WEBVTT - Summer Q and A: Part 2

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<v Speaker 1>Chopper couldn't spell unless he was spelling the names of

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<v Speaker 1>guns or things like mesha schmids. He could always spell those.

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<v Speaker 1>Billy got hold of a cult forty five pistol and

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<v Speaker 1>taught himself to shoot really well, and so when people

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<v Speaker 1>started to shoot at him, they would miss at fifteen

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<v Speaker 1>meters or twenty meters and he would hit them. And

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<v Speaker 1>we laid out this entire book in a weekend, and

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<v Speaker 1>it was a rough little book called Chopper from the Inside,

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<v Speaker 1>and that became the first and best classic Chopper book.

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<v Speaker 1>This is Life and Crimes. I'm Andrew Rule, and we're

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<v Speaker 1>looking at more reader questions from our mailbag.

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<v Speaker 2>And I'm not Andrew of all. My name's Johnny Burton.

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<v Speaker 2>I'm the producer of the show, and I shall ask

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<v Speaker 2>the questions. Now, you can have four guests for dinner,

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<v Speaker 2>all of those you have written about over the years.

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<v Speaker 2>Who would they be and why? And while you draw

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<v Speaker 2>up to the seating plan there, I'll say that's from

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<v Speaker 2>listener Sharon, four guests, four guests. I also want to know,

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<v Speaker 2>if you have time, what would you have on the menu?

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<v Speaker 1>Sharon asks who I'd invited dinner of the people I've

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<v Speaker 1>written about over the years before I'm going to nominate,

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<v Speaker 1>I knew the more. I had known them all to

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<v Speaker 1>talk to, and they're all engaging and interesting and intelligent

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<v Speaker 1>in their own way. One is the late Billy Longley,

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<v Speaker 1>who was known as the Texan Billy Longley. We've talked

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<v Speaker 1>about him here before. He was the son of a

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<v Speaker 1>tradesman and an English woman or a Scottish woman whose

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<v Speaker 1>father had been a naval captain between the Wars, so

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<v Speaker 1>Billy didn't come from a crime family. Billy did not

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<v Speaker 1>have a tattoo. He was just a tough kid who

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<v Speaker 1>grew up in the Depression out in the inner western

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<v Speaker 1>or northern suburbs ascot Vale area and became a tough

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<v Speaker 1>guy by osmosis really, and the rest of his family

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<v Speaker 1>was pretty respectable. I remember meeting them at his eightieth birthday.

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<v Speaker 1>But Billy was described at that birthday by a former

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<v Speaker 1>governor of Penridge as a straight arrow in a yard

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<v Speaker 1>full of rubbish or something like that. So he impressed people.

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<v Speaker 1>Billy had a deep, strong voice, a commanding presence, and

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<v Speaker 1>absolute gravitas. He had a strong personality and in different

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<v Speaker 1>circumstances would have made an impressive leader in a military sense,

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<v Speaker 1>or in business or something like that. As a crook,

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<v Speaker 1>he was highly disciplined. Other crooks were drunks and idiots

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<v Speaker 1>and lunatics who did mad things. Billy would always think

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<v Speaker 1>things through. Billy got hold of a cult forty five

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<v Speaker 1>pistol and taught himself to shoot really well, and so

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<v Speaker 1>when people started to shoot at him, they would miss

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<v Speaker 1>at fifteen meters or twenty meters, and he would them

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<v Speaker 1>with his shots because he was good at it. He

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<v Speaker 1>would keep his weapons well oiled and in good order,

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<v Speaker 1>which a lot of crooks didn't. He would not drink

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<v Speaker 1>to excess, which a lot of crooks did. This didn't

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<v Speaker 1>make Billy a good bloke or a kind bloke. I'm

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<v Speaker 1>not suggesting that he was an upstanding citizen in every way.

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<v Speaker 1>He wasn't. His first wife died in very questionable circumstances,

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<v Speaker 1>although he was cleared of that homicide very well represented

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<v Speaker 1>in court. I think Billy though interesting. Man and Philip Adams,

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<v Speaker 1>the great radio and print man ad Man and soon

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<v Speaker 1>rates Billy as one of the most interesting of the

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<v Speaker 1>many thousands of people that he's interviewed in fifty years.

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<v Speaker 1>Number two on a short list of for Chopper Reid,

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<v Speaker 1>who knew Billy quite well. Chopper Reid was mad and

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<v Speaker 1>bad as a kid, probably mentally disturbed in a way,

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<v Speaker 1>probably had some form of a form of autism or

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<v Speaker 1>something like that. He certainly had been disturbed because his

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<v Speaker 1>mother was pretty well a religious zealot, very straight laced

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<v Speaker 1>woman who was a Seventh Day Adventist. She was the

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<v Speaker 1>daughter of a clergyman and her family were extremely respectable people.

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<v Speaker 1>In fact, Chopper's mother's brother, that is, his uncle, was

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<v Speaker 1>a doctor who became well known for doing a radio show.

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<v Speaker 1>He was known on the radiators I think doctor James Wright,

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<v Speaker 1>which wasn't his actual name, but was famous around Australia

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<v Speaker 1>at one time as a radio doctor who gave advice

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<v Speaker 1>on the radio. His Chopper's sister, Mark Brandon Reid is

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<v Speaker 1>his real name. His sister, respectable woman. Her son I think,

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<v Speaker 1>became a West End producer in London of theater. But

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<v Speaker 1>Chopper's father was a returned World War Two soldier, Keith Reid,

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<v Speaker 1>who I think was a classic disturbed soldier with PTSD

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<v Speaker 1>and had mental issues, and he brought out the worst

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<v Speaker 1>in his son and probably pushed him along the road

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<v Speaker 1>towards the sort of man he became. I have to

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<v Speaker 1>say that Chopper Read hadn't had flat feet. He had

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<v Speaker 1>very flat feet. If he had not had flat feet.

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<v Speaker 1>He was a big, strong, strapping young fellow who could

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<v Speaker 1>shoot really well. Was intelligent in fact, not very literate,

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<v Speaker 1>but intelligent, and would have made an extremely good soldier.

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<v Speaker 1>But he couldn't get into the military because of his feet,

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<v Speaker 1>and that send him down the wrong path. Interesting guy

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<v Speaker 1>could knock out rhyming couplets the way that rappers can.

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<v Speaker 1>In a way, he was like a rapper. He could

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<v Speaker 1>write stuff that rhymed. He was funny. He was a

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<v Speaker 1>very good conversationalist and a good storyteller. And he collected

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<v Speaker 1>a lot of story who is in jail because the

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<v Speaker 1>yarnspinner's in jail, And he collected them and adapted them

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<v Speaker 1>to his own purposes, and they were the basis of

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<v Speaker 1>a lot of what he wrote. Very funny. Going third

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<v Speaker 1>one not so funny, more intense, but intelligent. His name

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<v Speaker 1>was Ray Mooney mn e Y, probably a moody fella.

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<v Speaker 1>Came out of middle class Melbourne, I'd say, from the

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<v Speaker 1>more or less Catholic establishment, from one of a better

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<v Speaker 1>phrase went to one of the better Catholic schools. Was

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<v Speaker 1>a schoolboy athlete of note, as was Andrew Fraser. One

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<v Speaker 1>of probably almost one of the rivals in his era

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<v Speaker 1>was Andrew Fraser from a different school. Ray Mooney I

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<v Speaker 1>think was a crackerjack, runner and all around athlete, probably

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<v Speaker 1>a very good footballer and could fight and do all

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<v Speaker 1>those things. Period physical piece of work went down the

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<v Speaker 1>wrong track. He apparently committed was convicted of quite a

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<v Speaker 1>serious sexual assault. I don't know the circumstances of it.

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<v Speaker 1>It was the sort of crime which could lead to

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<v Speaker 1>people getting very severe sentences in those days for something

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<v Speaker 1>that might or might not have been a severe crime. Now.

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<v Speaker 1>I don't know what the circumstances were, but it's conceivable

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<v Speaker 1>that Ray Mooney was not as guilty as perhaps a

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<v Speaker 1>judge and jury thought he was. It might well have

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<v Speaker 1>something to do, possibly with the identity of the alleged victim.

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<v Speaker 1>I don't know. But he's an intelligent man, an interesting man,

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<v Speaker 1>and he wrote a lot of things, and he still

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<v Speaker 1>writes stuff. But he wrote a novel called A Green Light,

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<v Speaker 1>which was a thinly veiled story about crime in Victoria

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<v Speaker 1>and Australia. The central character of which was clearly his

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<v Speaker 1>good friend in jail, Christopher Dale Flannery, the hitman who

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<v Speaker 1>ended up disappearing in Sydney, was undoubtedly shot dead by

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<v Speaker 1>Bent police in Sydney after becoming too much of a

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<v Speaker 1>danger to a lot of people up there. And Ray Mooney,

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<v Speaker 1>when he published the book way back in the late eighties,

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<v Speaker 1>was at pains to say it was not about Christopher

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<v Speaker 1>Dale Flannery, but years later he said to me, yeah,

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<v Speaker 1>well of course it was. And it's a really effective novel.

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<v Speaker 1>It predates things like reservoir dogs, but it covers that

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<v Speaker 1>sort of territory. It's not the only thing he's done.

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<v Speaker 1>He wrote by something called Every Night, which was the

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<v Speaker 1>basis for a film. He's worked on a lot of

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<v Speaker 1>things and he's highly respected in certain circles. Very interesting man.

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<v Speaker 1>And the fourth one is David McMillan. We call him mcviillaan.

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<v Speaker 1>David McMillan, conman, drug trafficker, half a genius undercover copper

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<v Speaker 1>that I know, said that McMillan was the smartest crime

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<v Speaker 1>he ever met. McMillan, back in the days before computers

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<v Speaker 1>took over, could memorize hundreds of plane timetables so that

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<v Speaker 1>he could work out which plane slanted where and when

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<v Speaker 1>and how you could get off one and on another.

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<v Speaker 1>And he did this because he worked out how he

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<v Speaker 1>could get a heap of false identities, which he did

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<v Speaker 1>by pretending to be someone who was dead. He would

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<v Speaker 1>go and find graves of little children that had died

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<v Speaker 1>back in the same year when he was born, back

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<v Speaker 1>in late fifties, and he would assume those identities, and

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<v Speaker 1>he would get passports and bank accounts and other things

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<v Speaker 1>in those identities and build them up so that when

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<v Speaker 1>he traveled overseas where he would pick up drugs, don't

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<v Speaker 1>worry about that. He was an absolute villain. He would

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<v Speaker 1>pick up drugs, or he would send other people couriers

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<v Speaker 1>to pick up drugs. And when he got to somewhere

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<v Speaker 1>where he was in our drug sort of venue, like

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<v Speaker 1>Thailand or Burma or something like that, he would then

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<v Speaker 1>fly out of there on a different passport and go

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<v Speaker 1>to London, and he would swap identities around so that

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<v Speaker 1>when he was coming back to Australia it would appear

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<v Speaker 1>that he had not been in the drug related place,

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<v Speaker 1>but had been in somewhere innocuous like Holland or Sweden

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<v Speaker 1>or something like that, and that meant it was much

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<v Speaker 1>easier for him to bring back drugs hidden in luggage

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<v Speaker 1>or in goods that he had sent back, and he

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<v Speaker 1>and his friends, a friend of his called Sullivan. Sullivan

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<v Speaker 1>had been a champion schoolboy pole vaulter. Now here's the thing.

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<v Speaker 1>We've now got three people that I've mentioned here today

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<v Speaker 1>that were champion schoolboy athletes. McMillan's friend was a dinky

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<v Speaker 1>die champion schoolboy Paul Volter. His old coach told me

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<v Speaker 1>that if he hadn't broken his ankle or a leg

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<v Speaker 1>or something as a teenager, he would have gone to

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<v Speaker 1>the Olympics and been one of the best in the

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<v Speaker 1>world because he was an elite athlete. But the injury

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<v Speaker 1>meant he couldn't go on with it. And the injury

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<v Speaker 1>was so painful that he sought drugs to alleviate the pain,

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<v Speaker 1>and that led him down the path of using drugs,

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<v Speaker 1>which led him to form an alliance with David McMillan,

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<v Speaker 1>which ultimately destroyed them both. They became addicts, they got caught,

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<v Speaker 1>they went to jail, and their lives turned to absolute ruin.

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<v Speaker 1>McMillan is still alive over in the UK somewhere, but

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<v Speaker 1>he's been in and out of jail around the world

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<v Speaker 1>for all these years. I did publish a book by

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<v Speaker 1>him called mcvillain. He was a most engaging correspondent. He

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<v Speaker 1>was a liar and a con man, and a cheat

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<v Speaker 1>and a fraud, but he could write really well and

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<v Speaker 1>is a very funny, astute fellow and a very acute

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<v Speaker 1>observer of the criminal millieu. He would be a good

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<v Speaker 1>man to have at that table. However, the problem, Sharon

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<v Speaker 1>with having four people like that at the table is

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<v Speaker 1>that they would compete for airspace with each other, and

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<v Speaker 1>they'd want to show off and try and stand over

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<v Speaker 1>each other and stare each other down, and inevitably what

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<v Speaker 1>would happen would be that probably Billy Longley and Ray

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<v Speaker 1>Mooney would end up butting horns with the others. McMillan

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<v Speaker 1>would sit back and take notes because he wasn't a

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<v Speaker 1>tough guy. He was a thinker and a funny guy

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<v Speaker 1>and a conman. The conversation might end up a bit

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<v Speaker 1>one sided at that dinner party and might be as

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<v Speaker 1>enjoyable as perhaps you might think, because what those guys

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<v Speaker 1>need is an audience and what they don't like is

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<v Speaker 1>an audience that's competing with them. The food I would

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<v Speaker 1>select for them would be roast beef and Yorkshire pudding.

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<v Speaker 2>We should say that we've had episodes on Shopper, which

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<v Speaker 2>I think we may have called Shopper. We've had an

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<v Speaker 2>episode on Billy Longley which we call The Texan, and

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<v Speaker 2>we have an episode on McMillan, which we of course

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<v Speaker 2>called mcvillain, and you can find those in your podcast feed.

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<v Speaker 2>Going on from that question one from Pat, and it

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<v Speaker 2>talks about one of your dinner guests there. Pat is

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<v Speaker 2>interested to hear what you did in and around writing

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<v Speaker 2>the Chopper books. Was there a lot to clean up

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<v Speaker 2>of his copy? How did that come together? Was he

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<v Speaker 2>telling tales far from the truth? And what did you

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<v Speaker 2>think about the book after we'd been published.

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<v Speaker 1>Well, the first thing Pat is to declare that it

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<v Speaker 1>was a joint effort by John Sylvestro and myself with

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<v Speaker 1>Mark Brandon Reid, who at the time was serving one

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<v Speaker 1>of his many long sentences in Penridge. John Sylvester, who

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<v Speaker 1>then worked at the forerunner to this paper, the Old

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<v Speaker 1>Sun News Pictorial, he was a career crime writer from

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<v Speaker 1>the start. Johnny was sent to police rounds in nineteen

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<v Speaker 1>seventy eight, forty five years ago, and as he recently wrote,

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<v Speaker 1>he never really left. And John has become that rare

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<v Speaker 1>person that has been a police and crime reporter all

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<v Speaker 1>his career. He's a specialist. He knows crooks, he knows coppers.

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<v Speaker 1>He's the son of a former senior policeman, the late

0:14:32.200 --> 0:14:36.920
<v Speaker 1>Fred Silvester, who was an assistant commissioner. And John is

0:14:37.640 --> 0:14:42.160
<v Speaker 1>an astute observer of the scene, very good speaker, very

0:14:42.160 --> 0:14:45.720
<v Speaker 1>funny man himself. He tells the story of going out

0:14:45.760 --> 0:14:50.080
<v Speaker 1>to Pendridge to interview Chopper Read and being ushered into

0:14:50.080 --> 0:14:54.680
<v Speaker 1>a small room and instead of shaking hands, Chopper reaches

0:14:54.720 --> 0:14:59.120
<v Speaker 1>out and grabs John's thumb and places that thumb on

0:14:59.240 --> 0:15:02.440
<v Speaker 1>a small oppression in Chopper's head and said, he said,

0:15:02.480 --> 0:15:05.400
<v Speaker 1>that's where the ice pick went in. And John said

0:15:05.440 --> 0:15:08.520
<v Speaker 1>something like, well, mostly on the outside we shake hands,

0:15:08.520 --> 0:15:10.920
<v Speaker 1>but if you want to show me the scar in

0:15:10.920 --> 0:15:13.480
<v Speaker 1>your head where the ice pick went in, that's fine.

0:15:13.920 --> 0:15:16.920
<v Speaker 1>That's fine by mate. And so they talked away. John

0:15:16.960 --> 0:15:19.440
<v Speaker 1>wrote a story, and the story writ in the paper,

0:15:19.480 --> 0:15:22.080
<v Speaker 1>and it was a good story. It was an interesting story,

0:15:22.120 --> 0:15:26.520
<v Speaker 1>and it pleased the editor and please John, please, I

0:15:26.520 --> 0:15:29.400
<v Speaker 1>think might please chop a read. Even though it was

0:15:29.440 --> 0:15:34.360
<v Speaker 1>fairly negative towards him, it didn't please the authorities who

0:15:34.480 --> 0:15:36.560
<v Speaker 1>gave him another six months. I think was one of

0:15:36.560 --> 0:15:40.640
<v Speaker 1>the problems. But Chopper put the hard word on. Johnny said, look,

0:15:40.920 --> 0:15:46.560
<v Speaker 1>I realized that the most famous crooks are the ones

0:15:46.600 --> 0:15:49.840
<v Speaker 1>who were written about that in the Old West. The

0:15:49.880 --> 0:15:52.880
<v Speaker 1>ones who got well known, Believe the Kid and all

0:15:52.920 --> 0:15:55.520
<v Speaker 1>the rest of them were the ones that the knock

0:15:55.520 --> 0:16:00.800
<v Speaker 1>about reporters wrote Penny dreadful about them, masters and all

0:16:00.840 --> 0:16:04.680
<v Speaker 1>those Old West names. He wanted to be well known

0:16:05.280 --> 0:16:07.680
<v Speaker 1>like those guys. He wanted to be the best known

0:16:07.760 --> 0:16:10.920
<v Speaker 1>crooks and Squeze Tailor and Ned Kelly. And he realized

0:16:10.960 --> 0:16:13.360
<v Speaker 1>the only way to do that was to tell stories

0:16:13.400 --> 0:16:16.880
<v Speaker 1>and have them in the media, in newspapers as he

0:16:16.960 --> 0:16:20.320
<v Speaker 1>saw it then, and he said, I want you to

0:16:20.360 --> 0:16:22.320
<v Speaker 1>write a book about me. I'll come out and we'll

0:16:22.320 --> 0:16:24.480
<v Speaker 1>get some pizzes and beer and tape recorder and I'll

0:16:24.520 --> 0:16:26.440
<v Speaker 1>record it and he'll turn it into a book. And

0:16:26.560 --> 0:16:29.320
<v Speaker 1>John drew himself up to his full six foot and

0:16:29.720 --> 0:16:32.120
<v Speaker 1>half an inch and said, no, you won't. If you

0:16:32.160 --> 0:16:34.680
<v Speaker 1>want to write a book, you write yourself. And so

0:16:36.000 --> 0:16:40.320
<v Speaker 1>Chopper gets some penridge, prison notepaper and a biro and

0:16:40.360 --> 0:16:43.120
<v Speaker 1>he sits up against his television in his cell at

0:16:43.240 --> 0:16:46.320
<v Speaker 1>night with the faint light of the TV, and he

0:16:46.440 --> 0:16:50.560
<v Speaker 1>starts writing. Now to answer the question, his writing was

0:16:51.000 --> 0:16:55.960
<v Speaker 1>very primitive, big ugly letters, really bad spelling. It looked

0:16:56.200 --> 0:16:59.640
<v Speaker 1>like the writing of someone who'd stopped learning to write

0:16:59.680 --> 0:17:03.440
<v Speaker 1>in a grade four or five, which is possibly true.

0:17:03.560 --> 0:17:06.040
<v Speaker 1>But the fact that Chopper couldn't spell unless he was

0:17:06.040 --> 0:17:09.280
<v Speaker 1>spelling the names of guns or things like mesha schmids.

0:17:09.440 --> 0:17:12.919
<v Speaker 1>He could always spell those, but he's spelling was really

0:17:13.240 --> 0:17:18.919
<v Speaker 1>idiosyncratic and crazy, very primitive forming of letters. But he

0:17:19.080 --> 0:17:22.960
<v Speaker 1>was funny and he told stories that were funny, and

0:17:23.760 --> 0:17:25.840
<v Speaker 1>many of them were his own stories, some he borrowed

0:17:25.840 --> 0:17:28.639
<v Speaker 1>from others. He'd say, well, I was talking to Ray

0:17:28.720 --> 0:17:30.720
<v Speaker 1>Chuck the other day, whe I was talking to someone

0:17:31.240 --> 0:17:33.919
<v Speaker 1>and they told me this. And he would take the

0:17:33.960 --> 0:17:37.760
<v Speaker 1>stories of other people and tell them and he was

0:17:37.960 --> 0:17:41.520
<v Speaker 1>really good at it. And I have to say that

0:17:42.119 --> 0:17:46.520
<v Speaker 1>when he started sending these letters in to John at

0:17:46.560 --> 0:17:50.800
<v Speaker 1>the newspaper, every day, there'd be another one. Every day

0:17:50.800 --> 0:17:52.720
<v Speaker 1>there'd be another one, and John open them up and

0:17:52.760 --> 0:17:56.720
<v Speaker 1>come over and say this mad bugger's he is writing stuff. Look,

0:17:56.760 --> 0:17:59.320
<v Speaker 1>he's one about his child, it is one about his dad,

0:17:59.320 --> 0:18:02.440
<v Speaker 1>he's one about when he stole his first bike. Whatever.

0:18:03.760 --> 0:18:08.439
<v Speaker 1>And indeed he wrote enough material that John and I,

0:18:08.520 --> 0:18:12.040
<v Speaker 1>who had just decided to write a book together, a

0:18:12.080 --> 0:18:14.840
<v Speaker 1>different book. We were going to call it. I think

0:18:14.840 --> 0:18:16.840
<v Speaker 1>we're going to call it Bent, and it was going

0:18:16.920 --> 0:18:21.119
<v Speaker 1>to be a fictionalized novel about Bent Coppis. I think

0:18:21.160 --> 0:18:25.880
<v Speaker 1>we'd written one page of that together, because I'd published

0:18:25.920 --> 0:18:28.240
<v Speaker 1>a book at this dage, and John realized that together

0:18:28.320 --> 0:18:31.160
<v Speaker 1>we might be able to do something. We said, let's

0:18:31.560 --> 0:18:34.520
<v Speaker 1>chuck in our thing and do Chopper because it's there,

0:18:34.960 --> 0:18:37.840
<v Speaker 1>it's easy to do, and it's hitting the pigeon hole

0:18:37.880 --> 0:18:41.560
<v Speaker 1>every day. And so John would get these letters and

0:18:41.600 --> 0:18:44.240
<v Speaker 1>he would just type them up roughly in the system

0:18:44.440 --> 0:18:49.560
<v Speaker 1>at the Sun News Pictorial forerunner of the Heralds, where

0:18:49.560 --> 0:18:53.800
<v Speaker 1>I was in sub editing, and we would take that

0:18:54.440 --> 0:18:57.919
<v Speaker 1>copy and I would then rewrite it and change it.

0:18:58.040 --> 0:19:01.760
<v Speaker 1>John would add things. If Chop mentions a policeman or

0:19:01.800 --> 0:19:04.879
<v Speaker 1>another crook, John would add stuff about that person to

0:19:04.920 --> 0:19:08.560
<v Speaker 1>fatten it out, to give more context and more detail.

0:19:09.240 --> 0:19:12.399
<v Speaker 1>I would then take that and fatten it up again

0:19:12.560 --> 0:19:15.760
<v Speaker 1>and polish it and give it more shape, so it

0:19:15.800 --> 0:19:18.760
<v Speaker 1>comes out more like a real story written by a writer,

0:19:19.480 --> 0:19:24.679
<v Speaker 1>but still recognizably Choppers memories. This is actually what ghostwriters do.

0:19:24.920 --> 0:19:28.880
<v Speaker 1>We were doing precisely a ghost writing job, where we

0:19:28.960 --> 0:19:32.320
<v Speaker 1>took the original from the talent, the footballer or the

0:19:32.359 --> 0:19:35.439
<v Speaker 1>crook or the jockey, and we turned it into something

0:19:35.760 --> 0:19:38.679
<v Speaker 1>more readable. And it was still pretty rough, i have

0:19:38.760 --> 0:19:41.360
<v Speaker 1>to say, because we were doing this at midnight and

0:19:41.840 --> 0:19:45.560
<v Speaker 1>doing the best we could. And long story short, we

0:19:45.600 --> 0:19:48.720
<v Speaker 1>went to a guy who worked in newspapers at Dandy

0:19:48.760 --> 0:19:51.879
<v Speaker 1>Kong for the Danny Noong Journal, and one weekend we

0:19:51.920 --> 0:19:54.159
<v Speaker 1>went there and we got a lot of hamburgers and

0:19:54.280 --> 0:19:58.239
<v Speaker 1>beer and coca cola and bad stuff like that, and

0:19:58.359 --> 0:20:02.040
<v Speaker 1>we locked ourselves in for the weekend and we produced

0:20:02.480 --> 0:20:05.959
<v Speaker 1>this book. It was done in what they call cold metal,

0:20:06.480 --> 0:20:09.439
<v Speaker 1>which meant cutting it out with scalpels and laying it

0:20:09.480 --> 0:20:12.560
<v Speaker 1>out in pages and forms as books were done in

0:20:12.600 --> 0:20:15.840
<v Speaker 1>those days and newspapers, and we laid out this entire

0:20:15.840 --> 0:20:18.320
<v Speaker 1>book in the weekend and it was a rough little

0:20:18.320 --> 0:20:22.719
<v Speaker 1>book called Chopper from the Inside, and that became the

0:20:22.760 --> 0:20:27.120
<v Speaker 1>first and best Classic Chopper book and we printed it

0:20:27.200 --> 0:20:30.000
<v Speaker 1>at our own expense because we were backing this one.

0:20:30.160 --> 0:20:33.160
<v Speaker 1>I think I got an overdraft of five thousand dollars

0:20:33.200 --> 0:20:37.080
<v Speaker 1>which I still have, and we printed it. The glue

0:20:37.480 --> 0:20:40.640
<v Speaker 1>in the book wasn't good. It was a cheap edition

0:20:40.760 --> 0:20:45.040
<v Speaker 1>with cheap paper and the pages were falling out. We

0:20:45.040 --> 0:20:47.440
<v Speaker 1>were selling it around for around the twelve dollar mark

0:20:47.520 --> 0:20:50.040
<v Speaker 1>or something, which in those days was the low end

0:20:50.200 --> 0:20:53.160
<v Speaker 1>of the paperback market, about like twenty eight bucks now,

0:20:54.440 --> 0:20:58.240
<v Speaker 1>and they were falling apart all over Australia, these things.

0:20:58.320 --> 0:21:00.520
<v Speaker 1>But they were selling and the more they saw, the

0:21:00.520 --> 0:21:02.760
<v Speaker 1>more they fell apart. The more they fell apart, the

0:21:02.760 --> 0:21:05.000
<v Speaker 1>more people went back and brought another one because they

0:21:05.040 --> 0:21:08.119
<v Speaker 1>weren't that expensive that they couldn't afford to go and

0:21:08.119 --> 0:21:12.720
<v Speaker 1>get another one. And so ow falling apart, rough little

0:21:12.720 --> 0:21:16.400
<v Speaker 1>book full of errors and all sorts of stuff about

0:21:16.600 --> 0:21:19.080
<v Speaker 1>a bloke with noe's who just got out of jail.

0:21:19.119 --> 0:21:23.199
<v Speaker 1>At this stage it became a legitimate bestseller. And we

0:21:23.280 --> 0:21:26.480
<v Speaker 1>realized this when we looked at the news footage on

0:21:26.600 --> 0:21:30.399
<v Speaker 1>TV and saw the Australian cricket team getting off the

0:21:30.480 --> 0:21:33.640
<v Speaker 1>plane at Heathrow in London and all of them are

0:21:33.640 --> 0:21:36.760
<v Speaker 1>carrying the Chopper Book. They'd been reading it on the

0:21:36.800 --> 0:21:41.240
<v Speaker 1>way over. It became a cult book, and that, in

0:21:41.440 --> 0:21:46.480
<v Speaker 1>a long elongated nutshell, is how we created the Chopper Book.

0:21:46.880 --> 0:21:50.440
<v Speaker 1>It was rough and tough, it was genuinely funny. The

0:21:50.480 --> 0:21:54.359
<v Speaker 1>best bits in it were Choppers jokes. We did jokes

0:21:54.359 --> 0:21:57.199
<v Speaker 1>and we added stuff, but the funniest stuff in it

0:21:57.280 --> 0:22:03.840
<v Speaker 1>was Chopper and it actually established a genre, or helped

0:22:03.880 --> 0:22:08.560
<v Speaker 1>to establish a genre in publishing true crime that predated

0:22:08.960 --> 0:22:13.200
<v Speaker 1>Quentin Tarantino and reservoir dogs and all that sort of stuff.

0:22:13.400 --> 0:22:19.679
<v Speaker 1>So we actually lay claim to having helped invent that

0:22:19.880 --> 0:22:22.159
<v Speaker 1>genre in our little corner of the world.

0:22:23.040 --> 0:22:26.280
<v Speaker 2>Thanks to everyone for writing in now. This was just

0:22:26.320 --> 0:22:29.440
<v Speaker 2>a smattering of some of the questions that we've had

0:22:29.440 --> 0:22:32.560
<v Speaker 2>in the mailbag. And keep those questions coming because we're

0:22:32.560 --> 0:22:35.440
<v Speaker 2>going to be doing these question and answer shows more often.

0:22:36.119 --> 0:22:40.160
<v Speaker 2>So if your question wasn't answered and you've already written

0:22:40.200 --> 0:22:42.760
<v Speaker 2>it in, or if you haven't written your question but

0:22:42.880 --> 0:22:45.520
<v Speaker 2>really should, you should do that now and send it

0:22:45.600 --> 0:22:48.479
<v Speaker 2>to Life and Crimes at news dot com dot au

0:22:49.000 --> 0:22:49.480
<v Speaker 2>and I.

0:22:49.480 --> 0:22:56.280
<v Speaker 1>Will look forward to answering them. Thanks for listening. Life

0:22:56.320 --> 0:22:59.480
<v Speaker 1>and Crimes is a Sunday Herald Sun production for True

0:22:59.520 --> 0:23:04.480
<v Speaker 1>Crime Australia. Our producer is Johnty Burton. For my columns,

0:23:04.480 --> 0:23:09.040
<v Speaker 1>features and more, go to Heroldsun dot com dot au,

0:23:09.520 --> 0:23:14.720
<v Speaker 1>forward slash Andrew Rule one word. For advertising inquiries, go

0:23:14.760 --> 0:23:19.680
<v Speaker 1>to news Podcasts sold at news dot com dot au.

0:23:20.440 --> 0:23:25.320
<v Speaker 1>That is all one word news podcasts sold And if

0:23:25.359 --> 0:23:29.760
<v Speaker 1>you want further information about this episode, links are in

0:23:30.080 --> 0:23:30.720
<v Speaker 1>the description.