1 00:00:00,680 --> 00:00:00,920 Speaker 1: This. 2 00:00:01,160 --> 00:00:02,680 Speaker 2: Here's a fitzy whipper. 3 00:00:02,440 --> 00:00:05,280 Speaker 3: In k podcasts, a lot of people have been talking 4 00:00:05,320 --> 00:00:08,680 Speaker 3: about the nineties throwback. What was I like in the nineties? 5 00:00:09,400 --> 00:00:12,239 Speaker 3: Great social media play. This song has been featuring a lot. 6 00:00:12,440 --> 00:00:14,200 Speaker 3: Now I know what's one of your favorites. 7 00:00:15,280 --> 00:00:18,159 Speaker 1: Iris is one of the greatest sing along songs of 8 00:00:18,200 --> 00:00:22,040 Speaker 1: all time. Is there's a story behind it and how 9 00:00:22,120 --> 00:00:24,960 Speaker 1: it came together, and we thought this is a perfect 10 00:00:25,000 --> 00:00:28,160 Speaker 1: opportunity to share it with you. We'll um backs again 11 00:00:28,280 --> 00:00:29,520 Speaker 1: love scene. 12 00:00:30,840 --> 00:00:36,720 Speaker 3: I don't have a lot of senses this song. 13 00:00:36,640 --> 00:00:39,240 Speaker 1: To be well, it's not a brand new song. It's 14 00:00:39,680 --> 00:00:42,559 Speaker 1: from nineteen ninety eight. It's from the soundtrack of a 15 00:00:42,720 --> 00:00:45,320 Speaker 1: movie called City of Angels. I'm talking about Goo Goo 16 00:00:45,360 --> 00:00:53,640 Speaker 1: Dolls Iris this scene. Who's any movie man, Okay, Nicholas 17 00:00:53,720 --> 00:00:57,920 Speaker 1: Cage mcbrian, Yes, Now this is an unbeliever. I've got 18 00:00:57,920 --> 00:01:00,520 Speaker 1: to get through this. There's a great podcast called song 19 00:01:00,560 --> 00:01:02,560 Speaker 1: Exploit It Now I've got it off this because this 20 00:01:02,720 --> 00:01:07,199 Speaker 1: is fascinating how this song came together. The lead singer 21 00:01:07,360 --> 00:01:11,280 Speaker 1: is John Resnick is his name, and John Resnick was 22 00:01:11,319 --> 00:01:14,600 Speaker 1: having writer's block whip couldn't come up with a song 23 00:01:15,319 --> 00:01:18,880 Speaker 1: months and months, and then Warner Brothers approached him to 24 00:01:19,000 --> 00:01:21,759 Speaker 1: write a song for this new movie. If you haven't 25 00:01:21,800 --> 00:01:24,840 Speaker 1: seen City of Angels, this is what he was asked 26 00:01:25,160 --> 00:01:26,319 Speaker 1: to write a song about. 27 00:01:27,120 --> 00:01:31,880 Speaker 2: So it's the story about this angel who has immortality, 28 00:01:32,040 --> 00:01:37,520 Speaker 2: but he's lonely and he sees this woman and he 29 00:01:37,640 --> 00:01:40,800 Speaker 2: just wants to know what it feels like to feel 30 00:01:41,480 --> 00:01:43,560 Speaker 2: what all these humans are feeling, because he's just going 31 00:01:43,600 --> 00:01:47,000 Speaker 2: around watching them, and so he makes this leap and 32 00:01:47,040 --> 00:01:50,440 Speaker 2: he gives up his immortality for her for love. 33 00:01:51,440 --> 00:01:54,160 Speaker 1: Okay, So when you're struggling to write, right and they're 34 00:01:54,200 --> 00:01:57,400 Speaker 1: paying you a lot of money Warner Brothers to write 35 00:01:57,440 --> 00:02:00,560 Speaker 1: this song, I mean, he's freaking out, going what do 36 00:02:00,640 --> 00:02:01,720 Speaker 1: I do? Where do you start? 37 00:02:01,960 --> 00:02:02,040 Speaker 2: So? 38 00:02:02,200 --> 00:02:03,880 Speaker 1: How do you start a song like that? 39 00:02:04,560 --> 00:02:06,720 Speaker 2: I thought, where am I going to rate this from? 40 00:02:06,920 --> 00:02:09,880 Speaker 2: And I said, well, what would I say? What would 41 00:02:09,919 --> 00:02:13,320 Speaker 2: I say to that woman? I had a guitar, and 42 00:02:13,880 --> 00:02:17,519 Speaker 2: because I D tuned and used alternate tunings, I'd gone 43 00:02:17,520 --> 00:02:19,480 Speaker 2: a little too far and I popped two strings off 44 00:02:19,480 --> 00:02:23,480 Speaker 2: the guitar. So I had four strings on this guitar left, 45 00:02:23,560 --> 00:02:27,120 Speaker 2: and I detuned the low e to a B, the 46 00:02:27,160 --> 00:02:29,960 Speaker 2: other three strings to d's yeah and I'm just playing 47 00:02:34,040 --> 00:02:36,800 Speaker 2: and I'm just running this like basically the shape of 48 00:02:36,800 --> 00:02:39,160 Speaker 2: a power chore, but very simple. 49 00:02:44,760 --> 00:02:47,240 Speaker 1: Okay, so this is the fascinating bit with this is 50 00:02:47,360 --> 00:02:51,200 Speaker 1: this is what blows my mind because you know, he 51 00:02:51,480 --> 00:02:54,040 Speaker 1: likes to riff and he likes to put his songs together. 52 00:02:54,080 --> 00:02:57,880 Speaker 1: When he impersonates other artists, it gets it gives him inspiration. 53 00:02:58,720 --> 00:03:00,520 Speaker 1: This this bit blow in my mind. 54 00:03:01,000 --> 00:03:02,520 Speaker 2: I do this when I read songs. I'll be like, 55 00:03:02,600 --> 00:03:04,520 Speaker 2: you know, when people do their impersonation of Bob Dylan 56 00:03:04,919 --> 00:03:12,560 Speaker 2: was like this about this long, you know. So that's 57 00:03:12,560 --> 00:03:15,040 Speaker 2: how I get melodies. And I always find melody first, 58 00:03:15,080 --> 00:03:17,720 Speaker 2: what sits on top of the chords and what does 59 00:03:17,760 --> 00:03:21,400 Speaker 2: it make you feel? And then sometimes a word will 60 00:03:21,440 --> 00:03:22,760 Speaker 2: come out. You're sitting there going. 61 00:03:22,680 --> 00:03:24,400 Speaker 3: Yeah, yeah, yeah. 62 00:03:24,520 --> 00:03:28,160 Speaker 2: And I don't to be like, ah, don't to be 63 00:03:28,560 --> 00:03:35,200 Speaker 2: like I don't want to and I don't let's see 64 00:03:35,240 --> 00:03:43,640 Speaker 2: me because I don't think they understand wheverything's made have 65 00:03:43,840 --> 00:03:44,680 Speaker 2: bit broken. 66 00:03:45,920 --> 00:03:53,120 Speaker 1: I just want you to know that is he's just 67 00:03:53,240 --> 00:03:56,520 Speaker 1: done that on the spot, just mucking around by bringing 68 00:03:57,040 --> 00:04:01,200 Speaker 1: this producer, Rob Cavalla is he's name, and then Rob 69 00:04:01,320 --> 00:04:03,880 Speaker 1: starts introducing elements to the song. 70 00:04:07,120 --> 00:04:10,200 Speaker 2: Who's playing that mandolin. That's Tim Piers Player, one of 71 00:04:10,200 --> 00:04:14,080 Speaker 2: the greatest session players in the history of recorded music, 72 00:04:19,640 --> 00:04:21,719 Speaker 2: on the mandolin. Do you know whose idea it was 73 00:04:21,760 --> 00:04:25,520 Speaker 2: to bring him in? This is where Rob turned us 74 00:04:25,560 --> 00:04:27,719 Speaker 2: on to some crazy stuff. 75 00:04:28,640 --> 00:04:32,080 Speaker 1: So then then Rob goes, why don't we bring in 76 00:04:32,160 --> 00:04:34,320 Speaker 1: some strings? Why don't I bring in a violin and 77 00:04:34,320 --> 00:04:36,400 Speaker 1: all this kind of stuff and a bit of a 78 00:04:36,880 --> 00:04:39,080 Speaker 1: and the hit. They're like, no, that's not the Goo 79 00:04:39,080 --> 00:04:42,839 Speaker 1: Goo Dolls. So they were strongly against it. They didn't 80 00:04:42,960 --> 00:04:45,280 Speaker 1: want to bring in a string section, and Rob said, 81 00:04:45,279 --> 00:04:48,200 Speaker 1: can you just hear it? And this is the first 82 00:04:48,279 --> 00:04:49,120 Speaker 1: time that they heard it. 83 00:04:49,760 --> 00:04:57,000 Speaker 2: And when they came out and started playing, Robby and 84 00:04:57,080 --> 00:05:00,960 Speaker 2: I were like, uh oh, uh oh, it's kind of cool. 85 00:05:10,400 --> 00:05:12,040 Speaker 2: And then I'm like, you know, if we do this, 86 00:05:12,040 --> 00:05:15,159 Speaker 2: it's no going back to what we were doing. And 87 00:05:15,240 --> 00:05:18,560 Speaker 2: He's like yeah, And then we were both like, let 88 00:05:18,680 --> 00:05:33,920 Speaker 2: us do it. 89 00:05:33,960 --> 00:05:37,279 Speaker 1: Isn't that amazing? You know that song? It wouldn't have 90 00:05:37,520 --> 00:05:40,440 Speaker 1: it wouldn't have come together if it wasn't on a 91 00:05:40,560 --> 00:05:44,680 Speaker 1: soundtrack and it wasn't sponsored by Warner Brothers, because Goo 92 00:05:44,680 --> 00:05:47,960 Speaker 1: Goo Dolls would have put together that first demo and 93 00:05:48,000 --> 00:05:50,479 Speaker 1: they wouldn't have had Rob Cavalo there going well you 94 00:05:50,520 --> 00:05:53,320 Speaker 1: need a mandolin and you need a string section, and 95 00:05:53,400 --> 00:05:55,520 Speaker 1: it made it into the song that it is. It's 96 00:05:55,520 --> 00:05:57,160 Speaker 1: had four billion streams. 97 00:05:57,200 --> 00:05:58,680 Speaker 3: Well that's the other thing. When they look at the 98 00:05:58,680 --> 00:06:01,320 Speaker 3: back catalog. Can you name it other Googo Dolls song? 99 00:06:01,960 --> 00:06:04,160 Speaker 3: You know they said there's no going back after this. Well, 100 00:06:04,200 --> 00:06:05,640 Speaker 3: you're only way is forward. I would have. 101 00:06:05,560 --> 00:06:08,000 Speaker 1: Thought about it, and it's you know what, They're still touring. 102 00:06:08,080 --> 00:06:11,960 Speaker 1: They have to play Iris eight times, but it's an 103 00:06:12,000 --> 00:06:12,800 Speaker 1: amazing song. 104 00:06:12,960 --> 00:06:15,680 Speaker 3: And this is the Fitzy with Friend Kate podcast. For 105 00:06:15,720 --> 00:06:19,000 Speaker 3: all great shows like this, download the Nova Player via 106 00:06:19,080 --> 00:06:20,640 Speaker 3: the App Store or Google Play. 107 00:06:20,839 --> 00:06:21,800 Speaker 1: The Nova Player