1 00:00:01,800 --> 00:00:03,040 Speaker 1: I want to go out on a limb here and 2 00:00:03,080 --> 00:00:05,400 Speaker 1: may regret this, but I don't think Fabian can be 3 00:00:05,480 --> 00:00:07,960 Speaker 1: either the killer or the victim. So this is the fusspot. 4 00:00:08,000 --> 00:00:13,280 Speaker 1: Resort manager is so annoying. Speaking as a German, you 5 00:00:13,320 --> 00:00:22,720 Speaker 1: can say that I could never say that The White 6 00:00:22,760 --> 00:00:26,439 Speaker 1: Lotus is where television is at right now. Show creator 7 00:00:26,480 --> 00:00:29,960 Speaker 1: Mike White captured international attention in twenty twenty one with 8 00:00:30,120 --> 00:00:33,560 Speaker 1: season one of The White Lotus, a production which arose 9 00:00:33,600 --> 00:00:36,920 Speaker 1: out of coronavirus lockdown and the need to shoot something 10 00:00:37,000 --> 00:00:40,360 Speaker 1: in a contained location. White set the story at the 11 00:00:40,400 --> 00:00:44,120 Speaker 1: four Seasons resort on Maui in Hawaii, and he locked 12 00:00:44,120 --> 00:00:47,120 Speaker 1: in a group of actors to depict the mostly saintly 13 00:00:47,240 --> 00:00:52,040 Speaker 1: staff and disgustingly privileged guests of a five star resort, 14 00:00:52,159 --> 00:00:55,800 Speaker 1: The White Lotus, during an emotion packed week that begins 15 00:00:55,840 --> 00:00:59,400 Speaker 1: and ends with a corpse. That delicious idea has now 16 00:00:59,400 --> 00:01:02,280 Speaker 1: become a form Mila for success, and each new season 17 00:01:02,280 --> 00:01:05,360 Speaker 1: of The White Lotus takes the same premise, a resort 18 00:01:05,400 --> 00:01:10,520 Speaker 1: where clashes of wealth, power, ambition, sex, and excess play out. 19 00:01:11,200 --> 00:01:14,680 Speaker 1: Season two was set in Sicily. Season three, now about 20 00:01:14,680 --> 00:01:17,640 Speaker 1: to reach its climax, is set on the Thai island 21 00:01:17,720 --> 00:01:20,840 Speaker 1: of Ko Samui. If you've been watching The White Lotus 22 00:01:20,840 --> 00:01:23,199 Speaker 1: and you're desperate to find out whose body was seen 23 00:01:23,280 --> 00:01:27,280 Speaker 1: floating in the ornamental pond in episode one, look no further. 24 00:01:27,640 --> 00:01:31,000 Speaker 1: We're about to dig into each character to determine who's 25 00:01:31,080 --> 00:01:41,360 Speaker 1: dead and who done it. I'm joined by The Front's 26 00:01:41,360 --> 00:01:44,959 Speaker 1: producer Christen Amiot and editor Jasper Leik. Guys, we've got 27 00:01:44,959 --> 00:01:48,320 Speaker 1: to start by talking about Zion. He's the only character 28 00:01:48,440 --> 00:01:51,400 Speaker 1: we can categorically rule out as being the victim of 29 00:01:51,400 --> 00:01:54,440 Speaker 1: the murder in this season three. He's the son of Belinda, 30 00:01:54,600 --> 00:01:56,440 Speaker 1: and we can rule him out because in the opening 31 00:01:56,520 --> 00:01:59,920 Speaker 1: scenes of episode one, we saw him beginning a meditation, says, 32 00:02:01,160 --> 00:02:06,560 Speaker 1: let the sounds of the external world fed away. That 33 00:02:06,720 --> 00:02:15,120 Speaker 1: was interrupted by a distant gunfire. Ma'am man, that's a 34 00:02:15,160 --> 00:02:29,120 Speaker 1: gun and then the appearance of that floating corpse. Fuck. 35 00:02:29,680 --> 00:02:33,919 Speaker 1: Zion's immediate fear is that his mum, Belinda, is the victim. Now, 36 00:02:33,919 --> 00:02:37,560 Speaker 1: Belinda was the SPA manager from White Lotus Maui. She's 37 00:02:37,600 --> 00:02:40,000 Speaker 1: here in Thailand, honest, konman, and that's how she got 38 00:02:40,000 --> 00:02:44,360 Speaker 1: to know the very buff and very charming Paunchai Zion 39 00:02:44,440 --> 00:02:48,800 Speaker 1: appears to see the corpse floating past him in episode one, 40 00:02:48,960 --> 00:02:52,000 Speaker 1: and he doesn't react with the horror you might expect 41 00:02:52,440 --> 00:02:55,400 Speaker 1: if it was his mother. But having said that, Belinda 42 00:02:55,480 --> 00:02:58,600 Speaker 1: is really the only character who in this season has 43 00:02:58,639 --> 00:03:01,840 Speaker 1: been expressing fears for her own safety, isn't she? 44 00:03:02,400 --> 00:03:04,240 Speaker 2: Yeah, there is something to be said for the fact 45 00:03:04,240 --> 00:03:06,400 Speaker 2: that Belinda almost felt too obvious. 46 00:03:06,880 --> 00:03:08,160 Speaker 1: Would Mike White. 47 00:03:07,919 --> 00:03:10,560 Speaker 2: Really make it the person who in the opening scenes 48 00:03:10,560 --> 00:03:13,160 Speaker 2: we thought it would be, and then to build it 49 00:03:13,280 --> 00:03:16,680 Speaker 2: up with a different threat, which appears to be from Gary, 50 00:03:17,040 --> 00:03:19,200 Speaker 2: who is also a returning character and in fact the 51 00:03:19,240 --> 00:03:21,560 Speaker 2: only character to have appeared in all three seasons. 52 00:03:22,080 --> 00:03:24,880 Speaker 1: But then is it Okham's razor? Did we know the 53 00:03:24,880 --> 00:03:28,160 Speaker 1: answer from the get go? Okay? So Gary, he's the 54 00:03:28,200 --> 00:03:32,960 Speaker 1: mysterious rich guy who Belinda is worried about. She recognizes 55 00:03:33,120 --> 00:03:36,640 Speaker 1: him by another name as Greg. That was the character 56 00:03:36,680 --> 00:03:39,040 Speaker 1: he played in seasons one and two when he was 57 00:03:39,080 --> 00:03:43,400 Speaker 1: the husband of Tanya mccaud, the flamboyant heiress played so 58 00:03:43,560 --> 00:03:47,520 Speaker 1: brilliantly by Jennifer Coolidge, and she died at the end 59 00:03:47,520 --> 00:03:48,320 Speaker 1: of season two. 60 00:03:49,360 --> 00:03:53,000 Speaker 3: I know it sounds crazy, but my husband he brought 61 00:03:53,040 --> 00:03:56,600 Speaker 3: me to Sicily and then he left so he could 62 00:03:56,640 --> 00:04:02,520 Speaker 3: have an alibi. Then they take me after Palermo, and 63 00:04:02,520 --> 00:04:04,760 Speaker 3: then they set me up with this guy who's in 64 00:04:04,800 --> 00:04:08,320 Speaker 3: the mafia, and he's coming here. I think you're trying to. 65 00:04:08,240 --> 00:04:11,120 Speaker 1: Throw me off the boat, please, Liz Geese. 66 00:04:11,600 --> 00:04:15,680 Speaker 3: They're trying to murder me. 67 00:04:16,839 --> 00:04:19,039 Speaker 1: So Belinda has worked out that Gary is in fact 68 00:04:19,120 --> 00:04:21,880 Speaker 1: Greg and is wanted by authorities in Italy for questioning 69 00:04:22,000 --> 00:04:25,680 Speaker 1: over the death of his wife. But we know, don't 70 00:04:25,680 --> 00:04:28,000 Speaker 1: we as viewers, and this is something Belinda doesn't know 71 00:04:28,520 --> 00:04:32,200 Speaker 1: that although Greg was plodding to murder Tenure at the 72 00:04:32,279 --> 00:04:35,400 Speaker 1: end of season two, ultimately she died by accident. 73 00:04:36,240 --> 00:04:39,159 Speaker 2: Yes, it did ultimately come down to happenstance and a 74 00:04:39,160 --> 00:04:41,520 Speaker 2: bit of slippering footing on Jennifer Coulig's part. 75 00:04:49,560 --> 00:04:52,120 Speaker 4: I think if Gary isn't the shooter, he's almost the 76 00:04:52,120 --> 00:04:55,480 Speaker 4: greatest red Herring ever. From the very beginning, we're all 77 00:04:55,520 --> 00:04:58,159 Speaker 4: kind of picking him to be the guy waving the 78 00:04:58,160 --> 00:05:00,480 Speaker 4: gun around at the end of the season. So in 79 00:05:00,520 --> 00:05:03,640 Speaker 4: episode six, we're not quite sure how Gary's found out, 80 00:05:03,800 --> 00:05:07,320 Speaker 4: but he has come to the understanding that his partner 81 00:05:07,480 --> 00:05:12,040 Speaker 4: Chloe has slept with at least one of the brothers. 82 00:05:12,480 --> 00:05:15,760 Speaker 1: So Chloe is a French Canadian former model and she 83 00:05:15,880 --> 00:05:18,599 Speaker 1: was feeling neglected and bored. She described Gary as an 84 00:05:18,600 --> 00:05:20,479 Speaker 1: old geezer. She said that he didn't want to have 85 00:05:20,520 --> 00:05:23,120 Speaker 1: sex with her anymore, and that's kind of what drove 86 00:05:23,200 --> 00:05:26,599 Speaker 1: her into the arms of this sweet, innocent teenager Lachlan 87 00:05:27,000 --> 00:05:30,560 Speaker 1: who's in Thailand on holiday with his family. But the 88 00:05:30,600 --> 00:05:33,479 Speaker 1: twist in episode six is that while it looked like 89 00:05:33,560 --> 00:05:36,000 Speaker 1: she was going to have sex with Lachlan, she seems 90 00:05:36,040 --> 00:05:38,080 Speaker 1: to have hooked up with both the brothers, doesn't she. 91 00:05:38,040 --> 00:05:40,960 Speaker 4: That's right, and the brothers seem to have hooked up 92 00:05:41,000 --> 00:05:45,359 Speaker 4: with each other as well. Episode six is the moment 93 00:05:45,400 --> 00:05:47,640 Speaker 4: in the series as well where we finally see this 94 00:05:47,720 --> 00:05:52,839 Speaker 4: sort of happy, go lucky, care free dynamic between Chloe 95 00:05:52,880 --> 00:05:57,720 Speaker 4: and Chelsea and Lachlan and Saxon that comes to a 96 00:05:57,839 --> 00:05:58,520 Speaker 4: crashing end. 97 00:06:00,480 --> 00:06:03,679 Speaker 1: The dynamic between those two brothers, the Ratliffe brothers, Lachlan 98 00:06:03,760 --> 00:06:07,120 Speaker 1: and Saxon. There's been a hint from the very beginning 99 00:06:07,120 --> 00:06:10,200 Speaker 1: that there was something sexual about Saxon's interest in his 100 00:06:10,320 --> 00:06:10,919 Speaker 1: younger brother. 101 00:06:11,600 --> 00:06:14,320 Speaker 3: Yeah cool, I'm Saxon, by the way. Yeah that's my 102 00:06:14,360 --> 00:06:15,200 Speaker 3: little brother, Lachlan. 103 00:06:15,880 --> 00:06:18,040 Speaker 1: Yeah, guys just eighteen in November, so. 104 00:06:19,839 --> 00:06:21,200 Speaker 2: Just saying he is legal. 105 00:06:22,880 --> 00:06:25,640 Speaker 1: The ben moments of kind of overt nudity. He's been 106 00:06:25,680 --> 00:06:29,159 Speaker 1: talking about sex a lot. He's expressed a quite weird 107 00:06:29,240 --> 00:06:34,080 Speaker 1: interest in their sisters sexual history, So I wondered if 108 00:06:34,080 --> 00:06:36,680 Speaker 1: that was going to go anywhere, And in episode six 109 00:06:36,760 --> 00:06:39,600 Speaker 1: it really did go somewhere. Didn't it an accidental sort 110 00:06:39,600 --> 00:06:41,279 Speaker 1: of sexual encounter between the brothers. 111 00:06:43,200 --> 00:06:45,800 Speaker 2: I wondered if all of that build up with Saxon 112 00:06:45,839 --> 00:06:52,760 Speaker 2: and Lachlan, and Saxon's apparent interest in his brother was 113 00:06:52,800 --> 00:06:55,960 Speaker 2: not so much an interest in actually that coming to fruition, 114 00:06:56,560 --> 00:07:00,919 Speaker 2: but of just his brother's reactions. If that was enough 115 00:07:01,080 --> 00:07:03,760 Speaker 2: to make an egomaniac like him feel as though he'd 116 00:07:03,800 --> 00:07:08,240 Speaker 2: achieved something, and then when it does actually happen, he 117 00:07:08,360 --> 00:07:10,720 Speaker 2: is in no way prepared for it, And now that 118 00:07:10,800 --> 00:07:13,080 Speaker 2: it is real, you have to wonder is that enough 119 00:07:13,120 --> 00:07:15,520 Speaker 2: of a motive for him to go to a dinner 120 00:07:15,960 --> 00:07:19,360 Speaker 2: or to do something immensely destructive in this already quite 121 00:07:19,400 --> 00:07:20,560 Speaker 2: fragile family unit. 122 00:07:21,000 --> 00:07:22,440 Speaker 4: What you just hit on, I think is a real 123 00:07:22,480 --> 00:07:25,560 Speaker 4: theme in this show, where you have all these characters 124 00:07:25,840 --> 00:07:28,800 Speaker 4: that are driven by certain impulses that when those impulses 125 00:07:28,840 --> 00:07:32,560 Speaker 4: actually collide with the real world, they're absolutely not prepared 126 00:07:32,560 --> 00:07:36,800 Speaker 4: for the consequences. After the full Moon Party, Chloe has 127 00:07:36,840 --> 00:07:39,520 Speaker 4: been very flippant up until that point about her relationship 128 00:07:39,560 --> 00:07:42,480 Speaker 4: with Greg, but when the rubber meets the road and 129 00:07:42,520 --> 00:07:45,480 Speaker 4: she's cheated on him on the boat that he pays for, 130 00:07:46,320 --> 00:07:48,440 Speaker 4: she actually, for the first time in the series, becomes 131 00:07:48,440 --> 00:07:52,600 Speaker 4: defensive about her relationship with Greg to Chelsea, saying, I know, 132 00:07:52,680 --> 00:07:54,720 Speaker 4: on paper this might not make much sense, but to 133 00:07:54,760 --> 00:07:57,400 Speaker 4: be honest, I've got a pretty sweet deal here. 134 00:07:57,920 --> 00:08:03,440 Speaker 1: She does allude to Gary's let's see though shook the 135 00:08:03,520 --> 00:08:04,720 Speaker 1: four of us just. 136 00:08:07,080 --> 00:08:10,520 Speaker 3: Now? 137 00:08:11,440 --> 00:08:12,520 Speaker 1: Or why would he kill you? 138 00:08:13,680 --> 00:08:15,280 Speaker 3: Oh? 139 00:08:15,560 --> 00:08:19,120 Speaker 1: Well, Gary might kill me. I honestly think he's capable 140 00:08:19,160 --> 00:08:25,280 Speaker 1: of it. Okay, let's talk about young Lachlan. I mean, 141 00:08:25,400 --> 00:08:30,360 Speaker 1: he is so sweet and innocent. He is really more 142 00:08:30,520 --> 00:08:32,640 Speaker 1: like a thirteen year old or a twelve year old 143 00:08:32,720 --> 00:08:35,680 Speaker 1: than the eighteen year old who he is supposed to be. 144 00:08:36,280 --> 00:08:38,960 Speaker 1: He's you can tell going to be handsome, but he's 145 00:08:38,960 --> 00:08:41,480 Speaker 1: not really there yet because he's like a poached egg. 146 00:08:41,520 --> 00:08:47,559 Speaker 1: He's so sort of unformed, and he's this season's kind 147 00:08:47,559 --> 00:08:50,080 Speaker 1: of version of the innocent Abroad like he's yet to 148 00:08:50,120 --> 00:08:54,079 Speaker 1: be corrupted like all the other revolting rich people around him. 149 00:08:54,440 --> 00:08:55,640 Speaker 1: Could Lachlan be the victim? 150 00:08:56,320 --> 00:08:59,120 Speaker 2: I wonder if when it comes down to it, Lachlan 151 00:08:59,280 --> 00:09:03,640 Speaker 2: has enough wilds or enough innocence maybe to make himself scarce. 152 00:09:04,120 --> 00:09:07,640 Speaker 2: I wonder if when his parents inevitably have this blow 153 00:09:07,720 --> 00:09:10,440 Speaker 2: up that is coming over their financial situation, that he 154 00:09:10,600 --> 00:09:12,480 Speaker 2: is at the pool or something else. 155 00:09:12,840 --> 00:09:19,600 Speaker 1: Let's talk about Saxons. I've just had a massage. 156 00:09:19,720 --> 00:09:21,080 Speaker 3: You're setting me back? 157 00:09:21,800 --> 00:09:23,320 Speaker 1: How can you be so viper? 158 00:09:23,440 --> 00:09:24,680 Speaker 3: I thought you had one. 159 00:09:24,480 --> 00:09:27,079 Speaker 1: Too, Yeah, but it kind of suck. 160 00:09:28,600 --> 00:09:29,760 Speaker 2: Why what was wrong with it? 161 00:09:30,800 --> 00:09:31,880 Speaker 1: And no happy end? 162 00:09:32,160 --> 00:09:38,079 Speaker 3: Ah? What aren't they all supposed to be a little 163 00:09:38,080 --> 00:09:39,280 Speaker 3: specially speci. 164 00:09:43,000 --> 00:09:46,520 Speaker 1: He is the greatest douche ever played by Patrick Schwarzenegger. 165 00:09:46,640 --> 00:09:49,240 Speaker 1: I think, absolutely brilliantly and I've kind of come to 166 00:09:49,320 --> 00:09:50,120 Speaker 1: love Saxon. 167 00:09:50,320 --> 00:09:53,360 Speaker 2: Yeah, he's been fantastic, and I think the arc that 168 00:09:53,480 --> 00:09:57,720 Speaker 2: Mike White has given him has been quite sophisticated. 169 00:09:57,880 --> 00:09:59,120 Speaker 1: Under that surface. 170 00:09:58,800 --> 00:10:01,319 Speaker 2: Level debauchery that he seems to be at the center 171 00:10:01,400 --> 00:10:02,400 Speaker 2: of all over the place. 172 00:10:03,320 --> 00:10:05,480 Speaker 1: You kind of have been wondering too, if he's all taught. 173 00:10:05,600 --> 00:10:07,960 Speaker 1: You know, he talks a lot about sex, but we'd 174 00:10:08,000 --> 00:10:10,440 Speaker 1: never seen him having any until now. 175 00:10:10,600 --> 00:10:12,960 Speaker 2: Yes, he seems more concerned with getting a blender into 176 00:10:13,000 --> 00:10:15,360 Speaker 2: the villa so that he can have his protein chacks 177 00:10:15,400 --> 00:10:18,240 Speaker 2: than it does to actually put in the time and 178 00:10:18,320 --> 00:10:20,600 Speaker 2: effort of a god for a bit of conversation with 179 00:10:20,640 --> 00:10:23,680 Speaker 2: one of these women that he's ogling the entire time 180 00:10:24,000 --> 00:10:27,240 Speaker 2: he's on screen. So I think he's a really interesting 181 00:10:27,440 --> 00:10:31,160 Speaker 2: manifestation of where the world is at the moment, especially 182 00:10:31,160 --> 00:10:34,080 Speaker 2: being a character from a southern state. I can imagine 183 00:10:34,120 --> 00:10:37,319 Speaker 2: him listening to Joe Rogan. There's all of these influences 184 00:10:37,320 --> 00:10:42,400 Speaker 2: that seem to be comprised in Saxon in this lovably 185 00:10:42,760 --> 00:10:43,880 Speaker 2: infuriating way. 186 00:10:44,920 --> 00:10:47,560 Speaker 4: I love this idea too, that you can take somebody 187 00:10:47,559 --> 00:10:50,000 Speaker 4: like a Saxon, and you can take somebody like a Jacqueline, 188 00:10:50,040 --> 00:10:52,800 Speaker 4: and all you have to do is put them on 189 00:10:52,840 --> 00:10:55,760 Speaker 4: a plane, fly them to another country, take their electronic 190 00:10:55,840 --> 00:10:59,439 Speaker 4: devices away, and you seem to completely knock the screws 191 00:10:59,520 --> 00:11:02,280 Speaker 4: loose on the way that they behave in the world. 192 00:11:02,880 --> 00:11:05,360 Speaker 2: I think that harks back to another really interesting part 193 00:11:05,400 --> 00:11:09,199 Speaker 2: of Mike White's career. Mike White actually came runner up 194 00:11:09,240 --> 00:11:12,440 Speaker 2: on a series of Survivor called David and Goliath. 195 00:11:13,480 --> 00:11:17,680 Speaker 1: For me, I'm a survivor obsessive fanatic. Everybody in my 196 00:11:17,760 --> 00:11:21,120 Speaker 1: business wants the Oscar. It's like, you know, losers like 197 00:11:21,320 --> 00:11:22,480 Speaker 1: I want to win Survivor. 198 00:11:23,320 --> 00:11:26,880 Speaker 2: Wow, And what is survivor? You take a bunch of strangers, 199 00:11:27,240 --> 00:11:30,520 Speaker 2: particularly in a David and Goliath setting. Some people, I 200 00:11:30,520 --> 00:11:34,920 Speaker 2: imagine are quite physically capable, others are more psychologically. 201 00:11:34,160 --> 00:11:36,360 Speaker 4: Observantwn cur season. 202 00:11:36,160 --> 00:11:38,400 Speaker 2: Exactly, and you drop them onto an island in the 203 00:11:38,440 --> 00:11:41,600 Speaker 2: middle of nowhere with no devices, and you tell them 204 00:11:41,600 --> 00:11:45,600 Speaker 2: to survive. And with the greatest of respect to Mike White, 205 00:11:45,960 --> 00:11:46,680 Speaker 2: I don't think. 206 00:11:46,600 --> 00:11:47,720 Speaker 1: He was there as a goliath. 207 00:11:47,880 --> 00:11:50,720 Speaker 2: He was there as an observer of people, and he 208 00:11:50,880 --> 00:11:53,439 Speaker 2: almost won it for that reason. So I think when 209 00:11:53,480 --> 00:11:57,080 Speaker 2: you take that mindset and you apply it to what 210 00:11:57,200 --> 00:11:59,800 Speaker 2: he does creatively with the White Lotus, and particularly in 211 00:11:59,840 --> 00:12:03,640 Speaker 2: this season, where we are depriving people of their technology 212 00:12:03,640 --> 00:12:05,440 Speaker 2: and of their connection to the world that they've left 213 00:12:05,480 --> 00:12:08,400 Speaker 2: at home, it casts a really different light over the 214 00:12:08,440 --> 00:12:11,040 Speaker 2: way that these people are unraveling so quickly. We're not 215 00:12:11,080 --> 00:12:14,080 Speaker 2: even through the week yet in the scheme of this season. 216 00:12:14,160 --> 00:12:16,160 Speaker 4: I didn't know that, Yeah, that's amazing it. 217 00:12:16,200 --> 00:12:19,240 Speaker 1: Came on up. Let's talk about where Saxon and Lachlan 218 00:12:19,400 --> 00:12:22,880 Speaker 1: come from. Mum and Dad Ratliffe are Victoria and Tim. 219 00:12:23,040 --> 00:12:27,200 Speaker 1: She's a hyper anxious Southern bell played by Parker Posey. 220 00:12:28,520 --> 00:12:31,800 Speaker 1: Why would you encourage her to move to a monastery? 221 00:12:33,120 --> 00:12:36,240 Speaker 3: What's next? You want to shave her head and start 222 00:12:36,280 --> 00:12:38,240 Speaker 3: being a bongo in Times Square. 223 00:12:39,760 --> 00:12:42,040 Speaker 1: Her main concern in life seems to be the location 224 00:12:42,160 --> 00:12:45,440 Speaker 1: of her larazepam, a little orange bottle of tranquilizers that 225 00:12:45,480 --> 00:12:48,760 Speaker 1: have disappeared from her handbag. Only will the audience know 226 00:12:48,880 --> 00:12:51,760 Speaker 1: that they've actually been stolen by her husband, Tim. 227 00:12:52,240 --> 00:12:54,760 Speaker 3: Maybe they just focus on the money and you just 228 00:12:54,840 --> 00:12:57,880 Speaker 3: serve a few months, oh just a few months in prison, 229 00:12:58,920 --> 00:13:02,920 Speaker 3: you fucking retord Federal present. Most of them are too bad. 230 00:13:03,200 --> 00:13:05,120 Speaker 3: I know if you do come out, fine, I can 231 00:13:05,200 --> 00:13:06,079 Speaker 3: put you in touch. 232 00:13:05,920 --> 00:13:09,840 Speaker 1: With the road or die. Understand me, I would rather 233 00:13:10,120 --> 00:13:15,199 Speaker 1: fucking die. Every time he manages to get his mobile 234 00:13:15,240 --> 00:13:20,160 Speaker 1: phone back from the very controlling sort of wellness you know, 235 00:13:20,480 --> 00:13:27,760 Speaker 1: Camp Commandant Pam, he finds out more about the fact 236 00:13:27,800 --> 00:13:31,160 Speaker 1: that his life is unraveling back at home, a corporate nightmare. 237 00:13:33,080 --> 00:13:36,280 Speaker 1: So Tim is suicidal at the prospect of losing his 238 00:13:36,440 --> 00:13:40,360 Speaker 1: status as a pillar of society, and he's stolen a gun. 239 00:13:40,960 --> 00:13:44,439 Speaker 4: That's such an incredibly written moment when we see Tim 240 00:13:44,480 --> 00:13:48,160 Speaker 4: steel Gaytok's gun, but the clock is winding down for 241 00:13:48,240 --> 00:13:50,240 Speaker 4: Gaytok to find that gun, and as we see in 242 00:13:50,280 --> 00:13:54,600 Speaker 4: episode six, he does reclaim that gun, which is perfect 243 00:13:54,640 --> 00:13:57,880 Speaker 4: timing for Gaytok because he is then able to show 244 00:13:57,920 --> 00:14:01,160 Speaker 4: up to target practice with his superior later that afternoon. 245 00:14:01,559 --> 00:14:04,040 Speaker 4: But it also plays into Tim's hand quite well, or 246 00:14:04,200 --> 00:14:06,640 Speaker 4: his wife's hand probably even better, because by the end 247 00:14:06,679 --> 00:14:09,840 Speaker 4: of that episode we see that his ideas of suicide 248 00:14:09,840 --> 00:14:12,600 Speaker 4: have escalated not just from his own suicide but to 249 00:14:12,920 --> 00:14:15,120 Speaker 4: murder suicide for him and his wife. 250 00:14:16,040 --> 00:14:18,640 Speaker 1: She depicts herself or frames herself, as someone who couldn't 251 00:14:18,679 --> 00:14:22,640 Speaker 1: possibly live without handbags and money and the status that 252 00:14:22,680 --> 00:14:25,840 Speaker 1: they have, because she, out of all of them, is 253 00:14:25,880 --> 00:14:31,800 Speaker 1: the most miserable. She's addicted to tranquilizers, she's complaining about everything. 254 00:14:32,440 --> 00:14:34,800 Speaker 1: You know, she doesn't seem to actually be enjoying her wealth. 255 00:14:35,200 --> 00:14:37,640 Speaker 2: Yeah, she doesn't appear to be enjoying it. And you 256 00:14:37,720 --> 00:14:41,040 Speaker 2: have to wonder if this flip from Tim to suddenly 257 00:14:41,120 --> 00:14:46,160 Speaker 2: understanding not only his own position and predicament, But to 258 00:14:46,440 --> 00:14:50,600 Speaker 2: understanding his daughter's motivation for wanting distance from the life 259 00:14:50,600 --> 00:14:54,800 Speaker 2: at home. If that is motivation enough, knowing that there 260 00:14:54,880 --> 00:14:57,280 Speaker 2: is a weapon out there to go and get it back. 261 00:14:57,880 --> 00:15:04,480 Speaker 1: Okay, let's talk about Gaytok. He's the sweet natured security guard. 262 00:15:04,720 --> 00:15:06,560 Speaker 1: He was supposed to be in charge of that weapon. 263 00:15:06,800 --> 00:15:10,000 Speaker 1: He was distracted by his infatuation with the beautiful young 264 00:15:10,040 --> 00:15:13,240 Speaker 1: resort worker Mook, and the gun was a new addition 265 00:15:13,320 --> 00:15:15,720 Speaker 1: to the resort. It was acquired by the security team 266 00:15:15,800 --> 00:15:18,760 Speaker 1: after robbers invaded the hotel and ransacked the gift shop, 267 00:15:19,160 --> 00:15:23,560 Speaker 1: apparently with the assistance of Russian wellness coach Valentine, who 268 00:15:23,640 --> 00:15:27,720 Speaker 1: we see distracting Gaytok at the boongate when the robbers 269 00:15:27,720 --> 00:15:31,480 Speaker 1: are driving into the resort. So Gaytalk for me, is 270 00:15:31,520 --> 00:15:34,840 Speaker 1: a suspect because he's just so sweet, you know. I 271 00:15:34,840 --> 00:15:38,760 Speaker 1: can imagine him not turning evil or being secretly evil, 272 00:15:39,120 --> 00:15:42,680 Speaker 1: but killing someone in an active kind of righteous vengeance. 273 00:15:43,640 --> 00:15:46,280 Speaker 4: I see him on a sort of hero trajectory. I 274 00:15:46,320 --> 00:15:49,600 Speaker 4: think he could be the cape wearing guy who saves 275 00:15:49,640 --> 00:15:52,480 Speaker 4: the day, or at least maybe he saves Milk's life. 276 00:15:52,520 --> 00:15:54,960 Speaker 4: But as we saw at the end, of episode six, 277 00:15:55,520 --> 00:15:58,000 Speaker 4: it was Gayetok who did finally go to the range 278 00:15:58,280 --> 00:16:01,560 Speaker 4: and seem to have a pretty steady hand, which makes 279 00:16:01,600 --> 00:16:04,160 Speaker 4: you think that maybe he's a little more experienced than 280 00:16:04,200 --> 00:16:04,720 Speaker 4: he lets on. 281 00:16:05,560 --> 00:16:07,960 Speaker 2: I think I'm somewhere in the middle with Gaytok in 282 00:16:08,440 --> 00:16:13,160 Speaker 2: that to me, he is a guy who appears lovely 283 00:16:13,160 --> 00:16:15,720 Speaker 2: on the surface, and then it kind of occurred to 284 00:16:15,760 --> 00:16:18,240 Speaker 2: me that this is a guy who cannot handle rejection. 285 00:16:19,040 --> 00:16:22,480 Speaker 2: And again, just thinking about it from Mike White's perspective, 286 00:16:22,520 --> 00:16:24,840 Speaker 2: He's probably watching what is going on in the world 287 00:16:24,840 --> 00:16:28,000 Speaker 2: today and in the manisphere online, and there is just 288 00:16:28,360 --> 00:16:32,120 Speaker 2: some element of that that jumps out at me that 289 00:16:32,200 --> 00:16:35,400 Speaker 2: he could be alluding to there being something a little 290 00:16:35,400 --> 00:16:38,440 Speaker 2: bit more sinister going on under the surface there with Guytok. 291 00:16:38,920 --> 00:16:41,480 Speaker 1: Well, Mook never agrees to go on a date with him, 292 00:16:42,000 --> 00:16:46,160 Speaker 1: and I've found it really intriguing. She's played, incidentally by 293 00:16:46,200 --> 00:16:48,960 Speaker 1: lo Lisa Mannibal, who is probably the most famous person 294 00:16:49,040 --> 00:16:51,920 Speaker 1: in this entire show. She's a member of the K 295 00:16:52,040 --> 00:16:55,320 Speaker 1: pop supergroup Black Pink and as a rapper of massive 296 00:16:55,360 --> 00:16:58,920 Speaker 1: renown in Asia in her own right. So her character 297 00:16:58,960 --> 00:17:02,320 Speaker 1: Mook really keeps going talk dangling. She never says yes, 298 00:17:02,360 --> 00:17:04,600 Speaker 1: she never says no. She does go looking for his 299 00:17:04,640 --> 00:17:06,480 Speaker 1: attention all the time. She invites him to come and 300 00:17:06,520 --> 00:17:10,160 Speaker 1: watch her dance. She's interested in some way. I feel 301 00:17:10,160 --> 00:17:13,280 Speaker 1: like Muka has hidden depths. Is she potentially in league 302 00:17:13,280 --> 00:17:17,920 Speaker 1: with Valentine and the dodgy Russians It's possible. 303 00:17:18,160 --> 00:17:20,360 Speaker 2: Or is she a woman who knows she can't say 304 00:17:20,400 --> 00:17:22,240 Speaker 2: no to this man if he is a guy with 305 00:17:22,320 --> 00:17:22,919 Speaker 2: a steady end. 306 00:17:23,840 --> 00:17:27,200 Speaker 1: I think you're being very unfair to I like the. 307 00:17:27,160 --> 00:17:31,560 Speaker 4: Hero trajectory, but you've definitely got me questioning my thoughts 308 00:17:31,560 --> 00:17:31,840 Speaker 4: on that. 309 00:17:31,840 --> 00:17:37,080 Speaker 2: We'll just replay the tape. 310 00:17:39,040 --> 00:17:41,760 Speaker 1: Coming up. Is this a murder or a blood bath? 311 00:17:41,960 --> 00:18:00,560 Speaker 1: And who's the prime suspect? That's after the break. I'm 312 00:18:00,600 --> 00:18:03,119 Speaker 1: dying to talk about Valentine. We knew he was going 313 00:18:03,200 --> 00:18:05,440 Speaker 1: to have sex with one of the Golden Girls. Eventually 314 00:18:05,840 --> 00:18:08,920 Speaker 1: it ends up being Jacqueline, even though he seemed to 315 00:18:08,960 --> 00:18:12,359 Speaker 1: have a more genuine connection with Laurie and his mates 316 00:18:12,400 --> 00:18:14,840 Speaker 1: from back home in Flat of Austok. I seriously sketchy, 317 00:18:14,880 --> 00:18:15,240 Speaker 1: aren't they? 318 00:18:15,280 --> 00:18:17,520 Speaker 4: I love them? 319 00:18:19,160 --> 00:18:23,480 Speaker 3: Hey, how are you doing? My friends Alexey and ladd. 320 00:18:24,720 --> 00:18:30,520 Speaker 1: Hi, who also have some wildly jealous Russian girlfriends, in Toe. 321 00:18:31,040 --> 00:18:33,920 Speaker 2: Yeah, there was a really interesting moment with Jacqueline and 322 00:18:34,359 --> 00:18:37,840 Speaker 2: the angry Russian girlfriends at the nightclub where she was 323 00:18:38,000 --> 00:18:40,720 Speaker 2: dancing very close to all the guys in this group 324 00:18:41,280 --> 00:18:45,640 Speaker 2: while kind of having this unbroken eye contact with the girlfriends, 325 00:18:45,760 --> 00:18:49,800 Speaker 2: knowing that they would be hating this, but yet nobody's intervening, 326 00:18:49,880 --> 00:18:51,359 Speaker 2: nobody's doing anything to stop it. 327 00:18:51,800 --> 00:18:54,879 Speaker 1: Jacqueline's a monster. I mean, she is as narcissistic as 328 00:18:54,920 --> 00:18:57,960 Speaker 1: Saxon and is kind of driven by sex, but it 329 00:18:57,960 --> 00:19:00,479 Speaker 1: seems that she does actually want the sex that comes 330 00:19:00,880 --> 00:19:06,000 Speaker 1: from her outrageous behavior and what happens in Thailand case 331 00:19:06,280 --> 00:19:07,320 Speaker 1: and Thailand. 332 00:19:07,840 --> 00:19:09,160 Speaker 3: Oh what does that mean? 333 00:19:09,400 --> 00:19:10,360 Speaker 1: It means what I dead? 334 00:19:10,440 --> 00:19:12,520 Speaker 3: Yet all right, we would still be young and hot and. 335 00:19:12,520 --> 00:19:14,920 Speaker 1: Fun, okay. 336 00:19:15,040 --> 00:19:17,960 Speaker 4: Valentine is such a great character. I love the way 337 00:19:18,000 --> 00:19:20,560 Speaker 4: that the writers of the show use him as a 338 00:19:20,560 --> 00:19:24,520 Speaker 4: tool to expose Jacqueline as this total monster and as 339 00:19:24,560 --> 00:19:27,639 Speaker 4: this sort of chaos agent in the Golden Girls group. 340 00:19:28,040 --> 00:19:30,879 Speaker 4: She's the one who is sort of encouraging Laurie to 341 00:19:30,960 --> 00:19:33,440 Speaker 4: pursue Valentine. She's the one that seems to be trying 342 00:19:33,480 --> 00:19:36,000 Speaker 4: to make that romance happen. But then when push comes 343 00:19:36,000 --> 00:19:38,320 Speaker 4: to shove as soon as she has a moment, she's 344 00:19:38,359 --> 00:19:41,120 Speaker 4: the one who's seducing him and bringing him into her bed, 345 00:19:41,320 --> 00:19:43,520 Speaker 4: despite the fact that she's obviously in a relationship with 346 00:19:43,520 --> 00:19:46,040 Speaker 4: an actor back in America. I think she uses him 347 00:19:46,040 --> 00:19:48,680 Speaker 4: as a tool to get one over on her friends, 348 00:19:48,880 --> 00:19:51,680 Speaker 4: to sort of cement her position in the hierarchy within 349 00:19:51,720 --> 00:19:52,520 Speaker 4: that friend's group. 350 00:19:55,800 --> 00:19:59,679 Speaker 1: Okay, Sri Taala is the resort owner and a former 351 00:19:59,720 --> 00:20:02,479 Speaker 1: tie diva. She's like the ty Jacqueline you know, plus 352 00:20:02,520 --> 00:20:06,879 Speaker 1: thirty years married to an enigmatic American Jim Hollings who's 353 00:20:06,880 --> 00:20:10,960 Speaker 1: played by Scott Glenn. He is kept sort of secret 354 00:20:11,040 --> 00:20:13,240 Speaker 1: right until the end, isn't he But he's the one 355 00:20:13,280 --> 00:20:17,000 Speaker 1: who Rick believes to have murdered his father. 356 00:20:18,280 --> 00:20:20,960 Speaker 4: So my theory on this is there's three parts to destruction. 357 00:20:21,960 --> 00:20:24,160 Speaker 4: Rick has had the motive to murder from very early 358 00:20:24,200 --> 00:20:26,479 Speaker 4: on in the series, when it is established that he 359 00:20:26,520 --> 00:20:29,600 Speaker 4: at least believes that this man in Bangkok is the 360 00:20:29,680 --> 00:20:33,000 Speaker 4: killer of his father. At the end of episode six, 361 00:20:33,280 --> 00:20:36,640 Speaker 4: Rick is on Jim's doorstep. He's armed. It doesn't look 362 00:20:36,640 --> 00:20:40,920 Speaker 4: good for Jim at that point. I'd say Rick's probably 363 00:20:41,000 --> 00:20:44,240 Speaker 4: my favorite character in this series, and I love his 364 00:20:44,359 --> 00:20:51,280 Speaker 4: completely lopsided relationship with Chelsea. She's understanding and she's nurturing, 365 00:20:51,359 --> 00:20:54,159 Speaker 4: and she's caring in a way that he seems so 366 00:20:54,280 --> 00:20:58,080 Speaker 4: undeserving of. Like their romance is such a mystery to 367 00:20:58,600 --> 00:21:03,199 Speaker 4: the viewer, which may her devotion to him confusing, but 368 00:21:03,320 --> 00:21:05,000 Speaker 4: somehow even more romantic. 369 00:21:06,440 --> 00:21:09,879 Speaker 1: You guys go out and don't do anything. My buddy 370 00:21:09,920 --> 00:21:14,520 Speaker 1: is sober, so fucking annoying. Oh yeah, it must be 371 00:21:14,600 --> 00:21:18,040 Speaker 1: so annoying me caring about you. How do you stand it? 372 00:21:19,600 --> 00:21:20,359 Speaker 3: Please come back. 373 00:21:21,960 --> 00:21:24,320 Speaker 4: I mean, she's always very affectionate towards him, but I 374 00:21:24,320 --> 00:21:27,920 Speaker 4: think she sensors that something really bad is afoot and 375 00:21:28,560 --> 00:21:32,760 Speaker 4: she is essentially trying to rescue him from himself on 376 00:21:32,880 --> 00:21:36,160 Speaker 4: his path to destruction. In this series, then, I think 377 00:21:36,200 --> 00:21:39,720 Speaker 4: we have this path to destruction, which is the Ratliffe family. 378 00:21:40,200 --> 00:21:42,960 Speaker 4: You've got Tim and by the end of episode six 379 00:21:43,000 --> 00:21:47,320 Speaker 4: it's established that he's had thoughts of motor suicide. The 380 00:21:47,359 --> 00:21:51,880 Speaker 4: third part to destruction is the dinner party at Gregg's house. Interestingly, 381 00:21:52,160 --> 00:21:56,159 Speaker 4: we have the Ratlifts going to that party. So you 382 00:21:56,240 --> 00:21:59,239 Speaker 4: have these three violent paths that are all running on 383 00:21:59,280 --> 00:22:03,000 Speaker 4: parallel track, with the possibility that tracks two and three 384 00:22:03,119 --> 00:22:07,120 Speaker 4: will actually come together in episode one where we get 385 00:22:07,160 --> 00:22:08,760 Speaker 4: that foreshadowing of what is to come. 386 00:22:09,280 --> 00:22:09,840 Speaker 1: I remember a. 387 00:22:09,800 --> 00:22:12,879 Speaker 4: Lot of gunshots. I was always under the assumption that 388 00:22:12,880 --> 00:22:15,840 Speaker 4: this isn't just going to be one murder. My sense 389 00:22:16,040 --> 00:22:18,120 Speaker 4: is that we're in for a blood bath. 390 00:22:18,560 --> 00:22:21,040 Speaker 1: Can't wait, guys, I think we need a watch party 391 00:22:21,080 --> 00:22:22,320 Speaker 1: for the final episode. 392 00:22:22,640 --> 00:22:23,240 Speaker 4: Great idea. 393 00:22:23,320 --> 00:22:24,920 Speaker 2: Yeah, we might see if the boat's available. 394 00:22:32,880 --> 00:22:35,480 Speaker 1: Thanks for joining us on the front. Our team is 395 00:22:35,600 --> 00:22:39,800 Speaker 1: Jasper League, Kristin amiot leat Zamaglue, Tiffany Dimac, Joshua Burton, 396 00:22:40,000 --> 00:22:43,879 Speaker 1: Stephanie Coombs and me Claire Harvey. And we've got Arts 397 00:22:43,880 --> 00:22:47,280 Speaker 1: and Entertainment journalism twenty four to seven at the Australian 398 00:22:47,400 --> 00:22:49,959 Speaker 1: dot Com dot Au Slash Review