WEBVTT - Conversations with Cornesy - Raynor Winn

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<v Speaker 1>Hi, everyone, Welcome to conversations. Now. I've been very lucky.

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<v Speaker 1>I've just seen a movie that's about to be released.

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<v Speaker 1>It's called The Salt Path and it tells the story

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<v Speaker 1>about raynal Winn and her husband Moths, who lose their home,

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<v Speaker 1>sadly lose their home and then faced with this prospect

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<v Speaker 1>of homelessness, decided to go walking as you do. And

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<v Speaker 1>it turned into an amazing film where which is beautifully

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<v Speaker 1>shot showing the coastline of southern England. And it turned

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<v Speaker 1>out to be very therapeutic for Raynhold's husband, who had

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<v Speaker 1>been diagnosed with a very serious illness. But very fortunate

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<v Speaker 1>we have Raynold joining us now. Raynal Winn, welcome to

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<v Speaker 1>the program. How are you great?

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<v Speaker 2>Thanks good for you to be here.

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<v Speaker 1>Can you tell us from where we are speaking to you.

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<v Speaker 2>I'm in Cornwall in the southwestern tip of England.

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<v Speaker 1>Is that home now?

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<v Speaker 2>It's worth of been since we stopped, since we finished

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<v Speaker 2>walking a path. Actually strange that your life just washed

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<v Speaker 2>me up here and I've not left.

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<v Speaker 1>That's interesting. Now when we look at your bio you

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<v Speaker 1>list to your occupation is listed as a British long

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<v Speaker 1>distance walker. I wonder how many people make their career

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<v Speaker 1>as long distance walkers.

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<v Speaker 2>Yeah, it's strange, isn't it. I don't know how that

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<v Speaker 2>made book. I do walk quite a bit, so maybe the.

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<v Speaker 1>I want to I want to start at the beginning,

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<v Speaker 1>but I think I have to start in the middle

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<v Speaker 1>when we when we go back to the movie, the

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<v Speaker 1>movie starts with you and your husband being kicked out

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<v Speaker 1>of your house or your farm, and it's a gripping, sad,

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<v Speaker 1>angry moment for I imagine for you and for him,

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<v Speaker 1>and for those of us who are watching. So can

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<v Speaker 1>you tell us what led up to that?

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<v Speaker 2>Yeah, moster night we met when we were teenagers. I

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<v Speaker 2>can remember I was sitting in the college canteen and

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<v Speaker 2>it was a really busy day. But as I looked

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<v Speaker 2>up across the canteen, it's really full, busy room. There

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<v Speaker 2>was a little partying in the heads along the opposite

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<v Speaker 2>side of the room, there was this young man in

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<v Speaker 2>a white shirt and just at that moment so I

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<v Speaker 2>saw him. It dipped a Mars bar, a chocolate bar

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<v Speaker 2>in a cup of tea, and I can remember thinking

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<v Speaker 2>what a weird thing to do. But strangely is I

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<v Speaker 2>watched him it was just like he's the one, I

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<v Speaker 2>just know it. And as I walked out of the room,

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<v Speaker 2>I looked back at him and he caught my eye,

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<v Speaker 2>and there was just that moment of knowing, that moment

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<v Speaker 2>when we both.

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<v Speaker 1>Just knew love it first sight.

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<v Speaker 2>That's definitely yeah. And through the years after that, we

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<v Speaker 2>just had this dream that we would find a place

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<v Speaker 2>in the hills, somewhere we could turn into a home

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<v Speaker 2>and live life on our terms. I think I was

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<v Speaker 2>about thirty when we actually found that place. It was

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<v Speaker 2>an absolute ruin. The walls were falling in, roof was

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<v Speaker 2>caving in, but it was exactly what we'd been looking for,

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<v Speaker 2>and we spent the next thirty years of our lives,

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<v Speaker 2>twenty years, sorry of our lives, rebuilding that converting the

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<v Speaker 2>outbuildings into holiday accommodations so visitors could come and stay

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<v Speaker 2>and pay the bills, and our children grew up, then

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<v Speaker 2>they went to university. It was just it was everything

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<v Speaker 2>we'd ever hoped for, and we were living our sort

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<v Speaker 2>of idyllic life, I think. But during those years, we'd

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<v Speaker 2>had this financial dispute with a lifetime friend and it

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<v Speaker 2>resulted in a court case that's always being served with

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<v Speaker 2>an eviction notice from that home, and they gave us

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<v Speaker 2>a week to move out, a week to pack Goes

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<v Speaker 2>twenty years of life into.

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<v Speaker 1>A box and go.

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<v Speaker 2>And it was during that week that Moth had what

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<v Speaker 2>we thought was going to be routine hospice of appointment

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<v Speaker 2>because it has a problem with his shoulder. We thought

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<v Speaker 2>it was it had come from when he fell through

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<v Speaker 2>the roof when we were mending the roof, But it

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<v Speaker 2>turned out not to be routine at all because it

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<v Speaker 2>was diagnosed with a neuro degenerative condition called cortico base

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<v Speaker 2>or degeneration, and it's a really rare condition that has

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<v Speaker 2>no treatment and no cure. And I think it was

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<v Speaker 2>in that moment that all of our lives fell apart,

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<v Speaker 2>because we'd lost everything that we had worked towards, our home,

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<v Speaker 2>our business, everything that we'd built for twenty years. But

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<v Speaker 2>then we lost what we believed would be our future

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<v Speaker 2>as well, because that was being taken away from him.

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<v Speaker 1>Well, I wanted to know, and never really explained in

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<v Speaker 1>the movie, is what was the business deal that went wrong?

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<v Speaker 1>Can you expand on that as well?

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<v Speaker 2>I've never really dwelt on that because I don't think

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<v Speaker 2>it's the priority really in what in this story because

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<v Speaker 2>the story was about the coast path, but everything, it's

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<v Speaker 2>just a friend, and then you find out in life

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<v Speaker 2>you probably shouldn't have trusted them. We all can do that,

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<v Speaker 2>can't we. But sometimes the outcome can be more extreme,

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<v Speaker 2>and it was in our case.

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<v Speaker 1>Could you lose your house and you get kicked out?

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<v Speaker 1>I mean that just seems so brutal. The bailiffs are

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<v Speaker 1>there knocking the door down to kick you out.

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<v Speaker 2>Yeah.

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<v Speaker 1>Yeah.

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<v Speaker 2>Early on in the film Starting a Book as well,

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<v Speaker 2>it starts at that point where we're standing under the stairs.

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<v Speaker 2>The bayliffs are knocking at the door, and we just

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<v Speaker 2>weren't ready to go. That's why we were under the stairs.

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<v Speaker 2>We weren't ready to take that step out of the

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<v Speaker 2>door because we knew in that moment as we stepped out,

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<v Speaker 2>we would never go back, never go back into all

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<v Speaker 2>those years of life. And also as we went out

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<v Speaker 2>of that door, we would become homeless because there was

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<v Speaker 2>nowherefforts to go. And that was the moment when I

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<v Speaker 2>saw a book in a packing case, and it was

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<v Speaker 2>a book about a young man who'd walked to the

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<v Speaker 2>Southwest Coast Path with his dog, and I think in that,

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<v Speaker 2>in that really brutal moment, it felt like the idea

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<v Speaker 2>of filling a rucksack and just going for a walk

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<v Speaker 2>following a line on the map would give us a reason,

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<v Speaker 2>would give us a reason to go forwards, a purpose

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<v Speaker 2>to go into the next day. And at that stage,

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<v Speaker 2>that's all it was. It was something that would readers

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<v Speaker 2>through the next day because it felt as if there

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<v Speaker 2>was no reason to go on really at that point.

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<v Speaker 1>But you needed some sort of preparation. Had to find

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<v Speaker 1>a tent, you had to find food, you had to

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<v Speaker 1>find nep sex. And did that take much doing?

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<v Speaker 2>I did. I mean, we hadn't walked any sort of

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<v Speaker 2>of like multi day distance since we were in iarly twenties,

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<v Speaker 2>and at this point I was fifty. So when we

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<v Speaker 2>got all our old equipment and looked at it, it

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<v Speaker 2>was actually not not carryable because it was so heavy

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<v Speaker 2>and we weren't twenty anymore. So we had to buy

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<v Speaker 2>a new tent, which we did. We bought it from

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<v Speaker 2>an online auction website and it became our home for

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<v Speaker 2>months to come. But we bought it for a few

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<v Speaker 2>pounds online, and then, of course, you know, we gathered

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<v Speaker 2>the other things that we would need and go were

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<v Speaker 2>very very basic, very rudimentary things. Probably the biggest mistake

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<v Speaker 2>we made was I saw these summer weight sleeping bags

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<v Speaker 2>in a supermarket that was so tiny and lightweight, and

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<v Speaker 2>it was like fantastic, easy to carry. Great, but you

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<v Speaker 2>know it's Britain. You never needs sleeping bag here.

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<v Speaker 1>What is quite gripping when you're trying to understand Moth's

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<v Speaker 1>condition and he looked like he walked with quite a

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<v Speaker 1>severe limp. It must have been so painful for him

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<v Speaker 1>to negotiate those climbs and the like.

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<v Speaker 2>Yeah, it was very difficult because part of good condition,

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<v Speaker 2>well the majority of the condition of CBD is that

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<v Speaker 2>it affects movement. It affects the signals from the brain

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<v Speaker 2>telling your body to move. And so his initial stages

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<v Speaker 2>with this condition were that he was struggling with his

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<v Speaker 2>left side, struggling to move his left leg properly and

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<v Speaker 2>that was really difficult. But he was also struggling to

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<v Speaker 2>even put his coat on without help. So carrying a

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<v Speaker 2>rucksack was really hard. Yeah, he was. He was finding

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<v Speaker 2>it very very hard to start with. You know, there

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<v Speaker 2>were days when many mornings early on in that walk

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<v Speaker 2>when he would have been in the tent overnight and

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<v Speaker 2>was so stiff in the morning he couldn't get out

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<v Speaker 2>of the tent. So there's a scene in a film

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<v Speaker 2>where Jillian pulls him out of the tent by the

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<v Speaker 2>sleeping bag, and that often happened many mornings. It was

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<v Speaker 2>the only way of getting him out was to pull

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<v Speaker 2>the sleeping bag out with him in it. Yeah, so

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<v Speaker 2>it wasn't easy in those early weeks. It wasn't easy.

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<v Speaker 1>My guest on conversations today is rain Or when Raina

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<v Speaker 1>and her husband Moth start war and they don't start,

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<v Speaker 1>but they're their main characters in a movie called The

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<v Speaker 1>Salt Path. They walked the Salt Path, which is a

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<v Speaker 1>path in England. We're talking about that at bit more

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<v Speaker 1>and when he come back, there's a film made of it.

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<v Speaker 1>There's books being written and subsequently a couple of other books.

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<v Speaker 1>So back shortly, folks. Raynall Winner is my guest on

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<v Speaker 1>conversations now. Raynal is a well. She's described in Wikipedia,

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<v Speaker 1>if you can trust Wikipedia, as a British long distance

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<v Speaker 1>walker and writer. Well, she certainly is a writer because

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<v Speaker 1>her first book, The Sault Path, became a best seller,

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<v Speaker 1>and it's been made into a movie now. The movie

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<v Speaker 1>stars Gillian Anderson and Jason Isaacs. Gillian Andson plays Raynor's

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<v Speaker 1>part and Isaacs plays the part of Moth. What's it

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<v Speaker 1>like seeing yourself portrayed in a movie with and are

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<v Speaker 1>you happy with the performance and the and the casting.

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<v Speaker 2>Well, it's quite a weird thing, isn't it, having Jillian

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<v Speaker 2>Anderson portray you on the screen. It's not an experience,

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<v Speaker 2>that's for sure. I can remember when I was told

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<v Speaker 2>that it would be Jillian Anderson. I was a little

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<v Speaker 2>bit I don't know, is it going to work. She's

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<v Speaker 2>so good, glamorous. I just couldn't see how she would

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<v Speaker 2>capture me in that absolutely raw state. But as soon

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<v Speaker 2>as I saw her on set, I could see she

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<v Speaker 2>completely abandoned any idea of vanity and had thrown herself

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<v Speaker 2>into the idea of being raw and elemental and out

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<v Speaker 2>in the weather. And she did a brilliant job of that,

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<v Speaker 2>of capturing that sense of being lost in life.

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<v Speaker 1>And how did Jason Isaacs portray math? Were you happy

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<v Speaker 1>with that?

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<v Speaker 2>Well? Yes, completely. We met them for a day before

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<v Speaker 2>filming started, and I think I was immediately struck by

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<v Speaker 2>Jason Isaac's enthusiasm for life, and that is such a

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<v Speaker 2>part of moths character, that sense of enthusiasm and joy

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<v Speaker 2>and just willingness to embrace the day. And yeah, completely,

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<v Speaker 2>as soon as you know he was, he was running

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<v Speaker 2>up and down the stairs, trying to copy Moth's movements

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<v Speaker 2>and jumping on and off our kitchen worktop. I realized

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<v Speaker 2>that he was going to be actually perfect. And another

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<v Speaker 2>moments in the film, just little moments when I looked

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<v Speaker 2>at the screen and just for a second I thought

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<v Speaker 2>it was Moth on the screen. So I can't have

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<v Speaker 2>done a bad job if I felt like that.

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<v Speaker 1>Surely Moth isn't his real name, Moth as in Moth

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<v Speaker 1>t h.

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<v Speaker 2>It's what most of his teenage friends have always called him.

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<v Speaker 1>So is it a secret?

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<v Speaker 2>Well, it's that's an abbreviation of his real name, so

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<v Speaker 2>you know, it's what we've always known about. So that's

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<v Speaker 2>who he is to us.

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<v Speaker 1>You can't you have to tell us his real name.

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<v Speaker 2>I don't, you.

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<v Speaker 1>Can be what can that be short for moths?

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<v Speaker 2>Anyway, it was great to see Jason on the screen

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<v Speaker 2>because there's a little scene later in a film when

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<v Speaker 2>it's a semed direct from the book when a lady

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<v Speaker 2>comes and talks to them and says, you know, you've

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<v Speaker 2>been out in the out in the wilderness, and you

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<v Speaker 2>can see it written all over you. You're salted. And

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<v Speaker 2>that scene in the book, when I looked at the

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<v Speaker 2>at the screen, just at Julian and Jason sitting on

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<v Speaker 2>the sand, there was just in that moment they really

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<v Speaker 2>captured that feeling of what it felt like to be

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<v Speaker 2>on that path, of what it felt like to be

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<v Speaker 2>out there weeks and weeks into that walk with nothing else.

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<v Speaker 2>And I think that was the thing. It wasn't just

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<v Speaker 2>like going for a walk, it was there was nothing

0:13:50.920 --> 0:13:55.079
<v Speaker 2>else that walk, those rocksacks, got tent, It was all

0:13:55.120 --> 0:13:55.520
<v Speaker 2>we had.

0:13:55.760 --> 0:14:00.600
<v Speaker 1>So did you have a rustic or rule upbringing you

0:14:01.320 --> 0:14:02.120
<v Speaker 1>close to the land?

0:14:02.920 --> 0:14:07.640
<v Speaker 2>Yeah, I grew up on farm, so my whole childhood

0:14:07.800 --> 0:14:10.800
<v Speaker 2>was playing in the fields and in the woods and

0:14:10.800 --> 0:14:16.760
<v Speaker 2>and tracking rabbits and that that was my childhood. So

0:14:17.280 --> 0:14:18.400
<v Speaker 2>I think really.

0:14:18.200 --> 0:14:20.600
<v Speaker 1>Were about where about what part of.

0:14:20.560 --> 0:14:24.400
<v Speaker 2>England, So as far from the sea as you can get,

0:14:24.760 --> 0:14:27.840
<v Speaker 2>right in the center of the country, as far away

0:14:27.840 --> 0:14:30.560
<v Speaker 2>from the coast as you could be. So I think

0:14:30.720 --> 0:14:35.960
<v Speaker 2>something of that of that growing up in a landscape,

0:14:36.280 --> 0:14:42.560
<v Speaker 2>was in that decision two to go out onto the

0:14:42.600 --> 0:14:48.200
<v Speaker 2>headguns because maybe maybe that felt like going to a

0:14:48.240 --> 0:14:53.880
<v Speaker 2>safe place, because I understood nature more than I would

0:14:53.880 --> 0:14:58.120
<v Speaker 2>ever feel at home in the town or I mean,

0:14:58.600 --> 0:15:01.480
<v Speaker 2>moth have grown up on the edge of but in

0:15:01.520 --> 0:15:05.640
<v Speaker 2>his head, he'd always been absolutely drawn to the wild places.

0:15:06.000 --> 0:15:09.480
<v Speaker 2>So when we first met, you know, he really encouraged

0:15:09.520 --> 0:15:11.640
<v Speaker 2>me to go to the mountains, to go to the

0:15:11.680 --> 0:15:14.840
<v Speaker 2>coast guine, to go to the places that really inspired him.

0:15:15.680 --> 0:15:21.240
<v Speaker 2>Of very early years together were spent exploring Scotland in

0:15:21.280 --> 0:15:25.120
<v Speaker 2>the Lake District, the really wilder parts of the UK,

0:15:26.280 --> 0:15:30.400
<v Speaker 2>And I think that's what our relationship was built on,

0:15:31.080 --> 0:15:35.960
<v Speaker 2>was built on those early years of being out in

0:15:36.000 --> 0:15:41.600
<v Speaker 2>the countryside. And so I'm sure that that, you know,

0:15:41.880 --> 0:15:45.920
<v Speaker 2>was there somewhere in the background of that decision to walk.

0:15:46.400 --> 0:15:49.960
<v Speaker 1>As a young lady and a young girl growing up,

0:15:50.440 --> 0:15:53.600
<v Speaker 1>what ambition did you have you did you see yourself

0:15:53.600 --> 0:15:57.440
<v Speaker 1>as a marathon walker? Well? What did you want to be?

0:15:58.360 --> 0:16:00.560
<v Speaker 2>Absolutely when I was a child, I thought I was

0:16:00.600 --> 0:16:02.800
<v Speaker 2>going to grow up to be a writer, and I

0:16:02.920 --> 0:16:06.360
<v Speaker 2>really just thought I was going to have a book

0:16:06.400 --> 0:16:08.680
<v Speaker 2>with a penguin on the the spine.

0:16:08.360 --> 0:16:08.880
<v Speaker 1>Of the book.

0:16:09.520 --> 0:16:12.840
<v Speaker 2>But I never did write. I just life took me

0:16:12.880 --> 0:16:15.400
<v Speaker 2>off down another avenue, and I never did write anything

0:16:15.720 --> 0:16:18.960
<v Speaker 2>until I started to write The Salt Path. Yeah, it

0:16:19.120 --> 0:16:21.600
<v Speaker 2>was such a joy to put words onto a page

0:16:22.000 --> 0:16:25.800
<v Speaker 2>and to feel how you could how you could painter

0:16:26.080 --> 0:16:29.840
<v Speaker 2>scene with words. I just loved the process and it

0:16:29.920 --> 0:16:32.720
<v Speaker 2>was almost as addictive as a long distance walk.

0:16:32.800 --> 0:16:35.560
<v Speaker 1>Then was it easy to get it published?

0:16:36.320 --> 0:16:40.560
<v Speaker 2>Well, I've been told by my publisher and my agent

0:16:40.880 --> 0:16:44.640
<v Speaker 2>to qualify anything I say about this by saying what

0:16:44.720 --> 0:16:50.240
<v Speaker 2>happened to me isn't normal. I literally I wrote it

0:16:50.480 --> 0:16:53.480
<v Speaker 2>four Moth. I wrote the Sort Path just for Moth

0:16:53.600 --> 0:16:58.320
<v Speaker 2>because he was starting to the illness was starting to

0:16:58.360 --> 0:17:02.320
<v Speaker 2>affect his memory, was starting to forget some parts of

0:17:02.360 --> 0:17:05.720
<v Speaker 2>that path, and it had been such an important, strong,

0:17:05.840 --> 0:17:09.320
<v Speaker 2>powerful moment in our lives. I needed to hold it

0:17:09.359 --> 0:17:12.560
<v Speaker 2>for him, to capture it so that he would always

0:17:12.560 --> 0:17:15.320
<v Speaker 2>have it. And that's all I was doing with it,

0:17:15.359 --> 0:17:18.600
<v Speaker 2>you know. I literally wrote it, printed it on a

0:17:18.680 --> 0:17:22.320
<v Speaker 2>home printer. It started out black, ended up pink because

0:17:22.359 --> 0:17:24.800
<v Speaker 2>the printer ran out of ink. I tied it up

0:17:24.800 --> 0:17:27.199
<v Speaker 2>with the string, gave it to him for his birthday.

0:17:27.400 --> 0:17:31.639
<v Speaker 2>That's all it was at that stage, but I remember

0:17:31.680 --> 0:17:34.440
<v Speaker 2>my daughter was staying with us because it was his birthday.

0:17:34.600 --> 0:17:36.720
<v Speaker 2>She read it before he did, and she said, you know,

0:17:37.080 --> 0:17:40.320
<v Speaker 2>it's not bad. You should do something with it. And

0:17:40.840 --> 0:17:43.400
<v Speaker 2>I really thought she meant, you know, get a binder

0:17:43.680 --> 0:17:47.760
<v Speaker 2>or put it in a folder, because I couldn't imagine

0:17:47.840 --> 0:17:51.080
<v Speaker 2>doing anything other. But eventually I did look for an

0:17:51.119 --> 0:17:56.119
<v Speaker 2>agent and found one that I thought would be okay.

0:17:56.600 --> 0:17:59.560
<v Speaker 2>Sent you know, as you do three chapters and this

0:17:59.640 --> 0:18:03.080
<v Speaker 2>is not this And just a few days later she

0:18:03.160 --> 0:18:04.440
<v Speaker 2>got back to me and said, kind of sing the

0:18:04.480 --> 0:18:09.080
<v Speaker 2>rest of the manuscript. Within a week she said she

0:18:09.119 --> 0:18:11.720
<v Speaker 2>wanted to represent me. And then just a couple of

0:18:11.720 --> 0:18:16.160
<v Speaker 2>months later we had an offer from from the publishers

0:18:16.600 --> 0:18:19.359
<v Speaker 2>and I've got a penguin on the spine of my book.

0:18:20.280 --> 0:18:22.600
<v Speaker 1>How amazing is that? You dripped about that as a

0:18:22.600 --> 0:18:28.440
<v Speaker 1>little girl. Yeah, And then the film rights followed. Did

0:18:28.440 --> 0:18:29.520
<v Speaker 1>that take you by surprise?

0:18:30.440 --> 0:18:35.560
<v Speaker 2>Absolutely? The Sapath had been published for a few months

0:18:35.920 --> 0:18:39.680
<v Speaker 2>and we started to get some interest from a few

0:18:40.840 --> 0:18:45.760
<v Speaker 2>producers who wanted to option the film rights. I didn't

0:18:45.840 --> 0:18:48.879
<v Speaker 2>understand anything about film really, I'm not really sure if

0:18:48.920 --> 0:18:53.040
<v Speaker 2>I do now, but I certainly didn't then, but it

0:18:53.080 --> 0:18:56.680
<v Speaker 2>does seem that many books get optioned, but very few

0:18:56.720 --> 0:19:01.479
<v Speaker 2>get made into a film. So we we we agreed

0:19:01.520 --> 0:19:05.960
<v Speaker 2>to option the film rights with absolutely no expectation of

0:19:06.000 --> 0:19:11.760
<v Speaker 2>ever seeing a film made. So when it did finally

0:19:11.960 --> 0:19:16.840
<v Speaker 2>come to to good point where things started to move

0:19:16.880 --> 0:19:19.320
<v Speaker 2>and it was actually going to be made, it did

0:19:19.359 --> 0:19:22.880
<v Speaker 2>feel a bit like, oh, hold on, because it's actually happening.

0:19:24.280 --> 0:19:27.439
<v Speaker 2>What is this going to mean? Yeah, well, there were

0:19:27.520 --> 0:19:30.040
<v Speaker 2>quite a few years in between the option and the

0:19:30.080 --> 0:19:32.600
<v Speaker 2>film actually get made, but apparently that's the way it

0:19:32.640 --> 0:19:34.520
<v Speaker 2>goes in films, very slow business.

0:19:35.359 --> 0:19:38.159
<v Speaker 1>Rain Or Win is my guest, folks. Her book was

0:19:38.160 --> 0:19:40.240
<v Speaker 1>called The Salt Path that's been made into a movie.

0:19:40.280 --> 0:19:43.040
<v Speaker 1>You must see it. It's quite gripping and it's quite

0:19:43.080 --> 0:19:46.119
<v Speaker 1>inspiring actually because you feel the pain. You feel the

0:19:46.119 --> 0:19:49.800
<v Speaker 1>pain of climbing hills and sleeping out and I don't

0:19:49.840 --> 0:19:53.760
<v Speaker 1>know how you actually walk so far carrying begpecks Back shortly, folks,

0:19:53.880 --> 0:19:57.320
<v Speaker 1>welcome back the conversations everybody. If you have just joined in,

0:19:57.400 --> 0:20:01.600
<v Speaker 1>I'm chatting with rain Or Win. She's in Cornwall as

0:20:01.600 --> 0:20:05.240
<v Speaker 1>we speak, down at the south of England, and we're

0:20:05.280 --> 0:20:08.200
<v Speaker 1>talking about a movie that was made subsequent to her

0:20:08.200 --> 0:20:11.439
<v Speaker 1>publishing a book called The Salt Path about her and

0:20:11.440 --> 0:20:16.800
<v Speaker 1>her husband Moths diagnosed with a really serious illness. I'll

0:20:16.840 --> 0:20:20.119
<v Speaker 1>just see if I'm actually pronounced a quarterboat, quarterco base

0:20:20.280 --> 0:20:23.760
<v Speaker 1>or degeneration. And they lose their home in a business

0:20:23.800 --> 0:20:27.240
<v Speaker 1>deal or an arrangement that went poorly for them, so

0:20:27.359 --> 0:20:30.720
<v Speaker 1>in desperation they start walking. I just can't imagine walking

0:20:30.760 --> 0:20:32.399
<v Speaker 1>the distances you did. I mean, you can go for

0:20:32.400 --> 0:20:34.439
<v Speaker 1>a walk, and you might go for a go for

0:20:34.440 --> 0:20:37.680
<v Speaker 1>a weekend, but you're the Salt Path was is that

0:20:37.920 --> 0:20:40.280
<v Speaker 1>five hundred odd miles.

0:20:40.080 --> 0:20:42.320
<v Speaker 2>Six hundred and thirty miles that's got on a scent

0:20:42.480 --> 0:20:45.760
<v Speaker 2>because aparently equivalent to climbing. Ever, it's nearly four times,

0:20:46.000 --> 0:20:47.720
<v Speaker 2>so you can tell it goes up and down quite

0:20:47.720 --> 0:20:47.960
<v Speaker 2>a bit.

0:20:49.560 --> 0:20:51.560
<v Speaker 1>Well, that's the thing that puzzled me when you see

0:20:52.400 --> 0:20:55.439
<v Speaker 1>the movie where Moth starts off and he's dragging his

0:20:55.520 --> 0:20:58.520
<v Speaker 1>leg and he's dragging his lenk the whole way through. Firstly,

0:20:58.560 --> 0:21:02.200
<v Speaker 1>did the did the actor Jason Isaacs, did he get

0:21:02.320 --> 0:21:05.200
<v Speaker 1>the movement accurate? Is that? Is that? How?

0:21:07.480 --> 0:21:10.680
<v Speaker 2>Talking to Math and lots of time exploring how that

0:21:10.720 --> 0:21:15.280
<v Speaker 2>condition affected him at that time, but he also spent

0:21:15.359 --> 0:21:19.960
<v Speaker 2>quite a bit of time talking to PSPA, the charity

0:21:20.040 --> 0:21:24.640
<v Speaker 2>that supports people with DBD, and another very closely connected

0:21:24.680 --> 0:21:30.080
<v Speaker 2>illness PSP, and from that he built a picture of

0:21:30.760 --> 0:21:35.840
<v Speaker 2>of the movements of people with cort co based or degeneration,

0:21:36.680 --> 0:21:42.600
<v Speaker 2>and he he worked quite closely with Math on movement

0:21:43.320 --> 0:21:47.240
<v Speaker 2>and that was that was really worthwhile because although the

0:21:47.320 --> 0:21:51.399
<v Speaker 2>movements that he portrays might not be one hundred percent

0:21:51.520 --> 0:21:56.480
<v Speaker 2>accurate to how Math moved, they do portray that illness

0:21:56.640 --> 0:22:00.480
<v Speaker 2>really well and as such it was it was really

0:22:00.520 --> 0:22:03.520
<v Speaker 2>strong picture of the condition.

0:22:04.320 --> 0:22:07.720
<v Speaker 1>There's interesting parts. I mean, I know I've seen the

0:22:07.760 --> 0:22:11.720
<v Speaker 1>movie and our listeners probably haven't yet, but you seem

0:22:11.840 --> 0:22:16.200
<v Speaker 1>so destitute, had no money at times, you were starving

0:22:16.240 --> 0:22:19.600
<v Speaker 1>at times. How did you survive and what was that

0:22:19.760 --> 0:22:21.639
<v Speaker 1>like the prospect of no money and no food and

0:22:21.680 --> 0:22:23.280
<v Speaker 1>you're on the walk.

0:22:23.520 --> 0:22:26.920
<v Speaker 2>It was pretty desperate at times. We had really quite

0:22:27.000 --> 0:22:29.639
<v Speaker 2>poor equipment as well, because we hadn't had much money

0:22:29.640 --> 0:22:31.960
<v Speaker 2>to buy it with, so I think probably one of

0:22:31.960 --> 0:22:37.840
<v Speaker 2>our worst mistakes was buying goes super thin, ultra lightweight

0:22:37.960 --> 0:22:41.480
<v Speaker 2>summer sleeping bags. So we were cold quite a lot,

0:22:41.640 --> 0:22:45.320
<v Speaker 2>but we had hard money. Were we started out with

0:22:45.359 --> 0:22:48.320
<v Speaker 2>about forty pounds a week, and then it rapidly went

0:22:48.359 --> 0:22:51.600
<v Speaker 2>down to about twenty five a week. And on the

0:22:51.680 --> 0:22:56.440
<v Speaker 2>Southwest coast, which is very tourist built area that sort

0:22:56.480 --> 0:22:59.560
<v Speaker 2>of exists on its tourism, twenty five pounds a week

0:22:59.600 --> 0:23:03.479
<v Speaker 2>for two people doesn't go very far. There's a scene

0:23:03.680 --> 0:23:09.080
<v Speaker 2>in the film where where the couple have forgotten to

0:23:09.119 --> 0:23:12.960
<v Speaker 2>cancel their house insurance and so a standing order takes

0:23:13.040 --> 0:23:17.639
<v Speaker 2>all their money out of the account, and Durian Anderson

0:23:17.760 --> 0:23:21.320
<v Speaker 2>goes to a bank teller and asks for the last

0:23:21.359 --> 0:23:24.359
<v Speaker 2>one pound thirty eight out of the account, and that

0:23:24.440 --> 0:23:28.080
<v Speaker 2>did actually happen. But we took that one pound thirty

0:23:28.119 --> 0:23:31.359
<v Speaker 2>eight out because it equated six packs of noodles, which

0:23:31.400 --> 0:23:35.560
<v Speaker 2>we worked out we could just survive for about five

0:23:35.640 --> 0:23:38.800
<v Speaker 2>days on those packets of noodles. One packet a day

0:23:38.840 --> 0:23:42.560
<v Speaker 2>between two of us was just through that and an

0:23:42.560 --> 0:23:44.920
<v Speaker 2>awful lot of hot water to keep the hunger at bait,

0:23:45.600 --> 0:23:48.639
<v Speaker 2>and we could just about get by. So hunger was

0:23:48.720 --> 0:23:51.440
<v Speaker 2>such a big deal to start with. It was anyway,

0:23:52.119 --> 0:23:58.800
<v Speaker 2>because we don't usually really face real hunger in Western society,

0:23:58.840 --> 0:24:02.840
<v Speaker 2>do we in our civilization? And you know, if we

0:24:02.880 --> 0:24:05.639
<v Speaker 2>are really hungry and there's nothing much in a house.

0:24:06.320 --> 0:24:08.960
<v Speaker 2>You can always usually get a cracker or a bit

0:24:09.000 --> 0:24:11.560
<v Speaker 2>of toast, but when you've got no money and there's

0:24:11.680 --> 0:24:15.680
<v Speaker 2>no food, yeah, hunger can be such a really painful thing.

0:24:15.720 --> 0:24:20.200
<v Speaker 2>It's actually surprising how painful hunger can be. But after

0:24:20.280 --> 0:24:23.560
<v Speaker 2>a while, it's like your body adjusts and it stops

0:24:24.359 --> 0:24:28.400
<v Speaker 2>needing food in the same way. And then we really

0:24:28.480 --> 0:24:31.000
<v Speaker 2>did discover that you can actually keep hunger at bay

0:24:31.040 --> 0:24:35.639
<v Speaker 2>with a with a hot water. And we didn't have

0:24:35.680 --> 0:24:38.040
<v Speaker 2>many tea bags, so we did share the tea bags.

0:24:38.680 --> 0:24:42.160
<v Speaker 2>And because you know, by then we were drinking our

0:24:42.200 --> 0:24:46.840
<v Speaker 2>tea with no milk and just this reused tea bag,

0:24:47.320 --> 0:24:50.280
<v Speaker 2>we did come to the point where where a tea

0:24:50.280 --> 0:24:52.560
<v Speaker 2>bag could actually last us all day if we needed

0:24:52.560 --> 0:24:56.760
<v Speaker 2>it to. Can I the tea that way now? Actually,

0:24:57.160 --> 0:24:59.720
<v Speaker 2>with just like hint of tea and some hot water.

0:25:01.080 --> 0:25:04.679
<v Speaker 1>What is this doing to your self esteem as you

0:25:04.760 --> 0:25:08.160
<v Speaker 1>are enduring this lifestyle?

0:25:08.840 --> 0:25:12.560
<v Speaker 2>Well, I think our self esteem took an absolute nose

0:25:12.640 --> 0:25:16.879
<v Speaker 2>dive quite early on, because just maybe just a week

0:25:16.920 --> 0:25:19.359
<v Speaker 2>into that walk, we were already down to our last

0:25:19.400 --> 0:25:22.760
<v Speaker 2>few pounds, and I can remember standing outside the shop

0:25:23.680 --> 0:25:26.240
<v Speaker 2>trying to count how much we had before we went

0:25:26.320 --> 0:25:29.600
<v Speaker 2>in to obviously see what we could have thought. And

0:25:29.640 --> 0:25:32.200
<v Speaker 2>I can remember having nine pound coins in my hand

0:25:32.680 --> 0:25:37.600
<v Speaker 2>and that's all we had, and a lady came around

0:25:37.600 --> 0:25:39.840
<v Speaker 2>the corner of the shop with a big dog that

0:25:40.320 --> 0:25:44.959
<v Speaker 2>jumped up my rucksack made me make those coins skip

0:25:45.000 --> 0:25:48.280
<v Speaker 2>off my hand and going onto the pavement. Well, I

0:25:48.400 --> 0:25:51.480
<v Speaker 2>was straight down on the pavement, hand on the drainage grill,

0:25:51.600 --> 0:25:55.760
<v Speaker 2>trying to catch my pound coin before it rolled away.

0:25:56.280 --> 0:25:59.119
<v Speaker 2>And as I was there lying on the concrete, the

0:25:59.200 --> 0:26:02.320
<v Speaker 2>woman with the dog started poking me with her foot,

0:26:03.119 --> 0:26:06.960
<v Speaker 2>and I'll never forget it. She said, what are you doing?

0:26:07.119 --> 0:26:11.080
<v Speaker 2>We don't have people like you here, drunken Trampson Street.

0:26:11.200 --> 0:26:14.680
<v Speaker 2>Get up And I come in that moment thinking who's

0:26:14.760 --> 0:26:18.240
<v Speaker 2>talking to because it can't be me, And then when

0:26:18.280 --> 0:26:20.960
<v Speaker 2>I realized she was. I think that was the point

0:26:21.000 --> 0:26:26.679
<v Speaker 2>when that sense of self really fell apart, because to

0:26:26.720 --> 0:26:30.399
<v Speaker 2>that point our lives had fallen apart, but I hadn't

0:26:30.440 --> 0:26:36.159
<v Speaker 2>regarded how we had changed in society's view. And I

0:26:36.160 --> 0:26:40.800
<v Speaker 2>think that real low point of loss of sense of

0:26:40.880 --> 0:26:45.480
<v Speaker 2>self was that was the hardest to come back from,

0:26:45.520 --> 0:26:47.880
<v Speaker 2>I think, And it's a long way back from being

0:26:47.920 --> 0:26:51.439
<v Speaker 2>at the very very bottom of your own sense of

0:26:51.480 --> 0:26:55.040
<v Speaker 2>where you exist, not just in the wider society, but

0:26:55.200 --> 0:26:57.480
<v Speaker 2>in your own self.

0:26:57.800 --> 0:27:01.120
<v Speaker 1>Look at you now, self esteemsh stat I would think.

0:27:01.560 --> 0:27:03.800
<v Speaker 2>I don't know. I think something of've got time will

0:27:03.840 --> 0:27:06.600
<v Speaker 2>always stay with me. Actually, do you think.

0:27:06.440 --> 0:27:09.080
<v Speaker 1>This lady would she have recognized herself in the movie?

0:27:09.880 --> 0:27:10.560
<v Speaker 2>I don't think so.

0:27:11.280 --> 0:27:13.000
<v Speaker 1>There were a couple of There were a couple of

0:27:13.000 --> 0:27:17.400
<v Speaker 1>moments where you were, you know, castigated by people passing

0:27:17.840 --> 0:27:21.480
<v Speaker 1>by and what are you doing camping here? And yeah,

0:27:22.000 --> 0:27:23.359
<v Speaker 1>did you have a smart response?

0:27:25.200 --> 0:27:27.760
<v Speaker 2>Usually we just ignored them and let them talk because

0:27:27.800 --> 0:27:32.000
<v Speaker 2>it seemed quite the easiest way. And initially, of course,

0:27:32.760 --> 0:27:35.639
<v Speaker 2>you know, people would ask, how come we've got so

0:27:35.720 --> 0:27:39.239
<v Speaker 2>much time to walk so far? And initially we were

0:27:39.280 --> 0:27:41.680
<v Speaker 2>quite honest and we would say, you know, we we've

0:27:42.400 --> 0:27:45.360
<v Speaker 2>lost a home, we're homeless, there's nothing else to be done.

0:27:45.640 --> 0:27:48.160
<v Speaker 2>And it was a real shock actually trying that people

0:27:48.200 --> 0:27:52.440
<v Speaker 2>would actually physically recoil, gather their children in, or the

0:27:52.480 --> 0:27:55.480
<v Speaker 2>worse still haven't quite worked this out, was draw their

0:27:55.520 --> 0:27:58.960
<v Speaker 2>dogs in on a retractable lead. What was happened to

0:27:58.960 --> 0:28:02.000
<v Speaker 2>the dog? I never quite work out, because there be

0:28:02.080 --> 0:28:06.560
<v Speaker 2>so much emotional damage you can take before you start

0:28:06.760 --> 0:28:11.480
<v Speaker 2>actually protecting yourself, and so that's what we did. So

0:28:12.320 --> 0:28:15.720
<v Speaker 2>we sort of changed that narrative. When people ask us

0:28:16.040 --> 0:28:18.800
<v Speaker 2>that question, how come you've got so much time, we

0:28:18.840 --> 0:28:21.679
<v Speaker 2>started to say, well, we've sold our house, which is

0:28:21.720 --> 0:28:25.080
<v Speaker 2>going where the wind blows, a scene where life takes us,

0:28:25.600 --> 0:28:28.720
<v Speaker 2>and suddenly then well the action was completely different. It

0:28:28.800 --> 0:28:34.920
<v Speaker 2>was like fantastic, amazing, and it was a real surprise

0:28:35.080 --> 0:28:42.600
<v Speaker 2>to find our preconceptions around home ownership and the difference

0:28:42.640 --> 0:28:46.080
<v Speaker 2>between losing your house and selling your house there was

0:28:46.120 --> 0:28:51.440
<v Speaker 2>a universe in between. It was an interesting observation of

0:28:52.360 --> 0:28:54.600
<v Speaker 2>society's preconceptions, that's for sure.

0:28:54.960 --> 0:28:57.120
<v Speaker 1>Rain Or when is my guest, folks. The movie is

0:28:57.160 --> 0:28:59.080
<v Speaker 1>called The Salt Path, of the book is called The Salt Path,

0:28:59.160 --> 0:29:02.080
<v Speaker 1>but there's been two books, so we're talking about that

0:29:02.240 --> 0:29:04.520
<v Speaker 1>when we come back back shortly, I'm talking to rain

0:29:04.600 --> 0:29:06.400
<v Speaker 1>Or Win. If you just tuned in, folks, rain Or

0:29:06.440 --> 0:29:08.960
<v Speaker 1>has written a book called The Salt Path that's subsequently

0:29:09.000 --> 0:29:11.640
<v Speaker 1>been made into a movie, and it's a beautiful movie.

0:29:11.680 --> 0:29:14.000
<v Speaker 1>It tells the story of rain Or and her husband Moth,

0:29:14.600 --> 0:29:19.200
<v Speaker 1>find themselves homeless, almost destitute at times, on. They have

0:29:19.320 --> 0:29:23.160
<v Speaker 1>been a destitute, but they decide as therapy to escape,

0:29:23.280 --> 0:29:27.400
<v Speaker 1>to have somewhere to go. They walk the Salt Path

0:29:27.720 --> 0:29:30.840
<v Speaker 1>and it's in six hundred and thirty mile just over

0:29:30.840 --> 0:29:35.600
<v Speaker 1>a thousand kilometer walk in the southwest of England. But

0:29:35.720 --> 0:29:39.400
<v Speaker 1>you finish, it comes to an end. You get to

0:29:39.440 --> 0:29:42.920
<v Speaker 1>the end of the path. Now what happens then? What

0:29:42.960 --> 0:29:44.200
<v Speaker 1>do you do then? Or was it?

0:29:44.720 --> 0:29:47.440
<v Speaker 2>Yeah, we were close to the end of the path

0:29:47.800 --> 0:29:52.320
<v Speaker 2>and Moth started to think that maybe actually the answer

0:29:52.440 --> 0:29:56.880
<v Speaker 2>was if he went back to education and studied for

0:29:56.960 --> 0:30:03.080
<v Speaker 2>something good he was interested in, and so that's what

0:30:03.160 --> 0:30:05.840
<v Speaker 2>he did. At the end of that path, he started

0:30:05.960 --> 0:30:13.080
<v Speaker 2>a degree and we moved into a tiny apartment at

0:30:13.080 --> 0:30:16.120
<v Speaker 2>the back of a chapel in a Cornish fishing village

0:30:16.520 --> 0:30:19.320
<v Speaker 2>that had been given to us by a really, really

0:30:20.480 --> 0:30:24.040
<v Speaker 2>kind and generous person we'd met while we were walking. Yeah,

0:30:24.080 --> 0:30:27.120
<v Speaker 2>but it was a really strange time. Moth had gone

0:30:27.200 --> 0:30:30.800
<v Speaker 2>to university and was learning things in one respect but

0:30:30.880 --> 0:30:33.120
<v Speaker 2>then losing his memory because of the illness and the

0:30:33.160 --> 0:30:37.760
<v Speaker 2>other before that's when I wrote the book. But also

0:30:38.080 --> 0:30:40.520
<v Speaker 2>i'd never lived in the village before. I'd always lived

0:30:40.960 --> 0:30:43.840
<v Speaker 2>on a farm in a rural place. So actually to

0:30:43.880 --> 0:30:45.800
<v Speaker 2>go out of the door and find that there were

0:30:45.880 --> 0:30:48.560
<v Speaker 2>people outside the door, I've haund it really quite hard

0:30:48.600 --> 0:30:53.160
<v Speaker 2>to adjust to. And also I was really missing that

0:30:53.560 --> 0:30:57.400
<v Speaker 2>sense of being part of the landscape, that sense of

0:30:57.440 --> 0:31:01.240
<v Speaker 2>being part of that open horizon. I couldn't sleep, It

0:31:01.320 --> 0:31:03.960
<v Speaker 2>was really difficult. I remember putting the tent up in

0:31:04.080 --> 0:31:08.040
<v Speaker 2>the bedroom and sleeping in that for weeks. Yeah, so

0:31:08.080 --> 0:31:11.000
<v Speaker 2>it was a strange time of adjustment when we came back.

0:31:11.560 --> 0:31:15.280
<v Speaker 1>But so you write the book. The book unexpectedly is

0:31:15.440 --> 0:31:19.240
<v Speaker 1>published in the movie Rights Options. Then you write another book,

0:31:19.800 --> 0:31:23.240
<v Speaker 1>tell us about the Wild Silence. The Wild Silence.

0:31:23.960 --> 0:31:28.640
<v Speaker 2>Silence was really a follow on to the Salt Path,

0:31:28.680 --> 0:31:31.080
<v Speaker 2>a bit of a what comes next, But at the

0:31:31.120 --> 0:31:34.680
<v Speaker 2>same time it was that it was really a book

0:31:34.720 --> 0:31:41.480
<v Speaker 2>about about the land and how important the landscape land

0:31:41.800 --> 0:31:46.120
<v Speaker 2>is to is to not just us, but to all

0:31:46.120 --> 0:31:51.840
<v Speaker 2>of us. So it really it covers that time of

0:31:51.880 --> 0:31:55.040
<v Speaker 2>adjustment going back into society, of sleeping in the tent

0:31:55.120 --> 0:31:59.680
<v Speaker 2>in the bedroom, and also of a trail we did

0:31:59.720 --> 0:32:03.840
<v Speaker 2>through the highlands of Iceland, and the walk through the

0:32:03.920 --> 0:32:10.280
<v Speaker 2>southern highlands of Iceland and that incredible moonlight landscape of

0:32:10.320 --> 0:32:14.120
<v Speaker 2>a volcanic ash and sulfur and boiling water.

0:32:15.600 --> 0:32:19.320
<v Speaker 1>Yeah, I I it inspires me to do it, but

0:32:19.400 --> 0:32:23.600
<v Speaker 1>I'm not sure that the old knees, the worn out knees,

0:32:23.640 --> 0:32:26.360
<v Speaker 1>would sustain it. So it sounds like, after all this,

0:32:26.920 --> 0:32:28.960
<v Speaker 1>I would have thought you'd been done with walking. You

0:32:29.080 --> 0:32:32.880
<v Speaker 1>decided to walk the Cape Roth Trail. It's got an

0:32:32.880 --> 0:32:36.760
<v Speaker 1>intimidating name. It's one thousand miles sixteen hundred kilometers, for

0:32:37.160 --> 0:32:39.440
<v Speaker 1>Heaven's sake, well, and.

0:32:39.560 --> 0:32:44.720
<v Speaker 2>We decided to walk that path. Moth was because it'd

0:32:44.760 --> 0:32:48.400
<v Speaker 2>been quite stationary for a while. It was just post

0:32:48.680 --> 0:32:53.120
<v Speaker 2>a pandemic, so we'd all been in lockdown in this country.

0:32:53.160 --> 0:32:56.440
<v Speaker 2>We weren't allowed to even walk very far. So he'd

0:32:56.480 --> 0:32:59.600
<v Speaker 2>been walking a very restricted amount, and the symptoms of

0:32:59.640 --> 0:33:04.080
<v Speaker 2>CB really flared back up, and he was at that point,

0:33:04.160 --> 0:33:09.280
<v Speaker 2>one of his lowest points, and he was almost accepting it.

0:33:09.360 --> 0:33:11.640
<v Speaker 2>He was almost accepting that this was it, that the

0:33:11.720 --> 0:33:16.280
<v Speaker 2>condition was now going to actually just take its course.

0:33:16.600 --> 0:33:18.880
<v Speaker 2>But I couldn't face that. I couldn't face the idea

0:33:18.880 --> 0:33:24.560
<v Speaker 2>of him allowing that, accepting that without just trying one

0:33:24.560 --> 0:33:27.840
<v Speaker 2>more time to walk a long distance and see if

0:33:27.880 --> 0:33:31.320
<v Speaker 2>it changed the course of that condition as it did

0:33:31.360 --> 0:33:34.000
<v Speaker 2>when we walked to the Southwest Coast Path. So we

0:33:34.040 --> 0:33:37.920
<v Speaker 2>went to walk the Cape Wrath Trail, which sounds ridiculous

0:33:37.960 --> 0:33:40.680
<v Speaker 2>because it's the most remote, one of the most difficult

0:33:40.680 --> 0:33:44.440
<v Speaker 2>trails in the country, but it's about two hundred miles.

0:33:45.160 --> 0:33:47.800
<v Speaker 2>But it was also it was a place that Marthad

0:33:47.960 --> 0:33:51.040
<v Speaker 2>always wanted to go and spend time, but we'd never

0:33:51.120 --> 0:33:55.200
<v Speaker 2>really had time, and I thought, if anywhere encourages him

0:33:55.200 --> 0:33:57.640
<v Speaker 2>to try it or be there, So we went to

0:33:57.680 --> 0:34:00.320
<v Speaker 2>the very north of Scotland, northwest of scottl went to

0:34:00.360 --> 0:34:03.840
<v Speaker 2>walk with Cape Brath Trail and that's all we were

0:34:03.880 --> 0:34:08.480
<v Speaker 2>going to do, but we did. We slowly, slowly walked

0:34:08.480 --> 0:34:13.439
<v Speaker 2>through the remote hids and the great wilderness and rough

0:34:13.520 --> 0:34:18.280
<v Speaker 2>bounds of noid Art and found ourselves in Fort William,

0:34:18.560 --> 0:34:22.200
<v Speaker 2>and Moth was going, well, I feel a lot better

0:34:22.239 --> 0:34:24.120
<v Speaker 2>than I did at the start, but maybe if we

0:34:24.160 --> 0:34:27.040
<v Speaker 2>walked a bit further I might feel even better. And

0:34:27.160 --> 0:34:31.080
<v Speaker 2>Fort William is where you can start the West Hyland Way,

0:34:31.760 --> 0:34:33.759
<v Speaker 2>so we thought we'll just follow the West Tiland Way

0:34:33.800 --> 0:34:35.879
<v Speaker 2>for just over a week, see how you feel there.

0:34:36.080 --> 0:34:38.120
<v Speaker 2>So we walked to the West Tiland Way and that

0:34:38.160 --> 0:34:43.520
<v Speaker 2>took us down through Scotland down to Glasgow and then

0:34:44.080 --> 0:34:47.959
<v Speaker 2>well we thought we'll just walk up the towpath to Edinburgh,

0:34:48.000 --> 0:34:51.560
<v Speaker 2>and then when we got there it was like and

0:34:51.560 --> 0:34:53.719
<v Speaker 2>then we just compended on way and then offers die

0:34:53.800 --> 0:34:55.720
<v Speaker 2>and before we knew it, we'd walk back to CoolWall

0:34:55.800 --> 0:34:57.880
<v Speaker 2>on thousand miles. It was quite a long way.

0:34:58.719 --> 0:35:02.400
<v Speaker 1>What did it say about the therapeutic benefit of walking

0:35:02.440 --> 0:35:06.640
<v Speaker 1>and exercise for somebody with such a serious illness? And

0:35:06.719 --> 0:35:09.880
<v Speaker 1>when modern medicine wouldn't tell you this, they'd tribe to

0:35:09.960 --> 0:35:13.000
<v Speaker 1>medicate you. But how therapeutic is it?

0:35:14.000 --> 0:35:17.920
<v Speaker 2>Well, he'd been told that there was no treatment and

0:35:17.960 --> 0:35:21.080
<v Speaker 2>no cure for his condition, and there still isn't It's

0:35:21.120 --> 0:35:26.440
<v Speaker 2>such a rare, unknown condition, and you know that the

0:35:26.640 --> 0:35:31.040
<v Speaker 2>charity are desperately seeking funds for research into it, because

0:35:31.080 --> 0:35:34.399
<v Speaker 2>without the research we will never have the answers. But

0:35:34.600 --> 0:35:39.600
<v Speaker 2>when he walked the Southwest Coast Path about two hundred

0:35:39.680 --> 0:35:44.520
<v Speaker 2>miles in his condition began to change to the point

0:35:44.600 --> 0:35:47.720
<v Speaker 2>where the very start of the film we first scene

0:35:47.719 --> 0:35:52.640
<v Speaker 2>at of the film, we're caught on a beach as

0:35:52.680 --> 0:35:54.600
<v Speaker 2>the tide is coming in in the middle of the night.

0:35:54.680 --> 0:35:56.520
<v Speaker 2>We have to jump out of the tent, pick the

0:35:56.600 --> 0:35:58.919
<v Speaker 2>tent up hole, and run up the beach with the tent,

0:35:59.640 --> 0:36:02.319
<v Speaker 2>and we dropped it at the cliffs at the top

0:36:02.320 --> 0:36:06.160
<v Speaker 2>of the beach. We realized, actually he'd just run up

0:36:06.200 --> 0:36:10.320
<v Speaker 2>the beach carrying attention head when a few weeks earlier,

0:36:10.320 --> 0:36:13.040
<v Speaker 2>a few hundred miles earlier, he hadn't been able to

0:36:13.040 --> 0:36:16.200
<v Speaker 2>put his coat on without help. And I think we

0:36:16.320 --> 0:36:19.560
<v Speaker 2>knew then that that walk had done something to him

0:36:19.719 --> 0:36:24.520
<v Speaker 2>that the medical professionals said wasn't possible, and that had

0:36:24.920 --> 0:36:28.880
<v Speaker 2>from then on has become our only answer to this condition,

0:36:29.360 --> 0:36:33.000
<v Speaker 2>because it's only through those long distance walks that his

0:36:33.200 --> 0:36:37.279
<v Speaker 2>health journey changes. We still don't know why. We still

0:36:37.320 --> 0:36:40.239
<v Speaker 2>don't know how, But in a new book that comes

0:36:40.280 --> 0:36:45.080
<v Speaker 2>out in October, and maybe get a little bit closer.

0:36:45.680 --> 0:36:48.520
<v Speaker 2>Maybe who knows. The research is still ongoing.

0:36:48.800 --> 0:36:51.120
<v Speaker 1>But what to do for you? I heard a quote

0:36:51.120 --> 0:36:53.799
<v Speaker 1>of yours which I thought was quite delightful. You said,

0:36:53.880 --> 0:36:56.839
<v Speaker 1>walking it's like riding a rhythm through a beautiful piece

0:36:56.880 --> 0:36:59.880
<v Speaker 1>of music. Is that what walking is to you?

0:37:01.080 --> 0:37:04.960
<v Speaker 2>A long distance path? It's like that, I think after

0:37:05.040 --> 0:37:08.239
<v Speaker 2>a few for me, it's about two weeks really, so

0:37:08.280 --> 0:37:11.000
<v Speaker 2>it's quite a long one, but after about two weeks

0:37:11.040 --> 0:37:13.360
<v Speaker 2>you feel as if there's a change in your body.

0:37:13.760 --> 0:37:17.239
<v Speaker 2>You feel that like shunting your body into something that

0:37:17.320 --> 0:37:21.960
<v Speaker 2>becomes easy and rhythmic and smooth. And then, like I said,

0:37:22.040 --> 0:37:24.720
<v Speaker 2>then that's what it's like. It's like riding a rhythm.

0:37:24.840 --> 0:37:27.560
<v Speaker 2>It's as if it's as if your body feels the

0:37:27.680 --> 0:37:31.560
<v Speaker 2>landscape and you just go with it and it becomes

0:37:32.400 --> 0:37:36.960
<v Speaker 2>like a meditation. I think like it just simply becomes

0:37:37.000 --> 0:37:40.200
<v Speaker 2>about the next step. It becomes about the landscape, about

0:37:40.239 --> 0:37:45.440
<v Speaker 2>the horizon, less about you, and it's as if you disappear.

0:37:46.080 --> 0:37:48.720
<v Speaker 2>I wrote at the end of Landline, it's the third

0:37:48.760 --> 0:37:52.120
<v Speaker 2>book about walking down the country. There's a piece at

0:37:52.160 --> 0:37:55.880
<v Speaker 2>the end of that about I think it is Sufiism,

0:37:56.480 --> 0:38:00.640
<v Speaker 2>a philosophy in that called a wayless way, and it's

0:38:00.680 --> 0:38:04.479
<v Speaker 2>got point where you become a path and the path

0:38:04.560 --> 0:38:08.960
<v Speaker 2>becomes you and it stops being something separate, but you

0:38:09.080 --> 0:38:12.440
<v Speaker 2>become the path itself. And that's what a long distance

0:38:12.520 --> 0:38:15.799
<v Speaker 2>path does. It allows you to become the landscape.

0:38:16.200 --> 0:38:20.920
<v Speaker 1>It's terribly inspiring, except the part where you're penniless and

0:38:21.000 --> 0:38:25.959
<v Speaker 1>Moss decides to busk stand on a Did it really happen?

0:38:26.000 --> 0:38:30.080
<v Speaker 1>Did he stand on a pa foreman that recites stories.

0:38:31.040 --> 0:38:34.040
<v Speaker 2>That's seeing the film is so close to how it

0:38:34.160 --> 0:38:37.440
<v Speaker 2>actually happened. I was back there on the street with

0:38:37.480 --> 0:38:43.520
<v Speaker 2>my hat collecting coins. Yeah, Moth always carries this book.

0:38:43.560 --> 0:38:50.520
<v Speaker 2>It's a seamless Heeney version of Beiof. I mean, I

0:38:50.600 --> 0:38:52.560
<v Speaker 2>don't get it. It's maybe it's a man's book. As

0:38:52.600 --> 0:38:54.640
<v Speaker 2>far as I'm concerned, it's just about who's got the

0:38:54.640 --> 0:38:57.680
<v Speaker 2>biggest sword. But he seems to go it. He really

0:38:57.719 --> 0:39:01.840
<v Speaker 2>takes something from it. And we had virtually no money.

0:39:01.960 --> 0:39:05.239
<v Speaker 2>We were in Saint Ives, this little little town on

0:39:05.239 --> 0:39:10.279
<v Speaker 2>the southwest, you know, quite way into the west, and

0:39:10.320 --> 0:39:14.279
<v Speaker 2>we've got hardly any money. We'd shared a pasty and

0:39:14.360 --> 0:39:17.000
<v Speaker 2>a seagull had come down and eaten my half. So

0:39:18.280 --> 0:39:20.480
<v Speaker 2>and he was like, we can't go on like this.

0:39:21.160 --> 0:39:24.160
<v Speaker 2>Took his book without telling me what he was doing

0:39:24.680 --> 0:39:30.280
<v Speaker 2>and started telling people as story, started reciting bear Wolf

0:39:30.400 --> 0:39:33.760
<v Speaker 2>in only the way he can, you know, a real storytellers.

0:39:33.840 --> 0:39:38.920
<v Speaker 2>So he loves the story. So he was standing there

0:39:39.080 --> 0:39:42.560
<v Speaker 2>telling this story, which is quite you know, it's quite

0:39:42.680 --> 0:39:49.200
<v Speaker 2>an action pack story of monsters and swords. So there's

0:39:49.280 --> 0:39:52.480
<v Speaker 2>quite a lot goes on in it and a crowd gathered.

0:39:52.680 --> 0:39:55.760
<v Speaker 2>A crowd gathered round and he gave me to collect

0:39:55.840 --> 0:39:58.440
<v Speaker 2>and I was so embarrassed. I didn't want to do it,

0:39:58.760 --> 0:40:02.880
<v Speaker 2>and during the film captures got cringe of oh, I

0:40:02.880 --> 0:40:05.239
<v Speaker 2>don't want to do this. So but by the end

0:40:05.280 --> 0:40:08.200
<v Speaker 2>of it, we've got twenty pounds in a hat, and

0:40:08.440 --> 0:40:13.600
<v Speaker 2>I mean, for us, it was a fortune. And we

0:40:13.640 --> 0:40:17.440
<v Speaker 2>went and bought a pastie, and because it was starting

0:40:17.440 --> 0:40:20.799
<v Speaker 2>to get quite chilly, we bought a war We jump

0:40:20.840 --> 0:40:22.320
<v Speaker 2>for each from the charity shop.

0:40:24.360 --> 0:40:26.399
<v Speaker 1>We've come to the end. Rain Or There's so much

0:40:27.000 --> 0:40:30.640
<v Speaker 1>could chattel all day about that. I encourage people to

0:40:30.640 --> 0:40:33.640
<v Speaker 1>see the movie, read the book. You've had subsequent books,

0:40:33.640 --> 0:40:37.160
<v Speaker 1>The Wild Silence and Landlines and another one due shortly,

0:40:37.280 --> 0:40:40.200
<v Speaker 1>so good luck with it. It's a delightful story. It's

0:40:40.200 --> 0:40:42.920
<v Speaker 1>an inspiring story. Thank you so much for joining us.

0:40:43.640 --> 0:40:45.080
<v Speaker 2>Oh, thank you, it's been a pleasure.

0:40:45.760 --> 0:40:48.200
<v Speaker 1>Rain Or Win was my guest. Folks. The book and

0:40:48.280 --> 0:40:50.799
<v Speaker 1>the movie is called The Salt Path. I know you'll

0:40:50.920 --> 0:40:52.600
<v Speaker 1>enjoy it. Thank you for joining us.