1: It looked I want a lower end of the scale. 310 00:15:30,761 --> 00:15:34,201 Speaker 2: Shakes and baskets and forms pretty easily. But when you 311 00:15:34,281 --> 00:15:37,361 Speaker 2: want it to go somewhere, I couldn't master that. I 312 00:15:37,401 --> 00:15:38,721 Speaker 2: was just like, just go and then you just get 313 00:15:38,721 --> 00:15:41,201 Speaker 2: a bit tighter. You'd make a ball, so the tidy 314 00:15:41,241 --> 00:15:43,721 Speaker 2: you pulled them and then you could make a vase. 315 00:15:43,761 --> 00:15:44,681 Speaker 1: So I made a vase. 316 00:15:44,841 --> 00:15:48,201 Speaker 2: It had a stemino wid yeah, And so it was 317 00:15:48,281 --> 00:15:51,281 Speaker 2: kind of that hobby where you got that instant gratification. 318 00:15:51,001 --> 00:15:53,481 Speaker 1: You can't I need that, I need them. It was 319 00:15:53,561 --> 00:15:56,241 Speaker 1: dark and then it was bang, plead it. 320 00:15:56,241 --> 00:15:59,081 Speaker 2: Whereas it with clay, you've got to make it, fire it, 321 00:15:59,201 --> 00:16:01,241 Speaker 2: glaze it, fire it again, and it can all break 322 00:16:01,281 --> 00:16:01,881 Speaker 2: in the process. 323 00:16:01,881 --> 00:16:04,441 Speaker 1: Now, I was super super interested that you weren't that 324 00:16:04,601 --> 00:16:07,641 Speaker 1: keen on the glass glowing part of it. When we 325 00:16:07,681 --> 00:16:10,841 Speaker 1: walked in. We walked up to the platform, we can 326 00:16:10,881 --> 00:16:14,521 Speaker 1: watch people down below. Actually in the midst of creating 327 00:16:14,561 --> 00:16:18,801 Speaker 1: something right, fucking unbelievable, He's making an hour glass, which 328 00:16:19,001 --> 00:16:21,721 Speaker 1: was incredible because I'm thinking in my brain, there is 329 00:16:21,721 --> 00:16:25,001 Speaker 1: such a high temperature going into the kilns, right, yeah, 330 00:16:25,121 --> 00:16:27,281 Speaker 1: is that called to kill in that pat? Okay, So 331 00:16:27,401 --> 00:16:30,081 Speaker 1: in the kiln that goes. He then has his mate 332 00:16:30,121 --> 00:16:32,601 Speaker 1: to that part. Did you notice that that they were 333 00:16:32,641 --> 00:16:35,481 Speaker 1: a team tag taking right thing? So he brought it 334 00:16:35,521 --> 00:16:38,041 Speaker 1: out and then he had it on the bar like 335 00:16:38,121 --> 00:16:41,281 Speaker 1: the long pole, and then he had like implements that 336 00:16:41,321 --> 00:16:45,201 Speaker 1: he would and there's fucking open flames everywhere everywhere. 337 00:16:45,881 --> 00:16:48,281 Speaker 2: I did when he put so, because there's kilns on 338 00:16:48,321 --> 00:16:50,641 Speaker 2: either side of the room, and then the people that 339 00:16:50,681 --> 00:16:53,681 Speaker 2: are doing the work sit in the middle facing them 340 00:16:53,761 --> 00:16:56,001 Speaker 2: back to each other, facing the kiln, and he would 341 00:16:56,001 --> 00:16:58,601 Speaker 2: turn around and point his torch toward the lady on 342 00:16:58,641 --> 00:16:59,161 Speaker 2: the other side. 343 00:16:59,201 --> 00:17:01,561 Speaker 1: I'm like, she leads back just a bit, He's going 344 00:17:01,641 --> 00:17:02,161 Speaker 1: to catch up fight. 345 00:17:02,241 --> 00:17:05,881 Speaker 2: Absolutely, she was doing a class. She was making the tumbler, 346 00:17:06,201 --> 00:17:08,481 Speaker 2: and he was on the other side doing the hour glass. 347 00:17:09,441 --> 00:17:12,281 Speaker 2: I think the reason why is it's not something you 348 00:17:12,281 --> 00:17:13,080 Speaker 2: can just do at home. 349 00:17:13,681 --> 00:17:15,561 Speaker 1: No, definitely, you've got it and I use the oven 350 00:17:15,640 --> 00:17:18,880 Speaker 1: for that. No, you're not gonna uire up the snag 351 00:17:18,961 --> 00:17:19,240 Speaker 1: for that. 352 00:17:19,441 --> 00:17:20,960 Speaker 2: Like, if you want to do it, you can't just 353 00:17:21,080 --> 00:17:24,441 Speaker 2: buy it some du and then off you go. You're 354 00:17:24,441 --> 00:17:26,961 Speaker 2: not just buying glass and then making a tumbler. 355 00:17:27,001 --> 00:17:29,521 Speaker 1: But I didn't realize that there were lots of other 356 00:17:29,640 --> 00:17:33,201 Speaker 1: elements of glass work, so many, Like I didn't really 357 00:17:33,321 --> 00:17:37,200 Speaker 1: don't think about it, to be honest, it's slumping slumping. Yeah. 358 00:17:37,241 --> 00:17:41,281 Speaker 2: So that's where you have, like your plaster, a mold, 359 00:17:41,441 --> 00:17:44,000 Speaker 2: like a mold of a concave shape, right, and you 360 00:17:44,041 --> 00:17:45,920 Speaker 2: just put the sheets of glass in and you put 361 00:17:45,961 --> 00:17:47,840 Speaker 2: it in the kiln and then the kiln heats a 362 00:17:47,880 --> 00:17:50,761 Speaker 2: glass okay into the shape of the mold. 363 00:17:50,921 --> 00:17:54,400 Speaker 1: Oh, well, that's nice. Which one do you prefer? 364 00:17:54,761 --> 00:17:58,120 Speaker 2: Well, I don't know, because I've done glass fusing, which 365 00:17:58,120 --> 00:18:00,480 Speaker 2: is where you get a sheet of glass like an 366 00:18:00,481 --> 00:18:03,120 Speaker 2: a four piece of paper and you cut out shapes 367 00:18:03,160 --> 00:18:05,281 Speaker 2: and you lay those shapes down on there. 368 00:18:06,360 --> 00:18:08,160 Speaker 1: Is that the one you did at Bribey Island. So 369 00:18:08,201 --> 00:18:10,920 Speaker 1: I did that, and the okay, Matt goes in the 370 00:18:11,001 --> 00:18:12,721 Speaker 1: kiln and it all fuses. It melts together. 371 00:18:12,921 --> 00:18:16,360 Speaker 2: Yeah, it doesn't like melt like ice melts and talking. 372 00:18:16,400 --> 00:18:18,360 Speaker 2: It just sort of melts enough so the edges aren't 373 00:18:18,400 --> 00:18:21,801 Speaker 2: sharp and all the glass sort of becomes one piece. 374 00:18:22,001 --> 00:18:28,041 Speaker 1: Yeah, so kind of cements together. Yeah yeah, not not. Look, look, 375 00:18:28,600 --> 00:18:31,561 Speaker 1: I enjoyed, very impressed. I would last blowing. I have 376 00:18:31,640 --> 00:18:34,321 Speaker 1: to be honest. That was fucking amazing. Would you do that? 377 00:18:35,360 --> 00:18:37,880 Speaker 1: I would be I have the audacity to think that 378 00:18:37,961 --> 00:18:39,961 Speaker 1: I could probably pull it off. I don't know why. 379 00:18:40,201 --> 00:18:41,400 Speaker 1: I just that's the ad is. 380 00:18:41,400 --> 00:18:43,881 Speaker 2: That because it requires two people and the other person 381 00:18:43,961 --> 00:18:44,761 Speaker 2: to be doing most of the works. 382 00:18:44,761 --> 00:18:47,920 Speaker 1: Pretty much, I just sit there and turn the I 383 00:18:47,961 --> 00:18:50,321 Speaker 1: could do that. It's the constant. Like but where we 384 00:18:50,400 --> 00:18:53,880 Speaker 1: were standing to where they were, which wasn't that far. However, 385 00:18:53,921 --> 00:18:57,041 Speaker 1: we were like in a standing platform looking over them. 386 00:18:57,561 --> 00:19:02,481 Speaker 1: The heat. It was so hot. I couldn't cope with heat. 387 00:19:02,681 --> 00:19:04,640 Speaker 2: No, they're also standing in front of the kiln, so 388 00:19:04,681 --> 00:19:08,280 Speaker 2: copping full glass. Yeah yeah too, which helps protect them. 389 00:19:08,281 --> 00:19:10,001 Speaker 1: But it is also and I have to say, and 390 00:19:10,041 --> 00:19:12,921 Speaker 1: I don't mean this disrespectfully. But this other gentleman came 391 00:19:13,001 --> 00:19:14,720 Speaker 1: up and he was going into the kiln, so they 392 00:19:14,801 --> 00:19:17,481 Speaker 1: must call it down overnight, and he was bringing out 393 00:19:17,481 --> 00:19:20,481 Speaker 1: the pieces that he had created, and I, oh, is 394 00:19:20,521 --> 00:19:23,720 Speaker 1: that it? And that's just you know, rude of me, 395 00:19:23,921 --> 00:19:26,400 Speaker 1: because it's probably taken a lot of skill, but a 396 00:19:26,400 --> 00:19:29,561 Speaker 1: lot of part one of sixteen different processes and everything. 397 00:19:30,241 --> 00:19:32,841 Speaker 1: Is that it? I could do that? Do I want 398 00:19:32,840 --> 00:19:34,881 Speaker 1: to do that? Nah? Doesn't turn me on as much 399 00:19:34,880 --> 00:19:39,240 Speaker 1: as the hour glass? I mean, how hard would it 400 00:19:39,321 --> 00:19:44,681 Speaker 1: be to have starting off with one blob of glass 401 00:19:44,721 --> 00:19:48,840 Speaker 1: into the kiln next minute, ten minutes later you've got 402 00:19:48,840 --> 00:19:52,161 Speaker 1: two separate but still but connected, connected concted. 403 00:19:55,521 --> 00:19:57,880 Speaker 2: You also, like pottery, you can't get attached to anything 404 00:19:57,921 --> 00:19:59,880 Speaker 2: because I mean, glass is even more frangile than client, 405 00:20:00,001 --> 00:20:02,161 Speaker 2: really the slightest ding. 406 00:20:02,961 --> 00:20:05,200 Speaker 1: So where are you thinking you're going to take the sttery? 407 00:20:06,041 --> 00:20:07,880 Speaker 2: Here's what I'm wanting to do now, because I've been 408 00:20:07,921 --> 00:20:10,881 Speaker 2: very inspired by the basket weaving. I think I want 409 00:20:10,880 --> 00:20:13,880 Speaker 2: to go home and order some just some reeds, just 410 00:20:13,921 --> 00:20:16,801 Speaker 2: do it that way and work out how do I 411 00:20:16,840 --> 00:20:18,600 Speaker 2: incorporate that into the pottery. 412 00:20:18,721 --> 00:20:22,360 Speaker 1: I love it, could incorporate it within the clay itself, 413 00:20:22,521 --> 00:20:25,080 Speaker 1: like a real rustic type of. 414 00:20:25,201 --> 00:20:27,041 Speaker 2: You could do the weaving with the duke because you 415 00:20:27,160 --> 00:20:29,920 Speaker 2: just dry air bowl and then you poke holes in 416 00:20:29,961 --> 00:20:32,520 Speaker 2: the top around the rim of the bowl, right and 417 00:20:32,521 --> 00:20:33,200 Speaker 2: then you weave. 418 00:20:34,041 --> 00:20:37,321 Speaker 1: Oh fuck yish, So I could. That's amazing. 419 00:20:38,041 --> 00:20:39,720 Speaker 2: But what I really want to do is see if 420 00:20:39,840 --> 00:20:41,840 Speaker 2: in Brisbane you can do glass beads. 421 00:20:42,201 --> 00:20:44,481 Speaker 1: Yeah you like that, You thought that was good. You 422 00:20:44,521 --> 00:20:49,961 Speaker 1: said that a couple of small boring No really, yeah, 423 00:20:50,041 --> 00:20:54,001 Speaker 1: it doesn't do anything for me. I really like day. Yeah, 424 00:20:54,080 --> 00:20:57,361 Speaker 1: but I'm just thinking, yeah, okay, I can go my car. 425 00:20:57,561 --> 00:21:00,840 Speaker 1: The ones that look nice, don't get me wrong, gorgeous, 426 00:21:00,880 --> 00:21:05,720 Speaker 1: but doesn't turn me on. That doesn't. However, the cloth 427 00:21:06,241 --> 00:21:11,801 Speaker 1: washing cloth turned me on. That was fucking unrail. And 428 00:21:11,840 --> 00:21:17,120 Speaker 1: the carry baskets and things to put food recycling, it's 429 00:21:17,201 --> 00:21:20,801 Speaker 1: not so boring plastic you're using like you're thinking, Oh, 430 00:21:20,961 --> 00:21:23,521 Speaker 1: that's it. That's what I like. I like it that 431 00:21:23,640 --> 00:21:24,761 Speaker 1: it's got a purpose. 432 00:21:24,880 --> 00:21:28,440 Speaker 2: Ah See, I'm all about you like for the art 433 00:21:28,521 --> 00:21:29,921 Speaker 2: for the I like art for the art. 434 00:21:31,441 --> 00:21:35,561 Speaker 1: I have to have a purpose. Yeah, no I don't. 435 00:21:35,600 --> 00:21:39,321 Speaker 1: I like that. Purposely want candle making. Purpose makes my 436 00:21:39,360 --> 00:21:46,281 Speaker 1: house smell nice. Soap making purpose? Oh clean myself? Right? 437 00:21:46,721 --> 00:21:49,641 Speaker 1: Rest reson art? What would I use resonant for? 438 00:21:50,041 --> 00:21:50,160 Speaker 2: Oh? 439 00:21:50,201 --> 00:21:51,880 Speaker 1: I mean you didn't you bought it all and you didn't. 440 00:21:51,961 --> 00:21:53,720 Speaker 1: I did a couple of things though, I did some 441 00:21:53,801 --> 00:21:56,561 Speaker 1: ear rings and stuff. They were nice, again to look great, 442 00:21:56,761 --> 00:21:59,721 Speaker 1: to look pretty, but didn't turn me on. But I 443 00:21:59,761 --> 00:22:03,440 Speaker 1: love the whole concept of recycling. Yeah, not having to 444 00:22:03,521 --> 00:22:07,321 Speaker 1: use plastic. And even like they had the bags. Did 445 00:22:07,321 --> 00:22:10,360 Speaker 1: you notice you had the fruit bags? Yes, so you 446 00:22:10,400 --> 00:22:12,401 Speaker 1: put your fruit into wigh them to take. I love 447 00:22:12,400 --> 00:22:15,321 Speaker 1: all of that. I don't mind that, but I'm like, 448 00:22:15,481 --> 00:22:20,801 Speaker 1: where's the creative element in that? You're creating the purpose? 449 00:22:22,321 --> 00:22:26,001 Speaker 1: You're not sure you're creating a purpose, Like you're not 450 00:22:26,001 --> 00:22:30,521 Speaker 1: creating a purpose country. I see this thing. This isn't waterways, 451 00:22:30,640 --> 00:22:32,080 Speaker 1: this isn't no No. 452 00:22:32,201 --> 00:22:34,600 Speaker 2: I think it's great. And like I've done candle making, 453 00:22:34,681 --> 00:22:37,521 Speaker 2: and I love candle making soap. I love all of that, 454 00:22:37,600 --> 00:22:40,801 Speaker 2: loved it. But for me, it's that, Oh God, I'm 455 00:22:40,801 --> 00:22:41,761 Speaker 2: going to get in trouble saying this. 456 00:22:41,961 --> 00:22:42,601 Speaker 1: I don't see that. 457 00:22:42,561 --> 00:22:47,321 Speaker 2: As art particularly right there is I'm not I don't 458 00:22:47,321 --> 00:22:52,321 Speaker 2: know anything. You've bought a vessel, you hate the wax 459 00:22:52,681 --> 00:22:55,960 Speaker 2: you put the sense in bing bang bong, you followed 460 00:22:55,961 --> 00:22:58,961 Speaker 2: the steps and you've got a beautiful candle and you've 461 00:22:59,001 --> 00:22:59,561 Speaker 2: made it. 462 00:22:59,561 --> 00:23:03,120 Speaker 1: It's still personal, it's still lovely. I still make things 463 00:23:03,120 --> 00:23:03,321 Speaker 1: like that. 464 00:23:03,321 --> 00:23:07,561 Speaker 2: Absolutely, peopleus that art element is not fulfilled in me 465 00:23:07,681 --> 00:23:10,281 Speaker 2: where it's like, oh, but I haven't put any of 466 00:23:10,321 --> 00:23:11,600 Speaker 2: my personality into it. 467 00:23:11,801 --> 00:23:17,080 Speaker 1: Creative. Do you think it's creative? Okay? Do you think 468 00:23:17,241 --> 00:23:23,801 Speaker 1: it's a creativity in the process that you love or because. 469 00:23:23,521 --> 00:23:26,321 Speaker 2: Well, there's still creativity in the process of candle making. 470 00:23:26,640 --> 00:23:29,321 Speaker 2: There's it's more science y, and I think you're still 471 00:23:29,360 --> 00:23:32,361 Speaker 2: making You're still making something. 472 00:23:32,521 --> 00:23:32,681 Speaker 1: But. 473 00:23:34,561 --> 00:23:36,601 Speaker 2: It's almost like there's you know, when you bowl, you've 474 00:23:36,600 --> 00:23:38,961 Speaker 2: got the bumpers up. You've just got to go down 475 00:23:39,041 --> 00:23:41,121 Speaker 2: the alleyway. You can't deviate, right. 476 00:23:41,321 --> 00:23:43,680 Speaker 1: So you can't bring your own personality into it, is 477 00:23:43,721 --> 00:23:44,321 Speaker 1: what you're saying. 478 00:23:44,640 --> 00:23:49,041 Speaker 2: Yeah, yeah, yeah, And I'm sure people are like, yes, 479 00:23:49,080 --> 00:23:51,561 Speaker 2: you can. Sure you could buy instead of buying a 480 00:23:51,600 --> 00:23:53,961 Speaker 2: glass to put a candle in, I would cut wine 481 00:23:53,961 --> 00:23:57,201 Speaker 2: bottles open. Right, that's a bit fun. But it's still 482 00:23:57,281 --> 00:23:59,681 Speaker 2: you've got the bumpers up. Like if I'm. 483 00:23:59,481 --> 00:24:01,440 Speaker 1: Making a vas out of clay. 484 00:24:01,400 --> 00:24:03,280 Speaker 2: Yeah, suddenly I don't want to make this. It's not 485 00:24:03,481 --> 00:24:05,920 Speaker 2: becoming a vas or. I get an idea and I 486 00:24:05,961 --> 00:24:08,201 Speaker 2: want to go over here, you want to person, it's 487 00:24:08,241 --> 00:24:11,201 Speaker 2: turned into this weird like you can just go wherever 488 00:24:11,281 --> 00:24:11,881 Speaker 2: you want to go. 489 00:24:12,281 --> 00:24:15,561 Speaker 1: Yes, so you have more artistic what's the word I'm 490 00:24:15,600 --> 00:24:18,840 Speaker 1: looking for creative freedom. Yes, that's what I'm talking about. See, 491 00:24:18,921 --> 00:24:22,080 Speaker 1: I like the bars up a little bit because I 492 00:24:22,201 --> 00:24:26,160 Speaker 1: like to learn the process. Once I learn the process 493 00:24:26,241 --> 00:24:30,281 Speaker 1: and am confident with the process and know how I 494 00:24:30,321 --> 00:24:35,920 Speaker 1: can push it, I then flow into other stuff. Yeah. 495 00:24:35,961 --> 00:24:38,600 Speaker 1: But I think I think whatever you turn your way into, 496 00:24:38,681 --> 00:24:40,880 Speaker 1: you'd be amazing. I mean, I've done all. 497 00:24:40,761 --> 00:24:42,641 Speaker 2: The things that I'm not criticizing them, but I've done 498 00:24:42,721 --> 00:24:44,160 Speaker 2: these things so many about criticizing. 499 00:24:44,241 --> 00:24:46,680 Speaker 1: Maybe I've got to a point where I've done them all. 500 00:24:46,840 --> 00:24:49,041 Speaker 2: Done the soap making, I've done the candles, I've done 501 00:24:49,041 --> 00:24:51,440 Speaker 2: the jury, I've done the resin. Then you go, Okay, 502 00:24:51,481 --> 00:24:53,840 Speaker 2: I've done all that. What do I want to do now? 503 00:24:54,521 --> 00:24:57,241 Speaker 2: And then with clay and with all the other stuff. 504 00:24:57,281 --> 00:25:03,041 Speaker 2: It's I'm enjoying that freedom so much. And the fact 505 00:25:03,120 --> 00:25:06,601 Speaker 2: that when I got on the wheel and I was making. 506 00:25:06,481 --> 00:25:09,281 Speaker 1: Yeah, but you didn't particularly like the wheel all that much. 507 00:25:09,521 --> 00:25:12,120 Speaker 1: I like the wheel from the fact that I loved 508 00:25:12,120 --> 00:25:15,481 Speaker 1: when I fucked up oh okay, because it was imperfectly 509 00:25:15,600 --> 00:25:16,361 Speaker 1: urface and. 510 00:25:16,600 --> 00:25:20,360 Speaker 2: I'd make these really weird shaped cups and people are like, 511 00:25:20,400 --> 00:25:21,360 Speaker 2: you'll get it next time. 512 00:25:21,400 --> 00:25:25,321 Speaker 1: I'm like, oh, I love quite cool. It's so. 513 00:25:27,321 --> 00:25:30,600 Speaker 2: You know, and I know they'll come a point where 514 00:25:30,961 --> 00:25:33,481 Speaker 2: I won't like the wheel because I would have essentially 515 00:25:33,600 --> 00:25:36,000 Speaker 2: this sounds urge again, mastered it where I can just 516 00:25:36,001 --> 00:25:37,600 Speaker 2: make a cup quickly. 517 00:25:37,521 --> 00:25:40,400 Speaker 1: So you lose that, you lose that hole, and I 518 00:25:40,441 --> 00:25:42,521 Speaker 1: get that every piece is going to be anique and different. Yeah, 519 00:25:42,521 --> 00:25:44,200 Speaker 1: just because they become stack standard. 520 00:25:44,921 --> 00:25:46,961 Speaker 2: That's when you bring the glazers in and you experiment 521 00:25:46,961 --> 00:25:48,001 Speaker 2: with the different glazers. 522 00:25:48,400 --> 00:25:51,120 Speaker 1: If you start doing all this. But yeah, anyway, this 523 00:25:51,120 --> 00:25:53,761 Speaker 1: has probably gone so boring. No, I actually really like 524 00:25:53,801 --> 00:25:57,120 Speaker 1: it because it just shows that you are now leaning 525 00:25:57,321 --> 00:26:00,441 Speaker 1: into your creative side more than ever. Am I right 526 00:26:00,481 --> 00:26:03,001 Speaker 1: with that? Or do you think more and more you're 527 00:26:03,041 --> 00:26:07,201 Speaker 1: becoming more it's right sided the process. I'm leaning into 528 00:26:07,241 --> 00:26:10,521 Speaker 1: that trust the process. I will often sit. 529 00:26:10,400 --> 00:26:13,921 Speaker 2: Down with a hunk of client and not have any idea, 530 00:26:14,281 --> 00:26:17,200 Speaker 2: and I just start pushing into it. And then so 531 00:26:17,241 --> 00:26:18,840 Speaker 2: I'm like, oh, that kind of looks like this, and 532 00:26:18,880 --> 00:26:20,721 Speaker 2: then it starts to look like this, and then starts 533 00:26:20,721 --> 00:26:22,321 Speaker 2: look like that, and then I'm like, actually, you know 534 00:26:22,360 --> 00:26:22,880 Speaker 2: what I need. 535 00:26:22,921 --> 00:26:25,600 Speaker 1: I need this, and so I'm going to make this thing. 536 00:26:25,840 --> 00:26:28,640 Speaker 1: And then I go, oh my god, so would you 537 00:26:28,721 --> 00:26:32,441 Speaker 1: do hours of time? Hours hours and not realizing you've 538 00:26:32,441 --> 00:26:32,880 Speaker 1: done that. 539 00:26:33,160 --> 00:26:35,920 Speaker 2: After two or three hours, you start get really tired 540 00:26:36,160 --> 00:26:39,360 Speaker 2: and then thirsty and hungry, and you're oh shit, like 541 00:26:39,640 --> 00:26:45,080 Speaker 2: time goes so quickly, so quickly, especially making the tiny 542 00:26:45,120 --> 00:26:47,720 Speaker 2: homes that's been so fun has se. 543 00:26:48,360 --> 00:26:50,041 Speaker 1: I tend to get the shits with it if it's 544 00:26:50,080 --> 00:26:51,920 Speaker 1: not doing what I wanted to do and perform the 545 00:26:51,921 --> 00:26:54,280 Speaker 1: way I want it to perform, and the picture in 546 00:26:54,281 --> 00:26:56,640 Speaker 1: my mind is not exactly how I thought it was 547 00:26:56,721 --> 00:26:57,641 Speaker 1: gonna look. 548 00:26:57,681 --> 00:27:00,761 Speaker 2: I'm like, well, fuck you, okay, because I don't have 549 00:27:00,840 --> 00:27:02,801 Speaker 2: a picture in my mind I can. 550 00:27:02,961 --> 00:27:04,120 Speaker 1: You've actually let it all go. 551 00:27:04,241 --> 00:27:08,200 Speaker 2: There's no I'm not sold on making this particular thing. 552 00:27:08,241 --> 00:27:11,481 Speaker 2: I'm just like, that's just whatever happens is going to happen, 553 00:27:11,801 --> 00:27:15,840 Speaker 2: and so that way, I don't get the shits. It's 554 00:27:15,880 --> 00:27:21,400 Speaker 2: like with painting your portrait, like I didn't get the 555 00:27:21,441 --> 00:27:26,360 Speaker 2: shits during it because I didn't really know how. I 556 00:27:26,441 --> 00:27:29,680 Speaker 2: don't it's really hard to This is a really hard 557 00:27:29,721 --> 00:27:32,440 Speaker 2: point or shift in my brain that I don't know 558 00:27:32,481 --> 00:27:36,001 Speaker 2: how to help people have that shift. It's like when 559 00:27:36,120 --> 00:27:39,080 Speaker 2: I suddenly stopped caring about how I looked about being overweight, 560 00:27:39,321 --> 00:27:41,801 Speaker 2: Like it was it took a lot of work to 561 00:27:41,840 --> 00:27:44,880 Speaker 2: get to that point, and then almost overnight I stopped. 562 00:27:44,921 --> 00:27:46,680 Speaker 1: I really stopped caring, Like it was like. 563 00:27:46,681 --> 00:27:50,161 Speaker 2: An overnight switch that I felt, but it had taken 564 00:27:50,241 --> 00:27:52,240 Speaker 2: a lot of work to get to that, if that 565 00:27:52,281 --> 00:27:54,201 Speaker 2: makes sense, work that I didn't realize I was doing. 566 00:27:55,281 --> 00:27:57,640 Speaker 1: Was that with somebody's help and no? Or is that 567 00:27:57,840 --> 00:28:01,001 Speaker 1: just your own little personally personally all my own? 568 00:28:01,160 --> 00:28:02,720 Speaker 2: And I feel like that's almost the same with all 569 00:28:02,761 --> 00:28:07,041 Speaker 2: the creative stuff, like if the resin wasn't curing properly, 570 00:28:07,441 --> 00:28:11,400 Speaker 2: fucking lose my mind like tantrums, and like you know, 571 00:28:11,441 --> 00:28:13,521 Speaker 2: I wanted it to look a certain way. I wanted 572 00:28:13,521 --> 00:28:17,600 Speaker 2: the jewey to come out a certain way, even when mosaicing. 573 00:28:17,640 --> 00:28:19,440 Speaker 2: If I couldn't cut a tie or the shape that 574 00:28:19,481 --> 00:28:22,201 Speaker 2: I wanted it to, it would really just I'd get 575 00:28:22,241 --> 00:28:24,440 Speaker 2: really frustrated and make away and then never come back 576 00:28:24,481 --> 00:28:27,160 Speaker 2: to the hobby. Now, if I took up mosaching, I 577 00:28:27,241 --> 00:28:29,440 Speaker 2: just cut the tiles. The next one I'll cut, we'll 578 00:28:29,481 --> 00:28:31,441 Speaker 2: fit that one, you know. So it's like it doesn't matter, 579 00:28:31,721 --> 00:28:32,481 Speaker 2: I just keep going. 580 00:28:32,640 --> 00:28:34,561 Speaker 1: So you've let yourself go to the process. 581 00:28:34,600 --> 00:28:37,161 Speaker 2: Yes, yes, and I don't know how I got there. 582 00:28:37,201 --> 00:28:39,641 Speaker 1: Do you think you've let yourself go in the process 583 00:28:39,801 --> 00:28:43,081 Speaker 1: of being a human? Like are you were you at 584 00:28:43,121 --> 00:28:46,760 Speaker 1: any stage quite controlling? Make sure things happen when they 585 00:28:46,801 --> 00:28:49,401 Speaker 1: needed to happen, how they happen. I am or now. 586 00:28:49,241 --> 00:28:52,881 Speaker 2: It's like Chrystal, answer that question. What am I like 587 00:28:52,881 --> 00:28:56,161 Speaker 2: when I'm producing this podcast? Well, you were controlling, have 588 00:28:56,201 --> 00:28:57,720 Speaker 2: a melt down on the map, and I. 589 00:28:57,681 --> 00:28:59,960 Speaker 1: Don't see that. I don't see that. I see you 590 00:29:00,121 --> 00:29:05,281 Speaker 1: being very very patient with me. No, seriously, Yeah, because 591 00:29:05,281 --> 00:29:06,681 Speaker 1: I'm a funk with I'm a dick kid. 592 00:29:06,761 --> 00:29:10,721 Speaker 2: And that's why this podcast works in an open home 593 00:29:11,041 --> 00:29:13,241 Speaker 2: and get us to know why. So if I can 594 00:29:13,361 --> 00:29:14,241 Speaker 2: just let you do your. 595 00:29:14,121 --> 00:29:17,440 Speaker 1: Thing, just let me be myself. But I see it 596 00:29:17,481 --> 00:29:20,641 Speaker 1: that you're still at the end of the day professional, 597 00:29:20,721 --> 00:29:24,161 Speaker 1: needing to do a job, to produce, to do things. 598 00:29:24,401 --> 00:29:30,520 Speaker 1: I'm very controlling in my social media world. I've realized 599 00:29:30,561 --> 00:29:33,440 Speaker 1: that I'm very controlling. Yes, because you have my managers like, 600 00:29:33,481 --> 00:29:35,881 Speaker 1: we can get an editor. I'm like, Nope, you need 601 00:29:35,921 --> 00:29:38,281 Speaker 1: to do it. I have to do it. We can 602 00:29:38,321 --> 00:29:40,841 Speaker 1: get this. No, I'll do it. No, I can do it. 603 00:29:40,881 --> 00:29:45,121 Speaker 1: Is it because you don't trust anybody else process? In 604 00:29:45,161 --> 00:29:48,601 Speaker 1: my mind, that's not why. I'm sure if I saw 605 00:29:48,641 --> 00:29:51,041 Speaker 1: a therapist that sorted. 606 00:29:51,121 --> 00:29:55,321 Speaker 2: But my reasoning behind not hiring people to do something 607 00:29:55,481 --> 00:29:58,601 Speaker 2: is I'm not very good at communicating. 608 00:29:57,961 --> 00:29:58,481 Speaker 1: What I want. 609 00:29:59,201 --> 00:30:01,361 Speaker 2: See, I know what I want and I can do it. 610 00:30:01,921 --> 00:30:04,960 Speaker 2: And also, I don't know if you've ever had to, 611 00:30:05,121 --> 00:30:07,761 Speaker 2: like if I'm filming and I can edit, like I've 612 00:30:08,001 --> 00:30:09,001 Speaker 2: that for nine years. 613 00:30:09,001 --> 00:30:12,121 Speaker 1: You've yeah, you know what you want. You want to 614 00:30:12,201 --> 00:30:14,361 Speaker 1: explain what I want to someone? Fair enough? Am I 615 00:30:14,441 --> 00:30:16,480 Speaker 1: edit notes? What am I thinking? I'm like, yeah, just 616 00:30:16,761 --> 00:30:20,121 Speaker 1: do it yourself. Yeah, no, okay, all that makes sense. 617 00:30:20,161 --> 00:30:23,000 Speaker 1: I get that that actually does make sense. But do 618 00:30:23,041 --> 00:30:26,761 Speaker 1: you think at any stage within your creative socials you 619 00:30:26,801 --> 00:30:30,681 Speaker 1: would start to because I don't see I see you 620 00:30:30,761 --> 00:30:35,841 Speaker 1: pivoting into a lot of other areas and you're yeah, no, seriously, okay, 621 00:30:36,241 --> 00:30:39,361 Speaker 1: I see that you could be possibly on Telly with 622 00:30:39,641 --> 00:30:43,681 Speaker 1: a craft, art things showings New Maggie Tabra, I really 623 00:30:43,721 --> 00:30:47,761 Speaker 1: do see that only because I know how many things 624 00:30:47,761 --> 00:30:51,520 Speaker 1: you've done and that you've got an understanding of stuff. 625 00:30:51,641 --> 00:30:54,641 Speaker 1: You're great on on on the camera. You're funny. You 626 00:30:54,641 --> 00:30:56,921 Speaker 1: could be talking to people about their crafts. You could 627 00:30:56,921 --> 00:30:59,041 Speaker 1: be talking to people about their arts, and I thank 628 00:30:59,081 --> 00:31:00,281 Speaker 1: you appreciate that. One. 629 00:31:01,561 --> 00:31:03,281 Speaker 2: You have to have a you have to have a 630 00:31:03,321 --> 00:31:05,401 Speaker 2: pretty good level of backing. I think if you're going 631 00:31:05,441 --> 00:31:09,001 Speaker 2: to do that, study have a history, but. 632 00:31:08,961 --> 00:31:10,361 Speaker 1: Also don't want that anymore. 633 00:31:10,401 --> 00:31:12,241 Speaker 2: But also why do I have to go to TV? 634 00:31:12,401 --> 00:31:15,441 Speaker 2: Why can't I just do it on my own channels? 635 00:31:15,881 --> 00:31:21,161 Speaker 1: Well? Absolutely, yeah, so actually absolutely, But that's what I've. 636 00:31:21,081 --> 00:31:23,720 Speaker 2: Learned, especially going to the gas works for the glass 637 00:31:23,721 --> 00:31:26,000 Speaker 2: blowing and even just hanging around with you talking about this. 638 00:31:26,481 --> 00:31:28,281 Speaker 2: I think the reason why I want a tiny home 639 00:31:28,801 --> 00:31:31,201 Speaker 2: is that I've always wanted just a proper art studio, 640 00:31:31,801 --> 00:31:34,321 Speaker 2: and so I can go somewhere I can immerse myself 641 00:31:34,361 --> 00:31:36,721 Speaker 2: in whatever project I want to do. I'm not distracted 642 00:31:36,761 --> 00:31:40,841 Speaker 2: by work or or being across the road from. 643 00:31:40,761 --> 00:31:44,521 Speaker 1: A cafe like straight into it. You have to live with. 644 00:31:44,481 --> 00:31:46,921 Speaker 2: A purpose in a tiny home. You have to plan, 645 00:31:47,481 --> 00:31:48,881 Speaker 2: you have to cook. I'm going to be in the 646 00:31:48,921 --> 00:31:53,761 Speaker 2: middle of nowhere. You have my pottery wheel, no thermo 647 00:31:53,841 --> 00:31:56,601 Speaker 2: mixed as in the fryer. And so I think that's 648 00:31:56,641 --> 00:32:00,081 Speaker 2: why I want the tiny home space. Is it's just 649 00:32:00,121 --> 00:32:02,641 Speaker 2: a nart studio I can go to and just fuck 650 00:32:02,681 --> 00:32:05,801 Speaker 2: everyone off and hopefully there's no internet signal. 651 00:32:05,481 --> 00:32:07,161 Speaker 1: And you can just do you. 652 00:32:07,241 --> 00:32:13,000 Speaker 2: And could you imagine I think you thrive my composting toilet, 653 00:32:13,121 --> 00:32:13,761 Speaker 2: my generator. 654 00:32:13,881 --> 00:32:17,161 Speaker 1: I'm not a fan of the composting. I really huge one. 655 00:32:17,441 --> 00:32:20,361 Speaker 1: How fuck I don't need to mate. I've got one 656 00:32:20,361 --> 00:32:23,760 Speaker 1: that flushes. I don't need to have chemicals added to 657 00:32:23,881 --> 00:32:28,720 Speaker 1: my extrement. To No, I really find it offensive. I 658 00:32:28,801 --> 00:32:31,641 Speaker 1: can't be no. No, I just want to tell you. 659 00:32:31,801 --> 00:32:37,041 Speaker 2: I was absolutely you. I'm like, oh, if I'm getting 660 00:32:37,041 --> 00:32:40,200 Speaker 2: your tiny home, it is plumbed. In of the tiny 661 00:32:40,241 --> 00:32:44,761 Speaker 2: homes that I've used with flushing toilets, the least smelly, 662 00:32:45,161 --> 00:32:46,921 Speaker 2: the easier to clean because you don't even need to 663 00:32:46,921 --> 00:32:47,321 Speaker 2: clean them. 664 00:32:47,641 --> 00:32:51,601 Speaker 1: Are composting toilet? Yeah, because it's a hole. It's a hole. 665 00:32:51,921 --> 00:32:57,641 Speaker 1: You are literally pooing or weeing into a hole. Yeah, 666 00:32:57,681 --> 00:33:03,521 Speaker 1: you're not shitting two inches from yourself in a You're 667 00:33:03,521 --> 00:33:05,641 Speaker 1: going to have to do a lot me about this 668 00:33:05,681 --> 00:33:08,761 Speaker 1: because this is just not my thing anyways. Take you. 669 00:33:09,521 --> 00:33:11,441 Speaker 1: I can't wait to do You want to start it now, 670 00:33:11,841 --> 00:33:15,481 Speaker 1: Well I won't another apole. I won't start it quite 671 00:33:15,521 --> 00:33:17,161 Speaker 1: now because I need to watch my We're supposed to 672 00:33:17,161 --> 00:33:19,041 Speaker 1: go to Parliament to do the portraits. Oh, I would 673 00:33:19,081 --> 00:33:21,401 Speaker 1: love to do that. That's going to be great for Yeah, okay, 674 00:33:21,761 --> 00:33:25,721 Speaker 1: but I just I just encourage you to continue down 675 00:33:25,761 --> 00:33:29,001 Speaker 1: this like road to arts and stuff, because I just 676 00:33:29,041 --> 00:33:32,321 Speaker 1: think that there's something waiting for you that you did 677 00:33:32,601 --> 00:33:33,480 Speaker 1: say something to me. 678 00:33:33,641 --> 00:33:37,520 Speaker 2: And it's like I need another outlet, like I need 679 00:33:37,561 --> 00:33:39,161 Speaker 2: a hole in the head because I got Tiny Holmes, 680 00:33:39,361 --> 00:33:41,121 Speaker 2: I've got Hall in Brisbane, I've got this podcast, and 681 00:33:41,121 --> 00:33:41,961 Speaker 2: I've got all my Facebook. 682 00:33:42,121 --> 00:33:44,960 Speaker 1: Yeah, and I was like, oh maybe I could do 683 00:33:45,121 --> 00:33:50,921 Speaker 1: and Qussy has work, three children and a husband. Well 684 00:33:51,001 --> 00:33:54,441 Speaker 1: yeah at all? Thank you? Thank you very important? Can 685 00:33:54,481 --> 00:33:58,361 Speaker 1: you socials? Very children? Yeah? Very important. 686 00:33:58,481 --> 00:34:00,521 Speaker 2: You've missed two calls. You haven't noticed them. You miss 687 00:34:00,841 --> 00:34:02,481 Speaker 2: two calls while we've been recording. 688 00:34:04,241 --> 00:34:06,801 Speaker 1: I really want to do. I want to be in 689 00:34:06,801 --> 00:34:10,761 Speaker 1: Australia's next Maggie Tabor. I think you could. No, what 690 00:34:10,921 --> 00:34:12,881 Speaker 1: was this in my mind? Oh, I'm trying to think 691 00:34:12,921 --> 00:34:15,881 Speaker 1: what that guy's name was. He was a chef and 692 00:34:15,921 --> 00:34:20,601 Speaker 1: he wore striped tops and then like a cravat. Yeah, 693 00:34:20,681 --> 00:34:25,041 Speaker 1: cravat tied up around his neck, matted cravat. No, that's 694 00:34:25,081 --> 00:34:27,761 Speaker 1: not his name. He had kind of like a presso 695 00:34:28,441 --> 00:34:31,321 Speaker 1: not Matt Preston. No, No, I'll have to come back 696 00:34:31,321 --> 00:34:33,561 Speaker 1: to you on that, but you remind me of him. 697 00:34:34,041 --> 00:34:35,521 Speaker 1: He had a bed, he had a bit of a 698 00:34:35,561 --> 00:34:38,081 Speaker 1: longer hair, shoulder in the front, party at the back. 699 00:34:38,961 --> 00:34:42,001 Speaker 1: He was in eighties nineties. Anyway, I'll come back to 700 00:34:42,001 --> 00:34:44,721 Speaker 1: you on that one. All right, great chat, all right, 701 00:34:44,841 --> 00:34:46,081 Speaker 1: I'm going to weave. You need to pain. 702 00:34:46,361 --> 00:34:52,601 Speaker 2: Oh We've got so many we have so many things 703 00:34:52,601 --> 00:34:55,041 Speaker 2: still in the middle, somehow managing to say a float 704 00:34:55,121 --> 00:34:57,081 Speaker 2: of lake Billy Griffin on a go boat. 705 00:34:57,321 --> 00:34:59,960 Speaker 1: I just want to bring to your attention, how goould 706 00:35:00,041 --> 00:35:02,841 Speaker 1: I have taken to steering of the boat like duck 707 00:35:02,881 --> 00:35:05,961 Speaker 1: to water. I mean, we could have been doing doughnuts 708 00:35:06,041 --> 00:35:08,001 Speaker 1: out here, we could have just been going the wrong way. 709 00:35:08,001 --> 00:35:09,601 Speaker 1: But I have been very diligent. 710 00:35:10,841 --> 00:35:15,161 Speaker 2: I mean, when you really think about this, we're the 711 00:35:15,201 --> 00:35:18,281 Speaker 2: only boat in this lake currently, there is no set 712 00:35:18,281 --> 00:35:22,521 Speaker 2: path to follow. It's a vast empty space, lovely, and 713 00:35:22,641 --> 00:35:26,201 Speaker 2: Christine has been maneuvering herself all over. 714 00:35:26,481 --> 00:35:29,921 Speaker 1: I'm so good, Christine. It's not like I have to 715 00:35:29,961 --> 00:35:32,521 Speaker 1: stick with a lane. There's no way to judge it. No, 716 00:35:32,841 --> 00:35:35,000 Speaker 1: you could be the world's best or the world's worst boat. 717 00:35:35,601 --> 00:35:42,401 Speaker 1: But my hand control techniques have been fantastic. I would 718 00:35:42,481 --> 00:35:44,401 Speaker 1: like to say we performed a whole rendition to the 719 00:35:44,401 --> 00:35:46,561 Speaker 1: love Boat where that was magnificent. 720 00:35:46,641 --> 00:35:49,921 Speaker 2: We did some almost making out, and then I got 721 00:35:50,001 --> 00:35:51,921 Speaker 2: back to hit stop record on the camera and it 722 00:35:51,961 --> 00:35:55,321 Speaker 2: wasn't recording any of our near love making. I'm kind 723 00:35:55,361 --> 00:35:58,041 Speaker 2: of glad that devastated, devastated. 724 00:35:58,481 --> 00:36:00,681 Speaker 1: I loved it how you lost your ship though. I 725 00:36:00,721 --> 00:36:03,841 Speaker 1: thought that was so funny when you when you lost 726 00:36:03,881 --> 00:36:06,441 Speaker 1: your ship though, that was Oh yeah, that was funny. 727 00:36:06,481 --> 00:36:08,441 Speaker 1: I'm so upset. Anyway, we're playing sorts. 728 00:36:09,241 --> 00:36:12,921 Speaker 2: We're sorting these things by how many there are most 729 00:36:13,561 --> 00:36:19,001 Speaker 2: to least legs on an insect, colors in the rainbow, 730 00:36:20,921 --> 00:36:26,561 Speaker 2: legal seats in a Toyota to rago, character tiles in marjong, 731 00:36:27,481 --> 00:36:32,921 Speaker 2: players on court in a basketball team. Okay, I think 732 00:36:32,921 --> 00:36:36,361 Speaker 2: there's six legs on an insect, my very elegant mother. 733 00:36:37,041 --> 00:36:38,801 Speaker 1: No, that's the planets, isn't it? My very No? 734 00:36:38,921 --> 00:36:44,480 Speaker 2: What's the roy g BIV? The seven colors in the rainbow? 735 00:36:44,481 --> 00:36:45,641 Speaker 1: Did you just work that out? 736 00:36:46,001 --> 00:36:53,401 Speaker 2: R O Y roy g b I V red, orange, yellow, green, blue, indigo, violet. 737 00:36:54,081 --> 00:36:56,601 Speaker 1: Well done, that's a death, my very elegant mother. 738 00:36:56,761 --> 00:37:01,681 Speaker 2: Just saw Uncle ned pass my mercury, very venous, elegant 739 00:37:01,681 --> 00:37:06,201 Speaker 2: Earth mother, Mars. Just Jupiter saw Satin call Uranus ned 740 00:37:06,321 --> 00:37:07,921 Speaker 2: Neptune past Pluto. 741 00:37:07,961 --> 00:37:11,281 Speaker 1: That is ex Did you not learn that? I never 742 00:37:11,401 --> 00:37:14,440 Speaker 1: learned that. Can you listen them in order? Even though 743 00:37:14,481 --> 00:37:17,721 Speaker 1: I just gave it to you? My elegant mother, dresses 744 00:37:17,761 --> 00:37:18,521 Speaker 1: in indigo? 745 00:37:19,041 --> 00:37:23,041 Speaker 2: What did you say, very dresses in indigo? 746 00:37:23,481 --> 00:37:28,201 Speaker 1: Well buy that logic? Go on, name the planets, my Mars. 747 00:37:28,601 --> 00:37:34,161 Speaker 1: My what's another part that begins with them? That's the 748 00:37:34,161 --> 00:37:39,201 Speaker 1: closest to the cury? Good job and mercury, my elegant Earth, 749 00:37:40,761 --> 00:37:46,681 Speaker 1: my elegant mother, Mars. Where's I don't know if there's 750 00:37:46,361 --> 00:37:50,881 Speaker 1: a you missed Venus? Venus? What was venus? My very mother, 751 00:37:51,161 --> 00:37:56,881 Speaker 1: my very elegant mother. Where's do we? What's where's what? 752 00:37:56,881 --> 00:37:59,121 Speaker 1: What's what? I don't know where you're getting where's from? 753 00:37:59,681 --> 00:38:01,641 Speaker 1: I don't know? Can you give me a hint? My 754 00:38:01,761 --> 00:38:08,961 Speaker 1: elegant mother just just squears. 755 00:38:09,721 --> 00:38:13,761 Speaker 2: My very elegant mother just saw Uncle ned pass. Yeah, so, 756 00:38:14,721 --> 00:38:17,121 Speaker 2: my very elegant mother. It doesn't matter how many. 757 00:38:18,161 --> 00:38:24,121 Speaker 1: So just as Jupiter saturin, uncle urineus ned and Neptune 758 00:38:24,401 --> 00:38:28,201 Speaker 1: pass Pluto. Fuck, that's great. And then the colors of 759 00:38:28,241 --> 00:38:37,241 Speaker 1: the rainbow red, orange, yellow, indigo, violet roy roy Oh yes, 760 00:38:37,401 --> 00:38:43,841 Speaker 1: roy g roy g biv biv roy gbiv green, blue, indigo, valet. 761 00:38:43,961 --> 00:38:47,121 Speaker 1: Well done, magnificent. Did you know that that? 762 00:38:48,121 --> 00:38:56,921 Speaker 2: Another one is I can do the periodic table elements, 763 00:38:56,961 --> 00:39:00,161 Speaker 2: not all of them? Are you ready? Hydrogen, helium, lithium, 764 00:39:00,201 --> 00:39:08,081 Speaker 2: brilliant boron, carbon, nitrogen, oxygen, fluony on. I can get 765 00:39:08,321 --> 00:39:10,961 Speaker 2: hydrogen helium anything, brilliant bor and carbon, nitrogen oxygen. 766 00:39:11,041 --> 00:39:15,321 Speaker 1: I can go nine. Wow, because we learned a song 767 00:39:15,361 --> 00:39:19,961 Speaker 1: in science. Unbelievable. What what else is there? Oh? Well, 768 00:39:20,001 --> 00:39:23,641 Speaker 1: you know north south east west north southeast. 769 00:39:23,841 --> 00:39:27,481 Speaker 2: It's a saying no, never eat soggy wheat bicks. 770 00:39:27,681 --> 00:39:32,401 Speaker 1: Oh that's very cute. Do you ever know any never? Never? 771 00:39:32,561 --> 00:39:35,801 Speaker 2: I constantly go when someone goes, oh you know I'm 772 00:39:35,801 --> 00:39:38,520 Speaker 2: from East somewhat I go never eat. 773 00:39:38,601 --> 00:39:40,881 Speaker 1: Oh yes, it's never eat soggy weetbis. 774 00:39:41,041 --> 00:39:45,041 Speaker 2: Yeah, okay, sorting these things by how many there are? 775 00:39:45,241 --> 00:39:46,161 Speaker 1: Okay, we did that. 776 00:39:46,441 --> 00:39:49,401 Speaker 2: Okay, so god, we've got side tracked legs on an 777 00:39:49,401 --> 00:39:52,161 Speaker 2: inset with six colors of the rainbow? Was seven legal 778 00:39:52,201 --> 00:39:55,001 Speaker 2: seats in a Toyota Toarago. I have an unfa advantage here, 779 00:39:56,721 --> 00:39:59,321 Speaker 2: Mum and Dad I grew up with. Okay, so one 780 00:39:59,361 --> 00:40:04,161 Speaker 2: to six, there's eight legal seats? Is it really well 781 00:40:04,201 --> 00:40:06,321 Speaker 2: in a toarago from the nineteen nineties? 782 00:40:06,401 --> 00:40:09,081 Speaker 1: Yes? Wow, so eight? 783 00:40:09,121 --> 00:40:14,000 Speaker 2: So you've got six seven, eight characters in marjong. There's 784 00:40:14,001 --> 00:40:15,561 Speaker 2: a lot of characters in marjong. 785 00:40:16,201 --> 00:40:19,721 Speaker 1: I don't know they're the you know, it's a very 786 00:40:19,721 --> 00:40:23,961 Speaker 1: popular game becoming or is becoming becoming a popular game. 787 00:40:23,961 --> 00:40:27,961 Speaker 1: I think marjong is thousands of years old. But here 788 00:40:27,961 --> 00:40:30,121 Speaker 1: in Australia not meaning oh you mean I thought you 789 00:40:30,241 --> 00:40:31,521 Speaker 1: just met in a world. 790 00:40:33,881 --> 00:40:37,241 Speaker 2: Players on court in a basketball team. Pretty confident. There's ten, 791 00:40:38,161 --> 00:40:40,801 Speaker 2: so it'll go. Legs on an insect, colors in a rainbow, 792 00:40:41,161 --> 00:40:44,561 Speaker 2: legal seats in the Tornago, players on a basketball team 793 00:40:44,601 --> 00:40:45,201 Speaker 2: in marjong? 794 00:40:45,561 --> 00:40:47,561 Speaker 1: Okay, see here you go. 795 00:40:47,601 --> 00:40:57,801 Speaker 2: Okay, Ah, that's weird. 796 00:40:58,241 --> 00:41:00,480 Speaker 1: It says or not. I thought it meant on court 797 00:41:00,521 --> 00:41:01,281 Speaker 1: at the same time. 798 00:41:02,321 --> 00:41:07,960 Speaker 2: So there's five basketball players in the team, Okay, not ten, 799 00:41:08,081 --> 00:41:11,841 Speaker 2: but ten if there was two interact legs on an insect. Six, 800 00:41:12,801 --> 00:41:15,321 Speaker 2: now that colors in the rainbow. Seven, now that eight 801 00:41:15,361 --> 00:41:19,801 Speaker 2: seats in a Toyota Toago and nine characters in Mahjong 802 00:41:21,961 --> 00:41:24,121 Speaker 2: would have got it right had the basketball team not 803 00:41:24,201 --> 00:41:25,241 Speaker 2: been I'll let you down. 804 00:41:25,681 --> 00:41:28,401 Speaker 1: Well, no, I think the question let me down. I'm devastated. 805 00:41:30,761 --> 00:41:33,960 Speaker 1: On the next we will always have the lookly little 806 00:41:34,041 --> 00:41:40,241 Speaker 1: rowers on there and their kayaks. Couldn't take anything worse. Ah, 807 00:41:42,921 --> 00:41:46,561 Speaker 1: nothing worse, nothing worse I have not like okay to me, 808 00:41:46,961 --> 00:41:53,521 Speaker 1: I've just got so many safety issues tomorrow