WEBVTT - Missy Higgins Reveals the True Meaning Behind Her Song ‘Scar’

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<v Speaker 1>Get the way morning every day.

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<v Speaker 2>Our next guest started playing the piano age just six,

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<v Speaker 2>and her first folk rock band was called The Waifs.

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<v Speaker 2>Young girls everywhere discovered themselves to the tune of Scar

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<v Speaker 2>and Where I Stood, and she inspired a million copycat

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<v Speaker 2>pixie cuts. She's about to be inducted into the twenty

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<v Speaker 2>twenty four ARIA Hall of Fame. Please welcome to Joni

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<v Speaker 2>and Hazy Melissa Morrison Higgins.

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<v Speaker 3>Mister Higgins, welcome to the show.

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<v Speaker 4>Thank you, thanks for having me.

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<v Speaker 2>The big news for you is the Aria Hall of

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<v Speaker 2>Fame in twenty twenty four. How incredible. What does that

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<v Speaker 2>mean to you?

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<v Speaker 4>Yeah, it is incredible. I'm a bit in shock, to

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<v Speaker 4>be honest.

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<v Speaker 5>Yeah, I just I'm just honored, just so incredibly honored that,

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<v Speaker 5>you know, my body of work has been recognized in

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<v Speaker 5>this way, and I'm honored that my criteria meets that

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<v Speaker 5>of somebody that's worthy of being inducted into the Hall

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<v Speaker 5>of Fame. I mean, I'm an incredible company when I

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<v Speaker 5>see all the other people who've been inducted over the years.

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<v Speaker 6>He's a fun fact for you. Might not know you

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<v Speaker 6>were the first artist played on Nov. Nine or nine

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<v Speaker 6>when we launched twenty years ago. Have listened this is

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<v Speaker 6>you playing SCA live in our studios?

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<v Speaker 7>And doesn't that sound familarion? Doesn't that need to close time?

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<v Speaker 4>Doesn't that make a shiver the way things caught a gone?

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<v Speaker 5>Doesn't I feel peculiar?

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<v Speaker 8>Everyone wants to lead more so that I too, when

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<v Speaker 8>them to never go that?

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<v Speaker 9>Fine?

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<v Speaker 5>Could you leave me with the scar?

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<v Speaker 2>Do you remember that?

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<v Speaker 4>That's pretty cool? So the very first person you played

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<v Speaker 4>on the radio station, that's amazing.

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<v Speaker 2>I'm believing.

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<v Speaker 4>Oh, that's so cool.

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<v Speaker 2>Yeah, I didn't know that. Speaking of that song, I've

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<v Speaker 2>read like a lot of stuff on the internet about

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<v Speaker 2>people trying to get to the bottom of what that

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<v Speaker 2>song is about, Like people are almost obsessed. Is there

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<v Speaker 2>a simple explanation for it? And people just overthinking it? Oh?

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<v Speaker 4>I wrote it out to co writers that I worked

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<v Speaker 4>with in America because with my first album, the record

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<v Speaker 4>American record company wanted to set me up with a

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<v Speaker 4>heap of songwriters. Yeah, and I'd never done that before.

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<v Speaker 4>So I went over there and it was a really

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<v Speaker 4>crappy experience because with the guy, you know, he was

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<v Speaker 4>really trying to turn me into this teen pop idol

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<v Speaker 4>kind of singer, and I wasn't you know, he was

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<v Speaker 4>trying to change my songs. He was trying to change

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<v Speaker 4>my lyrics. And then the women did the same thing.

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<v Speaker 4>She kind of it was just a bit. It was

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<v Speaker 4>just a bit yucky working with them, and I didn't

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<v Speaker 4>feel like it was we were making true art, and

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<v Speaker 4>it felt like we were just trying to make stuff

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<v Speaker 4>to sell rather than good, good quality music. And I

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<v Speaker 4>wanted to write that song to kind of remember, try

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<v Speaker 4>and remind myself in the future to trust myself and

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<v Speaker 4>sort of trust to trust my own abilities.

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<v Speaker 2>I was saying to you, of father. I listened to

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<v Speaker 2>your podcast and on The Imperfects, which is a brilliant podcast,

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<v Speaker 2>and you spoke a little bit about your time in

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<v Speaker 2>the US and periods I guess a little bouts of

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<v Speaker 2>depression that you've had and some anxiety. And where are

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<v Speaker 2>you at now in your career. Are you in a

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<v Speaker 2>content place?

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<v Speaker 1>Yeah, yeah, I am.

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<v Speaker 4>I think I went through a real phase in my

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<v Speaker 4>twenties where I was a bit disillusioned with the whole industry.

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<v Speaker 4>And I think it was in particular because i'd just

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<v Speaker 4>i'd gone over to America and I was signed to

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<v Speaker 4>this major label, and they were just they were working

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<v Speaker 4>me to the bone, and they were so obsessed with

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<v Speaker 4>selling unit getting me on the chart, which is fine

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<v Speaker 4>in and of itself, but there was so much focus

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<v Speaker 4>on that there wasn't any They didn't look out for

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<v Speaker 4>my well being, and they didn't really listen to me

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<v Speaker 4>when I was saying that I was getting burnt out

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<v Speaker 4>and needed a break, and I don't know, it was just,

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<v Speaker 4>it was just I'd become a bit of a cog

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<v Speaker 4>in the machine, and so I took a massive break

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<v Speaker 4>from music and it took me a long time to

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<v Speaker 4>come back. But when I came back, I came back

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<v Speaker 4>on my own terms, and I came back with a

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<v Speaker 4>very strong and clear idea of what my priorities were.

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<v Speaker 4>And my priority was number one, to make sure that

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<v Speaker 4>I was only doing music for the right reason.

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<v Speaker 2>Don't you feel like that's the absolute beauty of growing

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<v Speaker 2>older as a woman, because you come into your own

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<v Speaker 2>and you start to realize you're worth in whatever industry

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<v Speaker 2>you're in, and you start to develop your own boundaries

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<v Speaker 2>and you start to discover your authentic self. I know

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<v Speaker 2>this is getting quite deep, but that's my favorite part

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<v Speaker 2>about growing older. I don't know if you feel the same.

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<v Speaker 4>Yeah, I think so. Yeah, like having more confidence to

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<v Speaker 4>speak up and more of a kind of secure knowledge

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<v Speaker 4>that it's okay to say that you're not happy with something,

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<v Speaker 4>or that it's okay to say no, it's okay to

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<v Speaker 4>disappoint people. Yeah, and also that you're never going to

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<v Speaker 4>be liked by everyone, and that's okay.

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<v Speaker 2>I think you've done a pretty good job of being

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<v Speaker 2>universally liked for both who you are and for your music.

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<v Speaker 2>You are coming to South Australia for a day on

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<v Speaker 2>the Green. It's at Peter Lemon Winesbarossa Valley on Saturday,

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<v Speaker 2>December seven. It's called the Second Act to It celebrates

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<v Speaker 2>the twentieth anniversary of your debut album, The Sound of

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<v Speaker 2>Why Me See Here. Bigan's an absolute joy and a

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<v Speaker 2>pleasure to speak to you. Thank you so much for

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<v Speaker 2>continuing to bring us beautiful music.

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<v Speaker 4>No worries, thank you, thanks for having me showed. So.

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<v Speaker 6>I'm not sure about you, but growing up as a

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<v Speaker 6>youngster sometimes we were edumicated by films and some of

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<v Speaker 6>the things that we saw on films, and I'm talking

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<v Speaker 6>about sex.

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<v Speaker 2>Yeah, sort of having a chat with the parents. That's

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<v Speaker 2>where you turned to the television.

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<v Speaker 3>But they didn't want to do that. They did not

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<v Speaker 3>want to do that.

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<v Speaker 7>I don't want to have that awkward conversation.

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<v Speaker 2>Do you want to do that?

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<v Speaker 3>I don't want to do that right now.

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<v Speaker 6>I still don't know exactly what's going on.

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<v Speaker 2>You've had three kids, you know what you're doing.

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<v Speaker 3>I have about this for A study revealed that viewers

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<v Speaker 3>age ten to twenty four, that's gen Z, prefer less

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<v Speaker 3>sex on screen, oh, with fifty one percent more, with

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<v Speaker 3>fifty one percent wanting more content about platonic relationships and friendships. Additionally,

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<v Speaker 3>forty seven and a half percent believe sex is unnecessary

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<v Speaker 3>in most TV shows and movies. Now, Zoe is gen Z?

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<v Speaker 3>Just what's what's going on? Actually?

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<v Speaker 1>Quite why?

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<v Speaker 7>Less sex?

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<v Speaker 8>But now that you say that, I actually agree with that.

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<v Speaker 2>Well, who are these young people that don't want to

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<v Speaker 2>watch people getting it on on the screen?

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<v Speaker 7>I don't know.

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<v Speaker 8>I just can't you tell about a story without just

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<v Speaker 8>getting your gear off?

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<v Speaker 2>No?

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<v Speaker 6>No, because everything in every situation, eventually, particularly from a

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<v Speaker 6>mind's man a man's mindset, is leading to that moment.

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<v Speaker 3>Particularly, Yeah, that's why we do everything.

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<v Speaker 2>That's what's what is that? What it's all about all

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<v Speaker 2>of the time?

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<v Speaker 6>Because I did see a famous commedity and said, let's

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<v Speaker 6>be realistically, for a man, if it wasn't for trying

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<v Speaker 6>to get to that goal, we'd live in a cardboard

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<v Speaker 6>box box.

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<v Speaker 2>When I care, Oh, do you want to say on

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<v Speaker 2>that again?

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<v Speaker 7>Because fuck me dead, I can't.

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<v Speaker 2>Thought we should don't start again, seriously, no, no, not

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<v Speaker 2>starting against.

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<v Speaker 6>I saw a famous comedy once and he said that

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<v Speaker 6>if it wasn't for that the end result, we'd be

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<v Speaker 6>more than content just to live in a cardboard box.

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<v Speaker 2>That's just to be sad.

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<v Speaker 7>Probably that makes sense.

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<v Speaker 3>So if you really analyze us, though, wasn't it.

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<v Speaker 2>What was that really weird series that was on that

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<v Speaker 2>that we were made to watch here at Nova? Can

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<v Speaker 2>you remember? And that I wish there was les less

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<v Speaker 2>of that.

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<v Speaker 8>Or that, Oh my gosh, when we made you watch

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<v Speaker 8>Saltburn Ye.

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<v Speaker 3>Oh my gosh, that's not what I'm talking about. I'm

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<v Speaker 3>talking about.

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<v Speaker 6>Let's go back to nineteen ninety nine and American Pie,

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<v Speaker 6>one of the great movies right in the prime of

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<v Speaker 6>my adolescence, and Jim and Nadia got down and dirty

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<v Speaker 6>and let's just call Nadia a bit of a goddesses,

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<v Speaker 6>and Jim and up and coming young Andrew who he's

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<v Speaker 6>in the prime of his adolescence, who doesn't know what

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<v Speaker 6>he's doing. He's Andrew hasty Jim.

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<v Speaker 10>Oh no, oh no, I'm.

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<v Speaker 6>Not done, Nutty, I have.

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<v Speaker 10>I've got reserves, Nudy, I'm begging you again, not again.

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<v Speaker 2>Man, you're looking blankly.

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<v Speaker 8>You've seen America doesn't.

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<v Speaker 3>Tell you a few life lessons, and I don't know

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<v Speaker 3>what does.

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<v Speaker 2>Yeah, I mean, look, we could probably do with less

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<v Speaker 2>of Jim. Jim's performance was very underwhelming.

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<v Speaker 3>Even more of Jim inspire you.

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<v Speaker 6>What I will say is not much has changed since

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<v Speaker 6>that day. But ladies and gentlemen, three kids.

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<v Speaker 2>I mean that we can see quickly the kids.

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<v Speaker 6>Nonetheless, the extended version was I've got extra, extra, extra.

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<v Speaker 5>Looseless.

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<v Speaker 6>And Joe's as aggressive as this gets. Sometimes it is

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<v Speaker 6>actually helping exercise.

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<v Speaker 2>Has it helped me with my everyday listening? So far?

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<v Speaker 7>Yes? I think it has.

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<v Speaker 6>Okay, put your hand on if you've noticed a significant

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<v Speaker 6>improvement in Jody's listening skills me.

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<v Speaker 7>You put your.

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<v Speaker 2>Because I was listening.

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<v Speaker 7>Oh my gosh.

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<v Speaker 6>All right, So what happens is we're gonna put some

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<v Speaker 6>noise canceling headphones on.

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<v Speaker 2>Joe's yep.

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<v Speaker 6>I'm going to give a few sentences, and she has

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<v Speaker 6>to read my lips, like literally read my lips.

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<v Speaker 2>Yep.

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<v Speaker 6>Okay, Joe's you can do this, okay, So first step

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<v Speaker 6>and first sentence. Up goes the elevated music into Jody's headphone.

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<v Speaker 6>She can't hear it. Confirmation jos has done her little

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<v Speaker 6>thing where she enters a different stratosphere. Here we go,

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<v Speaker 6>first sentence. The duck flies at midnight.

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<v Speaker 2>The fox died in a fight.

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<v Speaker 7>Oh that's kind of close. You're ready. We'll go again.

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<v Speaker 7>The duck flies at midnight.

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<v Speaker 2>The hat is wired at midnight.

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<v Speaker 7>One more quick one. The duck flies at midnight.

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<v Speaker 2>The dot flies at midnight.

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<v Speaker 6>You go, all right, noise canceling headphones off. You can

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<v Speaker 6>hear us now, congratulations, you got.

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<v Speaker 7>All right.

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<v Speaker 6>Here we go, noise canceling headphones back on. Do you

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<v Speaker 6>want to build a snowman?

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<v Speaker 2>Did you take your pill this morning?

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<v Speaker 8>Andrew?

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<v Speaker 2>We don't need any more little hazies.

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<v Speaker 3>Stop veering off course.

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<v Speaker 6>Listen to me, all right, I was canceling headphones still on?

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<v Speaker 6>Do you want to build a snowman?

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<v Speaker 2>Do you want to drink milk in or chopper? Oh?

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<v Speaker 7>Thank you very much? Last time? Do you want to

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<v Speaker 7>build a snowman?

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<v Speaker 2>Oh? Sat again again? Set again?

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<v Speaker 7>Do you want to build a snowman?

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<v Speaker 2>Something about? Do you want to top up?

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<v Speaker 7>Cancer? Phones off? Do you want to build a snowman?

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<v Speaker 7>I did take my feel alright? Last one? Noise cancing

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<v Speaker 7>headphones on?

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<v Speaker 2>Yep.

0:11:16.440 --> 0:11:18.040
<v Speaker 7>I have a fear of buttons.

0:11:20.320 --> 0:11:21.360
<v Speaker 2>You have bestatus.

0:11:26.760 --> 0:11:28.719
<v Speaker 7>I have a fear of buttons.

0:11:29.400 --> 0:11:33.760
<v Speaker 2>You have a fear of buttons.

0:11:40.080 --> 0:11:40.559
<v Speaker 5>From three?

0:11:40.760 --> 0:11:44.400
<v Speaker 6>God, you know what she's getting ever so close to graduating.

0:11:45.480 --> 0:11:48.840
<v Speaker 2>Sometimes I like to peruse Instagram and it can be productive.

0:11:48.920 --> 0:11:51.000
<v Speaker 2>I e. You can come across the list of the

0:11:51.040 --> 0:11:53.640
<v Speaker 2>top nick names for people at work. Yes, you're welcome,

0:11:53.720 --> 0:11:54.160
<v Speaker 2>Here we go.

0:11:56.080 --> 0:11:57.520
<v Speaker 7>I'm sure this will be constructive.

0:11:58.559 --> 0:12:00.760
<v Speaker 2>All right, you ready for these? I'm sure you might

0:12:00.800 --> 0:12:03.800
<v Speaker 2>register in one of them. Okay. Some of the top

0:12:03.880 --> 0:12:06.640
<v Speaker 2>nicknames for the people that you encounter each and every

0:12:06.679 --> 0:12:09.400
<v Speaker 2>day in your workplace. Sense a light? They only work

0:12:09.400 --> 0:12:10.320
<v Speaker 2>if someone walks past.

0:12:13.880 --> 0:12:14.600
<v Speaker 7>Everyone knows.

0:12:15.880 --> 0:12:18.760
<v Speaker 2>Do you know a MasterCard takes credit for other people's work?

0:12:18.840 --> 0:12:21.079
<v Speaker 7>Yes? Yes, absolutely, And a lot of people in this

0:12:21.200 --> 0:12:22.000
<v Speaker 7>team that do that.

0:12:24.160 --> 0:12:28.200
<v Speaker 2>Of them? What about a Shania doesn't impress you much?

0:12:30.600 --> 0:12:33.360
<v Speaker 2>Is a good one? Jetster usually later or doesn't show

0:12:33.440 --> 0:12:33.800
<v Speaker 2>up at all?

0:12:34.080 --> 0:12:34.440
<v Speaker 7>Very good?

0:12:35.960 --> 0:12:39.200
<v Speaker 2>What are Oh? We all know Google's thinks they know everything.

0:12:39.480 --> 0:12:40.679
<v Speaker 2>Oh my god, there's one of.

0:12:40.600 --> 0:12:43.880
<v Speaker 7>Those, My god, just one in every single workplace.

0:12:44.280 --> 0:12:51.160
<v Speaker 2>Kim Jong only got the job because the dad and

0:12:51.200 --> 0:12:53.440
<v Speaker 2>who doesn't know a boomgate. You can't get past them

0:12:53.480 --> 0:12:54.160
<v Speaker 2>without a chat.

0:12:55.720 --> 0:12:57.679
<v Speaker 6>In the same chat, your brain goes in the space

0:12:57.679 --> 0:12:59.120
<v Speaker 6>where it's the same stuff every time.

0:12:59.520 --> 0:13:02.240
<v Speaker 2>Do you know what floats around and does air fall?

0:13:02.720 --> 0:13:02.960
<v Speaker 7>Yes?

0:13:04.160 --> 0:13:05.760
<v Speaker 6>I thought the extension of that as well, but also

0:13:05.800 --> 0:13:08.200
<v Speaker 6>smells like pook.

0:13:09.960 --> 0:13:11.920
<v Speaker 2>Everyone knows a paper straw as well. They work for

0:13:11.920 --> 0:13:13.120
<v Speaker 2>two minutes and then break down.

0:13:16.200 --> 0:13:18.480
<v Speaker 7>For you, it's emotional thing. Oh, here we go for you.

0:13:18.520 --> 0:13:21.880
<v Speaker 2>I've come up with a I've come up with an

0:13:22.559 --> 0:13:25.400
<v Speaker 2>endearing term for my work colleague. I'm going to call

0:13:25.440 --> 0:13:28.520
<v Speaker 2>you squirrel because you've always got your hand.

0:13:28.320 --> 0:13:36.400
<v Speaker 3>On some nuts.

0:13:40.640 --> 0:13:42.960
<v Speaker 6>You actually, it's some that you know about some that

0:13:43.000 --> 0:13:44.920
<v Speaker 6>you don't. We do call you, you know that. We

0:13:44.960 --> 0:13:48.719
<v Speaker 6>call you the chameleon because the eyes dart off in

0:13:48.760 --> 0:13:53.199
<v Speaker 6>different directions. Also, we call you et because you always

0:13:53.200 --> 0:14:00.440
<v Speaker 6>want to go hunt and finally something we call you

0:14:00.760 --> 0:14:02.679
<v Speaker 6>behind your back, and I'm ready to bring it to

0:14:02.760 --> 0:14:04.880
<v Speaker 6>light now, is it? Sometimes we call you four skid

0:14:05.120 --> 0:14:10.760
<v Speaker 6>because you disappear when things get hard.

0:14:12.320 --> 0:14:16.000
<v Speaker 2>I am so curious about something this week, and so

0:14:16.160 --> 0:14:18.960
<v Speaker 2>is producer Zoe. By the way, us girls as a

0:14:19.160 --> 0:14:22.680
<v Speaker 2>whole species as curious about this. I was listening to

0:14:22.720 --> 0:14:24.520
<v Speaker 2>a podcast that I'm a massive fan of called The

0:14:24.520 --> 0:14:27.680
<v Speaker 2>imperfect I would encourage everyone to have a listen to

0:14:27.680 --> 0:14:31.400
<v Speaker 2>it because it makes us better as human beings. Anyway,

0:14:31.920 --> 0:14:33.600
<v Speaker 2>you know The Inspired Unemployed.

0:14:33.960 --> 0:14:37.240
<v Speaker 6>Yes, these two blokes in particular, yeah, Jack and Falcon.

0:14:37.640 --> 0:14:39.920
<v Speaker 6>They might be the most popular blokes in this country

0:14:39.960 --> 0:14:40.360
<v Speaker 6>at the moment.

0:14:41.080 --> 0:14:44.400
<v Speaker 2>Bunch of trades basically who started putting together all these skits.

0:14:44.440 --> 0:14:47.280
<v Speaker 2>They went nuts on Instagram and on TikTok and everything.

0:14:48.480 --> 0:14:50.240
<v Speaker 2>He was on The Imperfects and he was talking about

0:14:50.240 --> 0:14:53.520
<v Speaker 2>his anxiety and he's partying too hard and a whole

0:14:53.560 --> 0:14:55.720
<v Speaker 2>host of things. But one thing that piqued my interest

0:14:55.760 --> 0:14:59.240
<v Speaker 2>at the end of it was he was talking about

0:14:59.280 --> 0:15:02.360
<v Speaker 2>saying I love you to his best mate Falcon. And

0:15:02.400 --> 0:15:06.880
<v Speaker 2>there was this whole discussion around blokes not saying I

0:15:06.920 --> 0:15:08.720
<v Speaker 2>love you to their friends have a listen.

0:15:09.360 --> 0:15:11.240
<v Speaker 9>Because you can say I love you, love your brother

0:15:11.360 --> 0:15:13.320
<v Speaker 9>and see you're on your way. That's not really it's

0:15:13.360 --> 0:15:15.080
<v Speaker 9>not the real thing. That's not the real thing, you know,

0:15:15.160 --> 0:15:17.240
<v Speaker 9>and it is. How hard is it just to tell?

0:15:17.400 --> 0:15:19.680
<v Speaker 9>I mean, if I had a near car crash when

0:15:19.680 --> 0:15:23.240
<v Speaker 9>I left this podcast room, I would tell Falcon dude,

0:15:23.240 --> 0:15:25.400
<v Speaker 9>I'm so lucky to have you, like, thank you so much.

0:15:25.440 --> 0:15:27.520
<v Speaker 9>How easy is that to say that? I just wouldn't

0:15:27.560 --> 0:15:29.320
<v Speaker 9>do it. Most people just avoid that.

0:15:30.120 --> 0:15:34.160
<v Speaker 6>This is a space where men and women are wide

0:15:34.520 --> 0:15:35.440
<v Speaker 6>so different.

0:15:35.440 --> 0:15:38.520
<v Speaker 2>Yeah, so differently, so I guess Zoe, from our point

0:15:38.520 --> 0:15:41.120
<v Speaker 2>of view, we will absolutely like I tell them pretty

0:15:41.200 --> 0:15:43.480
<v Speaker 2>much every time I hang up the phone to my

0:15:43.560 --> 0:15:46.560
<v Speaker 2>close friends, say I love you boo or you know whatever.

0:15:46.680 --> 0:15:49.440
<v Speaker 2>It might be. Might sound throw away, but it's not, yeah,

0:15:49.520 --> 0:15:52.280
<v Speaker 2>because the intention I think for women is to tell

0:15:52.320 --> 0:15:54.120
<v Speaker 2>other women you mean the world to me, and I

0:15:54.160 --> 0:15:55.280
<v Speaker 2>do love you absolutely.

0:15:55.360 --> 0:15:55.560
<v Speaker 7>Yeah.

0:15:55.560 --> 0:15:57.120
<v Speaker 8>My best friend lives into state and we don't have

0:15:57.160 --> 0:15:58.720
<v Speaker 8>a phone call without saying I love you at the end.

0:15:58.840 --> 0:15:59.120
<v Speaker 2>Yeah.

0:15:59.360 --> 0:16:00.840
<v Speaker 8>I did the same with my mum, which I'm sure

0:16:00.880 --> 0:16:02.880
<v Speaker 8>is more common in your family. But yeah, I'll tell

0:16:02.920 --> 0:16:06.120
<v Speaker 8>my girlfriends all the time. And my best house mate ed, Yeah,

0:16:06.160 --> 0:16:08.200
<v Speaker 8>I'll tell him that I love him all the time. Yeah, yeah,

0:16:08.200 --> 0:16:08.920
<v Speaker 8>I think it's important.

0:16:09.240 --> 0:16:11.600
<v Speaker 2>Okay, here we go and we do this in check

0:16:11.640 --> 0:16:19.160
<v Speaker 2>chat Andrew the spotlight on. You're always there here if

0:16:19.160 --> 0:16:19.960
<v Speaker 2>you need to hear, if.

0:16:19.840 --> 0:16:22.960
<v Speaker 3>You need well, I'm always on the bench.

0:16:22.760 --> 0:16:25.600
<v Speaker 2>Though in this space we need you. Do you say

0:16:26.120 --> 0:16:28.680
<v Speaker 2>I love you to your closest guy friends?

0:16:29.120 --> 0:16:31.200
<v Speaker 7>I probably no, I don't know. I don't really and

0:16:31.200 --> 0:16:31.600
<v Speaker 7>do you know what?

0:16:31.680 --> 0:16:33.840
<v Speaker 6>And sometimes and I will if someone says it to me,

0:16:34.000 --> 0:16:36.440
<v Speaker 6>But I just I think, is it part of it?

0:16:36.480 --> 0:16:37.280
<v Speaker 7>A fear of rejection?

0:16:37.920 --> 0:16:38.200
<v Speaker 2>Is it?

0:16:38.360 --> 0:16:39.160
<v Speaker 7>Like I don't know.

0:16:40.960 --> 0:16:42.520
<v Speaker 2>You're telling this story, is it?

0:16:42.920 --> 0:16:45.720
<v Speaker 6>I think it probably is because we're very proud people

0:16:45.840 --> 0:16:48.680
<v Speaker 6>are men and I sort of and I we'll name

0:16:48.760 --> 0:16:51.560
<v Speaker 6>him right now, bloke called Robie Cornswait. He works at

0:16:51.600 --> 0:16:53.880
<v Speaker 6>seven US Soccer Fans, a home played for Adelaid United

0:16:53.880 --> 0:16:54.640
<v Speaker 6>than Soccer Roos.

0:16:54.800 --> 0:16:56.960
<v Speaker 7>He will quite often say I love you or even

0:16:57.040 --> 0:16:59.600
<v Speaker 7>love you, bro yeah, and then straight away you go,

0:16:59.760 --> 0:17:03.000
<v Speaker 7>that's really nice. It's really nice, and it's a really

0:17:03.080 --> 0:17:05.520
<v Speaker 7>nice thing. But I wouldn't say that to my friends.

0:17:05.560 --> 0:17:07.399
<v Speaker 7>I would volunteer that I wouldn't say it.

0:17:07.640 --> 0:17:10.520
<v Speaker 2>So when he says love you, bro, what do you say?

0:17:10.680 --> 0:17:16.560
<v Speaker 8>It's like, right, absolutely, has it inspired you to ever

0:17:16.560 --> 0:17:17.000
<v Speaker 8>say to him?

0:17:17.040 --> 0:17:17.240
<v Speaker 3>First?

0:17:17.760 --> 0:17:19.160
<v Speaker 7>Do you know what? It probably has?

0:17:19.240 --> 0:17:21.959
<v Speaker 6>Because that's that's a man who's in touch with his

0:17:21.960 --> 0:17:22.720
<v Speaker 6>inner emotions.

0:17:22.920 --> 0:17:23.800
<v Speaker 7>I just got it worked out.

0:17:23.840 --> 0:17:25.680
<v Speaker 2>Shows emotional maturity one hundred percent.

0:17:25.760 --> 0:17:28.280
<v Speaker 6>And that's even I can recognize that that's a man

0:17:28.359 --> 0:17:31.440
<v Speaker 6>who is emotionally immature. But now I'm making a big

0:17:31.480 --> 0:17:34.879
<v Speaker 6>effort with my son, and he's six years old, to really,

0:17:35.080 --> 0:17:37.680
<v Speaker 6>as often as possible, every single night, say I love you, mate,

0:17:37.720 --> 0:17:39.760
<v Speaker 6>I really love you. And because my dad did it

0:17:39.800 --> 0:17:41.760
<v Speaker 6>to me and I didn't realize how much of a

0:17:41.840 --> 0:17:44.240
<v Speaker 6>good effect it would have, and because it was something

0:17:44.240 --> 0:17:46.280
<v Speaker 6>that I was completely used to in my life, you

0:17:46.320 --> 0:17:49.560
<v Speaker 6>don't understand until you hear other stories or other situations,

0:17:49.600 --> 0:17:53.000
<v Speaker 6>just how rare it is for men, even if it's

0:17:53.000 --> 0:17:55.000
<v Speaker 6>a father saying to a son, how rare it.

0:17:54.920 --> 0:17:57.560
<v Speaker 7>Is to say to sit down and genuinely say I

0:17:57.600 --> 0:17:57.960
<v Speaker 7>love you.

0:17:59.200 --> 0:18:00.679
<v Speaker 2>I'm going to put it a high pathetical to you

0:18:00.720 --> 0:18:02.679
<v Speaker 2>in just a moment. But thirteen twenty four ten, if

0:18:02.720 --> 0:18:04.680
<v Speaker 2>you'd like to get involved in the chick chat, that's

0:18:04.680 --> 0:18:07.400
<v Speaker 2>turned into a bloke chat Mark thirteen twenty four ten.

0:18:07.480 --> 0:18:09.760
<v Speaker 2>Do you say I Love you to your male friends?

0:18:09.800 --> 0:18:12.040
<v Speaker 2>Are they blokes out there that are happily going every

0:18:12.080 --> 0:18:13.880
<v Speaker 2>single time you see each other? I love you. I'd

0:18:13.880 --> 0:18:17.000
<v Speaker 2>love to hear from you. Okay, you're standing in front

0:18:17.000 --> 0:18:21.000
<v Speaker 2>of Jason Horn Francis.

0:18:21.640 --> 0:18:25.879
<v Speaker 7>This is where the fear rejection gone, and.

0:18:25.720 --> 0:18:30.240
<v Speaker 2>You're saying goodbye to him. Do you say, JHF, I

0:18:30.280 --> 0:18:30.719
<v Speaker 2>love you, bro?

0:18:31.119 --> 0:18:34.560
<v Speaker 6>I say JHF, I love you. Congratulations on the All

0:18:34.560 --> 0:18:37.080
<v Speaker 6>Australian selection. And you're a future port Adelaike.

0:18:37.080 --> 0:18:41.080
<v Speaker 2>Great? And then do you sprint across Alberton Oval and

0:18:41.119 --> 0:18:42.720
<v Speaker 2>try and get away because you're solf for read he

0:18:42.720 --> 0:18:43.359
<v Speaker 2>won't say that.

0:18:44.200 --> 0:18:50.359
<v Speaker 6>Say Jason give Score thirteen twenty four ten. And this

0:18:50.400 --> 0:18:52.440
<v Speaker 6>is one for the fellas. Do you say I love

0:18:52.480 --> 0:18:54.760
<v Speaker 6>you to your mates? Because this is the other thing.

0:18:54.920 --> 0:18:57.520
<v Speaker 6>I want to drill it into my son so much

0:18:57.560 --> 0:19:00.800
<v Speaker 6>so that if he ever has the saw lightest.

0:19:00.440 --> 0:19:01.879
<v Speaker 7>Problem, he can tell me.

0:19:02.720 --> 0:19:05.560
<v Speaker 6>And for blokes, we don't deliver as much as we

0:19:05.600 --> 0:19:08.760
<v Speaker 6>probably should. We bottle stuff up and we usually don't

0:19:08.800 --> 0:19:12.400
<v Speaker 6>talk until it's it's too late, and it's at such

0:19:12.440 --> 0:19:15.320
<v Speaker 6>a point where it's the last option, and that's really bad.

0:19:15.440 --> 0:19:18.080
<v Speaker 2>Absolutely, Hey, we're not putting a line through the chicks

0:19:18.119 --> 0:19:20.199
<v Speaker 2>too in this chit chat. Yeah, if you say I

0:19:20.240 --> 0:19:21.920
<v Speaker 2>love you to your girlfriends all the time, I love

0:19:21.960 --> 0:19:22.680
<v Speaker 2>to hear from you as well.

0:19:23.040 --> 0:19:29.840
<v Speaker 6>Hey, guys, I like you.

0:19:29.840 --> 0:19:32.120
<v Speaker 2>Guys are ill luck you a lot.

0:19:32.280 --> 0:19:32.880
<v Speaker 7>We're getting there.

0:19:36.480 --> 0:19:38.840
<v Speaker 2>Yeah, thirteen twenty four ten, we're doing this this morning.

0:19:39.359 --> 0:19:42.760
<v Speaker 2>Blokes apparently don't say I love you to each other

0:19:42.800 --> 0:19:45.080
<v Speaker 2>even when they're best friends. I'd love to be proven

0:19:45.119 --> 0:19:47.399
<v Speaker 2>wrong in this space on thirteen twenty fourteen. Give us

0:19:47.400 --> 0:19:49.919
<v Speaker 2>a call. But yeah, I was listening to The Inspired

0:19:50.000 --> 0:19:54.119
<v Speaker 2>Unemployed the other day and Falcon is best mates with Jack,

0:19:54.359 --> 0:19:56.800
<v Speaker 2>like there is closest to humans can be, and they

0:19:56.880 --> 0:20:00.000
<v Speaker 2>revealed that sometimes it feels a little awkward to say

0:20:00.119 --> 0:20:00.560
<v Speaker 2>I love you.

0:20:00.640 --> 0:20:02.840
<v Speaker 7>Yeah, I think boths for whatever reason. In that space.

0:20:02.960 --> 0:20:04.879
<v Speaker 6>It's just the strange thing. And you know what happens,

0:20:04.880 --> 0:20:07.879
<v Speaker 6>and it shouldn't happen. It'll come out of a few beers.

0:20:08.520 --> 0:20:10.000
<v Speaker 6>I think the big test is if you can be

0:20:10.040 --> 0:20:13.080
<v Speaker 6>in a situation and you can express how you're feeling

0:20:13.880 --> 0:20:17.000
<v Speaker 6>in a moment of randomness, is.

0:20:16.920 --> 0:20:21.639
<v Speaker 7>What we're talking about. When it comes to emotional maturing exactly.

0:20:21.720 --> 0:20:24.600
<v Speaker 2>All right, let's go to wait good, are you and

0:20:24.840 --> 0:20:26.000
<v Speaker 2>I love you? Kind of guy?

0:20:27.600 --> 0:20:31.000
<v Speaker 11>I'm sort of in between. I had a sort of

0:20:31.000 --> 0:20:33.760
<v Speaker 11>fairly serious incident in my life a couple of years

0:20:33.760 --> 0:20:36.199
<v Speaker 11>ago that kind of triggered this response to do some

0:20:36.280 --> 0:20:40.320
<v Speaker 11>deep diving into myself, and and I've tried to kind

0:20:40.320 --> 0:20:44.040
<v Speaker 11>of since them, kind of consciously do it more like

0:20:44.520 --> 0:20:48.399
<v Speaker 11>I was staying up there before that. Like online, I

0:20:48.440 --> 0:20:51.560
<v Speaker 11>find it easier to do. But there's definitely this generational

0:20:51.600 --> 0:20:54.240
<v Speaker 11>thing where you know, we were told not to show

0:20:54.240 --> 0:20:57.560
<v Speaker 11>our emotions and show our feelings and things like that,

0:20:57.960 --> 0:21:01.160
<v Speaker 11>and and so it makes it It does make it difficult,

0:21:01.200 --> 0:21:03.399
<v Speaker 11>but I am I think I'm making a conscious effort

0:21:03.440 --> 0:21:06.840
<v Speaker 11>to change that and show other people through social media

0:21:06.880 --> 0:21:09.800
<v Speaker 11>and stuff that is actually okay to you know, particularly

0:21:09.800 --> 0:21:12.560
<v Speaker 11>obviously man, there's okay to tell people that you love you.

0:21:12.840 --> 0:21:15.120
<v Speaker 11>I do have a couple of really good mates from

0:21:15.200 --> 0:21:17.880
<v Speaker 11>high school that I would tell, and my older brother,

0:21:18.000 --> 0:21:20.280
<v Speaker 11>who is very funny about that sort of stuff. I

0:21:20.960 --> 0:21:22.960
<v Speaker 11>tell him partly because I think he needs to know

0:21:23.000 --> 0:21:24.679
<v Speaker 11>that I love him, but also partly because I know

0:21:25.200 --> 0:21:26.440
<v Speaker 11>he kind of screamed.

0:21:26.080 --> 0:21:26.679
<v Speaker 7>A little bit.

0:21:28.400 --> 0:21:31.880
<v Speaker 2>Like watching him be awkward about it.

0:21:33.240 --> 0:21:36.000
<v Speaker 6>But yeah, I'm I was just going to say, you're

0:21:36.040 --> 0:21:39.560
<v Speaker 6>you're leading a really really important charge because you said

0:21:39.560 --> 0:21:40.920
<v Speaker 6>it before and I connected.

0:21:40.960 --> 0:21:43.159
<v Speaker 7>For whatever reason. It wasn't my dad, because he was

0:21:43.160 --> 0:21:43.600
<v Speaker 7>the opposite.

0:21:43.640 --> 0:21:46.439
<v Speaker 6>He would consistently tell me, but for whatever reason in

0:21:46.480 --> 0:21:47.640
<v Speaker 6>society it was like, no.

0:21:47.720 --> 0:21:48.399
<v Speaker 7>You don't say that.

0:21:48.600 --> 0:21:50.440
<v Speaker 6>You don't want to be wimpy and all those types

0:21:50.480 --> 0:21:55.040
<v Speaker 6>of things, which is ridiculous. So you're changing something that

0:21:55.080 --> 0:21:57.520
<v Speaker 6>needs to be changed, which is very, very valuable.

0:21:57.600 --> 0:21:58.760
<v Speaker 7>So you're doing a good job.

0:21:58.800 --> 0:22:02.240
<v Speaker 2>Way'd thank you so much for your call, really appreciate it.

0:22:02.720 --> 0:22:05.879
<v Speaker 2>Interesting use of the word whimpy too. Good morning, Josh.

0:22:06.680 --> 0:22:09.360
<v Speaker 2>How are you sound like an I love you kind

0:22:09.359 --> 0:22:09.680
<v Speaker 2>of guy?

0:22:10.480 --> 0:22:12.560
<v Speaker 1>Oh, if it's on the end of a phone call,

0:22:12.600 --> 0:22:13.960
<v Speaker 1>it's definitely throwing out.

0:22:13.840 --> 0:22:16.080
<v Speaker 11>To love you, but it doesn't tend up and face

0:22:16.119 --> 0:22:17.000
<v Speaker 11>to face too much.

0:22:18.760 --> 0:22:20.200
<v Speaker 7>Why do you reckon, Josh? Is it?

0:22:20.840 --> 0:22:24.320
<v Speaker 6>I think I'm adamant it's sort of a half fear

0:22:24.359 --> 0:22:27.280
<v Speaker 6>of rejection. And even if someone doesn't say it verbally,

0:22:27.359 --> 0:22:29.119
<v Speaker 6>you can probably pick up a few cues if you

0:22:29.119 --> 0:22:30.680
<v Speaker 6>see their facial expressions.

0:22:31.320 --> 0:22:31.960
<v Speaker 7>Yeah, I don't know.

0:22:32.119 --> 0:22:34.639
<v Speaker 6>For me, it's definitely not like rejection it to us,

0:22:34.920 --> 0:22:37.240
<v Speaker 6>but like the think cringe sort.

0:22:37.040 --> 0:22:38.600
<v Speaker 7>Of thing, isn't it.

0:22:39.480 --> 0:22:42.439
<v Speaker 2>Think about it like face to face you're looking at

0:22:42.440 --> 0:22:43.360
<v Speaker 2>each cover's eyes.

0:22:43.160 --> 0:22:47.399
<v Speaker 1>And you're saying I love you over the phone when

0:22:47.400 --> 0:22:49.600
<v Speaker 1>you're whipping out, I love you, bloody love it.

0:22:51.119 --> 0:22:53.119
<v Speaker 2>Do you like to hear it? Josh?

0:22:53.160 --> 0:22:53.840
<v Speaker 1>I love hearing it?

0:22:54.320 --> 0:22:57.159
<v Speaker 6>Still part of it is that, yeah, well, Josh, I

0:22:57.200 --> 0:22:58.800
<v Speaker 6>think you lost your mate when you close your eyes

0:22:58.840 --> 0:22:59.880
<v Speaker 6>and then perch the lips out.

0:22:59.800 --> 0:23:05.960
<v Speaker 2>As we don't talk about that. Oh, Josh, thank you

0:23:06.040 --> 0:23:09.400
<v Speaker 2>so much for people really appreciate it. I'm out there, Hazy.

0:23:09.480 --> 0:23:12.480
<v Speaker 8>We love you, Hazy, I love you.

0:23:12.680 --> 0:23:14.880
<v Speaker 2>Hazy, No, no, no, I love you.

0:23:15.920 --> 0:23:18.720
<v Speaker 7>I love you guys how much that I love that.

0:23:18.760 --> 0:23:20.080
<v Speaker 8>You could have looked either of us.

0:23:23.080 --> 0:23:24.040
<v Speaker 2>When you said that.

0:23:24.040 --> 0:23:25.000
<v Speaker 7>That's what we're talking about this mone.

0:23:25.000 --> 0:23:26.639
<v Speaker 6>We said a quick little chatter offair as well, like

0:23:26.720 --> 0:23:28.080
<v Speaker 6>I'm not sure because it's.

0:23:28.240 --> 0:23:30.280
<v Speaker 3>Maybe it's a fear of rejection for blokes.

0:23:30.480 --> 0:23:32.840
<v Speaker 7>It's something that's not wide into us. We're trying to

0:23:33.160 --> 0:23:35.359
<v Speaker 7>shift the generation before us, where it.

0:23:35.280 --> 0:23:37.480
<v Speaker 6>Wasn't the norm to tell other blokes et cetera, that

0:23:37.480 --> 0:23:39.359
<v Speaker 6>you cared about that you love them. And also now

0:23:39.400 --> 0:23:42.360
<v Speaker 6>I'm dealing with a three year old girl who will

0:23:42.359 --> 0:23:44.000
<v Speaker 6>not say I love you back to me, okay, and

0:23:44.040 --> 0:23:46.000
<v Speaker 6>when I finally do get a kiss from wipes her mout.

0:23:46.000 --> 0:23:49.920
<v Speaker 6>I think constantly says Dad, you stink well, I am

0:23:50.080 --> 0:23:51.800
<v Speaker 6>working on my personal.

0:23:51.440 --> 0:23:53.879
<v Speaker 8>Hygiene, trying to get a reaction out of you. Just

0:23:53.960 --> 0:23:54.800
<v Speaker 8>keep telling you love it.

0:23:55.320 --> 0:24:00.119
<v Speaker 2>She's getting one, or maybe you think I don't know.

0:24:00.480 --> 0:24:03.359
<v Speaker 2>I don't know. We're talking about blokes telling each other

0:24:03.480 --> 0:24:05.600
<v Speaker 2>that they love them, which we'd love to hear more of.

0:24:05.720 --> 0:24:10.359
<v Speaker 2>By the way, let's go to Asie, a man that

0:24:10.400 --> 0:24:13.280
<v Speaker 2>we love. Are you telling your friends that you love them?

0:24:14.000 --> 0:24:16.320
<v Speaker 1>Yes, I've got a best mate, Chris, shout out, Chris

0:24:16.359 --> 0:24:20.280
<v Speaker 1>love him, will Mark. He's even in my phone as

0:24:20.359 --> 0:24:27.960
<v Speaker 1>Hobby so my wife, My wife has got him saved

0:24:27.960 --> 0:24:33.400
<v Speaker 1>in her phone as Adam's husband. Adam, you gener next

0:24:33.560 --> 0:24:35.600
<v Speaker 1>with someone that's you know, that's your true best mate.

0:24:35.600 --> 0:24:37.840
<v Speaker 1>I don't think that you should. I was brought up

0:24:37.880 --> 0:24:39.679
<v Speaker 1>not to show emotions, but when you when you got

0:24:39.680 --> 0:24:41.080
<v Speaker 1>someone like that, you should tell them you love them

0:24:41.080 --> 0:24:42.159
<v Speaker 1>and show them that you appreciated.

0:24:44.640 --> 0:24:47.080
<v Speaker 7>You are such a wise man.

0:24:47.119 --> 0:24:50.480
<v Speaker 6>Because the other situation is people find themselves where they're

0:24:50.480 --> 0:24:53.440
<v Speaker 6>in a near death experience and something clicks and all

0:24:53.440 --> 0:24:55.720
<v Speaker 6>of a sudden, you study yourself. I need to say

0:24:55.760 --> 0:24:58.680
<v Speaker 6>the things that I need to say before I die,

0:24:59.040 --> 0:24:59.439
<v Speaker 6>and you're a.

0:24:59.400 --> 0:25:00.000
<v Speaker 7>Head of the curl.

0:25:06.960 --> 0:25:10.359
<v Speaker 2>Love you. Let's go to Havana. Good morning, good morning?

0:25:10.359 --> 0:25:12.040
<v Speaker 2>How are you? Where do you sit with this?

0:25:13.280 --> 0:25:16.840
<v Speaker 8>I always tell my friends that I love them constantly,

0:25:17.359 --> 0:25:19.120
<v Speaker 8>And if so, how long ago?

0:25:19.119 --> 0:25:19.639
<v Speaker 7>I noticed?

0:25:19.640 --> 0:25:21.639
<v Speaker 8>Then I went and called both my friends up and

0:25:21.680 --> 0:25:26.400
<v Speaker 8>I told them how much. That's exactly, that's perfect, that's

0:25:26.400 --> 0:25:28.359
<v Speaker 8>what we want to I love that for you.

0:25:31.080 --> 0:25:33.159
<v Speaker 2>What does it sound like, Havannah when you say to

0:25:33.240 --> 0:25:35.200
<v Speaker 2>your friends, like, for example, if you're saying goodbye on

0:25:35.240 --> 0:25:36.960
<v Speaker 2>the phone or whatever, is it just I love you?

0:25:37.720 --> 0:25:39.360
<v Speaker 1>It's always I love you so much?

0:25:39.400 --> 0:25:41.280
<v Speaker 8>And they always say I love you so much, like

0:25:42.600 --> 0:25:45.480
<v Speaker 8>I'd be beautiful day to day that you too love you?

0:25:45.640 --> 0:25:49.680
<v Speaker 6>Like I think I forget about just how powerful our

0:25:49.680 --> 0:25:51.240
<v Speaker 6>words are.

0:25:50.560 --> 0:25:54.920
<v Speaker 2>I'm going to call my friends now, I love them.

0:25:55.080 --> 0:26:00.639
<v Speaker 7>I just want friends.

0:26:00.680 --> 0:26:02.240
<v Speaker 4>We love you.

0:26:04.080 --> 0:26:06.960
<v Speaker 2>Let's peel back the curtain. We did volunteer to Robbie

0:26:06.960 --> 0:26:08.720
<v Speaker 2>corn fight for him to jump on her and say

0:26:08.720 --> 0:26:10.280
<v Speaker 2>I love you, And he said, I'm too busy doing

0:26:10.280 --> 0:26:12.360
<v Speaker 2>school and he.

0:26:12.320 --> 0:26:13.240
<v Speaker 3>Doesn't even have kids.

0:26:14.880 --> 0:26:17.080
<v Speaker 7>He does have kids. Thank you for the court.

0:26:17.080 --> 0:26:19.439
<v Speaker 6>Havana as well and unbelievable as well, Havana saying I'll

0:26:19.480 --> 0:26:21.119
<v Speaker 6>just call my friends before to say it to him.

0:26:21.119 --> 0:26:21.560
<v Speaker 7>I love him,