1 00:00:02,400 --> 00:00:04,680 Speaker 1: Well the voice it's back this Sunday night. We are 2 00:00:04,720 --> 00:00:07,520 Speaker 1: pumped about this on Channel nine and one of the 3 00:00:07,600 --> 00:00:09,319 Speaker 1: judges love this man, he joins us. 4 00:00:09,360 --> 00:00:10,480 Speaker 2: Right now, boy, you. 5 00:00:13,760 --> 00:00:21,600 Speaker 3: Guys, guys gets coaches. It's or not. 6 00:00:23,840 --> 00:00:25,599 Speaker 2: You see how long have we been doing this for 7 00:00:25,800 --> 00:00:26,680 Speaker 2: fitz Get it right. 8 00:00:26,960 --> 00:00:27,840 Speaker 4: You are a coach. 9 00:00:28,120 --> 00:00:31,560 Speaker 5: He's a coach, is instrumental in the future of the 10 00:00:31,640 --> 00:00:32,600 Speaker 5: music industry. 11 00:00:32,680 --> 00:00:34,440 Speaker 2: Boy, George, we've missed you, buddy. 12 00:00:34,680 --> 00:00:35,000 Speaker 1: I know. 13 00:00:35,159 --> 00:00:36,839 Speaker 3: Is it crazy? What's going on? 14 00:00:36,920 --> 00:00:37,080 Speaker 1: Right? 15 00:00:37,120 --> 00:00:38,120 Speaker 3: Are you in the studio? 16 00:00:38,479 --> 00:00:38,680 Speaker 1: Yeah? 17 00:00:38,720 --> 00:00:41,560 Speaker 5: Well, Fitzy is and I'm at home. We can't be together. 18 00:00:41,600 --> 00:00:43,360 Speaker 5: I haven't hugged him for eight weeks now. 19 00:00:43,920 --> 00:00:46,440 Speaker 3: No, well it's been longer for me. As you can imagine. 20 00:00:47,000 --> 00:00:50,879 Speaker 4: How close were you to being stuck in Australia, George? 21 00:00:51,000 --> 00:00:53,000 Speaker 1: Was it? Was it close? Because I thought there may 22 00:00:53,040 --> 00:00:55,600 Speaker 1: have been a chance. I mean, there's worse places in 23 00:00:55,640 --> 00:00:58,400 Speaker 1: the world to get isolated. But were you close or 24 00:00:58,480 --> 00:00:59,520 Speaker 1: did you have to leave? Say? 25 00:01:00,080 --> 00:01:02,040 Speaker 3: I was just about to say, I wouldn't consider it 26 00:01:02,080 --> 00:01:05,959 Speaker 3: being stuck. I spend a lot of time in your 27 00:01:06,000 --> 00:01:09,160 Speaker 3: fine country, but I did want to get back because 28 00:01:09,160 --> 00:01:11,160 Speaker 3: of the family and all of that. Even though sort 29 00:01:11,160 --> 00:01:14,080 Speaker 3: of being back in London. You know, you know, it's 30 00:01:14,080 --> 00:01:16,880 Speaker 3: a bit nearer, but it doesn't really alter the fact. 31 00:01:17,040 --> 00:01:19,520 Speaker 3: But I just, for some reasons psychologically, I thought it 32 00:01:19,520 --> 00:01:22,360 Speaker 3: would be for me to be at home in London. 33 00:01:22,800 --> 00:01:25,000 Speaker 5: So what's it been like at home, boy, George? You've 34 00:01:25,000 --> 00:01:27,399 Speaker 5: obviously been you know, locked up inside, but when you 35 00:01:27,480 --> 00:01:29,640 Speaker 5: go out of their people around the streets. 36 00:01:29,640 --> 00:01:31,080 Speaker 2: What's it like for you? Guys? 37 00:01:31,560 --> 00:01:35,240 Speaker 3: It depends where you are. I'm currently in a rented 38 00:01:35,280 --> 00:01:39,160 Speaker 3: apartment because my house is being refurbished, so I am 39 00:01:39,280 --> 00:01:42,400 Speaker 3: really bang it bang in the center of central London. 40 00:01:42,400 --> 00:01:47,360 Speaker 3: I mean, sol there are people at certain times, certain times, 41 00:01:47,360 --> 00:01:50,440 Speaker 3: but more it's quiet in the city where I am 42 00:01:50,480 --> 00:01:52,840 Speaker 3: because obviously you know, it's all the shops are closed 43 00:01:52,880 --> 00:01:55,400 Speaker 3: and it's a bit of a ghost town. So you know, 44 00:01:55,560 --> 00:01:59,560 Speaker 3: there are people out, you know, getting shopping and you know, exercising, 45 00:01:59,640 --> 00:02:02,720 Speaker 3: and you know there are some people who are to 46 00:02:02,760 --> 00:02:06,200 Speaker 3: be aware that nothing. 47 00:02:05,200 --> 00:02:08,760 Speaker 2: But none of the pubs are open, so famous you. 48 00:02:08,760 --> 00:02:14,600 Speaker 1: Avoids, George, Can I ask though, do you? I mean, 49 00:02:14,639 --> 00:02:16,840 Speaker 1: this is it's a horrible time that we're going through now, 50 00:02:16,880 --> 00:02:19,040 Speaker 1: and it looks like, you know, it could last another 51 00:02:19,160 --> 00:02:22,040 Speaker 1: nine months to another year before we can start traveling again. 52 00:02:22,480 --> 00:02:25,360 Speaker 1: But you know, with people being isolated, did you always 53 00:02:25,400 --> 00:02:29,560 Speaker 1: feel in these in moments like this, I'm. 54 00:02:29,000 --> 00:02:31,720 Speaker 4: Really excited about some of the music that we might 55 00:02:31,800 --> 00:02:34,640 Speaker 4: experience in twenty twenty one and twenty twenty two, because 56 00:02:34,680 --> 00:02:37,680 Speaker 4: everyone will be artists, will be at home writing. We 57 00:02:37,760 --> 00:02:40,040 Speaker 4: could have some amazing stuff on ants we. 58 00:02:41,040 --> 00:02:41,680 Speaker 6: May well do. 59 00:02:41,760 --> 00:02:44,080 Speaker 3: I mean, I've been doing a lot of thing, you know, 60 00:02:44,120 --> 00:02:48,240 Speaker 3: where I can finishing things, you know, being creative and 61 00:02:48,360 --> 00:02:51,560 Speaker 3: just kind of trying to keep myself saying by by 62 00:02:51,639 --> 00:02:54,840 Speaker 3: being creative, you know. I mean, that's I think the 63 00:02:54,919 --> 00:02:58,320 Speaker 3: great things about having this fake you have got time 64 00:02:58,360 --> 00:03:01,280 Speaker 3: to sort of think about things in a slightly different way. 65 00:03:01,400 --> 00:03:03,320 Speaker 3: And as you said, you know, we don't really know 66 00:03:03,919 --> 00:03:08,560 Speaker 3: when we're going to get to perform again, so it's 67 00:03:08,600 --> 00:03:10,840 Speaker 3: an interesting, interesting time challenging. 68 00:03:11,240 --> 00:03:13,160 Speaker 5: Do you I mean, no doubt you follow boy George, 69 00:03:13,160 --> 00:03:16,120 Speaker 5: no doubt you follow Delta Goodrom on Instagram, but you 70 00:03:16,080 --> 00:03:18,280 Speaker 5: would have seen her and a man Matt have been 71 00:03:18,320 --> 00:03:22,160 Speaker 5: doing a lot of live performances via Zoom or Skype. 72 00:03:22,840 --> 00:03:26,040 Speaker 5: I can't help but think that's just a crowd gathering 73 00:03:26,120 --> 00:03:29,800 Speaker 5: exercise to play to her advantage for the show. 74 00:03:32,639 --> 00:03:33,160 Speaker 2: What do you think. 75 00:03:35,240 --> 00:03:37,200 Speaker 3: I think that, you know, I kind of go Delta 76 00:03:37,320 --> 00:03:41,320 Speaker 3: for singing, because that's what we do. You know, it's 77 00:03:41,360 --> 00:03:46,560 Speaker 3: back in the plumber prepicting your toilet, you know, it's 78 00:03:47,200 --> 00:03:48,800 Speaker 3: and I think that she's stood have got a bit 79 00:03:48,840 --> 00:03:51,760 Speaker 3: of an advantage anyway, because she's you know, she's homegrown. 80 00:03:51,880 --> 00:03:54,440 Speaker 6: She's oh, yeah, it's good. 81 00:03:54,680 --> 00:03:59,200 Speaker 3: You know, they love her, and so yeah, she's trouble basically, yeah. 82 00:03:59,480 --> 00:04:02,680 Speaker 1: Okay, we need to ask you about this because we're 83 00:04:02,720 --> 00:04:03,680 Speaker 1: trying to work it out. 84 00:04:04,600 --> 00:04:07,680 Speaker 4: We've got a couple of theories ourselves. But the promo 85 00:04:07,760 --> 00:04:11,560 Speaker 4: for the Voice this Sunday night. Let's have a listen 86 00:04:11,640 --> 00:04:12,640 Speaker 4: to it right now. 87 00:04:13,200 --> 00:04:21,600 Speaker 6: One artist. We'll sing with two voices at the very 88 00:04:21,800 --> 00:04:22,560 Speaker 6: same time. 89 00:04:22,720 --> 00:04:23,480 Speaker 2: It's impossible. 90 00:04:24,000 --> 00:04:27,000 Speaker 4: What what does that mean, George, What what the hell 91 00:04:27,120 --> 00:04:27,840 Speaker 4: does that mean? 92 00:04:29,240 --> 00:04:36,560 Speaker 3: Don't panic, it's not a demonic. Well, it's not somebody 93 00:04:36,760 --> 00:04:40,800 Speaker 3: reenacting the Exorcis. This is actually I think it's Mongolian 94 00:04:40,960 --> 00:04:45,200 Speaker 3: throat singing. So there's a double ton o case, George. 95 00:04:45,600 --> 00:04:48,640 Speaker 1: So we could so listen to this because we found 96 00:04:48,680 --> 00:04:51,400 Speaker 1: someone said to us the other day that's Tibetan music. 97 00:04:51,440 --> 00:04:55,320 Speaker 1: Tibetan monks do that sometimes, and we tracked this guy down. 98 00:05:03,800 --> 00:05:06,080 Speaker 1: Is it similar to that where they start deepening go 99 00:05:06,279 --> 00:05:08,680 Speaker 1: high at the same time, George, Is that what it's like? 100 00:05:08,839 --> 00:05:12,800 Speaker 3: Well, the guy you're playing is obviously singing the theme 101 00:05:12,839 --> 00:05:14,360 Speaker 3: tunes or coronations. 102 00:05:17,080 --> 00:05:18,000 Speaker 2: In his own style. 103 00:05:18,680 --> 00:05:21,719 Speaker 3: Yeah, it is a similar but it's the one that 104 00:05:21,760 --> 00:05:24,560 Speaker 3: we we have on the show. Is it's quite spiritually? 105 00:05:24,800 --> 00:05:29,119 Speaker 2: Yeah right, okay, so quite spiritual? All right, all the power. 106 00:05:30,160 --> 00:05:33,440 Speaker 3: But it does lead but it does lead to some controversy. 107 00:05:33,839 --> 00:05:38,880 Speaker 4: Are you a fan of it or you're not a 108 00:05:38,920 --> 00:05:39,560 Speaker 4: big fan of it? 109 00:05:39,720 --> 00:05:41,400 Speaker 2: George, No, I'm very much a. 110 00:05:41,360 --> 00:05:43,040 Speaker 3: Fan of it, but it leads to some sort of 111 00:05:43,080 --> 00:05:48,840 Speaker 3: quite interesting Okay, is this fair? You know? So here's 112 00:05:48,880 --> 00:05:49,480 Speaker 3: your stuff. 113 00:05:49,920 --> 00:05:50,160 Speaker 1: Yeah. 114 00:05:50,320 --> 00:05:53,120 Speaker 3: So normally it's Kelly. I think it might be Kelly 115 00:05:53,160 --> 00:05:55,080 Speaker 3: again or is it need this year it might. 116 00:05:54,960 --> 00:05:58,159 Speaker 5: Be well, I mean, it was like the JJ that 117 00:05:58,240 --> 00:06:00,320 Speaker 5: came out last time. Everyone went, oh my god, can't 118 00:06:00,360 --> 00:06:02,640 Speaker 5: do that. But now we've got to go with two voices. 119 00:06:03,080 --> 00:06:05,479 Speaker 2: This is extraordinary, very controversial. 120 00:06:05,560 --> 00:06:08,400 Speaker 3: That's just that is just literally the tiveth of the iceberg. 121 00:06:08,440 --> 00:06:11,560 Speaker 3: There is so much coulduggery on this season, with this 122 00:06:11,640 --> 00:06:13,800 Speaker 3: one pulling, this one out the bag and this one 123 00:06:13,880 --> 00:06:16,680 Speaker 3: changing the rules and this is okay because yeah right, okay, 124 00:06:16,839 --> 00:06:20,920 Speaker 3: she's going to people being turned into bands, married couples 125 00:06:20,920 --> 00:06:22,000 Speaker 3: being maybe the duet. 126 00:06:24,120 --> 00:06:24,960 Speaker 1: It is chaos. 127 00:06:25,000 --> 00:06:26,760 Speaker 2: It's always chaos when you're involved. 128 00:06:26,760 --> 00:06:29,760 Speaker 1: By George, we love having your back mate. Any of 129 00:06:29,800 --> 00:06:31,520 Speaker 1: that you are mating. 130 00:06:31,279 --> 00:06:34,039 Speaker 3: Yea, you are just by being in the room, right. 131 00:06:34,320 --> 00:06:35,279 Speaker 2: Yeah, exactly. 132 00:06:35,320 --> 00:06:37,599 Speaker 1: We love having your back mate at Launches this Sunday, 133 00:06:37,680 --> 00:06:41,800 Speaker 1: seven pm on Channel nine. George, look after yourself in isolation, mate. 134 00:06:41,800 --> 00:06:44,240 Speaker 2: We can't see. We can't wait to have you back Australia. 135 00:06:44,240 --> 00:06:45,080 Speaker 3: I miss you guys. 136 00:06:45,560 --> 00:06:46,520 Speaker 1: Enough body