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Speaker 1: Previously on Relatables Baddies book Club, they go upstairs, they

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Speaker 1: make sweet sweet love or night this pissed me off?

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Speaker 2: But where was the descriptive language?

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Speaker 1: How big is it? How long did he last? How

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Speaker 1: many times did she come? How wet was she? What

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Speaker 1: was his moaning? Like? Where was this?

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Speaker 2: It's been ten years. I want to know how it

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Speaker 2: feels the first time.

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Speaker 1: Like, if you're gonna put sex in a book, give

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Speaker 1: us what we want. Yeah.

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Speaker 2: I was like was there a page missing? I was

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Speaker 2: like what happened? And then it was just like we

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Speaker 2: woke up in the morning and I.

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Speaker 1: Was like, no, you didn't.

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Speaker 3: Welcome to Relatables Baddies book Club, where we will embark

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Speaker 3: on a journey reading some of the finest pieces of

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Speaker 3: literature you have ever laid eyes.

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Speaker 1: Or he is if that's your preferred way to consume

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Speaker 1: a book.

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Speaker 2: On The Housemaid, Chapters thirty one to the end, Jake,

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Speaker 2: we have finished finished, sure, Venito, as Enzo would say, yes,

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Speaker 2: So here's what I'm thinking.

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Speaker 1: I've got notes on every chapter. I think what I

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Speaker 1: wanted to try and do is bang out a quick

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Speaker 1: synopsis or more recap of what's been read. Get everyone

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Speaker 1: up to speed and then we'll go into it.

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Speaker 2: Okay, good because I have a lot of thoughts, okay,

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Speaker 2: a lot. I like what I'm hearing, very m feelings too.

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Speaker 1: Okay, okay, okay. Well, before we even say whether or

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Speaker 1: not we were happy with the ending, we're happy with

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Speaker 1: the book or anything, let's get quickly into a recap.

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Speaker 1: All right, Everyone's welcome if you haven't read the book.

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Speaker 1: This is why we're doing the recap. And I would

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Speaker 1: like to remind everyone that where we left off was

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Speaker 1: millly in bed finding the Broadway show like play Brochure

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Speaker 1: whatever on her bedside table, which then meant she knows.

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Speaker 1: Nina knows that she went and fucked out so long ago, yo,

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Speaker 1: always seems forever ago, because to be fair, we did

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Speaker 1: just read the second half of the book this one week.

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Speaker 2: And the second half was fucking way more.

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Speaker 1: Engaging than the first White Juicy. So I think what

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Speaker 1: I might do is I'm going to like read that

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Speaker 1: many and then like quickly bang it out, okay, and

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Speaker 1: then I'll do like flip her okay, doki. So from

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Speaker 1: where we left off, what's been going on is Nina's

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Speaker 1: kind of doing whatever she can to make Millie's life

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Speaker 1: help just like kind of scaremongering, bit of scare tactics. Right,

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Speaker 1: She's at the shops and she just makes life hard.

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Speaker 1: And then Millie gets, you know, taken by the grocery

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Speaker 1: shop security says, we had someone call in and said

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Speaker 1: that you might be stealing, and obviously it was Nina.

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Speaker 1: You know, she's just stressing her out by the sceanes. Yeah,

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Speaker 1: so we go. There's a night where Millie can't sleep,

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Speaker 1: and she goes down to get some water and she

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Speaker 1: I think she's like thinking about going to watch some

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Speaker 1: TV or something. She's she doesn't, she's just fucked up.

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Speaker 1: And she sees Andrew out on the porch just having

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Speaker 1: a beer. She goes out and they're shitty chatting and

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Speaker 1: I think she might be just talking about how I

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Speaker 1: didn't tell you about prison whatever, and so he looks

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Speaker 1: around kisses her straight up, just like straight up kisses her.

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Speaker 1: Doesn't even cares. Fucked up dude, it's like insane. So

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Speaker 1: she goes back upstairs. She goes and then Nina's stuck

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Speaker 1: in the darkness being scary as hell up and near

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Speaker 1: the attic, and she's like, Nina, what are you doing?

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Speaker 1: She goes, it's my house, you don't have to tell

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Speaker 1: you about my whereabouts. She goes, fair enough, I guess

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Speaker 1: where's Andrew. I don't know. He's on the porch. I

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Speaker 1: didn't talk to him. I don't know. Merely's trying to

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Speaker 1: be like.

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Speaker 2: What she said was sus like I don't know, but

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Speaker 2: it like, yeah, I think he's on the porch. I

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Speaker 2: didn't see him, but I didn't talk to him. Nina

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Speaker 2: sees her right three. Yeah, all right, Nina's a change.

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Speaker 1: Okay, it's hard not to say anything.

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Speaker 2: I know, it's hard.

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Speaker 1: It trigging rig I didn't I didn't see any of

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Speaker 1: it coming.

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Speaker 2: I'm not gonna lie.

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Speaker 1: I kind of did, kind of didn't.

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Speaker 2: That many comments were like all the baddies like I

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Speaker 2: can't believe you guys haven't.

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Speaker 1: Guessed this right now.

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Speaker 2: There was no way in the world I was guessing

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Speaker 2: what happened.

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Speaker 1: I we semi whatever. So next day, Nina is accusing

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Speaker 1: Milli of stealing her clothes. She's like, why did I

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Speaker 1: find all my clothes in your room? And Milli's like,

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Speaker 1: you gave him to me, and she goes, why the

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Speaker 1: fuck would I give my clothes my mate? And Millie

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Speaker 1: goes ah, Andrew comes down and she's like, Andrew, Milly'

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Speaker 1: still my clothes and this is like the last straw

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Speaker 1: for him. He's like, Nina, I fucking saw you put

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Speaker 1: them in the bags and say you were going to

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Speaker 1: donate them, like you gave them to Millie. And she's like, what,

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Speaker 1: You're gonna choose the mate over me? Like what are

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Speaker 1: you gonna believe her over me? He goes, Millly, do

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Speaker 1: you mind if we have some privacy? She goes upstairs.

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Speaker 1: She doesn't go all the way up, she's eavesdropping. Andrew's

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Speaker 1: just straight up fucking divorces Nina get out. He's like,

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Speaker 1: I want to separate you. I don't love you anymore

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Speaker 1: and know what's going on with you? And Nina's like

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Speaker 1: what what what? And he's like, yeah, look, I just

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Speaker 1: I don't love you. She goes, this is about Milli

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Speaker 1: and he goes, it's not about Millie, but I do

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Speaker 1: have feelings for her. I was like, what I.

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Speaker 2: Thought, this was very abrupt and there was quite a

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Speaker 2: lot of things to be like, whoa, okay, shit that

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Speaker 2: just happened.

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Speaker 1: So basically Nina leaves all right, and yeah, Millie she

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Speaker 1: fucks Andrew in the spare room that night. It's a

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Speaker 1: wonderful night, you know, they get to make some sweet

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Speaker 1: sweet love. And she's like, oh, well, I guess we're

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Speaker 1: boyfriend girlfriend now. It's a hop skipping a jumpe. It

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Speaker 1: is a hop skipping a jump and he's like, you know,

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Speaker 1: you're not my maid anymore. He goes to work, Ceci's

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Speaker 1: not there. She's like, all right, well, you know I

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Speaker 1: usually would do this this this on a Monday. And

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Speaker 1: he goes, don't you dare you know, just relax, you

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Speaker 1: don't have to do that shit anymore. We'll get someone

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Speaker 1: else to clean the house. All right. Cool. So she

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Speaker 1: that day is just chilling at the house and then

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Speaker 1: she's done some stuff, she's read some books, you know whatever,

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Speaker 1: and oh sorry quickly. Actually that day Andrew also fires Enzo,

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Speaker 1: and then Enzo tries to warn Milli like you're in danger,

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Speaker 1: you're in danger, and then she's like, what the fuck you?

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Speaker 1: What about? Dude off? So then that day she's chilling

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Speaker 1: at home, she reads a few books. She leaves him

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Speaker 1: on the counter, and then Andrew comes home and he's like, oh,

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Speaker 1: so you did some reading, you know, and She's like yeah, yeah, yeah,

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Speaker 1: and then he takes her upstairs, fucks her brains out,

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Speaker 1: they go to sleep. She wakes up at three am

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Speaker 1: busting for a piss. She goes to go for a week,

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Speaker 1: Andrew's not there anymore. So she's like, oh, fair enough.

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Speaker 1: I feel like if you fell asleep in this cot

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Speaker 1: up in the attic, like they fucked in the attic

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Speaker 1: by the way up in the attic, you know, I'd

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Speaker 1: also want to leave and go back down to my

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Speaker 1: fucking memory front bed. She goes to open the door,

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Speaker 1: doesn't budge. She's used to it by now, it always opens.

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Speaker 1: Goes to the fuckul do you have sex in there?

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Speaker 1: Goes to open it again. It's fully locked, all right?

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Speaker 1: And then next chapter, all right, it goes part two.

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Speaker 1: This shit, this next bit, Nina pov. Damn boy, I.

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Speaker 2: Got to say, I'm not built for a psychological thriller,

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Speaker 2: no me, Nina. I was struggling and like, I was scared.

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Speaker 2: I was like, I can't, I can't deal with this shit.

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Speaker 1: Yeah yeah, yeah, so I was actually also terrified. Yeah,

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Speaker 1: I was pretty glued to it.

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Speaker 2: I was good, but I don't like being in that

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Speaker 2: type of glued it's kind of like, I've got to

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Speaker 2: find out what happens.

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Speaker 1: But I'm scared. Yeah, he's so fair. I thought about

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Speaker 1: flipping to the end. By the way, I thought about

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Speaker 1: flipping to the end. See, I want to see the

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Speaker 1: happy ending, to make sure there was a happy ending.

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Speaker 1: And then I would have been fine to read through

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Speaker 1: all the shit, because I knew that it's going to

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Speaker 1: get coming.

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Speaker 2: Keep going, getting worse and worse and worse.

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Speaker 1: And I'm like, I'm getting more squirmish and swirmish. All right.

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Speaker 1: So Nina again, Nina Pov. She's in the hotel, so

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Speaker 1: that's where she's gone to stay. She goes into her

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Speaker 1: onto her phone, and she realizes that Millie has turned

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Speaker 1: off the tracker that she put in a phone because

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Speaker 1: merely found out there was a tracker. And she's like,

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Speaker 1: oh fuck, clever girl, but not clever enough. So she

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Speaker 1: goes into her purse, gets a photo of Andrew and

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Speaker 1: another thing. She doesn't say what the other thing is.

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Speaker 1: She gets a photo of Andrew though, and she goes

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Speaker 1: into the bathroom and she's like talking about her hands

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Speaker 1: in years, and then she burns the photo and then

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Speaker 1: there's a title and it's like, it's almost like as

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Speaker 1: if Nina is telling you a story, and the story

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Speaker 1: is how to get rid of your evil, sadistic husband,

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Speaker 1: A Guide by Nina Winchester. Now, the next fair few

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Speaker 1: chapters are a backstory of how Nina and Andrew met

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Speaker 1: and the years leading up until Millie got hired. I

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Speaker 1: felt terrible, all right, So I felt bad too because

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Speaker 1: we were judging her so much. Oh but yeah, you

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Speaker 1: have to judge. Yeah, yeah, yeah, So that's the way

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Speaker 1: it's written. So she started off quite a like back

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Speaker 1: when she met Andrew. She was working as a secretary

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Speaker 1: for someone that worked at Andrew's company. She was a

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Speaker 1: single mum and she had Ceci. She was a few

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Speaker 1: months old and she was fresh out of school. She

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Speaker 1: got pregnant on the one night stand. So she talks

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Speaker 1: about how Andrew was like her boss's boss's boss, and

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Speaker 1: he's just so handsome. He's like a famous person in

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Speaker 1: the company. So one day they she's like gets reprimanded

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Speaker 1: by her boss. She's having a meeting with Andrew because

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Speaker 1: she lactates and her bott and she's got full breasts

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Speaker 1: of milk because she's like a mum, her new mum

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Speaker 1: and her boss like makes fun of her and is

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Speaker 1: like really rude to her. So Andrew comes out and

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Speaker 1: he apologizes for it, takes her for lunch, and then

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Speaker 1: he goes, let me take you for dinner. And he's

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Speaker 1: just the greenest flag from the fucking get go. He's rich,

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Speaker 1: he's amazing future. We take, you know, go a few steps.

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Speaker 1: They just got married. They've been married for three or

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Speaker 1: four months, all right, and they moved into his house

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Speaker 1: airtight prenup. His mum is a psycho bitch right, very

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Speaker 1: very just like condescending, and you can tell that Andrew

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Speaker 1: just really is a wants to please his mum all

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Speaker 1: the time. And so one day.

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Speaker 2: I was thinking he was trying to turn Nina into

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Speaker 2: his mouth something.

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Speaker 1: It was crazy bro like yeah. So Nina, one day,

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Speaker 1: she's like just loving life, best husband ever, you know.

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Speaker 1: She comes home and he's there and she missed a

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Speaker 1: hair appointment and he's like notices that she had a

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Speaker 1: few roots grown through, and he's just like made a

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Speaker 1: little comment like, oh, your roots are grown through, but

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Speaker 1: he didn't say he said it just kind of under

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Speaker 1: his breath, like not a big deal. And so she's

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Speaker 1: like yeah, yeah, yeah. And then they're about to go

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Speaker 1: to bed, and he says, oh, do you mind helping

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Speaker 1: me up with some papers in the attic? I need

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Speaker 1: to get this contract done by tonight for tomorrow. So

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Speaker 1: she goes up there and goes to help him. They

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Speaker 1: walk into the attic and there's not much up there.

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Speaker 1: There's like there's a cot, there's a cupboard, there's a

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Speaker 1: fridge with the three water bottles, and there's a bucket,

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Speaker 1: and so she's like, this is weird. She goes in

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Speaker 1: and then she hears the door slam. She's like, there's

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Speaker 1: no papers up here, and she's like, why is the

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Speaker 1: door closed? She's like, where did Andrew go? And so

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Speaker 1: she's over trying to open the door. It's locked. She's screaming, screaming, screaming.

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Speaker 1: There's a window it's painted over, like painted shut, and

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Speaker 1: she's like, Nina is just like screaming, scream and screaming.

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Speaker 1: She's like, what the fuck's going on? And Andrew's just gone.

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Speaker 1: She's starting to think like he he, you know, left

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Speaker 1: the door accidentally closed. He was on his way back up,

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Speaker 1: but he fell down the stairs shit like that. And

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Speaker 1: so after ages he comes back and he's like she goes, Andrew,

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Speaker 1: what the hell are you doing? And he's like, where

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Speaker 1: are He's like, do you have a key or whatever?

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Speaker 1: He goes, yeah, I have a kid. And she's like, well,

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Speaker 1: let me out, and he goes, I'm not going to

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Speaker 1: do that. She's like what and he's like, he's going,

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Speaker 1: you need to you need to understand what you've done.

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Speaker 1: She's going, what are you what? Let me out of

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Speaker 1: you right fucking now, Andrew, let me out of here?

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Speaker 1: What is wrong with you? So he fucking is locked

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Speaker 1: her in there because her roots have grown through. He goes,

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Speaker 1: you let your roots grow through, all right, I'm not

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Speaker 1: gonna have my wife walking around like some slobby, homeless person.

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Speaker 1: You have to understand the privilege of having access to

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Speaker 1: a hairdresser and the privilege of having hair man. I

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Speaker 1: hate everything about this, all right. So she's losing the

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Speaker 1: plot because I'm gonna let you calm down. I'll be

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Speaker 1: back soon. She's like losing plot scratching and doing everything right.

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Speaker 2: What would you do in this scenario, your Nina.

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Speaker 1: I don't actually know. I would like I would resort

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Speaker 1: to like just trying to use something to break like something,

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Speaker 1: if that makes any sense At all, I think I'd

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Speaker 1: break myself. Yeah, like I would. This is what my

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Speaker 1: nightmare is. Because there is a small window, right, So

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Speaker 1: I would be using something to break that small window,

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Speaker 1: even though it's painted over, and so then I would

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Speaker 1: be yelling out of that window. That's what I would do.

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Speaker 1: What would you do?

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Speaker 2: Honestly, I would just kick up.

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Speaker 1: Yeah, it's fucking insane. So he comes back before bed

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Speaker 1: and she's like, seriously, let me the fuck out of here.

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Speaker 1: And so then he's like, nuh um, you're gonna spend

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Speaker 1: the night in here. I gave you three water bottles. Like,

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Speaker 1: this guy's fucking insane. So she's somehow spends the night

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Speaker 1: in there. Next day he comes in. He's like, Nina,

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Speaker 1: you awake. She's been in there for like fifteen hours.

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Speaker 1: Nina you up. He's like yeah. She's like yes, yes, yes.

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Speaker 1: He goes, okay, I've thought of for my punishment, because

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Speaker 1: he said, he says, I need to think of a punishment.

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Speaker 1: He goes, I thought of what my punishment is. He

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Speaker 1: slides an envelope under the door and he says, I

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Speaker 1: need you to give me one hundred strands of your hair.

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Speaker 1: She goes, I'll that's fine. I'll go get my hair

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Speaker 1: brush right now. And he goes, no, no, no. From the scalp,

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Speaker 1: I need you to pull out one hundred strands of

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Speaker 1: your hair and put them in this envelope and give

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Speaker 1: them back to me. She goes all right, fine, like

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Speaker 1: give me two seconds. I'll do it right now. And

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Speaker 1: he goes, no, no, no, I got to get to work.

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Speaker 1: She's said, no, just five minutes, give me five minutes.

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Speaker 1: I'll do it right now. He's like, no, no, I got

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Speaker 1: to get to work. All right, you've got the day.

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Speaker 1: I'll be back by seven pm. Ceec's taken care of

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Speaker 1: blah blah blah blah blah. Okay, oh my fucking gord.

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Speaker 1: So she's been in there for the night, no food,

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Speaker 1: just some water to piss in the bucket, and she

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Speaker 1: takes one hundred stands of hair gives them to him. Boom.

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Speaker 1: He comes back at seven pm. No, no, are you there? Yep,

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Speaker 1: she's fucked up, dehydrated. Whatever gives them the hair he

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Speaker 1: counts me. He goes, all right, I've got the hairs,

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Speaker 1: but there's just one problem. All of them but one

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Speaker 1: are from the root. So you're gonna have to do

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Speaker 1: it again, and so she's like, you're fucked up, dude.

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Speaker 1: She's losing her mind all right. Now she has to

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Speaker 1: spend another night in there. He comes back the next morning.

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Speaker 1: She is she thinks she's gonna die from dehydration. She's

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Speaker 1: got the new hairs. He counts, and he says, yeah, okay,

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Speaker 1: ol Good opens the door. He's got a bottle of

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Speaker 1: a glass of water and a bagel there for her.

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Speaker 1: So she's thinking, as soon as she gets out of

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Speaker 1: this room, she's gonna fuck him up. But she's just

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Speaker 1: so tired. She hasn't eaten for two days, like she's

307
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Speaker 1: barely drink any water because those water bottles were small,

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Speaker 1: and so she just can't even get up. And he

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Speaker 1: gives her the water, feeds her the bagel, and then

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Speaker 1: he picks her up, and he just keeps saying to her, like,

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Speaker 1: you know you're gonna be okay? Are you okay? Like

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Speaker 1: you're acting really strange, and then he keeps on and

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Speaker 1: then he puts her down into bed and he says,

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Speaker 1: you just you rest for the day. I'm gonna go

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Speaker 1: to work, but let me know if you're okay, because

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Speaker 1: you're not well okay, and then at about midday, she

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Speaker 1: wakes up and she feels fucked like she hasn't even slept,

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Speaker 1: but she's been sleeping and she's been woken up, and

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Speaker 1: she's like, there's someone in the bathroom running water and

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Speaker 1: the lights on. She's like, who's in my bathroom? And

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Speaker 1: she's like, what is going on? What is going on?

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Speaker 1: And she's fucked up. Her phone buzzers. She can bear it.

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Speaker 1: She checks her phone as she sees it's midday, and

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Speaker 1: there's messages from Andrew are you okay? I'm about to

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Speaker 1: go on a meeting, text me if you're okay? Are

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Speaker 1: you okay? And Nina what are you doing? Nina? Are

327
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Speaker 1: you okay? She's like, what the hell? And then there's

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Speaker 1: still this water running and she's not knowing what it

329
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Speaker 1: is and she gets up out of bed to go

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Speaker 1: see what it is and she's she can't walk. She's like,

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Speaker 1: what the fuck and then she realizes she hasn't even

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Speaker 1: thought of Cecilia, so she walk goes over. She has

333
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Speaker 1: to crawl, crawl, crawl, crawl. She barely gets there, and

334
00:16:31,320 --> 00:16:34,400
Speaker 1: once she gets into the bathroom she still can barely crawl.

335
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Speaker 1: She sees Cecilia in the bathtub and the water is

336
00:16:38,280 --> 00:16:40,120
Speaker 1: about to be full, She's about to be fully submerged

337
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Speaker 1: in the water, and so she's like, what the fuck

338
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Speaker 1: has this psychopath done? So she's inching over, she's talking

339
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Speaker 1: about how she'll do anything to say her baby. She's

340
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Speaker 1: nearly there. She gets up to the bath she nearly

341
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Speaker 1: gets to the FORRCET, and then there's a police officer

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00:16:51,640 --> 00:16:55,480
Speaker 1: there that drags her away. Okay, so it.

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Speaker 3: Was Andrew that drugged Nina and was gonna kill Cecilia.

344
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Speaker 2: So I was gaslight here as a reader, but a

345
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Speaker 2: really yeah, so what next?

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Speaker 1: Now that what naps? The next I'll go into a

347
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Speaker 1: little bit of detail, even though I just did. Nina

348
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Speaker 1: goes to a mental hospital and what they tell her

349
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Speaker 1: is that the whole addic thing never happened. She's severely

350
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Speaker 1: depressed and she's having hallucinations. She's been she has to

351
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Speaker 1: go to a hospital for eight months. She's on psycho

352
00:17:34,840 --> 00:17:38,040
Speaker 1: anti psychotics, she's on depressure medication, she got having heavy therapy,

353
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Speaker 1: and they're drilling into her that this was a hallucination

354
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Speaker 1: and you are sick, and she ends up believing it

355
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Speaker 1: and she owns up to what she did. So did I.

356
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Speaker 1: So she's so. What they're saying is the addict thing

357
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Speaker 1: never happened. You had you had a hallucination, and your

358
00:17:52,280 --> 00:17:55,639
Speaker 1: husband never lost you up there. You were so depressed

359
00:17:55,640 --> 00:17:58,640
Speaker 1: and hallucinating so bad that you drugged yourself, drugged your baby,

360
00:17:58,640 --> 00:18:00,640
Speaker 1: and you were going to drown her. And she admitted

361
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Speaker 1: to doing it because they gasted her into say she

362
00:18:02,480 --> 00:18:07,399
Speaker 1: did it, and I was like, bullshit, Yeah, all right. Now,

363
00:18:07,760 --> 00:18:12,800
Speaker 1: eight months down the track, she's finally let out and

364
00:18:13,440 --> 00:18:16,320
Speaker 1: she's going They've been home for a little while. Andrew's

365
00:18:16,320 --> 00:18:20,040
Speaker 1: been the perfect husband, all right, the perfect father to Cecilia,

366
00:18:21,240 --> 00:18:24,119
Speaker 1: and Cecilia has missed her so much. She's still not

367
00:18:24,160 --> 00:18:26,240
Speaker 1: allowed alone with her. Has to have either his Andrew's

368
00:18:26,240 --> 00:18:29,320
Speaker 1: mom there or Andrew there while Cecilia is there. And

369
00:18:29,359 --> 00:18:32,000
Speaker 1: then there's one day she was she just had one

370
00:18:32,000 --> 00:18:34,520
Speaker 1: of her like weekly therapist sessions, and the therapist says,

371
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Speaker 1: I really think you should go check the attic because

372
00:18:36,840 --> 00:18:38,520
Speaker 1: that's the only thing you haven't done. I think that

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00:18:38,800 --> 00:18:40,639
Speaker 1: you would really be letting yourself out of the prison

374
00:18:40,680 --> 00:18:43,040
Speaker 1: that you are scared of if you go check out

375
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Speaker 1: the attic.

376
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Speaker 2: And all these people are Andrew's family, friends or.

377
00:18:47,240 --> 00:18:49,000
Speaker 1: Yeah, we don't know that till after the fact, know

378
00:18:49,119 --> 00:18:54,520
Speaker 1: the Winchesters. Yeah. So we get back and Andrew says

379
00:18:54,520 --> 00:18:56,720
Speaker 1: I agree with him, like you should check it out,

380
00:18:56,920 --> 00:19:01,240
Speaker 1: all right. They go home. Andrew's mom is there and

381
00:19:01,560 --> 00:19:03,080
Speaker 1: she's looking up to see Cee and she's about to

382
00:19:03,080 --> 00:19:05,480
Speaker 1: go home, and she goes, Andrew, I notice she lost

383
00:19:05,520 --> 00:19:08,879
Speaker 1: a light on in your bedroom upstairs. And he's all embarrassed.

384
00:19:09,840 --> 00:19:12,359
Speaker 1: And Nina's like, yeah, he really does like to please

385
00:19:12,400 --> 00:19:13,880
Speaker 1: his mum, so I'll take the blame for this one.

386
00:19:13,880 --> 00:19:15,480
Speaker 1: She goes, oh, no, no, that was me. I'm sorry.

387
00:19:16,000 --> 00:19:21,720
Speaker 1: And so she's like, you know, you really should think

388
00:19:21,720 --> 00:19:24,800
Speaker 1: about the electricity yourself. You're wasting. Nina like that's insane,

389
00:19:25,359 --> 00:19:27,960
Speaker 1: and so then they go up and they have dinner,

390
00:19:28,640 --> 00:19:30,080
Speaker 1: and then he goes, how do you feel about checking

391
00:19:30,080 --> 00:19:33,639
Speaker 1: out the attic and she's like yeap, okay. They go

392
00:19:33,800 --> 00:19:38,399
Speaker 1: up together, he's holding her hand, and then they go up.

393
00:19:38,440 --> 00:19:40,959
Speaker 1: She goes into the attic and she's really scared, and

394
00:19:41,000 --> 00:19:43,480
Speaker 1: then she's like, do you mind turning the light on?

395
00:19:43,560 --> 00:19:45,960
Speaker 1: He turns the light on and it's like wicked bright.

396
00:19:46,320 --> 00:19:47,840
Speaker 1: All right, you can't even look. You have to close

397
00:19:47,840 --> 00:19:50,000
Speaker 1: your eyes. It's so bright, and it's so bright she

398
00:19:50,040 --> 00:19:54,960
Speaker 1: can barely see door slam shute. No way, bro, bro,

399
00:19:56,080 --> 00:20:01,080
Speaker 1: So Andrew is the fucked up one, all right? Now,

400
00:20:01,840 --> 00:20:02,280
Speaker 1: Oh my.

401
00:20:02,400 --> 00:20:05,760
Speaker 3: Fucking god, bro now now now, no, no, no, Now,

402
00:20:05,800 --> 00:20:09,120
Speaker 3: she's freaking the fuck out, all right.

403
00:20:10,160 --> 00:20:15,000
Speaker 1: So what he's done is giving himself an insurance policy.

404
00:20:15,359 --> 00:20:17,600
Speaker 1: All right. He has made it look like she's the

405
00:20:17,640 --> 00:20:21,440
Speaker 1: crazy one. She has admitted to doing this to think

406
00:20:21,600 --> 00:20:25,880
Speaker 1: like she is diagnosed crazy. So what he's done now

407
00:20:25,920 --> 00:20:28,960
Speaker 1: has made it so he can make her his little pet,

408
00:20:29,320 --> 00:20:32,000
Speaker 1: all right. He can do whatever he wants to her.

409
00:20:32,760 --> 00:20:34,800
Speaker 1: And what he says to her is this is how

410
00:20:34,800 --> 00:20:37,240
Speaker 1: it's gonna work, Nina. All Right, you're gonna be the

411
00:20:37,280 --> 00:20:41,359
Speaker 1: perfect wife. Okay, my insurance policy is x y Z.

412
00:20:42,200 --> 00:20:44,080
Speaker 1: He's made it impossible for her to get out of this,

413
00:20:44,320 --> 00:20:47,320
Speaker 1: all right. And then every time you do something bad,

414
00:20:47,320 --> 00:20:48,760
Speaker 1: there will be a punishment, and it will be in

415
00:20:48,800 --> 00:20:52,639
Speaker 1: the attic, all right, and every time there will be

416
00:20:52,640 --> 00:20:55,800
Speaker 1: a new punishment. So she spends another few days in there,

417
00:20:56,200 --> 00:20:59,080
Speaker 1: and she's fucked up, all right. Now. She spends the

418
00:20:59,080 --> 00:21:04,200
Speaker 1: next like seven years just going through hell and right,

419
00:21:04,760 --> 00:21:07,399
Speaker 1: so she goes through the stage where she tries to

420
00:21:07,440 --> 00:21:09,840
Speaker 1: hate him. All right, she puts her in the attic.

421
00:21:10,080 --> 00:21:14,520
Speaker 1: She tries to love him. She can't barely. Like it's insane, bro.

422
00:21:14,800 --> 00:21:16,320
Speaker 1: She tries to be the perfect wife. At one point

423
00:21:16,359 --> 00:21:19,280
Speaker 1: she cop it be the perfect wife, but he'll just

424
00:21:19,400 --> 00:21:21,879
Speaker 1: nitty gritty pick the tiniest little thing she does that

425
00:21:22,000 --> 00:21:26,320
Speaker 1: isn't perfect, and she goes in the attic for it. Now. Also,

426
00:21:26,720 --> 00:21:30,800
Speaker 1: if Cecilia is naughty, Nina goes in the attic. So

427
00:21:30,840 --> 00:21:33,440
Speaker 1: then Cecilia starts to notice that whenever she does something

428
00:21:33,480 --> 00:21:37,000
Speaker 1: bad that her dad doesn't like, Mum goes away. Cecilia

429
00:21:37,040 --> 00:21:38,720
Speaker 1: doesn't know where she goes, but she goes away, and

430
00:21:38,720 --> 00:21:42,840
Speaker 1: she doesn't like it when she's gone. So this shit's

431
00:21:42,920 --> 00:21:48,520
Speaker 1: fucking crazy. One day she tells like he again, Andrew

432
00:21:48,520 --> 00:21:50,640
Speaker 1: has these insurance policies, like she can't tell a soul.

433
00:21:50,960 --> 00:21:52,720
Speaker 1: One day she gets drunk and she tells her best

434
00:21:52,720 --> 00:21:56,359
Speaker 1: friend Suzanne. She comes home and Suzanne says, you're gonna

435
00:21:56,359 --> 00:21:59,920
Speaker 1: get through this. She walks in the door, Andrew's there,

436
00:22:00,160 --> 00:22:04,960
Speaker 1: fucked up attic Now, Suzanne told Andrew because every single

437
00:22:05,000 --> 00:22:07,679
Speaker 1: time Nina gets a new friend, Andrew has to go

438
00:22:07,720 --> 00:22:09,320
Speaker 1: and have a one on one conversation and let them

439
00:22:09,359 --> 00:22:12,639
Speaker 1: know what happened with Cecilia. And the reason why she

440
00:22:12,800 --> 00:22:15,119
Speaker 1: thinks Cecilia was actually drowning was because he put her

441
00:22:15,119 --> 00:22:16,560
Speaker 1: in the attic. But it's a delusion. So if she

442
00:22:16,560 --> 00:22:18,200
Speaker 1: tries to tell you any stories to do with an addict,

443
00:22:18,359 --> 00:22:19,679
Speaker 1: you have to let me know because that means that

444
00:22:19,680 --> 00:22:22,440
Speaker 1: she needs to go back to the hospital. So after

445
00:22:22,480 --> 00:22:26,679
Speaker 1: that thing with Susannah hospital, two more months, Well, bro,

446
00:22:26,840 --> 00:22:28,520
Speaker 1: this is fucked that, I know. I don't know how

447
00:22:28,640 --> 00:22:35,000
Speaker 1: fuck anyone thinks of the shit, So back out. And

448
00:22:35,040 --> 00:22:37,360
Speaker 1: it gets to the point where she's like every other

449
00:22:37,359 --> 00:22:39,480
Speaker 1: month she gets put in the attic. All right, she's

450
00:22:39,480 --> 00:22:42,280
Speaker 1: living in constant fear. Sometimes it can go six months.

451
00:22:42,320 --> 00:22:45,639
Speaker 1: Sometimes it's more frequent, like, but she's in the attic

452
00:22:45,760 --> 00:22:49,399
Speaker 1: like at least, you know, six times a year. So

453
00:22:52,200 --> 00:22:58,520
Speaker 1: one day she comes home and she comes home with Suzanne.

454
00:22:59,760 --> 00:23:02,120
Speaker 1: She's still goes and see Suzanne for lunch on Mondays,

455
00:23:02,560 --> 00:23:08,680
Speaker 1: and Enzo's working in the yard and Suzanne's gulking at

456
00:23:08,720 --> 00:23:11,520
Speaker 1: him and saying like he's so sexy, and Nina's like, yeah,

457
00:23:11,880 --> 00:23:13,920
Speaker 1: he's good at what he does. He's obviously he's attractive, yes,

458
00:23:13,960 --> 00:23:17,120
Speaker 1: but like he doesn't speak any English's like all the better.

459
00:23:18,040 --> 00:23:19,679
Speaker 1: And so she goes in and she says, ah, she's

460
00:23:19,720 --> 00:23:23,800
Speaker 1: like chow and zo and he's like and so because

461
00:23:23,840 --> 00:23:26,600
Speaker 1: he didn't speak English, she just thinks like, fuck it,

462
00:23:26,640 --> 00:23:28,240
Speaker 1: I can just get something off my chest. And she

463
00:23:28,320 --> 00:23:31,239
Speaker 1: goes and he's like, how are you whatever? And she goes, oh,

464
00:23:31,320 --> 00:23:32,880
Speaker 1: my husband locks me in the attic all the time.

465
00:23:33,280 --> 00:23:37,960
Speaker 1: And he's like what. She goes, she thought he didn't understand.

466
00:23:38,240 --> 00:23:42,560
Speaker 1: She's like, I need to tell someone what Oh, never mind,

467
00:23:42,760 --> 00:23:45,760
Speaker 1: all right. Now, that night she gets locked in the attic,

468
00:23:46,160 --> 00:23:51,200
Speaker 1: she does something bad. She's freaking the fuck out at

469
00:23:51,200 --> 00:23:55,560
Speaker 1: the moment. The window, the one little window that looks

470
00:23:55,560 --> 00:23:57,840
Speaker 1: out in the backyard. She's just looking at it to

471
00:23:57,840 --> 00:24:02,480
Speaker 1: get some daylight. Who's out there, Enzo? He sees her

472
00:24:02,760 --> 00:24:05,840
Speaker 1: and he's like what the fuck? Drops, everything goes up,

473
00:24:05,880 --> 00:24:07,800
Speaker 1: starts banging on the attic door. Nina, what are you

474
00:24:07,840 --> 00:24:08,880
Speaker 1: doing in there? What are you doing?

475
00:24:08,960 --> 00:24:12,960
Speaker 3: He's English perfect, by the way, perfect, Okay, Nina, what

476
00:24:13,000 --> 00:24:13,480
Speaker 3: are you doing?

477
00:24:13,640 --> 00:24:15,640
Speaker 1: She goes, please please, no, no, no, no, it's fine, it's fine.

478
00:24:15,640 --> 00:24:17,680
Speaker 1: I'm just uppy. He's like, I'm breaking the door down.

479
00:24:17,680 --> 00:24:19,480
Speaker 1: She goes, please, I'm begging you know. I'm begging you know.

480
00:24:20,359 --> 00:24:21,760
Speaker 1: And so she says, you're gonna make it worse. You're

481
00:24:21,760 --> 00:24:24,800
Speaker 1: gonna make it worse. So he says, okay, you want

482
00:24:24,800 --> 00:24:26,919
Speaker 1: me to leave? He said, yes, please leave. I've got

483
00:24:26,920 --> 00:24:29,399
Speaker 1: this under control. Please leave. He says, okay, but if

484
00:24:29,400 --> 00:24:31,679
Speaker 1: you're not back by the morning, I'm coming back and

485
00:24:31,680 --> 00:24:36,240
Speaker 1: I'm breaking this door down. So next day he lets

486
00:24:36,240 --> 00:24:39,639
Speaker 1: her Andrew lets her out, and that night was a

487
00:24:39,640 --> 00:24:42,359
Speaker 1: particularly bad punishment. She had to pepper spray herself because

488
00:24:42,560 --> 00:24:45,720
Speaker 1: what she did the night prior was there was one

489
00:24:45,720 --> 00:24:47,119
Speaker 1: time where she got put in the attic because she

490
00:24:47,119 --> 00:24:49,280
Speaker 1: didn't spray enough air freshener in their room, and so

491
00:24:49,320 --> 00:24:51,720
Speaker 1: she makes sure she sprays enough every night, but this

492
00:24:51,920 --> 00:24:53,440
Speaker 1: night she just spread a little bit too much, and

493
00:24:53,440 --> 00:24:54,560
Speaker 1: he said that it hurt his eyes. So he put

494
00:24:54,560 --> 00:24:56,240
Speaker 1: her in the attic and he says, I need you

495
00:24:56,280 --> 00:24:58,520
Speaker 1: to pepper spray yourself so you know what it feels like,

496
00:25:00,080 --> 00:25:06,080
Speaker 1: I could see you and insane. So now she comes

497
00:25:06,080 --> 00:25:07,879
Speaker 1: back and she's all her face is all fucked u

498
00:25:07,880 --> 00:25:11,040
Speaker 1: from the pep spray, and Enso is there and he

499
00:25:11,119 --> 00:25:20,760
Speaker 1: sees her right so she finally she confides in in Enzo. Right,

500
00:25:20,960 --> 00:25:22,800
Speaker 1: I think he kind of is like you, what is

501
00:25:22,840 --> 00:25:27,359
Speaker 1: going on? So she tells Enso everything right, Andrew hasn't

502
00:25:27,440 --> 00:25:29,919
Speaker 1: vetted Enzo, by the way, and also Enso's seen her

503
00:25:29,920 --> 00:25:32,320
Speaker 1: in the attic. She tells Enso everything, and he's like,

504
00:25:32,680 --> 00:25:36,040
Speaker 1: I'm gonna kill him, like I'm find he's dead. She goes, no, no, no, no, no,

505
00:25:36,040 --> 00:25:38,960
Speaker 1: no no. Right. He tells a small backstory about how

506
00:25:40,280 --> 00:25:42,720
Speaker 1: his sister was with a man who was like Andrew,

507
00:25:43,720 --> 00:25:49,440
Speaker 1: and one day his sister was dead. So the reason

508
00:25:49,480 --> 00:25:52,360
Speaker 1: he has fled his country is because he didn't kill

509
00:25:52,440 --> 00:25:54,320
Speaker 1: the man, but he heard him very bad. But that

510
00:25:54,400 --> 00:25:56,120
Speaker 1: man was very powerful and he can't go back into

511
00:25:56,119 --> 00:25:57,640
Speaker 1: the country because he'll be dead before he even leaves

512
00:25:57,640 --> 00:26:00,920
Speaker 1: the airport. So he's stuck in America. I'm gonna kill Andrew.

513
00:26:01,520 --> 00:26:05,400
Speaker 1: And then she goes, well, like, let's not do that,

514
00:26:05,680 --> 00:26:10,760
Speaker 1: let's do something different. Can you help me? And he's

515
00:26:10,800 --> 00:26:14,280
Speaker 1: like yeah, same, and so he goes, You're gonna need

516
00:26:14,520 --> 00:26:16,000
Speaker 1: He's like, I can't help you, but I know people

517
00:26:16,000 --> 00:26:19,480
Speaker 1: who can. He's you gonna need money, and you're gonna

518
00:26:19,520 --> 00:26:25,040
Speaker 1: need passports, new names, everything, and so he's been helping

519
00:26:25,040 --> 00:26:27,320
Speaker 1: her with this for a little bit. Right, one day

520
00:26:27,520 --> 00:26:29,840
Speaker 1: they go to his apartment and they plan it out

521
00:26:30,440 --> 00:26:37,520
Speaker 1: or see he's at school. And then so she has

522
00:26:37,560 --> 00:26:41,680
Speaker 1: this whole plan with Enzo. There's one day where they're

523
00:26:41,680 --> 00:26:44,879
Speaker 1: about to execute the plan. What they have is the money.

524
00:26:45,680 --> 00:26:49,399
Speaker 1: They have the passports and everything, and they have them

525
00:26:49,440 --> 00:26:53,800
Speaker 1: in two different safe boxes. She comes home one day

526
00:26:53,920 --> 00:26:57,439
Speaker 1: Andrew sitting there with the passports. He's like really, So

527
00:26:57,560 --> 00:26:59,120
Speaker 1: he's like, Nina, you didn't think i'd find this shit.

528
00:27:00,280 --> 00:27:04,159
Speaker 1: Everything I know everything you do, Nina, all right, you

529
00:27:04,160 --> 00:27:08,399
Speaker 1: didn't think I find this shit? And so once again

530
00:27:09,280 --> 00:27:13,960
Speaker 1: attic dude, she's getting fucking fucked up in this attic.

531
00:27:14,720 --> 00:27:19,240
Speaker 1: So this time, but this time he goes to grab

532
00:27:19,280 --> 00:27:23,159
Speaker 1: her and she runs out to her car. She's running

533
00:27:24,200 --> 00:27:26,680
Speaker 1: and she drives to Enzo's place. She goes in there

534
00:27:26,680 --> 00:27:28,800
Speaker 1: and he's like, what's going on, and she goes, he

535
00:27:28,880 --> 00:27:30,600
Speaker 1: found the drop of the lock box, but he didn't

536
00:27:30,640 --> 00:27:33,080
Speaker 1: find the mom with the money, and so he's I think.

537
00:27:33,160 --> 00:27:35,320
Speaker 1: Now he's like okay, and now I'm gonna kill him.

538
00:27:35,920 --> 00:27:38,879
Speaker 1: She goes, no, no, no, no, no, Actually I have a

539
00:27:38,920 --> 00:27:43,160
Speaker 1: better idea. So she has a better idea, and her

540
00:27:43,200 --> 00:27:47,240
Speaker 1: idea is to find a replacement for Nina. The plan

541
00:27:47,480 --> 00:27:51,480
Speaker 1: is in Genie. Yes, so she has to very meticulously

542
00:27:51,640 --> 00:27:56,639
Speaker 1: plan this. Okay, So what she does is she hires

543
00:27:56,880 --> 00:28:00,760
Speaker 1: a maid, She does her research and the people that apply,

544
00:28:00,880 --> 00:28:02,720
Speaker 1: she does lots of deep research on They need to

545
00:28:02,760 --> 00:28:05,720
Speaker 1: be desperate, they need to be xyz, they need to

546
00:28:05,800 --> 00:28:08,159
Speaker 1: and they need all these things because what Nina's she

547
00:28:08,240 --> 00:28:10,560
Speaker 1: knows what she has to do. Nina has to be crazy,

548
00:28:11,320 --> 00:28:14,600
Speaker 1: so merely applies. She does a background check on Millie.

549
00:28:14,720 --> 00:28:17,760
Speaker 1: She goes, oh my god, prison for ten years. Just

550
00:28:17,800 --> 00:28:19,399
Speaker 1: lost her job because they were going to call the

551
00:28:19,440 --> 00:28:22,320
Speaker 1: police on her. And she didn't go to prison for anything.

552
00:28:22,920 --> 00:28:26,360
Speaker 1: She went to prison for murder. She did it when

553
00:28:26,359 --> 00:28:28,399
Speaker 1: she was sixteen, and she was tried a mine as

554
00:28:28,440 --> 00:28:30,800
Speaker 1: a minor, so she only got ten years. What she

555
00:28:30,880 --> 00:28:34,040
Speaker 1: did was she was in college. She was at a

556
00:28:34,080 --> 00:28:36,680
Speaker 1: party and a football player was coming onto one of

557
00:28:36,720 --> 00:28:39,480
Speaker 1: her friends and was about to sexually assault her. So

558
00:28:39,760 --> 00:28:41,880
Speaker 1: she goes in. She picks up a paperweight and beats

559
00:28:41,880 --> 00:28:47,000
Speaker 1: the man to death. Goes to jail. Now she doesn't

560
00:28:47,000 --> 00:28:50,560
Speaker 1: want to go back to jail, so she hires Millie

561
00:28:51,200 --> 00:28:54,680
Speaker 1: and everything's going to plan. She said, what I need

562
00:28:54,720 --> 00:28:58,360
Speaker 1: is her and Andrew need to be in the same

563
00:28:58,440 --> 00:29:03,560
Speaker 1: room bonding over something. Right. So for the last couple

564
00:29:03,560 --> 00:29:06,120
Speaker 1: of weeks, Nina's just been crazy to Andrew. And then

565
00:29:06,280 --> 00:29:08,680
Speaker 1: Andrew comes home and finds out she's hired Milly and

566
00:29:08,680 --> 00:29:10,880
Speaker 1: Millie's living in the attic and he's like, what the

567
00:29:10,880 --> 00:29:12,360
Speaker 1: fuck are you doing? They're in the garage and he

568
00:29:12,360 --> 00:29:13,880
Speaker 1: grabs her by the arm. She's like, what the fuck

569
00:29:13,880 --> 00:29:15,200
Speaker 1: are you doing by her right now? What do you

570
00:29:15,200 --> 00:29:16,520
Speaker 1: think you're doing? You put her in the attic. You

571
00:29:16,760 --> 00:29:18,560
Speaker 1: could at least put her in the fucking guest room.

572
00:29:19,120 --> 00:29:20,479
Speaker 1: And she's like, no, no, no, no, what if your mum

573
00:29:20,480 --> 00:29:22,000
Speaker 1: wants to stay, Like she's not gonna sleep on the

574
00:29:22,040 --> 00:29:26,600
Speaker 1: lounge right, And he's like, she's not staying here, and

575
00:29:26,680 --> 00:29:28,720
Speaker 1: she goes, you can buy her then, and he's like, okay,

576
00:29:28,840 --> 00:29:34,400
Speaker 1: I will tomorrow now next day, all right. This is

577
00:29:34,400 --> 00:29:37,800
Speaker 1: when Nina is It's Millie's first morning, and this is

578
00:29:37,800 --> 00:29:41,280
Speaker 1: when Nina he's like throwing everything from the fucking fridge

579
00:29:41,440 --> 00:29:44,600
Speaker 1: onto the ground and making a huge mess. Right. So

580
00:29:48,040 --> 00:29:51,800
Speaker 1: that's when she got Andrew and Milli to bond, and

581
00:29:51,840 --> 00:29:54,840
Speaker 1: she knew from then on because she's like saying, you know,

582
00:29:55,200 --> 00:29:56,840
Speaker 1: what'd you do with my notes? And she feels really

583
00:29:56,840 --> 00:29:58,440
Speaker 1: bad for blaming Milli for this, but she has to

584
00:29:58,440 --> 00:30:01,400
Speaker 1: do what she has to do just keep her daughter safe. Whatever.

585
00:30:02,200 --> 00:30:06,280
Speaker 1: Now everything worked out perfectly.

586
00:30:06,760 --> 00:30:11,000
Speaker 2: It was opening seeing like two different povs. Yeah, and

587
00:30:11,040 --> 00:30:15,040
Speaker 2: then everything Nina did for this, and also how the

588
00:30:15,080 --> 00:30:18,800
Speaker 2: psych medication and everything made Nina put on weight, and

589
00:30:18,840 --> 00:30:20,920
Speaker 2: like everything is like fuck, there's always two sides of

590
00:30:20,960 --> 00:30:21,400
Speaker 2: the story.

591
00:30:22,400 --> 00:30:27,040
Speaker 1: So everything worked out perfect. Lee Ceci goes to summer camp,

592
00:30:27,080 --> 00:30:29,200
Speaker 1: so she's far away from Andrew because that was another

593
00:30:29,200 --> 00:30:31,200
Speaker 1: one of his insurance policies was he'll hurt Cec if

594
00:30:31,280 --> 00:30:36,320
Speaker 1: Nina tries to get away. Now she knows that they're

595
00:30:36,320 --> 00:30:40,720
Speaker 1: in Manhattan, she knows they slept together. Perfect, she makes

596
00:30:40,760 --> 00:30:44,440
Speaker 1: Andrew leave her. She's like, finally I'm free. So she

597
00:30:44,520 --> 00:30:48,080
Speaker 1: goes and picks Cecy up from the summer camp. She's like,

598
00:30:48,440 --> 00:30:49,680
Speaker 1: what do you want to do? Where do you want

599
00:30:49,680 --> 00:30:53,040
Speaker 1: to go? You know Dad's not coming with us. Cecy's

600
00:30:53,120 --> 00:30:56,520
Speaker 1: like fuck yes. She goes to Enzo's place to thank him,

601
00:30:56,760 --> 00:30:58,880
Speaker 1: and then she's like, Nina, we have to help Millie

602
00:30:59,080 --> 00:31:01,440
Speaker 1: she's like, no, I refuse, I'm done. I'm not holding

603
00:31:01,480 --> 00:31:04,960
Speaker 1: Millie now. From here, each chapter is a different POV.

604
00:31:05,960 --> 00:31:09,320
Speaker 1: We go back to Millie's POV. She's stuck in the

605
00:31:09,360 --> 00:31:13,160
Speaker 1: attic all right, Andrew comes in the morning. She's like,

606
00:31:13,160 --> 00:31:16,880
Speaker 1: what the fuck are you doing? And he's like, do

607
00:31:16,880 --> 00:31:21,960
Speaker 1: you see those books I left in the room. Yeah.

608
00:31:22,080 --> 00:31:27,400
Speaker 1: She's like yeah, yeah, she's like yeah. He's like, well, Millie,

609
00:31:27,400 --> 00:31:32,280
Speaker 1: you left those books out and that's very rude. Those

610
00:31:32,320 --> 00:31:34,680
Speaker 1: are my books. She's like yes, so we'll put them

611
00:31:34,720 --> 00:31:37,280
Speaker 1: back whatever, and he goes, nah, you need to be

612
00:31:37,280 --> 00:31:41,040
Speaker 1: punished for this, all right, Oh my Dave, you need

613
00:31:41,080 --> 00:31:43,120
Speaker 1: to be punished for this. And when you put those

614
00:31:43,120 --> 00:31:47,239
Speaker 1: books on your stomach for three hours, of course, she's like,

615
00:31:47,480 --> 00:31:50,320
Speaker 1: the fuck is wrong with you? No, and so then

616
00:31:50,360 --> 00:31:53,080
Speaker 1: he fucks off. He does the exact same thing to

617
00:31:53,160 --> 00:31:57,160
Speaker 1: Millie that he did to Nina. So she's like, I'm

618
00:31:57,240 --> 00:32:00,320
Speaker 1: fucking busting for a piss dude, Like there's a bucket

619
00:32:00,320 --> 00:32:03,080
Speaker 1: in there for her, So she's like what the hell.

620
00:32:04,080 --> 00:32:08,400
Speaker 1: So finally she's in there for two days, she does

621
00:32:08,640 --> 00:32:10,680
Speaker 1: the three books, and he goes, yeah, you did it,

622
00:32:10,720 --> 00:32:13,880
Speaker 1: but you're five minutes short. You have to do it again.

623
00:32:14,360 --> 00:32:19,120
Speaker 1: So she goes, fuck fuck you. She does it again

624
00:32:19,160 --> 00:32:21,800
Speaker 1: for three hours and ten minutes. She finds out there's

625
00:32:21,800 --> 00:32:23,800
Speaker 1: a camera in there, and that's how he knows. So

626
00:32:23,800 --> 00:32:27,280
Speaker 1: she's like, okay, cool. So he comes in in the

627
00:32:27,280 --> 00:32:30,520
Speaker 1: morning and she's fucked up, dehydrated. The books. She's bruising

628
00:32:30,520 --> 00:32:32,440
Speaker 1: on the stoma because the books are heavy books. Heavy books,

629
00:32:32,480 --> 00:32:37,800
Speaker 1: three hours, heavy books six hours altogether. And so he

630
00:32:37,880 --> 00:32:42,200
Speaker 1: comes in and he's like, all right, you know, brings

631
00:32:42,200 --> 00:32:44,640
Speaker 1: a glass of water. She necks that thing. I thought

632
00:32:44,640 --> 00:32:48,000
Speaker 1: she was going to be drugged, and she's like, he goes,

633
00:32:48,000 --> 00:32:50,520
Speaker 1: all right, this how it's gonna work, Millie. You're going

634
00:32:50,560 --> 00:32:53,160
Speaker 1: to do everything I say. If you need to be punished,

635
00:32:53,200 --> 00:32:57,280
Speaker 1: you're gonna come up here, all right. But if you

636
00:32:57,320 --> 00:32:58,400
Speaker 1: do what I say, you don't if you go back

637
00:32:58,440 --> 00:33:01,080
Speaker 1: to prison. He thinks, he thinks he's got it. He

638
00:33:01,120 --> 00:33:03,800
Speaker 1: does all right, he thinks he's got her, and really

639
00:33:03,840 --> 00:33:11,320
Speaker 1: goes fuck that. She's like, this is an inner monologue moment.

640
00:33:11,360 --> 00:33:12,880
Speaker 1: She goes, I get the pepper spread but that I

641
00:33:12,920 --> 00:33:14,880
Speaker 1: found in the bucket out of my pocket, and I

642
00:33:14,920 --> 00:33:20,000
Speaker 1: spray and point blank in the eyes, and so Andrew's

643
00:33:20,200 --> 00:33:23,600
Speaker 1: fucked up from the pepper spray, and then he drops

644
00:33:23,600 --> 00:33:26,720
Speaker 1: his phone. She picks it up, dips out of the room,

645
00:33:26,920 --> 00:33:29,080
Speaker 1: closes the door, locks it with the key that Nina

646
00:33:29,160 --> 00:33:33,320
Speaker 1: gave her. All right, oh my days. And he's like, merely,

647
00:33:33,400 --> 00:33:37,520
Speaker 1: what the fuck? She goes, hey, games the game? Yeah,

648
00:33:37,840 --> 00:33:40,600
Speaker 1: how's your own medicine taste? Yeah, and he's like Milli.

649
00:33:40,680 --> 00:33:41,959
Speaker 1: He's like, really, get me out of here right now.

650
00:33:41,960 --> 00:33:44,560
Speaker 1: He's furious. She's like, give me out of your road shit.

651
00:33:44,640 --> 00:33:50,680
Speaker 1: She's like, yeah, yeah, I love her demeanor. Yeah, she's

652
00:33:50,720 --> 00:33:54,640
Speaker 1: just she's like, I'm good. Yeah, I don't think I will.

653
00:33:55,800 --> 00:33:58,360
Speaker 1: She goes, look, I will let you out, obviously, I'm

654
00:33:58,400 --> 00:33:59,800
Speaker 1: going to let you out, but just not right now.

655
00:34:00,240 --> 00:34:03,880
Speaker 1: All right, So here's what's going to happen. I want

656
00:34:03,920 --> 00:34:09,400
Speaker 1: you to lay down, and you see those books. I

657
00:34:09,440 --> 00:34:12,680
Speaker 1: want you to put them on your stomach for three hours.

658
00:34:13,719 --> 00:34:15,880
Speaker 1: And she's got his phone. She's looking at his camera.

659
00:34:15,960 --> 00:34:18,399
Speaker 1: She's looking at him. He's furious, and he's like, don't

660
00:34:18,400 --> 00:34:20,000
Speaker 1: be stupid. She goes, what are you talking about? I'm

661
00:34:20,040 --> 00:34:22,279
Speaker 1: being dead serious. So he lays down, he puts the

662
00:34:22,280 --> 00:34:24,040
Speaker 1: books on his stuff. He goes, fine, I'll play your games,

663
00:34:25,200 --> 00:34:27,000
Speaker 1: and the books don't really do anything to him because

664
00:34:27,000 --> 00:34:29,960
Speaker 1: he's so much bigger. She goes, no, put him lower,

665
00:34:30,719 --> 00:34:33,040
Speaker 1: and he's like, are you serious. She goes a bit lower,

666
00:34:33,080 --> 00:34:35,880
Speaker 1: a bit lower, until they're resting on his dick and balls,

667
00:34:36,520 --> 00:34:38,239
Speaker 1: and he's like, this is fucked Meally, I can't do this.

668
00:34:38,320 --> 00:34:40,440
Speaker 1: She goes, well, just three hours, time will be you know,

669
00:34:40,520 --> 00:34:43,520
Speaker 1: I'll be back. She goes down, makes herself something to eat.

670
00:34:43,560 --> 00:34:46,000
Speaker 1: She's just chilling watching TV looking at the camera. He

671
00:34:46,080 --> 00:34:50,319
Speaker 1: does it, He fully does it, and then she goes up.

672
00:34:50,800 --> 00:34:53,680
Speaker 1: He's fucked up, and he's like, all right, let me out.

673
00:34:54,360 --> 00:34:58,799
Speaker 1: She goes, here's the thing. I think you misheard me.

674
00:35:00,160 --> 00:35:05,400
Speaker 1: Three hours I said five. He's like, Milli, I can't, Millie, seriously,

675
00:35:05,440 --> 00:35:08,000
Speaker 1: I can't. I can't. Can I at least have some water?

676
00:35:08,080 --> 00:35:12,360
Speaker 1: I gave you water. She goes, yeah, you'll be fine.

677
00:35:12,680 --> 00:35:14,000
Speaker 1: I should have thought of that when you want me

678
00:35:14,040 --> 00:35:14,480
Speaker 1: in here.

679
00:35:14,600 --> 00:35:17,160
Speaker 3: I should have bought some water for yourself. Got a

680
00:35:17,160 --> 00:35:20,279
Speaker 3: plan for these things, Andrew and I was like, fuck, yeah,

681
00:35:20,320 --> 00:35:25,520
Speaker 3: that's bro so and then she leaves again. She goes

682
00:35:25,560 --> 00:35:27,359
Speaker 3: and she spends the night in the in the guest room,

683
00:35:27,400 --> 00:35:29,399
Speaker 3: she wakes up. She checks camera, he's not there. She's

684
00:35:29,480 --> 00:35:31,160
Speaker 3: freaking out. Then he rolls over.

685
00:35:31,280 --> 00:35:33,440
Speaker 1: He's in the bed. He's there. He did the thing.

686
00:35:33,960 --> 00:35:35,960
Speaker 1: He fucking left him on his junk for five hours.

687
00:35:36,719 --> 00:35:39,560
Speaker 1: So she goes She's like, fuck, what do I even do?

688
00:35:39,640 --> 00:35:41,359
Speaker 1: He obviously I can't let him out because he's gonna

689
00:35:41,400 --> 00:35:43,839
Speaker 1: kill me. So she's like, what do I do? He shit?

690
00:35:44,600 --> 00:35:46,520
Speaker 1: She goes down. She gets some tools from the garage.

691
00:35:46,520 --> 00:35:50,200
Speaker 1: She goes back up. She's like, Andrew, you're awake, and

692
00:35:50,200 --> 00:35:52,959
Speaker 1: he's like, Millie, let me the fuck out of here.

693
00:35:54,160 --> 00:35:57,799
Speaker 1: I'll give you a million dollars. She's like, man, he goes,

694
00:35:57,840 --> 00:36:01,040
Speaker 1: I'll give you two million dollars. She's like, in her head,

695
00:36:01,040 --> 00:36:03,200
Speaker 1: he's not gonna give me that money because that's a lot.

696
00:36:04,400 --> 00:36:07,560
Speaker 1: She has some pliers. She slides the pliers underneath the door.

697
00:36:08,280 --> 00:36:10,280
Speaker 1: You can see these. I want you to use these,

698
00:36:11,480 --> 00:36:14,640
Speaker 1: all right, to pull out one of your teeth, and

699
00:36:14,680 --> 00:36:18,920
Speaker 1: he says, fuck off. He gets angry. He starts body

700
00:36:18,960 --> 00:36:21,800
Speaker 1: slamming the door, trying to break the door down. Doesn't budge.

701
00:36:22,120 --> 00:36:25,520
Speaker 1: She's going, hey, once you pull out one of your teeth,

702
00:36:25,880 --> 00:36:27,799
Speaker 1: I will let you out. And by the way you're

703
00:36:27,800 --> 00:36:29,680
Speaker 1: gonna keep in mind he's going crazy because he's been

704
00:36:29,719 --> 00:36:34,520
Speaker 1: in there for two days, dehydrated, fucking, barely sleeping, bruised nuts.

705
00:36:34,840 --> 00:36:36,720
Speaker 2: I was thinking she was gonna let him out.

706
00:36:37,280 --> 00:36:42,080
Speaker 1: I was all thinking. So she's like, yeah, pull out

707
00:36:42,120 --> 00:36:44,160
Speaker 1: one of your teeth. So he goes and he does it.

708
00:36:44,200 --> 00:36:48,239
Speaker 1: All right. Back to Nina Pov and she's at her

709
00:36:48,239 --> 00:36:51,480
Speaker 1: hotel and she's sorry, she hasn't picked up CC yet.

710
00:36:51,480 --> 00:36:53,800
Speaker 1: By the way, I've did that in wrong order. But still,

711
00:36:53,960 --> 00:36:56,160
Speaker 1: so she's at a hotel, She's gonna go pick up CC.

712
00:36:56,320 --> 00:36:59,680
Speaker 1: The next day, Enzo knocks comes in. This was us

713
00:37:00,120 --> 00:37:03,399
Speaker 1: was weird as he fucks her brains out. Yeah, fucks

714
00:37:03,400 --> 00:37:05,120
Speaker 1: her brains out, if.

715
00:37:05,040 --> 00:37:07,760
Speaker 2: You gotta do it, put de Kelly, Yeah, yeah.

716
00:37:07,120 --> 00:37:10,920
Speaker 1: Yeah exactly. Then the next day she picks up Ceci.

717
00:37:11,080 --> 00:37:13,920
Speaker 1: Then she goes to see Enzo. That's when he says, no, no, no,

718
00:37:13,960 --> 00:37:19,000
Speaker 1: we need to help her now. He is like one,

719
00:37:19,080 --> 00:37:23,319
Speaker 1: like we need to need to need to. Then she

720
00:37:23,400 --> 00:37:25,960
Speaker 1: says no, leaves. A couple of days later, gets called Fmenzo.

721
00:37:26,080 --> 00:37:28,560
Speaker 1: She goes. He's like, please, please, Needa, we need to

722
00:37:28,560 --> 00:37:30,520
Speaker 1: help me. She hasn't left the house in three days.

723
00:37:30,800 --> 00:37:33,319
Speaker 1: She's like, you don't understand. He's gonna be a good

724
00:37:33,320 --> 00:37:35,640
Speaker 1: boyfriend and a good husband. He's not doing anything to

725
00:37:35,680 --> 00:37:37,440
Speaker 1: her yet. She's like, no, I put a mark on

726
00:37:37,480 --> 00:37:39,520
Speaker 1: her car and she hasn't left in three days. The

727
00:37:39,520 --> 00:37:41,920
Speaker 1: mark on her car on her wheel hasn't moved, and

728
00:37:42,000 --> 00:37:45,840
Speaker 1: like she's going, okay, what the fuck? So she says, fine,

729
00:37:46,239 --> 00:37:49,160
Speaker 1: but on one condition, you need to look after Ceci.

730
00:37:50,360 --> 00:37:53,320
Speaker 1: So Nina goes to the house, tries ring the doorbell,

731
00:37:53,400 --> 00:37:56,160
Speaker 1: no one answers, uses her key, goes in. She's scared

732
00:37:56,200 --> 00:37:58,920
Speaker 1: as fuck, goes up to the attic, goes up. No

733
00:37:58,960 --> 00:38:01,839
Speaker 1: one's home. She's like, knocking on the door, Milli, I'm here.

734
00:38:01,880 --> 00:38:03,600
Speaker 1: I'm gonna get you out. Millie, it's okay, I'm here

735
00:38:03,640 --> 00:38:09,760
Speaker 1: to save you. Opens the door. Andrew's in there, unconscious, bruised, nuts,

736
00:38:09,800 --> 00:38:13,239
Speaker 1: five teeth missing, all right. She looks at him. He's

737
00:38:13,280 --> 00:38:16,040
Speaker 1: not moving, he's not breathing. All right.

738
00:38:16,719 --> 00:38:20,200
Speaker 2: I thought she was going to open it. Andrew's still alive. Yeah,

739
00:38:20,239 --> 00:38:22,080
Speaker 2: and takes it and then she gets trapped again, and

740
00:38:22,080 --> 00:38:23,800
Speaker 2: Millie's gone, yeah, that's what I was thinking.

741
00:38:23,920 --> 00:38:31,040
Speaker 1: So she's like fuck, now, hmm, little did So we

742
00:38:31,360 --> 00:38:34,719
Speaker 1: find out that she actually did hire Millie to kill Andrewah.

743
00:38:35,400 --> 00:38:38,560
Speaker 1: She didn't think she'd actually do it. She's like, fuck.

744
00:38:39,120 --> 00:38:41,680
Speaker 1: And then she says she hears someone say, hey, Nina,

745
00:38:41,920 --> 00:38:44,520
Speaker 1: pepper spray in her face and it's Millie. She's like,

746
00:38:44,560 --> 00:38:46,239
Speaker 1: whoa fuck, no, no, no, I'm here to save you,

747
00:38:46,239 --> 00:38:47,600
Speaker 1: like I swear I'm going to save you. Blah blah blah.

748
00:38:47,640 --> 00:38:49,520
Speaker 1: Because Millie still doesn't know if Nina's crazy or not,

749
00:38:49,840 --> 00:38:53,040
Speaker 1: and so she's like, he's dead and Milly's like, I

750
00:38:53,040 --> 00:38:55,319
Speaker 1: don't know, hasn't now, Like how long can someone last

751
00:38:55,360 --> 00:38:57,440
Speaker 1: without water? She goes, I don't know, let me check

752
00:38:57,560 --> 00:39:00,279
Speaker 1: checks his pulse. He's dead. Millie's freaking out. She goes, fuck,

753
00:39:01,000 --> 00:39:02,800
Speaker 1: I don't want to go back to our prison. Fuck.

754
00:39:03,760 --> 00:39:05,680
Speaker 1: And so Nina is a feeling all bad for me

755
00:39:05,800 --> 00:39:08,520
Speaker 1: because she put her in this situation. So she's like, merely, leaf,

756
00:39:08,560 --> 00:39:13,000
Speaker 1: you have to leave. Leave, I'll call the cops and

757
00:39:13,480 --> 00:39:15,239
Speaker 1: I'll tell them that I sent you on vacation for

758
00:39:15,239 --> 00:39:19,759
Speaker 1: a week, all right. So the cops come Nina's downstairs,

759
00:39:20,000 --> 00:39:22,000
Speaker 1: and so from the very pro that prologue at the

760
00:39:22,000 --> 00:39:23,600
Speaker 1: start of the book, where the CoP's talking to someone,

761
00:39:23,640 --> 00:39:27,160
Speaker 1: they're talking to Nina. She's chilling, and so she's really scared.

762
00:39:27,200 --> 00:39:30,000
Speaker 1: She's like, I'm obviously going to prison. Cecilia's with Enzo,

763
00:39:30,160 --> 00:39:33,560
Speaker 1: she'll be safe, but everyone thinks I'm psycho. Now. The

764
00:39:33,600 --> 00:39:37,560
Speaker 1: constable that was upstairs comes downstairs, or the detective or whatever,

765
00:39:37,920 --> 00:39:42,719
Speaker 1: and he's like, so you're telling me that he accidentally

766
00:39:42,719 --> 00:39:47,440
Speaker 1: got locked up there died from dehydration. But he's missing

767
00:39:47,480 --> 00:39:50,320
Speaker 1: five teeth and has a bruises all over his genitals,

768
00:39:50,600 --> 00:39:56,359
Speaker 1: and she's like, yep, you know it's about what yeah,

769
00:39:56,480 --> 00:40:01,399
Speaker 1: And he goes, okay, okay, well all right, and then

770
00:40:01,400 --> 00:40:06,919
Speaker 1: he leans down into area and he goes, I came

771
00:40:06,960 --> 00:40:13,680
Speaker 1: here about a year ago, and it's interesting, my daughter

772
00:40:14,239 --> 00:40:18,839
Speaker 1: actually used to be your husband's fiance. And Nina's like, whoa.

773
00:40:19,719 --> 00:40:23,279
Speaker 1: He goes, yeah, her name's Kathleen. The breakup was very

774
00:40:23,320 --> 00:40:31,000
Speaker 1: hard on her. She actually moved away and changed her identity.

775
00:40:31,200 --> 00:40:35,400
Speaker 1: So I tried to do some digging about who X was,

776
00:40:36,239 --> 00:40:39,440
Speaker 1: but all sorts of files were covered up because the

777
00:40:39,440 --> 00:40:42,520
Speaker 1: Winchesters have lots of friends in high places. He goes,

778
00:40:42,520 --> 00:40:48,160
Speaker 1: I got transferred here, and to me, I gotta say,

779
00:40:48,760 --> 00:40:50,640
Speaker 1: it looks like he did just get locked up there

780
00:40:50,640 --> 00:40:54,440
Speaker 1: and died from dehydration. He says, I'm not friends with

781
00:40:54,480 --> 00:40:57,279
Speaker 1: the Winchesters, and I got a friend down at the

782
00:40:57,320 --> 00:41:01,120
Speaker 1: morgue and I was like, fuck, yes, bro.

783
00:41:02,320 --> 00:41:05,239
Speaker 3: So now we're at the funeral. Yes, Mellly's gone, Like

784
00:41:05,320 --> 00:41:07,000
Speaker 3: Mellie's chilling. We're at the funeral.

785
00:41:07,120 --> 00:41:11,480
Speaker 1: Nina's there, pretending to be a sad housewife, and she's there.

786
00:41:11,560 --> 00:41:13,400
Speaker 1: She's like fucking oath, like, I'm so happy to be

787
00:41:13,400 --> 00:41:17,080
Speaker 1: away from this. And Andrew's parents rock up and it's

788
00:41:17,160 --> 00:41:20,080
Speaker 1: just her and Andrew's mum at the casket looking at

789
00:41:20,120 --> 00:41:22,160
Speaker 1: Andrew and you can see the missing teeth and stuff.

790
00:41:22,200 --> 00:41:27,080
Speaker 1: And then Andrew's mum starts to talk and she's like, hmm, sad.

791
00:41:27,760 --> 00:41:32,759
Speaker 1: But I always tried to teach him about good dental hygiene,

792
00:41:33,000 --> 00:41:38,120
Speaker 1: you know, and well, I tried to teach him what

793
00:41:38,200 --> 00:41:41,279
Speaker 1: a privilege it was to have teeth, and I thought

794
00:41:41,280 --> 00:41:43,400
Speaker 1: it really would have been cemented in that one time

795
00:41:43,440 --> 00:41:45,080
Speaker 1: he didn't brush his teeth. When I pulled out one

796
00:41:45,120 --> 00:41:49,880
Speaker 1: of his teeth, and Nina's like, what the fuck. So

797
00:41:49,920 --> 00:41:53,040
Speaker 1: it turns out he's like that because his mum was

798
00:41:53,080 --> 00:41:55,640
Speaker 1: like that. And that's the end of the book, and

799
00:41:55,680 --> 00:41:57,719
Speaker 1: then there's an epilogue. All right, and I assume that

800
00:41:57,760 --> 00:42:00,839
Speaker 1: this is booked too. The epilogue is merely at an

801
00:42:00,840 --> 00:42:02,920
Speaker 1: interview to be another house made for a rich family,

802
00:42:03,560 --> 00:42:10,439
Speaker 1: and she's like, so this lady called Millie, and Milly

803
00:42:10,560 --> 00:42:12,200
Speaker 1: was like yeah, yeah, yeah, and she goes, yeah, look,

804
00:42:12,320 --> 00:42:18,040
Speaker 1: Nina Winchester, she couldn't recommend you more highly. She goes, oh, oh,

805
00:42:18,160 --> 00:42:21,000
Speaker 1: that's very nice of her. And this lady's like, yeah,

806
00:42:21,000 --> 00:42:23,080
Speaker 1: so it would be a living house position. There'll be

807
00:42:23,120 --> 00:42:26,400
Speaker 1: some cooking, some cleaning, some general you know, maid stuff,

808
00:42:26,440 --> 00:42:28,880
Speaker 1: being a nanny. And then she walks over to the knives.

809
00:42:29,440 --> 00:42:31,880
Speaker 1: She picks a knife up, and Millie is like really uncomfortable.

810
00:42:31,920 --> 00:42:34,359
Speaker 1: She's like, what the hell She's like twiddling this knife.

811
00:42:34,400 --> 00:42:37,200
Speaker 1: She's like yeah, you know, and as she's doing it,

812
00:42:37,239 --> 00:42:40,200
Speaker 1: she's like tussling. This lady's like tussling her blouse down

813
00:42:40,719 --> 00:42:44,399
Speaker 1: and you can see on her arms are bruises from

814
00:42:44,480 --> 00:42:48,560
Speaker 1: fingers from her husband. And so she's like so, and

815
00:42:48,600 --> 00:42:52,239
Speaker 1: Millie's like catching onto what's happening here. She's like, so, yeah,

816
00:42:52,320 --> 00:42:54,400
Speaker 1: Nina obviously really highly recommended you. I'd love to know

817
00:42:54,440 --> 00:42:55,719
Speaker 1: when you can start like do you think you could

818
00:42:55,719 --> 00:43:00,360
Speaker 1: help me with this problem? And Millie goes, yeah, I

819
00:43:00,400 --> 00:43:03,600
Speaker 1: think I can book sense crazy dude.

820
00:43:04,440 --> 00:43:06,000
Speaker 3: Sorry, I told you i'd make it quick, but it

821
00:43:06,040 --> 00:43:07,560
Speaker 3: was a lot of like I left a lot out.

822
00:43:07,719 --> 00:43:09,880
Speaker 1: It was thirty chapters. To be fair, you did great.

823
00:43:10,120 --> 00:43:13,160
Speaker 2: Oh oh okay, okay, okay, okay.

824
00:43:13,680 --> 00:43:15,040
Speaker 1: So take a break, my friend.

825
00:43:16,120 --> 00:43:17,880
Speaker 2: You want to do thoughts and Feelings and I'll start.

826
00:43:18,000 --> 00:43:20,080
Speaker 1: Yeah.

827
00:43:20,400 --> 00:43:23,400
Speaker 2: Ah, as I say at the start, thoughts and feelings

828
00:43:23,440 --> 00:43:30,360
Speaker 2: were edgier seat type stuff. But for me, wrong edgier

829
00:43:30,440 --> 00:43:34,719
Speaker 2: seat and I just it made me squirmish. I had

830
00:43:34,800 --> 00:43:36,600
Speaker 2: everything about it, but I was entertained.

831
00:43:36,719 --> 00:43:38,120
Speaker 1: Yeah, I hated everything about it as well.

832
00:43:38,200 --> 00:43:40,800
Speaker 2: Also, I couldn't see a single thing coming normally, I

833
00:43:40,840 --> 00:43:42,280
Speaker 2: think my predictions are somewhat decent.

834
00:43:42,280 --> 00:43:44,839
Speaker 1: Couldn't see a single thing. The only thing I think

835
00:43:44,920 --> 00:43:50,400
Speaker 1: that we got correct was that Andrew has a dark side.

836
00:43:51,080 --> 00:43:53,520
Speaker 2: Yeah, who thinks of this stuff?

837
00:43:53,560 --> 00:43:55,880
Speaker 1: Man? Oh? Psychological thrillers, I don't do you think you

838
00:43:55,880 --> 00:43:59,520
Speaker 1: could read another one? Or you didn't mind it? Ah?

839
00:44:00,040 --> 00:44:02,960
Speaker 1: I think I could only read them if they're this size, true,

840
00:44:03,040 --> 00:44:04,480
Speaker 1: like if there was one that was a size like

841
00:44:04,480 --> 00:44:04,880
Speaker 1: an akatar.

842
00:44:04,920 --> 00:44:08,200
Speaker 2: But I like sex law like, I know there's some

843
00:44:08,400 --> 00:44:10,480
Speaker 2: gruesome shit in that, but I feel safe.

844
00:44:10,520 --> 00:44:12,400
Speaker 1: Yeah, I want this is what I want. I want.

845
00:44:13,880 --> 00:44:19,360
Speaker 1: I want. I want the main character to be like

846
00:44:20,560 --> 00:44:25,480
Speaker 1: unknowingly beautiful, all right, She's like I see, yeah, okay,

847
00:44:25,800 --> 00:44:28,480
Speaker 1: and then she gets trapped in a magical world and

848
00:44:28,760 --> 00:44:32,600
Speaker 1: the fucking princes of this world sweeps her up and

849
00:44:32,640 --> 00:44:34,440
Speaker 1: it's gonna make her his slave, but then falls in

850
00:44:34,480 --> 00:44:36,920
Speaker 1: love with her. And I want there to be world

851
00:44:37,040 --> 00:44:41,160
Speaker 1: building and characters on characters and love triangles, and I

852
00:44:41,200 --> 00:44:45,120
Speaker 1: want there to be enemies to lovers, and I want

853
00:44:45,160 --> 00:44:47,560
Speaker 1: there to be the world to be in threats, like

854
00:44:47,800 --> 00:44:49,120
Speaker 1: I don't want any of this shit.

855
00:44:49,840 --> 00:44:51,719
Speaker 2: No, you know what in a movie how it's like

856
00:44:51,800 --> 00:44:54,399
Speaker 2: this is based on a true story. Obviously this wasn't,

857
00:44:54,440 --> 00:44:56,360
Speaker 2: but it felt like when you're reading it, and it

858
00:44:56,400 --> 00:44:59,160
Speaker 2: makes it so much scarier, more gruesome, Like I was

859
00:44:59,280 --> 00:45:01,240
Speaker 2: traveling I think a bed, thinking I'm scared.

860
00:45:01,360 --> 00:45:04,719
Speaker 1: It's fucked. This is fucked. So I don't know if

861
00:45:04,760 --> 00:45:06,800
Speaker 1: we've read enough books to be able to give ratings

862
00:45:06,840 --> 00:45:09,040
Speaker 1: on books or say like whether a book is good

863
00:45:09,120 --> 00:45:12,360
Speaker 1: or not. I assume this book is widely considered to

864
00:45:12,360 --> 00:45:15,520
Speaker 1: be good, but I think it's now coming to me

865
00:45:15,680 --> 00:45:23,160
Speaker 1: that I didn't dislike it. But I didn't like it.

866
00:45:23,680 --> 00:45:25,279
Speaker 1: I think it comes back to like that.

867
00:45:26,719 --> 00:45:28,960
Speaker 2: I don't know if it's a stereotype, but how women

868
00:45:29,160 --> 00:45:32,040
Speaker 2: like crime podcasts and like crime TV.

869
00:45:32,160 --> 00:45:34,040
Speaker 1: I think it comes back to that. That's where it

870
00:45:34,080 --> 00:45:37,040
Speaker 1: stems from. Yeah, I that's.

871
00:45:36,840 --> 00:45:39,240
Speaker 2: Why the rating is so high, and we don't.

872
00:45:39,080 --> 00:45:41,440
Speaker 1: Like that stuff. I was a little I think one

873
00:45:41,480 --> 00:45:44,480
Speaker 1: thing I did think it kind of highlighted pretty well,

874
00:45:45,320 --> 00:45:48,240
Speaker 1: oh problems for sure, was like some pretty major issues,

875
00:45:48,280 --> 00:45:52,760
Speaker 1: like how it wasn't even just the fact that Nina

876
00:45:52,880 --> 00:45:55,680
Speaker 1: was portrayed to be crazy by Andrew, but and like

877
00:45:55,719 --> 00:45:57,640
Speaker 1: he manufactured that, but it was just the fact that

878
00:45:57,719 --> 00:46:00,880
Speaker 1: like she was a woman was another reason everyone like

879
00:46:01,040 --> 00:46:03,040
Speaker 1: she highlighted a lot that the fact that she was

880
00:46:03,080 --> 00:46:05,799
Speaker 1: a woman, and like the only people she could speak

881
00:46:05,840 --> 00:46:09,440
Speaker 1: to in the situation that Andrew manufactured was men, so

882
00:46:09,520 --> 00:46:11,520
Speaker 1: no one really listened. And then also just the fact

883
00:46:11,560 --> 00:46:15,320
Speaker 1: that like Andrew being a super attractive rich man could

884
00:46:15,400 --> 00:46:18,239
Speaker 1: get in the heads of people very easily, and so

885
00:46:19,000 --> 00:46:22,680
Speaker 1: you could just like very much tell it was just

886
00:46:22,760 --> 00:46:25,400
Speaker 1: like a massive power struggle.

887
00:46:25,480 --> 00:46:27,360
Speaker 2: Okay, I didn't take it in my consideration. What I

888
00:46:27,360 --> 00:46:28,319
Speaker 2: was about to say, was like.

889
00:46:29,480 --> 00:46:32,000
Speaker 1: Yeah, how powerless.

890
00:46:32,600 --> 00:46:35,200
Speaker 2: How well highlighted the powerless of being a woman can be.

891
00:46:35,400 --> 00:46:39,920
Speaker 1: Yeah, Like it was highlighted in that very well kind

892
00:46:39,920 --> 00:46:42,520
Speaker 1: of from the beginning of like and like how she

893
00:46:42,600 --> 00:46:47,840
Speaker 1: had zero options. Yeah, even though you feel like she Yeah,

894
00:46:48,400 --> 00:46:50,440
Speaker 1: I know it's a book and stuff, but to me,

895
00:46:50,760 --> 00:46:54,120
Speaker 1: like just the fact that like even the guy, like

896
00:46:54,160 --> 00:46:57,359
Speaker 1: the only one that could save her was Enzo and

897
00:46:57,400 --> 00:47:00,440
Speaker 1: then that lieutenant detective that you know, I had friends

898
00:47:00,440 --> 00:47:04,560
Speaker 1: at the Morgan shit, Like, it's just yeah, it was crazy,

899
00:47:05,000 --> 00:47:08,200
Speaker 1: and I was just like, yes, fucking fucked up. It

900
00:47:08,239 --> 00:47:10,879
Speaker 1: just highlights it. Yeah, yeah, yeah, and it just also

901
00:47:10,960 --> 00:47:15,520
Speaker 1: highlights the fact that often men are the psycho ones,

902
00:47:16,360 --> 00:47:19,719
Speaker 1: you know, and she had to play the part of

903
00:47:19,760 --> 00:47:22,680
Speaker 1: being a psychopath to get out of it. Yeah.

904
00:47:22,719 --> 00:47:25,840
Speaker 2: I think maybe not the best use of vocovery, but

905
00:47:25,880 --> 00:47:27,319
Speaker 2: the whole thing's just fucked up.

906
00:47:27,400 --> 00:47:30,360
Speaker 1: Yeah, for lack of a better word, Yeah, it's fucking collapsed.

907
00:47:31,760 --> 00:47:34,279
Speaker 2: You said, we probably haven't read enough books, especially we

908
00:47:34,280 --> 00:47:36,799
Speaker 2: haven't read enough psychological thrillers to give a ratiting, but

909
00:47:36,840 --> 00:47:37,799
Speaker 2: I think we just still give one.

910
00:47:38,480 --> 00:47:40,239
Speaker 1: Yeah, Like I just I was thinking to myself, like

911
00:47:40,320 --> 00:47:42,040
Speaker 1: have I read enough books to be able to say

912
00:47:42,200 --> 00:47:44,160
Speaker 1: tell someone whether or not a book is good or bad.

913
00:47:44,640 --> 00:47:47,359
Speaker 1: Everything's opinions, though everything's everything's Yeah.

914
00:47:47,440 --> 00:47:49,480
Speaker 2: We got a lot of comments saying this is a

915
00:47:49,520 --> 00:47:52,200
Speaker 2: really good book, But to me, what makes up a

916
00:47:52,239 --> 00:47:53,279
Speaker 2: really good book isn't this?

917
00:47:54,680 --> 00:47:58,600
Speaker 1: Yeah, I think it's also the genre, huge fans of

918
00:47:58,640 --> 00:48:05,680
Speaker 1: the genre, so I again, yeah. Another thing that another

919
00:48:05,680 --> 00:48:10,400
Speaker 1: way I think they highlighted this, like kind of patriarchy world,

920
00:48:10,640 --> 00:48:15,600
Speaker 1: is the fact that merely she was defending a friend

921
00:48:15,680 --> 00:48:20,000
Speaker 1: from being raped, she went too far. She killed someone,

922
00:48:20,400 --> 00:48:22,880
Speaker 1: right was he can't kill people, but so she was

923
00:48:22,880 --> 00:48:27,360
Speaker 1: defending someone because she says it in there, she's like, Okay,

924
00:48:27,400 --> 00:48:30,040
Speaker 1: I'm not advocating for murder, but she's like, who knows

925
00:48:30,080 --> 00:48:33,319
Speaker 1: how many girls I just saved by accidentally killing him.

926
00:48:33,560 --> 00:48:38,359
Speaker 1: And then there was another thing where a she got

927
00:48:38,560 --> 00:48:41,560
Speaker 1: the reason she got sent to like a boarding school

928
00:48:41,680 --> 00:48:45,680
Speaker 1: for troubled youths is because she slashed a male teacher's

929
00:48:45,760 --> 00:48:48,360
Speaker 1: tires because the male teacher said he'd give her a

930
00:48:48,360 --> 00:48:51,520
Speaker 1: bad grade unless she let him feel her up when

931
00:48:51,520 --> 00:48:53,640
Speaker 1: she was young, and that's why she slashed his tires.

932
00:48:53,680 --> 00:48:55,520
Speaker 1: But then no one believed her story. They only believed

933
00:48:55,520 --> 00:48:58,560
Speaker 1: his story, and then when she got out of jail,

934
00:48:58,600 --> 00:49:00,360
Speaker 1: the reason she got fired from the bar she was

935
00:49:00,360 --> 00:49:03,160
Speaker 1: working out is because there was one bartender that also

936
00:49:03,160 --> 00:49:05,680
Speaker 1: worked there that was always touching her bum and one

937
00:49:05,760 --> 00:49:07,480
Speaker 1: day she just turned around and punched him in the face,

938
00:49:08,040 --> 00:49:10,640
Speaker 1: and everyone believed his story and not her story. And

939
00:49:10,680 --> 00:49:12,360
Speaker 1: I was like, yeah, it's just like kind of highlighting

940
00:49:12,360 --> 00:49:15,920
Speaker 1: a bit. How Yeah, it's like as much as everyone

941
00:49:15,920 --> 00:49:18,560
Speaker 1: thinks women have a voice these days, they still don't

942
00:49:18,600 --> 00:49:21,480
Speaker 1: have a huge voice. Yeah, And it was like I

943
00:49:21,520 --> 00:49:22,840
Speaker 1: was just it was like realizing it as I was

944
00:49:22,880 --> 00:49:24,120
Speaker 1: reading it, and I was like, yeah, that's kind of

945
00:49:24,120 --> 00:49:25,120
Speaker 1: fucking fucked.

946
00:49:25,400 --> 00:49:28,759
Speaker 2: Yeah, she's done brilliantly in that aspect. Yeah, And I

947
00:49:28,800 --> 00:49:35,520
Speaker 2: think taking into my consideration, okay, readability for me six however.

948
00:49:36,080 --> 00:49:40,400
Speaker 1: Or really I think readability in terms of it just

949
00:49:40,480 --> 00:49:43,120
Speaker 1: was not that many words, true, so easy for that,

950
00:49:43,239 --> 00:49:44,839
Speaker 1: but then in terms of readability of like.

951
00:49:45,719 --> 00:49:50,480
Speaker 2: Yeah, that's my sixth but the ability to highlight such

952
00:49:50,719 --> 00:49:53,919
Speaker 2: issues within a book that is a book, yeah, I'm

953
00:49:53,960 --> 00:49:58,319
Speaker 2: going to put overall rating eight. Yeah, I would say

954
00:49:58,360 --> 00:50:01,560
Speaker 2: the same because it makes starts the conversations or brings

955
00:50:01,560 --> 00:50:05,080
Speaker 2: to light issues obviously that are going around in a book.

956
00:50:05,360 --> 00:50:07,479
Speaker 1: Yeah, I would agree. I do think that the fact

957
00:50:07,480 --> 00:50:09,520
Speaker 1: that so I think, yeah, I think the fact that

958
00:50:09,600 --> 00:50:13,880
Speaker 1: some very real life issues were portrayed in the book.

959
00:50:14,480 --> 00:50:20,799
Speaker 1: And I guess also the fact that I noticed is like, yeah,

960
00:50:20,800 --> 00:50:22,320
Speaker 1: it was worth the read. Yeah, I think it was

961
00:50:22,360 --> 00:50:23,840
Speaker 1: worth the read for sure. Yeah, I would give it

962
00:50:23,880 --> 00:50:25,399
Speaker 1: like a solid seven eight.

963
00:50:25,880 --> 00:50:29,080
Speaker 2: I'm struggling to put into words like my reading experience

964
00:50:29,800 --> 00:50:31,680
Speaker 2: of a sense of like I didn't enjoy it that much,

965
00:50:31,760 --> 00:50:34,480
Speaker 2: but I can also I also like appreciated.

966
00:50:33,840 --> 00:50:36,800
Speaker 1: Its way to say it. Yeah, it's kind of hard,

967
00:50:36,880 --> 00:50:42,960
Speaker 1: Like I found it jarring how much how psycho Nina was,

968
00:50:44,000 --> 00:50:48,200
Speaker 1: and then it's like, obviously everything's made up for that

969
00:50:49,719 --> 00:50:54,560
Speaker 1: because of the circumstances. And then I found it jarring

970
00:50:54,600 --> 00:50:58,640
Speaker 1: how psycho Andrew was and then merely kills in. I'm like, fuck,

971
00:50:58,719 --> 00:50:59,880
Speaker 1: yeah he's dead. Whatever.

972
00:51:00,960 --> 00:51:02,600
Speaker 3: But I just like, I just don't know if I

973
00:51:02,760 --> 00:51:04,640
Speaker 3: enjoy this type of book.

974
00:51:05,160 --> 00:51:08,480
Speaker 1: I don't think I can't do it to myself. Yeah,

975
00:51:08,560 --> 00:51:12,799
Speaker 1: the psychological thrillers are maybe maybe a murder mystery could

976
00:51:12,800 --> 00:51:15,040
Speaker 1: be a good next stume. That's what I was thinking

977
00:51:15,040 --> 00:51:15,359
Speaker 1: it was.

978
00:51:15,600 --> 00:51:19,200
Speaker 2: Yeah, I also didn't do my research, like probably.

979
00:51:19,080 --> 00:51:20,480
Speaker 1: Needed did I? I just thought that there was a

980
00:51:20,480 --> 00:51:23,399
Speaker 1: movie coming out. I do want to watch the movie still. Oh,

981
00:51:23,480 --> 00:51:24,520
Speaker 1: definitely watched the movie.

982
00:51:24,760 --> 00:51:27,800
Speaker 2: Yeah, but oh I'm.

983
00:51:27,600 --> 00:51:29,879
Speaker 1: Happy we did it. Say so, I have a question

984
00:51:29,960 --> 00:51:36,800
Speaker 1: for all the baddies. Right if it's gonna depends on

985
00:51:36,840 --> 00:51:38,239
Speaker 1: how many comments we get on this video, but I

986
00:51:38,239 --> 00:51:39,840
Speaker 1: did want to put it out there. We spoke about

987
00:51:39,840 --> 00:51:43,320
Speaker 1: it and it baddie commented it on Patreon. They said

988
00:51:43,360 --> 00:51:49,160
Speaker 1: like Housemaid watch party question Mark. So I was thinking,

989
00:51:51,040 --> 00:51:55,719
Speaker 1: how could we watch The Housemaid with the baddies? I

990
00:51:55,760 --> 00:51:57,960
Speaker 1: texted you, did you? Yeah? Did you say we could?

991
00:51:58,040 --> 00:52:00,200
Speaker 1: We could hire out a whole theater? You we could? Yeah,

992
00:52:00,200 --> 00:52:02,000
Speaker 1: it wouldn't be if you fucking I wonder how much

993
00:52:02,000 --> 00:52:03,600
Speaker 1: that costs. Can they give you a discount of people

994
00:52:03,640 --> 00:52:05,520
Speaker 1: some on our story? Yeah? True, we could like get

995
00:52:05,560 --> 00:52:07,480
Speaker 1: in touch with the theaterrem So I think what I

996
00:52:07,520 --> 00:52:10,800
Speaker 1: want to ask is Sydney based or if you're willing

997
00:52:10,840 --> 00:52:15,319
Speaker 1: to come to Sydney, comment if you will come and

998
00:52:15,360 --> 00:52:17,319
Speaker 1: watch the house Made with us? Because instead of going

999
00:52:17,320 --> 00:52:19,560
Speaker 1: to the premiere, I'd happily wait and watch it with

1000
00:52:19,600 --> 00:52:20,040
Speaker 1: the baddies.

1001
00:52:20,680 --> 00:52:23,640
Speaker 2: Agreed, Agreed, Yeah, it could be a sense of we

1002
00:52:23,800 --> 00:52:27,080
Speaker 2: go do both to get that. Yeah, but we could

1003
00:52:27,080 --> 00:52:29,400
Speaker 2: figure something out. I think I think be fucking sick

1004
00:52:29,800 --> 00:52:33,080
Speaker 2: because worst casing work, because obviously we would love to

1005
00:52:33,080 --> 00:52:35,040
Speaker 2: do it in a sense of like live reactions to it,

1006
00:52:35,080 --> 00:52:36,520
Speaker 2: but there's a lot of licensing issues.

1007
00:52:36,760 --> 00:52:38,279
Speaker 1: Yeah, if you were just way sick of to just

1008
00:52:38,320 --> 00:52:42,000
Speaker 1: watch it with fifty batties, yeah, yeah, and talk about

1009
00:52:42,040 --> 00:52:44,640
Speaker 1: it after and ship Yeah, fu we can somehow people

1010
00:52:44,680 --> 00:52:47,160
Speaker 1: in a movie theater. You can fit hundreds, hundreds, it

1011
00:52:47,160 --> 00:52:48,960
Speaker 1: depends which one you go away. Yeah, I'd like to

1012
00:52:49,040 --> 00:52:50,080
Speaker 1: keep it small because you.

1013
00:52:50,000 --> 00:52:51,719
Speaker 2: Could also do an intimate one in a sense of

1014
00:52:52,320 --> 00:52:54,080
Speaker 2: I'm sure there's theaters like that, but near where we

1015
00:52:54,120 --> 00:52:55,520
Speaker 2: live there's like a little intimate one and they get

1016
00:52:55,520 --> 00:52:57,160
Speaker 2: showing the shit and you can hide that out easily

1017
00:52:57,360 --> 00:52:57,799
Speaker 2: hundred percent.

1018
00:52:57,880 --> 00:52:59,320
Speaker 1: Yeah, yeah, we can find it because I'm.

1019
00:52:59,160 --> 00:53:00,719
Speaker 2: Wonder if you could just get the licensing to it

1020
00:53:00,800 --> 00:53:02,160
Speaker 2: about Oh, we want to go this year. It's got

1021
00:53:02,200 --> 00:53:03,080
Speaker 2: fifty people, can we have it?

1022
00:53:03,800 --> 00:53:07,560
Speaker 1: Ah? Yeah, about it anyway, We'll figure out logistics, we'll

1023
00:53:07,560 --> 00:53:10,279
Speaker 1: talk about management, but just comment if you would love

1024
00:53:10,320 --> 00:53:11,160
Speaker 1: to come watch.

1025
00:53:11,040 --> 00:53:12,920
Speaker 2: It with us. Yeah, yeah, let's get a little bit

1026
00:53:12,920 --> 00:53:18,320
Speaker 2: of a gauge to see anyway. But Jake, the question

1027
00:53:19,160 --> 00:53:24,200
Speaker 2: that everyone is here for, yes, is what series slash

1028
00:53:24,320 --> 00:53:27,960
Speaker 2: book are we reading next?

1029
00:53:29,840 --> 00:53:32,120
Speaker 1: Do you want to do the honors or do you want.

1030
00:53:32,320 --> 00:53:34,000
Speaker 2: I think you should do it?

1031
00:53:34,200 --> 00:53:41,000
Speaker 1: Count me down, three, two, one, Fourth Wing. Let's go.

1032
00:53:43,239 --> 00:53:46,160
Speaker 2: Four Wing, and I know we get that many d

1033
00:53:46,360 --> 00:53:49,760
Speaker 2: ms on the daily saying read fourth Wing, Read Fourth Wing.

1034
00:53:49,680 --> 00:53:51,880
Speaker 1: And I think it's going to be Jake Bredt.

1035
00:53:51,800 --> 00:53:53,640
Speaker 2: Brought up a good point before when we were talking,

1036
00:53:53,719 --> 00:53:59,080
Speaker 2: like some people are very Rebecca Garis or j Mass

1037
00:53:59,360 --> 00:54:02,319
Speaker 2: and because we are such nubes, we want to give

1038
00:54:02,320 --> 00:54:04,439
Speaker 2: both of them a proper chance. We know Fourth Wing

1039
00:54:04,480 --> 00:54:07,640
Speaker 2: isn't finished, but also Akata will have finished, and let's

1040
00:54:07,640 --> 00:54:08,400
Speaker 2: just see what happens.

1041
00:54:08,480 --> 00:54:09,480
Speaker 1: Yeah, I'm excited.

1042
00:54:09,520 --> 00:54:11,759
Speaker 2: Should we give the reasoning? Also, it's because you guys

1043
00:54:11,840 --> 00:54:14,560
Speaker 2: voted obviously, Oh everyone voted. Any reasonings behind we didn't

1044
00:54:14,600 --> 00:54:16,520
Speaker 2: go with Crescent City or Throne of Glass.

1045
00:54:16,680 --> 00:54:18,920
Speaker 1: Well, we would have gone Crescent City if it one. Yeah,

1046
00:54:18,960 --> 00:54:23,319
Speaker 1: but we we want some smut, yeah all right, and

1047
00:54:23,360 --> 00:54:25,880
Speaker 1: nothing against Throne of Glass, but we will read it

1048
00:54:25,920 --> 00:54:27,640
Speaker 1: one day. We're just like, we have a hankering for

1049
00:54:27,680 --> 00:54:30,239
Speaker 1: some smut now after not having schmut for this short book.

1050
00:54:31,000 --> 00:54:34,080
Speaker 2: Yeah, and also fourth thing to how many books in

1051
00:54:34,120 --> 00:54:37,319
Speaker 2: fourthing three free is a lot better than like fucking eight.

1052
00:54:37,600 --> 00:54:40,520
Speaker 1: Apparently there's supposed to be five and there's so there's

1053
00:54:40,520 --> 00:54:42,080
Speaker 1: two more coming out, but she's just like, hasn't even

1054
00:54:42,120 --> 00:54:42,560
Speaker 1: written them.

1055
00:54:42,640 --> 00:54:45,319
Speaker 2: Yeah, I'm really good because we've never had anything to

1056
00:54:45,360 --> 00:54:47,320
Speaker 2: compare it to where we have Akatan.

1057
00:54:47,360 --> 00:54:50,160
Speaker 1: It's going to take a lot to beat that for me. Yeah,

1058
00:54:50,560 --> 00:54:52,560
Speaker 1: for me. In terms of comparing the series, it's gonna

1059
00:54:52,960 --> 00:54:53,560
Speaker 1: I don't read.

1060
00:54:53,600 --> 00:54:56,080
Speaker 2: I like that comparison because there's a different author similar

1061
00:54:56,160 --> 00:54:58,719
Speaker 2: is she vibe Yeap, But we have a comparison, so

1062
00:54:58,840 --> 00:55:01,040
Speaker 2: the sort of synopsis will be a lot better.

1063
00:55:01,440 --> 00:55:05,600
Speaker 1: And the question is who is the main shadow Daddy?

1064
00:55:05,920 --> 00:55:07,239
Speaker 1: What's this guy's name? I don't even know?

1065
00:55:08,000 --> 00:55:10,440
Speaker 2: Zayden Zayden okay okay.

1066
00:55:10,320 --> 00:55:12,160
Speaker 1: Spelt really cool as well spelt x A.

1067
00:55:12,360 --> 00:55:16,080
Speaker 2: But also we like Cassian, not Recan. So yeah, we

1068
00:55:16,160 --> 00:55:19,120
Speaker 2: like and everyone was like shadow Daddy, but also we

1069
00:55:19,200 --> 00:55:19,720
Speaker 2: just like Cassian.

1070
00:55:20,080 --> 00:55:21,520
Speaker 1: Also Asrael's sexy.

1071
00:55:21,560 --> 00:55:24,759
Speaker 2: Asrael's a shadow Daddy. Anyway, Apparently Book of Asrael is

1072
00:55:24,760 --> 00:55:25,960
Speaker 2: meant to be really good. It has nothing to do

1073
00:55:25,960 --> 00:55:29,440
Speaker 2: with Akatar, but has raving reviews. Throwing it out there

1074
00:55:29,480 --> 00:55:30,000
Speaker 2: for the future.

1075
00:55:30,320 --> 00:55:32,560
Speaker 1: All Right, you had it here first. Next week we'll

1076
00:55:32,600 --> 00:55:35,480
Speaker 1: be ten chapters deep into fourth Wing. Ten chapters. Here's

1077
00:55:35,520 --> 00:55:38,520
Speaker 1: another question is how many chapters do you Yeah?

1078
00:55:38,600 --> 00:55:40,880
Speaker 2: Also comments, a lot of comments is do you like

1079
00:55:41,160 --> 00:55:44,560
Speaker 2: Jag doing a big synopsis or we could do more chapters,

1080
00:55:44,840 --> 00:55:46,319
Speaker 2: less detailed because you're reading along, you.

1081
00:55:46,360 --> 00:55:47,160
Speaker 1: Know what fucking happened.

1082
00:55:47,360 --> 00:55:49,080
Speaker 2: Yeah, it's like there's a different way to do it

1083
00:55:49,120 --> 00:55:51,279
Speaker 2: and we want to do the best by you. We

1084
00:55:51,280 --> 00:55:53,600
Speaker 2: could do way more thoughts and feelings and then also

1085
00:55:53,680 --> 00:55:57,240
Speaker 2: little games to do with the shadow daddies with a lot.

1086
00:55:57,120 --> 00:55:59,279
Speaker 1: To compare to. Yeah, we'll get creative. Let us know

1087
00:55:59,280 --> 00:56:02,000
Speaker 1: what you like. Stay bad. We love you.