WEBVTT - The Media Show | 6 September

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<v Speaker 1>This is the Media Show with Jack outing, Hello and

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<v Speaker 1>welcome to the Media Show. Tonight. We'll discuss a scandal

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<v Speaker 1>of the Age newspaper and much more. But first, it

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<v Speaker 1>was once unbelievably the biggest story in the world, but

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<v Speaker 1>the Project's interview with breakdowns of Raygun was just a

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<v Speaker 1>sixteen minute flop.

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<v Speaker 2>How are you doing?

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<v Speaker 3>Yeah, it's been a pretty wild ride. I'm not gonna lie.

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<v Speaker 3>I definitely have my ups and downs, my good and

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<v Speaker 3>bad days. But it has been honestly so amazing to

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<v Speaker 3>see the positive response to my performance. Like I never

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<v Speaker 3>thought that I would be able to connect with so

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<v Speaker 3>many people in such a positive way.

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<v Speaker 1>It was billed as a world exclusive, but despite the

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<v Speaker 1>hype and previous global obsession with the story, the publicity

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<v Speaker 1>didn't really move the needle. TV Tonight reports the project

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<v Speaker 1>interview draws world headlines, but no season high. It drew

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<v Speaker 1>three hundred and forty three thousand viewers a national TV audience,

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<v Speaker 1>which is probably down on what ten was hoping for.

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<v Speaker 1>That number is only on par with last Wednesdays three

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<v Speaker 1>hundred and thirty nine thousand, but no chance to spook

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<v Speaker 1>as a season high. We heard the project was happy

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<v Speaker 1>with the social media performance, But when we last checked

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<v Speaker 1>the full interview on YouTube, it only had one hundred

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<v Speaker 1>and sixty thousand views. To put that in comparison, just

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<v Speaker 1>three weeks ago, a two minute clip on Reygun published

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<v Speaker 1>to the Sky News YouTube page has been viewed more

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<v Speaker 1>than ten million times. So why has the public interest

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<v Speaker 1>dropped off so significantly? Well, digital audiences move on fast.

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<v Speaker 1>Trends can be now hourly, and people like Reyguan who

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<v Speaker 1>take the world by storm one day can be completely

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<v Speaker 1>old news by the time pr contracts assigned and deals

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<v Speaker 1>and negotiated. But of course another reason for the lack

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<v Speaker 1>of interest could be the quality of content itself. Host

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<v Speaker 1>will Lee Ali did ask a few tough questions like

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<v Speaker 1>this one.

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<v Speaker 4>Genuinely think you are the best female breaker in Australia.

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<v Speaker 2>Well, I think my record speaks to that, But he

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<v Speaker 2>also didn't push back against very cringe moments like this,

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<v Speaker 2>where Raygan admitted that she was loving the fame her

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<v Speaker 2>humiliating performance had afforded her.

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<v Speaker 5>The upside is you get.

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<v Speaker 6>Random people with contacting you that you never thought would

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<v Speaker 6>ever notice you, you know, And it's not just like

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<v Speaker 6>breakers that you've respected for you know, a decade. It's

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<v Speaker 6>someone like Sir Richard Branson calling you to say that

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<v Speaker 6>he enjoyed your performance and he thought that you.

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<v Speaker 3>It was plucky and courageous and fun.

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<v Speaker 4>And you know he would love to, you know, do

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<v Speaker 4>something with me and have me on some cruises with

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<v Speaker 4>boy George, Like.

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<v Speaker 3>What is life?

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<v Speaker 2>I don't know?

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<v Speaker 7>Well.

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<v Speaker 1>Joining me on the show this week is the Australians

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<v Speaker 1>media writer Sophie Elsworth and Sky News contributor Louise Roberts. Luise,

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<v Speaker 1>thanks for joining us. Let's start with you to go

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<v Speaker 1>from this thing where you've got Jimmy Fallon is doing

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<v Speaker 1>skits about her it's a global sensation, to barely being

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<v Speaker 1>able to get a bump.

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<v Speaker 8>You know.

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<v Speaker 1>It's maybe five k more viewers than the previous week.

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<v Speaker 1>To me, it shows that just the appetite for this

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<v Speaker 1>woman has completely fallen off a cliff. What do you

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<v Speaker 1>make of it?

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<v Speaker 6>I agree?

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<v Speaker 7>I think the interview was done too long after the

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<v Speaker 7>actual event itself. But also there wasn't anything new or

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<v Speaker 7>kind of spiky that came in the interview because it

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<v Speaker 7>was so soft. I mean, the question I wanted to

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<v Speaker 7>answered is are you going to say sorry to a

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<v Speaker 7>talented dancer whose place that you took the fact that

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<v Speaker 7>somebody could have actually got points and won, And how

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<v Speaker 7>do you feel about sort of base disarming and insulting

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<v Speaker 7>the whole breakdancing community. There was no sense of humility

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<v Speaker 7>or anything.

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<v Speaker 1>There was a lot of laughs and yeah, you're right,

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<v Speaker 1>because there was that Sophie, let's bring you in here

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<v Speaker 1>as well. There was footage that came out of that

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<v Speaker 1>number two dancer and the qualifier Holly Molly, who was

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<v Speaker 1>dancing very well, and some people said, gee, clearly there's

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<v Speaker 1>probably some better breakdancers. It didn't really seem like her

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<v Speaker 1>skill was prosecuted that thoroughly by Willie Alli, and it

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<v Speaker 1>kind of turned into a bit of you know, smiles,

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<v Speaker 1>a bit lighthearted, but there were some serious questions to

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<v Speaker 1>be asked around Reagan because she was flown over to Paris,

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<v Speaker 1>she was representing Australia and then she's kind of laughing

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<v Speaker 1>about hanging out with Richard Branson and boy George. I

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<v Speaker 1>thought it was a bit off putting. What's your take

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<v Speaker 1>of this?

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<v Speaker 9>Well, it was billed as a world exclusive and Network

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<v Speaker 9>ten were certainly pumping it up, but I don't think

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<v Speaker 9>that it had the impact that they certainly hoped it

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<v Speaker 9>would achieve, and those rating figures prove that it didn't

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<v Speaker 9>really shed any new light on much about her, and

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<v Speaker 9>she didn't really seem to be that humiliated by what

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<v Speaker 9>many would argue was a pretty dismal performance at the

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<v Speaker 9>Olympic Games. And then she sort of joked about the

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<v Speaker 9>fallout from it, making those references with Richard Branson. So

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<v Speaker 9>I think the interview didn't really hit the mark, and

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<v Speaker 9>I think it left a lot of people pretty disinterested.

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<v Speaker 9>And I think she has had her fifteen minutes of

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<v Speaker 9>fame and many people have now moved on.

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<v Speaker 1>Yeah, it's a really good point. And to your earlier point,

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<v Speaker 1>it was it took too long. It did, and so

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<v Speaker 1>I think this is a lesson from a public relations

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<v Speaker 1>point of view. You've got so she signed up for

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<v Speaker 1>these sponsorship deals and everything. Do you think maybe some

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<v Speaker 1>of these companies might have made a mistake if they

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<v Speaker 1>are going to be giving her money. She can't really

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<v Speaker 1>even generate a minor audience lifts right the projects. So

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<v Speaker 1>what's she going to do for your brand?

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<v Speaker 7>If the audience aren't watching that World Exclusive interview, as

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<v Speaker 7>Sophie says, are they going to buy the products or

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<v Speaker 7>go on the troops orways brands are going to drop

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<v Speaker 7>her or not with pretending to never met her or whatever.

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<v Speaker 7>But I think they'll be looking very carefully at their contracts.

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<v Speaker 1>Yeah, and particularly the audience relationship with her. The connotation

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<v Speaker 1>is quite negative, so it's not even really as if

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<v Speaker 1>she's beloved by Australians. A lot of people are quite

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<v Speaker 1>annoyed that she was selected and to your point, put

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<v Speaker 1>over dancers that may have been better.

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<v Speaker 7>Unfortunately, in Australia we still idolize our Olympic athletes, and

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<v Speaker 7>for good reason, and Paralympic athletes especially. So to have

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<v Speaker 7>somebod who's gone to the Olympics that we see as

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<v Speaker 7>a figure of fun is not good for the brand

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<v Speaker 7>and not good for children coming through in.

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<v Speaker 1>Such a good point. And these paralympians who are just

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<v Speaker 1>on TV right now just doing the most remarkable things.

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<v Speaker 1>Where's their sponsorship deal? And sixteen project interview? Yes, when

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<v Speaker 1>you put it through that lens, it's really off pointing.

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<v Speaker 1>You know, this person's talentless. We've got all these others

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<v Speaker 1>we should be championing. But anyway, let's move on now

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<v Speaker 1>to the US election. Because Kamala Harris has come under

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<v Speaker 1>fire for seemingly shifting her identity based on her audience.

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<v Speaker 1>Have a listen to this rally in Detroit and pay

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<v Speaker 1>close attention to the accent.

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<v Speaker 5>You better thank a union member for the five day

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<v Speaker 5>work week. You better thank a union member for sickly.

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<v Speaker 5>You better thank a union member for paid leave.

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<v Speaker 4>You better thank a union member for vacation time.

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<v Speaker 1>Now, have a look at how Harris normally talks at rallies.

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<v Speaker 4>Bank unions precickly, bank unions for pay family leave, Thank

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<v Speaker 4>unions for your vacation time.

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<v Speaker 1>Well, the contrast sparked this awkward moment at a media

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<v Speaker 1>briefing with White House Secretary Karine Jean Pierre, when she

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<v Speaker 1>refused to entertain a question from US journalist Peter Doucy.

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<v Speaker 3>When does the Vice president have what sounds like a

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<v Speaker 3>Southern accent?

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<v Speaker 5>No idea what you're talking about?

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<v Speaker 1>Well, I mean this is she was talking about unions

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<v Speaker 1>in Detroit using one tone of voice.

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<v Speaker 5>Is this something the same line? Okay?

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<v Speaker 7>Peter? That she she used the same line in Pittsburgh,

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<v Speaker 7>and it sounded like she at least had some kind

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<v Speaker 7>of a southern at all.

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<v Speaker 5>I mean, do you hear the question that I mean,

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<v Speaker 5>do you think Americans seriously think that this is an

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<v Speaker 5>important question? They care, you know, what they care about.

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<v Speaker 5>They care about the economy, they care about lowering cost

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<v Speaker 5>they care about healthcare. That's what Americans care about. So

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<v Speaker 5>that's what they want. Well, this is something care about.

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<v Speaker 5>Your colleague just asked me about what basically we talked about,

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<v Speaker 5>went back and forth about democracy and freedom. That's what

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<v Speaker 5>they care about. I'm not even going to entertain some

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<v Speaker 5>question about the present. It's just it's just hearing it

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<v Speaker 5>sounds so ridiculous. Well, but hearing it is. The question

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<v Speaker 5>I'm talking about. The questions is just insane. How she

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<v Speaker 5>talks in meetings. I'm just Peter. We're moving on.

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<v Speaker 1>So if you let me bring you in here. Two

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<v Speaker 1>things I want to discuss from some of those clips. One,

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<v Speaker 1>it's the identity issues that are plaguing the campaign. And

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<v Speaker 1>you've got the Democrats who are suggesting it's potentially racist

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<v Speaker 1>to point out that there is a bit of shape

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<v Speaker 1>shifting going on, that this personality is morphing depending who

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<v Speaker 1>Krmala Harris is around. But then you've got the Press

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<v Speaker 1>Secretary Karein Jean Pierre, and she is buffering away any questions,

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<v Speaker 1>refusing to entertain it, suggesting that it's more important to

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<v Speaker 1>talk about democracy. I mean, these people should be able

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<v Speaker 1>to answer these questions firstly, but also is it not

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<v Speaker 1>fair enough that we can listen to reality watch and

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<v Speaker 1>see that clearly there is an accent being put on.

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<v Speaker 1>Is that controversial?

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<v Speaker 9>Well, I really think people can make up their own

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<v Speaker 9>minds no matter how much spin you try and put

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<v Speaker 9>on this. The American public is not stupid, so they

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<v Speaker 9>will make up their own minds regardless of what they

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<v Speaker 9>are told. But Kamala Harris is constantly under attack. You know,

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<v Speaker 9>she's known for her laughing, sometimes repeating her lines over

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<v Speaker 9>and over again before they become tiresome. She giggles when

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<v Speaker 9>she tries to avoid questions, so she's often ridiculed for

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<v Speaker 9>her way of handling the media. And this is obviously

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<v Speaker 9>a problem because she has done, as we know to date,

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<v Speaker 9>very few media interviews apart from that one sit down

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<v Speaker 9>to date that she did last week. So I think

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<v Speaker 9>she has to be careful with the way that she

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<v Speaker 9>puts her messages out there to the American public because

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<v Speaker 9>this is an easy way for the Republicans to criticize her.

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<v Speaker 1>Yeah, it's a really good point. And look, the only

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<v Speaker 1>thing that it demonstrates is there is a degree of

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<v Speaker 1>it being a little bit fake, And I do think

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<v Speaker 1>it's a mistake to focus too much on it as

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<v Speaker 1>being like this massive issue with her just demonstrates it's

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<v Speaker 1>kind of you know, how genuine are you? But there's

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<v Speaker 1>also contradictions that emerge in her policies, such as from

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<v Speaker 1>a border perspective, what she did with the current administration,

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<v Speaker 1>which she is part of, what is she going to

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<v Speaker 1>do now? And to Sophie's point, if she doesn't bring

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<v Speaker 1>herself forward to do some of these more critical interviews

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<v Speaker 1>and that's not what we saw last week with that

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<v Speaker 1>CNN one, then these aren't probed and we're kind of

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<v Speaker 1>just living this lie that this person can shape shift

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<v Speaker 1>without criticism. You can't draw any attention to it. Otherwise

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<v Speaker 1>you're the one who's being immoral.

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<v Speaker 7>Well that's right, Shoot, the messenger isn't it to lux

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<v Speaker 7>But I think when she's in those sort of forums

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<v Speaker 7>where she's talking to a mass group of potential voters,

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<v Speaker 7>just be herself. They want to know what she's going

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<v Speaker 7>to be like what her policies are, what she going

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<v Speaker 7>to do if she's actually elected to the job a president,

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<v Speaker 7>but she doesn't give that information away. Instead, it's sort

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<v Speaker 7>of silly voices and it's quite patronizing in that, and

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<v Speaker 7>a lot.

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<v Speaker 1>A lot of slogans too, And she's talking to union

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<v Speaker 1>crowds at both of those clips. Very real people, very

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<v Speaker 1>real people, but it's a bit more patronizing to kind

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<v Speaker 1>of put on the voice that you think someone in

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<v Speaker 1>Detroit might respond to me exactly.

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<v Speaker 7>Or maybe it's some sort of bizarre skit from her

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<v Speaker 7>influencer mates who are going to sort of pump out

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<v Speaker 7>and say hashtag just like us. I don't know. It's

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<v Speaker 7>it's just a waste of time for the people who

0:12:31.720 --> 0:12:33.559
<v Speaker 7>were there because they want to know what her policies are.

0:12:33.559 --> 0:12:35.120
<v Speaker 7>And maybe it is a ruse to cover up the

0:12:35.120 --> 0:12:37.800
<v Speaker 7>fact that she doesn't really have any authentic policies at

0:12:37.800 --> 0:12:38.600
<v Speaker 7>this stage.

0:12:38.320 --> 0:12:38.960
<v Speaker 5>That we're aware of.

0:12:39.080 --> 0:12:41.520
<v Speaker 1>It's a really good point, and Sophie just finally on this.

0:12:41.679 --> 0:12:44.080
<v Speaker 1>Do you think that the media in the US, for

0:12:44.120 --> 0:12:47.839
<v Speaker 1>the most part, is scrutinizing her enough or do you

0:12:47.880 --> 0:12:50.040
<v Speaker 1>think that we're in a situation where many people are

0:12:50.040 --> 0:12:51.760
<v Speaker 1>just trying to walk her through to this job.

0:12:54.400 --> 0:12:57.120
<v Speaker 9>Well, I think it's hard to scrutinize her at the

0:12:57.200 --> 0:13:01.040
<v Speaker 9>moment because she's not doing a lot publicly, so it's

0:13:01.120 --> 0:13:05.240
<v Speaker 9>just looking back at what she has done as vice president.

0:13:05.320 --> 0:13:09.559
<v Speaker 9>So the less media she does, the obviously, the less

0:13:09.679 --> 0:13:13.040
<v Speaker 9>chance there is that she trips up, and there's less

0:13:13.240 --> 0:13:16.520
<v Speaker 9>fodder for the media to work with, which makes their

0:13:16.640 --> 0:13:20.240
<v Speaker 9>job difficult. But as we know, in the American media,

0:13:20.360 --> 0:13:24.520
<v Speaker 9>it is largely left leaning and they will be hoping

0:13:25.040 --> 0:13:27.120
<v Speaker 9>that she wins the presidential race.

0:13:27.679 --> 0:13:29.280
<v Speaker 1>Yeah, and I'm sure there's probably a lot of good

0:13:29.320 --> 0:13:31.800
<v Speaker 1>journalists there as well that are quite annoyed that there

0:13:31.880 --> 0:13:34.800
<v Speaker 1>is this collective blind eye going on. But look, we're

0:13:34.800 --> 0:13:37.000
<v Speaker 1>going to take a quick break when we return inside

0:13:37.040 --> 0:13:43.480
<v Speaker 1>a scandal at the Age Newspaper. Welcome back now to

0:13:43.520 --> 0:13:46.839
<v Speaker 1>a scandal at the Age in Melbourne, after legendary cartoonist

0:13:46.880 --> 0:13:49.520
<v Speaker 1>Michael Lunig has revealed he is now embarrassed to be

0:13:49.559 --> 0:13:52.440
<v Speaker 1>associated with the paper after he was sacked ending his

0:13:52.520 --> 0:13:56.600
<v Speaker 1>fifty five year career at the Masthead. Now, Sophie Elseworth,

0:13:56.800 --> 0:14:00.000
<v Speaker 1>you wrote about this in your media diary this week.

0:14:00.280 --> 0:14:02.400
<v Speaker 1>Tell us a little bit about the backstory of this feud.

0:14:05.320 --> 0:14:09.640
<v Speaker 9>Michael Lunik is one of the nation's most famous cartoonists,

0:14:09.640 --> 0:14:13.040
<v Speaker 9>and he ended his fifty five year career at the

0:14:13.120 --> 0:14:17.640
<v Speaker 9>Age last week. He was pushed out of their news

0:14:17.760 --> 0:14:21.480
<v Speaker 9>pages a couple of years ago during the COVID pandemic

0:14:21.800 --> 0:14:25.600
<v Speaker 9>when he was criticizing Victorian Premier Dan Andrews for his

0:14:25.720 --> 0:14:30.360
<v Speaker 9>harsh lockdown measures and also the push for people to

0:14:30.400 --> 0:14:34.960
<v Speaker 9>be vaccinated against COVID, and many of his cartoons, about

0:14:34.960 --> 0:14:38.080
<v Speaker 9>a dozen were not published by the Age. But let's

0:14:38.120 --> 0:14:40.120
<v Speaker 9>have a listen to a little bit of what Michael

0:14:40.160 --> 0:14:41.440
<v Speaker 9>Lunik had to say.

0:14:43.040 --> 0:14:47.560
<v Speaker 8>There are these stories we were asked to sort of support,

0:14:47.680 --> 0:14:50.720
<v Speaker 8>I guess not directly asked, but I mean it was

0:14:50.760 --> 0:14:56.600
<v Speaker 8>in part we would stick to the general narrative, and

0:14:56.600 --> 0:15:00.280
<v Speaker 8>that also includes this thing they called the Woke Marrow

0:15:00.360 --> 0:15:04.080
<v Speaker 8>to the fullest inclusion and diversity.

0:15:04.120 --> 0:15:10.120
<v Speaker 9>It's so Michael Luhnig was pretty unimpressed with the way

0:15:10.840 --> 0:15:13.400
<v Speaker 9>he was being treated at the Age and he was

0:15:13.440 --> 0:15:17.000
<v Speaker 9>subsequently pushed out of the news pages to file one

0:15:17.120 --> 0:15:20.960
<v Speaker 9>cartoon a week for the Spectrum section. But then his

0:15:21.640 --> 0:15:25.920
<v Speaker 9>tenure at the Age was ended last week and Patrick Elliget,

0:15:25.960 --> 0:15:28.320
<v Speaker 9>the editor of the Age sent an email round to

0:15:28.400 --> 0:15:31.800
<v Speaker 9>subscribers to say Luonic had left, and he was pretty

0:15:31.840 --> 0:15:34.920
<v Speaker 9>irate about this, said he's treatment at the Age was

0:15:34.960 --> 0:15:37.680
<v Speaker 9>not very good. He said his work was not being

0:15:37.720 --> 0:15:41.560
<v Speaker 9>published because it didn't fit in with the Age's views

0:15:41.600 --> 0:15:45.720
<v Speaker 9>on the COVID pandemic. So it's been a relationship spanning

0:15:45.840 --> 0:15:48.720
<v Speaker 9>six decades that has ended pretty badly.

0:15:49.720 --> 0:15:54.360
<v Speaker 1>Yeah, it's such an interesting story, Louise, because I listened

0:15:54.360 --> 0:15:56.440
<v Speaker 1>to that full interview by the ABC. Was a really

0:15:56.440 --> 0:15:58.360
<v Speaker 1>good interview, and I think the host did a great

0:15:58.440 --> 0:16:02.360
<v Speaker 1>job kind of extracting some of Michael's experiences. It seemed

0:16:02.360 --> 0:16:05.320
<v Speaker 1>to be that there was this very censorious attitude to

0:16:05.400 --> 0:16:07.800
<v Speaker 1>some of the no go their topics. So you've got

0:16:07.960 --> 0:16:12.640
<v Speaker 1>the COVID lockdowns obviously, anything to do with vaccines, anything

0:16:12.760 --> 0:16:15.920
<v Speaker 1>that was against the narrative, and this, to me, it's

0:16:16.000 --> 0:16:20.400
<v Speaker 1>everything that a modern intellectual newspaper should want to push against.

0:16:20.440 --> 0:16:22.560
<v Speaker 1>You know, you've got a premiere who's locking people in

0:16:22.600 --> 0:16:26.840
<v Speaker 1>their homes. The science behind some of those strategies very

0:16:26.960 --> 0:16:29.920
<v Speaker 1>very dubious, and it was one of them. Was there

0:16:29.960 --> 0:16:32.920
<v Speaker 1>even any science do under And shouldn't that be the

0:16:32.920 --> 0:16:36.640
<v Speaker 1>place of the journalist to push back against people stripping

0:16:36.680 --> 0:16:41.040
<v Speaker 1>people of civil liberties, particularly a left leaning paper. I

0:16:41.080 --> 0:16:44.000
<v Speaker 1>found that quite disturbing. There were allegations that they were

0:16:44.080 --> 0:16:48.040
<v Speaker 1>killing off cartoons because they didn't fit the narrative. I

0:16:48.040 --> 0:16:49.840
<v Speaker 1>think the Age has to respond to some of this.

0:16:50.080 --> 0:16:52.120
<v Speaker 7>I agree, because you would think in that sort of

0:16:52.160 --> 0:16:55.480
<v Speaker 7>left leaning environment that a bit of a protagonist in

0:16:55.520 --> 0:16:58.160
<v Speaker 7>the form of a cartoonist would thrive because you could really,

0:16:58.640 --> 0:17:01.080
<v Speaker 7>you know, push the boundaries. Why shouldn't he attack Dan

0:17:01.160 --> 0:17:03.240
<v Speaker 7>Andrews about his policy at the time, because everyone else

0:17:03.280 --> 0:17:06.040
<v Speaker 7>in Melbourne was complaining about them. And also, cartoonists are

0:17:06.040 --> 0:17:09.359
<v Speaker 7>a very rare and precious creature in a newsroom as well.

0:17:09.640 --> 0:17:11.840
<v Speaker 7>They can encapsulate a story or a feeling or a

0:17:11.880 --> 0:17:14.600
<v Speaker 7>sentiment in one beautiful sketch. So the fact that they've

0:17:14.600 --> 0:17:16.760
<v Speaker 7>gone after him and got rid of him, it does

0:17:16.760 --> 0:17:19.159
<v Speaker 7>not bode well for other creatives I think in the

0:17:19.160 --> 0:17:21.680
<v Speaker 7>industry too. I mean, his point is to be a protagonist.

0:17:21.960 --> 0:17:24.760
<v Speaker 1>Yeah, and now removed him. Toe the line or you

0:17:24.800 --> 0:17:27.960
<v Speaker 1>don't have a place in our paper. These issues don't

0:17:27.960 --> 0:17:31.080
<v Speaker 1>have a place to be debated. It's not right. And

0:17:31.119 --> 0:17:33.680
<v Speaker 1>also he doesn't even necessarily have to attack Sometimes it's

0:17:33.720 --> 0:17:37.400
<v Speaker 1>just satire, but it's uncomfortable satire and it makes sure think, Yeah.

0:17:37.560 --> 0:17:39.720
<v Speaker 7>You think, and that's the point of exact place. And

0:17:39.760 --> 0:17:41.600
<v Speaker 7>as I said, they're precious, So any attacks on there

0:17:41.680 --> 0:17:43.879
<v Speaker 7>might I think personally as a journalist.

0:17:44.000 --> 0:17:46.520
<v Speaker 1>Yeah, very very disappointing stuff by the Age. But let's

0:17:46.560 --> 0:17:48.920
<v Speaker 1>move on now to the National Broadcaster with a really

0:17:48.960 --> 0:17:52.359
<v Speaker 1>bizarre story about staff being told to lose the Q

0:17:52.560 --> 0:17:58.200
<v Speaker 1>and I when talking about the lgb t QI community. Now, Sophie,

0:17:58.200 --> 0:18:01.400
<v Speaker 1>this was your scoop. What on earth is the ABC

0:18:01.680 --> 0:18:06.439
<v Speaker 1>doing having this lengthy editorial discussion publicly? I mean, is

0:18:06.480 --> 0:18:09.840
<v Speaker 1>this really what mainstream Australians want the National Broadcast be

0:18:09.880 --> 0:18:15.880
<v Speaker 1>focusing on whether Q Queeri intersex is involved in the LGBT.

0:18:16.800 --> 0:18:18.359
<v Speaker 1>It's very abstract, isn't it.

0:18:21.000 --> 0:18:23.800
<v Speaker 9>Well they sent around a note last week Jack and

0:18:23.840 --> 0:18:27.080
<v Speaker 9>I reported on this in The Australian. I put questions

0:18:27.080 --> 0:18:31.280
<v Speaker 9>to the ABC's corporate affairs team about the use of

0:18:31.320 --> 0:18:35.479
<v Speaker 9>this language. They failed to respond to me. But I

0:18:35.520 --> 0:18:39.080
<v Speaker 9>see today in the Guardian they've attacked my story and

0:18:39.160 --> 0:18:43.520
<v Speaker 9>criticized it with failing to come back to me last week.

0:18:43.640 --> 0:18:47.600
<v Speaker 9>So pretty appalling stuff from the corporate affairs team, but

0:18:47.800 --> 0:18:51.280
<v Speaker 9>they are obviously concerned about the language that is used

0:18:51.320 --> 0:18:55.000
<v Speaker 9>within the ABC and sending out directions to staff. So

0:18:55.320 --> 0:18:58.639
<v Speaker 9>I stand by my reporting on that, and the Australian

0:18:58.680 --> 0:19:01.840
<v Speaker 9>public can make up their own minds when they see

0:19:01.960 --> 0:19:05.960
<v Speaker 9>that the ABC is spending time on changing directions in

0:19:06.200 --> 0:19:08.679
<v Speaker 9>editorial guidance to their employees.

0:19:09.040 --> 0:19:12.399
<v Speaker 1>Yeah, that editorial comms unit run by Nick lays that

0:19:12.440 --> 0:19:15.200
<v Speaker 1>they do that a lot. To you, it's very weird.

0:19:15.320 --> 0:19:18.600
<v Speaker 1>I think it's quite unprofessional considering it's a taxpayer funded

0:19:18.600 --> 0:19:21.920
<v Speaker 1>body and your job is to extract information and give

0:19:21.960 --> 0:19:23.840
<v Speaker 1>it to the public, just like we would do with

0:19:24.760 --> 0:19:28.639
<v Speaker 1>a hospital or school policies, any kind of statutory organization.

0:19:29.040 --> 0:19:32.639
<v Speaker 1>It's what we do as journalists. They're very defensive, particularly

0:19:32.640 --> 0:19:35.800
<v Speaker 1>when Sophie gets into them. So well done, Sophie, keep

0:19:36.200 --> 0:19:39.080
<v Speaker 1>keep the fire up. But this story here about you know,

0:19:39.320 --> 0:19:41.400
<v Speaker 1>telling them to get rid of the queue and the eye.

0:19:41.720 --> 0:19:43.479
<v Speaker 1>I just think this is everything that's wrong with the ABC.

0:19:43.680 --> 0:19:48.720
<v Speaker 1>It's they're focusing on these obscure niche issues and editorially,

0:19:49.119 --> 0:19:52.080
<v Speaker 1>why aren't we looking at how we're tackling language around

0:19:52.080 --> 0:19:54.320
<v Speaker 1>cost of living or the political debates You're getting lost

0:19:54.359 --> 0:19:54.960
<v Speaker 1>in the weeds.

0:19:55.400 --> 0:19:57.320
<v Speaker 7>I mean, it's not a good use of taxpayer money

0:19:57.320 --> 0:20:00.280
<v Speaker 7>to be tweaking in acronyms really, and also, as spoke

0:20:00.320 --> 0:20:03.400
<v Speaker 7>about earlier, sort of removing a whole part of community

0:20:03.440 --> 0:20:06.399
<v Speaker 7>by actually making it a shorter acronym as well. Why

0:20:06.440 --> 0:20:08.000
<v Speaker 7>aren't we talking about cost of living? Because you can

0:20:08.000 --> 0:20:10.560
<v Speaker 7>guarantee everyone else they're watching the ABC or listening to

0:20:10.600 --> 0:20:13.520
<v Speaker 7>it or reading newspapers is thinking about cost of living,

0:20:13.560 --> 0:20:17.320
<v Speaker 7>particularly with what the staffs between the RBA and mister

0:20:17.400 --> 0:20:18.240
<v Speaker 7>Charlmers this week.

0:20:18.480 --> 0:20:21.200
<v Speaker 1>Yeah, definitely, Well let's move on to Stories of the Week, Sophie,

0:20:21.240 --> 0:20:21.960
<v Speaker 1>what do you have for us?

0:20:24.600 --> 0:20:29.399
<v Speaker 9>So the Australians podcast broadwhen I highly recommend the viewers

0:20:29.400 --> 0:20:31.280
<v Speaker 9>have a listen to this. It's coming back for a

0:20:31.320 --> 0:20:33.720
<v Speaker 9>second series at the end of the month. New South

0:20:33.760 --> 0:20:39.240
<v Speaker 9>Wales Police have asked for more information following revelations in

0:20:39.240 --> 0:20:44.159
<v Speaker 9>the podcast about this cold case of Bronwin Winfield who

0:20:44.240 --> 0:20:48.399
<v Speaker 9>went missing in the nineteen nineties. So pretty extraordinary stuff

0:20:48.600 --> 0:20:50.080
<v Speaker 9>and well worth a listen.

0:20:50.520 --> 0:20:54.000
<v Speaker 1>Yeah, it's a brilliant body of work, some really great stuff.

0:20:54.040 --> 0:20:56.320
<v Speaker 1>I love the recreation of the car that you guys

0:20:56.320 --> 0:21:00.280
<v Speaker 1>did with AI and imagery. It was fantastic, and yeah,

0:21:00.359 --> 0:21:01.560
<v Speaker 1>let's move on your story of the week.

0:21:01.600 --> 0:21:03.560
<v Speaker 7>I quite like a story that Adele put out on

0:21:03.640 --> 0:21:06.120
<v Speaker 7>her Instagram page where she did a sort of mock

0:21:06.160 --> 0:21:09.200
<v Speaker 7>front page of herself riding around London on a bike,

0:21:09.240 --> 0:21:11.280
<v Speaker 7>a complete non story, but I think her point was

0:21:11.320 --> 0:21:14.400
<v Speaker 7>to say that, you know, the tabloid the dirty tabloid press,

0:21:14.400 --> 0:21:16.639
<v Speaker 7>if she likes to call them, are always riding about

0:21:16.640 --> 0:21:19.040
<v Speaker 7>me and then inanities of my life. So I'm actually

0:21:19.080 --> 0:21:20.840
<v Speaker 7>going to put that content out myself. So it was

0:21:20.880 --> 0:21:22.800
<v Speaker 7>a bit sort of tongue in cheek. I know celebrities

0:21:22.840 --> 0:21:25.520
<v Speaker 7>love to attack the press, but I thought it was

0:21:25.320 --> 0:21:26.600
<v Speaker 7>it was quite funny what she did.

0:21:26.720 --> 0:21:28.280
<v Speaker 1>It's a very clever way of doing it, isn't it.

0:21:28.280 --> 0:21:28.720
<v Speaker 5>It is you.

0:21:28.760 --> 0:21:30.520
<v Speaker 1>We'll probably see a little bit more of that.

0:21:31.680 --> 0:21:34.240
<v Speaker 7>I know she's not afraid to speak her mind, because

0:21:34.240 --> 0:21:37.480
<v Speaker 7>she certainly waded into that Raygun debut, didn't she rather.

0:21:37.560 --> 0:21:41.399
<v Speaker 1>Yeah, that was very funny. Stop the whole concert for it, Louise, Sophie,

0:21:41.480 --> 0:21:44.080
<v Speaker 1>thank you so much for joining me. Fortunately, that's all

0:21:44.119 --> 0:21:45.760
<v Speaker 1>the time that we have for tonight, but we'll be

0:21:45.760 --> 0:21:47.200
<v Speaker 1>back the same time next week.