1 00:00:00,240 --> 00:00:03,160 Speaker 1: This is the Fits In with Her with Kate Richie podcast. 2 00:00:03,440 --> 00:00:07,720 Speaker 2: We absolutely adore this man in More Theater, Sydney Comedy Festival. 3 00:00:07,760 --> 00:00:09,799 Speaker 3: It's on, It's on, And if you want to go 4 00:00:09,840 --> 00:00:10,520 Speaker 3: see Joel. 5 00:00:10,400 --> 00:00:13,440 Speaker 2: Creasy his brand new show Boom, you got to head 6 00:00:13,440 --> 00:00:15,720 Speaker 2: to Livenation dot com dot au. But you can also 7 00:00:15,760 --> 00:00:18,239 Speaker 2: catch him four o'clock every day with Ricky Lee, Tim 8 00:00:18,280 --> 00:00:19,000 Speaker 2: and Joel Joel. 9 00:00:18,840 --> 00:00:20,000 Speaker 1: Creasy Welcome. 10 00:00:21,920 --> 00:00:25,320 Speaker 4: Friends. Yeah, it's the show is cooled Boom. But I'm 11 00:00:25,400 --> 00:00:28,200 Speaker 4: I'm kind of targeting the swifties. And she did her 12 00:00:28,280 --> 00:00:31,160 Speaker 4: ear as tour and mine's more of my errors tour. 13 00:00:31,360 --> 00:00:35,000 Speaker 4: I love that, so am I saying that her show 14 00:00:35,040 --> 00:00:36,760 Speaker 4: went for three and a half hours and I've managed 15 00:00:36,760 --> 00:00:37,879 Speaker 4: to do it in two and a half minutes at 16 00:00:37,880 --> 00:00:40,120 Speaker 4: the beginner my show is that a soft plant? No, 17 00:00:40,200 --> 00:00:43,880 Speaker 4: that's a hard plan. I definitely do it every single night. 18 00:00:44,680 --> 00:00:47,880 Speaker 5: I haven't made that many eras over your time. 19 00:00:48,000 --> 00:00:49,840 Speaker 6: Well, I'm so young and gorgeous. 20 00:00:49,840 --> 00:00:52,879 Speaker 4: Oh thank you very much, Kate Richie. Likewise, you get 21 00:00:52,880 --> 00:00:56,720 Speaker 4: it right every time? Oh absolutely, Well, you know, working 22 00:00:56,760 --> 00:00:58,840 Speaker 4: with Tim and Ricky Lee has taught me a. 23 00:00:58,800 --> 00:01:03,560 Speaker 1: Lot how not to do it, how not to. 24 00:01:03,520 --> 00:01:08,319 Speaker 4: Get dumped, but I I no, I have made some 25 00:01:08,440 --> 00:01:10,960 Speaker 4: errors because I actually haven't toured properly in a good 26 00:01:10,959 --> 00:01:13,520 Speaker 4: few years. So look, I've been banned from a hotel chain. 27 00:01:13,560 --> 00:01:16,080 Speaker 4: I've been held hostage in a Airbnb in LA. 28 00:01:17,080 --> 00:01:17,880 Speaker 5: What happened there? 29 00:01:18,040 --> 00:01:21,360 Speaker 4: Oh well, I booked in to stay at an Airbnb 30 00:01:21,440 --> 00:01:25,440 Speaker 4: in LA after I was dumped by my ex. For 31 00:01:25,520 --> 00:01:27,640 Speaker 4: the purposes of this story, I'll call hi Jeffrey like 32 00:01:27,680 --> 00:01:33,040 Speaker 4: his parents did, and I booked him with someone. 33 00:01:33,319 --> 00:01:41,360 Speaker 7: On a second, I've just got the errors joke. Come on, 34 00:01:43,080 --> 00:01:46,000 Speaker 7: I was like, okay, I'll just laugh along. Errors eras 35 00:01:46,040 --> 00:01:49,240 Speaker 7: maybe it's the way it's pronounced. You mean, mistake, mistake, Okay, 36 00:01:49,320 --> 00:01:50,080 Speaker 7: back to Jeffrey. 37 00:01:50,160 --> 00:01:52,720 Speaker 4: Yes, yeah, so no, it's fine. 38 00:01:52,920 --> 00:01:53,320 Speaker 1: So he. 39 00:01:54,840 --> 00:01:58,240 Speaker 4: Dumped me. But I found out twenty four hours before 40 00:01:58,240 --> 00:02:00,400 Speaker 4: I was meant to go to a Hollywood Field premiere 41 00:02:00,440 --> 00:02:03,120 Speaker 4: with him because he's an actner, let's. 42 00:02:02,920 --> 00:02:03,240 Speaker 5: Go with that. 43 00:02:03,640 --> 00:02:06,760 Speaker 4: And and I sat on that information for twenty Well 44 00:02:06,760 --> 00:02:10,440 Speaker 4: he didn't. I knew he had found someone else, but 45 00:02:10,480 --> 00:02:13,040 Speaker 4: I sat on that information for twenty four hours because 46 00:02:13,040 --> 00:02:15,320 Speaker 4: I still wanted to go to the film premiere. So 47 00:02:15,400 --> 00:02:18,280 Speaker 4: I went along. I was front and center in every single. 48 00:02:18,040 --> 00:02:20,359 Speaker 3: Way, it's not Jeffrey Rush. 49 00:02:21,040 --> 00:02:22,240 Speaker 4: Actually, yes, you've outed me. 50 00:02:22,320 --> 00:02:23,239 Speaker 1: It was Jeffrey Rush. 51 00:02:23,360 --> 00:02:30,320 Speaker 4: Yes, yeah, Rush was enough. Gallain's actually my publicist. That's 52 00:02:30,320 --> 00:02:34,080 Speaker 4: how I got on this morning. And so no, no 53 00:02:34,160 --> 00:02:36,880 Speaker 4: Jeffrey with a Jay and so I made sure I 54 00:02:36,880 --> 00:02:38,600 Speaker 4: was front and sender for every one of those photos. 55 00:02:38,639 --> 00:02:42,040 Speaker 4: And I'm so petty that there was a big party 56 00:02:42,080 --> 00:02:44,480 Speaker 4: after and I pretended like I was drinking, but I 57 00:02:44,520 --> 00:02:47,120 Speaker 4: stayed on the waters plied him with, you know. 58 00:02:47,160 --> 00:02:48,079 Speaker 1: Plenty of drinks. 59 00:02:48,080 --> 00:02:50,000 Speaker 4: So the next morning I could go storming into my 60 00:02:50,040 --> 00:02:53,880 Speaker 4: bedroom and go, damn everything, It's okay. I'm medicated, I'm 61 00:02:53,919 --> 00:02:57,520 Speaker 4: stable now, and and yeah, he said, yeah. So I 62 00:02:57,600 --> 00:03:00,480 Speaker 4: went to LA and I went I went to do 63 00:03:00,520 --> 00:03:03,160 Speaker 4: the Edinburgh Fringe Festival, and went back to LA and 64 00:03:03,200 --> 00:03:06,360 Speaker 4: booked in an Airbnb and the man held me hostage 65 00:03:06,400 --> 00:03:09,400 Speaker 4: for twenty four hours. And the man is the son 66 00:03:09,520 --> 00:03:12,720 Speaker 4: of a very very famous soul singer who you'll have 67 00:03:12,760 --> 00:03:15,320 Speaker 4: to come to my show to find out about. 68 00:03:15,480 --> 00:03:17,520 Speaker 5: That's called a hook everyone, Joe. 69 00:03:17,520 --> 00:03:19,399 Speaker 1: How's that for sell boom? 70 00:03:19,480 --> 00:03:22,760 Speaker 3: The patients that you have to wait twenty four hours? 71 00:03:22,840 --> 00:03:25,280 Speaker 4: I've always I petty. I'm petty, I know. 72 00:03:25,200 --> 00:03:29,800 Speaker 2: But I've always thought about this drama a revenge act 73 00:03:29,840 --> 00:03:32,200 Speaker 2: on a cheetah. I've always thought, I wonder if you 74 00:03:32,200 --> 00:03:35,040 Speaker 2: could sit on that and get them back, Kate. So 75 00:03:35,200 --> 00:03:38,040 Speaker 2: even if it is your grand plan of waiting a 76 00:03:38,080 --> 00:03:40,560 Speaker 2: couple of days before you know, you always hear those 77 00:03:40,600 --> 00:03:43,320 Speaker 2: stories of someone at a wedding and they say, Okay, 78 00:03:43,760 --> 00:03:45,880 Speaker 2: I love this man to death, but can everyone just 79 00:03:45,960 --> 00:03:48,000 Speaker 2: check under their seats and there's photos of. 80 00:03:48,000 --> 00:03:50,720 Speaker 3: You looking up with oh my god, her best friend. 81 00:03:50,800 --> 00:03:52,360 Speaker 4: Yeah, that's straight weddings. 82 00:03:52,400 --> 00:03:54,480 Speaker 5: Well fits. What about when you went overseas to meet 83 00:03:54,480 --> 00:03:56,600 Speaker 5: a loved one and she dumbed you and then you 84 00:03:56,680 --> 00:03:59,240 Speaker 5: got it back by making a couple of international phone calls, 85 00:03:59,280 --> 00:04:00,840 Speaker 5: And did. 86 00:04:00,680 --> 00:04:03,960 Speaker 2: You do again with well, I left a few we Yeah, 87 00:04:04,160 --> 00:04:06,320 Speaker 2: I went all the way Kyla was her name, and 88 00:04:06,360 --> 00:04:08,760 Speaker 2: I went all the way over there Joel at the 89 00:04:08,840 --> 00:04:10,840 Speaker 2: end of the football season, and I said. 90 00:04:10,640 --> 00:04:14,840 Speaker 4: Oh, yeah, and then that's in January, right, that's. 91 00:04:14,680 --> 00:04:18,400 Speaker 2: Correct, we'll usually finish around September. Went over there and 92 00:04:18,480 --> 00:04:20,680 Speaker 2: she said, I'm not joking, got off the plane, went 93 00:04:20,720 --> 00:04:22,400 Speaker 2: back to her house and she said to me, I'm 94 00:04:22,400 --> 00:04:24,240 Speaker 2: so glad you're here because I needed to tell your 95 00:04:24,240 --> 00:04:28,159 Speaker 2: face to face that I can't do this in I 96 00:04:28,279 --> 00:04:31,080 Speaker 2: was back at her for that I was in Phoenix, Arizona. 97 00:04:31,120 --> 00:04:34,320 Speaker 2: We were staying in Irani in house. I made around 98 00:04:34,360 --> 00:04:37,599 Speaker 2: about eighteen hours of phone calls back to our Australia 99 00:04:38,600 --> 00:04:40,200 Speaker 2: and left gifts. 100 00:04:39,760 --> 00:04:42,080 Speaker 3: In every room of the house that we cannot say 101 00:04:42,120 --> 00:04:42,479 Speaker 3: on air. 102 00:04:42,760 --> 00:04:47,560 Speaker 4: Oh my gosh, well what I did and that took 103 00:04:47,600 --> 00:04:48,880 Speaker 4: me getting warmer. 104 00:04:49,040 --> 00:04:49,920 Speaker 1: Yeah, well, I wrote. 105 00:04:49,960 --> 00:04:52,080 Speaker 4: I wrote my ex a letter right in the middle 106 00:04:52,080 --> 00:04:54,159 Speaker 4: of the night because I was leaving the next day 107 00:04:54,600 --> 00:04:56,880 Speaker 4: and I'm like X same X. And I typed it 108 00:04:56,920 --> 00:04:58,760 Speaker 4: down my computer and then I went and sit in 109 00:04:58,760 --> 00:05:00,840 Speaker 4: the kitchen, sat in the kitchen and rode it out 110 00:05:00,839 --> 00:05:01,680 Speaker 4: by hand. 111 00:05:01,520 --> 00:05:02,600 Speaker 1: Because I wanted to be perfect. 112 00:05:02,680 --> 00:05:06,040 Speaker 4: And then I I prayed it with my arm for shade, 113 00:05:06,480 --> 00:05:08,320 Speaker 4: and handed to him as he dropped me off at 114 00:05:08,360 --> 00:05:10,640 Speaker 4: the airport. Never heard from him again. But whatever, I 115 00:05:10,640 --> 00:05:12,800 Speaker 4: wrote an entire book smashing him. So I feel like 116 00:05:12,800 --> 00:05:13,839 Speaker 4: I've got that off my chest. 117 00:05:13,880 --> 00:05:16,960 Speaker 5: So he thought that he might open that smell your scent. 118 00:05:17,000 --> 00:05:20,279 Speaker 4: Yeah and be like, come back from Edinburgh Fringe Festival, So. 119 00:05:20,279 --> 00:05:23,080 Speaker 6: When can we see you here in Sydney when she's the. 120 00:05:23,200 --> 00:05:26,600 Speaker 4: More theater mate, mate? Very soon in a couple of 121 00:05:26,640 --> 00:05:28,840 Speaker 4: weeks and it's stilling out, So come along. I do 122 00:05:28,880 --> 00:05:30,240 Speaker 4: a big song and dance number. 123 00:05:30,000 --> 00:05:30,440 Speaker 1: At the end. 124 00:05:30,760 --> 00:05:32,279 Speaker 4: If you want to get involved, feel free. 125 00:05:32,839 --> 00:05:35,680 Speaker 3: You're playing the second to third of May second. 126 00:05:35,480 --> 00:05:37,120 Speaker 4: Thank you, thank you. 127 00:05:37,080 --> 00:05:39,080 Speaker 5: Fitz Joe Crazy. Can you stick around. We've got a 128 00:05:39,080 --> 00:05:43,000 Speaker 5: segment we like to call write my reply about relationships. 129 00:05:43,000 --> 00:05:45,400 Speaker 5: When you don't know how or what to reply to 130 00:05:45,440 --> 00:05:46,080 Speaker 5: a text message. 131 00:05:46,240 --> 00:05:48,279 Speaker 4: I do it for all my friends. 132 00:05:48,400 --> 00:05:50,360 Speaker 7: I think I've done that for you in the drive studio. 133 00:05:50,440 --> 00:05:53,720 Speaker 7: Sometimes this girl she's taken three weeks to reply. 134 00:05:53,800 --> 00:05:54,920 Speaker 4: Now this is what she said. 135 00:05:55,240 --> 00:05:57,040 Speaker 1: You have helped me out before. Okay, when we per. 136 00:05:58,720 --> 00:05:59,960 Speaker 3: I just got a text from my mom. 137 00:06:00,160 --> 00:06:01,799 Speaker 1: Yes, because I'm a textboat. 138 00:06:02,000 --> 00:06:04,760 Speaker 4: An next boat a TEXTI write my reply. 139 00:06:06,480 --> 00:06:11,560 Speaker 5: Love. In a situation, often at the start of a relationship, 140 00:06:12,200 --> 00:06:14,520 Speaker 5: where you might gather around with your friends and you say, guys, 141 00:06:14,560 --> 00:06:17,599 Speaker 5: so we craft something here, and you become so specific 142 00:06:17,640 --> 00:06:18,520 Speaker 5: about every word. 143 00:06:18,560 --> 00:06:22,080 Speaker 4: Oh yeah, I write it out nights first. 144 00:06:22,320 --> 00:06:24,760 Speaker 5: What about when you become nervous and you'll write the 145 00:06:24,839 --> 00:06:27,520 Speaker 5: message before you actually put in who it's going to. 146 00:06:27,960 --> 00:06:31,520 Speaker 7: Oh, in case you don't, yeah, yeah, I think you 147 00:06:31,560 --> 00:06:33,040 Speaker 7: should always sleep on it. 148 00:06:34,160 --> 00:06:36,560 Speaker 6: Good advice at sleep and then you never send. 149 00:06:36,680 --> 00:06:40,200 Speaker 5: That's why you're so late to reply. Sleeping on that 150 00:06:40,320 --> 00:06:44,520 Speaker 5: one again. All right, Mark's twenty seven. He kiss Dannielle, 151 00:06:44,800 --> 00:06:48,560 Speaker 5: who's twenty five at the work Christmas party past December. 152 00:06:48,760 --> 00:06:49,280 Speaker 1: Oh my gosh. 153 00:06:49,360 --> 00:06:52,040 Speaker 5: Never never spoken about it again, but recently Danielle's been 154 00:06:52,080 --> 00:06:54,479 Speaker 5: in that or that flirty So this is a text 155 00:06:54,480 --> 00:06:57,800 Speaker 5: message from daniel to Mark. Okay, here we go, yo, 156 00:06:57,920 --> 00:06:59,160 Speaker 5: Marco Polo. 157 00:06:59,160 --> 00:07:01,159 Speaker 1: Sounds like an oh, it's bad stuff. 158 00:07:01,320 --> 00:07:04,000 Speaker 5: I've booked us a room for ten am. Tell the 159 00:07:04,040 --> 00:07:06,320 Speaker 5: boss you're on a call with a supplier and we 160 00:07:06,360 --> 00:07:09,679 Speaker 5: can talk through the elephant in the room. Surely both 161 00:07:09,680 --> 00:07:13,960 Speaker 5: of us can work it out with a wink emoji. 162 00:07:15,000 --> 00:07:16,800 Speaker 4: That's inappropriate for the workplace. 163 00:07:16,920 --> 00:07:18,880 Speaker 7: Is I don't think it's quite well. I don't think 164 00:07:18,920 --> 00:07:19,960 Speaker 7: there's anything to break down. 165 00:07:20,040 --> 00:07:21,360 Speaker 5: It's fairly forward, isn't. 166 00:07:21,200 --> 00:07:23,520 Speaker 4: It, well, ten am? Like so like in one of 167 00:07:23,600 --> 00:07:26,640 Speaker 4: like the hot desking area, you're. 168 00:07:26,560 --> 00:07:29,000 Speaker 6: Talking about a room within the building. I think you 169 00:07:29,120 --> 00:07:30,280 Speaker 6: in a room at a hotel. 170 00:07:30,480 --> 00:07:32,720 Speaker 5: No, No, that would be even more. That would be 171 00:07:32,760 --> 00:07:37,720 Speaker 5: fairly direct. The thing is formula, I think Dannielle. I 172 00:07:37,760 --> 00:07:40,240 Speaker 5: mean to Marcus to kind of work out where he 173 00:07:40,280 --> 00:07:43,560 Speaker 5: wants to be professionally as well. So yeah, very sensitive 174 00:07:43,600 --> 00:07:47,160 Speaker 5: Times twenty twenty four on behavior around colleague. So he 175 00:07:47,240 --> 00:07:50,640 Speaker 5: should be fairly generic with his reply. But it sounds 176 00:07:50,680 --> 00:07:54,120 Speaker 5: like she is sure she's hubber hubb us. Surely we 177 00:07:54,160 --> 00:07:55,400 Speaker 5: can both work old? 178 00:07:55,960 --> 00:07:58,480 Speaker 3: Can we jump? Can you break down first of all 179 00:07:58,520 --> 00:08:00,960 Speaker 3: the opening market mar. 180 00:08:02,320 --> 00:08:02,760 Speaker 6: A comic? 181 00:08:02,960 --> 00:08:03,200 Speaker 2: Yeah? 182 00:08:03,360 --> 00:08:07,760 Speaker 4: Okay, Well this is a heterosexual relationship. So because normally 183 00:08:08,200 --> 00:08:11,160 Speaker 4: I just reply three egg plant emojis and three water 184 00:08:11,200 --> 00:08:16,880 Speaker 4: spurn emojis. Guy, Yeah, can we make it? Nine thirty? 185 00:08:19,040 --> 00:08:22,640 Speaker 4: I would say no, what about the after work meet 186 00:08:22,720 --> 00:08:25,720 Speaker 4: up for a drink or maybe a coffee? Do you 187 00:08:25,760 --> 00:08:27,000 Speaker 4: think this is a sexual thing? 188 00:08:27,320 --> 00:08:28,800 Speaker 5: I think it is. But if you're talking about a 189 00:08:28,840 --> 00:08:32,040 Speaker 5: meeting room for ten am, I know it's got to work. 190 00:08:32,080 --> 00:08:33,920 Speaker 5: And thought, I can't hold it in any longer. 191 00:08:34,480 --> 00:08:38,160 Speaker 3: Oh, danniel said this to Mark, Yes, yes, to be 192 00:08:38,160 --> 00:08:38,720 Speaker 3: eaten a lot? 193 00:08:39,040 --> 00:08:41,160 Speaker 6: Is this the day after Christmas party? 194 00:08:42,200 --> 00:08:45,880 Speaker 4: That's a while after I reckon Mark's moved on, Dannielle. 195 00:08:46,400 --> 00:08:49,840 Speaker 5: Maybe Daniel. Maybe Daniel knows Mark has moved on. Therefore, 196 00:08:49,880 --> 00:08:53,000 Speaker 5: she's being so direct because she might be thinking, Hey, 197 00:08:53,120 --> 00:08:54,520 Speaker 5: every guy likes to you. 198 00:08:54,480 --> 00:08:56,680 Speaker 6: Know, so she can be No, they don't. 199 00:08:56,760 --> 00:09:01,480 Speaker 7: Not everyone does, can I also, it's as being a 200 00:09:01,520 --> 00:09:05,280 Speaker 7: man smart? 201 00:09:05,480 --> 00:09:09,040 Speaker 2: Is there a sexual reference in there with the elephant 202 00:09:09,040 --> 00:09:09,640 Speaker 2: in the room? 203 00:09:12,320 --> 00:09:15,720 Speaker 7: Now, I think you're getting way too long down She's 204 00:09:15,920 --> 00:09:18,840 Speaker 7: I'm going to corner him in the workplace. This is 205 00:09:18,880 --> 00:09:21,800 Speaker 7: affecting our working life. But I think it's I think 206 00:09:21,880 --> 00:09:23,920 Speaker 7: she's she's done the wrong thing by being a bit 207 00:09:23,960 --> 00:09:26,400 Speaker 7: flirtatious within a work environment. 208 00:09:28,120 --> 00:09:30,679 Speaker 4: Her lingerie across the desk. 209 00:09:30,480 --> 00:09:35,440 Speaker 5: Because even using the term we can both work it out, yes, 210 00:09:36,120 --> 00:09:39,080 Speaker 5: physically work it out. No, we don't really work this 211 00:09:39,240 --> 00:09:41,080 Speaker 5: out until the working out is over. 212 00:09:41,640 --> 00:09:43,360 Speaker 4: Well, you know, I believe in true love. You know, 213 00:09:43,360 --> 00:09:50,280 Speaker 4: I'm a real romantic. So you're done only with my 214 00:09:50,400 --> 00:09:53,800 Speaker 4: dog and my dog only, I'd say, do you know what, 215 00:09:53,960 --> 00:09:55,640 Speaker 4: I'm going to throw caution into the wind and say, 216 00:09:55,720 --> 00:09:56,000 Speaker 4: just do. 217 00:09:56,000 --> 00:10:00,720 Speaker 5: It made out with anybody on premises? 218 00:10:02,040 --> 00:10:04,520 Speaker 4: Oh, Kate, is now the right time to tell people? 219 00:10:09,480 --> 00:10:11,440 Speaker 6: This is why I had to leave the drive shut. 220 00:10:15,160 --> 00:10:17,360 Speaker 4: No have I No, I did use the data comic 221 00:10:17,400 --> 00:10:18,280 Speaker 4: and that was a mistake. 222 00:10:18,960 --> 00:10:20,960 Speaker 1: Yeah, you did. 223 00:10:20,960 --> 00:10:23,400 Speaker 3: Work at Nova a very long time ago. 224 00:10:23,600 --> 00:10:24,559 Speaker 1: I was a casanova. 225 00:10:24,960 --> 00:10:29,360 Speaker 4: Yeah, because I know they're all way too good looking. 226 00:10:29,640 --> 00:10:30,880 Speaker 4: So I was on my PA plates when I was 227 00:10:30,880 --> 00:10:34,680 Speaker 4: a casanova, like I wasn't allowed to drive the casanova car. 228 00:10:34,960 --> 00:10:36,760 Speaker 1: Yeah, but I knew the boss. So that's how I 229 00:10:36,760 --> 00:10:37,280 Speaker 1: got the gig. 230 00:10:37,880 --> 00:10:40,320 Speaker 4: Not this time, not this time like the fifteen years 231 00:10:40,360 --> 00:10:43,880 Speaker 4: going Perth at nine three seven. No, I would say, 232 00:10:43,880 --> 00:10:44,520 Speaker 4: I'd just say do it. 233 00:10:44,559 --> 00:10:44,840 Speaker 5: Do you know what? 234 00:10:44,920 --> 00:10:46,400 Speaker 4: Throw caution at the wind getting there to do it? 235 00:10:46,559 --> 00:10:48,280 Speaker 4: See what can happen? Just make sure there's some blinds 236 00:10:48,320 --> 00:10:48,720 Speaker 4: and a lock. 237 00:10:51,240 --> 00:10:53,400 Speaker 6: Are there locks on the work offices? 238 00:10:53,480 --> 00:10:53,680 Speaker 4: Now? 239 00:10:53,800 --> 00:10:54,600 Speaker 3: Can you lock the door? 240 00:10:54,800 --> 00:10:58,280 Speaker 4: If this is a text from someone internally, feel free 241 00:10:58,280 --> 00:11:00,200 Speaker 4: to use the drive show offers because no one up 242 00:11:00,240 --> 00:11:02,960 Speaker 4: to about two gm and the stuff that's gone down in. 243 00:11:02,960 --> 00:11:03,400 Speaker 3: There as far. 244 00:11:03,880 --> 00:11:05,040 Speaker 5: You've got a curtain there as. 245 00:11:04,960 --> 00:11:07,920 Speaker 4: Well, got his barky curtain. I wonder why that's up. 246 00:11:10,360 --> 00:11:11,479 Speaker 1: Don't look at the whiteboard. 247 00:11:11,920 --> 00:11:13,840 Speaker 2: If you want to go see Joel, it's the second 248 00:11:13,840 --> 00:11:16,040 Speaker 2: and the third of May in Moore Theater. It's the 249 00:11:16,080 --> 00:11:19,559 Speaker 2: new show Boom Goaden Livenation dot com dot au. Or 250 00:11:19,760 --> 00:11:22,400 Speaker 2: stick around this afternoon four o'clock you can actually be 251 00:11:22,440 --> 00:11:24,559 Speaker 2: back of course with Ricky Lee and Tim. 252 00:11:24,559 --> 00:11:25,880 Speaker 3: Thanks for coming in Joeling. 253 00:11:26,040 --> 00:11:26,959 Speaker 4: Love You Guys. 254 00:11:27,000 --> 00:11:28,560 Speaker 1: Buddy Sits In Whipper with. 255 00:11:28,640 --> 00:11:32,000 Speaker 5: Kate Ritchie is a Nova podcast walk great shows like this. 256 00:11:32,360 --> 00:11:35,440 Speaker 5: Download the Nova player, Fire, the app store, or Google 257 00:11:35,520 --> 00:11:35,880 Speaker 5: Playing