1 00:00:04,160 --> 00:00:06,720 Speaker 1: West World season three is back, and the man that 2 00:00:06,760 --> 00:00:12,400 Speaker 1: plays the major character, Vashley stubs. He joins us right now, Luki, okay, right, thanks. 3 00:00:12,320 --> 00:00:14,200 Speaker 2: Thanks, I just I just wanted to say, al so, 4 00:00:14,320 --> 00:00:16,159 Speaker 2: thank you for coughing into your elbow then, and you 5 00:00:16,200 --> 00:00:18,400 Speaker 2: did it correctly into the crazy burel. But was trying 6 00:00:18,400 --> 00:00:19,400 Speaker 2: to work out how you cough on. 7 00:00:19,360 --> 00:00:22,480 Speaker 3: The end of your I'm actually really worried because we 8 00:00:22,600 --> 00:00:28,240 Speaker 3: didn't do the we didn't want. Yeah, i'd been I 9 00:00:28,320 --> 00:00:31,920 Speaker 3: keep getting slapped by my wife. She's like, stop hugging people. 10 00:00:32,040 --> 00:00:33,960 Speaker 3: What is this now? You look brown? 11 00:00:34,200 --> 00:00:36,320 Speaker 1: So I would You've been living in l A for 12 00:00:36,400 --> 00:00:38,280 Speaker 1: quite a while. I dare say that's not an l 13 00:00:38,360 --> 00:00:39,960 Speaker 1: A teen? Is that a Byron bay ten? 14 00:00:40,120 --> 00:00:43,639 Speaker 3: Like back and Byron Baby back to the Motherland? 15 00:00:43,760 --> 00:00:44,600 Speaker 1: Is it good to be back? 16 00:00:44,680 --> 00:00:45,599 Speaker 3: It's so beautiful. 17 00:00:45,880 --> 00:00:49,560 Speaker 4: I mean, it's Chris Chris ramy up and he's like, yeah, 18 00:00:49,560 --> 00:00:50,560 Speaker 4: I'm moving into the big house. 19 00:00:50,560 --> 00:00:53,600 Speaker 3: You want to even live in the other one. Let 20 00:00:53,640 --> 00:00:59,640 Speaker 3: me think about it. Which one? 21 00:01:00,720 --> 00:01:02,080 Speaker 2: But you said to him, didn't you know I'm going 22 00:01:02,120 --> 00:01:03,760 Speaker 2: to spend about seven years and you've even got that 23 00:01:03,800 --> 00:01:05,440 Speaker 2: house built by the time I'll get back. 24 00:01:06,080 --> 00:01:07,440 Speaker 3: Hurry up. Mate, I'm not going to live in your 25 00:01:07,440 --> 00:01:08,200 Speaker 3: wardrobe forever. 26 00:01:08,240 --> 00:01:10,360 Speaker 1: And actually, when he spoke to him the last time, 27 00:01:10,400 --> 00:01:11,959 Speaker 1: he said, you know what, it's been blown out of 28 00:01:11,959 --> 00:01:15,600 Speaker 1: proportion the new place. Everyone thinks I've got different quarters everywhere. 29 00:01:15,600 --> 00:01:18,000 Speaker 1: But he said, it's only about a five bedroom. He said, 30 00:01:18,040 --> 00:01:19,440 Speaker 1: it's not that big it is. 31 00:01:19,480 --> 00:01:23,759 Speaker 3: It's only five bedroom. The volume of the house is underneath. 32 00:01:23,920 --> 00:01:28,200 Speaker 3: Let's bed rooms A column long. Had you had enough 33 00:01:28,240 --> 00:01:29,160 Speaker 3: seven years in La? 34 00:01:30,840 --> 00:01:34,080 Speaker 4: Yeah, it was just it was more about the kids. Yeah, 35 00:01:34,440 --> 00:01:36,280 Speaker 4: we didn't want the kids to go to high school 36 00:01:36,280 --> 00:01:40,200 Speaker 4: over there, machine guns and yeah, so like it's time 37 00:01:40,240 --> 00:01:43,840 Speaker 4: to come back. And I'm a difference seeing them, like 38 00:01:44,000 --> 00:01:45,280 Speaker 4: how happy they are back here. 39 00:01:45,520 --> 00:01:47,800 Speaker 1: Yeah. Sure, I'm fascinated by the LA life and the 40 00:01:47,800 --> 00:01:50,640 Speaker 1: Aussie guys that are anyone that goes over there to 41 00:01:50,640 --> 00:01:52,440 Speaker 1: try to make it over there, because you're mates with 42 00:01:52,520 --> 00:01:55,560 Speaker 1: Dan mcphersons, So all the Aussie expats get together. Is 43 00:01:55,560 --> 00:01:58,080 Speaker 1: it a pretty tight knit group you boys over there? 44 00:01:58,120 --> 00:01:59,960 Speaker 4: It is, except when you live in malibur because it's 45 00:02:00,160 --> 00:02:03,440 Speaker 4: far away. Yes, you know that West Hollywood crew is 46 00:02:03,480 --> 00:02:05,760 Speaker 4: all super tired and they walk to each other's houses. 47 00:02:05,760 --> 00:02:08,280 Speaker 3: But when you're in Malibu, you don't want to cut. 48 00:02:08,280 --> 00:02:09,919 Speaker 3: You don't just you don't want to go into any 49 00:02:09,919 --> 00:02:13,000 Speaker 3: other Malibu. There's a lot. 50 00:02:13,080 --> 00:02:20,320 Speaker 4: Yeah, there's a lot, but Malibu is So. 51 00:02:18,600 --> 00:02:21,880 Speaker 1: What's an audition like? Is it? Is it nerve wracking? 52 00:02:22,520 --> 00:02:23,160 Speaker 1: In Hollywood? 53 00:02:23,240 --> 00:02:24,920 Speaker 3: It never stops being nerve racked. 54 00:02:25,000 --> 00:02:28,600 Speaker 4: Yes, but but you know that most of your acting 55 00:02:28,639 --> 00:02:30,239 Speaker 4: life is about working out. 56 00:02:30,000 --> 00:02:34,960 Speaker 3: How to mitigate that. Yeah, that's right, and just just. 57 00:02:35,120 --> 00:02:38,640 Speaker 4: Being able to do things while you're nervous. 58 00:02:38,120 --> 00:02:41,200 Speaker 2: What what's the couldest reaction you've got in an audition? 59 00:02:41,960 --> 00:02:45,720 Speaker 2: We had the story the other day, who's that singer actress? 60 00:02:45,840 --> 00:02:48,720 Speaker 2: And she leaves her handbag in their deliberately with their 61 00:02:48,800 --> 00:02:52,560 Speaker 2: phone recording and then walks out and knows they're going 62 00:02:52,600 --> 00:02:54,760 Speaker 2: to talk about it, and Glenn walks back in, I'm sorry, 63 00:02:54,760 --> 00:02:56,040 Speaker 2: I forgot my handbag and. 64 00:02:56,000 --> 00:03:00,520 Speaker 4: Then listens to what the awesome brutal Yeah yeah, yeah, 65 00:03:00,560 --> 00:03:03,760 Speaker 4: but it's I mean, there's it's all manner of rudeness, 66 00:03:03,800 --> 00:03:09,600 Speaker 4: from no eye contact to being on the phone. It's like, 67 00:03:10,080 --> 00:03:13,320 Speaker 4: surely you don't face that three seasons into such a 68 00:03:13,360 --> 00:03:14,800 Speaker 4: massive show in the States. 69 00:03:15,200 --> 00:03:16,519 Speaker 3: I do. I do. 70 00:03:17,320 --> 00:03:19,280 Speaker 4: If you want anything of substance, you still have to 71 00:03:19,280 --> 00:03:21,040 Speaker 4: do it. I feel like, you know the things I'm 72 00:03:21,080 --> 00:03:23,800 Speaker 4: getting offered beneath me. 73 00:03:23,880 --> 00:03:31,880 Speaker 1: Now, can I detect a tiny little American? 74 00:03:32,000 --> 00:03:34,000 Speaker 3: It's a very big can you? 75 00:03:34,080 --> 00:03:36,200 Speaker 1: What do your brothers say about that? What are they? 76 00:03:37,760 --> 00:03:42,000 Speaker 3: It comes from just being trying to be understood over there. Yes, 77 00:03:42,120 --> 00:03:43,880 Speaker 3: that's all it is. And you are that. 78 00:03:43,960 --> 00:03:45,760 Speaker 1: You have to talk like that all the time for 79 00:03:45,880 --> 00:03:47,680 Speaker 1: all your auditions and West Wild. 80 00:03:47,480 --> 00:03:49,840 Speaker 3: I get a glass of water? Did you say glass 81 00:03:49,840 --> 00:03:51,320 Speaker 3: of water? 82 00:03:51,640 --> 00:03:55,240 Speaker 1: Glass of water is the big one. I don't understand 83 00:03:55,280 --> 00:03:59,800 Speaker 1: that at all. So out of all the brothers, do 84 00:03:59,840 --> 00:04:01,600 Speaker 1: you have the biggest American accent? Now? 85 00:04:02,280 --> 00:04:05,160 Speaker 3: No, Liam's as well. 86 00:04:05,280 --> 00:04:07,840 Speaker 4: But also, like you know, when you go over there, 87 00:04:07,880 --> 00:04:11,800 Speaker 4: this is real thing about Australians and their their accent 88 00:04:11,880 --> 00:04:14,960 Speaker 4: coming through in their in their performance, and so you 89 00:04:15,080 --> 00:04:17,719 Speaker 4: work tirelessly to get rid of that, and that just 90 00:04:17,760 --> 00:04:18,280 Speaker 4: bleeds through. 91 00:04:18,320 --> 00:04:22,599 Speaker 3: It's just this real thing. I keep switching my eyes. 92 00:04:22,360 --> 00:04:26,240 Speaker 4: And the mild Eves instead of the mald But that's 93 00:04:26,240 --> 00:04:27,320 Speaker 4: the feet that you get, is it. 94 00:04:27,400 --> 00:04:27,560 Speaker 3: Hey? 95 00:04:27,600 --> 00:04:29,240 Speaker 2: We can still hear that AUSSI twang lose. 96 00:04:29,120 --> 00:04:32,279 Speaker 3: It all the time. And I don't know why Americans 97 00:04:32,320 --> 00:04:34,039 Speaker 3: don't like to hear any of the AUSSI twang. 98 00:04:34,080 --> 00:04:35,920 Speaker 4: But it feels like it feels like every other country 99 00:04:35,920 --> 00:04:38,040 Speaker 4: in the world can still have a little bit of 100 00:04:38,080 --> 00:04:42,560 Speaker 4: Swedish American and have thought that has a point. 101 00:04:42,360 --> 00:04:44,719 Speaker 3: Of interest, Like you've got three kids. 102 00:04:44,760 --> 00:04:46,240 Speaker 1: Yeah, Whips is about. 103 00:04:46,040 --> 00:04:48,840 Speaker 3: To have his third good luck the transition. 104 00:04:48,440 --> 00:04:50,400 Speaker 2: Two to three because he seems to think it'll just 105 00:04:50,440 --> 00:04:50,919 Speaker 2: be a break. 106 00:04:51,000 --> 00:04:57,920 Speaker 4: Two to three was the hardest thing I had. I 107 00:04:57,960 --> 00:05:03,039 Speaker 4: had three under the age of three, so did you. Yeah, 108 00:05:03,160 --> 00:05:05,640 Speaker 4: And so we had that. We had the double pram, 109 00:05:05,880 --> 00:05:08,760 Speaker 4: the double pram with the one on the top, the triple. 110 00:05:10,240 --> 00:05:11,279 Speaker 2: So what's your lineup? 111 00:05:11,640 --> 00:05:11,960 Speaker 3: Boys? 112 00:05:12,000 --> 00:05:12,279 Speaker 1: Girls? 113 00:05:12,279 --> 00:05:14,279 Speaker 3: What does it look like? All girls? Eleven, nine and 114 00:05:14,400 --> 00:05:19,400 Speaker 3: seven extraordinary? I'm only fertile every two years, and. 115 00:05:19,440 --> 00:05:20,440 Speaker 2: We're doing it more often. 116 00:05:21,360 --> 00:05:25,839 Speaker 3: It's just that West World. 117 00:05:26,200 --> 00:05:28,279 Speaker 1: You must get the script. Can you give us any 118 00:05:28,320 --> 00:05:30,440 Speaker 1: ideas for season three because it's out there? 119 00:05:30,480 --> 00:05:30,680 Speaker 2: Man? 120 00:05:30,800 --> 00:05:31,800 Speaker 3: Do you do you is it? 121 00:05:31,880 --> 00:05:33,279 Speaker 1: Do they keep it quite secretive? 122 00:05:33,600 --> 00:05:33,800 Speaker 3: Yeah? 123 00:05:34,000 --> 00:05:36,719 Speaker 4: Yes, you know it's always the case of the guy 124 00:05:36,760 --> 00:05:38,719 Speaker 4: with the rubber glove was surprisingly gentle. 125 00:05:41,440 --> 00:05:42,159 Speaker 3: Yes, he's in three. 126 00:05:42,200 --> 00:05:45,120 Speaker 4: The you know, the hosts are out, so Dolores is 127 00:05:45,120 --> 00:05:47,599 Speaker 4: in the in the real world, and we got to 128 00:05:47,640 --> 00:05:50,640 Speaker 4: see exactly what that real world is and while it's 129 00:05:51,000 --> 00:05:53,920 Speaker 4: shiny and beautiful on the outside, it's kind of rotten. 130 00:05:54,160 --> 00:05:55,279 Speaker 1: Found out that you're a host. 131 00:05:55,360 --> 00:05:59,440 Speaker 3: Is that right? I think it was alluded to. 132 00:06:00,040 --> 00:06:02,880 Speaker 4: For them or to deny, but yeah, Stubbs, old Stubbs, 133 00:06:02,880 --> 00:06:05,640 Speaker 4: you dropped the drop the drop the bag at the 134 00:06:05,680 --> 00:06:08,120 Speaker 4: end of season two and let Dolores out of the Parker. 135 00:06:08,440 --> 00:06:10,039 Speaker 3: He was like the last line of defense, and he 136 00:06:10,120 --> 00:06:12,159 Speaker 3: was like, go for it. Now try the real world. 137 00:06:12,160 --> 00:06:14,120 Speaker 3: Guess alluded to, well. 138 00:06:13,880 --> 00:06:18,000 Speaker 1: What you've had forty three Emmy nominations when it's it's 139 00:06:18,000 --> 00:06:21,359 Speaker 1: a huge show and it kicks off Monday, March sixteen 140 00:06:21,400 --> 00:06:23,479 Speaker 1: at midday on Fox Tilt look at hims. 141 00:06:23,640 --> 00:06:25,360 Speaker 3: Thank you very much for Thank you so much. 142 00:06:26,000 --> 00:06:29,080 Speaker 1: It is Nova