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Speaker 1: We talk about a artist that we haven't heard from

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Speaker 1: for quite a long time. Does anyone remember movie?

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Speaker 2: Oh yeah, he was huge. That whole album was huge.

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Speaker 1: That album was unbelievable.

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Speaker 2: What did you have.

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Speaker 1: A fun movie fact on that album? Oh yeah.

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Speaker 3: That album was called Play and it was the first

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Speaker 3: album to have every song sold to either a commercial

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Speaker 3: or a TV and the royalties.

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Speaker 1: He had so many number ones from it, And you're right, Tommy,

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Speaker 1: I think commercially it was just so beneficial for him,

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Speaker 1: that's right.

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Speaker 2: And I think one of them was, like the soundtrack.

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Speaker 2: I think Crazy was Fat Boy slims.

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Speaker 1: I don't play though, that was Fat Boy's Slim. Any

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Speaker 1: other this was The Beach, wasn't it.

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Speaker 2: That's right, the movie with Leonardo DiCaprio. That was huge,

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Speaker 2: great sound.

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Speaker 1: I mean, and he was an awkward looking guy, very tiny, bald,

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Speaker 1: not very good looking. I mean, he's just brought out

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Speaker 1: a new book and it's fascinating. I didn't know this,

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Speaker 1: but he just ran himself into the ground, partied, became

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Speaker 1: an alcoholic on drugs. But you know, the year two thousand,

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Speaker 1: when this album came out, he just it got to

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Speaker 1: a point where he said from one minute I was

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Speaker 1: djaying and this album blew up to next thing, you know,

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Speaker 1: he was like getting knocks on the door in his

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Speaker 1: room after a djaying gig, and there'd be Natalie Portman

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Speaker 1: standing at the door saying, I'm a massive fan of yours.

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Speaker 1: And then he's doing red carpets with Natalie Portman. He

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Speaker 1: went out with her for six months. Jeez, Like he

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Speaker 1: just said.

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Speaker 2: My life just completely changed, right, So obviously he couldn't

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Speaker 2: control what was going on here.

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Speaker 1: Unfortunately not for the better though, because like I said,

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Speaker 1: he became an alcoholic. And he said, well, this is

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Speaker 1: why this book has opened up now, because he's just

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Speaker 1: telling everyone some of the stories that he had. Like

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Speaker 1: the first one he's got here, he was dead at

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Speaker 1: a party to go up and brush his fellows up

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Speaker 1: against Donald Trump. Well, I don't do that now, you'll

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Speaker 1: be shot on sight. So he said, it was a

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Speaker 1: challenge I was dead by a mate to try to

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Speaker 1: spice up a boring evening by nob touching the future

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Speaker 1: president of the United States. So he said, I drank

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Speaker 1: a shot of vodka embrace myself, and I went over

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Speaker 1: and I casually walked past Trump and brush the edge

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Speaker 1: of his jacket with my little friend and about it.

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Speaker 1: He didn't notice, he didn't notice it. The other one

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Speaker 1: that he's got here as.

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Speaker 4: Well, This is a beauty.

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Speaker 2: Why would you put why would you put that one

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Speaker 2: in the book?

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Speaker 1: If you want the.

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Speaker 2: Book a fame, fortune success party, you know, off the rails.

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Speaker 2: I want to hear about everything that went down. I

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Speaker 2: brushed my member against Donald Trump's jacket. Is that that's

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Speaker 2: not chapter one.

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Speaker 1: It's not something and he needed to brag about.

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Speaker 2: You need better than that.

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Speaker 1: If you want me to go by the game. I've

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Speaker 1: never heard of the game. I don't know. Brush the brush,

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Speaker 1: the Trump the Trump brush.

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Speaker 2: The Trump brush, the drifter.

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Speaker 1: This is another one. He went to another party. See

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Speaker 1: this is like people like Charlie's the on and that

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Speaker 1: were like trying to pick him up as well. How

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Speaker 1: big these people get?

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Speaker 2: Did he brush her?

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Speaker 1: No? No, no, that wasn't going on at this party.

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Speaker 1: So anyway he was He's talking to Charlie's the run

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Speaker 1: at this party, huge party in New York. There was

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Speaker 1: all that who's who was there, right, And he'd had

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Speaker 1: a few too many drinks. Again he got on the

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Speaker 1: vodka and he was on the drugs. He said, and

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Speaker 1: he said, I had to go and just settle down

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Speaker 1: a little bit, and he went to the toilet. He said,

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Speaker 1: I was in the toilet at the uneral and I

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Speaker 1: looked over and I could hear this mumbling, some guy

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Speaker 1: having a go at me. It was Russell Krausch. Here

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Speaker 1: you go, here we go.

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Speaker 2: Now I'm reading this chapter.

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Speaker 4: Make this chapter one. I said.

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Speaker 1: I didn't understand a word he was saying, but he

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Speaker 1: was getting louder and louder and looking at me, and

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Speaker 1: then he started getting more aggressive. And once I finished

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Speaker 1: and I zipped up my pants, so obviously remember was

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Speaker 1: involved again. He said, Russell picked me up and threw

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Speaker 1: me up against the wall. What started yelling at me?

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Speaker 1: I don't even know what he was yelling, he said.

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Speaker 1: He did it for about a minute and then he

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Speaker 1: lost interest, cursed a few times, and he stumbled out

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Speaker 1: of the bathroom.

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Speaker 2: Yeah.

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Speaker 1: On the way out, Moby went past you and McGregor

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Speaker 1: and said, we asked you and McGregor, Oh my god,

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Speaker 1: Russell Crowe just picked me up and threw me up

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Speaker 1: against the wall. What's with that?

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Speaker 4: And you and.

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Speaker 1: MacGregor goes, it's Russell Crowe. He does that to everybody else.

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Speaker 2: That's why we love Rusty. How good is this? What

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Speaker 2: a cracking story? Make that chapter one? Don't worry about

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Speaker 2: your brush on Donald chapter.

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Speaker 1: Two and trump brush. Yeah, then you've got yourself a

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Speaker 1: good book.

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Speaker 2: Bloody annoying your potholes. You know, when you're driving a lot,

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Speaker 2: you know where they are. When you drive to work

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Speaker 2: and there's potholes in the road, you know where they

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Speaker 2: are and you avoid them. It just becomes a natural

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Speaker 2: flow of how you drive. But you pay your rates. Mate,

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Speaker 2: you know what I mean. I want smooth roads.

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Speaker 1: One count paramata roads like it's just blow that road up.

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Speaker 2: Yeah, I'm sorry, start again, so apologizes anyone driving.

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Speaker 1: Get out when we do it.

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Speaker 5: Got twenty four hours.

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Speaker 2: We could countdown and blow it up. One bloke's taking

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Speaker 2: it into his own hands. He said, stuff this council.

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Speaker 2: They're not doing anything about the potholes.

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Speaker 4: In the road.

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Speaker 2: And he's come up with his own idea and he's

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Speaker 2: described it when he was pulled up by the police.

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Speaker 2: It's called the power of the Willie.

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Speaker 1: He's decided to He's got a trump brush.

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Speaker 2: He hasn't trump brushed anyone. He's got out a can

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Speaker 2: of spray paint and over every pothole he's just.

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Speaker 4: Drawn a member, a D and B.

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Speaker 1: Good idea because obviously the council have to do something

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Speaker 1: about yeah.

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Speaker 2: Just to pint out exactly where they are. He's done

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Speaker 2: that across the entire town, over every pothole there's just

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Speaker 2: a member and a couple of mates there.

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Speaker 1: Well, you would become a hero. It was sort of similar,

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Speaker 1: like you could be you could be like a throb

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Speaker 1: and hood.

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Speaker 2: You could you know what I mean, King Dick or something.

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Speaker 4: I don't know, go with whatever you want.

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Speaker 2: What's great too is he's gone into detail. You see

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Speaker 2: that he's put some personality, personality into the round departs

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Speaker 2: at the base there. He's put a bit of personality

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Speaker 2: into it, and he's sort of he's really.

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Speaker 1: The top because you know what it is, sometimes the

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Speaker 1: councils do need a bit of a kick up the bump,

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Speaker 1: let's be honest. And the only way that they listen

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Speaker 1: to you sometimes is when you get everyone else who's

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Speaker 1: disgusted in the area. And obviously if you do something

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Speaker 1: like that. But what we don't condone, No, we don't know,

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Speaker 1: because I don't want people to go out now with

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Speaker 1: a pothole on their local street.

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Speaker 4: You sure and do it, but.

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Speaker 1: If you do, send it through to our Instagram.

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Speaker 2: And Tommy, beforehand you said we're not doing this. You're

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Speaker 2: better than that, and I said, we're not better than that.

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Speaker 2: So thirteen twenty four ten, where have you seen a DNB?

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Speaker 2: I woke up one morning and I've got a photo

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Speaker 2: which will get up on Instagram. Someone had gone up

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Speaker 2: and down our street overnight, right, so people wont have

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Speaker 2: their houses and in white spray paint a D and

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Speaker 2: B across about ten cars in the street. Ten cars.

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Speaker 1: Well, that's not that's not smart.

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Speaker 2: That's not clever. It's not pothole gear.

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Speaker 1: And do you know, to be honestly, it's not funny. Oh,

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Speaker 1: I didn't like my neighbor.

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Speaker 2: So when he got to the car and I saw

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Speaker 2: him get jumping in the Masda and I had one

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Speaker 2: there or was a bit of a.

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Speaker 1: Yeah, we're not going to get calls.

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Speaker 2: About Nick, what happened to you?

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Speaker 1: Well?

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Speaker 6: For year twelve, muck up Day, which is the last

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Speaker 6: day at school, have been crazy. We came to school

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Speaker 6: that day and it was it had already been done

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Speaker 6: overnight mode into.

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Speaker 2: The the oval.

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Speaker 7: Yeah, mode into the oval.

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Speaker 6: It was massive as well, and really really greatly does masterpiece.

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Speaker 6: But it's so large you don't know how they'll go.

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Speaker 1: Yeah. We someone someone bleached our oval as well. If

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Speaker 1: you to a certain that one, that's even worse because

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Speaker 1: that goes deeper, I mean it grows back. Yeah.

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Speaker 6: Sure, only we had whippers drone at the time.

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Speaker 2: Well what about that guy who went to get that

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Speaker 2: tattoo When he thought he was getting something on the

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Speaker 2: back of the tattoo artist did a giant pooh remember that?

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Speaker 1: Yeah, that got don't worry sent regularly. The tattoo artist's

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Speaker 1: name was Ryan Fitzgerald. I get that story sent to

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Speaker 1: me all the time.

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Speaker 2: It's just exturbing pool on the poor guy's back. Yeah,

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Speaker 2: tattoo Tommy will clean it up from there, mate, all right,

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Speaker 2: you okay with that? Even't panic too much.

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Speaker 5: Yeah, no, you've you've treaded.

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Speaker 3: Finally, test test test, and now it's time for Tom

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Speaker 3: the overweight looking Russell brand producer.

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Speaker 8: Time Tom Time.

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Speaker 2: Oh ah, yes, good morning, FITZI whipper Matt de groot

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Speaker 2: much her hand. Did it feel when you had Jenny,

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Speaker 2: your hairdresser, come round to your house?

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Speaker 1: Yes? And bring a portable sink.

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Speaker 2: She did for you then to put on a little

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Speaker 2: plastic robe and have your hair done in it in

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Speaker 2: the bathroom.

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Speaker 1: Use your sink.

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Speaker 8: Well, no, she need because she was washing my hair.

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Speaker 5: She has to have the you.

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Speaker 3: Know, the thing that comes around your neck like like

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Speaker 3: a bit of a sink. But she also and was

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Speaker 3: almost a bit like in the TV show Dexter, she

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Speaker 3: covers the floor with like this something happened.

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Speaker 2: She's committing a crime.

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Speaker 3: So she did actually get the back of my neck

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Speaker 3: with her scissors, which was.

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Speaker 9: Would you suggest this card's a little bit short? This

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Speaker 9: one probably anan shorter than would usually like.

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Speaker 8: That's been the general feedback.

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Speaker 5: Then.

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Speaker 2: I used to day Tommy, yea hope, because I don't

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Speaker 2: see gender anymore.

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Speaker 8: I'm gender fluid, tom that is me. And we have

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Speaker 8: we have Carl tickets.

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Speaker 4: That's the prize.

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Speaker 2: Khalid.

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Speaker 1: I always stuff that out, don't I.

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Speaker 4: That's the other one.

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Speaker 3: Khalid is bringing his Free Spirit Tour to Don't Talk

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Speaker 3: over My credit Line to Kudos Bank Arena on December

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Speaker 3: before hard to send it to the client. Tickets on

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Speaker 3: sale now through ticket Tech.

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Speaker 2: Bye, we ready to go here.

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Speaker 8: I welcome Monica in Norman Hurst.

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Speaker 1: Welcome on.

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Speaker 5: Yeah, that's what we.

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Speaker 4: Played.

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Speaker 1: The game should have been breathed.

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Speaker 3: Okay, all right, question number one, yes, so get third

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Speaker 3: one correctly in that price. Who dislikes flying so much

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Speaker 3: that Quantus actually have him on file and they've documented

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Speaker 3: his need for red wine before the plane takes off?

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Speaker 5: What a stitch.

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Speaker 10: I think it was.

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Speaker 5: It absolutely was.

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Speaker 3: So they have you on file and they it says

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Speaker 3: Michael John Whitfley, and it says needs red wine.

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Speaker 2: Before written next to my name that I've done the

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Speaker 2: fear of flying course, right, which is a great service.

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Speaker 1: Words. Yeah, it has worked.

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Speaker 2: But then in brackets next to it, it just says,

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Speaker 2: enjoys the red wine. You know, it's about the personal

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Speaker 2: side of things.

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Speaker 1: Alcohol the worst thing you take before you jump on.

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Speaker 2: It doesn't matter when I'm on there a couple of reds.

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Speaker 2: I mean, now you've sat next to me on a flight.

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Speaker 2: Fits it works.

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Speaker 1: Every time I've got a video, we're not doing that.

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Speaker 1: You're not allowed to put that on one of the

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Speaker 1: best of all. You go will release that with the Jason.

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Speaker 2: It was a bad flight, buddy, you know it was monarchy.

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Speaker 2: You've got control.

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Speaker 1: Here we go Tommy. We've had a lot.

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Speaker 8: Of team weddings lately, Monica.

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Speaker 3: Now, we've had Matt de Grootz, which was since Nikkis,

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Speaker 3: which was wonderful, and our audio producers Stitchy. Now, I

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Speaker 3: was standing beside this team member either fits your Whipper

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Speaker 3: at Snitch's wedding and the all derves came out and

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Speaker 3: this person was furious because the Aranchini balls were too

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Speaker 3: hot and burns his mouth and he swore, who would.

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Speaker 8: That be good? So wet? He was very angry. The

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Speaker 8: foul language colorful, very colorful.

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Speaker 1: I'll tell you what. The grenades that you get with

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Speaker 1: an Aarron cheese.

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Speaker 2: It's running the Gauntland.

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Speaker 1: Well it is because they look, they're so magnificent. Look

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Speaker 1: you're holding it, and you know in the back of

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Speaker 1: your mind this is going to be a disaster.

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Speaker 4: Burning hot, it's going to get down the front.

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Speaker 1: You take, you take the little clip out of the grenade,

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Speaker 1: you put it into your mouth and you just wait

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Speaker 1: for it to explode. I reckon, it takes a layer

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Speaker 1: off the top of your single with a gem and

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Speaker 1: you go back in for bite number two. Don't you

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Speaker 1: never hold back? All? Right?

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Speaker 3: Question number three? This was the diva moment of the week.

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Speaker 3: Good Luck who asked producer Nicky to come into the

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Speaker 3: studio with a glass of water for him, despite the

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Speaker 3: fact that there's a water cooler two meters away from

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Speaker 3: him in his eye line. Who would that diva be

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Speaker 3: Fitsy or whipper?

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Speaker 11: Oh?

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Speaker 3: Absolutely, it's called works less than two meters away the

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Speaker 3: cooler and still.

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Speaker 1: Nicky who was further open neutral water.

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Speaker 2: It was carbon neutral water for my coler cooler. But

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Speaker 2: thanks for your efforts, Nick and well done, Monica, You've won

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Speaker 2: the tickets. This has been such an exciting week. Sarah,

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Speaker 2: who works on the show, she has had a beautiful baby,

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Speaker 2: the little boy named after Tom Ivy, named after just

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Speaker 2: a little bit of Tom, says, is obviously join the

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Speaker 2: celebration of becoming a mother again for the second time.

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Speaker 2: Have we sent says some flowers? Yeah, yes, yes, Shot Tom,

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Speaker 2: She put.

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Speaker 1: Up a beautiful shot yesterday. She looked. She looked magnificent

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Speaker 1: after giving birth, blowing, glowing. It's always a tough on

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Speaker 1: that one. I had to take the photo of BJ

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Speaker 1: a couple of times too, and it's always you obviously

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Speaker 1: have to look at the photo. They have to have

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Speaker 1: a good look, just to see how they're looking as well.

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Speaker 1: So I'm like to put on some makeup and stuff

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Speaker 1: like that as well. Sarah looked vibrant, didn't she.

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Speaker 2: I mean that first photo it's up on the fitting

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Speaker 2: one for Instagram, That first baby photo.

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Speaker 1: It's a crucial one, isn't it.

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Speaker 2: You take probably minimum fifty before you chose the one

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Speaker 2: you wanted to go with for socials.

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Speaker 4: A hell of a lot of lucklck lucklick like like like.

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Speaker 1: You always have to look back as well, and sometimes

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Speaker 1: the kid isn't looking. The smiling babies look like aliens.

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Speaker 4: Mate.

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Speaker 1: It's not a good start to life, is it when

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Speaker 1: they don't know how to take a proper photo as well?

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Speaker 1: The group when you have your.

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Speaker 9: There's some spam, well straight out straight in front of me.

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Speaker 1: I mean, do you think when Bronti will be pregnant

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Speaker 1: that you will somehow introduce the child to Instagram while

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Speaker 1: it's there? You know, early on?

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Speaker 5: Yes, straight out, we won't.

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Speaker 9: We won't maybe go the three sixty goggles will go bee?

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Speaker 1: How young will the child be when you learn when

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Speaker 1: you teach it how to laugh as a shot speed with.

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Speaker 5: Pockets with hands in the pockets. It's pretty early. We

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Speaker 5: actually we hit it.

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Speaker 9: We hit a snappero the other day about child because

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Speaker 9: Sarah's obviously called it Tom and Bronti is absolutely said

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Speaker 9: on the name Ivy and I just said, there's not

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Speaker 9: a chance in the world we are going to call

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Speaker 9: a child my chance?

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Speaker 2: Thank you?

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Speaker 5: In all the world is becoming too close?

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Speaker 2: Can we move on to this? Because Sarah was a

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Speaker 2: race with a Meghan Markle, so who was going to

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Speaker 2: grab the headline first, whose baby was going to be

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Speaker 2: born because they were due on the same day. This

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Speaker 2: is what's interesting. And I thought about this yesterday and

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Speaker 2: I the penny for me dropped and it also dropped

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Speaker 2: for a man on radio in the UK by the

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Speaker 2: name of Chris Evans. He's on Virgin One. I think

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Speaker 2: Chris Evans, well known broadcaster in the UK. He made

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Speaker 2: a point that the Queen has been to see Meghan

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Speaker 2: and Harry. Now the headline read the Queen has visited

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Speaker 2: Meghan one last time before she gives birth. Here's what

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Speaker 2: Chris Evans had to say yesterday.

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Speaker 5: A baby already.

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Speaker 12: I'm just saying, I'm just putting it out there right.

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Speaker 12: The Queen has been to see Megan and Harry.

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Speaker 2: Did you did she drive past your highs.

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Speaker 8: At their place?

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Speaker 12: All right, now, she doesn't do that, That's all I'm saying.

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Speaker 8: When when was it last night? Was it this morning?

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Speaker 4: Middle of the night?

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Speaker 12: I need details.

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Speaker 2: Why because I need to know these things.

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Speaker 12: The Queen has been to see them. Now that doesn't happen.

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Speaker 4: He's spot on.

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Speaker 2: The Queen's not turning up to wish her luck before

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Speaker 2: the birth. Queen ain't doing that. Queen's turning up to

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Speaker 2: see the new royal baby. The baby is born, well,

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Speaker 2: it has not been revealed exactly.

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Speaker 1: What she would I mean, Prince Philip. He would crash

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Speaker 1: his car out.

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Speaker 8: The front end of Philip roll Avele any time of

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Speaker 8: the day.

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Speaker 2: But that's not the point. The Queen in her older days, right,

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Speaker 2: she's not going to the extra effort for pleasantries like

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Speaker 2: that for major celebrations. She's there for the appearance.

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Speaker 1: His grandson's having his fist.

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Speaker 2: Yes, he's been having it for nine months. I don't reckon.

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Speaker 2: She's made an effort to drop him to go how

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Speaker 2: are you going? Good luck with it? Just drop it

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Speaker 2: in to say, hey, I know it's close, so good luck.

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Speaker 1: No no, no, no, no, can you make tea?

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Speaker 2: She's turning up to say, congratulations, we've got a color Kingston's.

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Speaker 9: Wouldn't they?

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Speaker 5: They bring it to her all read.

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Speaker 1: It's prior to col mate, don't they. Tommy, isn't that

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Speaker 1: first shot? You know? And I know they're doing it

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Speaker 1: at hard, doing it differently.

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Speaker 2: And Tommy. The other day they were talking about the

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Speaker 2: ambulance that apparently had been waiting there. Yes, that ambulance

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Speaker 2: was on stand by if anything went wrong when the

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Speaker 2: child was born. The born that the child has been born,

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Speaker 2: the ambulance was not required, and they've gone away. This

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Speaker 2: is where the plot thickens. You would have heard the

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Speaker 2: story about Oprah Winfrey having a chat with Meghan and

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Speaker 2: she's come out and said that I'm going to fill

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Speaker 2: the house with books when the baby's born and everything.

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Speaker 2: Just before or when she was pregnant, Oprah Winfrey and

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Speaker 2: Meghan sat down. She said, the number one tip that

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Speaker 2: I gave Meghan Markle with your first child is to

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Speaker 2: keep it private, enjoy your celebration, and then make the

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Speaker 2: announcement the baby is born.

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Speaker 9: Oh my, Oprah, with all her parenting experience with her

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Speaker 9: zero children.

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Speaker 1: And unfortunately nothing to do with it the group. You've

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Speaker 1: ripped this off another radio block over in the UK, right,

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Speaker 1: and now you're going to try to claim it in Australia.

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Speaker 1: So well, when it comes let's say, if it does

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Speaker 1: come out, you'll go told you so already been in

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Speaker 1: the UK, I'm claiming it. You're struggling for content and

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Speaker 1: you are, Ladies and gentlemen.

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Speaker 2: If you're waking up this morning, we want to say

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Speaker 2: congratulations to the royal couple, Megan and Harri. The Royal

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Speaker 2: baby has been.

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Speaker 9: Meanwhile, Tom Ivey's gone and slid into Bronti's DMS and

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Speaker 9: said Ivy would be a great name.

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Speaker 5: She's flung me the screenshot to get out of it

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Speaker 5: til no way.

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Speaker 1: Well, this is really really interesting. It's something that I

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Speaker 1: don't have much knowledge in we talk about the dark web.

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Speaker 1: We've heard of websites that aren't around anymore, like Silk

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Speaker 1: Road and stuff like that. People buying stuff off the

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Speaker 1: dark web using cryptocurrency. I don't actually understand it. But

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Speaker 1: one lady who has spent the past five years probing

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Speaker 1: every corner of the dark Web has got a new

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Speaker 1: book out. It's called The Darkest Web, and her name

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Speaker 1: is Eileen Ormsby and she joins us, Now, thanks for

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Speaker 1: having me.

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Speaker 2: This is fascinating. Can you actually probe the corners of

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Speaker 2: the dark web or does it go too dark?

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Speaker 13: Well, it definitely goes too dark to probe too far.

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Speaker 13: But there's some really interesting stuff there as well.

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Speaker 2: So when you say you're accessing the dark web, are

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Speaker 2: you is it a different approach to getting onto those

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Speaker 2: sites or can anybody go to these sites and it's

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Speaker 2: just referred to because it's dodgy as the dark Web?

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Speaker 13: No, there is a different approach. So if you have

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Speaker 13: the address of one of the dark net markets and

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Speaker 13: you plug that into your normal search engine, it's just

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Speaker 13: going to come up page not found doesn't exist, right,

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Speaker 13: So you do need to download special software in order

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Speaker 13: to access the dark Web. It's free, it's open source.

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Speaker 13: Anyone can get hold of it.

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Speaker 2: It's very easy.

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Speaker 13: Once you've downloaded that, then that will open a browser

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Speaker 13: and when you plug the address into that browser.

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Speaker 2: Different games. So what can you give me, say, the

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Speaker 2: top five things that people are doing on the dark

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Speaker 2: web besides buying drugs? What else are you doing on there?

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Speaker 13: Number one is buying drugs?

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Speaker 1: Right? Okay?

447
00:20:55,920 --> 00:21:00,919
Speaker 13: That is the most popular use, and there's things that

448
00:21:01,119 --> 00:21:04,080
Speaker 13: you hear about that are really not credible for the

449
00:21:04,160 --> 00:21:07,359
Speaker 13: dark web. So for a dark web business to be successful,

450
00:21:07,400 --> 00:21:10,239
Speaker 13: it needs to have something that is easily transferable, right

451
00:21:10,880 --> 00:21:15,080
Speaker 13: repeat customers. So because if you're a one off customer

452
00:21:15,119 --> 00:21:17,760
Speaker 13: and you hand over your bitcoin to some anonymous person

453
00:21:17,800 --> 00:21:20,000
Speaker 13: on the dark web, why would they carry out a

454
00:21:20,080 --> 00:21:22,600
Speaker 13: hit for you or do anything like that. It's they

455
00:21:22,600 --> 00:21:24,200
Speaker 13: don't need to. They'll just take your money and run.

456
00:21:24,600 --> 00:21:26,440
Speaker 13: But if you're a drug dealer, you want that person

457
00:21:26,440 --> 00:21:28,639
Speaker 13: to come back over and over and over again, so

458
00:21:28,640 --> 00:21:29,840
Speaker 13: you give them really good service.

459
00:21:30,160 --> 00:21:32,399
Speaker 2: So I can't buy a hitman on the dark web.

460
00:21:32,680 --> 00:21:35,640
Speaker 13: Generally, not a lot of people have tried. And there

461
00:21:35,720 --> 00:21:39,639
Speaker 13: is one particular hitman operator that has made hundreds of

462
00:21:39,680 --> 00:21:41,520
Speaker 13: thousands of dollars of people.

463
00:21:41,200 --> 00:21:44,200
Speaker 2: Trying wow and pretending to be a hit man, yes,

464
00:21:44,240 --> 00:21:45,200
Speaker 2: and then taking.

465
00:21:44,920 --> 00:21:49,440
Speaker 13: Their money, taking their money, and seriously, I got quite

466
00:21:49,440 --> 00:21:52,200
Speaker 13: involved with this hit man. What happened was a bit

467
00:21:52,200 --> 00:21:57,439
Speaker 13: of a story. But a while ago his site got hacked,

468
00:21:57,440 --> 00:21:59,960
Speaker 13: and that hacker provided me with the ability to get

469
00:22:00,160 --> 00:22:01,960
Speaker 13: into his site and have a look at everything what's

470
00:22:02,000 --> 00:22:04,920
Speaker 13: going on, And so what I saw was all these

471
00:22:04,960 --> 00:22:07,920
Speaker 13: people that were ordering hits on other people.

472
00:22:07,600 --> 00:22:09,680
Speaker 2: And who the people were that were going to be hit, who.

473
00:22:09,520 --> 00:22:13,000
Speaker 13: The people were that were going to be hit. But

474
00:22:13,119 --> 00:22:15,359
Speaker 13: also I saw all his messages back to the people

475
00:22:15,359 --> 00:22:18,560
Speaker 13: that ordered the hits, and he was like a Nigerian scammer.

476
00:22:18,640 --> 00:22:20,840
Speaker 13: He was really really good at what he was doing,

477
00:22:20,920 --> 00:22:23,439
Speaker 13: drawing more and more money out of these people, but

478
00:22:23,600 --> 00:22:26,880
Speaker 13: never carrying out any hits. And then I wrote about

479
00:22:26,960 --> 00:22:29,520
Speaker 13: him and he got in contact with me and he said,

480
00:22:30,080 --> 00:22:32,040
Speaker 13: you know, stop writing about me. I'm a real hit

481
00:22:32,119 --> 00:22:34,200
Speaker 13: man and I'm going to kill send people around.

482
00:22:34,000 --> 00:22:34,959
Speaker 2: To kill you and your family.

483
00:22:35,560 --> 00:22:37,920
Speaker 13: But I'm still in his emails and know that he

484
00:22:37,960 --> 00:22:40,800
Speaker 13: doesn't want to kill anyone. So I'm not that scared.

485
00:22:40,480 --> 00:22:42,920
Speaker 2: Because I was thinking when you started that you don't

486
00:22:42,960 --> 00:22:44,760
Speaker 2: want to see that information, You don't want to know

487
00:22:44,840 --> 00:22:48,000
Speaker 2: that stuff? No, well do you generally not? Do you

488
00:22:48,040 --> 00:22:49,800
Speaker 2: feel obliged to hand that onto the police?

489
00:22:49,840 --> 00:22:50,399
Speaker 8: Absolutely?

490
00:22:50,400 --> 00:22:50,920
Speaker 5: Absolutely?

491
00:22:50,960 --> 00:22:52,120
Speaker 4: And wish is that why you did?

492
00:22:52,359 --> 00:22:52,639
Speaker 2: Yes?

493
00:22:52,680 --> 00:22:55,399
Speaker 13: But that was a real headache as well, because the

494
00:22:55,400 --> 00:22:57,960
Speaker 13: police has suddenly got this person saying, you know dark

495
00:22:58,000 --> 00:23:01,160
Speaker 13: Web hitman and all this. You know, no one believed anything.

496
00:23:02,400 --> 00:23:04,800
Speaker 13: And so one particular story that comes up in the

497
00:23:04,800 --> 00:23:07,760
Speaker 13: book is you know, passed on this information to the

498
00:23:07,840 --> 00:23:10,840
Speaker 13: FBI about a woman in Minnesota that someone had paid

499
00:23:10,880 --> 00:23:12,040
Speaker 13: twelve thousand dollars to.

500
00:23:12,119 --> 00:23:13,720
Speaker 8: Have hit, and.

501
00:23:15,320 --> 00:23:17,439
Speaker 13: They did do something about it. They visited her and

502
00:23:17,440 --> 00:23:18,880
Speaker 13: all that, but it was a bit like dark where

503
00:23:18,880 --> 00:23:21,720
Speaker 13: we don't know what's going on, and she wound up dead.

504
00:23:24,520 --> 00:23:27,199
Speaker 1: This is the thing, though, you wouldn't even want to

505
00:23:27,240 --> 00:23:29,800
Speaker 1: And Eileen, I mean, getting an email like that from

506
00:23:29,800 --> 00:23:31,600
Speaker 1: someone saying that I'm going to come after you and

507
00:23:31,640 --> 00:23:33,639
Speaker 1: your family would freak me out in the first place.

508
00:23:34,200 --> 00:23:36,920
Speaker 13: Okay, Well, then after that, after a while, when he

509
00:23:37,000 --> 00:23:39,160
Speaker 13: realized that I wasn't afraid, he offered me a job.

510
00:23:39,359 --> 00:23:40,520
Speaker 8: He offered me a job to.

511
00:23:41,040 --> 00:23:43,280
Speaker 2: Rewrite his No.

512
00:23:43,400 --> 00:23:45,560
Speaker 13: Well, first of all, he offered me a job to

513
00:23:45,560 --> 00:23:47,919
Speaker 13: rewrite his site because English was his second language, so

514
00:23:47,960 --> 00:23:50,040
Speaker 13: his site wasn't that good, and he liked to put

515
00:23:50,119 --> 00:23:54,240
Speaker 13: up lots of testimonials from happy customers that still hits

516
00:23:54,600 --> 00:23:55,160
Speaker 13: the best.

517
00:23:55,000 --> 00:23:56,680
Speaker 2: Kill out exactly.

518
00:23:56,800 --> 00:23:59,399
Speaker 1: I never liked my auntie, and he did it in a.

519
00:23:59,600 --> 00:24:00,600
Speaker 8: Week time.

520
00:24:03,200 --> 00:24:03,520
Speaker 1: Trace.

521
00:24:04,160 --> 00:24:06,879
Speaker 13: Then when I said I really can't do that as

522
00:24:06,880 --> 00:24:09,720
Speaker 13: a journalists who know ethic, blah blah, and said no,

523
00:24:09,960 --> 00:24:12,160
Speaker 13: And then he said, Oh, well, what about you can be,

524
00:24:13,040 --> 00:24:14,680
Speaker 13: you know, one of the people that respond to the

525
00:24:14,680 --> 00:24:16,520
Speaker 13: people that seen me in hits and pretend to be

526
00:24:16,560 --> 00:24:18,680
Speaker 13: a hit man, be a pretend hit man. And I thought, oh,

527
00:24:19,000 --> 00:24:20,720
Speaker 13: that's really texting.

528
00:24:20,359 --> 00:24:21,360
Speaker 2: From a journalist thing.

529
00:24:21,440 --> 00:24:25,280
Speaker 13: But no, better not do that. And then so we

530
00:24:25,359 --> 00:24:28,960
Speaker 13: actually moved on to almost He keeps telling me, look,

531
00:24:29,000 --> 00:24:31,240
Speaker 13: I'm doing the world a favor, you know, I'm taking

532
00:24:31,240 --> 00:24:34,200
Speaker 13: this money that people might actually put out on real hits.

533
00:24:34,840 --> 00:24:36,760
Speaker 13: And it was sort.

534
00:24:36,600 --> 00:24:37,160
Speaker 8: Of fair enough.

535
00:24:37,160 --> 00:24:42,440
Speaker 13: But eventually I got invited on CBS forty eight hours

536
00:24:42,560 --> 00:24:46,240
Speaker 13: as a consultant to one of their programs that was

537
00:24:46,280 --> 00:24:50,360
Speaker 13: about the murder that had happened, and part of that

538
00:24:50,440 --> 00:24:52,480
Speaker 13: was I invited him. I said, oh, will you come on?

539
00:24:52,720 --> 00:24:55,720
Speaker 13: And he agreed to and he was so excited about

540
00:24:55,720 --> 00:24:56,960
Speaker 13: it because he thought he was going to be getting

541
00:24:56,960 --> 00:24:59,920
Speaker 13: this worldwide advertising for his hitman service. That he said,

542
00:25:00,080 --> 00:25:03,920
Speaker 13: CBS producers the names and addresses and details of two

543
00:25:03,960 --> 00:25:06,000
Speaker 13: people that had hits taken out on them, and they're like,

544
00:25:06,480 --> 00:25:11,600
Speaker 13: I don't really want this, but they thought it was

545
00:25:11,600 --> 00:25:14,000
Speaker 13: all fake. They handed over to the police. Sure enough,

546
00:25:14,119 --> 00:25:15,240
Speaker 13: two arrests were made.

547
00:25:15,680 --> 00:25:16,199
Speaker 1: One was.

548
00:25:17,760 --> 00:25:19,959
Speaker 13: Had taken out a hit on the wife of the

549
00:25:20,000 --> 00:25:21,679
Speaker 13: man that she had an affair with.

550
00:25:22,000 --> 00:25:24,760
Speaker 2: Wow, and you're stuck in the middle and.

551
00:25:25,160 --> 00:25:27,960
Speaker 13: So but then he was really mad that they sent

552
00:25:28,040 --> 00:25:30,359
Speaker 13: it up to the police. So we'd arranged to go

553
00:25:30,400 --> 00:25:32,040
Speaker 13: to London, and so I went to London and they

554
00:25:32,080 --> 00:25:36,200
Speaker 13: had this makeup artist Academy Award nominated makeup artists ready

555
00:25:36,200 --> 00:25:38,720
Speaker 13: there to put makeup on him and disguise him and

556
00:25:38,760 --> 00:25:42,159
Speaker 13: everything and sort of waited before him. He never turned down.

557
00:25:42,720 --> 00:25:43,800
Speaker 13: I don't trust you anymore.

558
00:25:44,560 --> 00:25:46,600
Speaker 1: Eileen is going to be discussing The dark As Web

559
00:25:46,600 --> 00:25:49,520
Speaker 1: as well for New Horizons at Vivid Sydney on the

560
00:25:49,560 --> 00:25:51,600
Speaker 1: twenty sixth of the May. You get tickets from Vivid

561
00:25:51,680 --> 00:25:55,040
Speaker 1: Sydney dot com forward slash Ideas. But her new book

562
00:25:55,080 --> 00:25:57,000
Speaker 1: The Darkest Web is out now.

563
00:25:57,359 --> 00:25:57,760
Speaker 5: Eileen.

564
00:25:57,840 --> 00:25:59,880
Speaker 1: We really appreciate you coming in. Thank you very much.

565
00:26:00,000 --> 00:26:00,480
Speaker 8: Thanks for heaving.

566
00:26:00,480 --> 00:26:03,600
Speaker 2: Thanks Zuckerberg, mate, what's the up to now?

567
00:26:03,640 --> 00:26:05,520
Speaker 1: Well, okay, so we need to talk about this because

568
00:26:05,560 --> 00:26:08,080
Speaker 1: Facebook had a bit of a face lift yesterday.

569
00:26:08,160 --> 00:26:10,240
Speaker 2: Did you get a bit of a new look, a refresh?

570
00:26:10,480 --> 00:26:14,320
Speaker 1: Yeah, they modernized their logo. I think I think the

571
00:26:14,400 --> 00:26:18,000
Speaker 1: color of Yeah, the color of your Facebook page has changed.

572
00:26:18,080 --> 00:26:19,920
Speaker 1: I think it's they've gone the white.

573
00:26:20,680 --> 00:26:23,320
Speaker 2: It's fresher and can I suggest everything's in lowercase on

574
00:26:23,359 --> 00:26:26,640
Speaker 2: your Facebook? And it could even be a new font.

575
00:26:26,720 --> 00:26:29,600
Speaker 2: Ladies and gentlemen. I had no idea about this. And

576
00:26:29,640 --> 00:26:31,440
Speaker 2: you know what, you know, how you get your flashbacks?

577
00:26:32,240 --> 00:26:34,720
Speaker 2: You know eight years ago if I opened my Facebook, Now,

578
00:26:35,080 --> 00:26:37,840
Speaker 2: what a great flashback to know this day eight years ago?

579
00:26:38,000 --> 00:26:41,160
Speaker 2: Tom Ivy was in the UK giving me the one

580
00:26:41,200 --> 00:26:44,000
Speaker 2: thing a salt out of a red phone boost memories than.

581
00:26:45,520 --> 00:26:46,040
Speaker 1: Thank you.

582
00:26:46,119 --> 00:26:48,359
Speaker 3: That was when we went for Caiton Will's wedding.

583
00:26:48,520 --> 00:26:52,280
Speaker 2: Was this eight years ago? That's the fun of Facebook.

584
00:26:51,800 --> 00:26:54,320
Speaker 1: Right years ago as when the shut over. Eight years

585
00:26:54,320 --> 00:26:55,600
Speaker 1: ago is when the show started.

586
00:26:56,119 --> 00:26:57,160
Speaker 4: God, what a journey.

587
00:26:57,320 --> 00:27:00,760
Speaker 1: What I mean? There's been an obviously bit of controversy

588
00:27:00,800 --> 00:27:03,640
Speaker 1: over the years that you put so much of your

589
00:27:03,720 --> 00:27:05,760
Speaker 1: private details into Facebook.

590
00:27:05,920 --> 00:27:07,440
Speaker 2: Yep, where do they go?

591
00:27:07,600 --> 00:27:10,399
Speaker 1: Great question because how do they know that? I was

592
00:27:10,480 --> 00:27:12,879
Speaker 1: talking about that barbecue the other day and then all

593
00:27:12,920 --> 00:27:15,320
Speaker 1: of a sudden, I've got advertisements popping up next to

594
00:27:15,359 --> 00:27:16,240
Speaker 1: my Facebook page.

595
00:27:16,440 --> 00:27:17,440
Speaker 4: A faer.

596
00:27:18,960 --> 00:27:23,800
Speaker 1: Zuckerberg got up yesterday, similar to the Apples talks when

597
00:27:23,800 --> 00:27:25,520
Speaker 1: they bring out a new iPhone and stuff like that.

598
00:27:25,560 --> 00:27:27,760
Speaker 1: So we had a huge crowd there. You know, all

599
00:27:27,800 --> 00:27:29,919
Speaker 1: the tech nerds are there. What are they going to

600
00:27:29,920 --> 00:27:34,000
Speaker 1: do be doing with Facebook? He's not as socially gifted

601
00:27:34,000 --> 00:27:37,000
Speaker 1: as others Zuckerberg. So he's up there and he's talking

602
00:27:37,040 --> 00:27:42,280
Speaker 1: about the privacy and the security of your details on Facebook.

603
00:27:42,480 --> 00:27:44,919
Speaker 1: Have a listen to the reaction from the crowd.

604
00:27:45,920 --> 00:27:49,200
Speaker 14: Now, look, I get that a lot of people aren't

605
00:27:49,200 --> 00:27:52,199
Speaker 14: sure that we're serious about this. I know that we

606
00:27:52,240 --> 00:27:56,800
Speaker 14: don't exactly have the strongest reputation on privacy right now.

607
00:27:56,840 --> 00:28:03,480
Speaker 1: To put it lately, no one reacted at all, like,

608
00:28:03,600 --> 00:28:05,520
Speaker 1: not even a chuckle said.

609
00:28:05,840 --> 00:28:07,840
Speaker 2: He feels like the awkward guy the barbecue who's trying

610
00:28:07,880 --> 00:28:10,240
Speaker 2: to tell a story and everyone's lost into halfway through, like, go,

611
00:28:10,280 --> 00:28:11,240
Speaker 2: I'll build a glowing.

612
00:28:11,000 --> 00:28:14,679
Speaker 4: Box for your wife. And we saw that over the weekend.

613
00:28:14,920 --> 00:28:15,760
Speaker 4: So okay.

614
00:28:15,800 --> 00:28:18,320
Speaker 1: So he goes on the other thing that they've introduced

615
00:28:18,359 --> 00:28:20,560
Speaker 1: as well, and I think this is just getting to

616
00:28:20,600 --> 00:28:23,040
Speaker 1: the point of stalking as well, because we know that

617
00:28:23,080 --> 00:28:25,960
Speaker 1: you can follow someone, then you can poke someone. Now

618
00:28:26,040 --> 00:28:29,879
Speaker 1: you can crush someone. So this is the secret crush

619
00:28:29,960 --> 00:28:32,600
Speaker 1: feature that's happened with Facebook. Now they're beginning into the

620
00:28:32,720 --> 00:28:36,000
Speaker 1: dating area. So you know, you can pick up to

621
00:28:36,200 --> 00:28:39,520
Speaker 1: nine for people that you follow, and you can send

622
00:28:39,520 --> 00:28:42,560
Speaker 1: them a secret crush. Now they will be the only

623
00:28:42,600 --> 00:28:45,520
Speaker 1: ones that get to see that. Now if they reply

624
00:28:45,600 --> 00:28:47,959
Speaker 1: and say, well, I've got a crush on you as well,

625
00:28:48,200 --> 00:28:51,200
Speaker 1: that's basically swiping right and you take it to the

626
00:28:51,240 --> 00:28:51,720
Speaker 1: next level.

627
00:28:51,760 --> 00:28:53,959
Speaker 2: But do the other Like, if I've chosen nine people

628
00:28:53,960 --> 00:28:56,240
Speaker 2: and I'm single, do the other people know that I'm

629
00:28:56,400 --> 00:28:57,160
Speaker 2: sent nine out?

630
00:28:57,280 --> 00:29:00,240
Speaker 1: No, it's anonymous, so they don't. It's a scatter gun. Yeah,

631
00:29:00,280 --> 00:29:02,960
Speaker 1: it's only sent to that person. But see, then if

632
00:29:03,000 --> 00:29:06,120
Speaker 1: you start a conversation, people will then get to know.

633
00:29:06,760 --> 00:29:09,360
Speaker 1: But I think that initial secret, that crush that you

634
00:29:09,440 --> 00:29:13,400
Speaker 1: say after you've poked them, Yep, you crush them, right,

635
00:29:13,760 --> 00:29:16,880
Speaker 1: God's violent, and then you've got to get rid of

636
00:29:16,880 --> 00:29:19,640
Speaker 1: the body that I think the next feature is getting

637
00:29:19,720 --> 00:29:22,600
Speaker 1: rid of the body carpet and throw it off a bridge, right,

638
00:29:22,680 --> 00:29:25,360
Speaker 1: So then they send a secret crush back and then bang,

639
00:29:25,400 --> 00:29:25,680
Speaker 1: you're on.

640
00:29:26,520 --> 00:29:28,719
Speaker 2: What about that story of a night too, that anti

641
00:29:28,800 --> 00:29:31,960
Speaker 2: bullying idea that came out, So the idea is that

642
00:29:32,000 --> 00:29:35,520
Speaker 2: people are getting paid to support people being bullied. I

643
00:29:35,520 --> 00:29:38,400
Speaker 2: think I've got this right. So if you see somebody's

644
00:29:38,440 --> 00:29:41,960
Speaker 2: been bullied. You can get paid to get on there

645
00:29:42,000 --> 00:29:44,440
Speaker 2: and go, hey, what what are you speaking like that for?

646
00:29:44,560 --> 00:29:48,000
Speaker 2: I know this bloke, he's awesome. That's a clever idea.

647
00:29:48,520 --> 00:29:52,239
Speaker 1: So people will take advantage of it. They may will

648
00:29:52,280 --> 00:29:55,560
Speaker 1: set up situations where they'll go to a mate. Well,

649
00:29:55,600 --> 00:29:57,680
Speaker 1: if you can have a bullies person, then I'll have

650
00:29:57,720 --> 00:30:00,000
Speaker 1: a crack at you and we'll share the cash.

651
00:30:00,000 --> 00:30:02,200
Speaker 2: I hadn't thought about it the work. Isn't it great

652
00:30:02,240 --> 00:30:04,560
Speaker 2: to have somebody you know, just in your back pocket

653
00:30:04,600 --> 00:30:07,040
Speaker 2: ready to go if you put something on and you get.

654
00:30:06,840 --> 00:30:07,480
Speaker 1: Picked on to go.

655
00:30:07,640 --> 00:30:10,120
Speaker 4: No, he's awesome in real life.

656
00:30:10,400 --> 00:30:13,120
Speaker 1: Could you write? Could you write to someone I'm going

657
00:30:13,120 --> 00:30:15,800
Speaker 1: to crush you and then say I just thought this

658
00:30:15,920 --> 00:30:17,240
Speaker 1: was the second crush feature.

659
00:30:17,360 --> 00:30:19,440
Speaker 2: This is confusing, and have someone support you.

660
00:30:19,520 --> 00:30:22,560
Speaker 9: I've been trying to find the crush feature because there yet,

661
00:30:22,880 --> 00:30:24,080
Speaker 9: well because I wanted to, like.

662
00:30:24,040 --> 00:30:25,520
Speaker 5: I just want to test it. I was going to

663
00:30:25,560 --> 00:30:28,840
Speaker 5: s quickly a crush, but I don't know how like that.

664
00:30:29,000 --> 00:30:31,520
Speaker 9: I thought it'd be a very overt, like fling them

665
00:30:31,800 --> 00:30:32,760
Speaker 9: a crush button.

666
00:30:32,760 --> 00:30:34,960
Speaker 5: But there's no fling him a crush button.

667
00:30:35,000 --> 00:30:36,880
Speaker 1: I think it's only for the people that follow you

668
00:30:36,920 --> 00:30:39,400
Speaker 1: back as well. So it's only your set of friends.

669
00:30:40,240 --> 00:30:43,320
Speaker 1: Because this is the thing you would think models victorious

670
00:30:44,400 --> 00:30:46,480
Speaker 1: just because millions of crushes.

671
00:30:46,800 --> 00:30:48,600
Speaker 2: I mean, if you look at what Tommy Harvey's done

672
00:30:48,640 --> 00:30:52,680
Speaker 2: to Kendall Jenner online, you would be crushing her on. Yes,

673
00:30:52,720 --> 00:31:00,400
Speaker 2: absolutely gilt crutch crush, crutch crutch, Oh my god, not

674
00:31:00,440 --> 00:31:04,560
Speaker 2: doing sucker, thought about that. Mentioned that in your address, mate,

675
00:31:05,200 --> 00:31:07,480
Speaker 2: O my god, good lacks. Find the crush, send it,

676
00:31:07,600 --> 00:31:11,440
Speaker 2: find loved nervous so much.

677
00:31:11,400 --> 00:31:12,080
Speaker 1: Harder than.

678
00:31:18,040 --> 00:31:20,640
Speaker 9: From the creators of Bad Neighbors.

679
00:31:20,680 --> 00:31:25,000
Speaker 2: Seth Rogen and charlista un star in long shot in cinemas.

680
00:31:25,040 --> 00:31:28,080
Speaker 1: Now it's off the moving long shot. I mean if

681
00:31:28,080 --> 00:31:30,880
Speaker 1: Seth Rogen can have a crack at charloister on, I mean,

682
00:31:31,000 --> 00:31:32,640
Speaker 1: this is what we thought we need to open up

683
00:31:32,640 --> 00:31:34,640
Speaker 1: this comp again because it was one of our favorite

684
00:31:34,680 --> 00:31:38,040
Speaker 1: of all time, punching above you wite. Do you know, fellas,

685
00:31:38,560 --> 00:31:42,560
Speaker 1: Fellas when you when you pinch yourself every day and

686
00:31:42,600 --> 00:31:44,800
Speaker 1: you wake up next to the girl of your dreams,

687
00:31:45,400 --> 00:31:47,840
Speaker 1: this is your opportunity to get all your mates back.

688
00:31:48,200 --> 00:31:51,440
Speaker 1: So win that ten thousand dollars and go guys, I've

689
00:31:51,480 --> 00:31:53,720
Speaker 1: got the hot girl. And also have a lot of this.

690
00:31:54,120 --> 00:31:57,520
Speaker 2: Two cash in the old skyrockets do what we hear

691
00:31:57,520 --> 00:32:00,280
Speaker 2: occasionally from supermodels and things like that they're doing, and

692
00:32:00,280 --> 00:32:02,160
Speaker 2: they'll go, oh god, you must get so much attention

693
00:32:02,160 --> 00:32:04,800
Speaker 2: from the guys, And I'll say, no, I don't, because

694
00:32:04,840 --> 00:32:07,239
Speaker 2: guys don't go for the long shot, mate. They're too

695
00:32:07,280 --> 00:32:10,560
Speaker 2: intimidated by the attractive woman and think there's absolutely no chance.

696
00:32:10,680 --> 00:32:13,480
Speaker 2: Like Leno, if you saw Giselle in a bar, you

697
00:32:13,480 --> 00:32:14,320
Speaker 2: would think she would.

698
00:32:15,160 --> 00:32:17,160
Speaker 1: She would, It's a long shot she would, but no

699
00:32:17,280 --> 00:32:17,960
Speaker 1: other way around.

700
00:32:18,080 --> 00:32:20,520
Speaker 2: You would never approach. But Leno, if you made the effort,

701
00:32:20,600 --> 00:32:22,360
Speaker 2: she might like to fall in love with someone, But

702
00:32:22,400 --> 00:32:23,640
Speaker 2: no one has made that effort.

703
00:32:23,720 --> 00:32:24,800
Speaker 1: Isn't she with Tom Brady?

704
00:32:24,920 --> 00:32:27,600
Speaker 2: That's true these guys right in these entries that are

705
00:32:27,600 --> 00:32:30,480
Speaker 2: flooding through the door, these blokes have taken that long shot.

706
00:32:30,760 --> 00:32:33,680
Speaker 1: Anthony and Ashfield, welcome to the Showy, Tony, how you

707
00:32:33,720 --> 00:32:37,600
Speaker 1: going guys, mate, We're just okay. So let's talk about

708
00:32:37,840 --> 00:32:41,840
Speaker 1: you're married to the beautiful Tamara. She's gone. She is gorgeous.

709
00:32:41,880 --> 00:32:44,920
Speaker 1: Now okay, you guys worked together for a while, Anthony,

710
00:32:44,920 --> 00:32:45,920
Speaker 1: how did this come about?

711
00:32:46,960 --> 00:32:50,840
Speaker 15: Well, look, we actually eight years ago we started working together.

712
00:32:50,920 --> 00:32:55,840
Speaker 15: She was a receptionist and basically I was obese and

713
00:32:56,320 --> 00:32:59,640
Speaker 15: started training and you know, got really fit, and about

714
00:32:59,640 --> 00:33:02,480
Speaker 15: a year in I decided to ask her out, and

715
00:33:03,840 --> 00:33:07,480
Speaker 15: from there on, about three years after that we got married.

716
00:33:07,520 --> 00:33:10,440
Speaker 15: I've been married for four years now. Every day I

717
00:33:10,480 --> 00:33:12,320
Speaker 15: just I look at it. I'm like, oh my god,

718
00:33:12,360 --> 00:33:13,120
Speaker 15: I can't believe.

719
00:33:12,920 --> 00:33:13,320
Speaker 16: She's with me.

720
00:33:13,400 --> 00:33:15,280
Speaker 2: Yeah, yeah, I agree, because I'm looking at the photo too,

721
00:33:15,280 --> 00:33:16,280
Speaker 2: and I can't believe it either.

722
00:33:17,000 --> 00:33:19,720
Speaker 15: Do you know what, sericans, I switched her up?

723
00:33:20,120 --> 00:33:24,080
Speaker 2: Yeah, I reckon if you let yourself slide it all Anthony.

724
00:33:23,680 --> 00:33:27,160
Speaker 15: I mean, if you yeah, I actually I actually put

725
00:33:27,160 --> 00:33:28,040
Speaker 15: on all the weight again.

726
00:33:32,320 --> 00:33:34,400
Speaker 1: There's a bit of Michael Weekly to this one. There's

727
00:33:34,960 --> 00:33:39,440
Speaker 1: prest barrel around them working with the girl, lost a

728
00:33:39,480 --> 00:33:42,040
Speaker 1: bit of weight, got there and then put the weight

729
00:33:42,120 --> 00:33:45,000
Speaker 1: back on. You're a front runner if you hours.

730
00:33:45,280 --> 00:33:47,920
Speaker 15: And we've done a bit of a spring clean back

731
00:33:47,920 --> 00:33:49,720
Speaker 15: in the day, and she was like, why do you

732
00:33:49,760 --> 00:33:52,640
Speaker 15: want to keep all these clothes? I got picking to myself, mate,

733
00:33:52,640 --> 00:33:54,440
Speaker 15: I might put this way back on.

734
00:33:57,240 --> 00:34:02,320
Speaker 1: You are a hodcat, Anthony fifty, you are I think

735
00:34:02,320 --> 00:34:04,440
Speaker 1: you might be close to leaving the race at the moment.

736
00:34:04,920 --> 00:34:05,640
Speaker 8: Above you are we.

737
00:34:05,600 --> 00:34:07,840
Speaker 1: Putting these up on our Instagram account? Tom did you

738
00:34:07,920 --> 00:34:08,520
Speaker 1: check that he's out?

739
00:34:08,600 --> 00:34:09,359
Speaker 4: Yeah, you can check them out.

740
00:34:09,360 --> 00:34:10,800
Speaker 5: They're going up as we speak to.

741
00:34:11,480 --> 00:34:14,640
Speaker 1: Tommy from Miranda is in a relationship with the Lace.

742
00:34:14,680 --> 00:34:18,600
Speaker 1: Hi Tommy, Oh guys, how are we to gim me?

743
00:34:18,960 --> 00:34:21,239
Speaker 1: I mean, tom what first of all, the photo that

744
00:34:21,239 --> 00:34:24,080
Speaker 1: you've seen in what is that floral shirt that you're wearing?

745
00:34:24,120 --> 00:34:24,840
Speaker 1: That is horrible?

746
00:34:25,920 --> 00:34:27,640
Speaker 7: Don't get about she addresses me?

747
00:34:27,800 --> 00:34:31,120
Speaker 1: Oh she dresses has taken over your life? Where did

748
00:34:31,160 --> 00:34:31,840
Speaker 1: you meet Elise?

749
00:34:32,680 --> 00:34:32,799
Speaker 10: So?

750
00:34:32,840 --> 00:34:35,840
Speaker 7: We met on Tinder, which a usual story. None of

751
00:34:35,840 --> 00:34:39,120
Speaker 7: our parents or family friends knows. Let's hope none of

752
00:34:39,120 --> 00:34:42,080
Speaker 7: them are listening. I think we met through friends of

753
00:34:42,120 --> 00:34:44,279
Speaker 7: friends at UNI, which we get a different unis, so

754
00:34:44,320 --> 00:34:48,239
Speaker 7: we have no idea help And yeah, I'm way too

755
00:34:48,280 --> 00:34:49,080
Speaker 7: short to be punching.

756
00:34:49,600 --> 00:34:52,239
Speaker 2: Okay you sure? Okay, Tommy. I don't want to be

757
00:34:52,280 --> 00:34:54,120
Speaker 2: too cruel on this, but I had to describe you.

758
00:34:54,160 --> 00:34:56,080
Speaker 2: I mean that they've got some pretty big front teeth.

759
00:34:56,239 --> 00:34:57,359
Speaker 2: You got her forehead that.

760
00:34:57,360 --> 00:34:58,240
Speaker 1: Keeps getting bigger.

761
00:34:58,480 --> 00:35:00,480
Speaker 2: They're fake. Well that's a good start. You've paid good

762
00:35:00,480 --> 00:35:02,080
Speaker 2: money there, and if you know, if I had to

763
00:35:02,120 --> 00:35:03,480
Speaker 2: align you with an animal. I'd say you look a

764
00:35:03,520 --> 00:35:04,160
Speaker 2: bit like a camel.

765
00:35:04,400 --> 00:35:10,680
Speaker 1: Oh way up, Tommy, you did say here, you wrote

766
00:35:10,719 --> 00:35:13,280
Speaker 1: down in your registration. She could take a pick of anyone,

767
00:35:13,320 --> 00:35:17,640
Speaker 1: but she's chose an annoying shier boy with the words

768
00:35:17,960 --> 00:35:21,120
Speaker 1: world's worst receding hairline and shiniest forehead.

769
00:35:21,320 --> 00:35:23,279
Speaker 7: I mean, you could you got the photo that you

770
00:35:23,280 --> 00:35:25,640
Speaker 7: could learn a you could land a plane on my forehider.

771
00:35:27,239 --> 00:35:28,319
Speaker 4: You're a strange looking thing.

772
00:35:28,480 --> 00:35:30,600
Speaker 1: You're in the running, mate, Tommy, thank you very much.

773
00:35:30,680 --> 00:35:33,720
Speaker 1: Let's go to Michael from Ebenezer, our last one. Michael,

774
00:35:33,760 --> 00:35:37,719
Speaker 1: you're in a relationship with Jess. His first question for you, Mick,

775
00:35:38,280 --> 00:35:39,480
Speaker 1: is she taller than you?

776
00:35:40,480 --> 00:35:43,640
Speaker 17: Yeah, she's probably about five centimeters taller than this.

777
00:35:45,239 --> 00:35:47,080
Speaker 2: I mean, I don't reckon you even present that well,

778
00:35:47,160 --> 00:35:48,719
Speaker 2: you kind of go on the lazy hoodie and you're

779
00:35:48,719 --> 00:35:51,200
Speaker 2: not putting in too much effort. She's in a stunning

780
00:35:51,239 --> 00:35:53,000
Speaker 2: frock and she's a great looking girl. How did you

781
00:35:53,040 --> 00:35:53,800
Speaker 2: trap this woman?

782
00:35:55,320 --> 00:35:58,320
Speaker 17: We'll playing on Star and then one of my friends

783
00:35:58,360 --> 00:35:59,880
Speaker 17: got it a feeling one week and I was like,

784
00:36:00,880 --> 00:36:03,960
Speaker 17: can you get her to play everywhere? And then yeah,

785
00:36:04,040 --> 00:36:07,320
Speaker 17: they got her to play every week, And then I

786
00:36:07,400 --> 00:36:11,160
Speaker 17: don't want dating her best friends. And then I was like, mate,

787
00:36:11,760 --> 00:36:15,080
Speaker 17: get a double date please? He got mate, Look, it's

788
00:36:15,120 --> 00:36:15,760
Speaker 17: not going to happen.

789
00:36:15,800 --> 00:36:17,239
Speaker 16: There's no chance. Don't even try.

790
00:36:18,160 --> 00:36:20,560
Speaker 17: And then somehow we talked through into a double date.

791
00:36:20,600 --> 00:36:23,080
Speaker 17: And then it's a couple of months dating.

792
00:36:23,120 --> 00:36:25,799
Speaker 2: Then even the way you describe that, can you tell

793
00:36:25,800 --> 00:36:28,759
Speaker 2: you you're showing us you're a true romantic thing? Get

794
00:36:28,800 --> 00:36:29,799
Speaker 2: her to play every week?

795
00:36:29,880 --> 00:36:33,040
Speaker 1: Well, you get her to play every week? I reckon,

796
00:36:33,080 --> 00:36:36,680
Speaker 1: I've watched this video over a hundred times and it

797
00:36:36,719 --> 00:36:39,279
Speaker 1: don't get me wrong. Sometimes when I'm feeling down during

798
00:36:39,320 --> 00:36:42,200
Speaker 1: the day on Instagram, I'll go to Brown Cardigan just

799
00:36:42,200 --> 00:36:44,480
Speaker 1: for a bit of a laugh. But someone has sent

800
00:36:44,560 --> 00:36:47,400
Speaker 1: in and Brown Cardigan has put it up. Bill Shortens

801
00:36:47,480 --> 00:36:51,319
Speaker 1: running Style and it was on Sky News and it's

802
00:36:51,360 --> 00:36:53,759
Speaker 1: like we know that he shuffles along when he goes

803
00:36:53,760 --> 00:36:58,640
Speaker 1: for a run, Bill, but now it looks like he

804
00:36:58,719 --> 00:37:03,440
Speaker 1: is it's the final sprint, it's the last fifty meters

805
00:37:03,440 --> 00:37:05,520
Speaker 1: in the one hundred, and he's helling for it across

806
00:37:05,520 --> 00:37:06,480
Speaker 1: a bridge in Canberra.

807
00:37:06,600 --> 00:37:09,200
Speaker 2: Is it the arms or is it the footwork? Like

808
00:37:09,880 --> 00:37:12,080
Speaker 2: he's duck footed right, so his feet are out on

809
00:37:12,160 --> 00:37:15,359
Speaker 2: all angles and then his arms don't really know what

810
00:37:15,719 --> 00:37:18,960
Speaker 2: they're doing. He's tryin ism for momentum, but he's moving

811
00:37:19,040 --> 00:37:20,000
Speaker 2: them too fast.

812
00:37:20,840 --> 00:37:23,040
Speaker 1: Look, I want to talk about running styles. Are you

813
00:37:23,120 --> 00:37:25,560
Speaker 1: embarrassed with your own running style? Or is there someone

814
00:37:25,600 --> 00:37:30,319
Speaker 1: that you know, family member, or a good friend who

815
00:37:30,640 --> 00:37:33,839
Speaker 1: just refuses to run because of their style. I want

816
00:37:33,880 --> 00:37:36,440
Speaker 1: you to pull your car in twenty fourteen, pull your

817
00:37:36,440 --> 00:37:37,160
Speaker 1: car over.

818
00:37:37,040 --> 00:37:38,680
Speaker 4: And have a look at the footage.

819
00:37:38,840 --> 00:37:42,440
Speaker 2: Go to the fifteen Whipper Instagram page. It's a great case,

820
00:37:42,680 --> 00:37:45,840
Speaker 2: right of a kid that grew up not the sporty type,

821
00:37:46,040 --> 00:37:48,480
Speaker 2: right and never ran and never did any sport. All

822
00:37:48,520 --> 00:37:50,160
Speaker 2: of a sudden, he's got this profile and he wants

823
00:37:50,160 --> 00:37:52,760
Speaker 2: to look like he's out and about. There's an old saying,

824
00:37:52,960 --> 00:37:54,600
Speaker 2: work out what you do well, and do it often.

825
00:37:55,120 --> 00:37:58,520
Speaker 2: Running is not your thing, Bill Shorten, But don't know,

826
00:37:58,880 --> 00:37:59,600
Speaker 2: can I whin?

827
00:38:00,400 --> 00:38:02,239
Speaker 1: I totally to do that.

828
00:38:02,320 --> 00:38:04,400
Speaker 2: There's a reason I don't get on a dance floor

829
00:38:04,440 --> 00:38:05,560
Speaker 2: because I'm no good at it.

830
00:38:05,600 --> 00:38:07,480
Speaker 1: But this is what I love. I love people who

831
00:38:07,520 --> 00:38:10,640
Speaker 1: are awkward at sport, and I love nothing more seeing

832
00:38:10,719 --> 00:38:13,640
Speaker 1: someone with an awkward running style having a crack running

833
00:38:13,680 --> 00:38:17,440
Speaker 1: down the street because they know what they look like. Mate,

834
00:38:17,480 --> 00:38:19,239
Speaker 1: But they know what they look like. But that's they're

835
00:38:19,719 --> 00:38:20,120
Speaker 1: doing it.

836
00:38:20,160 --> 00:38:22,400
Speaker 2: That's fine if they want to achieve something from that.

837
00:38:22,600 --> 00:38:24,960
Speaker 2: This is an image based thing. And he doesn't realize that.

838
00:38:24,960 --> 00:38:26,680
Speaker 8: What he's doing is I'm doing him.

839
00:38:26,800 --> 00:38:29,240
Speaker 2: Oh, it's just the worst thing I've ever seen.

840
00:38:29,560 --> 00:38:32,560
Speaker 1: Some of the comments have just been amazing. When a

841
00:38:32,560 --> 00:38:35,080
Speaker 1: stranger holds a door open to you and you're awkwardly

842
00:38:35,160 --> 00:38:37,080
Speaker 1: and you're awkwardly far away and you have to get

843
00:38:37,120 --> 00:38:40,680
Speaker 1: there quickly. Someone else has written, would rather watch Johnny

844
00:38:40,680 --> 00:38:43,120
Speaker 1: Howard ball than watch this level of uncoordination.

845
00:38:43,400 --> 00:38:45,360
Speaker 2: It's like they've made a toy and they've put the

846
00:38:45,400 --> 00:38:48,160
Speaker 2: parts together incorrectly, but the batteries are still making the

847
00:38:48,239 --> 00:38:50,360
Speaker 2: parts move, but they're not working together.

848
00:38:50,400 --> 00:38:53,560
Speaker 1: Someone else has written, for some for some reason, I reckon,

849
00:38:53,600 --> 00:38:57,440
Speaker 1: he snatched a purse or two exact way.

850
00:38:57,560 --> 00:39:00,880
Speaker 2: Because the arms aren't working with the feet. Let's go on,

851
00:39:01,000 --> 00:39:01,880
Speaker 2: mister short.

852
00:39:02,080 --> 00:39:05,120
Speaker 1: Just running styles. I had a good mate of mine

853
00:39:05,239 --> 00:39:07,920
Speaker 1: and we used to play a bit of social soccer

854
00:39:07,960 --> 00:39:11,080
Speaker 1: indoor soccer, and the poor bugger, I mean, he could

855
00:39:11,160 --> 00:39:13,960
Speaker 1: kick the ball, but he's running style to the point

856
00:39:13,960 --> 00:39:16,080
Speaker 1: I reckon. There was one stage where we stopped a

857
00:39:16,160 --> 00:39:19,160
Speaker 1: game because the opposition were laughing. You're kidding me.

858
00:39:19,200 --> 00:39:20,320
Speaker 2: He just couldn't coordinate.

859
00:39:20,640 --> 00:39:24,320
Speaker 1: He just he's he's rear in, would stick out, really

860
00:39:25,239 --> 00:39:27,960
Speaker 1: would protrude quite a bit, and it was like he

861
00:39:28,080 --> 00:39:31,000
Speaker 1: was hunchbacked as he was running. It was like, stand

862
00:39:31,040 --> 00:39:32,239
Speaker 1: up properly, mate.

863
00:39:32,080 --> 00:39:34,719
Speaker 2: Remember the Remember the people you see too, and they're

864
00:39:34,760 --> 00:39:37,600
Speaker 2: just on their toes. It's almost like they're falling forward

865
00:39:37,640 --> 00:39:39,920
Speaker 2: there the whole time. You when you see those people.

866
00:39:40,160 --> 00:39:42,680
Speaker 1: Marianna's given us a call from laying Ca. Ariana, you

867
00:39:42,760 --> 00:39:44,800
Speaker 1: know someone with a very embarrassing walk.

868
00:39:45,760 --> 00:39:47,160
Speaker 10: Yeah, I do, guys, it's my dad.

869
00:39:47,280 --> 00:39:50,000
Speaker 1: Oh I know how bad is the power walker? Ariana?

870
00:39:50,800 --> 00:40:01,400
Speaker 10: Like just think you know Katherine Kevin Kim the hips.

871
00:40:00,200 --> 00:40:03,839
Speaker 10: It's the most embarrassing thing. Like I go with him

872
00:40:03,880 --> 00:40:05,279
Speaker 10: just to spend a bit of time with him. But

873
00:40:05,640 --> 00:40:08,880
Speaker 10: he doesn't have the hands up sort of in Kell style.

874
00:40:08,920 --> 00:40:13,359
Speaker 10: He's sort of like like the flossing dance, you know how,

875
00:40:13,520 --> 00:40:16,799
Speaker 10: sort of and he's got the head like the duck

876
00:40:18,440 --> 00:40:21,760
Speaker 10: backwards and it's I can't do it anymore, Ariana.

877
00:40:21,880 --> 00:40:25,719
Speaker 1: Is he totally oblivious to it or does he think

878
00:40:25,760 --> 00:40:26,920
Speaker 1: that he's killing it.

879
00:40:26,960 --> 00:40:29,640
Speaker 10: Or he thinks he's killing it with the walk, like

880
00:40:29,680 --> 00:40:33,680
Speaker 10: he really raised the walk, but he just he's completely

881
00:40:33,680 --> 00:40:35,680
Speaker 10: oblivious to what a goosey looks like.

882
00:40:35,840 --> 00:40:37,040
Speaker 1: I see, Ariana, mile man.

883
00:40:37,120 --> 00:40:39,400
Speaker 2: He's seventy now and he's part of it. He's not

884
00:40:39,400 --> 00:40:41,160
Speaker 2: in a running club anymore. He's in a walking club

885
00:40:41,200 --> 00:40:42,919
Speaker 2: and they hit the streets sort of five days a week,

886
00:40:43,200 --> 00:40:45,200
Speaker 2: hitting the pavement. But the old man's knees are bugger,

887
00:40:45,280 --> 00:40:48,160
Speaker 2: so he doesn't lift his feet properly. So wherever he walks,

888
00:40:48,160 --> 00:40:51,040
Speaker 2: it sounds like he's dragging a sack of potato or

889
00:40:51,080 --> 00:40:54,920
Speaker 2: he's sandpapering the floor. Like he's just dragging his feet along.

890
00:40:55,400 --> 00:40:56,400
Speaker 2: It's embarrassing.

891
00:40:56,560 --> 00:40:57,640
Speaker 4: What do you do, Ariana?

892
00:40:57,719 --> 00:40:59,920
Speaker 1: This isn't easy. But see, like I said, mate, I

893
00:41:01,239 --> 00:41:04,279
Speaker 1: rate people. My level of respect for people go to

894
00:41:04,320 --> 00:41:07,520
Speaker 1: a new level when they've got a shocking running style

895
00:41:07,520 --> 00:41:09,320
Speaker 1: but they're still out there having a crack.

896
00:41:10,040 --> 00:41:12,280
Speaker 2: I want you to find out where Bill Shorten's running

897
00:41:12,280 --> 00:41:14,080
Speaker 2: next fits, and I want to see you in the

898
00:41:14,120 --> 00:41:16,760
Speaker 2: shot next to him, just with some basic coaching.

899
00:41:17,120 --> 00:41:17,600
Speaker 1: But see.

900
00:41:19,040 --> 00:41:21,319
Speaker 2: Stick with me here for the next hundred meters.

901
00:41:21,160 --> 00:41:25,240
Speaker 1: That video, right, I mean, he's not going full pace,

902
00:41:25,360 --> 00:41:29,560
Speaker 1: so imagine if you got him in a fifty meter sprint,

903
00:41:29,719 --> 00:41:32,000
Speaker 1: his arms would fall off, like he had to go

904
00:41:32,360 --> 00:41:35,279
Speaker 1: flat knackers as fast as he could. I think it

905
00:41:35,320 --> 00:41:37,680
Speaker 1: would just be how could we get him to do that?

906
00:41:38,400 --> 00:41:41,720
Speaker 1: I mean, is it a polling booth on election day?

907
00:41:42,280 --> 00:41:43,080
Speaker 4: If we started a.

908
00:41:43,040 --> 00:41:45,000
Speaker 1: Campaign, way you got to get there as quick as

909
00:41:45,000 --> 00:41:45,600
Speaker 1: you can. Bill.

910
00:41:45,960 --> 00:41:49,120
Speaker 2: If we started a campaign Tommy called, I'll vote for

911
00:41:49,160 --> 00:41:50,880
Speaker 2: you if you do one hundred meters.

912
00:41:50,680 --> 00:41:53,600
Speaker 3: Sprint, we could set a treadmill up in here, because

913
00:41:53,600 --> 00:41:54,839
Speaker 3: he'll be in here in a couple of weeks.

914
00:41:54,840 --> 00:41:57,319
Speaker 2: I mean, I don't want to pick on anybody with

915
00:41:57,440 --> 00:42:00,040
Speaker 2: man burbs because christ have a look at me. But

916
00:42:00,320 --> 00:42:03,000
Speaker 2: Bill's rig at the top there is fairly heavy, and

917
00:42:03,040 --> 00:42:05,640
Speaker 2: it's almost not like there's two boobs. It's a barrel

918
00:42:05,680 --> 00:42:06,480
Speaker 2: across the chest.

919
00:42:08,400 --> 00:42:12,920
Speaker 1: Change his running stock? Shervington or do you need someone

920
00:42:13,080 --> 00:42:14,120
Speaker 1: like that that could come in.

921
00:42:14,160 --> 00:42:16,719
Speaker 2: You've got the job. Pointers You've done enough, You've got

922
00:42:16,719 --> 00:42:18,839
Speaker 2: the job. I want to see you alongside him. God,

923
00:42:18,880 --> 00:42:20,120
Speaker 2: the chest is moving.

924
00:42:20,000 --> 00:42:23,640
Speaker 1: All right, world done? Veal, keep running mate, a less

925
00:42:24,680 --> 00:42:26,120
Speaker 1: This is huge landed on the shows.

926
00:42:26,239 --> 00:42:28,160
Speaker 2: Everybody wants a bit of billye arlist, you tried to

927
00:42:28,160 --> 00:42:29,359
Speaker 2: see it Coachella, Is that right?

928
00:42:29,400 --> 00:42:32,480
Speaker 1: Fits mate couldn't get to her on the main stage

929
00:42:32,520 --> 00:42:34,920
Speaker 1: over there. She was on the outdoor stage next to it,

930
00:42:34,960 --> 00:42:38,239
Speaker 1: but we couldn't even I mean, I reckon it would

931
00:42:38,239 --> 00:42:42,000
Speaker 1: have gone back close to about six seven hundred meters

932
00:42:42,880 --> 00:42:46,000
Speaker 1: from the stage, that's how full on it was. She's

933
00:42:46,080 --> 00:42:48,680
Speaker 1: just absolutely blown up. The thing is, you've got to

934
00:42:48,680 --> 00:42:50,439
Speaker 1: pack it. You've got to ring work today and say

935
00:42:50,640 --> 00:42:53,000
Speaker 1: I'm not coming in because we're flying you down today

936
00:42:53,080 --> 00:42:55,280
Speaker 1: to see her in Nova's Red Room tonight in Melbourne.

937
00:42:55,280 --> 00:42:55,960
Speaker 2: It's huge.

938
00:42:56,360 --> 00:43:00,880
Speaker 1: You're in a friend lovely there. Well, it was the

939
00:43:00,880 --> 00:43:02,560
Speaker 1: first caller throw. We've got to give it to it.

940
00:43:02,719 --> 00:43:08,919
Speaker 1: Let's do it, Jennifer and Frenchis Forrest. You're saying, jan

941
00:43:09,000 --> 00:43:09,759
Speaker 1: you're in your arms.

942
00:43:12,120 --> 00:43:16,359
Speaker 11: Oh my god. She's sixteen saying, my god, I said

943
00:43:16,360 --> 00:43:18,120
Speaker 11: I'd bring it. I'm luck really, I was just well,

944
00:43:19,040 --> 00:43:21,799
Speaker 11: you're such good guys.

945
00:43:21,080 --> 00:43:24,040
Speaker 1: Oh my god, Jen, tell us about your sixteen year

946
00:43:24,040 --> 00:43:28,280
Speaker 1: old and her friends with Billie Eilish. Are they just obsessed.

947
00:43:29,719 --> 00:43:33,960
Speaker 11: Trying to get tickets to the concerto? And she said, Mom,

948
00:43:34,000 --> 00:43:36,279
Speaker 11: please can you try and ring it. I'm at work now,

949
00:43:36,320 --> 00:43:38,680
Speaker 11: And I mean my office, trying to be really.

950
00:43:38,480 --> 00:43:42,359
Speaker 1: Calm, hate good. Hey Jin, would it be too? Are

951
00:43:42,400 --> 00:43:43,920
Speaker 1: you near the school? Like?

952
00:43:44,000 --> 00:43:45,279
Speaker 5: Are you near where she is?

953
00:43:45,880 --> 00:43:48,640
Speaker 1: I am jen, We're going to We're going to get

954
00:43:48,680 --> 00:43:50,399
Speaker 1: you on before the end of the show. I don't

955
00:43:50,400 --> 00:43:52,279
Speaker 1: know if you can get to school quickly and get

956
00:43:52,280 --> 00:43:54,399
Speaker 1: her out of the class. I want to hear her

957
00:43:54,480 --> 00:43:57,000
Speaker 1: reaction when mums won the tickets.

958
00:43:57,120 --> 00:43:59,680
Speaker 10: I can't. I actually work at the school up the road.

959
00:44:00,120 --> 00:44:01,839
Speaker 2: Oh my god, can you get to go down there,

960
00:44:01,880 --> 00:44:03,319
Speaker 2: get to the front gate and then give us a

961
00:44:03,320 --> 00:44:04,879
Speaker 2: call back and we want you to drag her out

962
00:44:04,880 --> 00:44:06,880
Speaker 2: of class and tell her that she's going to Melbourne today.

963
00:44:06,920 --> 00:44:07,440
Speaker 10: We're going to go.

964
00:44:08,239 --> 00:44:08,799
Speaker 11: Oh I'd love to.

965
00:44:11,360 --> 00:44:13,280
Speaker 2: Go running like Billow.

966
00:44:13,520 --> 00:44:16,360
Speaker 1: I love nothing. I love nothing more than giving away

967
00:44:16,440 --> 00:44:20,000
Speaker 1: tickets like this. You know kids, but when you're given

968
00:44:20,080 --> 00:44:22,319
Speaker 1: to the mum and then the mum gets to tell

969
00:44:22,400 --> 00:44:25,560
Speaker 1: their child what one awesome, it's even better.

970
00:44:26,280 --> 00:44:27,440
Speaker 2: You're a god where else you go.

971
00:44:30,320 --> 00:44:32,640
Speaker 1: The NRL kicks off with a huge match tonight at

972
00:44:32,680 --> 00:44:36,279
Speaker 1: ayin Ze Stadium, rabbit Os versus the Broncos. And the

973
00:44:36,280 --> 00:44:38,960
Speaker 1: man that we always talk to when we talk footy

974
00:44:39,120 --> 00:44:42,439
Speaker 1: we love him to death is the beautiful Mick Ennis.

975
00:44:42,480 --> 00:44:43,240
Speaker 1: How are you, buddy?

976
00:44:43,680 --> 00:44:45,520
Speaker 16: Oh you beautiful thing?

977
00:44:46,440 --> 00:44:48,399
Speaker 2: Do you guys need to you want to make out

978
00:44:48,440 --> 00:44:48,759
Speaker 2: at all?

979
00:44:48,920 --> 00:44:49,520
Speaker 1: Or you want to.

980
00:44:51,120 --> 00:44:52,279
Speaker 16: It's too early for that.

981
00:44:52,880 --> 00:44:53,600
Speaker 2: Well, I tell you what.

982
00:44:54,040 --> 00:44:57,239
Speaker 1: I tell you what he might be. He could be

983
00:44:57,280 --> 00:44:59,560
Speaker 1: divorced soon. I'll tell you what. Mickennis doesn't spend too

984
00:44:59,640 --> 00:45:01,920
Speaker 1: much time at home, that's for sure, because I mean

985
00:45:02,040 --> 00:45:05,879
Speaker 1: with your media career now, Mick, and now I want

986
00:45:05,880 --> 00:45:08,560
Speaker 1: to ask you, because you're an assistant coach down at

987
00:45:08,600 --> 00:45:12,600
Speaker 1: the Camber Raiders as well. Have the Canberra people embraced you, Mick,

988
00:45:12,840 --> 00:45:17,120
Speaker 1: because we remember that the famous, the infamous Viking clap

989
00:45:17,120 --> 00:45:19,160
Speaker 1: that you did in front of the Raiders fans. Have

990
00:45:19,280 --> 00:45:21,719
Speaker 1: they embraced you yet? Is one of their own?

991
00:45:22,680 --> 00:45:26,200
Speaker 16: I'm pleased to let you know that the balaclava is

992
00:45:26,280 --> 00:45:28,319
Speaker 16: now in the glove box when I go down the

993
00:45:28,320 --> 00:45:32,879
Speaker 16: Federal Highway. I don't need it anymore than It's been fantastic. Actually, God,

994
00:45:32,920 --> 00:45:35,560
Speaker 16: it's been a betty bit of fun, that's for sure.

995
00:45:35,719 --> 00:45:38,000
Speaker 16: I was a bit apprehensive about it at the start,

996
00:45:38,040 --> 00:45:39,080
Speaker 16: but it's been really good.

997
00:45:39,200 --> 00:45:41,160
Speaker 2: What's the worst thing you've had yelled at you on

998
00:45:41,200 --> 00:45:43,080
Speaker 2: the street, Mick? Can you say that on the air

999
00:45:43,239 --> 00:45:46,520
Speaker 2: or how bad did it ever get after those moments

1000
00:45:46,600 --> 00:45:46,920
Speaker 2: like that?

1001
00:45:47,280 --> 00:45:48,759
Speaker 16: Now I've got some good ones, I think.

1002
00:45:50,000 --> 00:45:51,760
Speaker 15: I think that night that night.

1003
00:45:51,640 --> 00:45:54,000
Speaker 16: In Canberra, I pretty much copped it from the tunnel

1004
00:45:54,040 --> 00:45:56,279
Speaker 16: right through to the car park where the bus was,

1005
00:45:56,520 --> 00:45:58,879
Speaker 16: then all the way up up the Federal Highway with.

1006
00:45:58,960 --> 00:46:01,320
Speaker 1: Even Parliament House. I think in Parliament.

1007
00:46:02,520 --> 00:46:05,600
Speaker 16: Yelling at you has probably given me idea.

1008
00:46:06,960 --> 00:46:09,200
Speaker 1: Have you ever thought about going into politics? Mick? I

1009
00:46:09,239 --> 00:46:11,280
Speaker 1: think you'd be good as a representative?

1010
00:46:11,840 --> 00:46:12,480
Speaker 16: No chance?

1011
00:46:17,239 --> 00:46:19,160
Speaker 1: Can I ask you as well? Mick? I want to

1012
00:46:19,160 --> 00:46:21,759
Speaker 1: talk about Kieran Florren, now a legend of a player,

1013
00:46:21,800 --> 00:46:24,200
Speaker 1: but obviously he smashed his ankle this year. Everyone thought

1014
00:46:24,200 --> 00:46:25,879
Speaker 1: he's probably going to be out for a majority.

1015
00:46:25,600 --> 00:46:25,920
Speaker 5: Of the year.

1016
00:46:26,080 --> 00:46:28,399
Speaker 1: It looks like he might be picked this weekend, which

1017
00:46:28,440 --> 00:46:31,719
Speaker 1: is unbelievable. Have you played through some pain before? What

1018
00:46:31,800 --> 00:46:33,520
Speaker 1: have you played with? What are some of the injuries

1019
00:46:33,520 --> 00:46:35,000
Speaker 1: that you've played with over the years.

1020
00:46:34,880 --> 00:46:38,919
Speaker 16: Meck yeah. Look just on Kieran. I mean, he's been

1021
00:46:38,960 --> 00:46:41,680
Speaker 16: one of the toughest competitors that I sort of played

1022
00:46:41,680 --> 00:46:44,080
Speaker 16: against for a smaller bloat for a long time, and

1023
00:46:44,560 --> 00:46:46,839
Speaker 16: obviously the last couple of years he certainly had a

1024
00:46:46,840 --> 00:46:49,080
Speaker 16: lot of injuries. But to think that he's back already,

1025
00:46:49,120 --> 00:46:52,160
Speaker 16: if that's the case, is is incredible. I've got They've

1026
00:46:52,160 --> 00:46:54,200
Speaker 16: got a really good guy there called Tony Aues who's

1027
00:46:54,239 --> 00:46:59,880
Speaker 16: a really good high performance manager game and so obviously

1028
00:47:00,200 --> 00:47:03,920
Speaker 16: he's got a wonderful job there. Probably, you know, I

1029
00:47:04,040 --> 00:47:08,439
Speaker 16: played with numerous injuries at different different times. The torn

1030
00:47:08,520 --> 00:47:12,040
Speaker 16: hip flexes hit pretty much for the last six weeks

1031
00:47:12,040 --> 00:47:13,920
Speaker 16: of the my final year.

1032
00:47:13,960 --> 00:47:17,959
Speaker 2: Actually, Mick paper today reads then there were two cap

1033
00:47:18,040 --> 00:47:21,320
Speaker 2: strapped South to lose George from the Burgess brigade. Imagine

1034
00:47:21,320 --> 00:47:23,000
Speaker 2: this would it be one in Orland? Would they all

1035
00:47:23,000 --> 00:47:25,520
Speaker 2: stand together and go no, If he goes, we're going.

1036
00:47:25,640 --> 00:47:27,440
Speaker 16: He would be really you know. I mean there's reports

1037
00:47:27,440 --> 00:47:29,959
Speaker 16: over some of the Parramatta were chasing George really hard.

1038
00:47:30,239 --> 00:47:30,479
Speaker 4: Yep.

1039
00:47:31,080 --> 00:47:34,000
Speaker 16: And you know obviously the startary cap situation with hair

1040
00:47:34,080 --> 00:47:35,759
Speaker 16: good day are he's hard to keep all of them

1041
00:47:35,760 --> 00:47:39,280
Speaker 16: there and it'd be odd, wouldn't it.

1042
00:47:41,400 --> 00:47:43,879
Speaker 2: Imagine Rusty he wouldn't be happy if that was the case.

1043
00:47:44,400 --> 00:47:48,759
Speaker 2: He would turn up to training dressed as a gladiator

1044
00:47:49,440 --> 00:47:50,800
Speaker 2: and he'd get really serious.

1045
00:47:50,840 --> 00:47:54,640
Speaker 1: Odd, yep, he would he would say, yeah, he would

1046
00:47:54,680 --> 00:47:58,919
Speaker 1: do the fathers of the North Flow and I will

1047
00:47:58,920 --> 00:48:02,560
Speaker 1: have my vengeance stage. Yeah, I mean the other one

1048
00:48:02,560 --> 00:48:04,680
Speaker 1: as well, that we're a little bit. Queensland are down

1049
00:48:04,719 --> 00:48:07,239
Speaker 1: a bit at the moment with injuries. I see DCE

1050
00:48:07,600 --> 00:48:09,560
Speaker 1: over the weekend and he's going to be he probably

1051
00:48:09,560 --> 00:48:12,440
Speaker 1: out for State of Origin number one. There is talk

1052
00:48:12,800 --> 00:48:16,640
Speaker 1: do you think that cam Smith might he said no

1053
00:48:16,680 --> 00:48:20,000
Speaker 1: more origin for me and they need him badly me.

1054
00:48:20,400 --> 00:48:22,480
Speaker 1: Do you think that this would be a decision that

1055
00:48:22,560 --> 00:48:24,440
Speaker 1: he could make and play for Queensland?

1056
00:48:25,160 --> 00:48:28,080
Speaker 16: Absolutely? I do, Yeah, absolutely I do. I just think,

1057
00:48:29,120 --> 00:48:32,120
Speaker 16: you know, part of me says you're keeping yourself, there's

1058
00:48:32,160 --> 00:48:33,560
Speaker 16: no way to do it, and then the other parts

1059
00:48:33,600 --> 00:48:36,000
Speaker 16: is I can't even go past. You know, we've Bennett

1060
00:48:36,000 --> 00:48:38,799
Speaker 16: brought Langer back and yep, there's no doubt Cameron still

1061
00:48:38,840 --> 00:48:40,640
Speaker 16: be able to handle that a round and he's playing

1062
00:48:40,640 --> 00:48:42,560
Speaker 16: as well as he ever has. And you know the

1063
00:48:42,600 --> 00:48:44,840
Speaker 16: Queensland has talked about that spirit and the pride, the

1064
00:48:44,880 --> 00:48:47,200
Speaker 16: passion and all that sort of through hard that they

1065
00:48:47,200 --> 00:48:50,680
Speaker 16: go on with their marine jersey, and I don't know

1066
00:48:50,719 --> 00:48:52,520
Speaker 16: if you just get the sense that maybe you know

1067
00:48:52,800 --> 00:48:55,480
Speaker 16: in this time and that it would be the perfect timing.

1068
00:48:55,480 --> 00:48:57,920
Speaker 16: I suppose that if Smith came back and for one

1069
00:48:58,040 --> 00:49:02,200
Speaker 16: last helping that because certainly I've got some injuries at

1070
00:49:02,200 --> 00:49:02,600
Speaker 16: the moment.

1071
00:49:02,800 --> 00:49:04,719
Speaker 1: If Freddie gave you a phone call and said me

1072
00:49:06,320 --> 00:49:09,680
Speaker 1: and build a couple of blokes, would you think about.

1073
00:49:09,440 --> 00:49:12,680
Speaker 16: Doing not for the life of it.

1074
00:49:13,560 --> 00:49:15,960
Speaker 2: He's done, he's moved on, he doesn't care.

1075
00:49:16,080 --> 00:49:17,200
Speaker 4: It's god a cozy job.

1076
00:49:17,239 --> 00:49:19,400
Speaker 2: He doesn't even come in studio in here anymore.

1077
00:49:19,920 --> 00:49:20,560
Speaker 4: Buddy help me.

1078
00:49:20,960 --> 00:49:23,240
Speaker 16: Yeah, now, I reckon, I play ten or fifteen minutes

1079
00:49:23,239 --> 00:49:25,359
Speaker 16: and then ready to make you are the weakest link.

1080
00:49:29,680 --> 00:49:32,239
Speaker 1: We love this man, absolutely love him. You can watch

1081
00:49:32,320 --> 00:49:34,120
Speaker 1: him on Fox Footy. You can go check that out

1082
00:49:34,239 --> 00:49:35,160
Speaker 1: Fox League as well.

1083
00:49:36,360 --> 00:49:39,520
Speaker 2: Helly al all right, this was a big moment on

1084
00:49:39,560 --> 00:49:41,919
Speaker 2: the show because it was first caller through when Bad

1085
00:49:41,920 --> 00:49:44,240
Speaker 2: Guys played, and this was huge. Jennifer Gavis the buzz.

1086
00:49:44,320 --> 00:49:44,839
Speaker 2: This was the.

1087
00:49:44,880 --> 00:49:47,480
Speaker 1: Moment Jennifer and frenchis Forrest.

1088
00:49:47,520 --> 00:49:51,799
Speaker 2: You're seeing, Jane, You're in, You're on.

1089
00:49:55,040 --> 00:50:01,120
Speaker 1: Just excitement. I love how mum try to do everything

1090
00:50:01,200 --> 00:50:04,279
Speaker 1: for their children, and I mean it's hard to get

1091
00:50:04,280 --> 00:50:09,400
Speaker 1: these tickets for your teenage daughter. Jen You're there, I

1092
00:50:09,440 --> 00:50:10,000
Speaker 1: am here.

1093
00:50:09,880 --> 00:50:11,800
Speaker 10: Yeaes, I'm here.

1094
00:50:11,880 --> 00:50:13,520
Speaker 11: She thinks it's someone from gymnastics.

1095
00:50:14,440 --> 00:50:16,200
Speaker 4: What we love about this are you there?

1096
00:50:16,280 --> 00:50:16,440
Speaker 16: Jen?

1097
00:50:16,640 --> 00:50:18,239
Speaker 11: At least there's someone on the phone for you.

1098
00:50:19,120 --> 00:50:25,480
Speaker 1: Just have a listen, Hi, Analyse. It's Fitty and we're

1099
00:50:25,600 --> 00:50:26,600
Speaker 1: here from gymnastics.

1100
00:50:26,600 --> 00:50:28,640
Speaker 2: How are you what.

1101
00:50:30,640 --> 00:50:34,040
Speaker 1: Analyst, Sorry that we've had no we've had to drag

1102
00:50:34,080 --> 00:50:37,880
Speaker 1: you out of school unfortunately to tell you that mum's

1103
00:50:37,920 --> 00:50:40,200
Speaker 1: not sick. But you both have to jump on a plane.

1104
00:50:40,239 --> 00:50:43,200
Speaker 1: You're going to see Billie Eilish tonight in Melbourne.

1105
00:50:44,120 --> 00:50:48,160
Speaker 5: Really are you?

1106
00:50:48,239 --> 00:50:50,120
Speaker 1: Are you crying at the moment, Anlys?

1107
00:50:53,080 --> 00:50:55,080
Speaker 2: At least? What we love about this too is that

1108
00:50:55,120 --> 00:50:57,240
Speaker 2: you heard that we were giving the tickets away this morning.

1109
00:50:57,280 --> 00:50:58,600
Speaker 2: You said to your mum when you got out of

1110
00:50:58,600 --> 00:51:01,479
Speaker 2: the car, can you please all the show? I really

1111
00:51:01,520 --> 00:51:03,359
Speaker 2: want to win those tickets. And look what your mom

1112
00:51:03,400 --> 00:51:04,920
Speaker 2: has done. She's performed a miracle.

1113
00:51:05,960 --> 00:51:09,400
Speaker 7: That's no members so excited.

1114
00:51:09,640 --> 00:51:13,799
Speaker 1: Do you have a great relationship with mum and also amazing?

1115
00:51:13,960 --> 00:51:16,000
Speaker 1: Oh well there, I'll tell you what. She's got a

1116
00:51:16,000 --> 00:51:17,879
Speaker 1: few credits up at a slave. Now you better get

1117
00:51:17,880 --> 00:51:20,560
Speaker 1: home and clean your bedroom before you go to Melbourne tonight.

1118
00:51:20,640 --> 00:51:23,520
Speaker 1: Young lady, thank you, Anals.

1119
00:51:23,640 --> 00:51:24,359
Speaker 2: How old are you?

1120
00:51:25,000 --> 00:51:25,759
Speaker 17: I'm sixteen?

1121
00:51:25,920 --> 00:51:27,920
Speaker 2: Okay, So I had the other girls in the class

1122
00:51:27,920 --> 00:51:29,480
Speaker 2: been trying to get tickets as well.

1123
00:51:29,840 --> 00:51:31,799
Speaker 16: Yeah, just for it to get them.

1124
00:51:32,560 --> 00:51:35,160
Speaker 1: How much have you dedicated your life to Billie Eilish.

1125
00:51:34,880 --> 00:51:37,880
Speaker 7: At the moment, An, I've spent the last two weeks

1126
00:51:38,280 --> 00:51:41,440
Speaker 7: in tickets and missed two of her concerts.

1127
00:51:42,360 --> 00:51:45,239
Speaker 2: Yeah, those tickets, the tickets here in Sydney were impossible

1128
00:51:45,280 --> 00:51:47,719
Speaker 2: to get. Yeah, that's why we said we've got to.

1129
00:51:47,680 --> 00:51:48,359
Speaker 1: Put on a red room.

1130
00:51:48,360 --> 00:51:49,359
Speaker 4: We've got to get people there.

1131
00:51:49,719 --> 00:51:54,120
Speaker 1: This would be great. Hey, sorry and alone just found

1132
00:51:54,120 --> 00:51:56,360
Speaker 1: out you've got an exam this afternoon.

1133
00:51:56,400 --> 00:51:59,520
Speaker 2: And gymnastics to Analise.

1134
00:52:00,560 --> 00:52:02,000
Speaker 1: You're going to take your mum or you take one

1135
00:52:02,000 --> 00:52:09,600
Speaker 1: of the friends. Enjoy, Gina and Adeleisa will have to

1136
00:52:09,640 --> 00:52:12,840
Speaker 1: get a review from you. Enjoy tonight. It's an intimate

1137
00:52:12,920 --> 00:52:15,640
Speaker 1: gig at the Prince Brent Band Room in Melbourne. It'll

1138
00:52:15,640 --> 00:52:17,719
Speaker 1: blow your mind. So enjoy it, analyse.

1139
00:52:18,200 --> 00:52:20,440
Speaker 17: Oh, thank you.

1140
00:52:20,920 --> 00:52:23,040
Speaker 2: That's why we do this job there, mate, rewarding for

1141
00:52:23,080 --> 00:52:25,640
Speaker 2: everyone you know wanted the tickets.

1142
00:52:25,719 --> 00:52:30,000
Speaker 1: We don't do it to please Tom our executive producers

1143
00:52:30,040 --> 00:52:30,399
Speaker 1: doing it.

1144
00:52:30,360 --> 00:52:31,960
Speaker 2: For the awards, Mate, I'm not doing it for to

1145
00:52:32,000 --> 00:52:34,680
Speaker 2: walk down the stuff about you to people say awesome

1146
00:52:34,680 --> 00:52:36,040
Speaker 2: show and you will never see.

1147
00:52:35,840 --> 00:52:37,960
Speaker 1: Billy Eilis live. I can tell you that right now.

1148
00:52:38,040 --> 00:52:41,319
Speaker 4: Tom up bashed over this.

1149
00:52:41,840 --> 00:52:43,280
Speaker 2: We just made a young girl really happy.

1150
00:52:43,719 --> 00:52:44,960
Speaker 4: Spek announcement before we go.

1151
00:52:45,120 --> 00:52:48,640
Speaker 2: This is huge. In Parliament yesterday the Queensland Premiere announced

1152
00:52:49,520 --> 00:52:51,680
Speaker 2: and Elvis Presley film is to be made on the

1153
00:52:51,680 --> 00:52:55,000
Speaker 2: Gold Coast. This is huge. Tom Hanks is locked in.

1154
00:52:55,040 --> 00:52:57,760
Speaker 2: He's going to be playing the manager to Elvis Presley.

1155
00:52:57,800 --> 00:53:00,840
Speaker 2: I think colonel what was his name, Colonel Parker, but

1156
00:53:00,920 --> 00:53:03,240
Speaker 2: the role of Elvis Presley is he had to be filled.

1157
00:53:03,880 --> 00:53:04,840
Speaker 1: Villa Droga were doing it.

1158
00:53:04,880 --> 00:53:05,560
Speaker 4: This is awesome guy.

1159
00:53:05,680 --> 00:53:08,720
Speaker 1: You know who's making the movie as well, Bas Luhman

1160
00:53:09,120 --> 00:53:12,600
Speaker 1: bass on it. Cartlou Tom take the Gold Coast me.

1161
00:53:13,520 --> 00:53:16,840
Speaker 1: He announced it and said, cannot wait to have Bas

1162
00:53:16,880 --> 00:53:17,800
Speaker 1: Loman up here.

1163
00:53:18,000 --> 00:53:22,280
Speaker 9: As Loman has Ba has done anything since Australia because

1164
00:53:22,560 --> 00:53:26,600
Speaker 9: that was a bit of a dud and I really

1165
00:53:26,760 --> 00:53:30,400
Speaker 9: liked that. But by a long period of the Wilderness.

1166
00:53:29,840 --> 00:53:31,719
Speaker 1: Well, he always said that he wanted to do this

1167
00:53:31,800 --> 00:53:34,840
Speaker 1: Elvis movie for years and years. He's been talking about it.

1168
00:53:35,040 --> 00:53:37,960
Speaker 2: Did the Great Gatsby that was after Australia, wasn't it.

1169
00:53:38,080 --> 00:53:39,640
Speaker 4: You know what was funny? We went We went to

1170
00:53:39,680 --> 00:53:40,840
Speaker 4: a party on a boat.

1171
00:53:40,640 --> 00:53:43,719
Speaker 2: Fits and I and Bas was there and we were

1172
00:53:43,719 --> 00:53:45,560
Speaker 2: waiting on the Jeddy to get picked up by the boat.

1173
00:53:45,600 --> 00:53:47,960
Speaker 2: My wife was there too, and she said, Hi, nice

1174
00:53:47,960 --> 00:53:48,239
Speaker 2: to meet you.

1175
00:53:48,320 --> 00:53:48,840
Speaker 4: I'm Lisa.

1176
00:53:48,920 --> 00:53:52,600
Speaker 2: Basays hi, I'm Bas. Lisa had no idea who he

1177
00:53:52,800 --> 00:53:56,160
Speaker 2: was and very quickly launched into the conversation.

1178
00:53:56,280 --> 00:53:58,840
Speaker 1: So what have you been up to? I just finished

1179
00:53:58,840 --> 00:54:01,360
Speaker 1: a film called The Great Speak You know what he

1180
00:54:01,440 --> 00:54:04,759
Speaker 1: did say, I've just been recording jay Z.

1181
00:54:05,640 --> 00:54:07,839
Speaker 2: I've just been recording, sitting in his bedroom and hanging

1182
00:54:07,840 --> 00:54:11,279
Speaker 2: out with jay Z. Actually yeah, no, because he jay

1183
00:54:11,360 --> 00:54:13,680
Speaker 2: Z wrote some music for The Great Gatsby. Not a

1184
00:54:13,719 --> 00:54:16,000
Speaker 2: word of a lie. I know this is going to

1185
00:54:16,000 --> 00:54:18,399
Speaker 2: sound like a stretch to you. I'd love to throw

1186
00:54:18,480 --> 00:54:19,960
Speaker 2: my hat in the ring to play the role of

1187
00:54:20,000 --> 00:54:20,760
Speaker 2: Elvis Presley.

1188
00:54:21,600 --> 00:54:22,879
Speaker 4: I'll move to the Goldie for the role.

1189
00:54:23,800 --> 00:54:26,160
Speaker 2: I trained for close to a year to be an

1190
00:54:26,160 --> 00:54:29,080
Speaker 2: Elvis impersonator as a kid when I was learning the guitar.

1191
00:54:29,280 --> 00:54:31,040
Speaker 1: Do you want to do? You could probably do the

1192
00:54:31,080 --> 00:54:32,520
Speaker 1: scene where he dies on the toilight.

1193
00:54:33,120 --> 00:54:35,400
Speaker 2: What I could do?

1194
00:54:36,320 --> 00:54:38,040
Speaker 8: Are you so lame?

1195
00:54:38,239 --> 00:54:38,360
Speaker 5: You know?

1196
00:54:39,800 --> 00:54:40,399
Speaker 2: As a kid.

1197
00:54:40,440 --> 00:54:42,560
Speaker 9: You're trained to be an irbit like to train to

1198
00:54:42,560 --> 00:54:44,239
Speaker 9: be an Elvis in person between.

1199
00:54:43,880 --> 00:54:47,200
Speaker 2: Catching butterflies, I was catching butterflies at the same time.

1200
00:54:48,840 --> 00:54:50,160
Speaker 5: A few give us a little bit.

1201
00:54:50,280 --> 00:54:51,000
Speaker 4: No, I'm not going to give you.

1202
00:54:51,520 --> 00:54:53,240
Speaker 2: I mean, I sang with a previous prime minister.

1203
00:54:53,520 --> 00:54:57,319
Speaker 1: He's a suggestion for you, Gold Coast. Because I'm trying

1204
00:54:57,360 --> 00:55:03,920
Speaker 1: to think, where would you have Gray slam? Oh, what's up?

1205
00:55:03,960 --> 00:55:04,719
Speaker 4: Bloke's name again?

1206
00:55:04,840 --> 00:55:10,000
Speaker 1: Travis candy Man. Ye, he would have to get a

1207
00:55:10,000 --> 00:55:12,239
Speaker 1: call up, wouldn't he. I wonder will I end it

1208
00:55:12,320 --> 00:55:15,480
Speaker 1: with him dying on the toilet. I don't think that's

1209
00:55:15,520 --> 00:55:16,120
Speaker 1: a good scene.

1210
00:55:16,400 --> 00:55:19,800
Speaker 5: I don't When was the last time you performed as Elvis.

1211
00:55:20,760 --> 00:55:24,719
Speaker 2: I didn't ever really do a huge show. I did

1212
00:55:25,080 --> 00:55:28,040
Speaker 2: a fair bit of practice gear and friends and family

1213
00:55:28,120 --> 00:55:31,600
Speaker 2: and we plead no, please, no, no, no those days ago.

1214
00:55:31,840 --> 00:55:33,440
Speaker 5: You just put your name in the ring for the movie.

1215
00:55:33,480 --> 00:55:33,800
Speaker 1: Today.

1216
00:55:34,000 --> 00:55:35,760
Speaker 2: He doesn't mean I'm going to do it for you, mate.

1217
00:55:35,840 --> 00:55:38,839
Speaker 2: When Hollywood picks up the phone, yes, I'm interested. When

1218
00:55:38,840 --> 00:55:41,080
Speaker 2: Matt Degrut throws it to me in the studio on Thursday,

1219
00:55:41,080 --> 00:55:41,760
Speaker 2: I'm not interested.

1220
00:55:41,800 --> 00:55:43,680
Speaker 9: On the heels of Wonder Park already looking for his

1221
00:55:43,800 --> 00:55:44,359
Speaker 9: next role.

1222
00:55:44,560 --> 00:55:47,120
Speaker 3: We've just found that audio of you and Tony Abbott

1223
00:55:47,120 --> 00:55:49,400
Speaker 3: singing suspicious minds.

1224
00:55:49,520 --> 00:55:58,640
Speaker 2: What you do to oldcast you don't believe.

1225
00:56:02,160 --> 00:56:04,120
Speaker 1: She's both careers went downhill from there.

1226
00:56:06,160 --> 00:56:08,200
Speaker 2: Pull it down because it's not me my best and

1227
00:56:08,200 --> 00:56:10,800
Speaker 2: we don't need to hear monsters.

1228
00:56:12,200 --> 00:56:15,080
Speaker 8: Yea, the Hollywood making it happen right now.

1229
00:56:17,400 --> 00:56:18,720
Speaker 4: Whipper has left the building.

1230
00:56:19,080 --> 00:56:24,319
Speaker 3: Oh King, Whipper has.

1231
00:56:24,280 --> 00:56:27,480
Speaker 1: Left something in the building. The last scene on the

1232
00:56:27,480 --> 00:56:30,719
Speaker 1: toilet there the old ghosty Well, you're it's funny when

1233
00:56:30,719 --> 00:56:33,560
Speaker 1: you picture him dying on the toilet, you picture him

1234
00:56:33,640 --> 00:56:35,239
Speaker 1: in his white performance suit.

1235
00:56:35,920 --> 00:56:38,759
Speaker 2: You feel like he always wore like almost Hugh Hefner in.

1236
00:56:38,760 --> 00:56:39,359
Speaker 4: A bath roade.

1237
00:56:39,480 --> 00:56:41,239
Speaker 2: Elvis Presley would have just gone around the house in

1238
00:56:41,280 --> 00:56:43,239
Speaker 2: one of that white suit that he wore when he got.

1239
00:56:45,080 --> 00:56:47,160
Speaker 1: Jeez, it's not a It's not a good place to go,

1240
00:56:47,360 --> 00:56:47,719
Speaker 1: isn't it.

1241
00:56:48,160 --> 00:56:49,239
Speaker 2: You don't want to go out that way?

1242
00:56:55,200 --> 00:56:58,240
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1243
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1246
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1248
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1250
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1251
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