1 00:00:00,120 --> 00:00:02,560 Speaker 1: A new movie coming out guys in select cinemas on 2 00:00:02,640 --> 00:00:05,640 Speaker 1: October seventeen. It's called Judy. You're got to go and 3 00:00:05,680 --> 00:00:09,840 Speaker 1: see this. Judy Garland an amazing story, sad story, says, 4 00:00:09,880 --> 00:00:12,680 Speaker 1: you'd say it was the star and you can catch 5 00:00:12,720 --> 00:00:14,440 Speaker 1: it early with Snake Peaks from the eleventh of the 6 00:00:14,440 --> 00:00:15,880 Speaker 1: thirteenth of October as well. 7 00:00:16,200 --> 00:00:18,280 Speaker 2: The thing is, when we sat down with her yesterday, 8 00:00:18,320 --> 00:00:21,320 Speaker 2: Whips Fits, it was kind of weird because the conversation 9 00:00:21,560 --> 00:00:24,560 Speaker 2: went in a really different way straight off the bat. 10 00:00:24,640 --> 00:00:27,480 Speaker 2: So basically, Whippers started by mentioning that it was incredibly 11 00:00:27,520 --> 00:00:29,880 Speaker 2: tired because of the two kids at home. And this 12 00:00:29,960 --> 00:00:30,600 Speaker 2: is what happened. 13 00:00:31,520 --> 00:00:32,600 Speaker 1: We don't sleep. 14 00:00:34,080 --> 00:00:37,000 Speaker 3: Since the birth. Yes, yeah, for not you in two 15 00:00:37,159 --> 00:00:42,240 Speaker 3: years because right because and then they're succeeding and. 16 00:00:42,159 --> 00:00:44,400 Speaker 4: Then there's been right and that's the most painful. 17 00:00:44,440 --> 00:00:48,319 Speaker 3: People. Forget the year of trying succeeding pain. 18 00:00:49,360 --> 00:00:51,720 Speaker 4: I'm not sure where you got to it. It felt 19 00:00:51,720 --> 00:00:54,120 Speaker 4: like the girls conversation continued and then I sat here 20 00:00:54,280 --> 00:00:56,160 Speaker 4: trying to chip on inside and I missed my mom. 21 00:00:56,640 --> 00:00:59,800 Speaker 2: Okay, stand again, let's move on to the movie. Actually, 22 00:01:00,560 --> 00:01:04,000 Speaker 2: this film is just phenomenal. You are so brilliant in it. 23 00:01:04,480 --> 00:01:07,120 Speaker 2: You are really I was bawling by the end of it, 24 00:01:07,160 --> 00:01:08,720 Speaker 2: and you know when you're sitting with a coworker and 25 00:01:08,800 --> 00:01:12,480 Speaker 2: you're thinking, don't see me cry. But it's just so beautiful. 26 00:01:12,720 --> 00:01:14,800 Speaker 2: But how did you get into the headspace of Judy? 27 00:01:14,840 --> 00:01:18,160 Speaker 2: Because I read that your clothes were sewn, for example, 28 00:01:18,240 --> 00:01:21,240 Speaker 2: so that you had that walk that she had towards 29 00:01:21,280 --> 00:01:22,880 Speaker 2: the end it was the slouch. 30 00:01:23,319 --> 00:01:25,880 Speaker 3: Yeah, I just you know, assumed the pasture and the 31 00:01:25,920 --> 00:01:30,520 Speaker 3: fittings so that she fit the dresses to match her 32 00:01:30,560 --> 00:01:33,680 Speaker 3: body language. You know, it's very helpful reminder in the 33 00:01:33,720 --> 00:01:36,280 Speaker 3: middle of day if you should get lazy man and 34 00:01:36,440 --> 00:01:38,720 Speaker 3: get poked by a bunch of sequins if you don't 35 00:01:38,760 --> 00:01:39,319 Speaker 3: do your job. 36 00:01:42,360 --> 00:01:44,200 Speaker 4: But the hours that must have gone into the study, 37 00:01:44,560 --> 00:01:46,880 Speaker 4: like of the behavior and the look and the twitch 38 00:01:46,959 --> 00:01:49,320 Speaker 4: and all of that, I mean, how much went into. 39 00:01:49,120 --> 00:01:53,240 Speaker 3: That this is greedy? I was so curious. She's phenomenally 40 00:01:54,720 --> 00:01:56,080 Speaker 3: just beguiling. 41 00:01:56,280 --> 00:01:56,520 Speaker 2: You know. 42 00:01:57,120 --> 00:02:00,480 Speaker 3: What was it that her ex husband called her the 43 00:02:00,120 --> 00:02:04,560 Speaker 3: the black Irish Witch because she could just enchant. She 44 00:02:04,720 --> 00:02:07,280 Speaker 3: just had magic about her. And it's true. I wanted 45 00:02:07,320 --> 00:02:09,880 Speaker 3: to keep going down the YouTube rabbit hole and look 46 00:02:09,919 --> 00:02:12,720 Speaker 3: at everything I could find just wanted to understand more. 47 00:02:13,120 --> 00:02:15,200 Speaker 2: Yeah, did you get to talk to any family or 48 00:02:15,240 --> 00:02:16,960 Speaker 2: anyone who was in her life to get a bit 49 00:02:16,960 --> 00:02:17,840 Speaker 2: of background on her. 50 00:02:18,040 --> 00:02:21,360 Speaker 3: Well, Rosin Wilder was her host at the Top of 51 00:02:21,400 --> 00:02:24,480 Speaker 3: the Town nightclub at the time. Yes, and she's played 52 00:02:24,480 --> 00:02:29,160 Speaker 3: by the fantastic Jesse Buckley in this film. She's extraordinary. 53 00:02:29,600 --> 00:02:33,480 Speaker 3: Talk about pipes. Oh the girl could say, oh yes, Well, so, 54 00:02:34,000 --> 00:02:36,440 Speaker 3: sir Rosalind was. We sat down and she was sharing 55 00:02:36,520 --> 00:02:40,280 Speaker 3: stories about, you know, her experiences and her impressions and 56 00:02:40,360 --> 00:02:42,359 Speaker 3: how she felt at the time as a young woman, 57 00:02:42,520 --> 00:02:46,440 Speaker 3: you know, chaperoning this icon, and she helped with just 58 00:02:46,480 --> 00:02:49,160 Speaker 3: you know, logistics about what the nightclub was like and 59 00:02:49,160 --> 00:02:50,200 Speaker 3: how it worked and all that. 60 00:02:50,600 --> 00:02:52,080 Speaker 4: When you look at when you look at a movie 61 00:02:52,120 --> 00:02:53,680 Speaker 4: like this and you decide to take on the portrayal 62 00:02:53,680 --> 00:02:57,639 Speaker 4: of somebody that is a great singer, is that added. 63 00:02:57,360 --> 00:02:59,919 Speaker 3: Pressure If you thought about it like that, it might. 64 00:02:59,800 --> 00:03:03,320 Speaker 1: Be this nil or don't worry about right? 65 00:03:03,560 --> 00:03:07,320 Speaker 3: Yeah, you know, no, it just didn't really think about it. 66 00:03:07,360 --> 00:03:09,880 Speaker 3: I didn't let myself think about it that way. I 67 00:03:10,000 --> 00:03:12,960 Speaker 3: just sort of broke it down and tried to intellectualize 68 00:03:13,000 --> 00:03:14,880 Speaker 3: it pretty right, would. 69 00:03:14,639 --> 00:03:16,760 Speaker 2: You perform it at the Oscar, you know how every year. 70 00:03:16,800 --> 00:03:18,720 Speaker 2: So last year I think it was Lady Gaga did 71 00:03:18,960 --> 00:03:22,480 Speaker 2: from A Star Is Born saying Oscars for you, would 72 00:03:22,480 --> 00:03:23,040 Speaker 2: you sing? 73 00:03:23,760 --> 00:03:25,720 Speaker 3: I think the way it works is that your song 74 00:03:25,760 --> 00:03:28,720 Speaker 3: gets nominated or something like that, So I think it's 75 00:03:28,760 --> 00:03:29,880 Speaker 3: an original. 76 00:03:30,160 --> 00:03:30,440 Speaker 2: I love. 77 00:03:38,480 --> 00:03:41,200 Speaker 4: Oscars buzz is being thrown around, you know, that's something 78 00:03:41,240 --> 00:03:43,280 Speaker 4: that the movies are have been labeled with. In your performance, 79 00:03:43,320 --> 00:03:47,000 Speaker 4: of course, that's exciting. Like the reaction instantly has been amazing. 80 00:03:47,120 --> 00:03:50,160 Speaker 3: Thank you. It's really nice because everybody, I don't know, 81 00:03:50,280 --> 00:03:53,360 Speaker 3: this felt like a celebration of her and her legacy, 82 00:03:53,440 --> 00:03:57,120 Speaker 3: and everybody was motivated by their affection for her and 83 00:03:57,280 --> 00:04:00,640 Speaker 3: just adoration, and it just felt like, I don't know, 84 00:04:01,120 --> 00:04:01,800 Speaker 3: a love letter. 85 00:04:02,000 --> 00:04:04,240 Speaker 2: I was reading about a ritual that you had, but 86 00:04:04,320 --> 00:04:06,600 Speaker 2: you would practice singing in the car when you were 87 00:04:06,600 --> 00:04:10,720 Speaker 2: stuck in traffic. Was that sort of something when you 88 00:04:10,880 --> 00:04:13,680 Speaker 2: arrive on set, do you have like a pregame ritual, 89 00:04:13,760 --> 00:04:15,320 Speaker 2: something you do to get in the zone and you're 90 00:04:15,320 --> 00:04:15,920 Speaker 2: ready to go. 91 00:04:16,920 --> 00:04:21,040 Speaker 3: Well, there were a couple of things for the performances. 92 00:04:22,200 --> 00:04:26,279 Speaker 3: You know, she would have sort of a way of 93 00:04:26,720 --> 00:04:29,600 Speaker 3: holding the microphone and she'd switch it around behind her 94 00:04:29,640 --> 00:04:31,680 Speaker 3: back and things like that. It felt very familiar to 95 00:04:31,880 --> 00:04:33,920 Speaker 3: check in with the band over her shoulder and things 96 00:04:34,000 --> 00:04:37,440 Speaker 3: like that, so that that felt really just to connect 97 00:04:37,480 --> 00:04:41,359 Speaker 3: with everybody in the space. And I would listen to 98 00:04:41,360 --> 00:04:45,440 Speaker 3: to some of her interviews at different stages, depending on 99 00:04:45,440 --> 00:04:49,200 Speaker 3: which part of the story we were telling, to just remember, 100 00:04:50,120 --> 00:04:52,800 Speaker 3: you know, her voice at that moment, listen to some 101 00:04:52,880 --> 00:04:56,080 Speaker 3: of her telling jokes and things to just be reminded 102 00:04:56,120 --> 00:05:00,560 Speaker 3: of her, her moxie and her wit, which was you know, definitive, 103 00:05:00,720 --> 00:05:01,000 Speaker 3: wasn't it. 104 00:05:01,640 --> 00:05:03,520 Speaker 4: Quickly before we go, we have our back to school 105 00:05:03,560 --> 00:05:06,919 Speaker 4: formal happening next week. It's a celebration of anybody that 106 00:05:07,000 --> 00:05:11,200 Speaker 4: may have had a problem. Do you remember your formal 107 00:05:11,360 --> 00:05:13,400 Speaker 4: or what it was like, what you wore? Did everything 108 00:05:13,400 --> 00:05:14,280 Speaker 4: go to plan on the night? 109 00:05:15,160 --> 00:05:18,520 Speaker 3: Yeah, but I don't know how great the plan was. 110 00:05:19,680 --> 00:05:23,039 Speaker 3: I don't know if succeeding with that hair and was 111 00:05:23,080 --> 00:05:29,800 Speaker 3: it a great thing? But yeah, it's regrettable today. I'm 112 00:05:29,800 --> 00:05:31,719 Speaker 3: a teenager of the eighties, you know what I mean, 113 00:05:31,760 --> 00:05:34,320 Speaker 3: And there were some questionable fashions of the time. 114 00:05:34,160 --> 00:05:36,800 Speaker 4: Right, Yeah, yeah, they're the outfits we want. We want 115 00:05:36,839 --> 00:05:39,120 Speaker 4: those outfits back and our back to school formal. Oh 116 00:05:39,160 --> 00:05:42,080 Speaker 4: you do, yeah, yours, didn't you? 117 00:05:42,200 --> 00:05:43,960 Speaker 2: I did. It was an ode to that sort of thing, 118 00:05:44,000 --> 00:05:46,400 Speaker 2: the big sleeves, the massive hair, the whole bit. It's 119 00:05:46,440 --> 00:05:49,480 Speaker 2: such fun quick color. Actually I went black. I was 120 00:05:49,520 --> 00:05:51,720 Speaker 2: a little bit of a coward. Yeah, which was not 121 00:05:51,760 --> 00:05:54,360 Speaker 2: in theme, because obviously eighties was all right. 122 00:05:55,360 --> 00:05:56,440 Speaker 4: There was also a tap answer. 123 00:05:57,160 --> 00:05:57,719 Speaker 3: It feels like. 124 00:05:57,680 --> 00:05:59,840 Speaker 2: An unnecessary fact to tell Rena's. 125 00:05:59,560 --> 00:06:02,039 Speaker 3: Now and I forgot it. Sounds like a good party 126 00:06:02,120 --> 00:06:02,679 Speaker 3: all of a sudden. 127 00:06:03,160 --> 00:06:09,120 Speaker 4: Put a bunch of next week. Congratulations again, that's a 128 00:06:09,200 --> 00:06:10,000 Speaker 4: nice talk to you, guy,