1 00:00:00,760 --> 00:00:04,520 Speaker 1: Our next guest has hosted more television shows than there 2 00:00:04,600 --> 00:00:08,039 Speaker 1: are letters in the alphabets. Oh, and welcome to the 3 00:00:08,039 --> 00:00:11,440 Speaker 1: Big Fact where is live? Comedy draws crowds larger than 4 00:00:11,560 --> 00:00:14,880 Speaker 1: most regional towns in Australia. I've been described as the 5 00:00:14,960 --> 00:00:17,919 Speaker 1: hardest working man in comedy. Not that impressive, is it. 6 00:00:18,160 --> 00:00:21,000 Speaker 1: That's like being the best looking guy in the Burns unit. 7 00:00:21,600 --> 00:00:25,160 Speaker 1: Please welcome to the show. The king of one liners 8 00:00:25,280 --> 00:00:29,640 Speaker 1: and guaranteed good time of Jimmy car Weld to me, 9 00:00:30,640 --> 00:00:32,760 Speaker 1: I can't believe your luck. It is late night in 10 00:00:33,360 --> 00:00:38,240 Speaker 1: fron Time, so is what's going on? Where are you from? Time? 11 00:00:38,400 --> 00:00:40,880 Speaker 1: The north of Norway? I mean it's not even dark. 12 00:00:41,080 --> 00:00:43,480 Speaker 1: It's crazy. It's still bright outside. It's a half buck 13 00:00:43,800 --> 00:00:44,800 Speaker 1: one in the morning. 14 00:00:44,680 --> 00:00:46,800 Speaker 2: Crazy, one of those places it only gets like a 15 00:00:46,800 --> 00:00:48,440 Speaker 2: couple of hours of darkness. 16 00:00:49,159 --> 00:00:51,159 Speaker 1: Yeah, it's literally the worst place to be a vampire. 17 00:00:51,200 --> 00:00:52,320 Speaker 1: It's an absolute nightment. 18 00:00:52,400 --> 00:00:54,320 Speaker 3: Well, we must thank you for leaving the clubs to 19 00:00:54,320 --> 00:00:56,600 Speaker 3: come and chat with us this morning here in Australia. 20 00:00:56,640 --> 00:01:01,480 Speaker 1: Jimmy, Oh, well it's not par I've got some well 21 00:01:01,480 --> 00:01:03,240 Speaker 1: they're just out of shot, the drugs and the hookahs. 22 00:01:03,280 --> 00:01:05,200 Speaker 1: But fine, yeah, I'll go back to this in the 23 00:01:05,200 --> 00:01:10,920 Speaker 1: second to the bright lights. Don't put them up, No, no, no, 24 00:01:10,959 --> 00:01:13,440 Speaker 1: we will be okay. So where about to you guys? 25 00:01:13,440 --> 00:01:14,560 Speaker 1: Where am I? Where are we talking? 26 00:01:14,680 --> 00:01:18,200 Speaker 3: We are in Melbourne, Australia. We cannot thank you for 27 00:01:18,240 --> 00:01:20,160 Speaker 3: joining us on the air this morning. We cannot wait 28 00:01:20,360 --> 00:01:24,119 Speaker 3: till you come to Australia. How do you find us 29 00:01:24,240 --> 00:01:27,399 Speaker 3: Ossie's in our humor? Well, I think it's very similar 30 00:01:27,400 --> 00:01:29,240 Speaker 3: to the British sense of humor. But I would say 31 00:01:29,280 --> 00:01:31,560 Speaker 3: the worst thing you could say about in Australian is 32 00:01:31,840 --> 00:01:32,600 Speaker 3: he can't. 33 00:01:32,360 --> 00:01:36,639 Speaker 1: Take a joke like It's like there's a real bride 34 00:01:36,640 --> 00:01:38,480 Speaker 1: in being able to take it and also, you know, 35 00:01:38,720 --> 00:01:40,160 Speaker 1: being able to give it out a little bit too. 36 00:01:40,240 --> 00:01:43,800 Speaker 1: So I get I get so much from the Hecklers 37 00:01:43,800 --> 00:01:47,120 Speaker 1: in Australia, and I've only really been working with a 38 00:01:47,280 --> 00:01:50,320 Speaker 1: videographer the last maybe twelve months. I've taken someone out 39 00:01:50,360 --> 00:01:52,400 Speaker 1: on the road, right, and I've filmed the gigs and 40 00:01:52,440 --> 00:01:56,200 Speaker 1: then we put up little you know, ad libbed bits 41 00:01:56,280 --> 00:01:59,480 Speaker 1: and and and stuff with hecklers every single show. And 42 00:01:59,560 --> 00:02:02,400 Speaker 1: I'm looking forward to Australia because we're going to get 43 00:02:02,640 --> 00:02:05,440 Speaker 1: so much content out of here because it GI's are 44 00:02:05,440 --> 00:02:06,680 Speaker 1: always very different over there. 45 00:02:06,760 --> 00:02:10,000 Speaker 2: Do you think that where the worst tickler is in Australia. 46 00:02:10,360 --> 00:02:13,000 Speaker 1: No, I would say the best ticklers. It depends how 47 00:02:13,000 --> 00:02:15,960 Speaker 1: you look at it. But I'm solving for hecklers. I 48 00:02:16,040 --> 00:02:18,240 Speaker 1: want the show to be right. I've written two hundred 49 00:02:18,639 --> 00:02:22,360 Speaker 1: incredible one liners. I've got a good fastball. I know 50 00:02:22,480 --> 00:02:24,960 Speaker 1: my way around a joke, so I've got that. But 51 00:02:25,120 --> 00:02:27,360 Speaker 1: half of the show isn't there. Half of the show 52 00:02:27,400 --> 00:02:30,280 Speaker 1: is me saying, right, what should we talk about? You 53 00:02:30,280 --> 00:02:33,120 Speaker 1: could jukebox me. You can ask me for jokes about anything. 54 00:02:33,600 --> 00:02:37,760 Speaker 1: You can. You can insult me. I won't be offended. 55 00:02:38,120 --> 00:02:40,760 Speaker 1: You can just join in. It's really fun and it 56 00:02:40,800 --> 00:02:43,240 Speaker 1: keeps it fresh for me. If you're doing, you know, 57 00:02:43,320 --> 00:02:46,720 Speaker 1: two shows a night, two hundred nights a year, you 58 00:02:46,840 --> 00:02:49,480 Speaker 1: better keep it fresh. That's what I think that muscle going. 59 00:02:49,600 --> 00:02:51,800 Speaker 3: That's why I think we'd all get along because here 60 00:02:51,840 --> 00:02:55,440 Speaker 3: in Australia it would be an honor to walk out 61 00:02:55,440 --> 00:02:57,840 Speaker 3: of your show going. I just got right to like, 62 00:02:57,960 --> 00:02:59,720 Speaker 3: we would love it compared to I'm sure other parts 63 00:02:59,680 --> 00:03:00,000 Speaker 3: of the world. 64 00:03:00,240 --> 00:03:02,960 Speaker 1: Why do you pick on me? Yeah, I think you 65 00:03:02,960 --> 00:03:04,440 Speaker 1: get a little bit about that although it's kind of 66 00:03:04,440 --> 00:03:06,280 Speaker 1: self selecting, and I think the people that join in 67 00:03:06,560 --> 00:03:10,480 Speaker 1: get the rules. Occasionally someone sort of misjudges it a 68 00:03:10,480 --> 00:03:13,280 Speaker 1: little bit. But even when they misjudge it, you go, ah, man, 69 00:03:13,520 --> 00:03:15,560 Speaker 1: that's a swing and a miss. You gave it a go. 70 00:03:16,360 --> 00:03:18,440 Speaker 1: It's all right. I'd rather you gave it a go. 71 00:03:18,840 --> 00:03:20,080 Speaker 1: And you know, as long as you don't feel too 72 00:03:20,080 --> 00:03:21,560 Speaker 1: bad about yourself, don't beat yourself up. 73 00:03:22,080 --> 00:03:24,480 Speaker 2: So then what countries are the places you go to 74 00:03:24,600 --> 00:03:27,600 Speaker 2: where you've really you know, you're not going to get 75 00:03:27,600 --> 00:03:30,320 Speaker 2: the hit hecklers, or they don't take themselves well, perhaps 76 00:03:30,360 --> 00:03:32,800 Speaker 2: they do take themselves too seriously, and. 77 00:03:32,720 --> 00:03:36,440 Speaker 1: You have to pick who's the uptide people. Jimmy, Well, 78 00:03:36,440 --> 00:03:38,720 Speaker 1: I mean, I'm in Scandinavia now, and the people here 79 00:03:38,760 --> 00:03:40,880 Speaker 1: tend to be very polite. But the thing is they're 80 00:03:40,920 --> 00:03:45,680 Speaker 1: being educated by the algorithm. So if they're a fan 81 00:03:45,720 --> 00:03:48,280 Speaker 1: of my stuff, the algorithm feeds them Heckel videos all 82 00:03:48,320 --> 00:03:49,920 Speaker 1: day every day, and they go, oh, I get it. 83 00:03:49,960 --> 00:03:51,560 Speaker 1: This is what we're meant to do, so we're doing 84 00:03:51,600 --> 00:03:52,640 Speaker 1: it now, gotcha. 85 00:03:52,920 --> 00:03:54,680 Speaker 3: So the girls in the background arent offended or anything, 86 00:03:54,720 --> 00:03:55,640 Speaker 3: they're getting your humor. 87 00:03:56,560 --> 00:04:01,800 Speaker 1: Oh, they'll be fine, will be right, but that's it. 88 00:04:02,040 --> 00:04:04,800 Speaker 1: How do you go with us? Right? Do you ever get. 89 00:04:04,680 --> 00:04:06,280 Speaker 3: Someone screamed something out in the show and you don't 90 00:04:06,280 --> 00:04:08,160 Speaker 3: really understand it if they're in Australia. 91 00:04:09,080 --> 00:04:12,360 Speaker 1: Occasionally when I'm in Australia, I'll have to I'll have 92 00:04:12,400 --> 00:04:17,000 Speaker 1: to do a run to Macis and gets get on 93 00:04:17,920 --> 00:04:20,799 Speaker 1: get on the dark. Yeah, you get on the darts. 94 00:04:21,120 --> 00:04:25,360 Speaker 1: I might have got the poke's later on. You allow Agan, 95 00:04:26,080 --> 00:04:28,320 Speaker 1: you're actually like a whon we do? 96 00:04:28,520 --> 00:04:32,000 Speaker 2: We shorten everything here in Australia and. 97 00:04:32,240 --> 00:04:35,600 Speaker 1: You love an O on the end of everything we do. 98 00:04:36,279 --> 00:04:37,280 Speaker 1: That's Jimmy Carrow. 99 00:04:38,120 --> 00:04:40,840 Speaker 3: Yeah, when you're overseas, Lauren and you're here in Australia 100 00:04:40,839 --> 00:04:44,039 Speaker 3: and you're like, oh, we queen sometimes like what is 101 00:04:44,040 --> 00:04:44,679 Speaker 3: that what we saynd? 102 00:04:45,000 --> 00:04:47,360 Speaker 2: I know? And then if we say if people say hey, 103 00:04:47,560 --> 00:04:49,720 Speaker 2: which you would think would mean hello, it just if 104 00:04:49,720 --> 00:04:51,240 Speaker 2: you put that at the end of any sentence, it 105 00:04:51,240 --> 00:04:56,479 Speaker 2: basically makes it a question. Hey have you noticed that? 106 00:04:57,120 --> 00:05:01,360 Speaker 1: Basically everything you've ever said has been a question? Literally, 107 00:05:01,800 --> 00:05:04,960 Speaker 1: But it's it's it's kind of a wonderful culture because 108 00:05:04,960 --> 00:05:07,280 Speaker 1: it does feel like Australia's got a real it's got 109 00:05:07,279 --> 00:05:09,400 Speaker 1: a sense of self like it says. I know there's 110 00:05:09,400 --> 00:05:11,320 Speaker 1: a lot of American staff, there's a lot of British 111 00:05:11,320 --> 00:05:14,120 Speaker 1: stuff that goes over there, but it's it's its own thing. 112 00:05:14,440 --> 00:05:16,400 Speaker 1: It's got its own culture, it's got its own sports. 113 00:05:16,480 --> 00:05:19,520 Speaker 1: It's like, it's great that my stuff works over there, 114 00:05:19,560 --> 00:05:21,120 Speaker 1: but you know, you've got your own stuff. 115 00:05:21,320 --> 00:05:24,720 Speaker 3: Also, Melbourne is the comedy hub of Australia, Like we 116 00:05:24,839 --> 00:05:27,599 Speaker 3: do the Comedy Festival here, one of the biggest events 117 00:05:27,600 --> 00:05:30,400 Speaker 3: on the calendar. So yeah, I think you'll feel right 118 00:05:30,440 --> 00:05:32,040 Speaker 3: at home. What you hear oy? 119 00:05:32,160 --> 00:05:34,600 Speaker 1: Yeah, I don't. I don't come during the festival because frankly, 120 00:05:34,800 --> 00:05:38,560 Speaker 1: who needs the competition? Why do comics? It's like I 121 00:05:38,560 --> 00:05:41,719 Speaker 1: can't understand why all the greatest tennis players turn up 122 00:05:42,040 --> 00:05:44,760 Speaker 1: for the Australian Open in Melbourne at the same time. 123 00:05:45,240 --> 00:05:47,680 Speaker 1: If you if you came a month later, you'd definitely 124 00:05:47,720 --> 00:05:51,360 Speaker 1: be the best player there. It's fair point. Don't don't 125 00:05:51,400 --> 00:05:53,840 Speaker 1: turn up when Al Karaz is there. He's much better 126 00:05:53,880 --> 00:05:54,240 Speaker 1: than you. 127 00:05:54,279 --> 00:05:57,560 Speaker 3: Should we should we follow the world, We should follow 128 00:05:57,600 --> 00:05:59,360 Speaker 3: that of us. Start our breakfas show and the other 129 00:05:59,400 --> 00:06:01,440 Speaker 3: breakfast shows at nine o'clock. 130 00:06:01,640 --> 00:06:03,520 Speaker 1: It at three o'clock in the morning. Yeah, do a 131 00:06:03,640 --> 00:06:06,040 Speaker 1: late breakfast. It's like when people run the marathon. When 132 00:06:06,040 --> 00:06:08,719 Speaker 1: people run the London Marathon on the same day that 133 00:06:08,720 --> 00:06:11,920 Speaker 1: everyone else runs the London Marathon, it's the worst day 134 00:06:12,000 --> 00:06:15,320 Speaker 1: to do it. Any other day would be better. No 135 00:06:15,320 --> 00:06:15,920 Speaker 1: one else there. 136 00:06:16,080 --> 00:06:18,960 Speaker 2: Can you tell me about your little needted doll that 137 00:06:19,000 --> 00:06:20,080 Speaker 2: you take everywhere with you? 138 00:06:21,600 --> 00:06:24,200 Speaker 1: Yes? Yes, yes I can. Sorry, are we now in 139 00:06:24,240 --> 00:06:28,800 Speaker 1: a therapy session. There's a real change of time. But 140 00:06:28,920 --> 00:06:31,719 Speaker 1: I'm kind of I want to know if the door 141 00:06:32,400 --> 00:06:36,120 Speaker 1: on the woolen doll where you touched you? So look, 142 00:06:36,120 --> 00:06:38,640 Speaker 1: I saw that movie Amelie, you know, twenty years ago 143 00:06:38,720 --> 00:06:40,520 Speaker 1: and I really loved it, and they did a thing. 144 00:06:40,560 --> 00:06:42,600 Speaker 1: It's a French movie where they basically do a thing 145 00:06:42,600 --> 00:06:45,039 Speaker 1: where they take away this little toy and they send 146 00:06:45,080 --> 00:06:47,960 Speaker 1: postcards from around the world's on our travels. And I 147 00:06:48,000 --> 00:06:49,919 Speaker 1: just thought that's going to make it much easier for me. 148 00:06:50,279 --> 00:06:52,240 Speaker 1: I'd actually get dressed up to take a photo in 149 00:06:52,240 --> 00:06:54,800 Speaker 1: the afternoon. But it does mean me and my tour 150 00:06:54,880 --> 00:06:58,240 Speaker 1: manager have to bother getting out of the theater and 151 00:06:58,279 --> 00:07:00,400 Speaker 1: going to the local place that you should go to 152 00:07:00,760 --> 00:07:03,280 Speaker 1: go and see the sites. Have you ever, it's kind 153 00:07:03,279 --> 00:07:04,680 Speaker 1: of good for you. Have you ever? 154 00:07:05,160 --> 00:07:07,080 Speaker 3: Been going through an airport and they want to look 155 00:07:07,080 --> 00:07:08,920 Speaker 3: in your bag and you have to explain a dot 156 00:07:09,240 --> 00:07:10,520 Speaker 3: a doll of yourself as well. 157 00:07:11,040 --> 00:07:14,640 Speaker 1: It's because I keep it. I keep it under the 158 00:07:14,640 --> 00:07:20,800 Speaker 1: butt plugs. Yeah, that makes sense, amazing. 159 00:07:21,000 --> 00:07:22,880 Speaker 2: We can't wait to get the doll out here. Where 160 00:07:22,880 --> 00:07:25,000 Speaker 2: are you going to take it when you come down? 161 00:07:24,520 --> 00:07:27,000 Speaker 2: And what do you want to say down here in Australia. 162 00:07:27,800 --> 00:07:30,840 Speaker 1: Well, in Melbourne, I will I will basically be solving 163 00:07:30,960 --> 00:07:35,040 Speaker 1: for I'll be late night Crown casino gambling. I love 164 00:07:35,040 --> 00:07:37,640 Speaker 1: the fact. I love the fact after the gig I 165 00:07:37,680 --> 00:07:40,520 Speaker 1: can walk down the river to the I'm such a 166 00:07:41,920 --> 00:07:44,640 Speaker 1: I'm such a hoon. I'll go down. I'll go to 167 00:07:44,840 --> 00:07:47,360 Speaker 1: get something in the casino, have a little gamble, and 168 00:07:47,400 --> 00:07:49,440 Speaker 1: then and then it's like in the daytime, it's like 169 00:07:49,920 --> 00:07:53,520 Speaker 1: I sold for great coffee. I love great coffee. And 170 00:07:53,600 --> 00:07:56,720 Speaker 1: in Melbourne it's in the neighborhoods. I think town is great. 171 00:07:56,720 --> 00:07:59,480 Speaker 1: I love the CBD, but actually out in the neighborhoods 172 00:07:59,640 --> 00:08:01,360 Speaker 1: is way you get all the best stuff. 173 00:08:01,720 --> 00:08:03,640 Speaker 2: My gosh, you're talking like such a local. 174 00:08:04,560 --> 00:08:06,400 Speaker 1: But it's basically it's like it's also the thing I'm 175 00:08:06,400 --> 00:08:08,480 Speaker 1: looking forward to in Melbourne. It's the best Thai food 176 00:08:08,600 --> 00:08:10,440 Speaker 1: in the world. And I spend a lot of time 177 00:08:10,480 --> 00:08:13,400 Speaker 1: in Thailand because well it is because what you've got 178 00:08:13,720 --> 00:08:17,680 Speaker 1: in Melbourne is you've got not just the Thai people 179 00:08:17,720 --> 00:08:19,560 Speaker 1: there that know how to cook the food, the best 180 00:08:19,600 --> 00:08:22,960 Speaker 1: pad ties, but you've got produce that's better than the 181 00:08:22,960 --> 00:08:26,760 Speaker 1: produce in Thailand. So actually the very best in the 182 00:08:26,800 --> 00:08:28,480 Speaker 1: world is in Melbourne. 183 00:08:28,720 --> 00:08:30,600 Speaker 2: Sound like an ambassador for Australia. 184 00:08:30,680 --> 00:08:34,000 Speaker 1: Are you doing a cooking show next year? But I do, 185 00:08:34,160 --> 00:08:36,319 Speaker 1: I do love that. I love listen. If you my friend, 186 00:08:36,360 --> 00:08:38,960 Speaker 1: you're you're the same kind of soldier. You work what 187 00:08:39,120 --> 00:08:41,120 Speaker 1: three four hours a day? Right, there's a lot of 188 00:08:41,120 --> 00:08:46,559 Speaker 1: time to go coffee. No, not just the show into it? 189 00:08:46,679 --> 00:08:49,480 Speaker 1: You know that? No, No, I've heard this show. What 190 00:08:49,480 --> 00:08:56,400 Speaker 1: do you think your meetings meeting? We do a lot 191 00:08:56,400 --> 00:08:59,360 Speaker 1: of preparations for that year. Sometimes I have to get 192 00:08:59,360 --> 00:08:59,959 Speaker 1: into the student. 193 00:09:00,080 --> 00:09:03,400 Speaker 3: Yeah, well I could be listening, Jimmy, I'm here all day, 194 00:09:04,440 --> 00:09:06,400 Speaker 3: a lot of meetings, a lot of meetings. 195 00:09:06,360 --> 00:09:10,719 Speaker 1: Wife or girlfriend, which one, Jimmy, he is. 196 00:09:10,720 --> 00:09:13,560 Speaker 3: Going to be here touring in twenty twenty six. All 197 00:09:13,600 --> 00:09:16,040 Speaker 3: the ticket details are putting on our socials. Mate, We 198 00:09:16,080 --> 00:09:17,200 Speaker 3: cannot wait to have you. 199 00:09:17,280 --> 00:09:19,839 Speaker 1: I'm on the I'm in the I'm in the John 200 00:09:20,000 --> 00:09:23,160 Speaker 1: Can Arena. This time I'm doing like that's free nights 201 00:09:23,160 --> 00:09:23,520 Speaker 1: in there. 202 00:09:23,679 --> 00:09:27,920 Speaker 2: Foot it well, you can just walk across the. 203 00:09:28,280 --> 00:09:30,360 Speaker 1: Best thing about it was I got very happy memories 204 00:09:30,400 --> 00:09:32,480 Speaker 1: of that. Last time I was there. I was touring. 205 00:09:32,520 --> 00:09:34,960 Speaker 1: I had one night off in the whole tour and 206 00:09:35,080 --> 00:09:38,360 Speaker 1: Chappelle was in town. And Chappelle called and said, you 207 00:09:38,360 --> 00:09:40,440 Speaker 1: know what's popping? And I said, I'm around. He said, 208 00:09:40,600 --> 00:09:42,679 Speaker 1: I've got a show. And I played the arena and 209 00:09:42,720 --> 00:09:44,719 Speaker 1: I learned such a valuable lesson. I played it in 210 00:09:44,760 --> 00:09:47,280 Speaker 1: the round. If you're play in the round, there's no 211 00:09:47,400 --> 00:09:52,120 Speaker 1: bad seats within kind of theater distance of you on stage, 212 00:09:52,280 --> 00:09:54,560 Speaker 1: and you get to feel like a boxer as you 213 00:09:54,600 --> 00:09:56,840 Speaker 1: walk on. So I'm doing it like that again. It's 214 00:09:56,880 --> 00:09:58,240 Speaker 1: a much better deal than playing it on. 215 00:09:58,640 --> 00:10:00,319 Speaker 2: You have to be like Taylor Swift and a Dell 216 00:10:00,320 --> 00:10:02,600 Speaker 2: where they put you in like a little cleaning wheelie 217 00:10:02,600 --> 00:10:04,720 Speaker 2: cupboard and will sneaking the crowd. 218 00:10:04,760 --> 00:10:07,360 Speaker 1: I've lost you? What's the sound? 219 00:10:07,400 --> 00:10:07,559 Speaker 3: Hell? 220 00:10:07,880 --> 00:10:10,360 Speaker 1: Have you got us? Hello? Maybe you were bored with 221 00:10:10,360 --> 00:10:12,160 Speaker 1: the story. I thought the story had everything. Can you 222 00:10:12,200 --> 00:10:15,960 Speaker 1: hear I walked on like a boxer again. What you want? 223 00:10:16,160 --> 00:10:18,200 Speaker 1: Chappelle was in it? Have you have you got us? 224 00:10:18,800 --> 00:10:20,400 Speaker 1: I can't hear you though, Oh no. 225 00:10:20,559 --> 00:10:24,160 Speaker 3: God can we We're just checking settings? Sorry, Jimmy, won't 226 00:10:24,200 --> 00:10:26,640 Speaker 3: be SICKO. 227 00:10:26,720 --> 00:10:28,520 Speaker 1: Should I write a sign? Yeah? 228 00:10:29,280 --> 00:10:29,840 Speaker 3: Write a son? 229 00:10:29,920 --> 00:10:31,560 Speaker 1: You seem to have just disappeared. Is that the end 230 00:10:31,600 --> 00:10:32,880 Speaker 1: of it? I feel like, have we done it? Are 231 00:10:32,880 --> 00:10:36,079 Speaker 1: we done? Give us a wave? Can you hear me? Yes? 232 00:10:36,280 --> 00:10:39,240 Speaker 1: We can hear you. You can hear me? We can 233 00:10:39,679 --> 00:10:46,360 Speaker 1: what's she holding up? Thank you's off? I'll off then 234 00:10:46,920 --> 00:10:50,319 Speaker 1: I just I'll go and fuck myself. Thank you. Thank 235 00:10:50,400 --> 00:10:55,800 Speaker 1: It's like you slips. We love you, We love you 236 00:10:55,920 --> 00:11:03,560 Speaker 1: in the heart. This was honestly, we love you. I 237 00:11:03,559 --> 00:11:05,280 Speaker 1: can really see where you guys are on the radio 238 00:11:05,360 --> 00:11:07,959 Speaker 1: because you've got visually there is nothing going on here. 239 00:11:07,960 --> 00:11:09,720 Speaker 2: You can actually hear all of this. 240 00:11:10,480 --> 00:11:13,280 Speaker 1: I'm going out drinking in tron him. I'll see you 241 00:11:13,320 --> 00:11:15,280 Speaker 1: one of them in Melbourne. Invite me into the studio. 242 00:11:15,559 --> 00:11:18,800 Speaker 1: I'll come and see you guys. Bye bye.