1 00:00:01,480 --> 00:00:02,520 Speaker 1: Whipper podcast. 2 00:00:02,759 --> 00:00:04,960 Speaker 2: I'm even more excited because Whip has got to rap 3 00:00:05,080 --> 00:00:09,200 Speaker 2: against a professional today. When I mean professional, I'm not afraid. 4 00:00:09,560 --> 00:00:12,840 Speaker 2: Josh Pitterman. You will see him. He is the star 5 00:00:12,960 --> 00:00:15,360 Speaker 2: of Phantom of the Opera. It starts next Friday at 6 00:00:15,360 --> 00:00:17,040 Speaker 2: the Sydney Opera House. You can go get your tickets 7 00:00:17,040 --> 00:00:18,400 Speaker 2: at Sydney Opera House dot com. 8 00:00:18,560 --> 00:00:19,720 Speaker 3: Are you Josh? Welcome? 9 00:00:19,840 --> 00:00:22,239 Speaker 4: Josh? 10 00:00:22,280 --> 00:00:24,440 Speaker 5: I love that you said I'm a professional. I'm clearly 11 00:00:24,440 --> 00:00:25,680 Speaker 5: not a professional. 12 00:00:25,239 --> 00:00:28,840 Speaker 1: Rapper's fascinating to look at you. 13 00:00:28,840 --> 00:00:30,400 Speaker 4: You're just your average guy, right. 14 00:00:32,840 --> 00:00:35,520 Speaker 1: I'm picturing you sitting at a bar having a beer 15 00:00:35,800 --> 00:00:37,280 Speaker 1: and a bloke comes up and says, oh, what do 16 00:00:37,320 --> 00:00:39,680 Speaker 1: you do? And you go, oh, well, I'm actually the 17 00:00:39,680 --> 00:00:42,360 Speaker 1: Phantom of the Opera performing at the Opera House. 18 00:00:42,800 --> 00:00:43,600 Speaker 3: They say, no, you're not. 19 00:00:44,800 --> 00:00:48,080 Speaker 4: That's a massive achievement. That's a massive accomplishment. 20 00:00:48,600 --> 00:00:49,320 Speaker 3: It is amazing. 21 00:00:49,760 --> 00:00:51,360 Speaker 2: Is it the highlight of your career so far? 22 00:00:51,840 --> 00:00:52,040 Speaker 3: Yeah? 23 00:00:52,159 --> 00:00:54,840 Speaker 1: Absolutely, but hang on, you've been playing Phantom in London 24 00:00:54,880 --> 00:00:55,440 Speaker 1: for a while. 25 00:00:55,800 --> 00:00:59,600 Speaker 5: Yeah, but it's equally highlight to play it the house. 26 00:01:00,080 --> 00:01:01,720 Speaker 5: Ever been on at the Opera House before, so it's 27 00:01:02,080 --> 00:01:02,800 Speaker 5: it's pretty cool. 28 00:01:03,240 --> 00:01:05,520 Speaker 2: So can I can I ask you when you auditioned 29 00:01:05,600 --> 00:01:08,240 Speaker 2: for it? Can you were you confident walking out of 30 00:01:08,240 --> 00:01:10,240 Speaker 2: there that you did really well? Like we're confident you 31 00:01:10,240 --> 00:01:11,039 Speaker 2: were going to get it. 32 00:01:11,120 --> 00:01:14,360 Speaker 5: I'm pretty sort of pragmatic about audition processes. I don't 33 00:01:14,360 --> 00:01:17,520 Speaker 5: get too emotionally charged about. I go, what's the best 34 00:01:17,600 --> 00:01:20,280 Speaker 5: version of me and this interpretation of the role that 35 00:01:20,360 --> 00:01:23,199 Speaker 5: I can give to these people in this moment in time, 36 00:01:23,520 --> 00:01:25,600 Speaker 5: And then I go, it's out of my it's out 37 00:01:25,640 --> 00:01:26,640 Speaker 5: of my hand, it's out of my hand. 38 00:01:26,840 --> 00:01:27,160 Speaker 3: Let it be. 39 00:01:27,319 --> 00:01:29,560 Speaker 2: What's the one song that you're confident about the most 40 00:01:29,760 --> 00:01:31,320 Speaker 2: out of the whole musical? Wow? 41 00:01:31,480 --> 00:01:32,200 Speaker 4: Music of the night? 42 00:01:32,360 --> 00:01:32,959 Speaker 3: Yeah? Music. 43 00:01:33,520 --> 00:01:36,560 Speaker 5: I feel like I've sung that so many, probably thousands 44 00:01:36,600 --> 00:01:39,000 Speaker 5: of times now and it never gets old. 45 00:01:39,200 --> 00:01:41,000 Speaker 2: What's your favorite part in the song? 46 00:01:41,280 --> 00:01:42,039 Speaker 4: Too much to best? 47 00:01:42,400 --> 00:01:44,160 Speaker 5: Is it when you hit the high notes? That's always 48 00:01:44,160 --> 00:01:46,160 Speaker 5: when you hit the high notes? I build up, the 49 00:01:46,160 --> 00:01:48,640 Speaker 5: build up is the build up is good? Let your 50 00:01:48,760 --> 00:01:50,760 Speaker 5: soul take you where you long to be? Like that's 51 00:01:50,800 --> 00:01:53,400 Speaker 5: the line, like I'm. 52 00:01:53,240 --> 00:01:57,639 Speaker 1: So sorry you can't ask you, and I know it's can. 53 00:01:57,520 --> 00:02:00,400 Speaker 2: We just get that? Can we get that line? Can 54 00:02:00,440 --> 00:02:02,240 Speaker 2: you put everything into it for us? So I want 55 00:02:02,240 --> 00:02:03,240 Speaker 2: to hear your voice mate. 56 00:02:03,560 --> 00:02:05,600 Speaker 5: You can go to YouTube and go to my Instagram 57 00:02:06,200 --> 00:02:09,120 Speaker 5: and you'll find or you can buy some tickets like. 58 00:02:09,480 --> 00:02:12,239 Speaker 2: That would be blew out his voice right now? 59 00:02:12,360 --> 00:02:15,280 Speaker 1: Doing that? That would be the number one thing, wouldn't 60 00:02:15,280 --> 00:02:16,720 Speaker 1: it be Like if you're at a party or you're 61 00:02:16,720 --> 00:02:20,440 Speaker 1: anywhere and someone finds out what you do, they would go, Josh, 62 00:02:20,520 --> 00:02:21,760 Speaker 1: you have to sing for us. 63 00:02:22,120 --> 00:02:25,720 Speaker 3: Yeah, and let's just send them straight to my management. 64 00:02:26,960 --> 00:02:28,120 Speaker 4: If we got a little bit of Josh in the 65 00:02:28,120 --> 00:02:29,640 Speaker 4: system here, let's have a listen. 66 00:02:30,880 --> 00:02:38,440 Speaker 5: Beyond mine off Hata sees on in this darkness not 67 00:02:38,800 --> 00:02:40,519 Speaker 5: you know you can. 68 00:02:43,840 --> 00:02:52,240 Speaker 3: The darkness of music. Off. We want you to. 69 00:02:52,280 --> 00:02:56,400 Speaker 4: Rap like that today. O, God tell me this. When 70 00:02:56,440 --> 00:02:58,079 Speaker 4: you started out, how did you go? Hang on a minute. 71 00:02:58,080 --> 00:02:59,280 Speaker 4: I've got a good set of pipes on me. 72 00:02:59,440 --> 00:03:01,960 Speaker 3: What was the terrible? So? 73 00:03:02,240 --> 00:03:06,440 Speaker 5: I I got caught moonwalking once in the school cafeteria. 74 00:03:06,440 --> 00:03:09,359 Speaker 5: I could do that, and someone, the director of the 75 00:03:09,360 --> 00:03:12,800 Speaker 5: school musicals, Yeah, literally tapped me on the shoulder and said, oh, 76 00:03:12,840 --> 00:03:15,120 Speaker 5: you could be really useful. And I've never sung a 77 00:03:15,160 --> 00:03:17,400 Speaker 5: note in my life, and I just fell in like 78 00:03:17,680 --> 00:03:20,560 Speaker 5: literally fell in love with it. Tom ou out our 79 00:03:20,639 --> 00:03:26,440 Speaker 5: producer here out step up, to the mic. So Tommy, 80 00:03:27,320 --> 00:03:30,880 Speaker 5: good to see you, mate. So Tommy's partner gave me 81 00:03:30,960 --> 00:03:33,000 Speaker 5: my first note. We went to school together. She gave 82 00:03:33,040 --> 00:03:36,080 Speaker 5: me my first she note like not even the director 83 00:03:36,080 --> 00:03:39,600 Speaker 5: of the school musical. I remember she said to me, 84 00:03:39,960 --> 00:03:41,680 Speaker 5: I think you need to keep your eye levels a 85 00:03:41,720 --> 00:03:43,840 Speaker 5: little bit further up towards the brow. 86 00:03:45,600 --> 00:03:46,400 Speaker 3: And I've never forgot. 87 00:03:46,880 --> 00:03:48,960 Speaker 5: Literally sometimes will be in a show like you know. 88 00:03:49,000 --> 00:03:51,000 Speaker 5: That's that's when I was seventeen, so it's a twenty 89 00:03:51,040 --> 00:03:55,760 Speaker 5: years ago. I remember going. Oh yeah, the school, Wesley 90 00:03:55,800 --> 00:03:58,280 Speaker 5: College in Melbourne. We did Fame the musical and. 91 00:04:00,320 --> 00:04:02,880 Speaker 3: She was the Andrew Lloyd Webber of Wesley. Was she 92 00:04:03,080 --> 00:04:05,200 Speaker 3: Oh my god, yes, she was that and more. 93 00:04:05,840 --> 00:04:08,880 Speaker 4: And she bosses me around, Josh. She guides Tommy in 94 00:04:08,880 --> 00:04:13,080 Speaker 4: a different one. Yeah, to the kitchen was in Fame. 95 00:04:13,400 --> 00:04:16,080 Speaker 2: She wasn't the main lead in that one doing the 96 00:04:16,120 --> 00:04:17,039 Speaker 2: little quick step? 97 00:04:17,120 --> 00:04:17,320 Speaker 4: Was she? 98 00:04:17,640 --> 00:04:21,440 Speaker 3: She was just the one giving the leads notes it 99 00:04:23,080 --> 00:04:25,159 Speaker 3: Maybe she was. I just remember the note. 100 00:04:25,000 --> 00:04:27,000 Speaker 1: Because what was weird was when you came in the 101 00:04:27,040 --> 00:04:28,560 Speaker 1: other day and said, Inga wants to go to the 102 00:04:28,560 --> 00:04:29,920 Speaker 1: Phantom of the Opera And I said, I'll get a 103 00:04:29,920 --> 00:04:31,880 Speaker 1: couple of tickets she said no, she wants to go 104 00:04:31,920 --> 00:04:32,560 Speaker 1: by herself. 105 00:04:32,720 --> 00:04:35,120 Speaker 3: Yeah, which is weird. So so she'll be front row, 106 00:04:35,560 --> 00:04:38,120 Speaker 3: probably drooling Josh. But she wants to be with a 107 00:04:38,160 --> 00:04:40,080 Speaker 3: guy that's grotesque and kills people. 108 00:04:41,680 --> 00:04:42,120 Speaker 4: She's got that. 109 00:04:43,880 --> 00:04:46,480 Speaker 2: She's got her own little beautiful serial killer at all. 110 00:04:51,080 --> 00:04:51,479 Speaker 3: This is it? 111 00:04:51,640 --> 00:04:53,760 Speaker 2: You know What's Usually when we get guests coming in 112 00:04:53,800 --> 00:04:56,440 Speaker 2: for wrap up of the week, they see the lyrics 113 00:04:56,480 --> 00:04:58,640 Speaker 2: for the first time just before they're about to do it. 114 00:04:58,680 --> 00:05:01,359 Speaker 2: But I feel like, Josh, you've done bit of research today, 115 00:05:01,560 --> 00:05:02,520 Speaker 2: Just a little bit. 116 00:05:02,680 --> 00:05:06,320 Speaker 5: Yeah, I've watched a few of these in preparation for this. 117 00:05:06,560 --> 00:05:09,720 Speaker 4: Okay, preparation is not something we've seen before on this show. 118 00:05:14,120 --> 00:05:19,080 Speaker 2: Start wrapping now, safe and Nat, we're gonna be doing it. 119 00:05:19,120 --> 00:05:19,160 Speaker 3: That. 120 00:05:19,320 --> 00:05:22,440 Speaker 2: Don't go anywhere, Josh Pillerman versus whip. 121 00:05:26,880 --> 00:05:27,200 Speaker 4: Here we go. 122 00:05:29,360 --> 00:05:32,080 Speaker 1: When you rap that on Friday, you don't know how 123 00:05:32,200 --> 00:05:36,080 Speaker 1: much Dad whip away on the bussy. 124 00:05:37,320 --> 00:05:39,880 Speaker 4: All right, So, Josh, you were just saying you wanted 125 00:05:39,880 --> 00:05:40,400 Speaker 4: to go first. 126 00:05:40,400 --> 00:05:42,760 Speaker 3: No, No, you're going first. 127 00:05:43,080 --> 00:05:46,400 Speaker 4: Yeah, yes, man, I quite quick, Like it's quite quick. 128 00:05:47,000 --> 00:05:47,359 Speaker 4: Here we go. 129 00:05:49,160 --> 00:05:51,279 Speaker 1: I need a couple of takes on this one over 130 00:05:51,360 --> 00:05:55,240 Speaker 1: two pages, mind you. The Phantom of the opera is 131 00:05:55,279 --> 00:05:57,800 Speaker 1: dead inside my mind, and also this wrap. After I've 132 00:05:57,839 --> 00:06:00,240 Speaker 1: delivered a few lines, you'll see I'm the musical one 133 00:06:00,279 --> 00:06:02,719 Speaker 1: on this show. It's hard to keep up. I'll take 134 00:06:02,760 --> 00:06:03,240 Speaker 1: it slow. 135 00:06:03,680 --> 00:06:05,920 Speaker 4: The phantom isn't he meant to be hard to see? 136 00:06:06,120 --> 00:06:08,039 Speaker 4: Who's behind the mask? Who could it be? 137 00:06:08,640 --> 00:06:10,960 Speaker 1: The fandom went through streets and cities and ports. But 138 00:06:11,000 --> 00:06:15,280 Speaker 1: he was also purple on my silk boxer shorts, so 139 00:06:15,320 --> 00:06:16,240 Speaker 1: you can see the play on. 140 00:06:16,200 --> 00:06:19,760 Speaker 4: Words that people might remember. Josh, he was in the 141 00:06:19,760 --> 00:06:20,719 Speaker 4: Tantannas group. 142 00:06:20,839 --> 00:06:23,000 Speaker 1: Why did you stop there? Why not a whole army troop? 143 00:06:23,120 --> 00:06:25,880 Speaker 1: What did you see him in? West Side story? I 144 00:06:25,960 --> 00:06:32,240 Speaker 1: turned east and went home. Sorry, Bory, Okay. 145 00:06:32,080 --> 00:06:33,480 Speaker 4: We go, Josh. 146 00:06:33,520 --> 00:06:36,400 Speaker 1: Sorry, yes, I've spoken too harshly. I don't like anybody 147 00:06:36,440 --> 00:06:39,240 Speaker 1: who's more talented than me. You're younger and better looking, 148 00:06:39,279 --> 00:06:41,320 Speaker 1: we can see, with a voice that can sing high 149 00:06:41,360 --> 00:06:44,080 Speaker 1: and low in every key. I've always struggled to trust 150 00:06:44,200 --> 00:06:46,320 Speaker 1: anyone in a cape, like they're going to tie me 151 00:06:46,400 --> 00:06:47,600 Speaker 1: up with gaffer tape. 152 00:06:47,800 --> 00:06:50,120 Speaker 4: Leave your mask one, mate, you'll give everyone a fright. 153 00:06:50,320 --> 00:06:52,960 Speaker 4: I'm sorry, mate, it's time to rest the music of 154 00:06:53,000 --> 00:07:01,120 Speaker 4: the night. Oh my god, that is impressive. 155 00:07:02,960 --> 00:07:04,600 Speaker 3: A lot of musical theater references. 156 00:07:04,600 --> 00:07:06,599 Speaker 4: I appreciate it, extremely clever. 157 00:07:06,760 --> 00:07:08,080 Speaker 3: You're camper than you look. 158 00:07:08,720 --> 00:07:09,240 Speaker 4: I love that. 159 00:07:09,560 --> 00:07:10,760 Speaker 3: I love going a bit harder. 160 00:07:10,760 --> 00:07:12,720 Speaker 4: Well, you didn't do it, mate, it's a back off. 161 00:07:13,640 --> 00:07:17,240 Speaker 4: We light it up. 162 00:07:20,600 --> 00:07:24,320 Speaker 5: What finally, the battle is upon us, Phantom of the 163 00:07:24,360 --> 00:07:25,800 Speaker 5: Opera versus Phantom. 164 00:07:25,480 --> 00:07:26,160 Speaker 3: Of the Office. 165 00:07:26,280 --> 00:07:28,880 Speaker 5: Oh sorry, Whip, I thought you were a singer. Props 166 00:07:28,880 --> 00:07:32,360 Speaker 5: because you're always having aria for dinner. Phantom's the biggest 167 00:07:32,400 --> 00:07:35,280 Speaker 5: musical without fail. We even got the chandelier from Whipper's 168 00:07:35,320 --> 00:07:38,560 Speaker 5: garage sale. The mask my face was people with dread, Whip, 169 00:07:38,640 --> 00:07:41,720 Speaker 5: you don't need a Master's the paper bag on your head. 170 00:07:41,360 --> 00:07:43,960 Speaker 5: The Fitzier alike, it seems, because they both fell in 171 00:07:44,000 --> 00:07:47,080 Speaker 5: love with women. Call Christine. Sorry, Whip, that's a low 172 00:07:47,120 --> 00:07:49,080 Speaker 5: blow about your mum. But Fitzy, you come on. Let 173 00:07:49,120 --> 00:07:50,320 Speaker 5: Christine out of your dungeon. 174 00:07:51,000 --> 00:07:53,200 Speaker 3: Whipper. I've got a musical. You should lead it. 175 00:07:53,200 --> 00:07:55,880 Speaker 5: It's the lead role in the pounds of music. Or 176 00:07:55,880 --> 00:07:57,840 Speaker 5: I could surely cast an Ova show at least because 177 00:07:57,840 --> 00:07:59,480 Speaker 5: if Fitsy was the beauty Whip. 178 00:07:59,400 --> 00:08:01,680 Speaker 3: But played the beat Peter. 179 00:08:01,560 --> 00:08:03,600 Speaker 5: You can hear a pin drop, just like when all 180 00:08:03,600 --> 00:08:06,080 Speaker 5: the whippers jokes seem to flop and then there's a 181 00:08:06,200 --> 00:08:08,360 Speaker 5: cheering and all the applause. Here that's the sound when 182 00:08:08,400 --> 00:08:16,200 Speaker 5: Whippers Buddha out of Nova's do leave. 183 00:08:16,160 --> 00:08:23,880 Speaker 4: My mother out of this? To two really good raps. 184 00:08:23,960 --> 00:08:26,640 Speaker 4: Sarah is really good. 185 00:08:28,760 --> 00:08:30,760 Speaker 3: Sh This is going to be really hard to. 186 00:08:31,160 --> 00:08:34,240 Speaker 1: We talked earlier in the because we've said to me, 187 00:08:34,320 --> 00:08:35,199 Speaker 1: don't just give. 188 00:08:35,000 --> 00:08:38,160 Speaker 4: It to the guest. But do you side story? Sorry 189 00:08:38,200 --> 00:08:38,840 Speaker 4: it was boring. 190 00:08:40,120 --> 00:08:41,800 Speaker 3: You say sorry it was boring. 191 00:08:41,480 --> 00:08:46,360 Speaker 4: Because boring doesn't rhyme with story. BORI does have to 192 00:08:46,400 --> 00:08:47,559 Speaker 4: explain myself. 193 00:08:47,920 --> 00:08:53,880 Speaker 1: You should, but to yourself, winner is John? 194 00:08:56,200 --> 00:08:57,880 Speaker 3: What's therapy? 195 00:08:58,240 --> 00:08:59,599 Speaker 2: You were very good at rat If you want to 196 00:08:59,600 --> 00:09:00,880 Speaker 2: go check it out, go to the pits You and 197 00:09:00,880 --> 00:09:02,000 Speaker 2: Whipper Instagram account. 198 00:09:02,040 --> 00:09:02,640 Speaker 3: You can see it there. 199 00:09:02,640 --> 00:09:05,320 Speaker 2: But if you want to see Josh getting up high 200 00:09:05,320 --> 00:09:07,880 Speaker 2: Phantom of the Opera Sydney Opera House. 201 00:09:07,640 --> 00:09:10,200 Speaker 4: Mate iconic, that will be amazing it all. 202 00:09:10,400 --> 00:09:14,160 Speaker 2: Yeah, thanks guys, thanks for having mets at Sydney Opera 203 00:09:14,200 --> 00:09:15,120 Speaker 2: house dot com. 204 00:09:15,120 --> 00:09:17,360 Speaker 3: Thanks for coming in Josh, Thanks, Thanks Buddy. 205 00:09:17,920 --> 00:09:19,720 Speaker 1: The Whipper Podcast