1 00:00:00,160 --> 00:00:03,640 Speaker 1: You know he is scary. John's it apologies about my 2 00:00:03,800 --> 00:00:07,400 Speaker 1: Dickhead grandson and by Dickhead's son Matthew. But I really 3 00:00:07,440 --> 00:00:09,560 Speaker 1: appreciate it for you. Hit the follow but all the 4 00:00:09,560 --> 00:00:14,040 Speaker 1: best of all your old shaggers out there. Good luck boys. 5 00:00:15,120 --> 00:00:22,360 Speaker 2: So those nasty rumors as you leant over to hit record, Yeah, 6 00:00:22,520 --> 00:00:23,760 Speaker 2: I love that. That's right. What we do. 7 00:00:23,800 --> 00:00:26,239 Speaker 3: We'd like to trap people. We don't tell them they're on. 8 00:00:26,560 --> 00:00:28,840 Speaker 3: None of the stuff we get out of them salacious. 9 00:00:28,920 --> 00:00:32,720 Speaker 4: Yeah, especially especially recording the Other Home. It's lulls me 10 00:00:32,720 --> 00:00:34,559 Speaker 4: into a false sense of curia. It does give me 11 00:00:34,600 --> 00:00:36,680 Speaker 4: a coffee and a hat. I'll tell you anything you 12 00:00:36,680 --> 00:00:37,080 Speaker 4: want to know. 13 00:00:38,680 --> 00:00:43,920 Speaker 3: Scene in pulp fiction when yeah, Mrscello, Muscillus, Wallace and 14 00:00:44,000 --> 00:00:45,440 Speaker 3: Butch gets locked. 15 00:00:45,200 --> 00:00:49,320 Speaker 2: In the room with z and Maynard. It will don't 16 00:00:49,360 --> 00:00:51,840 Speaker 2: get the gimp boys, Let's go gimps in the corner. 17 00:00:52,040 --> 00:00:55,040 Speaker 4: Kathy Griffin's in that movie, Yeah, yes, yes, in the 18 00:00:55,080 --> 00:00:56,360 Speaker 4: Bruce Millers car accidents. 19 00:00:56,680 --> 00:00:59,040 Speaker 2: That's right. Was she the ones gets shot in the leg? 20 00:00:59,600 --> 00:01:01,680 Speaker 4: I think she's just as in this advice soundar that 21 00:01:01,760 --> 00:01:03,440 Speaker 4: runs around screaming with her red mop. 22 00:01:03,440 --> 00:01:04,680 Speaker 2: Had her first roll. 23 00:01:04,880 --> 00:01:07,759 Speaker 4: I don't know that's all my Kathy Griffer knowledge. This 24 00:01:07,840 --> 00:01:09,120 Speaker 4: is a movie podcast, right. 25 00:01:10,800 --> 00:01:16,760 Speaker 2: Yeah, yeah, seen three about ten minutes in the show. 26 00:01:17,959 --> 00:01:18,760 Speaker 2: There's the Ultimate. 27 00:01:19,080 --> 00:01:23,600 Speaker 3: Actually yeah, came on, came on. We asked her a question. 28 00:01:23,840 --> 00:01:26,360 Speaker 3: She basically abused us and page. 29 00:01:27,080 --> 00:01:31,000 Speaker 5: Kathy Griffin because she's Aussie. Right, No, she's not aussy. 30 00:01:32,120 --> 00:01:36,120 Speaker 2: Trump's head members. Yeah, oh god, you get over this 31 00:01:36,160 --> 00:01:36,640 Speaker 2: way much. 32 00:01:37,280 --> 00:01:39,080 Speaker 4: I don't actually military roads a bitch. 33 00:01:39,600 --> 00:01:39,839 Speaker 2: Sure. 34 00:01:40,280 --> 00:01:42,920 Speaker 4: Yeah, the lanes are so tiny. Everyone's with huge cars 35 00:01:42,959 --> 00:01:44,200 Speaker 4: and tiny little lanes. 36 00:01:44,640 --> 00:01:47,119 Speaker 2: But it's a beautiful spot, you got. It's good spots. 37 00:01:47,160 --> 00:01:48,000 Speaker 4: You could see the ocean. 38 00:01:48,680 --> 00:01:51,080 Speaker 2: Yeah, we want to get closer to the ocean. I 39 00:01:51,120 --> 00:01:52,120 Speaker 2: think they're buying a house. 40 00:01:52,200 --> 00:01:55,720 Speaker 5: But thank Jack's just holding up a picture. 41 00:01:55,800 --> 00:01:59,680 Speaker 2: Yeah you're right. I know that's an old photo. See 42 00:01:59,680 --> 00:02:00,000 Speaker 2: if you can. 43 00:02:00,960 --> 00:02:07,240 Speaker 4: Yeah, there the holy fuck, oh my god, it looks 44 00:02:07,360 --> 00:02:09,000 Speaker 4: like But no, she's not Australian. 45 00:02:09,040 --> 00:02:14,160 Speaker 5: To answer your questions, who's the comedian Carrot Top comic? 46 00:02:14,760 --> 00:02:16,200 Speaker 2: It's a bad things about Carrot Top. 47 00:02:16,360 --> 00:02:18,839 Speaker 5: He was performing in Vegas when we were over there. 48 00:02:18,520 --> 00:02:21,320 Speaker 5: They were horrendous. 49 00:02:21,800 --> 00:02:24,440 Speaker 4: He's just given up. Not as horrendous as David Copperfield. 50 00:02:24,440 --> 00:02:26,880 Speaker 4: So I interviewed David Copperfield over there, right, and I 51 00:02:26,960 --> 00:02:29,120 Speaker 4: mean he may or may not be allegedly whatever you 52 00:02:29,160 --> 00:02:31,240 Speaker 4: want to say on this, maybe on the Epstein list, 53 00:02:31,760 --> 00:02:35,239 Speaker 4: And I reckon. I know why because when we interviewed 54 00:02:35,280 --> 00:02:38,320 Speaker 4: him at the MGM Grand and it was just like 55 00:02:38,400 --> 00:02:40,679 Speaker 4: he basically has a private jet MGM Grand. 56 00:02:40,440 --> 00:02:41,320 Speaker 2: And he's with his own theory. 57 00:02:41,360 --> 00:02:43,480 Speaker 4: I think he's one of the highest tickets sellers of 58 00:02:43,560 --> 00:02:47,720 Speaker 4: anything music, any magic of all time. And he had 59 00:02:47,760 --> 00:02:49,880 Speaker 4: a lock on the top of his bathroom door, but 60 00:02:49,960 --> 00:02:54,120 Speaker 4: on the outside, like a full lock, like he wasn't 61 00:02:54,200 --> 00:02:55,119 Speaker 4: hiding and there was a lock. 62 00:02:56,000 --> 00:02:58,160 Speaker 2: Yeah, and you saw it. Did you ask him about it? Like, 63 00:02:58,200 --> 00:03:00,760 Speaker 2: what's the I couldn't. No, no, no, he's got out there. 64 00:03:04,000 --> 00:03:06,120 Speaker 5: Oh that is fa I mean, how competitive with the 65 00:03:06,120 --> 00:03:12,799 Speaker 5: magician market. Really, he's a prop paratos coming, is that dude? 66 00:03:12,880 --> 00:03:13,880 Speaker 5: Chris Angel mind freak? 67 00:03:14,040 --> 00:03:14,160 Speaker 4: Oh? 68 00:03:14,200 --> 00:03:15,079 Speaker 2: Yeah, yeah, Homber that guy. 69 00:03:15,120 --> 00:03:17,440 Speaker 4: Why don't you the magic's like song parodies on don't 70 00:03:17,480 --> 00:03:19,399 Speaker 4: you hear like the first like thirty seconds or see 71 00:03:19,400 --> 00:03:20,239 Speaker 4: the first thirty seconds? 72 00:03:20,280 --> 00:03:24,840 Speaker 2: I'm done now made? Yeah. 73 00:03:25,160 --> 00:03:27,400 Speaker 3: Friend, people we know went and saw Carrot Top more 74 00:03:27,440 --> 00:03:29,800 Speaker 3: over there. They said it was just completely it was horrendous. 75 00:03:30,200 --> 00:03:32,400 Speaker 3: He just basically got up on stage. He had a 76 00:03:32,440 --> 00:03:35,480 Speaker 3: list that he was reading. They're doing jokes, and that 77 00:03:35,640 --> 00:03:37,080 Speaker 3: off off like a sheet. 78 00:03:37,120 --> 00:03:39,720 Speaker 2: He was looking at. The crowd were booing. Didn't go 79 00:03:39,720 --> 00:03:40,440 Speaker 2: good for Carrot Top. 80 00:03:40,600 --> 00:03:42,680 Speaker 4: What do you actually think of Vegas in all seriousness, 81 00:03:42,680 --> 00:03:46,120 Speaker 4: because it's meant to be obviously the loose town. I 82 00:03:46,120 --> 00:03:48,400 Speaker 4: don't think it is. I think it's all talk. Really, 83 00:03:48,440 --> 00:03:50,920 Speaker 4: that's a hot take, hot take on Vegas. The only 84 00:03:50,920 --> 00:03:53,960 Speaker 4: reason I think you get that did well? 85 00:03:54,000 --> 00:03:56,720 Speaker 2: Thanks for joining us. Wow, there you go, Jack Clip. 86 00:03:56,680 --> 00:04:00,560 Speaker 5: Thanks to Vegas dot com, who actually sponsored by the 87 00:04:01,080 --> 00:04:04,240 Speaker 5: I think it's very I just I think it's too much. 88 00:04:04,280 --> 00:04:07,800 Speaker 5: But it's disney Land for adults. Every time I go in, 89 00:04:07,840 --> 00:04:13,320 Speaker 5: when that warm dryer hits your skin, when you start 90 00:04:13,400 --> 00:04:14,880 Speaker 5: flaking out like a bearded dragon. 91 00:04:16,400 --> 00:04:17,880 Speaker 3: A couple of years ago. To him, we went over 92 00:04:17,920 --> 00:04:20,640 Speaker 3: there for the show. Well it wasn't actually for the show. 93 00:04:20,720 --> 00:04:22,480 Speaker 3: I just kept saying on the show they should send 94 00:04:22,560 --> 00:04:25,320 Speaker 3: us safe for an orientation. Anyway, someone went, okay, that 95 00:04:25,360 --> 00:04:28,240 Speaker 3: sounds great. Yeah, we had ten days there. I got home, 96 00:04:28,279 --> 00:04:29,880 Speaker 3: I jumped out of the car. He when I ride back, 97 00:04:29,920 --> 00:04:32,839 Speaker 3: I'd lost something like nine KOs go us, what have 98 00:04:32,880 --> 00:04:33,440 Speaker 3: you been doing? 99 00:04:35,720 --> 00:04:38,719 Speaker 5: I hate something talk about looking like Penny Wise. He 100 00:04:38,800 --> 00:04:40,719 Speaker 5: was that he was that white in the face. He 101 00:04:40,839 --> 00:04:43,520 Speaker 5: was like ashy, like an ash tray. And every time 102 00:04:43,560 --> 00:04:45,880 Speaker 5: he'd smile, because he's lip he wouldn't put chapstick on 103 00:04:45,920 --> 00:04:47,640 Speaker 5: over there, so every time he smiled, his lips would 104 00:04:47,680 --> 00:04:48,720 Speaker 5: crack and blood would start. 105 00:04:51,160 --> 00:04:51,760 Speaker 2: It was rank. 106 00:04:52,000 --> 00:04:54,160 Speaker 4: I remember when we did our radio show over there 107 00:04:54,240 --> 00:04:56,359 Speaker 4: years and years ago, and one of the first nights 108 00:04:56,440 --> 00:04:58,560 Speaker 4: was the Mariah Carey Show, and I wasn't allowed to 109 00:04:58,560 --> 00:05:00,720 Speaker 4: go because for some reason, like he spearing into my 110 00:05:00,760 --> 00:05:02,560 Speaker 4: schoony glass. 111 00:05:03,080 --> 00:05:05,520 Speaker 2: But I feel like I heard the review of that show. 112 00:05:05,760 --> 00:05:07,000 Speaker 2: I'm the one that went. 113 00:05:06,880 --> 00:05:11,640 Speaker 3: Out, How's how's it has Joel and Ricky. 114 00:05:11,440 --> 00:05:12,840 Speaker 2: Lee really good? 115 00:05:12,920 --> 00:05:15,280 Speaker 4: Yeah, I've come to you on ratings day. Obviously you're 116 00:05:15,360 --> 00:05:16,480 Speaker 4: a big radio guy. 117 00:05:16,400 --> 00:05:19,479 Speaker 5: Now, Yeah, to be fair, like I'm in radio, but 118 00:05:19,600 --> 00:05:21,280 Speaker 5: I actually don't know the first Like I don't even 119 00:05:21,320 --> 00:05:22,240 Speaker 5: know how the ratings work. 120 00:05:22,279 --> 00:05:25,280 Speaker 2: Whilst radio people love all that, you actually know how 121 00:05:25,320 --> 00:05:26,800 Speaker 2: the whole ratings and stuff work. 122 00:05:26,880 --> 00:05:28,599 Speaker 4: Well, Yeah, I mean it's changed a lot now, like 123 00:05:28,720 --> 00:05:30,719 Speaker 4: we take a lot more of like I think the 124 00:05:30,800 --> 00:05:32,920 Speaker 4: streaming involved now and all that stuff. But yeah, I 125 00:05:32,960 --> 00:05:35,760 Speaker 4: mean it is a bit of an archaic system. Yeah, yeah, 126 00:05:36,200 --> 00:05:38,400 Speaker 4: he's still diaries. Yeah, you meant to put on the 127 00:05:38,440 --> 00:05:40,359 Speaker 4: top of your fridge and then biz on like the 128 00:05:40,360 --> 00:05:42,280 Speaker 4: second Sunday or whatever you meant to fill it out. 129 00:05:42,480 --> 00:05:44,560 Speaker 3: It's so bizarre in the person when you're knock on 130 00:05:44,600 --> 00:05:46,400 Speaker 3: the door, the only person you can take the book 131 00:05:46,480 --> 00:05:48,400 Speaker 3: is the person who answers, yeah the door. 132 00:05:48,560 --> 00:05:48,880 Speaker 4: Yeah. 133 00:05:48,920 --> 00:05:50,800 Speaker 3: And I mean then they asked would you like to 134 00:05:50,839 --> 00:05:53,240 Speaker 3: take a you know, the log book and market I 135 00:05:53,279 --> 00:05:54,080 Speaker 3: mean who does that? 136 00:05:54,360 --> 00:05:55,960 Speaker 2: Certainly no one under fifty. 137 00:05:56,400 --> 00:05:59,520 Speaker 4: And also apparently the house the books go to has 138 00:05:59,560 --> 00:06:01,760 Speaker 4: to be a home address. It can't be an apartment, 139 00:06:02,440 --> 00:06:03,200 Speaker 4: so that. 140 00:06:03,360 --> 00:06:05,240 Speaker 2: Rules out a lot, rules out a lot of young 141 00:06:05,279 --> 00:06:06,480 Speaker 2: folk listening to the FM. 142 00:06:06,760 --> 00:06:10,279 Speaker 3: Yeah, so that's what I mean, that's looking. But that's 143 00:06:10,279 --> 00:06:12,440 Speaker 3: why GB has been a powerhouse for so. 144 00:06:12,440 --> 00:06:14,320 Speaker 4: Long, because they wake their radio on in the corner 145 00:06:15,080 --> 00:06:15,560 Speaker 4: pass away. 146 00:06:15,640 --> 00:06:19,800 Speaker 3: Basically funeral homes and the rec oldish function are probably 147 00:06:22,560 --> 00:06:25,400 Speaker 3: so with that, then with that we just still look 148 00:06:25,520 --> 00:06:27,440 Speaker 3: like with that rating. 149 00:06:27,200 --> 00:06:30,080 Speaker 5: System, man, could it very much be like when you 150 00:06:30,120 --> 00:06:33,040 Speaker 5: say two GB, the older demographic always would tick that box. 151 00:06:33,440 --> 00:06:36,520 Speaker 5: Could it very much be that they don't own that, like, 152 00:06:36,560 --> 00:06:39,680 Speaker 5: they don't have that much as Yeah, they don't have 153 00:06:39,720 --> 00:06:40,920 Speaker 5: the ratings that people think now. 154 00:06:40,839 --> 00:06:41,479 Speaker 2: One hundred percent. 155 00:06:41,560 --> 00:06:43,760 Speaker 4: Yeah, yeah, also because I think with FM radio, which 156 00:06:43,760 --> 00:06:45,400 Speaker 4: we're a part of, obviously you used to be. 157 00:06:45,680 --> 00:06:50,320 Speaker 3: Yeah, I'm an old veteran, veteran of them, the old 158 00:06:50,360 --> 00:06:52,280 Speaker 3: Doug mull of Coloradi. 159 00:06:52,839 --> 00:06:53,479 Speaker 2: There he goes. 160 00:06:53,480 --> 00:06:55,440 Speaker 4: They're moving around a lot, you know, they're flicking around, 161 00:06:55,440 --> 00:06:57,760 Speaker 4: so it is harder to get a more accurate depiction. 162 00:06:57,800 --> 00:06:58,960 Speaker 4: But we know when we do it all right, we 163 00:06:59,040 --> 00:07:01,560 Speaker 4: just leave it alone. We don't when I rustled through. 164 00:07:01,480 --> 00:07:03,760 Speaker 2: The weeds too much when we're doing okay, nothing's fine. 165 00:07:03,760 --> 00:07:05,680 Speaker 3: From where I was sitting, Jamie and used to walk 166 00:07:05,720 --> 00:07:08,720 Speaker 3: in whenever we had a ratings lifting game, fantastic, this 167 00:07:08,760 --> 00:07:10,240 Speaker 3: is what we deserved. We knew it was going to 168 00:07:10,280 --> 00:07:12,920 Speaker 3: be big. And then when we invariably the next book 169 00:07:12,960 --> 00:07:15,040 Speaker 3: we would go down. He'd just go mate, so flawed. 170 00:07:16,800 --> 00:07:18,400 Speaker 3: It just doesn't it just doesn't work. 171 00:07:18,440 --> 00:07:20,680 Speaker 2: I haven't heard that name for a while. I used to. 172 00:07:20,720 --> 00:07:22,640 Speaker 4: I used to when I when I moved to Melbourne 173 00:07:22,640 --> 00:07:25,040 Speaker 4: from Sydney, when I got my first gig, I actually 174 00:07:25,080 --> 00:07:27,280 Speaker 4: recorded all his He used to drive on today FM. 175 00:07:27,280 --> 00:07:28,600 Speaker 2: I used to just record his talk. 176 00:07:28,440 --> 00:07:31,520 Speaker 4: Breaks and just listened to like basically nine hours of 177 00:07:31,520 --> 00:07:33,760 Speaker 4: talk breaks on my I set and my little Toyota 178 00:07:33,760 --> 00:07:35,480 Speaker 4: Starlett on the way down to Melbourne. Was he good? 179 00:07:35,640 --> 00:07:36,200 Speaker 2: He was great? 180 00:07:36,480 --> 00:07:36,640 Speaker 1: Yeah? 181 00:07:37,280 --> 00:07:39,680 Speaker 5: I didn't know j Actually yea was he was your 182 00:07:39,800 --> 00:07:40,880 Speaker 5: he was your boss at Triple Am. 183 00:07:40,960 --> 00:07:43,240 Speaker 2: Yeah, that's right, and we used to impersonate him on air. 184 00:07:43,520 --> 00:07:47,120 Speaker 3: Jammie Angel, Yeah, yeah, he loved Training. 185 00:07:47,560 --> 00:07:48,640 Speaker 2: I always remember. 186 00:07:48,480 --> 00:07:51,200 Speaker 4: Loving the band Soul System Yeah, yeah, yeah, yeah, drops 187 00:07:51,200 --> 00:07:53,200 Speaker 4: some Jupiter. I've never actually heard Train be the answer 188 00:07:53,240 --> 00:07:54,320 Speaker 4: to who's your favorite band? 189 00:07:54,400 --> 00:08:00,280 Speaker 2: Ever once in my life. I mean, really, who asked 190 00:08:00,320 --> 00:08:01,800 Speaker 2: Jamie his favorite was? 191 00:08:01,880 --> 00:08:04,800 Speaker 6: Anyway, Well, Tim, we have a we do have a 192 00:08:04,840 --> 00:08:12,760 Speaker 6: surprise question. It's Trained, It's trained in Jamie Angel, I. 193 00:08:12,720 --> 00:08:19,320 Speaker 2: Think I think the Trains dead. That's a shame. 194 00:08:19,600 --> 00:08:22,160 Speaker 4: He's actually you know Adam Levine from Ruine Fire right, 195 00:08:22,200 --> 00:08:25,840 Speaker 4: if you ever watched Howard Steren's birthday shows, he Prince 196 00:08:25,880 --> 00:08:28,440 Speaker 4: died like the day before and Adam Levine from Run five, 197 00:08:28,440 --> 00:08:31,240 Speaker 4: which is a shocking band, got up and did Purple 198 00:08:31,360 --> 00:08:34,520 Speaker 4: Rain and it's unbelievable, but they had the guy from 199 00:08:34,559 --> 00:08:36,360 Speaker 4: Training their book as a guest too, and he came 200 00:08:36,440 --> 00:08:39,439 Speaker 4: up with a diverse and completely fucked it. But look 201 00:08:39,480 --> 00:08:41,520 Speaker 4: that up on YouTube after list. 202 00:08:41,240 --> 00:08:44,079 Speaker 2: Hell Maroon five. Oh dear lord. 203 00:08:44,240 --> 00:08:48,680 Speaker 5: So you guys, your Drive show is we're talking number one. 204 00:08:48,720 --> 00:08:50,520 Speaker 5: We have been number one for a long time. Yeah, 205 00:08:50,559 --> 00:08:52,600 Speaker 5: we were talking upstairs before. It's just number one. 206 00:08:52,720 --> 00:08:55,160 Speaker 4: The rating is just number one, number one, number one 207 00:08:55,200 --> 00:08:55,959 Speaker 4: in people's hearts. 208 00:08:56,040 --> 00:08:57,840 Speaker 2: Yeah, because that's. 209 00:08:57,280 --> 00:09:01,200 Speaker 5: With the surveys. They often say that it's stems from Breakfast, right, 210 00:09:01,240 --> 00:09:02,960 Speaker 5: But you guys seem like a bit of an anomaly 211 00:09:03,040 --> 00:09:06,680 Speaker 5: because obviously Coylin Jackie O are number one and then. 212 00:09:06,600 --> 00:09:07,360 Speaker 2: Well in Sydney. 213 00:09:07,440 --> 00:09:12,960 Speaker 5: In Sydney, sorry guys with books, But then you guys 214 00:09:13,120 --> 00:09:15,320 Speaker 5: to be number one Drive, Like is that sort of 215 00:09:15,440 --> 00:09:16,520 Speaker 5: does that happen very often? 216 00:09:17,120 --> 00:09:19,720 Speaker 4: Like? Yeah, I think I think nicely for us lately 217 00:09:20,200 --> 00:09:22,400 Speaker 4: all the last few incarnations of the show. Actually, I 218 00:09:22,400 --> 00:09:24,720 Speaker 4: feel like we've been a destination show. You can really 219 00:09:24,760 --> 00:09:25,840 Speaker 4: see that, which is nice. 220 00:09:26,400 --> 00:09:27,479 Speaker 2: Perth is a jugger. 221 00:09:27,240 --> 00:09:29,760 Speaker 4: Nott like Perth just is like rating twenty percent of 222 00:09:29,800 --> 00:09:31,360 Speaker 4: Breakfast and then just carries through the day. 223 00:09:31,400 --> 00:09:32,600 Speaker 2: So that generally does work. 224 00:09:33,320 --> 00:09:35,160 Speaker 4: And that's why kissed us so well in Sydney too, 225 00:09:35,160 --> 00:09:36,400 Speaker 4: because you guys in the morning. 226 00:09:36,520 --> 00:09:42,120 Speaker 2: Just keep people glued. Thank you appreciate anytime. So like 227 00:09:42,200 --> 00:09:45,600 Speaker 2: I was just like your Hobart boy, born in Hobart. 228 00:09:45,600 --> 00:09:48,000 Speaker 4: It's got back last week actually to see the old man. Yeah, 229 00:09:48,240 --> 00:09:49,439 Speaker 4: my mum got me out of there when I was 230 00:09:49,440 --> 00:09:50,080 Speaker 4: in year five. 231 00:09:52,240 --> 00:09:55,079 Speaker 2: Yeah, give me to Washington do suit? Yeah yeah, yeah. 232 00:09:55,120 --> 00:09:59,040 Speaker 4: I went to the Bill Clinton impeachment trial as an 233 00:09:59,120 --> 00:10:04,120 Speaker 4: excursion for school guilty. It turns out, oh god, yeah 234 00:10:04,200 --> 00:10:06,600 Speaker 4: he did have sectually that woman, what's. 235 00:10:09,040 --> 00:10:10,600 Speaker 2: You know where a black dress do a party? 236 00:10:10,760 --> 00:10:12,600 Speaker 5: Does that make you an AFL man? If you're from home? 237 00:10:12,600 --> 00:10:15,960 Speaker 2: One hundred percent? Hawthorne? Hawthorne? Are you Hawthorne? Yeah? No way. 238 00:10:16,040 --> 00:10:17,040 Speaker 5: Did you live down there at all? 239 00:10:17,160 --> 00:10:17,520 Speaker 2: Yeah? 240 00:10:17,520 --> 00:10:20,160 Speaker 4: I was born there and lived down there until year 241 00:10:20,200 --> 00:10:23,000 Speaker 4: five and then went back down I left America in. 242 00:10:22,920 --> 00:10:25,040 Speaker 2: The year ten and did year ten, eleven, and twelve 243 00:10:25,040 --> 00:10:27,200 Speaker 2: down there with my dad. And does anybody home school 244 00:10:27,200 --> 00:10:28,000 Speaker 2: by the way out of school? 245 00:10:28,040 --> 00:10:29,520 Speaker 5: But if you go to rugby league side then because 246 00:10:29,520 --> 00:10:30,439 Speaker 5: we're rugby. 247 00:10:30,320 --> 00:10:30,760 Speaker 2: League I know. 248 00:10:30,840 --> 00:10:32,280 Speaker 4: So this is the thing. I knew this coming in 249 00:10:33,000 --> 00:10:35,400 Speaker 4: because when we moved to Sydney, we lived in a 250 00:10:35,440 --> 00:10:38,400 Speaker 4: little flat in Rushcutters Bay and I just figured I 251 00:10:38,480 --> 00:10:41,160 Speaker 4: should be a Sydney rooster supporter, which I kind of like, 252 00:10:41,200 --> 00:10:43,440 Speaker 4: you know, when I kind of say it reluctantly, I go, yeah, 253 00:10:43,520 --> 00:10:44,440 Speaker 4: I go for the roosters. 254 00:10:44,880 --> 00:10:48,439 Speaker 2: Go Hawk. That's very very that's very ham FL. The 255 00:10:48,559 --> 00:10:52,679 Speaker 2: richest class, very AFL. That's very ludist. Yeah. 256 00:10:52,720 --> 00:10:55,920 Speaker 3: So a question going from how old we went to 257 00:10:56,320 --> 00:11:01,760 Speaker 3: Washington thirteen to seventeen, how big was the culture shock. 258 00:11:01,920 --> 00:11:03,640 Speaker 2: Going from Hobart to Washington. 259 00:11:03,679 --> 00:11:06,520 Speaker 4: Well, we were in Hobart, Sydney, Washington, but still huge. 260 00:11:06,600 --> 00:11:08,439 Speaker 4: But the great thing was I was a thirteen year 261 00:11:08,440 --> 00:11:11,840 Speaker 4: old kid loving Seinfeld and Friends and stuff like that. 262 00:11:11,880 --> 00:11:14,280 Speaker 4: To move to America, it was like, literally it was 263 00:11:14,280 --> 00:11:15,880 Speaker 4: the best thing ever. Yeah, was it real? 264 00:11:16,000 --> 00:11:20,520 Speaker 5: Like that sort of school the school yard scene that 265 00:11:20,600 --> 00:11:23,000 Speaker 5: you see on TV. Is it all the same, Like 266 00:11:23,000 --> 00:11:24,880 Speaker 5: there's just blokes name Chad who are like the quarterback 267 00:11:25,200 --> 00:11:28,600 Speaker 5: chet Chadette, the cheerleaders. 268 00:11:28,200 --> 00:11:30,640 Speaker 4: Was Springton Lake Middle School for a while, and the 269 00:11:30,880 --> 00:11:34,200 Speaker 4: would go ghost Spartans and the locker. The thing that 270 00:11:34,240 --> 00:11:36,120 Speaker 4: shocked me the most was the lockers, Like the school 271 00:11:36,120 --> 00:11:38,600 Speaker 4: lockers literally were ones that you get stuffed into like 272 00:11:38,640 --> 00:11:39,600 Speaker 4: it's saved by the belt. 273 00:11:41,320 --> 00:11:44,120 Speaker 2: Oh wow. But you're living in DC? 274 00:11:44,320 --> 00:11:46,720 Speaker 4: Was crazy because we lived like on the Potomac River, 275 00:11:46,800 --> 00:11:48,800 Speaker 4: so we were technically in Virginia, but on the other 276 00:11:48,800 --> 00:11:51,880 Speaker 4: side of the Potoma River was was DC, and like 277 00:11:51,960 --> 00:11:54,240 Speaker 4: it was we're convinced that like the seasons and stuff 278 00:11:54,280 --> 00:11:56,520 Speaker 4: over there were controlled by the Pentagon because literally, on 279 00:11:56,559 --> 00:11:59,080 Speaker 4: the day one of winter, like a snowflake will fall 280 00:11:59,120 --> 00:12:01,600 Speaker 4: on your nose, just like you're in a Julia Roberts movie. 281 00:12:01,600 --> 00:12:07,440 Speaker 2: You know, exactly more movies on this podcast. Did you 282 00:12:07,440 --> 00:12:07,840 Speaker 2: get Like? 283 00:12:09,160 --> 00:12:12,320 Speaker 5: Was there many like people getting stuffed into lockers? Like 284 00:12:12,360 --> 00:12:13,240 Speaker 5: did you get stuffed in? 285 00:12:13,679 --> 00:12:15,920 Speaker 2: It was really hectic before they realized I was Australian. 286 00:12:16,000 --> 00:12:18,280 Speaker 4: Some kids at the back of the yellow school bus 287 00:12:18,280 --> 00:12:20,400 Speaker 4: with peg batteries at my head. Oh really, And then 288 00:12:20,520 --> 00:12:22,680 Speaker 4: I'll go, hey, get a guys, put it on the 289 00:12:22,720 --> 00:12:24,840 Speaker 4: strip on the barbie and I'm like, oh, get up 290 00:12:24,840 --> 00:12:27,160 Speaker 4: here with this. But the school bus driver I remember 291 00:12:27,200 --> 00:12:30,320 Speaker 4: one day, goes, my god, man, you're English is so good. 292 00:12:30,480 --> 00:12:31,840 Speaker 4: You've been here for like two weeks. 293 00:12:31,920 --> 00:12:35,959 Speaker 2: I'm like, are they that naive to it? Back then? 294 00:12:36,000 --> 00:12:38,360 Speaker 4: They were too, like Silver Chair were really big then 295 00:12:39,360 --> 00:12:42,000 Speaker 4: when I lived there, and really Steve Irwin and then 296 00:12:42,040 --> 00:12:43,760 Speaker 4: that was it. So you could pretty much tell them 297 00:12:43,800 --> 00:12:44,640 Speaker 4: anything and they'd go. 298 00:12:44,760 --> 00:12:47,160 Speaker 2: Oh really yeah, did they love it? Like once they 299 00:12:47,160 --> 00:12:48,760 Speaker 2: found out your popular. 300 00:12:49,679 --> 00:12:52,040 Speaker 5: Yeah, they're coming back home to reality and you were 301 00:12:52,040 --> 00:12:52,960 Speaker 5: the only Australian there. 302 00:12:53,000 --> 00:12:56,000 Speaker 4: Yeah, one hundred percent. Yeah, it's not funny. 303 00:12:56,000 --> 00:12:58,000 Speaker 3: If you as an Australian going over there, you treated 304 00:12:58,080 --> 00:12:59,440 Speaker 3: so well, but if you came back here with an 305 00:12:59,440 --> 00:13:00,920 Speaker 3: American acts, they fucking hate it. 306 00:13:01,160 --> 00:13:02,280 Speaker 2: Absolutely. Yeah. Yeah. 307 00:13:02,400 --> 00:13:04,320 Speaker 4: I had to change my voge. I never had an accent. 308 00:13:04,360 --> 00:13:06,280 Speaker 4: You have to change your vocabulary over there, like you 309 00:13:06,320 --> 00:13:09,040 Speaker 4: say footpath and like huh, and you have to say 310 00:13:09,120 --> 00:13:11,880 Speaker 4: bathrooms at a toilet, so little. 311 00:13:11,720 --> 00:13:14,360 Speaker 2: Things like that. It's a bottle. 312 00:13:15,559 --> 00:13:20,040 Speaker 4: So the first job in radio, well it was well, 313 00:13:20,400 --> 00:13:23,480 Speaker 4: the first unpaid job was to too n s B 314 00:13:23,640 --> 00:13:26,960 Speaker 4: Chatswood in a little room kind of like this, just 315 00:13:27,040 --> 00:13:30,560 Speaker 4: doing weekends and I had to do the weather. I 316 00:13:30,559 --> 00:13:32,400 Speaker 4: did the weather, so we took Macquariy National News and 317 00:13:32,400 --> 00:13:33,599 Speaker 4: then I remember the first day I had to do 318 00:13:33,679 --> 00:13:35,600 Speaker 4: the weather and my my finger was shaking as I 319 00:13:35,640 --> 00:13:38,080 Speaker 4: pulled the fader down and went the precipitation to the north. 320 00:13:39,800 --> 00:13:41,560 Speaker 2: But that was my first page job. 321 00:13:41,880 --> 00:13:44,080 Speaker 4: Then I did work experience that with Amanda and Denton 322 00:13:44,720 --> 00:13:47,120 Speaker 4: at Triple M, and then Jonesy. I just used to 323 00:13:47,160 --> 00:13:49,920 Speaker 4: take myself in my school uniform, so Jonesy, who's Jones 324 00:13:49,920 --> 00:13:51,160 Speaker 4: in the man? And now I was doing afternoons on 325 00:13:51,200 --> 00:13:53,560 Speaker 4: Triple AM. I always, weirdly, all I wanted to do 326 00:13:53,640 --> 00:13:55,440 Speaker 4: was work at Triple M. That's all I wanted since 327 00:13:55,440 --> 00:13:57,079 Speaker 4: I was a kid, and Doug Moray listened to Doug 328 00:13:57,120 --> 00:14:00,160 Speaker 4: Miray then into Danson and Keller and so Jonesy but 329 00:14:00,240 --> 00:14:02,600 Speaker 4: teaching me how to edit phone calls on reel to 330 00:14:02,640 --> 00:14:04,880 Speaker 4: reel where you'd have an actual like scalpel out and 331 00:14:04,880 --> 00:14:07,000 Speaker 4: you'd put some chalk on it and you'd work out 332 00:14:07,000 --> 00:14:09,760 Speaker 4: where to edit the callers and then you go. So 333 00:14:10,040 --> 00:14:13,000 Speaker 4: but the first job was out of afters radio schools 334 00:14:13,000 --> 00:14:17,120 Speaker 4: training Film Television radio school, and that was with dmg's 335 00:14:17,200 --> 00:14:19,560 Speaker 4: new license. So we had we bought Sydney, which was 336 00:14:19,640 --> 00:14:21,960 Speaker 4: NOV and then they were putting a new station into. 337 00:14:21,840 --> 00:14:23,240 Speaker 2: Melbourne and everyone was like, is it going to be 338 00:14:23,240 --> 00:14:24,760 Speaker 2: another Nov? What's going to be? 339 00:14:24,760 --> 00:14:26,800 Speaker 4: Because I was so young and I was their first hire, 340 00:14:26,840 --> 00:14:28,600 Speaker 4: they didn't want me to know, so had to sign 341 00:14:28,640 --> 00:14:31,080 Speaker 4: some kind of little agreement to say I wouldn't it's. 342 00:14:31,000 --> 00:14:33,240 Speaker 2: Just about my mouth off about where I was going. 343 00:14:33,440 --> 00:14:34,760 Speaker 4: And then that's when I packed my little toy out 344 00:14:34,800 --> 00:14:37,360 Speaker 4: of started up and drove down to Melbourne and started 345 00:14:37,360 --> 00:14:40,400 Speaker 4: on mid dawns at nover Melbourne. When I launched at dawn, 346 00:14:40,920 --> 00:14:43,640 Speaker 4: although because I had three months before that job started, 347 00:14:43,840 --> 00:14:45,880 Speaker 4: they put me at the hub so Star FM. 348 00:14:45,720 --> 00:14:47,280 Speaker 2: Was not owned by DMG two and I was in. 349 00:14:47,240 --> 00:14:50,240 Speaker 4: The Aubrey Hub and we had to network to like 350 00:14:50,360 --> 00:14:52,720 Speaker 4: nine stations, and I had like seven breaks an hour, 351 00:14:52,800 --> 00:14:56,080 Speaker 4: and five of those seven breaks were local breaks, so 352 00:14:56,120 --> 00:14:59,600 Speaker 4: you'd have to do five times nine local breaks per hour. 353 00:14:59,440 --> 00:15:01,120 Speaker 2: As well as the other two. Yeah. 354 00:15:01,160 --> 00:15:03,080 Speaker 4: It was the hardest I've ever worked still to this day. 355 00:15:03,240 --> 00:15:03,480 Speaker 1: Wow. 356 00:15:03,960 --> 00:15:06,960 Speaker 2: Yeah, so midnight a dawn so what was that? Just 357 00:15:07,080 --> 00:15:08,600 Speaker 2: music or midnight till six? 358 00:15:08,680 --> 00:15:11,080 Speaker 4: I just I got a befriended like the guy at 359 00:15:11,120 --> 00:15:13,560 Speaker 4: the local server at the BP in Richmond and used 360 00:15:13,560 --> 00:15:16,400 Speaker 4: to get him on every day and talking like Nova 361 00:15:16,440 --> 00:15:19,720 Speaker 4: was loose like it was really like we'd never heard anything. 362 00:15:19,400 --> 00:15:19,840 Speaker 2: Like it before. 363 00:15:19,840 --> 00:15:22,000 Speaker 4: Obviously we had Today FM and Triple M and Fox 364 00:15:22,000 --> 00:15:24,080 Speaker 4: in Melbourne and all the other hit network stations now, 365 00:15:24,400 --> 00:15:26,080 Speaker 4: but Nova was like two ads in a row, which 366 00:15:26,120 --> 00:15:26,640 Speaker 4: you can never go. 367 00:15:26,600 --> 00:15:28,200 Speaker 2: To the toilet mid dawns. 368 00:15:28,200 --> 00:15:30,320 Speaker 4: You couldn't automate it, so you're literally hitting off everything 369 00:15:30,360 --> 00:15:32,880 Speaker 4: as you're going. But it was midnight till six am, 370 00:15:32,960 --> 00:15:34,680 Speaker 4: and then Hughsey and Kate with The Brecky Show, which 371 00:15:34,680 --> 00:15:36,240 Speaker 4: is why they're still friends of mine today. Like they 372 00:15:36,280 --> 00:15:38,640 Speaker 4: were used to come in at five and would muck around. 373 00:15:38,680 --> 00:15:40,360 Speaker 4: It was just it was the best. Yeah, right, I'll 374 00:15:40,360 --> 00:15:41,480 Speaker 4: tell you what. The first shift, I. 375 00:15:41,440 --> 00:15:43,440 Speaker 2: Was really pumped because it was midnight. 376 00:15:43,520 --> 00:15:46,120 Speaker 4: I was like, yes, And as the sun started rising 377 00:15:46,160 --> 00:15:48,120 Speaker 4: over the city, I started shooting myself because I was like, 378 00:15:48,160 --> 00:15:49,600 Speaker 4: I'm actually on air in Melbourne. 379 00:15:49,600 --> 00:15:52,760 Speaker 2: It was pretty crazy and you're like, not drunk. I'm 380 00:15:52,760 --> 00:15:54,040 Speaker 2: actually not drunken. 381 00:15:54,200 --> 00:15:56,600 Speaker 5: Was there any like I'm sure you can say it 382 00:15:56,600 --> 00:15:59,000 Speaker 5: now because there was a long time ago doing midnight 383 00:15:59,040 --> 00:16:01,360 Speaker 5: to six am and imagine be hard not to have 384 00:16:01,520 --> 00:16:02,960 Speaker 5: like a beer or something. 385 00:16:03,040 --> 00:16:04,920 Speaker 2: Right, this is going to surprise you. 386 00:16:04,960 --> 00:16:07,360 Speaker 4: But at the start of my career I was very nerdy, 387 00:16:08,000 --> 00:16:09,120 Speaker 4: very professional. 388 00:16:10,480 --> 00:16:12,480 Speaker 2: I was head down, bum up, like you know, I 389 00:16:12,560 --> 00:16:14,960 Speaker 2: was working six days a week and just living for it. 390 00:16:15,040 --> 00:16:16,320 Speaker 2: So really, yeah, it was unreal. 391 00:16:16,360 --> 00:16:17,040 Speaker 4: It surprises you. 392 00:16:17,080 --> 00:16:20,520 Speaker 2: Now I can suck move around the country Bridge. 393 00:16:20,800 --> 00:16:25,520 Speaker 4: Yeah, So then I moved to Sydney and then I 394 00:16:25,600 --> 00:16:28,600 Speaker 4: moved to Perth. So we moved to Perth, then to Sydney, 395 00:16:28,920 --> 00:16:31,920 Speaker 4: then Sydney back to Melbourne, Melbourne up to Brisbane and 396 00:16:31,960 --> 00:16:34,640 Speaker 4: then Brisbane back to Melbourne to do drive, then Melbourne 397 00:16:34,680 --> 00:16:35,320 Speaker 4: back to Sydney. 398 00:16:35,800 --> 00:16:39,239 Speaker 5: Every ever Adelaide and how old are you then, like, oh. 399 00:16:39,160 --> 00:16:41,800 Speaker 4: Like from a twenty from twenty one, and then I 400 00:16:41,840 --> 00:16:44,360 Speaker 4: probably moved around every eighteen every eighteen months. 401 00:16:44,360 --> 00:16:46,720 Speaker 3: I got a lot of regionals, no reason. It's just 402 00:16:46,920 --> 00:16:49,760 Speaker 3: boogie cap cities for me. And except for allbree at 403 00:16:49,760 --> 00:16:52,520 Speaker 3: the Star obviously, yes, the Globe shout out to the globe. 404 00:16:52,760 --> 00:16:54,480 Speaker 2: Right right on the border as well. 405 00:16:54,520 --> 00:16:59,320 Speaker 3: And how different to because oftentimes like all here in 406 00:16:59,360 --> 00:17:03,360 Speaker 3: breakfast times they will get some Melbourne teams. It will 407 00:17:03,400 --> 00:17:06,080 Speaker 3: come in and you just there seems to me like 408 00:17:06,640 --> 00:17:09,600 Speaker 3: each capital city you've got to sort of change. It's 409 00:17:09,680 --> 00:17:12,399 Speaker 3: right to so change content slightly different. 410 00:17:12,480 --> 00:17:15,320 Speaker 4: Yeah, Melbourne, especially Melbourne is in the art two different countries. 411 00:17:15,960 --> 00:17:16,919 Speaker 2: That's so true. 412 00:17:17,000 --> 00:17:18,760 Speaker 4: Yeah, And I love that. I actually do love that 413 00:17:18,760 --> 00:17:20,840 Speaker 4: about Melbourn Melbourne really is that you could just mention 414 00:17:20,920 --> 00:17:23,520 Speaker 4: AFL in the line at the airport and everyone's on board. 415 00:17:23,680 --> 00:17:25,800 Speaker 4: You know, you got like it's just like a it's 416 00:17:25,800 --> 00:17:28,920 Speaker 4: a it's a big city but a country town attitude. 417 00:17:28,960 --> 00:17:30,920 Speaker 4: Like even I remember going like you go to the 418 00:17:30,960 --> 00:17:33,080 Speaker 4: Melbourne Cup and the whole stoff. The whole city would 419 00:17:33,080 --> 00:17:34,639 Speaker 4: stop for the Melbourne Cup and then the Formula One, 420 00:17:34,640 --> 00:17:36,840 Speaker 4: even before all this drive to survive stuff, the. 421 00:17:36,800 --> 00:17:39,240 Speaker 2: Whole city would be obsessed with F one. Like it was. 422 00:17:39,240 --> 00:17:41,120 Speaker 2: Actually it was very cool to live there, but very 423 00:17:41,160 --> 00:17:45,960 Speaker 2: very different cities. You're there five years? Five years? Yeah? Five? Yeah? 424 00:17:46,000 --> 00:17:47,359 Speaker 2: And where did you live in Melbourne? 425 00:17:47,440 --> 00:17:51,280 Speaker 5: Richmond, Wheelis Hill which is like quite far out east, 426 00:17:51,280 --> 00:17:55,240 Speaker 5: Ivanhoe and then Richmond. We lived with like a ninety 427 00:17:55,840 --> 00:17:57,680 Speaker 5: in my first year at Storm, Me and one of 428 00:17:57,720 --> 00:17:59,040 Speaker 5: the boys who was their first year as well. We 429 00:17:59,119 --> 00:18:00,800 Speaker 5: got a bill to be like ane year old couple. 430 00:18:01,000 --> 00:18:01,200 Speaker 1: Yeah. 431 00:18:01,240 --> 00:18:04,000 Speaker 2: Why did they do that, It's I don't know. 432 00:18:04,080 --> 00:18:06,080 Speaker 5: We were still like we were only like eighteen seventeen, 433 00:18:06,200 --> 00:18:07,879 Speaker 5: so like they think they thought, oh, it make you 434 00:18:07,920 --> 00:18:09,240 Speaker 5: feel comfortable to start. 435 00:18:09,359 --> 00:18:12,200 Speaker 2: And then put you with a nine years. Yeah, it's 436 00:18:12,240 --> 00:18:13,000 Speaker 2: a weird fit. I know. 437 00:18:13,040 --> 00:18:14,720 Speaker 5: It actually was good because then we sort of learned 438 00:18:14,720 --> 00:18:16,280 Speaker 5: the city and then like after a couple of months, 439 00:18:16,280 --> 00:18:18,040 Speaker 5: we're like, all right, we'll go sort of do our 440 00:18:18,040 --> 00:18:20,000 Speaker 5: own thing because at that age as well. Right, yeah, 441 00:18:20,080 --> 00:18:23,240 Speaker 5: let's paint a picture a two eighteen year old Ragby 442 00:18:23,320 --> 00:18:25,680 Speaker 5: League players in a new city, finally moved out of 443 00:18:25,760 --> 00:18:30,760 Speaker 5: home on you know, decent money is. As young NRL players, 444 00:18:31,119 --> 00:18:33,000 Speaker 5: we want to go out on the beers like basically 445 00:18:33,080 --> 00:18:36,680 Speaker 5: every three nights. Yeah, and you know we're single as well. 446 00:18:36,920 --> 00:18:39,520 Speaker 5: So if you tell a girl when you're out, hey, 447 00:18:39,600 --> 00:18:42,200 Speaker 5: you want to come back to like a Billets place 448 00:18:42,200 --> 00:18:45,120 Speaker 5: who's two ninety year olds, It's not exactly a nice 449 00:18:45,200 --> 00:18:47,280 Speaker 5: environment for a girl to wake up in the morning. 450 00:18:48,359 --> 00:18:49,280 Speaker 2: It's not very warming. 451 00:18:49,880 --> 00:18:51,439 Speaker 4: Lady's taking the teeth out of the glass. 452 00:18:51,600 --> 00:18:53,119 Speaker 2: Yeah, but what did people did? 453 00:18:53,320 --> 00:18:55,160 Speaker 4: Did the city get behind the storm? Because I remember 454 00:18:55,160 --> 00:18:57,240 Speaker 4: when the storm started it was because I think I 455 00:18:57,240 --> 00:18:58,760 Speaker 4: was living there. I was on air with us and 456 00:18:58,840 --> 00:19:01,000 Speaker 4: Kate then pretty much and felt like the whole city 457 00:19:01,040 --> 00:19:01,600 Speaker 4: got behind you. 458 00:19:01,600 --> 00:19:02,720 Speaker 2: Did it feel like that when you were playing? 459 00:19:02,760 --> 00:19:02,920 Speaker 1: Yeah? 460 00:19:03,000 --> 00:19:06,960 Speaker 5: Yeah, Like, although they probably didn't know us individually as plays, 461 00:19:07,000 --> 00:19:09,720 Speaker 5: but everybody knew the Storm. It's like the brand the Storm. 462 00:19:09,720 --> 00:19:12,479 Speaker 5: Everyone's like, oh, you guys are so good, Like, so 463 00:19:12,480 --> 00:19:15,359 Speaker 5: people would come to the games. Most games were pretty 464 00:19:15,400 --> 00:19:17,679 Speaker 5: sold out and they just love the Melbourne and has 465 00:19:17,720 --> 00:19:20,160 Speaker 5: just love like any sort of sport. They get around 466 00:19:20,200 --> 00:19:22,120 Speaker 5: like an event tennis, Yeah, they just love an event 467 00:19:22,160 --> 00:19:23,800 Speaker 5: Australian Open, like anything. 468 00:19:23,880 --> 00:19:26,920 Speaker 2: They just go to the people you're living with names again. 469 00:19:26,920 --> 00:19:27,800 Speaker 5: Kayane Graham Middleton. 470 00:19:27,880 --> 00:19:31,159 Speaker 3: Yeah, yep, yep, I'm going there. And he took me 471 00:19:31,200 --> 00:19:33,960 Speaker 3: into the room this and he handed me a pebble 472 00:19:34,280 --> 00:19:36,480 Speaker 3: and he goes that pebble. He said, I went to 473 00:19:36,480 --> 00:19:40,640 Speaker 3: Gallipoli and I took that Glipoli that I went right, 474 00:19:40,680 --> 00:19:41,760 Speaker 3: He said, make take that home. 475 00:19:41,920 --> 00:19:43,520 Speaker 2: I said, yep, okay. 476 00:19:43,400 --> 00:19:46,960 Speaker 5: You know what's funny. So we found out later that 477 00:19:47,160 --> 00:19:50,640 Speaker 5: was his like party trick. So he had like thousands 478 00:19:50,640 --> 00:19:58,919 Speaker 5: of fun He had hundreds of these rocks. So like 479 00:19:59,359 --> 00:20:01,600 Speaker 5: Daddy go, well, look I got this Gallipoli rock. And 480 00:20:01,600 --> 00:20:03,520 Speaker 5: then like a few of the other storm old boys 481 00:20:03,600 --> 00:20:06,640 Speaker 5: like Cooper Kronk and Robbie Kerns and these guys go, mate, 482 00:20:06,640 --> 00:20:10,160 Speaker 5: I got one too. Whenever boys have come over, Hey, 483 00:20:10,200 --> 00:20:11,040 Speaker 5: I got a glip. 484 00:20:16,359 --> 00:20:19,320 Speaker 3: It's funny, I said, you know, to assist the first 485 00:20:19,400 --> 00:20:21,720 Speaker 3: couple you've had stay in and the lady who was 486 00:20:21,760 --> 00:20:23,640 Speaker 3: so nice, she goes, oh, no, no, no, no. 487 00:20:23,600 --> 00:20:25,199 Speaker 2: We've had a couple of bits. Oh how was it? 488 00:20:25,400 --> 00:20:28,879 Speaker 3: How was having the boys? Oh they're lovely boys. Although 489 00:20:29,000 --> 00:20:31,800 Speaker 3: the last chap who lived here, we heard this strange 490 00:20:31,840 --> 00:20:33,600 Speaker 3: noise coming out of his room and he was going 491 00:20:33,640 --> 00:20:36,520 Speaker 3: to be he was training to be a tattoo artist 492 00:20:36,880 --> 00:20:38,960 Speaker 3: and he actually had a dead pig in his room 493 00:20:39,080 --> 00:20:41,800 Speaker 3: and he was tattoed with the dead pig, and I 494 00:20:41,880 --> 00:20:43,480 Speaker 3: was like, fucking. 495 00:20:43,520 --> 00:20:45,359 Speaker 5: Hell yeah it was. 496 00:20:45,560 --> 00:20:48,639 Speaker 4: There's some weird sort of a dead pig being dragged 497 00:20:48,640 --> 00:20:51,520 Speaker 4: around with a sleeve tat on his and he gave 498 00:20:51,600 --> 00:20:55,000 Speaker 4: the pig of pebbles of history. 499 00:20:55,040 --> 00:20:59,200 Speaker 2: Thanks for joining. It was your first big break anchoring 500 00:20:59,240 --> 00:20:59,920 Speaker 2: for husing In. 501 00:21:00,119 --> 00:21:02,000 Speaker 4: That was the biggest thing. Is I always just like 502 00:21:02,040 --> 00:21:03,800 Speaker 4: again back to Jamie Angel. Just wanted to do that, 503 00:21:03,920 --> 00:21:05,639 Speaker 4: just wanted to do that. Was this is coming up? 504 00:21:05,760 --> 00:21:07,879 Speaker 4: Just like loved that idea. When I got afternoons at 505 00:21:07,880 --> 00:21:10,560 Speaker 4: over Sydney, that was like my peak. But then when 506 00:21:10,600 --> 00:21:13,119 Speaker 4: I went down to Anka hughsy Kate also that was 507 00:21:13,320 --> 00:21:16,560 Speaker 4: the best learning experience ever. Like Hughsey and Kate were 508 00:21:16,920 --> 00:21:19,159 Speaker 4: top of their game. Hughsey, I love him to be 509 00:21:19,320 --> 00:21:21,760 Speaker 4: still see him all the time. Now, but he was 510 00:21:21,760 --> 00:21:24,359 Speaker 4: a hard task master. When I made a mistake, he 511 00:21:24,400 --> 00:21:26,879 Speaker 4: would let me know it in a great way and 512 00:21:26,920 --> 00:21:28,520 Speaker 4: he never wanted to do that again. And it was 513 00:21:28,520 --> 00:21:30,960 Speaker 4: actually really nice to me to because radio was always 514 00:21:30,960 --> 00:21:32,520 Speaker 4: such an individual thing for me, but now it like 515 00:21:32,600 --> 00:21:35,280 Speaker 4: to be it is a team, it's a real team thing. 516 00:21:35,800 --> 00:21:38,399 Speaker 4: And then my mistake would let the team down, and 517 00:21:38,440 --> 00:21:40,879 Speaker 4: then I reckon that we got that show on fire 518 00:21:41,080 --> 00:21:44,119 Speaker 4: by we had back to April where Nathan Buckley and 519 00:21:44,160 --> 00:21:46,000 Speaker 4: Shane Crawford as our sports. 520 00:21:45,600 --> 00:21:48,080 Speaker 5: Guys, they come on like once weekend and as. 521 00:21:47,920 --> 00:21:48,800 Speaker 2: A Hawthorne supporter. 522 00:21:49,440 --> 00:21:52,160 Speaker 4: In two thousand and eight, which was our greatest win 523 00:21:52,200 --> 00:21:54,440 Speaker 4: against Gelong, we weren't supposed to win that Grand Final 524 00:21:54,480 --> 00:21:58,120 Speaker 4: and I bought a footy jersey from Rebel Sport and 525 00:21:58,240 --> 00:21:59,840 Speaker 4: Shane Crawff said, you're not allowed to sign in it. 526 00:22:00,119 --> 00:22:01,960 Speaker 4: Apparently the two teams, I'm not sure if this is 527 00:22:02,000 --> 00:22:03,879 Speaker 4: the same in the NRL, the two teams aren't allowed to 528 00:22:03,920 --> 00:22:06,520 Speaker 4: sign any merch the lead up to the Grand Final. 529 00:22:06,680 --> 00:22:09,000 Speaker 2: Because obviously they want to they want to make it. 530 00:22:09,560 --> 00:22:12,119 Speaker 4: Yeah, So he said, grab me a get a jersey 531 00:22:12,240 --> 00:22:13,960 Speaker 4: from from Rebel Sport and I was back into the 532 00:22:14,000 --> 00:22:16,000 Speaker 4: back of my car and throughout the week and got 533 00:22:16,000 --> 00:22:18,440 Speaker 4: the entire team, Buddy and Alisa, Class and the coach 534 00:22:18,440 --> 00:22:20,000 Speaker 4: and siall really to sign it for me. And then 535 00:22:20,160 --> 00:22:22,800 Speaker 4: then we won that two thousand and well my first 536 00:22:22,800 --> 00:22:25,200 Speaker 4: ever Grand Final. So that was a peak time in Melbourne. 537 00:22:25,240 --> 00:22:28,440 Speaker 4: What did you sell that for about fifty five? 538 00:22:32,040 --> 00:22:32,960 Speaker 2: Did you did you. 539 00:22:32,880 --> 00:22:34,760 Speaker 5: Ever have any of the NROL boys come in to 540 00:22:34,880 --> 00:22:35,160 Speaker 5: the show. 541 00:22:35,840 --> 00:22:38,320 Speaker 4: I think we might have Cooper Kronk in, but I mean, 542 00:22:38,640 --> 00:22:41,200 Speaker 4: but Hughsey became a like Husey's a real obsessive guy 543 00:22:41,280 --> 00:22:45,000 Speaker 4: in the best way, so he became like mad Melbourne 544 00:22:45,040 --> 00:22:47,000 Speaker 4: Storm fan that're like, oh, you know, I'll let you. 545 00:22:47,200 --> 00:22:49,600 Speaker 4: So we did have We're definitely at the start. And 546 00:22:49,640 --> 00:22:52,200 Speaker 4: I remember because I was, you know, publicly unfortunately a 547 00:22:52,320 --> 00:22:54,359 Speaker 4: Roosters fan down there when the first time the Storm 548 00:22:54,400 --> 00:22:56,479 Speaker 4: played the Roosters. They made a pretty big deal out 549 00:22:56,520 --> 00:22:58,280 Speaker 4: of that. So yeah, that was good. 550 00:22:58,359 --> 00:23:00,560 Speaker 5: And how when you look back at like I asked 551 00:23:00,600 --> 00:23:02,400 Speaker 5: someone this the other day, when you look at back 552 00:23:02,480 --> 00:23:05,879 Speaker 5: that time, radio seems like it was not a bigger 553 00:23:05,880 --> 00:23:07,840 Speaker 5: deal back then, but it seems like there was probably 554 00:23:07,840 --> 00:23:10,639 Speaker 5: a lot more you know, money with sponsorship and stuff 555 00:23:10,680 --> 00:23:14,240 Speaker 5: in it because now there's now there's so much podcast Yeah, 556 00:23:14,280 --> 00:23:16,879 Speaker 5: now there's so much podcasts, like even social media and that. 557 00:23:17,160 --> 00:23:19,200 Speaker 2: Yeah, when you look back at that time. 558 00:23:19,119 --> 00:23:22,840 Speaker 5: Like somebody who's lived through probably three different decades of it, Yeah, 559 00:23:23,080 --> 00:23:25,320 Speaker 5: was there just way more hype around radio. 560 00:23:25,400 --> 00:23:27,920 Speaker 2: It's huge hype when especially being involved in the launch. 561 00:23:28,160 --> 00:23:29,639 Speaker 4: I was the first voice on there at over in 562 00:23:29,680 --> 00:23:32,000 Speaker 4: Perth too, and we and out of all the launches, 563 00:23:32,000 --> 00:23:34,359 Speaker 4: we had the Red Hot Chili Peppers in as the 564 00:23:34,440 --> 00:23:36,280 Speaker 4: launch of the station. So it was like they came 565 00:23:36,320 --> 00:23:38,520 Speaker 4: in and they only meant to do like like five minutes, 566 00:23:38,560 --> 00:23:40,440 Speaker 4: ended up playing for an hour and a half. They 567 00:23:40,520 --> 00:23:43,120 Speaker 4: asked me, they said, at one point they said we'd 568 00:23:43,160 --> 00:23:45,120 Speaker 4: love to like Jebedi was going to be the first 569 00:23:45,200 --> 00:23:48,560 Speaker 4: live band because it was Perth. And they saw the 570 00:23:48,600 --> 00:23:50,880 Speaker 4: instruments and and Chad and Flee said to me, there's 571 00:23:50,920 --> 00:23:52,359 Speaker 4: some instruments in there. Do you mind if we grab 572 00:23:52,400 --> 00:23:54,400 Speaker 4: them and play you a song? And they played by 573 00:23:54,480 --> 00:23:56,959 Speaker 4: the Way just for me in the studio live on 574 00:23:57,000 --> 00:24:00,199 Speaker 4: the nover Perth launch. And the boys from Jebidi I 575 00:24:00,200 --> 00:24:02,040 Speaker 4: got fucked off because they was supposed to be the 576 00:24:02,040 --> 00:24:04,280 Speaker 4: first first and they're. 577 00:24:04,119 --> 00:24:05,480 Speaker 2: Like, well, flease tune me base. 578 00:24:05,600 --> 00:24:07,240 Speaker 4: But I'll tell you the two key moments I think 579 00:24:07,240 --> 00:24:09,960 Speaker 4: in the how radios change in terms of parties. Right, 580 00:24:10,640 --> 00:24:13,240 Speaker 4: so Nover Melbourne we had a party where so the 581 00:24:13,280 --> 00:24:17,040 Speaker 4: Nover Perth party was girls walking around topless but with 582 00:24:17,240 --> 00:24:20,119 Speaker 4: Nover boys painted on their breasts as our waitresses. 583 00:24:20,560 --> 00:24:23,520 Speaker 2: And then you moved to Brisbane and there's short people 584 00:24:23,560 --> 00:24:23,880 Speaker 2: if you. 585 00:24:23,840 --> 00:24:28,280 Speaker 4: Say sombreros, and the sombreros in the middle had hummus 586 00:24:28,600 --> 00:24:31,239 Speaker 4: and then around the sombrero were chips and they just, 587 00:24:32,480 --> 00:24:35,560 Speaker 4: oh my god, and I'm like, They're the two big 588 00:24:35,680 --> 00:24:37,919 Speaker 4: radio party moments that I went that the life has 589 00:24:38,040 --> 00:24:39,160 Speaker 4: changed for the better. 590 00:24:39,240 --> 00:24:42,959 Speaker 3: For the better they save tripling at Bondi Junction. They 591 00:24:42,960 --> 00:24:46,120 Speaker 3: said that went on in there. And when they finally 592 00:24:46,320 --> 00:24:48,320 Speaker 3: basically moved out of there and went into World Squad, 593 00:24:48,600 --> 00:24:52,639 Speaker 3: when they pulled apart the studios, they found like basically 594 00:24:52,960 --> 00:24:55,840 Speaker 3: like bolivion amounts of cocaine. 595 00:24:55,600 --> 00:24:56,199 Speaker 2: In the building. 596 00:24:56,320 --> 00:24:58,040 Speaker 4: Really they fell through the fader holes. 597 00:24:59,600 --> 00:25:02,360 Speaker 2: It was everywhere Bacardi bottles. 598 00:25:03,240 --> 00:25:05,320 Speaker 4: Did mulray used to go to like the Malay for 599 00:25:05,440 --> 00:25:07,960 Speaker 4: lunch every day and have a king plus about two 600 00:25:08,000 --> 00:25:11,639 Speaker 4: leaders of Piccadis And then I fall asleep somewhere unbelievable. 601 00:25:11,680 --> 00:25:13,639 Speaker 2: Yeah, and he taking that like, you know why I 602 00:25:13,680 --> 00:25:17,920 Speaker 2: always want to work a dribble. Yeah, if you think about. 603 00:25:17,680 --> 00:25:20,000 Speaker 3: How good that show was. So you got mulray, but 604 00:25:20,040 --> 00:25:22,600 Speaker 3: you got his chief writer as the boy genius Andrew 605 00:25:22,680 --> 00:25:25,399 Speaker 3: Denton who's riding and sitting behind the scenes. 606 00:25:25,680 --> 00:25:27,720 Speaker 2: Weird Our Drawer. I remember Weird our Drawer. 607 00:25:28,119 --> 00:25:33,880 Speaker 3: Yeah, yeah, yeah, yeah, oh mate, it was I can't 608 00:25:33,880 --> 00:25:37,360 Speaker 3: say no, don't so Hughsy He said about. 609 00:25:37,160 --> 00:25:39,359 Speaker 2: Hughes been a tough task master. 610 00:25:39,280 --> 00:25:40,959 Speaker 4: In the best way though, like I wouldn't have been 611 00:25:40,960 --> 00:25:43,040 Speaker 4: able to learn, and I take a lot of that 612 00:25:43,080 --> 00:25:43,800 Speaker 4: with me now, like. 613 00:25:43,760 --> 00:25:46,200 Speaker 2: You know, you've got to be tough but fair. You're 614 00:25:46,200 --> 00:25:47,919 Speaker 2: still in his business, you know. 615 00:25:48,320 --> 00:25:51,440 Speaker 3: So how was the dynamic of that show with Kate 616 00:25:51,480 --> 00:25:53,960 Speaker 3: and Hughsey, because I imagine sometimes being the anchor, you 617 00:25:53,960 --> 00:25:55,800 Speaker 3: can be almost like the meat and the sandwich. 618 00:25:55,920 --> 00:25:58,199 Speaker 4: Well, the beauty of the beauty for me always has 619 00:25:58,240 --> 00:26:00,919 Speaker 4: been I'm never a comedian, Like that's the key, Like, 620 00:26:00,960 --> 00:26:02,760 Speaker 4: you know, just you can be humorous in conversation, but 621 00:26:02,760 --> 00:26:04,240 Speaker 4: the fact that you're not a comic and you're selling 622 00:26:04,280 --> 00:26:07,359 Speaker 4: tickets otherwise every comic would hate your guts. So Hughsy 623 00:26:07,480 --> 00:26:09,119 Speaker 4: was always like if you like he actually said to 624 00:26:09,160 --> 00:26:11,679 Speaker 4: me once he said, like, why are you talking like that? 625 00:26:11,760 --> 00:26:13,400 Speaker 4: Like just talk like you do in the office. Because 626 00:26:13,440 --> 00:26:14,959 Speaker 4: of course I was like, oh yeah no, but had 627 00:26:15,000 --> 00:26:17,280 Speaker 4: it use you okay five months today, like doing what 628 00:26:17,320 --> 00:26:18,359 Speaker 4: you thought you had to do. 629 00:26:20,760 --> 00:26:21,280 Speaker 2: And train. 630 00:26:24,359 --> 00:26:26,159 Speaker 4: But he goes, you know how you talk to me 631 00:26:26,160 --> 00:26:28,000 Speaker 4: in the office and you tell that story in the office, 632 00:26:28,080 --> 00:26:30,560 Speaker 4: Just do that for me, And like he encouraged me 633 00:26:30,840 --> 00:26:33,000 Speaker 4: to come out of my shell. And I mean I 634 00:26:33,160 --> 00:26:36,080 Speaker 4: would alter him and Kate because they were just I 635 00:26:36,119 --> 00:26:38,280 Speaker 4: guess you never realized that you could do that. I 636 00:26:38,280 --> 00:26:40,080 Speaker 4: always just thought I was that that was this is 637 00:26:40,160 --> 00:26:41,720 Speaker 4: guy and then sit back and let the other guys 638 00:26:41,720 --> 00:26:42,200 Speaker 4: do the thing. 639 00:26:42,359 --> 00:26:44,960 Speaker 5: Well that old school like it's the old school mentality 640 00:26:44,960 --> 00:26:46,960 Speaker 5: of there's only one way to kind of do it right. 641 00:26:47,080 --> 00:26:48,800 Speaker 5: There was only that one way up until now, Like 642 00:26:48,840 --> 00:26:51,680 Speaker 5: you look listen to radio. Now it's the best sort 643 00:26:51,720 --> 00:26:54,680 Speaker 5: of stuff is when it's actually like doing the opposite 644 00:26:54,680 --> 00:26:57,760 Speaker 5: of what you're supposed to do. You're talking, you know, 645 00:26:58,240 --> 00:27:00,639 Speaker 5: you're talking like it's supposed to be are supposed to 646 00:27:00,640 --> 00:27:02,720 Speaker 5: be tight and then like leave the audience on a 647 00:27:02,760 --> 00:27:04,600 Speaker 5: high straight to an ad break when you kind of 648 00:27:04,680 --> 00:27:07,640 Speaker 5: leave it awkward and then like to give people something 649 00:27:07,640 --> 00:27:08,879 Speaker 5: they haven't really heard before. 650 00:27:09,280 --> 00:27:10,320 Speaker 2: Interesting. That's what I've never liked. 651 00:27:10,320 --> 00:27:12,280 Speaker 4: I've never done the radio. I've been lucky in the 652 00:27:12,280 --> 00:27:14,560 Speaker 4: teams have worked with. They have been very anti like 653 00:27:14,640 --> 00:27:21,440 Speaker 4: prank calls, sketches like song parodies, all that's uppish. Here's 654 00:27:21,440 --> 00:27:22,399 Speaker 4: a Tony Abbot sketch. 655 00:27:22,440 --> 00:27:36,880 Speaker 2: Guys get or people doing. MA missed him. I missed 656 00:27:36,920 --> 00:27:38,440 Speaker 2: him on the radio the front bar. 657 00:27:38,800 --> 00:27:40,760 Speaker 3: I saw the front bar recently and they went we 658 00:27:40,800 --> 00:27:42,879 Speaker 3: get across now to the former Prime Minister and he 659 00:27:42,920 --> 00:27:45,080 Speaker 3: came up in his mouth on turnboil and I thought, 660 00:27:45,240 --> 00:27:47,679 Speaker 3: I've seen this a million times, mate. It was one 661 00:27:47,720 --> 00:27:50,600 Speaker 3: of the funny five minutes I've shoved the boys. It's 662 00:27:50,640 --> 00:27:52,920 Speaker 3: very funny, said, you got to watch this. There's one 663 00:27:52,960 --> 00:27:55,960 Speaker 3: thing where he gets here and he's talking about you know, 664 00:27:56,000 --> 00:27:58,280 Speaker 3: he's doing the eludist thing, and he crossing in from 665 00:27:58,320 --> 00:28:01,080 Speaker 3: the s CG members room and he goes, I tell 666 00:28:01,119 --> 00:28:04,360 Speaker 3: you something. He said, I believe that Sydney could sustain 667 00:28:04,920 --> 00:28:07,600 Speaker 3: another a f L team And they go, oh no, 668 00:28:08,000 --> 00:28:11,520 Speaker 3: there is a g W West Greater Western Sydney oh, 669 00:28:12,320 --> 00:28:13,480 Speaker 3: West and Sydney. 670 00:28:13,680 --> 00:28:15,040 Speaker 2: Where do they play our. 671 00:28:15,000 --> 00:28:20,359 Speaker 3: Homeboshing goes deal war and then they go, oh, who's 672 00:28:20,400 --> 00:28:21,760 Speaker 3: your favorite Swan of all time? 673 00:28:21,920 --> 00:28:22,080 Speaker 2: Oh? 674 00:28:22,280 --> 00:28:27,840 Speaker 3: Well, I love Lance, Buddy Franklin and of course the Whiz. 675 00:28:27,600 --> 00:28:28,240 Speaker 2: Were a Kappa. 676 00:28:28,840 --> 00:28:31,159 Speaker 3: But if I had to say my favorite swe of 677 00:28:31,200 --> 00:28:32,960 Speaker 3: all time, it would be Swan Lake. 678 00:28:34,480 --> 00:28:36,320 Speaker 2: He was a change of a man. I'm not a 679 00:28:36,400 --> 00:28:37,879 Speaker 2: g W West giant of course, on. 680 00:28:38,080 --> 00:28:42,000 Speaker 3: The Western suburbs driving home, squidding in the sun every afternoon. 681 00:28:42,040 --> 00:28:47,840 Speaker 2: How do they do it? Oh that is great? Beause 682 00:28:48,120 --> 00:28:55,360 Speaker 2: Moon did Moon take over from you guys? Yeah? He 683 00:28:55,440 --> 00:28:58,840 Speaker 2: said it was an interesting was good though? 684 00:28:59,080 --> 00:29:01,360 Speaker 4: Oh man, I went and saw here there was He's 685 00:29:01,360 --> 00:29:03,440 Speaker 4: a bit I reckon. I know this is controversial because 686 00:29:03,480 --> 00:29:05,320 Speaker 4: I mean, Joel Crazy's one of my good mates and 687 00:29:05,320 --> 00:29:06,719 Speaker 4: I'll work with him. But I think Moon is one 688 00:29:06,760 --> 00:29:09,160 Speaker 4: of the best stand up that I've ever seen, let 689 00:29:09,160 --> 00:29:10,280 Speaker 4: alone Australian stand up. 690 00:29:10,360 --> 00:29:11,400 Speaker 2: He's just incredible. 691 00:29:11,440 --> 00:29:13,480 Speaker 3: Well, then I went and saw the comedians, which was 692 00:29:13,560 --> 00:29:15,840 Speaker 3: Mick was like the ring master, and he brought Sam 693 00:29:16,040 --> 00:29:18,400 Speaker 3: Pang out. First of all, Sam was terrific. Then it 694 00:29:18,440 --> 00:29:21,360 Speaker 3: went Marty, okay, things are lifting here out and they 695 00:29:21,400 --> 00:29:23,080 Speaker 3: brought Lawrence on laugh. 696 00:29:23,200 --> 00:29:26,160 Speaker 2: Oh yeah, fucking hell. It was so fun. You know. 697 00:29:26,240 --> 00:29:28,560 Speaker 4: The meeting went about the lineup of that, like who 698 00:29:28,560 --> 00:29:30,160 Speaker 4: would go first, second, and third? 699 00:29:30,200 --> 00:29:31,560 Speaker 2: Oh yeah yeah. 700 00:29:31,880 --> 00:29:33,560 Speaker 5: Sam Pang's bloody good too. 701 00:29:33,960 --> 00:29:34,720 Speaker 2: He's so good. 702 00:29:34,760 --> 00:29:37,480 Speaker 5: And I love how he's he's just edgy enough where 703 00:29:37,520 --> 00:29:39,920 Speaker 5: he can do like your your logis and those sort 704 00:29:39,960 --> 00:29:43,320 Speaker 5: of OWDs ceremonies without offending everyone. 705 00:29:43,560 --> 00:29:44,000 Speaker 2: I do like. 706 00:29:44,080 --> 00:29:46,080 Speaker 5: I do like how they like bringing a bit more 707 00:29:46,120 --> 00:29:48,160 Speaker 5: of that American sort of Ricky Jason. 708 00:29:48,480 --> 00:29:49,280 Speaker 2: Yeah, let's just write. 709 00:29:49,440 --> 00:29:51,959 Speaker 3: Sam did one on the front part, and it was like, 710 00:29:52,040 --> 00:29:55,640 Speaker 3: I went, oh, they crossed to Is that Neil Danaher 711 00:29:55,760 --> 00:29:58,000 Speaker 3: struggling with M and D in your answer? So I 712 00:29:58,040 --> 00:30:00,840 Speaker 3: think it was they crossed him to, and he said 713 00:30:01,120 --> 00:30:03,800 Speaker 3: and he was, And they said, oh, Neil, who was 714 00:30:03,800 --> 00:30:07,200 Speaker 3: your toughest opponent? And he goes, oh, you know, I 715 00:30:07,240 --> 00:30:11,760 Speaker 3: explained or played against this guy, and and Sam went, oh, really, 716 00:30:11,800 --> 00:30:13,600 Speaker 3: I thought it would have been made in uranus disease. 717 00:30:13,720 --> 00:30:14,600 Speaker 2: That's what he said. 718 00:30:15,480 --> 00:30:18,400 Speaker 3: What he said to him, And he explained it after 719 00:30:18,520 --> 00:30:20,440 Speaker 3: and Mildan had pissed himself laughing. 720 00:30:20,640 --> 00:30:22,320 Speaker 2: He said, it's just a joke. We do all the time. 721 00:30:22,360 --> 00:30:24,600 Speaker 2: But the lives to you how Warrice just. 722 00:30:24,480 --> 00:30:27,240 Speaker 5: Went, oh, yeah, you wouldn't have had to react. 723 00:30:27,560 --> 00:30:29,560 Speaker 4: The best race I ever heard was the roast of 724 00:30:29,640 --> 00:30:31,680 Speaker 4: Joan Rivers. And I won't be able to say that 725 00:30:31,760 --> 00:30:34,480 Speaker 4: obviously that Jones. 726 00:30:34,320 --> 00:30:45,160 Speaker 2: Rivers is so old her ah, that is fucking brilliant. 727 00:30:45,720 --> 00:30:49,480 Speaker 3: It is brilliant. It's just a shame. It's probably the 728 00:30:49,680 --> 00:30:53,280 Speaker 3: tho roast are probably the last bastion of that. 729 00:30:53,280 --> 00:30:54,080 Speaker 2: Sort of human It's. 730 00:30:53,960 --> 00:30:57,360 Speaker 4: So weird because America in the media landscape is so conservative. 731 00:30:57,400 --> 00:31:01,320 Speaker 4: This confuses me about the US. They're so crazily like 732 00:31:01,320 --> 00:31:03,880 Speaker 4: do they do these roasts and they but then there's 733 00:31:03,920 --> 00:31:06,600 Speaker 4: such a conservative but you can't say goddamn on the radio. 734 00:31:06,840 --> 00:31:08,720 Speaker 5: Yeah, and then but then to get to these roasts 735 00:31:08,720 --> 00:31:12,840 Speaker 5: like the rest of Tom Brady, that one was crazy. 736 00:31:12,880 --> 00:31:14,320 Speaker 2: They hammited him so hard. 737 00:31:14,720 --> 00:31:16,360 Speaker 3: If they said to you, they said, like if you 738 00:31:16,360 --> 00:31:18,040 Speaker 3: were over there an actor and they said, would you 739 00:31:18,120 --> 00:31:20,239 Speaker 3: like to be part of one of these roasts, I'd say, no, 740 00:31:20,360 --> 00:31:21,760 Speaker 3: fucking no way. 741 00:31:22,160 --> 00:31:23,920 Speaker 5: I think it's such good promotion though for him. 742 00:31:24,320 --> 00:31:26,160 Speaker 2: They did one with Pamela Anderson. I can't remember who. 743 00:31:26,160 --> 00:31:26,360 Speaker 2: He said. 744 00:31:26,400 --> 00:31:28,040 Speaker 4: It was like, but when you take a bath, they 745 00:31:28,120 --> 00:31:31,480 Speaker 4: call that they call the leftover water hepatitis soup. 746 00:31:34,360 --> 00:31:36,920 Speaker 5: They do be fair. They're good sports too. Oh yeah, 747 00:31:37,040 --> 00:31:40,000 Speaker 5: they cop it on the chin. Yeah, like that Nicky Glazer. 748 00:31:40,120 --> 00:31:41,840 Speaker 2: Oh she's in the country at the moment. 749 00:31:41,920 --> 00:31:43,560 Speaker 5: Yeah, yeah, she's doing stand up here at the moment. 750 00:31:43,600 --> 00:31:46,200 Speaker 5: But she got like her big break on that Tom 751 00:31:46,240 --> 00:31:46,680 Speaker 5: Brady one. 752 00:31:46,720 --> 00:31:46,920 Speaker 2: Yeah. 753 00:31:46,920 --> 00:31:49,080 Speaker 5: I love at Tom Brady's on because Kevin Hart was 754 00:31:49,120 --> 00:31:51,760 Speaker 5: hosting it, like he'd throw to his comedian and she said, oh. 755 00:31:51,640 --> 00:31:52,280 Speaker 2: Thanks, Kevin. 756 00:31:52,400 --> 00:31:54,360 Speaker 5: You know you're such a small guy. She says, he's 757 00:31:54,400 --> 00:31:56,040 Speaker 5: five foot four and one hundred and fifty pounds one 758 00:31:56,120 --> 00:32:03,200 Speaker 5: hundred and fifty five. After the rock finishes, I love him. 759 00:32:03,640 --> 00:32:07,120 Speaker 2: Brecky Radio, You did you did that with Michelle and 760 00:32:07,200 --> 00:32:08,240 Speaker 2: Marty up in Brisol? 761 00:32:08,400 --> 00:32:11,240 Speaker 4: Yes, I did it with the Michelle and Ash first 762 00:32:11,360 --> 00:32:13,760 Speaker 4: and then then Marty joined when Ash left. 763 00:32:13,800 --> 00:32:14,600 Speaker 2: Was that Asha Latzi? 764 00:32:14,800 --> 00:32:17,080 Speaker 4: Yeah, yeah, yeah, I love Latzi still. 765 00:32:17,160 --> 00:32:19,720 Speaker 2: Latsy's still kicking goals up there. He's brilliant. 766 00:32:20,080 --> 00:32:21,960 Speaker 3: How did you find Breaky Radio? Well, like, how did 767 00:32:21,960 --> 00:32:25,840 Speaker 3: you find Firstly, was it Brisbane to I'm sorry said 768 00:32:26,160 --> 00:32:27,000 Speaker 3: Melbourne to Brisbane? 769 00:32:27,120 --> 00:32:30,360 Speaker 4: Yeah, Melbourne Brecky Radio. And then I went up to 770 00:32:30,400 --> 00:32:32,440 Speaker 4: Brisbane to do my own show. So that was like 771 00:32:32,520 --> 00:32:34,080 Speaker 4: leaving Hughsey and Kate to go up and get my 772 00:32:34,160 --> 00:32:36,240 Speaker 4: name on the show, which was a pretty big step. 773 00:32:36,320 --> 00:32:38,840 Speaker 4: But Brisbane, I was like kind of young and didn't 774 00:32:38,840 --> 00:32:41,480 Speaker 4: have kids, and yeah, it was real burning the candle 775 00:32:41,640 --> 00:32:43,320 Speaker 4: both and stuff. There was one time I had some 776 00:32:43,400 --> 00:32:44,400 Speaker 4: friends over for a. 777 00:32:44,320 --> 00:32:48,200 Speaker 2: Few drinks and it was quite a bit rowdy, and 778 00:32:48,200 --> 00:32:48,480 Speaker 2: then all of. 779 00:32:48,480 --> 00:32:50,680 Speaker 4: A sudden in the corner, I was like, I heard 780 00:32:50,680 --> 00:32:52,560 Speaker 4: like my alarm go off, and I'm like, what's going 781 00:32:52,600 --> 00:32:54,160 Speaker 4: on here? Like it's Friday night, And I realized, no, 782 00:32:54,240 --> 00:32:58,840 Speaker 4: it was Thursday night, and and my alarm for Friday 783 00:32:58,880 --> 00:33:03,280 Speaker 4: morning was going off. The house was pumping, so splashing 784 00:33:03,320 --> 00:33:06,040 Speaker 4: cold water on my face, adopted the show, and then 785 00:33:06,080 --> 00:33:07,560 Speaker 4: came back and everyone was still there. 786 00:33:07,760 --> 00:33:10,480 Speaker 3: In fact, there's some of your best shows, isn't When 787 00:33:10,480 --> 00:33:12,720 Speaker 3: you walk in there, there's something in your brain you 788 00:33:12,760 --> 00:33:17,680 Speaker 3: are trying a bit harder, yes, for your job, because 789 00:33:17,680 --> 00:33:19,760 Speaker 3: you're actually like your job. 790 00:33:20,440 --> 00:33:22,360 Speaker 2: To get through it all nine. Yeah, that was the way. 791 00:33:22,440 --> 00:33:22,720 Speaker 2: The thing is. 792 00:33:22,760 --> 00:33:24,160 Speaker 4: They just get through it all nine, You'll be fine. 793 00:33:24,240 --> 00:33:26,480 Speaker 2: We did. It was great. I loved that. That was 794 00:33:26,480 --> 00:33:28,280 Speaker 2: a great station to work for, too. 795 00:33:28,320 --> 00:33:30,440 Speaker 4: And it's it was a proper radio station just still 796 00:33:30,560 --> 00:33:32,240 Speaker 4: is like No One six point n up there is 797 00:33:32,320 --> 00:33:33,880 Speaker 4: just it's a great station. 798 00:33:34,280 --> 00:33:34,880 Speaker 2: That breakfast. 799 00:33:34,960 --> 00:33:36,360 Speaker 3: I can't tell you how many times I had to 800 00:33:36,360 --> 00:33:38,520 Speaker 3: get an uber into work or driving get Trish to 801 00:33:38,560 --> 00:33:40,920 Speaker 3: drive me into work and literally go in there completely 802 00:33:41,040 --> 00:33:44,640 Speaker 3: just blind rum and just breaking every card. But anyway, 803 00:33:44,640 --> 00:33:46,320 Speaker 3: I'm not there anymore. But we did a show in 804 00:33:46,400 --> 00:33:50,600 Speaker 3: New York. There was myself Paigey live. Yeah, we're live. 805 00:33:50,440 --> 00:33:55,040 Speaker 2: In New York. What for New York Marathon. Yeah, it 806 00:33:55,080 --> 00:33:58,640 Speaker 2: gos to the New York Marathon and oh fuck. 807 00:33:58,840 --> 00:34:01,560 Speaker 3: And firstly, the first night were there, didn't were only 808 00:34:01,600 --> 00:34:02,360 Speaker 3: guest Hugh Jackman. 809 00:34:02,560 --> 00:34:02,960 Speaker 2: That was it. 810 00:34:04,200 --> 00:34:07,520 Speaker 3: We were relentlessly just turned him over back after this 811 00:34:07,640 --> 00:34:11,560 Speaker 3: the boy from ours returns. We were one day we 812 00:34:11,560 --> 00:34:14,760 Speaker 3: went in there. We were so drunk on air because 813 00:34:15,040 --> 00:34:17,200 Speaker 3: our thing. I said, Jack, you've gotta come over. I said, 814 00:34:17,200 --> 00:34:17,640 Speaker 3: it'd be great. 815 00:34:17,640 --> 00:34:18,160 Speaker 2: We're on air. 816 00:34:18,440 --> 00:34:21,080 Speaker 3: I think it was one o'clock, one o'clock, two, four o'clock, 817 00:34:21,080 --> 00:34:26,280 Speaker 3: two o'clock PM. Yeah, PM, two lineups, so two to five. 818 00:34:26,280 --> 00:34:27,839 Speaker 4: Guys, an afternoon shift. 819 00:34:27,880 --> 00:34:31,080 Speaker 3: You'll be fine, perfect, I said, what we'll do every morning? Jack, 820 00:34:31,239 --> 00:34:33,000 Speaker 3: we'll get up nine o'clock, we'll do a bit of 821 00:34:33,000 --> 00:34:34,799 Speaker 3: sight sting around the city. Then we'll go and do 822 00:34:34,840 --> 00:34:35,280 Speaker 3: the shower. 823 00:34:36,280 --> 00:34:36,520 Speaker 2: Mate. 824 00:34:36,560 --> 00:34:38,960 Speaker 3: Every single day they literally got the stick out. They 825 00:34:39,000 --> 00:34:40,880 Speaker 3: drag us out of bed for the two o'clock shower 826 00:34:41,280 --> 00:34:44,920 Speaker 3: and mate, it was mate, but we went in there. 827 00:34:44,920 --> 00:34:47,560 Speaker 3: One day we were so blind on air that they 828 00:34:47,560 --> 00:34:49,719 Speaker 3: were down the line to Jamie Angels, just mate, we're 829 00:34:49,760 --> 00:34:52,800 Speaker 3: just we're doing complete breaks of just nothing but laughing 830 00:34:53,440 --> 00:34:57,160 Speaker 3: and just it was Jamie Angel The only goes well done, boys, 831 00:34:57,239 --> 00:35:01,560 Speaker 3: Congratulations might have cost your careers that sort of ship anyway, 832 00:35:01,640 --> 00:35:03,400 Speaker 3: win it winning a radio award for it? 833 00:35:04,280 --> 00:35:06,839 Speaker 2: No way, It just showed you what did you win 834 00:35:06,840 --> 00:35:07,360 Speaker 2: an award for? 835 00:35:07,440 --> 00:35:11,359 Speaker 3: Though it was it was something like best best break 836 00:35:11,400 --> 00:35:16,080 Speaker 3: without a word, but yeah, exactly best heavily intoxicated on air. 837 00:35:16,280 --> 00:35:20,760 Speaker 3: But Mulray used to say huge Jackman interview five times. 838 00:35:22,280 --> 00:35:24,520 Speaker 3: But Mulray used to say, back in the day, he 839 00:35:24,600 --> 00:35:26,520 Speaker 3: used to get there. Remember the was of the rock dog, 840 00:35:26,520 --> 00:35:30,080 Speaker 3: Oh yeah, so was. He used to always say, you know, Maddie, 841 00:35:30,160 --> 00:35:33,040 Speaker 3: he said, Muller's used to say, if you're having a 842 00:35:33,040 --> 00:35:35,520 Speaker 3: good time in the studio, whatever you whatever happens, in 843 00:35:35,520 --> 00:35:37,000 Speaker 3: the studio having a good time for your laugh and 844 00:35:37,000 --> 00:35:39,320 Speaker 3: he goes up through the pin and into the cars 845 00:35:39,520 --> 00:35:40,839 Speaker 3: and it's true, isn't like. 846 00:35:40,840 --> 00:35:41,319 Speaker 2: You get there? 847 00:35:41,360 --> 00:35:43,640 Speaker 3: That's yeah, I think you know, that's one of the 848 00:35:43,680 --> 00:35:45,200 Speaker 3: most crucial things that you've got to enjoy it. 849 00:35:45,320 --> 00:35:46,960 Speaker 2: We can't fake chemistry either. That's the thing. 850 00:35:46,960 --> 00:35:50,120 Speaker 4: That's why I just don't understand why radio executives put 851 00:35:50,160 --> 00:35:53,240 Speaker 4: people together that never met each other before. But everyone 852 00:35:53,239 --> 00:35:54,880 Speaker 4: still goes, oh, but hey, misd and he was so 853 00:35:54,920 --> 00:35:56,400 Speaker 4: great when they because they are mates. 854 00:35:56,560 --> 00:35:58,919 Speaker 2: Yeah, you a true friend exactly. Yeah. 855 00:35:59,000 --> 00:36:01,680 Speaker 3: Yeah, no, I've said that. I said to Coop once before. 856 00:36:01,800 --> 00:36:04,239 Speaker 3: I said, mate, I think in radio you've just got 857 00:36:04,239 --> 00:36:06,680 Speaker 3: to take your time and get to a point. You 858 00:36:06,680 --> 00:36:09,399 Speaker 3: don't be too big a rush, and you also want 859 00:36:09,400 --> 00:36:11,160 Speaker 3: to a position once you're about to move in one 860 00:36:11,160 --> 00:36:12,880 Speaker 3: of those key slots that if you're in a good 861 00:36:12,960 --> 00:36:15,279 Speaker 3: enough position that you can pick your own team. I 862 00:36:15,320 --> 00:36:17,520 Speaker 3: can only imagine black is what it's like sometimes where 863 00:36:17,520 --> 00:36:19,319 Speaker 3: they just throw it and say, right, you're with this 864 00:36:19,360 --> 00:36:20,879 Speaker 3: group on so. 865 00:36:20,880 --> 00:36:23,000 Speaker 4: That when that happened to most of my career, Like 866 00:36:23,040 --> 00:36:25,759 Speaker 4: you know, that's that's why I think, ultimately I got 867 00:36:25,800 --> 00:36:27,680 Speaker 4: so lucky like only I worked hard, but I got 868 00:36:27,880 --> 00:36:30,560 Speaker 4: very lucky to work with like that. That was the again, 869 00:36:30,640 --> 00:36:32,400 Speaker 4: the key to not being a comedian or anything. I 870 00:36:32,440 --> 00:36:34,360 Speaker 4: got to work with the best in the business and 871 00:36:34,400 --> 00:36:36,359 Speaker 4: got to learn from them all along the way as well. 872 00:36:36,400 --> 00:36:39,279 Speaker 2: And now hopefully I can kind of pat it's never 873 00:36:39,320 --> 00:36:40,000 Speaker 2: been a big fan. 874 00:36:40,040 --> 00:36:41,680 Speaker 5: And I know there's a lot of comedians in radio, 875 00:36:41,760 --> 00:36:43,239 Speaker 5: and some of them are good, but they've never been 876 00:36:43,239 --> 00:36:47,040 Speaker 5: a big fan of like the comedian on radio every 877 00:36:47,520 --> 00:36:51,040 Speaker 5: break it's like rehearsed, Like they actually rehearse the jokes 878 00:36:51,080 --> 00:36:52,440 Speaker 5: and they come through it and you can sense the 879 00:36:52,440 --> 00:36:53,000 Speaker 5: fate laughter. 880 00:36:53,200 --> 00:36:54,600 Speaker 2: People that are naturally kind. 881 00:36:54,400 --> 00:36:56,120 Speaker 4: Of work with someone, Ones who are used to in 882 00:36:56,120 --> 00:36:57,920 Speaker 4: the middle of past talking like this, that write a 883 00:36:58,040 --> 00:36:59,600 Speaker 4: question on a post it note and slip it to 884 00:36:59,600 --> 00:37:01,400 Speaker 4: me and that's the question I have to ask, or 885 00:37:01,400 --> 00:37:02,080 Speaker 4: you'd have to ask it. 886 00:37:02,239 --> 00:37:03,399 Speaker 2: Ow. Wow. 887 00:37:03,480 --> 00:37:06,200 Speaker 3: Yeah, I found it very, very difficult at times because 888 00:37:06,200 --> 00:37:09,480 Speaker 3: they had a punchline trying to get to that conclusion. 889 00:37:09,480 --> 00:37:10,400 Speaker 2: They're trying to take you there. 890 00:37:10,440 --> 00:37:12,400 Speaker 4: Whereas Marty taught me years ago, like it's two hundred 891 00:37:12,400 --> 00:37:15,080 Speaker 4: and twenty shows a year, you'll get your thing across, 892 00:37:15,160 --> 00:37:17,520 Speaker 4: Like don't worry like again that don't rush thing, like 893 00:37:17,560 --> 00:37:18,919 Speaker 4: you know, there's another show. 894 00:37:19,080 --> 00:37:20,120 Speaker 2: There's always another show. 895 00:37:20,200 --> 00:37:23,319 Speaker 3: Yeah, drip feed them, Yeah yeah, Marty, because mart we're 896 00:37:23,320 --> 00:37:26,600 Speaker 3: not listening to Marty on air. He Although Marty's a comedian, 897 00:37:26,800 --> 00:37:28,600 Speaker 3: I don't think he would class himself as a stand 898 00:37:28,640 --> 00:37:30,920 Speaker 3: up and he sort of like he didn't come across 899 00:37:30,920 --> 00:37:31,879 Speaker 3: this comedian on air. 900 00:37:32,040 --> 00:37:33,359 Speaker 2: It was just sort of natural humor. 901 00:37:33,440 --> 00:37:36,759 Speaker 4: That was just he's the funniest person I've ever met. 902 00:37:36,800 --> 00:37:40,919 Speaker 4: Slashould work with ever, like very dry too, right, yeah yeah, 903 00:37:40,960 --> 00:37:43,840 Speaker 4: and also a real craftsman too, like really loves the 904 00:37:43,880 --> 00:37:46,200 Speaker 4: business and really knew the business well. 905 00:37:46,440 --> 00:37:48,719 Speaker 3: A couple of times we had a stand up not 906 00:37:48,719 --> 00:37:50,560 Speaker 3: going to say who it was, but if one of 907 00:37:50,600 --> 00:37:52,520 Speaker 3: the boys was sick, he'd come in or he come 908 00:37:52,560 --> 00:37:53,240 Speaker 3: in for guest slots. 909 00:37:53,239 --> 00:37:54,839 Speaker 2: And and I found it very. 910 00:37:54,800 --> 00:37:57,440 Speaker 3: Very difficult work with him because he would start a 911 00:37:57,440 --> 00:38:00,000 Speaker 3: monologue and and that's what it was. It was a monologue, 912 00:38:00,120 --> 00:38:03,080 Speaker 3: and he would be trying to basically get to the punchline, 913 00:38:03,200 --> 00:38:05,680 Speaker 3: which could have been four minutes away, and you're forced 914 00:38:05,680 --> 00:38:08,360 Speaker 3: to just sit there and you know, and you go 915 00:38:08,480 --> 00:38:11,160 Speaker 3: to chime in, oh well tell me, like MG. Once 916 00:38:11,200 --> 00:38:17,399 Speaker 3: he goes oh, mate, tell me when you just said that. 917 00:38:17,800 --> 00:38:19,560 Speaker 4: But then you'll hear them do that exact bit on 918 00:38:19,600 --> 00:38:21,480 Speaker 4: another radio show that they guest on them, Like, well, 919 00:38:21,480 --> 00:38:24,080 Speaker 4: you got your two jokes, and you're just like shitting 920 00:38:24,120 --> 00:38:25,520 Speaker 4: on all of us and we have to sit through it. 921 00:38:26,320 --> 00:38:30,080 Speaker 3: All the people you work with, So outside of Joel 922 00:38:30,120 --> 00:38:33,640 Speaker 3: and Ricky Lee, now, who was like, in your opinion, 923 00:38:33,680 --> 00:38:36,280 Speaker 3: the best team as far as chemistry is concerned. 924 00:38:36,239 --> 00:38:37,960 Speaker 4: Well outside of where I am now, because I've never 925 00:38:37,960 --> 00:38:40,480 Speaker 4: been happier and more confident in myself than I am 926 00:38:40,520 --> 00:38:42,480 Speaker 4: now with Like Ricky and I like best friends and 927 00:38:42,520 --> 00:38:45,040 Speaker 4: we kind of hang out all the time, and I 928 00:38:45,040 --> 00:38:48,840 Speaker 4: think that that shows on air. But but Marty, Marty, 929 00:38:49,560 --> 00:38:52,239 Speaker 4: Marty was just a cut above the rest in terms 930 00:38:52,239 --> 00:38:52,719 Speaker 4: of like you. 931 00:38:52,640 --> 00:38:53,640 Speaker 2: Were really weird. 932 00:38:53,680 --> 00:38:55,440 Speaker 4: You were learning from him even though you were enjoying 933 00:38:55,440 --> 00:38:57,520 Speaker 4: every day, you know, and we talk about the show 934 00:38:57,560 --> 00:39:00,080 Speaker 4: every day before the show too, Like there wasn't this 935 00:39:00,160 --> 00:39:01,640 Speaker 4: idea that you just rock up and see what happens. 936 00:39:01,680 --> 00:39:03,600 Speaker 2: That we talk about the show and really think about 937 00:39:03,640 --> 00:39:08,080 Speaker 2: the show. So definitely working with him was I think 938 00:39:08,320 --> 00:39:10,239 Speaker 2: has kind of set me up for where I am now. 939 00:39:10,320 --> 00:39:13,680 Speaker 3: Like, listen to like Marty and listen to Kyle. One 940 00:39:13,719 --> 00:39:15,399 Speaker 3: of the things that draws you to them is that 941 00:39:15,520 --> 00:39:18,959 Speaker 3: sense of menace and sense of danger, you know, isn't 942 00:39:18,960 --> 00:39:19,160 Speaker 3: it like? 943 00:39:19,400 --> 00:39:22,080 Speaker 4: And also but he even money. You teach me things 944 00:39:22,080 --> 00:39:23,960 Speaker 4: like like you know you don't want to shit can 945 00:39:24,000 --> 00:39:26,080 Speaker 4: everybody because you're running to someone at the airport, picked 946 00:39:26,120 --> 00:39:29,000 Speaker 4: like three people and go hard on them. And I 947 00:39:29,080 --> 00:39:32,680 Speaker 4: remember once going hard on James magnuson the swimmer, Bladdy, 948 00:39:32,800 --> 00:39:35,640 Speaker 4: white Caveer, give yourself your own nickname when you came second, 949 00:39:35,640 --> 00:39:37,600 Speaker 4: good on your bro like all this stuff, and then 950 00:39:37,600 --> 00:39:39,760 Speaker 4: of course ran into him making his own toasted sandwich 951 00:39:39,760 --> 00:39:45,960 Speaker 4: at the Corners Club, and he'd looked at me like 952 00:39:46,080 --> 00:39:49,080 Speaker 4: he knew about the white caveat stuff. And we ate 953 00:39:49,160 --> 00:39:51,759 Speaker 4: our ham, cheese and tomatoes separately and separate corners at 954 00:39:51,760 --> 00:39:52,120 Speaker 4: the venue. 955 00:39:52,360 --> 00:39:54,680 Speaker 5: Yeah, I often wanted that with like some you can 956 00:39:54,840 --> 00:39:57,600 Speaker 5: some people god really hard at each other. But sometimes 957 00:39:57,600 --> 00:39:58,960 Speaker 5: you go, oh, like is it all just a bit 958 00:39:59,000 --> 00:40:01,960 Speaker 5: of like fun than that? Yeah, But as that happened 959 00:40:01,960 --> 00:40:04,560 Speaker 5: to You've worked with a lot that went really hard 960 00:40:04,560 --> 00:40:07,200 Speaker 5: at different people, Like Marty you scare very hard at people. 961 00:40:07,400 --> 00:40:09,080 Speaker 4: Yeah, But I think about it. The difference is because 962 00:40:09,120 --> 00:40:11,839 Speaker 4: he didn't go out, so I still go out. Oh yeah, 963 00:40:11,880 --> 00:40:13,600 Speaker 4: And he's very easy, Like I guess Kyle would be 964 00:40:13,640 --> 00:40:16,480 Speaker 4: the same, right, It's very easy to start kind of 965 00:40:16,480 --> 00:40:19,560 Speaker 4: throwing throwing grenades and then not leave your house, and 966 00:40:19,920 --> 00:40:22,520 Speaker 4: whereas if you do enter the world and run into people, 967 00:40:22,800 --> 00:40:24,560 Speaker 4: it's a bit more difficult to have that kind of 968 00:40:24,600 --> 00:40:25,400 Speaker 4: in your repertoire. 969 00:40:25,719 --> 00:40:27,759 Speaker 5: Jackie always says that Jackie's like because she goes out 970 00:40:27,760 --> 00:40:31,240 Speaker 5: all the time and Kyle doesn't. And even sometimes Jackie's 971 00:40:31,239 --> 00:40:33,759 Speaker 5: not even like in the conversation, and he just goes 972 00:40:33,800 --> 00:40:36,040 Speaker 5: on these rants. And then she always runs it, like 973 00:40:36,120 --> 00:40:38,279 Speaker 5: she said she run into at the Formula one last 974 00:40:38,320 --> 00:40:41,600 Speaker 5: year's running the Steve Price And at that time those 975 00:40:41,640 --> 00:40:43,719 Speaker 5: two were like Kyle and Steve Price were just going 976 00:40:43,760 --> 00:40:45,960 Speaker 5: that hard at each other, and she was like, oh 977 00:40:46,320 --> 00:40:48,239 Speaker 5: hi Steve, and she was like she come back on 978 00:40:48,239 --> 00:40:51,200 Speaker 5: it because he's actually really lovely god. And Carl's like, 979 00:40:51,280 --> 00:40:51,800 Speaker 5: now fuck it. 980 00:40:53,360 --> 00:40:54,840 Speaker 4: Marty and I used to go hard on Tim Minchin 981 00:40:54,880 --> 00:40:56,960 Speaker 4: and I met him, I'm like, actually, you were really nice, 982 00:40:57,000 --> 00:40:58,680 Speaker 4: really nice guy. 983 00:40:58,760 --> 00:41:00,239 Speaker 3: We sort of do it a little bit, go hard 984 00:41:00,280 --> 00:41:03,440 Speaker 3: on them because we're just purely because we're jealous of 985 00:41:03,480 --> 00:41:07,560 Speaker 3: them was what did you used to call fits? There 986 00:41:07,600 --> 00:41:10,480 Speaker 3: was We had a couple ditsy and ditsy and witsy 987 00:41:11,000 --> 00:41:13,000 Speaker 3: and lit me the line and hardy. 988 00:41:12,760 --> 00:41:15,960 Speaker 2: Ha Heart's a buddy. 989 00:41:16,000 --> 00:41:16,080 Speaker 1: La. 990 00:41:16,160 --> 00:41:18,560 Speaker 2: Radio teas, particularly breakfast, just hate each other. I know, 991 00:41:18,840 --> 00:41:19,160 Speaker 2: I know. 992 00:41:19,480 --> 00:41:21,000 Speaker 3: We have one team. We used to go really hard 993 00:41:21,000 --> 00:41:23,719 Speaker 3: on them. We did an outside broadcast and there are 994 00:41:23,719 --> 00:41:25,960 Speaker 3: a number of teams there and they're one and one 995 00:41:25,960 --> 00:41:26,480 Speaker 3: of the guys. 996 00:41:26,480 --> 00:41:28,360 Speaker 2: So that wasn't for that weird radio. 997 00:41:28,440 --> 00:41:30,560 Speaker 4: I did that in Brisbane where all the breakfast shows 998 00:41:30,600 --> 00:41:32,040 Speaker 4: broadcast from Queen Street. 999 00:41:31,800 --> 00:41:34,080 Speaker 2: Morning the pig and whistle, like, what's the purpose. 1000 00:41:34,000 --> 00:41:36,319 Speaker 3: We're down Darling Harbor. Its just dunk. It was so 1001 00:41:36,440 --> 00:41:41,520 Speaker 3: shit anyway, and freezing cold anyway. This guy he walked 1002 00:41:41,520 --> 00:41:44,520 Speaker 3: over quite with a bit of bravado and he goes, well, 1003 00:41:44,560 --> 00:41:46,399 Speaker 3: here I am boys, and of course we have Mark 1004 00:41:46,440 --> 00:41:49,120 Speaker 3: Gyer in our team. MG, who's six foot six and 1005 00:41:49,320 --> 00:41:51,359 Speaker 3: like fire like a machine, has got a head trick 1006 00:41:51,360 --> 00:41:53,480 Speaker 3: at Tampa. And he walked out and said, well, if 1007 00:41:53,480 --> 00:41:55,799 Speaker 3: you boys, you've got anything to say, and MG said, yeah, 1008 00:41:55,960 --> 00:41:57,520 Speaker 3: funk off, I'm going to drop. 1009 00:41:57,360 --> 00:41:57,839 Speaker 2: You right now. 1010 00:41:57,960 --> 00:42:03,880 Speaker 4: He goes, okay, I remember that bo b that was 1011 00:42:03,920 --> 00:42:06,439 Speaker 4: ages ago, like that was ridiculous. It was for something 1012 00:42:06,480 --> 00:42:08,279 Speaker 4: I can't remember what's the purpose of that. It was 1013 00:42:08,320 --> 00:42:11,520 Speaker 4: for commercial radio something. I think the launch was it 1014 00:42:11,560 --> 00:42:12,680 Speaker 4: the launch of digital radio? 1015 00:42:13,160 --> 00:42:14,040 Speaker 2: I think it was. 1016 00:42:14,440 --> 00:42:16,080 Speaker 3: It was, and it was like a show of hey, 1017 00:42:16,160 --> 00:42:20,359 Speaker 3: we're all big one one. What about guests over the years, 1018 00:42:20,400 --> 00:42:22,800 Speaker 3: like you know, people who guess, some colleagues, people who've 1019 00:42:22,800 --> 00:42:25,680 Speaker 3: come into the studio, and of course you have, yeah, 1020 00:42:25,719 --> 00:42:28,600 Speaker 3: you have great experiences, and then with other people you 1021 00:42:28,680 --> 00:42:31,480 Speaker 3: have just these awful experiences, people who just don't want 1022 00:42:31,520 --> 00:42:34,200 Speaker 3: to be there. And firstly the real positive. 1023 00:42:33,800 --> 00:42:35,920 Speaker 2: Ones you've had over the years with guests coming in. 1024 00:42:36,600 --> 00:42:39,160 Speaker 4: Oh, that's a tough I don't know, Like I think, God, 1025 00:42:39,719 --> 00:42:42,200 Speaker 4: Christopher Pine would be my favorite guest that we've ever had. 1026 00:42:44,120 --> 00:42:48,319 Speaker 2: Yeah, he's the politician. This an actor called Chris Pine. 1027 00:42:48,640 --> 00:42:52,440 Speaker 2: I reckon there is Oh god, he was funny. 1028 00:42:52,480 --> 00:42:55,240 Speaker 4: We were talking about we're talking about I can't remember 1029 00:42:55,239 --> 00:42:55,759 Speaker 4: what it was. 1030 00:42:56,320 --> 00:42:57,880 Speaker 2: He used to he used to go. He used to 1031 00:42:57,920 --> 00:42:59,280 Speaker 2: go he called Kada bitch. 1032 00:42:59,480 --> 00:43:01,879 Speaker 4: It's standard. The standing in the hallway before he would 1033 00:43:01,920 --> 00:43:03,440 Speaker 4: come on with a glass of a white wine. 1034 00:43:04,680 --> 00:43:06,319 Speaker 2: Was just glad. He was good. 1035 00:43:07,200 --> 00:43:08,920 Speaker 4: I remember remember this stood out because I felt for 1036 00:43:09,000 --> 00:43:10,960 Speaker 4: him to. But Alex Lloyd, the singer I remember was 1037 00:43:11,000 --> 00:43:13,920 Speaker 4: one of my first interviews and it was live and look, 1038 00:43:13,960 --> 00:43:15,680 Speaker 4: I'll tell you what I know. It wasn't a good question, 1039 00:43:15,800 --> 00:43:18,160 Speaker 4: but it wasn't so he'd just become a dad. And 1040 00:43:18,200 --> 00:43:21,240 Speaker 4: I'd said to him, said, oh, so you know, Alex, 1041 00:43:21,360 --> 00:43:23,920 Speaker 4: because that's how I swoke, Alex, you know, would all 1042 00:43:23,920 --> 00:43:26,959 Speaker 4: your songs now just be about changing nappies and sleepless nights? 1043 00:43:27,280 --> 00:43:29,799 Speaker 4: And he literally just picked his headphones up, just left off, 1044 00:43:30,000 --> 00:43:34,520 Speaker 4: put him on the desk, walked out. That stuck with 1045 00:43:34,600 --> 00:43:37,000 Speaker 4: him because I find now, especially because like radio, we're all. 1046 00:43:37,280 --> 00:43:38,160 Speaker 2: We're filming everything. 1047 00:43:38,160 --> 00:43:40,479 Speaker 4: The guests have never I used to notice this about TV, 1048 00:43:40,640 --> 00:43:42,879 Speaker 4: like you never have a bad guest on TV because 1049 00:43:42,880 --> 00:43:45,160 Speaker 4: they've had their makeup done, they've got they've got nice 1050 00:43:45,160 --> 00:43:47,040 Speaker 4: clothes on, and they've got their on camera. 1051 00:43:47,200 --> 00:43:48,879 Speaker 2: So everyone acts polite. 1052 00:43:49,080 --> 00:43:51,319 Speaker 4: But radio they never used to. But now that we're 1053 00:43:51,320 --> 00:43:55,120 Speaker 4: all filming everything, everyone is really up and about and 1054 00:43:55,160 --> 00:43:56,399 Speaker 4: they know that this is going to go. 1055 00:43:56,320 --> 00:43:58,880 Speaker 5: Everywhere because there's a you're one clip away from just 1056 00:43:58,880 --> 00:43:59,879 Speaker 5: being like public enemy. 1057 00:44:00,000 --> 00:44:00,719 Speaker 2: And also we're a show. 1058 00:44:00,840 --> 00:44:02,640 Speaker 4: One of the great things that we've done with our 1059 00:44:02,719 --> 00:44:04,400 Speaker 4: Drive show over the years and all the incarnations. 1060 00:44:04,480 --> 00:44:06,520 Speaker 2: We have one guest a week, that's it. 1061 00:44:06,560 --> 00:44:08,719 Speaker 4: Because we also realized that Brecky would, like I say, 1062 00:44:08,760 --> 00:44:11,000 Speaker 4: if someone was in town, Brecky would have them, Knights 1063 00:44:11,040 --> 00:44:13,359 Speaker 4: would have them, the other drive shows would have them, 1064 00:44:13,360 --> 00:44:15,000 Speaker 4: So why don't we not have them and see how 1065 00:44:15,040 --> 00:44:16,799 Speaker 4: that goes? And that was that was another thing that 1066 00:44:16,800 --> 00:44:18,400 Speaker 4: Marty really pushed in, like why do we need to 1067 00:44:18,400 --> 00:44:20,360 Speaker 4: have doctor Chris Brown on talking about Dancing with the 1068 00:44:20,360 --> 00:44:22,560 Speaker 4: Stars have been on fifty eight different shows talking about 1069 00:44:22,560 --> 00:44:24,719 Speaker 4: the same thing. Nothing against Chris Brown, but why don't 1070 00:44:24,719 --> 00:44:27,480 Speaker 4: we just talk about Dancing with the Stars have it on? 1071 00:44:27,560 --> 00:44:29,560 Speaker 3: I just to laugh at Marty is year there sometimes 1072 00:44:29,560 --> 00:44:33,080 Speaker 3: in that book you actually except maybe once get a 1073 00:44:33,120 --> 00:44:36,480 Speaker 3: guest and he said something like, oh god, no, I'm 1074 00:44:36,480 --> 00:44:37,360 Speaker 3: going to have that turd. 1075 00:44:37,400 --> 00:44:41,520 Speaker 5: And the sh guests are very overrated. 1076 00:44:42,239 --> 00:44:45,480 Speaker 4: Because because you find, don't you find that you you 1077 00:44:45,640 --> 00:44:47,840 Speaker 4: make try and make them feel comfortable, so then you 1078 00:44:48,000 --> 00:44:49,360 Speaker 4: changed your whole out. 1079 00:44:49,480 --> 00:44:52,160 Speaker 5: If there's and we always find the best guess that 1080 00:44:52,200 --> 00:44:54,439 Speaker 5: we have on here, it's like people we always tried 1081 00:44:54,480 --> 00:44:56,040 Speaker 5: to just get people who we know are good blokes 1082 00:44:56,120 --> 00:44:58,719 Speaker 5: or you know good female guests who we all just 1083 00:44:58,760 --> 00:44:59,719 Speaker 5: bounce off each other. 1084 00:45:00,120 --> 00:45:04,480 Speaker 2: You're good. Yeah, we won't. We won't add we won't 1085 00:45:04,560 --> 00:45:06,080 Speaker 2: use any of this y. 1086 00:45:06,360 --> 00:45:08,200 Speaker 4: They haven't it record yet. 1087 00:45:07,640 --> 00:45:10,680 Speaker 2: This is just a speak to guests. 1088 00:45:10,719 --> 00:45:12,759 Speaker 4: Do recommend I like it now because the show is 1089 00:45:12,800 --> 00:45:15,240 Speaker 4: so successful and yours will be the same. People really 1090 00:45:15,640 --> 00:45:18,160 Speaker 4: know that coming into our show now means something. So 1091 00:45:18,200 --> 00:45:20,600 Speaker 4: we kind of haven't had any about experiences lately. I'll 1092 00:45:20,600 --> 00:45:21,440 Speaker 4: take them off their but. 1093 00:45:21,600 --> 00:45:24,920 Speaker 3: Yeah, yeah, I can imagine over the years you get well. 1094 00:45:24,920 --> 00:45:28,120 Speaker 3: We had a couple coming once and oh was horrendous. 1095 00:45:28,120 --> 00:45:31,040 Speaker 3: We're the losinger of placebo. Who I quite He. 1096 00:45:31,040 --> 00:45:33,400 Speaker 2: Came in and. 1097 00:45:32,640 --> 00:45:36,400 Speaker 4: Musicians don't go well in the morning, they don't. 1098 00:45:36,719 --> 00:45:40,120 Speaker 3: And he came in and he's publicist or manager, came 1099 00:45:40,160 --> 00:45:42,400 Speaker 3: in forehand and said, listen, he's got a fun He 1100 00:45:42,480 --> 00:45:45,560 Speaker 3: was highly unusual guy. He's got a real phobious as 1101 00:45:45,560 --> 00:45:49,319 Speaker 3: far as getting his photo taken, they're like okay, And 1102 00:45:49,360 --> 00:45:51,319 Speaker 3: of course he walks in the studio and one of 1103 00:45:51,360 --> 00:45:54,799 Speaker 3: our producers, Brendan wood Woody, who just managed to fuck 1104 00:45:54,840 --> 00:45:57,360 Speaker 3: everything up all the time, comes in not only with 1105 00:45:57,400 --> 00:45:59,640 Speaker 3: the camera with a long handled lens camera and just 1106 00:45:59,719 --> 00:46:03,600 Speaker 3: go his bang takes a photo of him and made 1107 00:46:03,600 --> 00:46:06,399 Speaker 3: he was made the blake from just exploded. 1108 00:46:06,480 --> 00:46:06,959 Speaker 2: That's a weird. 1109 00:46:07,040 --> 00:46:12,400 Speaker 5: So can I tell photos about Jake Bug? 1110 00:46:13,080 --> 00:46:15,560 Speaker 4: I love Jake Bug. Jake I love him. 1111 00:46:15,560 --> 00:46:18,440 Speaker 5: Okay, well you all love this. So Dad was obsessed 1112 00:46:18,520 --> 00:46:20,680 Speaker 5: when Jake Bug first come on the scene, right. 1113 00:46:20,680 --> 00:46:25,759 Speaker 2: Had like two albums. Didn't he disappear? Where's he gone? Dad? 1114 00:46:25,960 --> 00:46:28,080 Speaker 5: Dad thought he was the best thing since sliced bread. 1115 00:46:28,120 --> 00:46:30,160 Speaker 5: Every time he get drunk, which was like every second night, 1116 00:46:30,239 --> 00:46:32,520 Speaker 5: so he would he would get the speaker out. Well 1117 00:46:32,520 --> 00:46:34,759 Speaker 5: he didn't have a speaker, then you didn't have He 1118 00:46:34,800 --> 00:46:36,680 Speaker 5: put the cup in the yeah, the phone in the 1119 00:46:36,719 --> 00:46:38,040 Speaker 5: cup and he played Jake Bug and he go this, 1120 00:46:38,040 --> 00:46:39,680 Speaker 5: Blakey is going to be the next Leam Gallagher. That 1121 00:46:39,800 --> 00:46:41,719 Speaker 5: was his big thing, next Leam Gallagher. And then on 1122 00:46:41,760 --> 00:46:45,160 Speaker 5: Triple M. Jake Bug finally came out to Australia to 1123 00:46:45,200 --> 00:46:47,400 Speaker 5: do some media and Dad goes, guess what we've got 1124 00:46:47,480 --> 00:46:49,400 Speaker 5: Jake Bug on the show torow, I'm not I'm that 1125 00:46:49,560 --> 00:46:51,600 Speaker 5: stoked to get him on getting wine. Dad came home 1126 00:46:51,680 --> 00:46:55,319 Speaker 5: that disappointed because Jake Bug was like blind, wasn't He 1127 00:46:55,360 --> 00:46:56,279 Speaker 5: came in and. 1128 00:46:56,400 --> 00:46:56,919 Speaker 2: You know worse. 1129 00:46:57,080 --> 00:46:59,640 Speaker 3: Now, it was worse than that. He wasn't blind. He 1130 00:46:59,719 --> 00:47:02,920 Speaker 3: was just that fucking ridiculously hung over and he just 1131 00:47:03,080 --> 00:47:05,720 Speaker 3: he just give nothing on He just give us nothing 1132 00:47:06,000 --> 00:47:06,400 Speaker 3: and everything. 1133 00:47:06,480 --> 00:47:08,319 Speaker 2: Question I said, he said, Jake, you know, blah blah 1134 00:47:08,320 --> 00:47:10,480 Speaker 2: blah blah blah, and go. I don't know, man, I'm 1135 00:47:10,560 --> 00:47:15,319 Speaker 2: just fucked. That happened about years ago. 1136 00:47:15,520 --> 00:47:18,439 Speaker 4: I had Rihanna in when Ponder replay came out and round. 1137 00:47:18,480 --> 00:47:20,000 Speaker 2: I just literally had head. 1138 00:47:19,760 --> 00:47:21,560 Speaker 4: And I think she was on the eighteenth. So they 1139 00:47:21,640 --> 00:47:23,400 Speaker 4: had in a hand like this and she was to 1140 00:47:23,400 --> 00:47:26,000 Speaker 4: do one word answers like this. I walked out going, 1141 00:47:26,040 --> 00:47:27,920 Speaker 4: We're never going to see that woman again. And then 1142 00:47:27,960 --> 00:47:30,680 Speaker 4: literally about what twelve months ago, I'm seeing in the 1143 00:47:30,680 --> 00:47:33,160 Speaker 4: Pimont studio and over editing some ship and looking at 1144 00:47:33,200 --> 00:47:34,320 Speaker 4: up her performing. 1145 00:47:33,920 --> 00:47:36,200 Speaker 2: At Super Bowl. I'm still in the same room. She's 1146 00:47:36,280 --> 00:47:40,080 Speaker 2: up there. She did all right. She would be something. 1147 00:47:40,640 --> 00:47:43,480 Speaker 3: A friend of mine who did radio in Newcastle. One 1148 00:47:43,480 --> 00:47:46,279 Speaker 3: of his first ever shifts. He's got John Williamson on. 1149 00:47:47,960 --> 00:47:53,200 Speaker 2: Day True Blue and the a Mom with Dad. 1150 00:47:53,239 --> 00:47:57,319 Speaker 3: I mean, I lyrics don't take an iconic part, but 1151 00:47:57,360 --> 00:48:00,719 Speaker 3: you know what, that's a great watch out. 1152 00:48:00,719 --> 00:48:04,480 Speaker 2: Burt In your next rest in peace. Bert. 1153 00:48:05,680 --> 00:48:08,800 Speaker 3: Anyway, he got him on and that weekend he was 1154 00:48:08,840 --> 00:48:11,000 Speaker 3: going to perform live John. 1155 00:48:10,840 --> 00:48:13,080 Speaker 2: Williamson at Bradman's funeral. 1156 00:48:13,160 --> 00:48:17,320 Speaker 3: Right, say, my makos are And on a different note, John, 1157 00:48:18,080 --> 00:48:21,279 Speaker 3: you're performing this week at so Donald Bradman's funeral. Wow, 1158 00:48:21,320 --> 00:48:26,640 Speaker 3: what a thrill. There was just silence and he just 1159 00:48:26,760 --> 00:48:36,160 Speaker 3: went thrill. The bloke's fucking dead, mate. Oh god, Ah, 1160 00:48:36,360 --> 00:48:41,440 Speaker 3: things you do now, Okay, Tim, I'm gonna explain this. 1161 00:48:41,920 --> 00:48:43,200 Speaker 5: He was about to do what I think you're about 1162 00:48:43,200 --> 00:48:43,360 Speaker 5: to do. 1163 00:48:43,880 --> 00:48:49,520 Speaker 2: Yep, that really may work. Gets very excited about this. 1164 00:48:50,080 --> 00:48:50,799 Speaker 2: But before we do. 1165 00:48:50,880 --> 00:48:53,680 Speaker 3: Any are there any notable shows over the years that 1166 00:48:53,719 --> 00:48:54,680 Speaker 3: really stand out for you? 1167 00:48:55,360 --> 00:48:55,560 Speaker 2: Yeah? 1168 00:48:55,560 --> 00:48:57,360 Speaker 4: We actually one of the best ideas we had and 1169 00:48:57,400 --> 00:49:00,000 Speaker 4: were able to do it was we decided to remember 1170 00:49:00,120 --> 00:49:02,280 Speaker 4: and Royal HG used to commentate like the Grand Finals 1171 00:49:02,320 --> 00:49:04,640 Speaker 4: and stuff for the A for Triple J yep, so 1172 00:49:04,680 --> 00:49:07,479 Speaker 4: we wanted to go over and we commentated the Royal wedding. 1173 00:49:07,560 --> 00:49:08,800 Speaker 2: That was Harry Omegan. 1174 00:49:09,280 --> 00:49:11,960 Speaker 4: So it was Saturday and we were broadcasting live around 1175 00:49:12,000 --> 00:49:14,759 Speaker 4: the country and we just sat in London. We flew 1176 00:49:14,800 --> 00:49:16,520 Speaker 4: to London for it and we're watching it on the 1177 00:49:16,560 --> 00:49:19,680 Speaker 4: BBC and we just shit canned it and talked. 1178 00:49:19,400 --> 00:49:22,440 Speaker 2: About it over the three and a half hours. 1179 00:49:22,400 --> 00:49:25,279 Speaker 4: Just commentating the Royal wedding, and it was absolutely it 1180 00:49:25,320 --> 00:49:28,200 Speaker 4: was the most fun I've had on radio. Was sitting 1181 00:49:28,200 --> 00:49:31,280 Speaker 4: there and bloody Royal wedding glasses and top hat, sitting 1182 00:49:31,280 --> 00:49:33,360 Speaker 4: in London after a couple of pints down at Westminster. 1183 00:49:33,520 --> 00:49:36,400 Speaker 5: So you, in hindsight, you probably didn't have to be 1184 00:49:36,480 --> 00:49:40,560 Speaker 5: in London, but that was the joke we got you. 1185 00:49:40,760 --> 00:49:43,759 Speaker 2: That is so funny. It was awesome. God, isn't she 1186 00:49:43,800 --> 00:49:44,880 Speaker 2: a god awful person? 1187 00:49:45,760 --> 00:49:48,880 Speaker 4: She works hard though she's the Mum podcast, she's making 1188 00:49:48,880 --> 00:49:51,440 Speaker 4: her jams now, so how does she do it? 1189 00:49:51,600 --> 00:49:54,120 Speaker 2: Incredible? And have you heard her latest one of the 1190 00:49:54,160 --> 00:49:57,319 Speaker 2: power of Yet no power yet? You think about this. 1191 00:49:57,400 --> 00:50:00,880 Speaker 2: So she's talking to a person and she goes, she. 1192 00:50:00,920 --> 00:50:03,560 Speaker 3: Was talking about mat like firstly, you're right about like 1193 00:50:03,800 --> 00:50:06,439 Speaker 3: what she does as a mother. Oh, honestly, I mean 1194 00:50:06,600 --> 00:50:09,680 Speaker 3: there's there's single mother's out there working three jobs. 1195 00:50:09,719 --> 00:50:11,160 Speaker 2: But but what she does. 1196 00:50:11,360 --> 00:50:14,440 Speaker 3: She goes, I get up in the morning six thirty 1197 00:50:14,960 --> 00:50:17,560 Speaker 3: and I make their lunches and then I get them 1198 00:50:17,600 --> 00:50:18,560 Speaker 3: out and address them. 1199 00:50:18,880 --> 00:50:19,600 Speaker 2: Wow, this is going. 1200 00:50:20,040 --> 00:50:22,160 Speaker 3: And then I drive them to school. I'm thinking, yeah, 1201 00:50:22,200 --> 00:50:22,920 Speaker 3: fucking sure. 1202 00:50:22,760 --> 00:50:23,080 Speaker 2: You do it. 1203 00:50:23,400 --> 00:50:25,960 Speaker 3: And then I get back and it's and goes. I 1204 00:50:26,040 --> 00:50:28,719 Speaker 3: do all of that, and it's by that time it's 1205 00:50:28,840 --> 00:50:33,960 Speaker 3: nine thirty and I'm exhausted, and you're going fucking my, 1206 00:50:33,960 --> 00:50:35,920 Speaker 3: my god. And then she sits here and she starts 1207 00:50:35,920 --> 00:50:38,080 Speaker 3: to talk about she's got this new thing. She goes, 1208 00:50:38,200 --> 00:50:40,040 Speaker 3: I tell my children. 1209 00:50:39,680 --> 00:50:41,040 Speaker 2: The power of yet. 1210 00:50:42,040 --> 00:50:48,440 Speaker 3: Oh no, I am my book hasn't been picked up yet. Yeah, 1211 00:50:49,040 --> 00:50:51,160 Speaker 3: and it just goes on not it is probably the 1212 00:50:51,160 --> 00:50:51,960 Speaker 3: most sickening thing. 1213 00:50:51,960 --> 00:50:52,960 Speaker 2: I love. 1214 00:50:53,200 --> 00:50:55,239 Speaker 5: And the other girl's just smoking, like blowing up and 1215 00:50:55,360 --> 00:50:56,160 Speaker 5: smoke up her ass. 1216 00:50:56,400 --> 00:50:59,400 Speaker 2: Yea horrible. Anyway, I'm more of a goop guy, you know, 1217 00:50:59,680 --> 00:51:03,200 Speaker 2: with power Oh yeah, yeah, the older what is it? 1218 00:51:03,239 --> 00:51:05,360 Speaker 2: The vagina smelling key candles? 1219 00:51:05,440 --> 00:51:08,200 Speaker 4: And she apparently she talked about Ben Affleck Tea bagging 1220 00:51:08,239 --> 00:51:10,399 Speaker 4: her when they used to go out fantastic. 1221 00:51:10,480 --> 00:51:15,160 Speaker 2: So that's the power of bag. Yeah, Tea bagged by 1222 00:51:15,239 --> 00:51:15,880 Speaker 2: Ben Affleck. 1223 00:51:16,440 --> 00:51:22,360 Speaker 3: Yeah, Okay, Cooper explain it. 1224 00:51:22,440 --> 00:51:22,760 Speaker 2: Okay. 1225 00:51:22,840 --> 00:51:25,440 Speaker 5: So this segment, Dad loves it Loan Survivor, right, and 1226 00:51:25,440 --> 00:51:27,239 Speaker 5: so he's going to do He's going to pick a 1227 00:51:27,280 --> 00:51:29,719 Speaker 5: category and then one v one there's going to be 1228 00:51:29,760 --> 00:51:31,560 Speaker 5: people and they kind of it's like a King of 1229 00:51:31,600 --> 00:51:33,520 Speaker 5: the ring. You go through until there's only one left, 1230 00:51:33,840 --> 00:51:34,560 Speaker 5: the winner of it. 1231 00:51:34,600 --> 00:51:35,600 Speaker 2: So this one, I was going to go. 1232 00:51:35,640 --> 00:51:38,640 Speaker 3: Best Radio Talent Australia, but it's not fair because I'm 1233 00:51:38,680 --> 00:51:40,719 Speaker 3: going I'm going to start to mention names you work 1234 00:51:40,800 --> 00:51:42,480 Speaker 3: with in your work, and so I'm going to go 1235 00:51:42,640 --> 00:51:44,840 Speaker 3: radio for talent you'd like to be sitting next to 1236 00:51:44,920 --> 00:51:45,960 Speaker 3: in a twenty four hour flight. 1237 00:51:46,120 --> 00:51:52,000 Speaker 2: Okay, now start with Alan Jones and John Laws John Lewis, Okay, 1238 00:51:52,080 --> 00:51:54,719 Speaker 2: had lunch with him, did you Laws? Yeah? I did. 1239 00:51:54,800 --> 00:51:59,359 Speaker 4: I'm not lawsy but yeah, yeah, sorry guys, his wild 1240 00:51:59,360 --> 00:52:01,839 Speaker 4: turkey and co so sip at the wild turkey then 1241 00:52:01,880 --> 00:52:02,960 Speaker 4: a sip of coke doesn't. 1242 00:52:02,760 --> 00:52:03,680 Speaker 2: Mix them, doesn't. What was that? 1243 00:52:03,800 --> 00:52:03,960 Speaker 3: Is there? 1244 00:52:03,960 --> 00:52:06,160 Speaker 4: A just remember when I when I went to lunch 1245 00:52:06,160 --> 00:52:07,600 Speaker 4: with him, I said, I'm just going to do everything 1246 00:52:07,600 --> 00:52:09,160 Speaker 4: that you do with this lunch because I was so 1247 00:52:09,200 --> 00:52:11,040 Speaker 4: obsessed with him. And we went to Otto and I 1248 00:52:11,080 --> 00:52:13,279 Speaker 4: just I ordered the same thing, drank the same thing, 1249 00:52:13,680 --> 00:52:14,479 Speaker 4: absolutely blind. 1250 00:52:14,680 --> 00:52:16,919 Speaker 3: He does every single day he used to be, didn't 1251 00:52:16,920 --> 00:52:20,800 Speaker 3: he same table? I've got a lawsy street after after that? 1252 00:52:22,440 --> 00:52:28,080 Speaker 3: So John Laws or Fitzy, Dizzy, Fitzy Okay, fitz your 1253 00:52:28,200 --> 00:52:34,840 Speaker 3: Jackie O. I love Jackie, but fifty okay, bias fifty. 1254 00:52:35,200 --> 00:52:38,560 Speaker 3: I'll keep fifty going, Fitzy or Hamish Blake, I'll keep 1255 00:52:38,560 --> 00:52:42,719 Speaker 3: fifty going. Okay, Fitzy, Andy Lee, Fitty exactly, Funny one 1256 00:52:43,239 --> 00:52:48,000 Speaker 3: uh Laury, fitz Fitzy, Sam Pang. 1257 00:52:49,480 --> 00:52:51,640 Speaker 4: Well, I know Sam, but I don't know. I think 1258 00:52:51,640 --> 00:52:53,200 Speaker 4: he'd be more of a movie guy. And you know 1259 00:52:53,360 --> 00:52:56,719 Speaker 4: so I would say fifty. Dave Hughes, Oh, no, Dave 1260 00:52:56,800 --> 00:52:58,520 Speaker 4: Hughes will be boring on a flight. 1261 00:52:58,600 --> 00:53:01,760 Speaker 2: So fifty okay, It doesn't drink, hasn't. 1262 00:53:01,560 --> 00:53:04,000 Speaker 4: Drunk drunk for since he shut himself in the tree 1263 00:53:04,000 --> 00:53:09,000 Speaker 4: and warnable did he? But he was up in the tree. 1264 00:53:09,040 --> 00:53:10,600 Speaker 2: I'll get him on to tell that story. 1265 00:53:10,760 --> 00:53:13,279 Speaker 4: Yeah, well he's in his twenties though, commits to it. 1266 00:53:13,400 --> 00:53:20,000 Speaker 3: I love that, Okay Fits or Marty Marty, Oh Marty 1267 00:53:20,080 --> 00:53:21,440 Speaker 3: or Kate lmbrook. 1268 00:53:22,000 --> 00:53:27,319 Speaker 4: Oh Kate Lambrook Kate or fifty box O Kate Kate 1269 00:53:27,400 --> 00:53:29,040 Speaker 4: or Merrick Watts, Kate. 1270 00:53:29,600 --> 00:53:34,919 Speaker 2: Zach Kate, I read Cavali Okay, yeah, Kate or Chris 1271 00:53:35,040 --> 00:53:40,359 Speaker 2: Page on where's the flight going? I have to work 1272 00:53:40,400 --> 00:53:44,480 Speaker 2: when I get there. Let's press pause on that. Do 1273 00:53:44,480 --> 00:53:45,239 Speaker 2: you remember Jack? 1274 00:53:45,560 --> 00:53:48,279 Speaker 3: So we're flying on our flight to New York. We're 1275 00:53:48,280 --> 00:53:51,560 Speaker 3: going to stop over at LA and by the time 1276 00:53:51,640 --> 00:53:55,040 Speaker 3: we reached LA, we had to give Page your carry 1277 00:53:55,080 --> 00:53:58,080 Speaker 3: on to use as as crutches. 1278 00:53:57,840 --> 00:54:00,560 Speaker 2: Because he couldn't even walk. So what had happened? 1279 00:54:00,560 --> 00:54:01,960 Speaker 3: He got on the flight and they cut him off, 1280 00:54:02,080 --> 00:54:04,360 Speaker 3: so he crawled up into business class and stole a 1281 00:54:04,800 --> 00:54:05,719 Speaker 3: bottle of champagne. 1282 00:54:05,760 --> 00:54:11,680 Speaker 4: Oh my god, class, it is real champagne. 1283 00:54:13,680 --> 00:54:19,080 Speaker 3: Kate or McCloy, Mick mlloy, mcmcloy, col c LANs, Mick malloy, 1284 00:54:19,160 --> 00:54:21,360 Speaker 3: mc malloy, Mick by your favorite. 1285 00:54:21,440 --> 00:54:23,640 Speaker 4: Yeah, he's a good mate too. I love Mick again. 1286 00:54:23,680 --> 00:54:25,880 Speaker 4: I've worked with him for a little while. He filled in 1287 00:54:25,920 --> 00:54:27,600 Speaker 4: for Kate Lanebrook when she had one of her seven 1288 00:54:27,640 --> 00:54:29,960 Speaker 4: hundred kids. When I worked with Hughsey and Kate so 1289 00:54:30,280 --> 00:54:31,880 Speaker 4: and then Mick used to come up when we were 1290 00:54:31,880 --> 00:54:33,680 Speaker 4: looking for our co hosts in Brisbane. We'd have it 1291 00:54:33,880 --> 00:54:36,600 Speaker 4: was actually awesome. When Ash left and we were looking 1292 00:54:36,600 --> 00:54:38,480 Speaker 4: for the next co host, Will Anderson came up and 1293 00:54:38,480 --> 00:54:40,479 Speaker 4: did two weeks. Marty came up and did two weeks. 1294 00:54:40,520 --> 00:54:42,239 Speaker 4: Mick came up and did two weeks and Mick and 1295 00:54:42,320 --> 00:54:44,319 Speaker 4: I would be at the pub at nine point thirty. 1296 00:54:44,120 --> 00:54:47,480 Speaker 2: Every morning in Brisbane, fucking good. Yeah, he'd have he'd have. 1297 00:54:47,440 --> 00:54:49,719 Speaker 4: His legal pad there, he writes the notes, he'd send 1298 00:54:49,800 --> 00:54:51,000 Speaker 4: off a few texts and then that. 1299 00:54:51,040 --> 00:54:55,160 Speaker 2: Was it him and Tony Martin together. Oh. I used 1300 00:54:55,160 --> 00:54:57,520 Speaker 2: to be on when it was Martin mlloy. I used 1301 00:54:57,560 --> 00:54:58,960 Speaker 2: to be a call. I used to be Tim from 1302 00:54:58,960 --> 00:54:59,840 Speaker 2: Tazzy used to call up. 1303 00:55:00,160 --> 00:55:01,759 Speaker 4: No, really, I think I might be on like a 1304 00:55:01,760 --> 00:55:03,960 Speaker 4: poop Stoot album or something like that. 1305 00:55:03,280 --> 00:55:06,240 Speaker 3: That's right, the poop Shoot, the Brown album, the Brown album, 1306 00:55:06,640 --> 00:55:07,719 Speaker 3: You Eat Your Peas. 1307 00:55:08,000 --> 00:55:10,000 Speaker 5: It would be very hard to fly commercial with with 1308 00:55:10,160 --> 00:55:10,959 Speaker 5: Kyle as well. 1309 00:55:12,000 --> 00:55:12,480 Speaker 4: He doesn't do that. 1310 00:55:12,520 --> 00:55:13,120 Speaker 2: He doesn't do it. 1311 00:55:13,120 --> 00:55:15,160 Speaker 5: He doesn't want to flow scum with all the commercial 1312 00:55:15,360 --> 00:55:16,399 Speaker 5: that's in his words. 1313 00:55:16,400 --> 00:55:17,239 Speaker 2: He loves flying. 1314 00:55:16,960 --> 00:55:21,920 Speaker 5: Private, even domestically. Why was you waste the money? 1315 00:55:22,080 --> 00:55:22,239 Speaker 1: Did it? 1316 00:55:22,480 --> 00:55:24,040 Speaker 4: How did you guys get to Melbourne that time for 1317 00:55:24,080 --> 00:55:24,439 Speaker 4: your dig? 1318 00:55:24,560 --> 00:55:25,439 Speaker 2: A million dollar dig? 1319 00:55:26,160 --> 00:55:26,319 Speaker 1: Well? 1320 00:55:26,360 --> 00:55:29,560 Speaker 2: I didn't. I flew commercially. He I don't know how 1321 00:55:29,600 --> 00:55:32,640 Speaker 2: he got there. He might have just got like uber black. Yeah, 1322 00:55:32,640 --> 00:55:33,919 Speaker 2: he's just giving all the way down. 1323 00:55:34,160 --> 00:55:37,879 Speaker 3: Yeah, thanks, I thank you so much for company mate, 1324 00:55:37,920 --> 00:55:38,960 Speaker 3: I really appreciate mate. 1325 00:55:39,560 --> 00:55:41,600 Speaker 2: Thanks for the hat. Good luck going forward, mate, Thank 1326 00:55:41,640 --> 00:55:42,759 Speaker 2: you very much. Good on your brother.