WEBVTT - Shaynna Blaze’s second act

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<v Speaker 1>Hello, and welcome to Something to Talk About, the Stella Podcast.

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<v Speaker 1>I'm Sarah Lamarquin, your host, and every week I sit

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<v Speaker 1>down with some of the biggest names in the country,

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<v Speaker 1>because when Australia's celebrities are ready to talk, they come

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<v Speaker 1>to Something to Talk About. Shana Blaze is a very

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<v Speaker 1>busy woman. She's one of the country's best known interior

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<v Speaker 1>design experts, a television personality who's been a judge on

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<v Speaker 1>the Block for twelve years, and a regular homes columnist

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<v Speaker 1>for Stella. But last year she surprised everyone when she

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<v Speaker 1>appeared on the Mass Singer. Turns out, the woman who

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<v Speaker 1>once moonlighted as a jazz singer had quite the hidden talent,

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<v Speaker 1>and now she's ready to pursue it even further with

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<v Speaker 1>an upcoming ep of new songs and a series of

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<v Speaker 1>cabaret shows in the works. The thing about Shana is

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<v Speaker 1>she doesn't like being put in a box, and she

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<v Speaker 1>certainly doesn't like being labeled.

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<v Speaker 2>When I will get men and women that will say

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<v Speaker 2>to me, act your age, wear the clothes for your age.

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<v Speaker 2>You're too old to wear that, and I go, well,

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<v Speaker 2>I know I'm not. But at the same time, only

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<v Speaker 2>I have the right to say how I act and

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<v Speaker 2>what I wear, so what you say around me has

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<v Speaker 2>no power to me. On today's episode is Something to

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<v Speaker 2>Talk About, Shana reveals why she keeps reinventing herself, how

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<v Speaker 2>landing her job at the Block was one of the

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<v Speaker 2>most bizarre moments of her life, her return to music,

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<v Speaker 2>and why she refuses to act her age. Before we begin,

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<v Speaker 2>heads up that this conversation briefly touches upon the subject

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<v Speaker 2>of domestic violence. If you're someone you know needs help,

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<v Speaker 2>you can find a number to call in our show notes.

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<v Speaker 2>Shana Blaze, Welcome to the Something to Talk About studio.

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<v Speaker 3>Thank you, Oh boy, do we have a lot to

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<v Speaker 3>talk about?

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<v Speaker 1>We do?

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<v Speaker 3>You do have a lot to talk about.

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<v Speaker 1>I wanted to talk a little bit, Shane, about the

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<v Speaker 1>most recent incarnation of your very well celebrated career, which

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<v Speaker 1>is music. You released your single Warrior in May of

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<v Speaker 1>this year. I'm sure that the apt nature of the

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<v Speaker 1>title of that song will be something that pops up

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<v Speaker 1>throughout the course of our conversation. And you're also going

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<v Speaker 1>to be doing a couple of live shows in Melbourne

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<v Speaker 1>next month. Let me begin by asking what's a response

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<v Speaker 1>to the fact that you have an ep on the

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<v Speaker 1>way you were on the Mass Singer last year, so

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<v Speaker 1>of course that was the first big reveal where everyone

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<v Speaker 1>was like.

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<v Speaker 3>Oh my gosh, you SHANEA.

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<v Speaker 1>Blaze could sing a year on. What's the reaction now

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<v Speaker 1>from the public.

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<v Speaker 3>It's actually really kind.

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<v Speaker 2>I think that's the thing, you know, when you're in

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<v Speaker 2>the public eye, and I felt like for me Mark

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<v Speaker 2>Singer was the best way to introduce it because otherwise

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<v Speaker 2>they see you and they judge you before you even

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<v Speaker 2>do anything, and so the fact that I was on

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<v Speaker 2>Mass Singer, they wouldn't have a clue who it was,

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<v Speaker 2>so then they could just hear me for me, which

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<v Speaker 2>I was really happy about. And the reception has been

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<v Speaker 2>the same since, in the fact of like, oh you

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<v Speaker 2>actually can sing, and please sing more. So people have

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<v Speaker 2>been really excited to hear more. And I could not

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<v Speaker 2>ask for anything better because I think that's the thing,

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<v Speaker 2>you know, when you love something so much, you want

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<v Speaker 2>to one do it, you want to share it, and

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<v Speaker 2>you just.

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<v Speaker 3>Hope people are receptive.

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<v Speaker 2>So I've got to say I wouldn't have gone this

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<v Speaker 2>far if I didn't feel like that it was something

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<v Speaker 2>that was going to make other people happy, just not.

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<v Speaker 1>Me, And I hadn't really thought about that at such

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<v Speaker 1>a good point that coming into it with total anonymity

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<v Speaker 1>on the mask singer, let people judge you as a

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<v Speaker 1>singer and a performer on your merits. Of course, when

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<v Speaker 1>you're doing your two shows in November, I'm guessing, Shana,

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<v Speaker 1>there won't be any crazy mass singer costume. It will

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<v Speaker 1>be you, Shana Blaze. How are you feeling about that?

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<v Speaker 3>Look?

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<v Speaker 2>I have to say I have done a whole show

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<v Speaker 2>for such a long time. Like earlier in the year,

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<v Speaker 2>I did a launch party for friends and media which

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<v Speaker 2>was five songs, and that's the most I'd done in

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<v Speaker 2>one go on stage for a long time. Whereas this is,

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<v Speaker 2>you know, over an hour. It's a cabaret show that

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<v Speaker 2>I have co written with a fellow theater person called

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<v Speaker 2>Martin Cruz, and I've written half the song, co written

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<v Speaker 2>half the songs with Gary Pinto, who I wrote Warry with,

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<v Speaker 2>and then we're doing our own version of other songs

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<v Speaker 2>or within a storyline. So it's just not a few

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<v Speaker 2>songs and telling a story. It's actually telling a story

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<v Speaker 2>with songs.

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<v Speaker 1>And what about the experience of getting into the recording

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<v Speaker 1>studio to record Warrior, and the rest of the EP

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<v Speaker 1>asked you a little bit around the nerves and the

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<v Speaker 1>confrontational nature of performing a live show. How was it

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<v Speaker 1>when you first got into the recording studio and it's like,

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<v Speaker 1>this is this is real, this is getting recorded, and

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<v Speaker 1>this is going out there for the audience.

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<v Speaker 2>You're laid pretty raw because that was sort of during

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<v Speaker 2>COVID time where all the musicians were overseas or they

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<v Speaker 2>were in another studio and in another state, so it

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<v Speaker 2>was all recorded separately, and then it was time to

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<v Speaker 2>do the vocals in the studio and it's really just

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<v Speaker 2>like you and I sitting here in the fact that

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<v Speaker 2>the voice is deadened. You can't have any effects, and

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<v Speaker 2>you sing the whole song. But then you literally sing

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<v Speaker 2>line than word and sometimes a note. So there is

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<v Speaker 2>one hundred percent focus on the tone of your voice,

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<v Speaker 2>the strength of your voice, the timber, the fact of

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<v Speaker 2>can you do this? And I hadn't pulled apart my

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<v Speaker 2>voice so much ever in my whole entire life, so

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<v Speaker 2>I felt that quite confronting, and it really did take

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<v Speaker 2>a few days to really go, oh.

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<v Speaker 3>They're not just pulling it apart, because I can't do it.

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<v Speaker 3>They're pulling it apart because that's what you do.

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<v Speaker 2>Because I've recorded before, but not to this end degree.

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<v Speaker 2>So I think it was one of those things. By

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<v Speaker 2>the end of like you know, a few days and

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<v Speaker 2>a week, it was like, oh, I'm a musician again.

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<v Speaker 2>And that's what it took. It was the fear, the excitement,

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<v Speaker 2>the doubt all coming in right to that end part

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<v Speaker 2>going not just I've got this, I'm a musician and

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<v Speaker 2>gee that felt good.

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<v Speaker 1>Let me ask you a little bit about the again

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<v Speaker 1>in I'm a musician again, because a lot of people listening,

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<v Speaker 1>most Australians would of course know you through your work

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<v Speaker 1>as a television host, a presenter of course on the block,

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<v Speaker 1>as one of the best known interior designers in the country.

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<v Speaker 1>That's a certain profile, a certain attachment that people have

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<v Speaker 1>to you. Obviously, again implies that there's a backstory. You

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<v Speaker 1>didn't just decided a couple of years ago. Hey, I

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<v Speaker 1>think I'm going to start dabbling in music to talk

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<v Speaker 1>us through a little bit about your journey with music

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<v Speaker 1>before you became SHANEA. Blaze, the person we know today.

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<v Speaker 2>I think the thing is that music and design was

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<v Speaker 2>never separate because when I was young and growing up,

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<v Speaker 2>you know, there was always musical theater tapes in the background.

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<v Speaker 2>There was those big real to reels like you know,

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<v Speaker 2>you think of Her Jesus Christ Superstar. All those sorts

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<v Speaker 2>of plays, musical theater were on in the background. My

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<v Speaker 2>mum was, you know, in love with Shirley Bassie. There

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<v Speaker 2>was always Shirley Bassi. There was Tom Jones. There was

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<v Speaker 2>all that sort of fun sort of entertainment in the background.

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<v Speaker 2>And my dad was very hands on with craft and

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<v Speaker 2>very hands on with tools and making, so there was

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<v Speaker 2>always like music playing while you're designing, while you're creating things,

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<v Speaker 2>or you create something and then play music. So to me,

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<v Speaker 2>it was always intertwined. And I was doing design school

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<v Speaker 2>and then I was singing, and so then.

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<v Speaker 3>I got too heavy in.

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<v Speaker 2>Design and I had to give up music, which was

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<v Speaker 2>fantastic in the fact that I had a design career,

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<v Speaker 2>and then put that to the side for a little bit.

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<v Speaker 2>And then I started having babies and then stopped working

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<v Speaker 2>for a while, and because I was flying around the

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<v Speaker 2>country with my job and it was just too hard

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<v Speaker 2>with two little babies, and there just isn't the support

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<v Speaker 2>of a working Mum's what there is today, whether you're

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<v Speaker 2>a single mum or a married mum. You know, krash

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<v Speaker 2>was there, but you were expected to be the person

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<v Speaker 2>to pick them up, drop them off. You were the

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<v Speaker 2>full time care You did everything. It literally was you

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<v Speaker 2>can have a career and you can have children, but

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<v Speaker 2>don't talk about it, and don't tell us how hard

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<v Speaker 2>it is, and don't show it.

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<v Speaker 3>So you had to put on your shoulder pads, because.

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<v Speaker 2>I was saying that late eighties, early nineties, put on

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<v Speaker 2>your shoulder pads, put on your smile, and be the

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<v Speaker 2>power woman that we all wanted to be. But if

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<v Speaker 2>you show slight cracks, you're not a good You're not

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<v Speaker 2>a good working mum. So the cracks were starting to

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<v Speaker 2>show with me that it was just too hard to

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<v Speaker 2>do it all myself.

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<v Speaker 3>So I stopped.

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<v Speaker 2>That want to be with my kids, still in a

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<v Speaker 2>marriage one to be with my kids. But at the

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<v Speaker 2>same time it was a case I just couldn't fly

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<v Speaker 2>around the country, have this really great job and be

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<v Speaker 2>there for them, which I really wanted to. So it

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<v Speaker 2>was a real push and pull, and after about a

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<v Speaker 2>year of stopping doing that.

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<v Speaker 3>I was bored.

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<v Speaker 2>I was really bored, really bored, and I went, oh,

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<v Speaker 2>look I've just I want to dabble and get back

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<v Speaker 2>into music. So I started doing that more as a

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<v Speaker 2>free time thing. A few gigs, and then it just

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<v Speaker 2>picked up from there. And then my marriage broke up

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<v Speaker 2>and I was already singing in pubs at that stage,

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<v Speaker 2>and then it just went on from there. It was

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<v Speaker 2>easier to just keep that going because the kids were little.

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<v Speaker 2>I'd read them a story, sing them a lullaby, pop

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<v Speaker 2>them to bed. Mum and Dad would come over get

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<v Speaker 2>home about one in the morning. They'd wake up five

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<v Speaker 2>o'clock and lose my voice every week for months, you know,

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<v Speaker 2>seeing tell them stories like this because you had to

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<v Speaker 2>go and speak. So look at was a fun time.

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<v Speaker 2>It wasn't a lot of money. It was great. I

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<v Speaker 2>absolutely loved it. I played in so many different bands,

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<v Speaker 2>from covers to corporate to funk to acid jazz to indie,

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<v Speaker 2>and you know, I think one of the great things

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<v Speaker 2>is the friendships I still do have from those times,

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<v Speaker 2>which is pretty incredible. And they get such a blast

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<v Speaker 2>thinking that, you know, they were there when Carlie and Jess,

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<v Speaker 2>my kids were you know, anywhere from two from one

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<v Speaker 2>of the friendships I have and now my kids have kids,

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<v Speaker 2>so you know, it's really nice having those long term

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<v Speaker 2>friendships that you've had music with. And you know a

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<v Speaker 2>few of them were actually at that launch this year

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<v Speaker 2>and they're sitting there going, wow, we saw you thirty

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<v Speaker 2>years ago doing this and it's just it's quite bizarre.

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<v Speaker 2>But you know, you get to a stage where you know,

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<v Speaker 2>that was sort of once my daughter started going to

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<v Speaker 2>high school and so they've hit that teenage time and

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<v Speaker 2>you go, oh, I need to be around at nighttime.

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<v Speaker 3>M because you know, you need to be there for the.

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<v Speaker 2>Yes and go to bed y as you know, you

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<v Speaker 2>don't have control anymore exactly. So it wasn't a case

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<v Speaker 2>of like I had to give up music. It was

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<v Speaker 2>a decision about, Okay, what's going to be best for

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<v Speaker 2>my family and myself. And that's when I got back

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<v Speaker 2>into working sort of during the day. Couldn't find my

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<v Speaker 2>way in design because I became a dinosaur. So you know,

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<v Speaker 2>I used to design showrooms all around Australia's design products.

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<v Speaker 2>You used to work in corporate and by the time

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<v Speaker 2>i'd been out of design for maybe five years, CAD

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<v Speaker 2>was the big thing so you had to be this

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<v Speaker 2>incredible skilled person at CAD and I missed that boat,

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<v Speaker 2>so I had to re educate myself on that, and

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<v Speaker 2>then I started painting, and so I went in a

0:12:10.960 --> 0:12:14.040
<v Speaker 2>really slow way. I went back to painting and drawing

0:12:14.280 --> 0:12:19.480
<v Speaker 2>and doing commission artwork, which eventually got me into homes

0:12:19.600 --> 0:12:23.439
<v Speaker 2>and then back into design, and then sort of slowly

0:12:23.480 --> 0:12:26.400
<v Speaker 2>went through that. And by the time I'd had my

0:12:26.480 --> 0:12:29.440
<v Speaker 2>own business and taken it out of the home into

0:12:29.640 --> 0:12:33.079
<v Speaker 2>a warehouse, that's sort of when TV started happening. So

0:12:33.200 --> 0:12:36.679
<v Speaker 2>it was a real high low high low. But they

0:12:36.720 --> 0:12:39.760
<v Speaker 2>all intertwined, yeah, when they needed to.

0:12:39.960 --> 0:12:44.120
<v Speaker 1>When they needed to. There's so many fascinating intertwined.

0:12:43.480 --> 0:12:45.160
<v Speaker 3>And trends of that story.

0:12:44.840 --> 0:12:48.320
<v Speaker 1>To unpack, so many, from the shoulder pads through to

0:12:48.440 --> 0:12:52.439
<v Speaker 1>the you know, calling yourself a dinosaur, for instance, after

0:12:52.600 --> 0:12:56.520
<v Speaker 1>five years away. I think a lot of people listening

0:12:56.880 --> 0:13:01.079
<v Speaker 1>that working particularly fast moving industries, feel that way, especially

0:13:01.080 --> 0:13:03.760
<v Speaker 1>with technology changing a bit, where like, oh my goodness,

0:13:03.800 --> 0:13:06.920
<v Speaker 1>I was out for a few years and I can

0:13:07.000 --> 0:13:09.480
<v Speaker 1>never get back in. I'd love to talk a little

0:13:09.520 --> 0:13:12.920
<v Speaker 1>bit about that, Shane, because I think that's so interesting

0:13:12.960 --> 0:13:18.080
<v Speaker 1>and inspiring, but also one of these intertwining threads about

0:13:18.080 --> 0:13:21.079
<v Speaker 1>reinvention and maybe having a moment where you think, oh

0:13:21.120 --> 0:13:24.520
<v Speaker 1>my gosh, what now, or that's a bit daunting, but

0:13:24.640 --> 0:13:28.560
<v Speaker 1>clearly you've always found something in you to go back

0:13:28.720 --> 0:13:31.680
<v Speaker 1>or discover a new skill, pick up something that you

0:13:31.760 --> 0:13:35.760
<v Speaker 1>thought was buried. Would you say reinvention is a big

0:13:35.800 --> 0:13:36.840
<v Speaker 1>part of your story.

0:13:37.160 --> 0:13:38.040
<v Speaker 3>Yeah, it is.

0:13:38.240 --> 0:13:43.840
<v Speaker 2>It's something I really embraced because one I lead, This

0:13:43.880 --> 0:13:44.840
<v Speaker 2>is why I love design.

0:13:45.120 --> 0:13:46.400
<v Speaker 3>I lead with curiosity.

0:13:47.080 --> 0:13:52.640
<v Speaker 2>It's a case of if you can't find something immediately,

0:13:52.800 --> 0:13:54.640
<v Speaker 2>then you go down the rabbit hole to find out

0:13:54.640 --> 0:13:57.400
<v Speaker 2>where you need to go, and if there's a barrier there,

0:13:58.280 --> 0:14:01.120
<v Speaker 2>you need curiosity to go left, right, above or below,

0:14:01.960 --> 0:14:04.319
<v Speaker 2>because most of the time, in any sort of career

0:14:04.440 --> 0:14:06.839
<v Speaker 2>or decision or trying to find a design, there's always

0:14:06.880 --> 0:14:07.320
<v Speaker 2>a block.

0:14:07.840 --> 0:14:09.520
<v Speaker 3>Well how do you get around it? What do you do?

0:14:09.840 --> 0:14:12.800
<v Speaker 2>And I think that's the thing with not just a

0:14:12.840 --> 0:14:16.480
<v Speaker 2>major career decision of feeling like a dinosaur, it's more

0:14:16.520 --> 0:14:21.640
<v Speaker 2>of a case of like really finding moments in your

0:14:21.640 --> 0:14:24.480
<v Speaker 2>life where people are telling you you can't do that,

0:14:25.360 --> 0:14:28.080
<v Speaker 2>or you shouldn't do that, or you can only do

0:14:28.280 --> 0:14:32.600
<v Speaker 2>or be one thing. And I always thought about those

0:14:33.160 --> 0:14:36.640
<v Speaker 2>moments in my life where it wasn't a case of well,

0:14:37.560 --> 0:14:39.280
<v Speaker 2>damn you, I'm going to do it anyway. If you

0:14:39.280 --> 0:14:41.440
<v Speaker 2>say I can't do it, I'm going to do it.

0:14:41.440 --> 0:14:43.800
<v Speaker 2>It was more like in my mind, you know, I

0:14:43.880 --> 0:14:46.240
<v Speaker 2>never sort of stood up and went I'm going to

0:14:46.280 --> 0:14:48.920
<v Speaker 2>do that, because I actually, you know, would feel sick

0:14:48.960 --> 0:14:51.920
<v Speaker 2>and embarrassed thinking, oh am I thinking too much for myself.

0:14:51.960 --> 0:14:53.320
<v Speaker 3>Can I do it? Can't I do it?

0:14:53.360 --> 0:14:57.000
<v Speaker 2>But it's like I always had, well why can't I,

0:14:57.160 --> 0:14:57.960
<v Speaker 2>Why can't.

0:14:57.720 --> 0:14:58.200
<v Speaker 3>I do that?

0:14:58.880 --> 0:15:01.520
<v Speaker 2>And I do. I feel a little bit of that

0:15:01.560 --> 0:15:05.560
<v Speaker 2>comes from my dad in the fact that he wasn't

0:15:05.560 --> 0:15:09.200
<v Speaker 2>your typical male Like my dad knitted, my dad did

0:15:09.240 --> 0:15:13.120
<v Speaker 2>stained glass, my dad made Massapan flowers for bridal cakes.

0:15:13.600 --> 0:15:17.160
<v Speaker 2>So there was no gender issue in our house because

0:15:17.320 --> 0:15:21.880
<v Speaker 2>craft was craft, and so on top of that, like

0:15:22.760 --> 0:15:24.840
<v Speaker 2>I had drills in my hand, you know, when I

0:15:24.880 --> 0:15:27.800
<v Speaker 2>was fourteen fifteen, I was drilling things in working for

0:15:27.880 --> 0:15:32.480
<v Speaker 2>my dad, changing taps because I was interested and it

0:15:32.560 --> 0:15:34.600
<v Speaker 2>was never an issue of you know, your brother should

0:15:34.680 --> 0:15:37.680
<v Speaker 2>do that, or it was just what I was interested in.

0:15:37.800 --> 0:15:41.720
<v Speaker 2>So I think it definitely comes from that. So reinvention,

0:15:41.840 --> 0:15:44.520
<v Speaker 2>I feel like, is something we talk about now, but

0:15:44.560 --> 0:15:47.600
<v Speaker 2>back then it was I look at it as a

0:15:47.680 --> 0:15:50.920
<v Speaker 2>life of curiosity that if something isn't working at the time,

0:15:51.880 --> 0:15:55.360
<v Speaker 2>it's not about trying to just go I've got to

0:15:55.400 --> 0:15:57.320
<v Speaker 2>fix that. It's about going, well, how can I do

0:15:57.360 --> 0:16:02.160
<v Speaker 2>it differently? What can I do? And a career is

0:16:02.240 --> 0:16:04.960
<v Speaker 2>something that I feel I will have till I'm one

0:16:05.040 --> 0:16:08.680
<v Speaker 2>hundred and ten because I get bored too easily. But

0:16:08.720 --> 0:16:12.520
<v Speaker 2>I get too excited about changing and learning and growing.

0:16:13.240 --> 0:16:15.640
<v Speaker 2>And you know, I think the skill sets that you

0:16:15.800 --> 0:16:18.760
<v Speaker 2>have when you're a teenager will always come back in

0:16:18.840 --> 0:16:21.520
<v Speaker 2>some way as an adult. And that's what I love

0:16:21.560 --> 0:16:28.120
<v Speaker 2>about the intertwining of my career and the fact of painting, drawing, singing,

0:16:28.560 --> 0:16:32.520
<v Speaker 2>running bands as a businesswoman, running design as a businesswoman,

0:16:32.720 --> 0:16:35.560
<v Speaker 2>is that the skills that you have in one part

0:16:35.600 --> 0:16:38.200
<v Speaker 2>of your life will transfer to another. And I've heard

0:16:38.280 --> 0:16:42.280
<v Speaker 2>quite a few people these days, interestinglyly enough, especially with

0:16:42.320 --> 0:16:46.880
<v Speaker 2>technology in AI's just like my skills aren't transferable anymore

0:16:47.120 --> 0:16:51.480
<v Speaker 2>because it's going to a whole different navigation. And I'm like,

0:16:51.760 --> 0:16:54.240
<v Speaker 2>well they can. We just haven't thought of a new

0:16:54.280 --> 0:16:57.720
<v Speaker 2>way of transferable. It always used to be, well, you know,

0:16:57.760 --> 0:17:00.760
<v Speaker 2>you could do transferable skills on a document. Okay, well,

0:17:01.160 --> 0:17:03.320
<v Speaker 2>you know you run a business here, what are the

0:17:03.360 --> 0:17:05.960
<v Speaker 2>threads in that business to run for another business? And

0:17:06.520 --> 0:17:09.080
<v Speaker 2>we're doing things differently now, So I sort of feel

0:17:09.080 --> 0:17:12.239
<v Speaker 2>like those transferable skills have to be looked at in

0:17:12.280 --> 0:17:16.320
<v Speaker 2>a different way as an emotion as a person, because

0:17:16.960 --> 0:17:19.479
<v Speaker 2>I feel like I've really gone on a whole different tangent.

0:17:19.520 --> 0:17:21.280
<v Speaker 2>But I feel like we've taken the person out of

0:17:21.280 --> 0:17:25.200
<v Speaker 2>the job and the person out of reinvention. It's not

0:17:25.520 --> 0:17:28.679
<v Speaker 2>just about the skills of what you've got on hand.

0:17:29.720 --> 0:17:34.159
<v Speaker 1>And also, at this point in our culture, know that

0:17:34.280 --> 0:17:36.679
<v Speaker 1>people will stay in the workforce for a lot longer.

0:17:36.960 --> 0:17:40.399
<v Speaker 1>I mean, we have said treasurism, said you're all going

0:17:40.480 --> 0:17:43.240
<v Speaker 1>to keep working well in the seventies, those days of

0:17:43.359 --> 0:17:46.520
<v Speaker 1>you know, the golden handshake, you know, and had sixty

0:17:46.600 --> 0:17:51.240
<v Speaker 1>long gone. But also that people are going to undergo

0:17:51.560 --> 0:17:54.000
<v Speaker 1>different career shifts in the course of their career. And

0:17:54.040 --> 0:17:57.239
<v Speaker 1>again that's been a change that has probably crept in

0:17:57.280 --> 0:18:00.320
<v Speaker 1>over the last generation or two. So those two things,

0:18:00.320 --> 0:18:03.600
<v Speaker 1>intersecting the fact that the average person will try their

0:18:03.600 --> 0:18:06.520
<v Speaker 1>hand at quite a few different things, will often as

0:18:06.560 --> 0:18:08.920
<v Speaker 1>we've talked about won't have any say in the matter

0:18:08.960 --> 0:18:11.840
<v Speaker 1>because their job will be completely outsourced and they have

0:18:11.920 --> 0:18:13.640
<v Speaker 1>to look at transferable skills.

0:18:14.080 --> 0:18:15.119
<v Speaker 3>And also, if.

0:18:14.960 --> 0:18:17.920
<v Speaker 1>We're going to be working until our seventies, most of

0:18:18.000 --> 0:18:20.159
<v Speaker 1>us are going to want to try a few different things.

0:18:20.760 --> 0:18:24.560
<v Speaker 1>I love when you said, Shana, how you've always pushed back,

0:18:25.280 --> 0:18:28.000
<v Speaker 1>consciously or otherwise about the notion of being told you

0:18:28.040 --> 0:18:30.879
<v Speaker 1>could be one thing, and for you it never felt well,

0:18:30.880 --> 0:18:32.760
<v Speaker 1>why do I have to choose? Why do I have

0:18:32.840 --> 0:18:38.000
<v Speaker 1>to choose between music and craft, between designing and between performing.

0:18:39.119 --> 0:18:39.640
<v Speaker 3>I think this.

0:18:39.840 --> 0:18:42.640
<v Speaker 1>Happens a lot even as people. We tell people you're

0:18:42.720 --> 0:18:45.560
<v Speaker 1>dominated by the left brain or the right brain, You're this,

0:18:45.840 --> 0:18:49.720
<v Speaker 1>you're that. I'd love to hear a little bit of

0:18:49.720 --> 0:18:53.400
<v Speaker 1>what your advice might be or your own experience about

0:18:53.440 --> 0:18:56.280
<v Speaker 1>how all of us can push back against this notion

0:18:56.400 --> 0:18:57.240
<v Speaker 1>that we're one thing.

0:18:57.480 --> 0:19:00.919
<v Speaker 2>I think the start is how society puts labels on

0:19:01.000 --> 0:19:05.120
<v Speaker 2>us because it's safety. You are the boss, you are

0:19:05.359 --> 0:19:09.560
<v Speaker 2>the worker, You are an ares, you are a LEO,

0:19:09.920 --> 0:19:13.159
<v Speaker 2>you are a gen X, you are a millennial. We

0:19:13.240 --> 0:19:16.200
<v Speaker 2>put people in boxes because it makes us feel comfortable

0:19:16.200 --> 0:19:19.119
<v Speaker 2>about how we look at those people. But by doing that,

0:19:19.160 --> 0:19:21.880
<v Speaker 2>by putting, and I call them boxes, not just labels.

0:19:21.920 --> 0:19:23.560
<v Speaker 2>We have a box and we put a label on it.

0:19:24.160 --> 0:19:26.840
<v Speaker 2>All of a sudden, that person feels like they can't

0:19:26.880 --> 0:19:30.080
<v Speaker 2>move beyond that boundary because that's how everyone looks at them.

0:19:30.240 --> 0:19:32.160
<v Speaker 3>And I've had many moments in my life.

0:19:31.960 --> 0:19:35.000
<v Speaker 2>Where i feel like I'm screaming because I've been put

0:19:35.000 --> 0:19:38.120
<v Speaker 2>in a box and it's very hard to break out

0:19:38.119 --> 0:19:40.399
<v Speaker 2>of that because the more you try and break out

0:19:40.480 --> 0:19:45.439
<v Speaker 2>of the box, the reaction is actually tenfold. So I

0:19:45.480 --> 0:19:48.600
<v Speaker 2>think the thing is that for me, the advice for

0:19:48.680 --> 0:19:53.120
<v Speaker 2>people of wanting to change, to reinvent, to break out

0:19:53.160 --> 0:19:57.000
<v Speaker 2>of the mold that they have put on themselves, or

0:19:57.119 --> 0:20:00.280
<v Speaker 2>society is put on themselves, or that's actually worked to together,

0:20:01.400 --> 0:20:07.000
<v Speaker 2>is that, really it comes down to you. You've got

0:20:07.040 --> 0:20:09.920
<v Speaker 2>to make that step. You can't blame society, you can't

0:20:09.960 --> 0:20:14.119
<v Speaker 2>blame everyone around you. All you can do is trust

0:20:14.160 --> 0:20:17.760
<v Speaker 2>yourself to know that that is not who I am.

0:20:18.240 --> 0:20:20.520
<v Speaker 2>So what comes down to it is that it's up

0:20:20.520 --> 0:20:23.600
<v Speaker 2>to you to find out who you are. And that's

0:20:23.640 --> 0:20:26.280
<v Speaker 2>soul searching, and not enough people want to do that.

0:20:27.040 --> 0:20:30.160
<v Speaker 2>And I've done a hurl of a lot of soul

0:20:30.200 --> 0:20:33.840
<v Speaker 2>searching because I've come up against a lot of blocks

0:20:33.840 --> 0:20:37.159
<v Speaker 2>and a lot of things. And until you do the

0:20:37.240 --> 0:20:41.200
<v Speaker 2>deep work to work out who you are and where

0:20:41.240 --> 0:20:43.760
<v Speaker 2>you want to be, you may not know the answer,

0:20:43.760 --> 0:20:47.840
<v Speaker 2>but at least you've got an idea. When you have that,

0:20:47.840 --> 0:20:51.080
<v Speaker 2>that's when you're able to not worry about what other

0:20:51.200 --> 0:20:55.320
<v Speaker 2>labels get put on you, because it becomes your little

0:20:55.320 --> 0:20:58.280
<v Speaker 2>force field in the fact of like not a problem.

0:20:58.320 --> 0:21:00.560
<v Speaker 2>You say that's who I am. And it comes down

0:21:00.600 --> 0:21:03.080
<v Speaker 2>to a lot of social media that you say that's

0:21:03.080 --> 0:21:06.479
<v Speaker 2>who I am. I know I'm not that, so you

0:21:06.520 --> 0:21:09.040
<v Speaker 2>can't you can't tell me that's who I need to be.

0:21:09.160 --> 0:21:12.800
<v Speaker 2>And you know, one little tiny thing, and I'll put

0:21:12.800 --> 0:21:15.679
<v Speaker 2>it in a simple way of social media when I

0:21:15.720 --> 0:21:18.040
<v Speaker 2>will get men and women that will say to me,

0:21:19.200 --> 0:21:22.480
<v Speaker 2>act your age, wear the clothes for your age, You're

0:21:22.520 --> 0:21:26.639
<v Speaker 2>too old to wear that, And I go, well, I

0:21:26.680 --> 0:21:29.480
<v Speaker 2>know i'm not because inside I'm thirty six.

0:21:29.880 --> 0:21:30.360
<v Speaker 3>Hello.

0:21:31.000 --> 0:21:34.000
<v Speaker 2>But at the same time, only I have the right

0:21:34.080 --> 0:21:36.760
<v Speaker 2>to say how I act and what I wear, So

0:21:36.880 --> 0:21:39.879
<v Speaker 2>what you say around me has no power to me.

0:21:40.520 --> 0:21:43.120
<v Speaker 2>And so that's just a little simple way of advice

0:21:43.320 --> 0:21:47.200
<v Speaker 2>of until you do the deep work of truly believing

0:21:47.240 --> 0:21:49.840
<v Speaker 2>that that's me, that's not me going You can't tell

0:21:49.880 --> 0:21:52.159
<v Speaker 2>me what to do because that becomes across his anger.

0:21:52.560 --> 0:21:54.679
<v Speaker 2>But I'm so self assured that I know who I

0:21:54.720 --> 0:21:58.600
<v Speaker 2>am for me, no one else has to believe it.

0:21:58.680 --> 0:22:01.399
<v Speaker 2>That doesn't matter. I believe it and I know it,

0:22:01.440 --> 0:22:03.200
<v Speaker 2>which empowers me to move forward.

0:22:03.200 --> 0:22:05.880
<v Speaker 1>Of the labels that people put on me, is this

0:22:05.920 --> 0:22:08.120
<v Speaker 1>something that has evolved with wisdom?

0:22:08.400 --> 0:22:08.760
<v Speaker 3>For you?

0:22:10.480 --> 0:22:14.800
<v Speaker 2>Oh the age thing? My kids will laugh about this one. No,

0:22:15.320 --> 0:22:18.720
<v Speaker 2>I think I think it came down to in my twenties.

0:22:19.040 --> 0:22:21.240
<v Speaker 2>You know, I had my kids when I was early twenties,

0:22:21.800 --> 0:22:24.199
<v Speaker 2>and I wanted to be a career person, and I

0:22:24.200 --> 0:22:27.439
<v Speaker 2>felt like I hadn't achieved what I wanted to by

0:22:27.480 --> 0:22:30.200
<v Speaker 2>the time I hit thirty, So I felt like I

0:22:30.240 --> 0:22:32.920
<v Speaker 2>hadn't done things. But you know, meanwhile, I've raised two

0:22:32.920 --> 0:22:37.159
<v Speaker 2>incredible kids basically by myself, kept them alive, kept me alive,

0:22:37.800 --> 0:22:40.080
<v Speaker 2>and you know, still worked on.

0:22:40.080 --> 0:22:42.200
<v Speaker 3>A career, bringing up a music a career.

0:22:42.680 --> 0:22:45.960
<v Speaker 2>But then once I crept into my thirties, I had

0:22:46.000 --> 0:22:47.959
<v Speaker 2>the notion of where I wanted to be and who

0:22:48.040 --> 0:22:51.600
<v Speaker 2>I wanted to be, and I just wasn't there. So

0:22:51.720 --> 0:22:55.960
<v Speaker 2>by the time I hit my late thirties, I did

0:22:56.000 --> 0:22:58.920
<v Speaker 2>my little midlife crisis, a bit of a spiral of like,

0:22:59.000 --> 0:23:00.760
<v Speaker 2>you know, turning thirty ane and going.

0:23:00.960 --> 0:23:04.160
<v Speaker 3>Well, is this it? Like I literally did is this it?

0:23:04.800 --> 0:23:09.840
<v Speaker 2>And basically wasted a year of my life? And I

0:23:09.880 --> 0:23:13.720
<v Speaker 2>went wow, I made myself. I made myself feel horrible.

0:23:14.280 --> 0:23:17.159
<v Speaker 2>I woke up the morning of my fortieth and the

0:23:17.160 --> 0:23:19.399
<v Speaker 2>birds were chirping and the sun was shining. It was

0:23:19.440 --> 0:23:22.680
<v Speaker 2>a bit Disney, and I looked out the window. I went, ah,

0:23:22.880 --> 0:23:26.679
<v Speaker 2>the bomb hasn't gone off. I've just wasted twelve months

0:23:26.680 --> 0:23:31.119
<v Speaker 2>of my life. So how I felt? Then after a

0:23:31.160 --> 0:23:34.000
<v Speaker 2>little while, I, you know, I felt like I was

0:23:34.000 --> 0:23:34.920
<v Speaker 2>in my mid thirties.

0:23:34.960 --> 0:23:36.200
<v Speaker 3>So why can't.

0:23:35.920 --> 0:23:38.480
<v Speaker 2>I say I'm in my mid thirties because internally I

0:23:38.520 --> 0:23:41.040
<v Speaker 2>feel that way. But then on top of that, and

0:23:41.080 --> 0:23:43.760
<v Speaker 2>I think this is really poignant in the fact that

0:23:43.840 --> 0:23:46.320
<v Speaker 2>between my forties and fifties I lost a couple of

0:23:46.400 --> 0:23:50.720
<v Speaker 2>girlfriends to disease and then lost a couple of friends

0:23:50.800 --> 0:23:52.960
<v Speaker 2>to some sad circumstances.

0:23:54.080 --> 0:23:55.720
<v Speaker 3>And it makes you realize.

0:23:55.320 --> 0:23:59.200
<v Speaker 2>The value of your body, the value of your family,

0:23:59.320 --> 0:24:02.400
<v Speaker 2>the value of your friendships, the value of life itself,

0:24:02.760 --> 0:24:05.040
<v Speaker 2>and the value of the great life that we have

0:24:05.160 --> 0:24:07.200
<v Speaker 2>in front of us, because you get to make the

0:24:07.280 --> 0:24:08.840
<v Speaker 2>choice whether you want to have a good day or

0:24:08.840 --> 0:24:11.399
<v Speaker 2>a bad day, no matter what shit has been thrown

0:24:11.440 --> 0:24:15.720
<v Speaker 2>at you. That I really decided in my early forties

0:24:15.800 --> 0:24:19.600
<v Speaker 2>that a number is nothing. And so when people would

0:24:19.600 --> 0:24:21.600
<v Speaker 2>say my number and whatever, I go, oh no, no, no,

0:24:21.640 --> 0:24:24.520
<v Speaker 2>that's not my number. And so it is a little

0:24:24.520 --> 0:24:27.840
<v Speaker 2>bit of denial, absolutely, But I don't feel that number.

0:24:28.240 --> 0:24:30.240
<v Speaker 2>So why should I have to be that number. I

0:24:30.280 --> 0:24:32.639
<v Speaker 2>have the spirit of a thirty year old. I have

0:24:32.640 --> 0:24:35.440
<v Speaker 2>the energy of a thirty year old. So in my mind,

0:24:35.440 --> 0:24:38.360
<v Speaker 2>that's who I am. And if people think that's denial,

0:24:38.440 --> 0:24:40.600
<v Speaker 2>I have no issue with that. But I get so

0:24:40.800 --> 0:24:43.520
<v Speaker 2>much out of life because I believe that I have

0:24:43.680 --> 0:24:46.440
<v Speaker 2>the youth and the energy to do whatever I want.

0:24:48.600 --> 0:24:52.440
<v Speaker 1>Coming up, how answering an ad in a newspaper changed

0:24:52.560 --> 0:25:02.280
<v Speaker 1>Shana Blazer's life. Woke up that morning of your fortieth birthday,

0:25:02.400 --> 0:25:06.240
<v Speaker 1>Disney birds chirping me. Did you sing a little Disney melody?

0:25:06.359 --> 0:25:06.840
<v Speaker 3>By the way?

0:25:07.280 --> 0:25:11.119
<v Speaker 1>Not quite No, maybe at the live show next month.

0:25:12.200 --> 0:25:15.760
<v Speaker 1>Let me ask you then about your public career and

0:25:16.520 --> 0:25:21.480
<v Speaker 1>why most Australians know your name is because of your

0:25:21.480 --> 0:25:25.199
<v Speaker 1>television work, and that started in your forties. You're a

0:25:25.240 --> 0:25:28.840
<v Speaker 1>co host on Selling Houses Australia back in two thousand

0:25:28.840 --> 0:25:32.840
<v Speaker 1>and eight. What are your first memories of working in television?

0:25:32.880 --> 0:25:36.399
<v Speaker 1>But I suppose specifically about the chapter that that was

0:25:36.480 --> 0:25:39.119
<v Speaker 1>going to introduce you to in terms of bringing all

0:25:39.200 --> 0:25:44.040
<v Speaker 1>of those different skills, your design skills, your performing skills,

0:25:44.080 --> 0:25:47.479
<v Speaker 1>and bringing into this whole new genre of your career.

0:25:48.359 --> 0:25:53.400
<v Speaker 2>It's quite funny in the fact that you know, answered

0:25:53.400 --> 0:25:57.840
<v Speaker 2>and ad in a design newsletter, and I had done

0:25:58.240 --> 0:26:01.159
<v Speaker 2>a professional writing course as well before that because I

0:26:01.200 --> 0:26:05.440
<v Speaker 2>wanted to write books. And once I had that audition,

0:26:05.800 --> 0:26:09.240
<v Speaker 2>and you know, Sonya Harding, who was our EP the

0:26:09.280 --> 0:26:12.320
<v Speaker 2>whole time, the most amazing woman that gave me the chance,

0:26:12.560 --> 0:26:18.280
<v Speaker 2>and she wanted me mainly because I was the performer.

0:26:18.480 --> 0:26:21.760
<v Speaker 2>It wasn't about being a presenter. It was about the

0:26:21.760 --> 0:26:24.480
<v Speaker 2>fact I wasn't nervous to just put myself out there

0:26:24.560 --> 0:26:28.159
<v Speaker 2>and I had the design skills. So it was a

0:26:28.200 --> 0:26:33.560
<v Speaker 2>case of me feeling like, oh, this is where it

0:26:33.560 --> 0:26:36.680
<v Speaker 2>all comes together. Because we were writing our own lines,

0:26:36.880 --> 0:26:38.960
<v Speaker 2>we were writing what the story was going to be.

0:26:39.800 --> 0:26:43.879
<v Speaker 2>We were able to put together designs.

0:26:44.520 --> 0:26:46.359
<v Speaker 3>I was able to perform while I.

0:26:46.280 --> 0:26:50.240
<v Speaker 2>Was doing things, and they became little tutorials in the

0:26:50.359 --> 0:26:53.760
<v Speaker 2>end of how it was done. So I taught interior

0:26:53.840 --> 0:26:56.119
<v Speaker 2>design too, so it was like, oh, this is just

0:26:56.200 --> 0:26:57.920
<v Speaker 2>like teach so I used to teach that at tape.

0:26:58.359 --> 0:27:01.000
<v Speaker 2>So all these things came together and it was like

0:27:02.400 --> 0:27:04.000
<v Speaker 2>it was a case like. As I said, when I

0:27:04.000 --> 0:27:06.360
<v Speaker 2>stepped on that stage, you know, earlier in the year,

0:27:06.400 --> 0:27:09.600
<v Speaker 2>I felt like, oh, I'm back. I felt like that's

0:27:09.600 --> 0:27:13.199
<v Speaker 2>where I was always meant to be. And what I

0:27:13.240 --> 0:27:16.520
<v Speaker 2>don't think people understand is that when you do selling houses,

0:27:16.560 --> 0:27:19.080
<v Speaker 2>and even on the block, you're on a building site.

0:27:19.359 --> 0:27:21.960
<v Speaker 2>The only time you ever get glammed up is for

0:27:22.040 --> 0:27:24.840
<v Speaker 2>the promo shoot except the block.

0:27:24.880 --> 0:27:26.680
<v Speaker 3>You know, I get dressed up, have the best time

0:27:26.720 --> 0:27:27.000
<v Speaker 3>on that.

0:27:27.520 --> 0:27:30.560
<v Speaker 2>But selling houses was a building site and that's the

0:27:30.600 --> 0:27:33.919
<v Speaker 2>only way I ever saw it. And we would do

0:27:33.960 --> 0:27:36.720
<v Speaker 2>a couple of Foxtel events a year and we would

0:27:36.760 --> 0:27:39.520
<v Speaker 2>do a promo shoot. Other than that, it was eight

0:27:39.560 --> 0:27:42.879
<v Speaker 2>months of a hard grind of the most amazing team

0:27:43.080 --> 0:27:46.040
<v Speaker 2>and it was a family. And I have to say

0:27:46.160 --> 0:27:49.919
<v Speaker 2>those first few years, I felt like I was exactly

0:27:49.960 --> 0:27:51.720
<v Speaker 2>where I was meant to be. All the hardships of

0:27:51.760 --> 0:27:53.679
<v Speaker 2>trying to work out who I am and what I

0:27:53.920 --> 0:27:56.560
<v Speaker 2>was had come to this moment and I feel like

0:27:57.400 --> 0:27:59.760
<v Speaker 2>I have been growing and celebrating and being.

0:27:59.600 --> 0:28:01.560
<v Speaker 3>Grateful four ever since.

0:28:02.480 --> 0:28:04.800
<v Speaker 1>And then the Block, of course, so he started there

0:28:05.040 --> 0:28:07.760
<v Speaker 1>in twenty twelve. I mean, it's been one of the

0:28:07.800 --> 0:28:13.680
<v Speaker 1>most iconic shows on Australian television. So that also catapults

0:28:13.720 --> 0:28:19.160
<v Speaker 1>you to a whole other level of visibility and fame. Yeah,

0:28:19.200 --> 0:28:22.760
<v Speaker 1>how has that experience been this past twelve years?

0:28:23.200 --> 0:28:25.880
<v Speaker 2>I have to say that was weird to start with

0:28:26.040 --> 0:28:29.359
<v Speaker 2>because the Block was something that we all knew and

0:28:29.480 --> 0:28:32.320
<v Speaker 2>love and Scottie and you know, and it had come

0:28:32.359 --> 0:28:33.680
<v Speaker 2>to Melbourne, it was in Richmond.

0:28:33.800 --> 0:28:36.080
<v Speaker 3>It was like wow, And in my mind, I'm.

0:28:36.000 --> 0:28:37.840
<v Speaker 2>Thinking, oh, maybe I could go on the Block, you

0:28:37.840 --> 0:28:40.560
<v Speaker 2>know as a contestant. I'm like, why, Yes, that was

0:28:40.840 --> 0:28:42.560
<v Speaker 2>just in the back of my mind. I haven't really

0:28:42.560 --> 0:28:44.600
<v Speaker 2>said that much before, but that was sort of like, oh,

0:28:44.680 --> 0:28:48.440
<v Speaker 2>maybe I could, but I thought, I'm selling houses, I can't.

0:28:48.560 --> 0:28:51.760
<v Speaker 2>But I was in Alice Springs in the middle of nowhere.

0:28:51.800 --> 0:28:54.840
<v Speaker 2>We just finished an episode of Alice Springs and we

0:28:54.880 --> 0:28:56.800
<v Speaker 2>were just looking going for a hike a few of us,

0:28:56.840 --> 0:28:58.960
<v Speaker 2>you know, before we get on the plane and my

0:28:59.080 --> 0:29:03.239
<v Speaker 2>manager rang me in said, look, don't get excited. How

0:29:03.240 --> 0:29:05.000
<v Speaker 2>would you feel if you were a judge on the Block?

0:29:06.440 --> 0:29:09.000
<v Speaker 2>I mean in the middle of Red Earth in Alice Springs.

0:29:09.080 --> 0:29:11.360
<v Speaker 3>Go h yeah.

0:29:11.960 --> 0:29:14.640
<v Speaker 2>So I raced home on the Thursday. I had a

0:29:14.680 --> 0:29:17.800
<v Speaker 2>meeting on the Monday morning. Didn't realize I'm walking up

0:29:17.800 --> 0:29:22.320
<v Speaker 2>the stairs with the EP Julian Cress and the marketing

0:29:22.440 --> 0:29:26.720
<v Speaker 2>you know, marketing manager Sarah, and it was Sarah Armstrong

0:29:26.760 --> 0:29:27.880
<v Speaker 2>and we're chatting up the.

0:29:27.840 --> 0:29:28.840
<v Speaker 3>Way, blah blah blah.

0:29:28.840 --> 0:29:30.280
<v Speaker 2>And we get there and we sit on the desk

0:29:30.320 --> 0:29:32.000
<v Speaker 2>and all of a sudden, Oh my god, they're in

0:29:32.000 --> 0:29:34.720
<v Speaker 2>the room with me. And then I realized it's them,

0:29:35.360 --> 0:29:37.160
<v Speaker 2>and my manager walks in and they know each other.

0:29:37.240 --> 0:29:39.560
<v Speaker 2>I'm standing going, I don't even know what's happening, but

0:29:39.600 --> 0:29:41.160
<v Speaker 2>I'm having a meeting and I have to fly out

0:29:41.160 --> 0:29:45.280
<v Speaker 2>tonight to our next another episode. And they proceeded to

0:29:45.280 --> 0:29:46.760
<v Speaker 2>tell me how great it would be to have a

0:29:46.800 --> 0:29:50.719
<v Speaker 2>female judge on the Block. And I'm sitting there going, oh,

0:29:50.760 --> 0:29:52.880
<v Speaker 2>they're selling it to me. I'm not selling it to them.

0:29:53.800 --> 0:29:56.880
<v Speaker 2>And it was this that's possibly one of the most

0:29:56.880 --> 0:30:00.960
<v Speaker 2>bizarre moments in my TV career, the fact that they

0:30:01.000 --> 0:30:04.520
<v Speaker 2>had come to tell me that they wanted me to

0:30:04.520 --> 0:30:06.400
<v Speaker 2>be on the show, not for me to tell them

0:30:06.600 --> 0:30:11.880
<v Speaker 2>and beg for one of these amazing opportunities. So two moments,

0:30:11.960 --> 0:30:15.040
<v Speaker 2>you know, the one with Sonya Harding picking up the

0:30:15.080 --> 0:30:18.000
<v Speaker 2>phone when I answered that ad, and then sitting at

0:30:18.000 --> 0:30:21.520
<v Speaker 2>the table with Jules and Sarah, they were life changing

0:30:21.560 --> 0:30:24.640
<v Speaker 2>moments to me. More than being on a set or

0:30:24.680 --> 0:30:27.480
<v Speaker 2>being on a photoshoot, being at the logis those two

0:30:27.480 --> 0:30:31.440
<v Speaker 2>moments where these people believed in me, and they believed

0:30:31.440 --> 0:30:31.720
<v Speaker 2>in me.

0:30:31.720 --> 0:30:32.960
<v Speaker 3>Because of the work that I did.

0:30:33.360 --> 0:30:36.680
<v Speaker 2>They didn't believe in me because they saw something that

0:30:36.720 --> 0:30:40.320
<v Speaker 2>could be molded. They wanted me because of me. And

0:30:40.480 --> 0:30:43.240
<v Speaker 2>that goes right back to what I was saying to

0:30:43.240 --> 0:30:45.440
<v Speaker 2>you at the beginning, that I was at that stage

0:30:45.440 --> 0:30:48.200
<v Speaker 2>in my life where I believed in myself and I

0:30:48.240 --> 0:30:51.040
<v Speaker 2>didn't need validation because I knew what I was doing

0:30:51.560 --> 0:30:54.239
<v Speaker 2>made me happy and I was good at it, and

0:30:54.280 --> 0:30:57.080
<v Speaker 2>I was good at it because I loved it. And

0:30:57.520 --> 0:30:59.920
<v Speaker 2>I think that's the moment when you realize that they're

0:31:00.080 --> 0:31:02.840
<v Speaker 2>the life changing moments that you can saw because you've

0:31:02.840 --> 0:31:06.000
<v Speaker 2>got in there without any falsehoods of who you are

0:31:06.000 --> 0:31:06.440
<v Speaker 2>and what you.

0:31:06.440 --> 0:31:09.400
<v Speaker 1>Do, and even all those times where you would never

0:31:09.480 --> 0:31:13.240
<v Speaker 1>have foreseen that all of these different skills you're developing

0:31:14.080 --> 0:31:16.520
<v Speaker 1>that one day they're going to lead to these certain

0:31:16.520 --> 0:31:19.680
<v Speaker 1>moments where you're like, Wow, I've got this really unique set.

0:31:19.880 --> 0:31:23.080
<v Speaker 1>Did you ever tell them that you had even considered

0:31:23.120 --> 0:31:26.040
<v Speaker 1>maybe applying to be a contestant on the show?

0:31:26.640 --> 0:31:28.640
<v Speaker 3>I think I've showed them this podcast because I've never

0:31:28.720 --> 0:31:29.160
<v Speaker 3>shared that.

0:31:30.680 --> 0:31:34.840
<v Speaker 1>Oh, thank you for opening up about that. Obviously everything

0:31:34.880 --> 0:31:37.680
<v Speaker 1>worked out exactly how it was meant to be because you,

0:31:37.800 --> 0:31:39.600
<v Speaker 1>as I say, have been a judge on the show,

0:31:39.640 --> 0:31:43.000
<v Speaker 1>and it's hard to imagine the show without you. There's

0:31:43.400 --> 0:31:46.240
<v Speaker 1>was talk early this year, late last year that you're leaving.

0:31:46.480 --> 0:31:49.960
<v Speaker 1>You're not anything to anyone that's panicking that there's going

0:31:50.000 --> 0:31:52.560
<v Speaker 1>to be the Block minus shanea Blaze in future.

0:31:53.360 --> 0:31:56.200
<v Speaker 3>No, I love it. I just it is a family.

0:31:56.280 --> 0:31:56.440
<v Speaker 3>You know.

0:31:56.480 --> 0:31:58.920
<v Speaker 2>I'm so lucky with two shows of selling houses on

0:31:58.960 --> 0:32:00.960
<v Speaker 2>the Block that we were a fan family the whole time.

0:32:01.280 --> 0:32:04.520
<v Speaker 2>We supported each other through all the hardships of what

0:32:04.560 --> 0:32:06.720
<v Speaker 2>you do on these shows. You know, they're not easy,

0:32:07.440 --> 0:32:11.560
<v Speaker 2>and I absolutely love it. And each week I go

0:32:11.640 --> 0:32:14.080
<v Speaker 2>in there, I go there with excitement, going, Wow, what

0:32:14.240 --> 0:32:16.440
<v Speaker 2>is going to happen? Because we don't know what goes

0:32:16.440 --> 0:32:18.520
<v Speaker 2>on during the week. We don't see anything. We don't

0:32:18.560 --> 0:32:20.760
<v Speaker 2>know any of the dramasun till we see it on TV.

0:32:21.440 --> 0:32:23.000
<v Speaker 2>And that's why I love it so much because I'm

0:32:23.000 --> 0:32:24.840
<v Speaker 2>not caught up in any of that. I'm caught up

0:32:24.880 --> 0:32:29.360
<v Speaker 2>in the rawness of these people that have created a

0:32:29.400 --> 0:32:33.000
<v Speaker 2>miracle every week. They've thrown themselves in with no sleep,

0:32:33.360 --> 0:32:37.719
<v Speaker 2>lack of budget, lack of ideas and producing something that

0:32:38.120 --> 0:32:42.120
<v Speaker 2>is phenomenal. And you know, they don't just do it

0:32:42.160 --> 0:32:44.240
<v Speaker 2>by themselves. They have an amazing build team, they have

0:32:44.360 --> 0:32:49.080
<v Speaker 2>amazing sponsors, they have amazing producers. There's runners behind making

0:32:49.160 --> 0:32:51.840
<v Speaker 2>toasties to make sure that they're eating. You know, there's

0:32:51.880 --> 0:32:54.360
<v Speaker 2>all those things that are happening. So it's not just

0:32:54.400 --> 0:32:59.440
<v Speaker 2>a machine. It's a beautiful family of you know, I'm

0:32:59.440 --> 0:33:02.040
<v Speaker 2>not going to joy, but it's a family that brings

0:33:02.080 --> 0:33:06.120
<v Speaker 2>something together that makes it so successful now because everybody

0:33:06.160 --> 0:33:10.120
<v Speaker 2>in there really cares. And you know, anybody that's in

0:33:10.240 --> 0:33:12.040
<v Speaker 2>being able to work on the block will be able

0:33:12.080 --> 0:33:12.600
<v Speaker 2>to tell you.

0:33:12.520 --> 0:33:16.840
<v Speaker 1>That you're also a homes columnist to Estella and have

0:33:17.000 --> 0:33:19.320
<v Speaker 1>been for about four years now.

0:33:19.800 --> 0:33:21.560
<v Speaker 3>Wanted to ask if people.

0:33:21.320 --> 0:33:24.880
<v Speaker 1>Approaching you, is there something in particular that they want

0:33:24.920 --> 0:33:29.400
<v Speaker 1>to ask about with your professional design hat on? Is

0:33:29.440 --> 0:33:33.320
<v Speaker 1>it bathrooms, kitchens? I mean for me, I really always

0:33:33.400 --> 0:33:36.840
<v Speaker 1>love when you write about storage solutions because I'm like, great,

0:33:37.320 --> 0:33:40.040
<v Speaker 1>the amount of like storage hacks I've picked up from you.

0:33:40.120 --> 0:33:43.440
<v Speaker 3>Over there, there's one of those just about to come up, brilliant,

0:33:43.560 --> 0:33:43.920
<v Speaker 3>love it.

0:33:44.000 --> 0:33:45.280
<v Speaker 1>Okay, watch this space.

0:33:46.640 --> 0:33:46.880
<v Speaker 3>Wow.

0:33:47.160 --> 0:33:49.640
<v Speaker 2>You know it used to be at the beginning, it

0:33:49.720 --> 0:33:50.640
<v Speaker 2>used to be about color.

0:33:51.080 --> 0:33:52.960
<v Speaker 3>You know, what color do I paint this? What's the

0:33:53.040 --> 0:33:54.000
<v Speaker 3>right white? What's there?

0:33:54.120 --> 0:33:57.160
<v Speaker 2>And I keep you know, I tell people it depends

0:33:57.160 --> 0:33:59.719
<v Speaker 2>on the light. It depends what it's reflecting. It depends

0:33:59.720 --> 0:34:01.840
<v Speaker 2>with that it's cool, whether it's got yellow. It's just

0:34:01.920 --> 0:34:04.760
<v Speaker 2>picking the right paint color is hard. It's not easy.

0:34:04.800 --> 0:34:06.680
<v Speaker 2>So I would say, if you don't know, get a

0:34:06.720 --> 0:34:09.800
<v Speaker 2>color consultant, because I can't tell from your iPad because

0:34:09.840 --> 0:34:12.759
<v Speaker 2>that's got a blue light underneath, you know what I mean.

0:34:13.200 --> 0:34:15.600
<v Speaker 2>So there's all those sorts of things. Color is definitely

0:34:15.680 --> 0:34:19.200
<v Speaker 2>something storage. I think people tell me how proud they

0:34:19.239 --> 0:34:21.880
<v Speaker 2>are of their storage. They don't ask for the solution.

0:34:21.960 --> 0:34:23.960
<v Speaker 3>They want to show they wouldn't boast about it.

0:34:24.000 --> 0:34:27.640
<v Speaker 2>Okay, that makes me very happy. And then there's a

0:34:27.680 --> 0:34:29.719
<v Speaker 2>lot of husbands that want to tell me how I've

0:34:29.800 --> 0:34:32.640
<v Speaker 2>ruined their life because their bid has twelve cushions, And

0:34:32.719 --> 0:34:35.560
<v Speaker 2>I say to them, where have I ever given advice

0:34:35.600 --> 0:34:38.040
<v Speaker 2>that you need twelve cushions? You need to take that

0:34:38.160 --> 0:34:40.640
<v Speaker 2>up with your wife and power to her. So there's

0:34:40.640 --> 0:34:45.080
<v Speaker 2>those sorts of moments. So a lot of people aren't

0:34:45.120 --> 0:34:49.200
<v Speaker 2>really asking me for advice anymore. They're actually telling me

0:34:49.480 --> 0:34:52.359
<v Speaker 2>how much what I've been able to do has empowered them.

0:34:52.480 --> 0:34:53.920
<v Speaker 2>But you know what, the great thing is at the

0:34:53.920 --> 0:34:57.520
<v Speaker 2>moment that I have kids coming up and telling me

0:34:58.239 --> 0:34:59.000
<v Speaker 2>what they think.

0:34:59.200 --> 0:35:00.759
<v Speaker 3>Well, I'm not sure about this.

0:35:00.880 --> 0:35:02.560
<v Speaker 2>What about you know, I think they should have done this,

0:35:02.880 --> 0:35:05.920
<v Speaker 2>and kids solving it because they are so immersed and

0:35:05.960 --> 0:35:08.600
<v Speaker 2>they're not afraid to look at mistakes. And I look

0:35:08.640 --> 0:35:11.080
<v Speaker 2>at them and I go, oh, that was me. And

0:35:11.239 --> 0:35:13.680
<v Speaker 2>you could be anything and go anywhere and believe it.

0:35:13.719 --> 0:35:16.319
<v Speaker 2>But get solutions and don't just say it off the

0:35:16.320 --> 0:35:17.839
<v Speaker 2>top of your head. If this is what you want

0:35:17.880 --> 0:35:21.759
<v Speaker 2>to do, go down the rabbit hole, be curious, make

0:35:21.800 --> 0:35:24.479
<v Speaker 2>sure things work and functional, you know, learn the rules

0:35:24.480 --> 0:35:28.000
<v Speaker 2>before you break them. And so there's all these savvy,

0:35:28.040 --> 0:35:32.720
<v Speaker 2>savvy kids that you know, we're going to have amazing houses.

0:35:32.719 --> 0:35:35.319
<v Speaker 2>But I'm hoping those savvy kids will also look at,

0:35:35.520 --> 0:35:41.600
<v Speaker 2>you know, sustainability and design solutions for multigenerational So all

0:35:41.600 --> 0:35:45.319
<v Speaker 2>these bits and things that are coming through, and I

0:35:45.360 --> 0:35:48.160
<v Speaker 2>feel like I love the fact people are sharing with

0:35:48.239 --> 0:35:51.319
<v Speaker 2>me what they have done, because what they've learnt, and

0:35:52.120 --> 0:35:53.720
<v Speaker 2>you just go, oh, my job's done.

0:35:54.000 --> 0:35:57.640
<v Speaker 1>And it's that emblematic that it's a real relationship. So

0:35:57.800 --> 0:36:00.400
<v Speaker 1>they see you through the screen or the page, however,

0:36:00.400 --> 0:36:03.680
<v Speaker 1>they're interacting with you, and for them it's a two

0:36:03.760 --> 0:36:07.239
<v Speaker 1>way street, which is very lovely. You've also used your

0:36:07.239 --> 0:36:11.520
<v Speaker 1>profile over the years on very substantial and serious issues.

0:36:11.560 --> 0:36:14.600
<v Speaker 1>You've just talked about some of the sustainability issues for instance.

0:36:14.640 --> 0:36:20.160
<v Speaker 1>But a slight gear change though, about amplifying the voices

0:36:20.200 --> 0:36:24.000
<v Speaker 1>of survivors of particularly violence against women, which has been

0:36:24.920 --> 0:36:28.360
<v Speaker 1>a really big issue in this country and I think

0:36:28.520 --> 0:36:31.280
<v Speaker 1>finally is starting to get some of the mainstream attention

0:36:31.520 --> 0:36:35.200
<v Speaker 1>that it deserves. You have a charity, Voice of Change

0:36:35.239 --> 0:36:39.120
<v Speaker 1>that's founded to amplify the voices of survivors. Regular listeners

0:36:39.120 --> 0:36:41.680
<v Speaker 1>are something to talk about. No, this is an issue

0:36:41.719 --> 0:36:46.520
<v Speaker 1>close to our heart here, Shana, you are a survivor

0:36:46.680 --> 0:36:51.279
<v Speaker 1>of violence in a relationship, but also you had an

0:36:51.280 --> 0:36:53.560
<v Speaker 1>incident a couple of years ago that actually went to

0:36:53.600 --> 0:36:58.040
<v Speaker 1>court where you were assaulted by a stranger. Can I

0:36:58.040 --> 0:37:01.800
<v Speaker 1>ask you a little bit about why you have chosen

0:37:02.040 --> 0:37:04.879
<v Speaker 1>to be so generous and brave? Which is a word

0:37:04.920 --> 0:37:07.520
<v Speaker 1>we overuse, but it's very much the word when a

0:37:07.560 --> 0:37:08.799
<v Speaker 1>survivor speaks up.

0:37:09.280 --> 0:37:11.040
<v Speaker 3>And have you started to.

0:37:11.000 --> 0:37:14.440
<v Speaker 1>Feel a little gratified or hopeful or maybe not at

0:37:14.480 --> 0:37:17.040
<v Speaker 1>all about if there's any progress we're making.

0:37:17.400 --> 0:37:19.279
<v Speaker 3>There's a lot in there. There really is a lot

0:37:19.280 --> 0:37:19.640
<v Speaker 3>in there.

0:37:19.920 --> 0:37:22.680
<v Speaker 2>And I think the thing is the big thing I'm

0:37:22.760 --> 0:37:25.799
<v Speaker 2>ungrateful for is that the change is that we are

0:37:25.880 --> 0:37:28.279
<v Speaker 2>talking about it. Five years ago, we never would have

0:37:28.320 --> 0:37:31.920
<v Speaker 2>had this conversation. Even when I was on Celebrity Prentice

0:37:31.920 --> 0:37:36.120
<v Speaker 2>and I won, the media didn't know how to use it,

0:37:36.880 --> 0:37:41.480
<v Speaker 2>and they utilized the and they were brave in saying that,

0:37:41.520 --> 0:37:43.640
<v Speaker 2>you know, I won the money for this charity Voice

0:37:43.640 --> 0:37:46.160
<v Speaker 2>of Change, in the fact we're talking about family and

0:37:46.160 --> 0:37:50.600
<v Speaker 2>domestic violence, and some of the interviewers didn't know how

0:37:50.640 --> 0:37:54.680
<v Speaker 2>to treat that, and it was dismissed a little bit,

0:37:54.760 --> 0:37:57.120
<v Speaker 2>and it was only because it was uncomfortable. It wasn't

0:37:57.160 --> 0:37:58.799
<v Speaker 2>because they didn't want to talk about it. It's like,

0:37:58.800 --> 0:38:01.880
<v Speaker 2>how do we talk about in the public without people

0:38:01.920 --> 0:38:05.319
<v Speaker 2>turning off? So I think I'm very grateful for what

0:38:05.360 --> 0:38:07.319
<v Speaker 2>has happened in the past few years in the fact

0:38:07.360 --> 0:38:10.200
<v Speaker 2>that we are talking about it now. For some reason,

0:38:10.400 --> 0:38:14.120
<v Speaker 2>it is worse. The numbers of not just the deaths

0:38:14.120 --> 0:38:17.480
<v Speaker 2>of women and children, it is the abuse that's going

0:38:17.520 --> 0:38:21.680
<v Speaker 2>on is quite frightening. And that is a big societal

0:38:21.840 --> 0:38:23.640
<v Speaker 2>change that we have to do, and that's something that

0:38:23.719 --> 0:38:26.000
<v Speaker 2>voice of change. We've stepped back a little bit so

0:38:26.040 --> 0:38:29.640
<v Speaker 2>that we can help help with help work with other

0:38:29.840 --> 0:38:31.759
<v Speaker 2>companies that are trying to do the same thing, so

0:38:31.800 --> 0:38:34.319
<v Speaker 2>we can make change. So if people are looking at

0:38:34.320 --> 0:38:37.120
<v Speaker 2>what we're doing, it looks a bit quiet, but it

0:38:37.160 --> 0:38:40.200
<v Speaker 2>really is because we need to come out as a strength,

0:38:40.520 --> 0:38:42.960
<v Speaker 2>a voice. Because the government has put a lot of

0:38:42.960 --> 0:38:47.440
<v Speaker 2>money into making change of you know, stamping out family

0:38:47.440 --> 0:38:52.239
<v Speaker 2>and domestic violence by twenty thirty this generation, we're not

0:38:52.280 --> 0:38:54.160
<v Speaker 2>looking good for that one. So what do we do.

0:38:54.360 --> 0:38:58.279
<v Speaker 2>We can't bury our heads. It's a societal change and

0:38:58.400 --> 0:39:00.479
<v Speaker 2>one of the big things is that you know, we're

0:39:00.480 --> 0:39:03.799
<v Speaker 2>women talking about things that are happening to women. So

0:39:03.840 --> 0:39:06.920
<v Speaker 2>we are talking with men about how they can be

0:39:07.520 --> 0:39:11.520
<v Speaker 2>the solution to the problem because most of the violence.

0:39:11.719 --> 0:39:14.879
<v Speaker 2>You know, yes, somebody will say, but women do too,

0:39:15.040 --> 0:39:18.280
<v Speaker 2>Yes they do. But if you look at the violence

0:39:18.480 --> 0:39:22.440
<v Speaker 2>against anybody, men against men, and men against women and

0:39:22.480 --> 0:39:26.879
<v Speaker 2>men against children, it is right up there. So we

0:39:26.960 --> 0:39:30.279
<v Speaker 2>need the men that say it's not all men to

0:39:30.320 --> 0:39:33.440
<v Speaker 2>come together and be our alt allies and be the solution.

0:39:33.800 --> 0:39:36.120
<v Speaker 2>So we need that round table of women not talking

0:39:36.160 --> 0:39:38.319
<v Speaker 2>about it. We need that round table of not men

0:39:38.400 --> 0:39:40.880
<v Speaker 2>talking about it. We need that round table of women

0:39:40.920 --> 0:39:45.000
<v Speaker 2>and men coming together as a society with cultural shifts

0:39:45.040 --> 0:39:47.080
<v Speaker 2>in how we talk to each other in the community,

0:39:47.360 --> 0:39:51.160
<v Speaker 2>on social media, in our corporations, and it is a

0:39:51.200 --> 0:39:55.120
<v Speaker 2>case of not putting up with bad patterns of behavior

0:39:55.320 --> 0:39:57.840
<v Speaker 2>and just really simple things of calling people out in

0:39:57.920 --> 0:40:01.160
<v Speaker 2>bad patterns of behavior of hey, you speak to somebody

0:40:01.239 --> 0:40:02.840
<v Speaker 2>or how they speak about their partner.

0:40:03.560 --> 0:40:05.200
<v Speaker 3>We've accepted.

0:40:06.239 --> 0:40:10.200
<v Speaker 2>Hate for so long and since COVID and Trump our

0:40:10.280 --> 0:40:13.040
<v Speaker 2>hate and please don't write to me about Trump because

0:40:13.320 --> 0:40:14.520
<v Speaker 2>it's just a hate speech.

0:40:14.800 --> 0:40:16.080
<v Speaker 3>It's not a political thing.

0:40:16.600 --> 0:40:21.120
<v Speaker 2>So we have accepted hate towards a fellow people. The

0:40:21.200 --> 0:40:24.160
<v Speaker 2>lack of empathy, the lack of kindness, the lack of

0:40:24.320 --> 0:40:28.400
<v Speaker 2>compassion is a real problem in our society that allows

0:40:28.760 --> 0:40:31.680
<v Speaker 2>people to get away with treating people badly, and that's

0:40:31.680 --> 0:40:32.640
<v Speaker 2>what we have to change.

0:40:33.960 --> 0:40:35.920
<v Speaker 1>So a beautiful answer, and I know it was a

0:40:35.960 --> 0:40:38.960
<v Speaker 1>really big question, and thank you so much for distilling

0:40:39.040 --> 0:40:42.040
<v Speaker 1>so much information and I think really important.

0:40:42.160 --> 0:40:45.120
<v Speaker 2>Powerful message is it is and we all have something

0:40:45.160 --> 0:40:48.920
<v Speaker 2>to do, from the kids to the grandparents to everybody

0:40:48.920 --> 0:40:49.520
<v Speaker 2>in between.

0:40:49.719 --> 0:40:54.120
<v Speaker 3>It's not just a generation. It's everybody's business.

0:40:54.480 --> 0:40:57.600
<v Speaker 1>I can't finish up without asking you about your family.

0:40:57.680 --> 0:41:01.600
<v Speaker 1>You have mentioned your children, Jesse and Carlor, and you're

0:41:01.600 --> 0:41:02.560
<v Speaker 1>also the grandmother.

0:41:02.840 --> 0:41:05.520
<v Speaker 3>Well, no, I'm a gg. I can't say that word.

0:41:05.520 --> 0:41:07.200
<v Speaker 3>I can't be thirty six with that word, and.

0:41:07.200 --> 0:41:13.160
<v Speaker 1>I know at thirty six you're a gg GG. How's

0:41:13.200 --> 0:41:17.520
<v Speaker 1>that experience being again on another huge question, but obviously

0:41:17.640 --> 0:41:22.600
<v Speaker 1>you've talked about, you know, the joy and the challenge,

0:41:22.600 --> 0:41:24.879
<v Speaker 1>and there's only so much that even a big pair

0:41:24.920 --> 0:41:28.960
<v Speaker 1>of shoulder heads and buffer you from Shana on being

0:41:29.080 --> 0:41:31.880
<v Speaker 1>a mom and a single mom and a working single mom,

0:41:32.040 --> 0:41:34.680
<v Speaker 1>how's experience of being.

0:41:34.400 --> 0:41:36.640
<v Speaker 2>A Gg, Oh, can I tell you as you say,

0:41:36.719 --> 0:41:40.879
<v Speaker 2>my chest is so tight because I just, oh, it's

0:41:40.880 --> 0:41:42.680
<v Speaker 2>about the only thing makes me weepy at the moment.

0:41:43.040 --> 0:41:45.600
<v Speaker 2>I have so much pride and so much love, and

0:41:46.480 --> 0:41:51.080
<v Speaker 2>you know, to when my son and daughter in law

0:41:51.120 --> 0:41:53.040
<v Speaker 2>told me they were pregnant was probably one of my

0:41:53.080 --> 0:41:56.440
<v Speaker 2>happiest moments. And you know, as a family, we were

0:41:56.440 --> 0:41:59.560
<v Speaker 2>going through a pretty tough time and to have this

0:41:59.600 --> 0:42:03.960
<v Speaker 2>little babe be our symbol of joy in our family

0:42:04.160 --> 0:42:07.320
<v Speaker 2>was just the most amazing thing. And so little Olive,

0:42:07.320 --> 0:42:11.920
<v Speaker 2>who was on Country Home Rescue, she became our little

0:42:12.000 --> 0:42:15.560
<v Speaker 2>unit that brought us all back together. And she's just

0:42:15.719 --> 0:42:17.719
<v Speaker 2>the lart of my life. And now we've got little

0:42:17.800 --> 0:42:20.719
<v Speaker 2>Darcy as well. My son's had a little boy too

0:42:20.760 --> 0:42:24.399
<v Speaker 2>in the meantime. And to have these two grandchildren call

0:42:24.440 --> 0:42:26.920
<v Speaker 2>me Gg, their eyes light up when they see me

0:42:27.640 --> 0:42:30.400
<v Speaker 2>more Darcy than all of Old's a bit, you know, shy,

0:42:30.760 --> 0:42:35.239
<v Speaker 2>but it's just it's just the most I just don't know.

0:42:35.280 --> 0:42:37.120
<v Speaker 2>And then you sit back and you watch your your

0:42:37.120 --> 0:42:40.000
<v Speaker 2>son be a parent and do it so well, and

0:42:40.000 --> 0:42:43.239
<v Speaker 2>the fact that he has made his own way as

0:42:43.280 --> 0:42:46.880
<v Speaker 2>a father and he's got the most amazing partner and

0:42:46.920 --> 0:42:50.719
<v Speaker 2>they have an equal relationship, and so I sit back

0:42:50.760 --> 0:42:51.320
<v Speaker 2>and go.

0:42:51.239 --> 0:42:55.000
<v Speaker 3>Wow, my job is done in a really beautiful way.

0:42:55.040 --> 0:42:57.640
<v Speaker 2>And so now I get to enjoy it and to

0:42:57.719 --> 0:43:00.160
<v Speaker 2>see their equal partnership and when they have problems as

0:43:00.200 --> 0:43:03.040
<v Speaker 2>they work it out. So it's not just the grandchildren,

0:43:03.080 --> 0:43:07.640
<v Speaker 2>it's watching them as parents navigate this new world and

0:43:07.800 --> 0:43:11.239
<v Speaker 2>share it. And they're not doing it because I told them.

0:43:11.680 --> 0:43:12.279
<v Speaker 3>They're doing it.

0:43:12.239 --> 0:43:15.040
<v Speaker 2>Because they believe it, and that's who they are as people.

0:43:15.160 --> 0:43:17.279
<v Speaker 2>And it's a beautiful generation. And now they have a

0:43:17.280 --> 0:43:20.439
<v Speaker 2>little girl and a boy that they're becoming these incredible

0:43:20.560 --> 0:43:24.399
<v Speaker 2>role models too, and it's amazing, it really is.

0:43:24.800 --> 0:43:27.279
<v Speaker 1>It is amazing and really hopeful. Especially I think with

0:43:27.320 --> 0:43:31.520
<v Speaker 1>our previous topic, it's about, you know, involving men and

0:43:31.560 --> 0:43:34.960
<v Speaker 1>everyone in the conversation and how we as a society

0:43:35.000 --> 0:43:39.200
<v Speaker 1>in a country do progress forward with every generation. You

0:43:39.280 --> 0:43:42.000
<v Speaker 1>may tell me to bud out here, that's okay. By

0:43:42.040 --> 0:43:46.680
<v Speaker 1>the way, you don't like to talk about your personal

0:43:46.680 --> 0:43:50.799
<v Speaker 1>life in terms of romantic life, but anything that you

0:43:50.840 --> 0:43:54.200
<v Speaker 1>would like to share or just even more broadly about

0:43:54.239 --> 0:43:57.799
<v Speaker 1>the experience of dating in your early sixties.

0:43:58.920 --> 0:44:00.800
<v Speaker 3>I haven't even got to the earl bit yourself.

0:44:02.760 --> 0:44:07.000
<v Speaker 2>Look, I think I think for me, you know, the

0:44:07.160 --> 0:44:09.720
<v Speaker 2>LT I am as much as I'm in the public,

0:44:09.760 --> 0:44:13.279
<v Speaker 2>I am a really private person and I've never really

0:44:13.320 --> 0:44:16.880
<v Speaker 2>put my personal life on any immediate platforms, and I

0:44:16.920 --> 0:44:18.799
<v Speaker 2>don't talk about in that way. And I like to

0:44:18.880 --> 0:44:21.839
<v Speaker 2>keep with that because it's for me. You know, our

0:44:21.840 --> 0:44:24.120
<v Speaker 2>little conversations and who we are and what we do

0:44:24.320 --> 0:44:26.920
<v Speaker 2>is so important, and you know, I think we've got

0:44:27.000 --> 0:44:28.719
<v Speaker 2>to learn to you know, we can give and give

0:44:28.760 --> 0:44:31.200
<v Speaker 2>as much as we can of ourselves, but we've got

0:44:31.200 --> 0:44:34.040
<v Speaker 2>to hold those little parts private. And I think that

0:44:34.239 --> 0:44:36.879
<v Speaker 2>is the hardest part of you know, when you're looking

0:44:36.920 --> 0:44:39.640
<v Speaker 2>at dating, when you're in the public eye, is that

0:44:40.440 --> 0:44:42.799
<v Speaker 2>you're exposing yourself in a way that you shouldn't have

0:44:42.880 --> 0:44:45.120
<v Speaker 2>to because well, what if that person talks and what

0:44:45.160 --> 0:44:46.160
<v Speaker 2>if that person does this?

0:44:46.320 --> 0:44:49.280
<v Speaker 3>And so it is. It is a bit of a tricky.

0:44:48.960 --> 0:44:51.719
<v Speaker 2>Thing for me. It's not an age thing. I think

0:44:51.760 --> 0:44:57.720
<v Speaker 2>it's that vulnerability of the public knowing your private life,

0:44:57.719 --> 0:45:00.399
<v Speaker 2>and that's something I've always guarded private les so when

0:45:00.600 --> 0:45:05.600
<v Speaker 2>I have been invaded without my permission, I find really

0:45:05.719 --> 0:45:10.080
<v Speaker 2>quite distressing. So I think that's that that, you know,

0:45:10.120 --> 0:45:13.000
<v Speaker 2>that's why why I like to keep it private because

0:45:13.000 --> 0:45:15.799
<v Speaker 2>it's more of a case of you know that you

0:45:15.840 --> 0:45:18.920
<v Speaker 2>should be allowed to say this is my private life,

0:45:19.200 --> 0:45:20.359
<v Speaker 2>and people respect that.

0:45:20.600 --> 0:45:24.160
<v Speaker 3>And I'm not saying that you're asking that it is.

0:45:24.360 --> 0:45:27.320
<v Speaker 2>It is one of those things that those little nuances

0:45:28.280 --> 0:45:32.040
<v Speaker 2>are mine should be mine in a great way. And

0:45:32.560 --> 0:45:37.920
<v Speaker 2>I think dating at the moment, and I'm seeing, you know,

0:45:37.960 --> 0:45:41.920
<v Speaker 2>the age of like people my age are dating people younger.

0:45:43.239 --> 0:45:45.600
<v Speaker 2>I don't know about who you speak to or whatever,

0:45:45.640 --> 0:45:49.000
<v Speaker 2>but I think we're in that world of the crash

0:45:49.040 --> 0:45:53.360
<v Speaker 2>of online dating because no one is to be believed anymore.

0:45:53.640 --> 0:45:57.200
<v Speaker 3>And I think meeting somebody online.

0:45:56.960 --> 0:46:00.399
<v Speaker 2>Used to be a really beautiful solution, but again, there's

0:46:00.440 --> 0:46:02.880
<v Speaker 2>so much deception going on that I don't think anyone

0:46:02.880 --> 0:46:06.640
<v Speaker 2>believes anybody anymore. So I feel like the world of

0:46:06.760 --> 0:46:10.279
<v Speaker 2>face to face is the way to go. And you know,

0:46:10.360 --> 0:46:13.200
<v Speaker 2>how nice would it be to meet somebody at a restaurant,

0:46:13.320 --> 0:46:15.120
<v Speaker 2>or meet someone at a bar, or go to a

0:46:15.160 --> 0:46:18.359
<v Speaker 2>party and meet somebody how we used to do it

0:46:19.600 --> 0:46:22.240
<v Speaker 2>in the fact that you can actually be around people

0:46:22.320 --> 0:46:24.480
<v Speaker 2>that maybe are a few of their friends are around them,

0:46:24.520 --> 0:46:26.160
<v Speaker 2>so you sort of, oh, they're the sort of people

0:46:26.200 --> 0:46:29.000
<v Speaker 2>there with that, you know, it's not sort of sneaking

0:46:29.080 --> 0:46:32.520
<v Speaker 2>around corners and sneaking around back alleys and so it's

0:46:32.560 --> 0:46:33.800
<v Speaker 2>you know, if you choose to do that, I have

0:46:33.880 --> 0:46:38.440
<v Speaker 2>no problem, but I just I just feel the world

0:46:38.440 --> 0:46:42.480
<v Speaker 2>of dating online is such a dark, cloak and dagger

0:46:42.560 --> 0:46:46.080
<v Speaker 2>experience that I've never gone down that road because I

0:46:46.080 --> 0:46:47.000
<v Speaker 2>don't trust them.

0:46:48.440 --> 0:46:50.879
<v Speaker 1>I completely agree, and you do hear like a lot

0:46:50.920 --> 0:46:54.000
<v Speaker 1>of bad story, yeah about. You know, I just think

0:46:54.040 --> 0:46:56.880
<v Speaker 1>all data online is a little bit problematic at the moment,

0:46:56.960 --> 0:46:59.440
<v Speaker 1>isn't it. So anything that you're going out on the

0:46:59.520 --> 0:47:02.239
<v Speaker 1>leem or fear vulnerable with I should clarify as I

0:47:02.239 --> 0:47:06.160
<v Speaker 1>ask my final question, Shana did only turn sixty last year,

0:47:06.200 --> 0:47:08.840
<v Speaker 1>so I definitely shouldn't be rounding up to early sixties.

0:47:08.840 --> 0:47:09.960
<v Speaker 1>Sorry about That's like, I'm.

0:47:10.200 --> 0:47:12.480
<v Speaker 3>Yeah, break, I'm thirty six, and you make you turn

0:47:12.520 --> 0:47:13.359
<v Speaker 3>on the numbers.

0:47:13.040 --> 0:47:15.319
<v Speaker 1>Around as a fellow thirty six year old woman. I mean,

0:47:15.360 --> 0:47:19.160
<v Speaker 1>so when my sons call me a boomer, I mean,

0:47:19.160 --> 0:47:23.000
<v Speaker 1>that's great, labor love boomers, but I'm like, I'm not

0:47:23.160 --> 0:47:25.960
<v Speaker 1>a boomer. Like it's just this rounding up things like

0:47:26.040 --> 0:47:29.560
<v Speaker 1>come on, kids, you know, I'm like, oh, by cusp,

0:47:29.600 --> 0:47:32.560
<v Speaker 1>of millennial or Gen X down slightly.

0:47:32.600 --> 0:47:34.719
<v Speaker 3>But you know what I'm saying. I know exactly what

0:47:34.840 --> 0:47:35.200
<v Speaker 3>you say.

0:47:35.760 --> 0:47:38.920
<v Speaker 1>My final question is really just pulling together maybe some

0:47:38.960 --> 0:47:43.160
<v Speaker 1>of these intertwining threads we've spoken about, pushing back against

0:47:43.200 --> 0:47:45.960
<v Speaker 1>that notion you can only be one thing, the reinvention

0:47:46.800 --> 0:47:50.520
<v Speaker 1>second act, maybe it's the third or the fourth act.

0:47:51.200 --> 0:47:55.600
<v Speaker 1>What would your advice be to anyone listening who's thinking, Oh,

0:47:55.680 --> 0:47:58.600
<v Speaker 1>I think I could be that, but I haven't tried that,

0:47:58.800 --> 0:48:01.680
<v Speaker 1>or I tried. Maybe it is singing and someone said

0:48:01.680 --> 0:48:04.880
<v Speaker 1>be quiet, or maybe I'm not that good at cooking,

0:48:04.960 --> 0:48:06.560
<v Speaker 1>or I just feel like I need to stay in

0:48:06.600 --> 0:48:09.480
<v Speaker 1>my little box as he said with the label on it,

0:48:10.160 --> 0:48:14.960
<v Speaker 1>not in a good storage solution way, a bad conversation

0:48:15.080 --> 0:48:18.960
<v Speaker 1>around labels and boxes. Any final parting words.

0:48:19.200 --> 0:48:22.000
<v Speaker 2>I developed a thing called a five year plan, and

0:48:22.040 --> 0:48:24.600
<v Speaker 2>that's just through what I did for myself to be

0:48:24.600 --> 0:48:27.279
<v Speaker 2>able to move forward in a career. So what I

0:48:27.280 --> 0:48:31.040
<v Speaker 2>would say to people is, if you don't know where

0:48:31.040 --> 0:48:33.080
<v Speaker 2>you are what you want to want to do, how

0:48:33.080 --> 0:48:35.080
<v Speaker 2>about you think where do you want to be now

0:48:36.160 --> 0:48:39.080
<v Speaker 2>in five years? So don't worry about the bits in between.

0:48:39.160 --> 0:48:42.799
<v Speaker 2>So from now in five years time, who are you

0:48:42.920 --> 0:48:44.239
<v Speaker 2>and where do you want to be and who is

0:48:44.320 --> 0:48:47.880
<v Speaker 2>surrounding you? And how do you feel and where you

0:48:47.920 --> 0:48:50.440
<v Speaker 2>are now? Does that marry up? It doesn't mean you're

0:48:50.480 --> 0:48:53.799
<v Speaker 2>exactly the same person that things are there, But you know,

0:48:53.880 --> 0:48:56.880
<v Speaker 2>if you're forty, then you're going to be forty five.

0:48:56.960 --> 0:49:00.080
<v Speaker 3>Well, god, that's five years. That's a long time. Do

0:49:00.120 --> 0:49:00.520
<v Speaker 3>you want to be?

0:49:01.040 --> 0:49:02.319
<v Speaker 2>You know, what do you want to have? Do you

0:49:02.320 --> 0:49:04.440
<v Speaker 2>want to be living a different lifestyle? Do you want

0:49:04.480 --> 0:49:06.520
<v Speaker 2>to have more holidays? Do you want more connection? Do

0:49:06.520 --> 0:49:08.320
<v Speaker 2>you want to be in a different relationship? Do you

0:49:08.360 --> 0:49:12.160
<v Speaker 2>want to start a relationship that way? You can actually

0:49:12.239 --> 0:49:15.560
<v Speaker 2>go Okay, well now this is today and in five

0:49:15.680 --> 0:49:17.840
<v Speaker 2>years I really want to be there.

0:49:18.480 --> 0:49:19.960
<v Speaker 3>Whether I achieve it or not is one thing.

0:49:19.960 --> 0:49:22.000
<v Speaker 2>I probably could achieve more by the time I get there,

0:49:22.000 --> 0:49:24.560
<v Speaker 2>But this is my starting point.

0:49:24.920 --> 0:49:26.759
<v Speaker 3>What do I have to do to do that?

0:49:27.080 --> 0:49:29.799
<v Speaker 2>And it's not a case of you know, okay, I

0:49:29.800 --> 0:49:31.440
<v Speaker 2>need this amount of money, I need to do this,

0:49:31.520 --> 0:49:32.960
<v Speaker 2>I need to do that, I need to have a house,

0:49:33.000 --> 0:49:35.120
<v Speaker 2>I need to get this. It's a case of like,

0:49:36.280 --> 0:49:39.120
<v Speaker 2>who am I as a person when I'm there? And

0:49:39.160 --> 0:49:41.040
<v Speaker 2>what are the skills I need as a person? To

0:49:41.080 --> 0:49:43.399
<v Speaker 2>get there, which is part of what we're saying before

0:49:43.440 --> 0:49:45.480
<v Speaker 2>about are you a dinosaur? Well, what skills do you

0:49:45.480 --> 0:49:47.640
<v Speaker 2>have to learn? So if you want to be in

0:49:47.719 --> 0:49:50.560
<v Speaker 2>five years a person that is going to be the

0:49:50.600 --> 0:49:53.520
<v Speaker 2>best at AI technology and at the moment you can't

0:49:53.560 --> 0:49:56.719
<v Speaker 2>even open your iPhone, well the first step is to

0:49:56.800 --> 0:49:59.640
<v Speaker 2>learn how to open your iPhone, do a few courses.

0:49:59.280 --> 0:49:59.759
<v Speaker 3>And get that go.

0:50:00.000 --> 0:50:02.480
<v Speaker 2>I mean that's just a really simplistic thing, but it

0:50:02.560 --> 0:50:05.239
<v Speaker 2>is one of those things of like, you can't be

0:50:05.480 --> 0:50:09.120
<v Speaker 2>different if you're not willing to find out ways to

0:50:09.200 --> 0:50:12.920
<v Speaker 2>make that happen. And one it has to come from internal.

0:50:13.239 --> 0:50:15.759
<v Speaker 2>Then you have to learn external skills. And then you

0:50:15.800 --> 0:50:18.000
<v Speaker 2>have to look at your environment that will allow you

0:50:18.040 --> 0:50:20.600
<v Speaker 2>to get there. And you won't always be around the

0:50:20.640 --> 0:50:22.920
<v Speaker 2>right people that will want you there, So you have

0:50:23.000 --> 0:50:26.239
<v Speaker 2>to make a decision about those friendships and relationships. Are

0:50:26.280 --> 0:50:28.840
<v Speaker 2>they going to be the right people around you to

0:50:28.920 --> 0:50:31.000
<v Speaker 2>get you there? Are they the people that are going

0:50:31.040 --> 0:50:33.319
<v Speaker 2>to say to you which has been said to me,

0:50:33.960 --> 0:50:35.840
<v Speaker 2>oh so you're going to be a writer?

0:50:36.000 --> 0:50:36.320
<v Speaker 3>Now?

0:50:37.880 --> 0:50:40.160
<v Speaker 2>Are they the right people to get you to where

0:50:40.200 --> 0:50:42.120
<v Speaker 2>you want to be in five years? Doesn't mean you

0:50:42.160 --> 0:50:43.759
<v Speaker 2>have to go now and just slash and burn all

0:50:43.800 --> 0:50:46.919
<v Speaker 2>your friendships and relationships. But it might be a case

0:50:46.920 --> 0:50:49.239
<v Speaker 2>of widening your circle. It might be a case of

0:50:49.320 --> 0:50:51.920
<v Speaker 2>actually not relying on your friends to build you up.

0:50:51.960 --> 0:50:54.240
<v Speaker 2>You might have to get a secondary circle of people

0:50:54.280 --> 0:50:56.760
<v Speaker 2>you don't know, just so that you can tell the truth,

0:50:56.960 --> 0:50:58.960
<v Speaker 2>so that they don't know anything about you and they

0:50:58.960 --> 0:51:01.840
<v Speaker 2>can't judge you because I don't know you before. So

0:51:03.080 --> 0:51:06.840
<v Speaker 2>it really is up to you to want to change yourself.

0:51:07.280 --> 0:51:10.480
<v Speaker 2>Because I've learnt from people that I've tried to help

0:51:11.120 --> 0:51:14.239
<v Speaker 2>that you can try and help somebody as much as

0:51:14.239 --> 0:51:17.160
<v Speaker 2>you want, and they may want your help, but if

0:51:17.160 --> 0:51:20.000
<v Speaker 2>they're relying on your help to get it, they will

0:51:20.040 --> 0:51:20.680
<v Speaker 2>never get it.

0:51:21.080 --> 0:51:23.040
<v Speaker 3>And if they don't get it, it's your fault.

0:51:24.400 --> 0:51:28.560
<v Speaker 2>So don't let your not getting to five years be

0:51:28.680 --> 0:51:29.680
<v Speaker 2>someone else's fault.

0:51:29.760 --> 0:51:30.799
<v Speaker 3>It can only be your own.

0:51:31.800 --> 0:51:34.120
<v Speaker 1>Shana. I cannot wait to sit down again with you

0:51:34.200 --> 0:51:36.640
<v Speaker 1>in five years, when we'll both be what we're thirty

0:51:36.680 --> 0:51:38.560
<v Speaker 1>two now, so we'll be what thirty three if we.

0:51:38.520 --> 0:51:41.960
<v Speaker 3>Go, Oh my god, we'll be swinging from chandaliers.

0:51:42.719 --> 0:51:46.200
<v Speaker 1>Shanna Blaze has been so lovely to speak to you today.

0:51:46.200 --> 0:51:48.720
<v Speaker 1>Thank you so much for coming you to the studio.

0:51:49.239 --> 0:51:52.360
<v Speaker 1>You can find out more about Shana Blaze's upcoming music

0:51:52.440 --> 0:51:55.560
<v Speaker 1>release and cabaret shows at the link in our show notes,

0:51:55.880 --> 0:51:58.280
<v Speaker 1>and of course you can also see Shana on Sunday

0:51:58.400 --> 0:52:01.279
<v Speaker 1>Nights on the Block on nine. Thank you for your

0:52:01.360 --> 0:52:04.239
<v Speaker 1>company today. If you've enjoyed this episode, make sure you're

0:52:04.280 --> 0:52:07.439
<v Speaker 1>following us because we'll be back with another exclusive guest

0:52:07.560 --> 0:52:09.400
<v Speaker 1>on Something to Talk About next week.