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Speaker 1: This is interesting.

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Speaker 2: We've been talking about this for a while, and then

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Speaker 2: this morning I find this article for OSI. Almost like

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Speaker 2: the articles popped up because my phone was listening to

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Speaker 2: what I was saying. It's a security expert saying that, yes,

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Speaker 2: we can confirm your phone is listening to everything that

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Speaker 2: you say. So you wonder why you might get served

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Speaker 2: an ad which is merely a convenience for what you've

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Speaker 2: been talking about and having a conversation about. It happens

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Speaker 2: all the time, and you sit there and you think,

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Speaker 2: hang on a minute, I was just talking about a kidkat.

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Speaker 2: Now I'm on Instagram and all of a sudden there's

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Speaker 2: an ad for kidkat.

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Speaker 3: How does that happen? Do you know what can? I don't.

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Speaker 3: My computer is mixed. I think mine's different because I

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Speaker 3: only get stuff that advertised, that comes up and advertises

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Speaker 3: in front of me, Sarah when I actually go and

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Speaker 3: search for something. So if I toy and search for something,

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Speaker 3: you know, the next day I'll get an advert oh

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Speaker 3: do you want to buy this? Which is similar to I'm.

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Speaker 4: The same holidays the other day and now the destination

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Speaker 4: keeps popping up all the time, but not on speaking though,

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Speaker 4: I don't understand how it works.

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Speaker 2: There was one that was so bizarre the other day.

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Speaker 2: I'm in the car with Lisa and I saw that

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Speaker 2: campaign they had ran for the Northern Territory and it

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Speaker 2: was like see you, yeah, yeah, And anyway, I said

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Speaker 2: to Lisa there was that campaign. It was a sticker

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Speaker 2: on the back of the car, like that was from

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Speaker 2: two years ago. Someone's still getting around with one of

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Speaker 2: those old Northern Territory campaign And then the word looks naughty. Anyway,

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Speaker 2: we drove around again looking for parking, said that's signed on.

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Speaker 2: Next thing, you know, I get an ad on Instagram

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Speaker 2: to buy the T shirt of that promotion, that campaign

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Speaker 2: that's never spoken about. There's no other detail around that,

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Speaker 2: and all of a sudden it pops up. It's fascinating,

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Speaker 2: the guy says. The expert on this article says that

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Speaker 2: what happens is they're also listening out for different keywords

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Speaker 2: that you might mention in conversations.

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Speaker 1: So it might be.

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Speaker 2: Oh, I need a new pair of genes. So the

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Speaker 2: saying need might trigger the speaker to listen to what

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Speaker 2: you're talking about, and all through the clever ties and

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Speaker 2: sees that you agree to that can often give listening

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Speaker 2: permission to things like Instagram or Twitter or whatever.

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Speaker 3: You're not.

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Speaker 5: This is the thing that surprised me with people who

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Speaker 5: get so angry that this happens is it's designed to

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Speaker 5: then show you things that you apparently need or want

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Speaker 5: or holiday, in your instance, holidays and now you're getting

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Speaker 5: holiday offers.

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Speaker 3: Is this such a problem?

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Speaker 6: But it's good.

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Speaker 3: It's all about budgeting, mate. We're all trying to save money,

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Speaker 3: right and when this is in front of you, this

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Speaker 3: is why people are racking up credit cards. This is

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Speaker 3: why people are spending too much money because it's in

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Speaker 3: their face. You are getting sucked in. Doesn't it make

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Speaker 3: you feel bad? Doesn't it make you feel bad? Greet

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Speaker 3: that you're actually getting sucked in by this stuff and

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Speaker 3: you're buying this stuff.

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Speaker 5: I cannot believe you're saying that the reason why there's

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Speaker 5: such significant credit debt is because your phone is like

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Speaker 5: you are that sinister in your thinking about it, no

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Speaker 5: control over their ability to then buy it.

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Speaker 2: There's no way to put greater advertising in front of

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Speaker 2: someone's face than through this application.

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Speaker 3: Without this works.

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Speaker 2: And it's different too, because you know what, I look

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Speaker 2: at it when I get ads and you're right. Say,

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Speaker 2: let's say I've googled something. I almost look at the

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Speaker 2: ads as reminders when I go, oh god, I meant

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Speaker 2: to buy that kid's present because the birthday is coming up.

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Speaker 2: Thank you Facebook ad, because I haven't got that done yet.

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Speaker 1: Where Lisa will.

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Speaker 2: Google the easies, then she gets an ad and banks

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Speaker 2: you'll go on by.

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Speaker 3: Their first of the ads.

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Speaker 5: Fault that you wanted to buy, or you did buy

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Speaker 5: the thing that you apparently wanted.

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Speaker 4: But it's servicing. It's servicing. What's not really a necessity

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Speaker 4: is just a desire.

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Speaker 2: And it's the other thing it says, sir is. It

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Speaker 2: can also read text messages. So, Tommy, you sent me

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Speaker 2: a text message the other day, Yes, say that you've

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Speaker 2: got a shaver.

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Speaker 1: Yes, talk me through the rest of your life. Oh yeah.

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Speaker 7: So and then I'm in the kitchen talking to my

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Speaker 7: wife because my've elsa soon shaver has broken down.

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Speaker 1: And Beverly Hills problem.

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Speaker 7: Leaving so soon, And anyway, I was saying to my wife,

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Speaker 7: I need to have a shave. I haven't shaved for

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Speaker 7: two weeks. And then in my Instagram feed a bronze

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Speaker 7: shaver appears.

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Speaker 1: Three of them.

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Speaker 5: Well, could also be that the camera just works and

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Speaker 5: it's seen you and gone.

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Speaker 1: You've still got the teddy Bear.

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Speaker 2: Three things I need to bring up because I tell

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Speaker 2: you what, there's just too much getting around that I

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Speaker 2: don't understand. I can't get my head around things. And

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Speaker 2: I see articles and I read stories and I think,

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Speaker 2: is that actually possible? That's why I've got three beauties

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Speaker 2: today for a round table.

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Speaker 3: Guys.

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Speaker 2: First one, get your head around this. A woman in

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Speaker 2: Canada is sitting there on a beautiful spring day. She's

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Speaker 2: got her sun roof ope and she's in the car

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Speaker 2: with her daughter. All of a sudden, the brown sludge

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Speaker 2: comes through the sunroof. It's her on the head, starts

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Speaker 2: running down her face. In turn, she gets pink eye.

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Speaker 2: It's human waste from an aeroplane.

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Speaker 1: Really happen?

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Speaker 3: Does that happen? Now?

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Speaker 4: I thought it was broken down by chemicals before it's dumped.

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Speaker 3: Well I wasn't.

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Speaker 1: You still can't just dump from the sky, though, can you.

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Speaker 2: It can't be overland, right, because if you were to dump,

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Speaker 2: do the official dump from an aircraft, I would have

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Speaker 2: thought it would be over water.

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Speaker 3: Could be from a bird gee, big bird.

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Speaker 2: I mean, this was sludge that landed on her head

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Speaker 2: like she was in some game show and she'd lost around.

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Speaker 5: And if it was to land on her car from

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Speaker 5: that height, it would shatter the car. It wouldn't just

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Speaker 5: politely land and then slowly seep through the sun.

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Speaker 3: Now, pink iye expert on the show.

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Speaker 8: Pink.

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Speaker 3: It landed through her sun.

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Speaker 2: Roof, through the sunroof, Tom on the head ran down

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Speaker 2: into the eyes all of a sudden, she's got pink eye?

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Speaker 2: Has she got a partner that is passed wind on

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Speaker 2: a pillow?

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Speaker 3: He has come up with an excuse? Yes, absolutely.

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Speaker 2: Confused. What about this guy? Bloke's doing a bit of

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Speaker 2: a work in the field. He's accidentally stumbled upon something.

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Speaker 2: While he was trying to dig up a couple of

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Speaker 2: potatoes looking for a food had people coming around for

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Speaker 2: a Sunday roast. He hit something a little bit harder

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Speaker 2: than a spot. It was a human skull. He went

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Speaker 2: back into the house and said to his wife, you're

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Speaker 2: not going to believe it. I've just found a body

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Speaker 2: in the paddock. She said, don't be alarmed. It's my

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Speaker 2: first husband killed him over twenty one years ago. Decided

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Speaker 2: to bear him in the paddock.

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Speaker 1: He said.

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Speaker 2: She said, don't worry about it. Let's just move on

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Speaker 2: and not tell the police.

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Speaker 9: Not alarm.

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Speaker 3: Told me not to be alarmed. I won't be alarmed.

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Speaker 1: I won't be alarmed. Killed him with an accent.

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Speaker 4: What what don't you understand about the story?

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Speaker 2: How does she get away with something like that for

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Speaker 2: so long? And then how does a guy continue to

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Speaker 2: live with a woman when he finds out that she

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Speaker 2: sunk an.

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Speaker 3: Access about it?

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Speaker 1: God, this is not little time.

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Speaker 3: There are things I'm confused by this.

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Speaker 1: I'd be confused.

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Speaker 3: There's just three short stories are around the bottle, if

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Speaker 3: you wouldn't mind. Rabbit, Rabbit, white rabbit.

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Speaker 4: We've got that time for a tail?

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Speaker 5: Thing?

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Speaker 9: Is that what you're doing?

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Speaker 1: Time for a find that Joan, you'll keep your job?

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Speaker 1: What about this one?

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Speaker 2: How is the guy in Brazil? I can't get my

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Speaker 2: head around this, the guy in Brazil who was bitten

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Speaker 2: on the ppe by a shark.

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Speaker 1: How does a shark just get you on the tackle?

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Speaker 2: I mean, if a shark's coming in, and if you

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Speaker 2: think about a shark, you would go, my god, there's

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Speaker 2: so many great body parts that I want to nimble on.

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Speaker 2: If you are the shark I'll go for the leg.

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Speaker 2: The thy look's tasty. There's a rump, even the shoulder.

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Speaker 2: Look how much meats around that? How did he just

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Speaker 2: get him on the tackle?

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Speaker 3: No, that can't be wrong.

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Speaker 4: Was it actually a bit or was it the tail

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Speaker 4: accidentally flicking him?

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Speaker 1: Bite? It was teeth clamped down?

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Speaker 3: Could be a very impassive, gentleman.

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Speaker 1: You could be under Are you suggesting.

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Speaker 4: A lad a very small shark?

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Speaker 1: No big sharks?

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Speaker 3: And managed?

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Speaker 1: What is going on in that shark's.

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Speaker 3: Mommy going to say roosters can't lay eggs. We're not ridding.

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Speaker 2: So your suggest suggesting he did his own work in

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Speaker 2: the water difficult. Get some sort of treatment down. Can't

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Speaker 2: get my head around three stories. Thanks for listening to

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Speaker 2: me this morning.

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Speaker 3: Support.

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Speaker 1: We're going to do it.

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Speaker 3: Tell me when you're going to do it, and I won't.

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Speaker 1: Be okay man, Thanks for your support. All right from.

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Speaker 2: Between A received Dave is listening in Canada. Big shout

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Speaker 2: out to Dave and his Canadian friends. You've got a

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Speaker 2: temp T shirt coming your way, Dowve. But we want

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Speaker 2: to know where are you listening from internationally overseas? Where

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Speaker 2: are we landing and where are we finding you Rebecca

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Speaker 2: out from New Zealand.

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Speaker 1: Hello, good Beck?

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Speaker 3: Where are you?

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Speaker 1: You're in Fiji?

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Speaker 3: Are you lovely? Get out of turn? You're lucky bag?

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Speaker 3: Just on a holiday, Beck? Or do you live there?

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Speaker 10: No, I'm just on a holiday. He can't get to

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Speaker 10: christ tomorrow actually, so make you.

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Speaker 1: Old, Beck. You're in on a holiday? What are you

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Speaker 1: listening to us for?

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Speaker 10: I shouldn't be? Should I.

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Speaker 4: Atilt to be on my.

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Speaker 2: Amazing You've got a tempt t shirt coming away? Thank you, Beck.

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Speaker 2: We're gonna sat a shout out to what's that temming?

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Speaker 9: We got?

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Speaker 1: Beck? And swear?

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Speaker 7: Yeah, we've got another Beck in Santiago. Okay, we just

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Speaker 7: received it from Sarah in Germany.

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Speaker 2: Good says and Ollie in Surrey in the u K.

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Speaker 1: Well there you go.

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Speaker 3: Christine has given us a call from London. Hi Christina? Hi?

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Speaker 3: What's what's the time difference? What time is it over there?

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Speaker 9: It is nine ninetyear Thursday, Christina.

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Speaker 1: We were lucky enough to visit for the royal wedding.

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Speaker 1: We were over there.

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Speaker 2: What I couldn't believe is the amount of people having

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Speaker 2: a couple of pints at ten am in the morning.

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Speaker 1: Is that what you do on a daily basis.

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Speaker 11: Oh, you do definitely drink a lot more happily.

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Speaker 10: I have to say bye. I did enjoy all your

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Speaker 10: Instagram when you guys were here around Soho.

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Speaker 9: It was quite funny to watch Christina.

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Speaker 1: What are you doing over there? Are you living? How

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Speaker 1: long you live there for?

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Speaker 10: I's with you for about a year with my boyfriend Joland.

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Speaker 10: I'm working at Half a Bizarre as a designer there.

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Speaker 1: Yes, if you've landed on your oh oh my god?

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Speaker 3: All right? Can we go to Canada and Amma in Toronto?

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Speaker 3: This is Clayton. Good morning, Clayton's going Hey, good buddy.

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Speaker 3: What do you make the move over? It's Onto for Clayton?

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Speaker 10: Ah, just a change? Your place mate did it in

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Speaker 10: two thousand and one? Phil sniffing around here?

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Speaker 4: Did you see them filming suits? Clayton? Have you seen

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Speaker 4: what's her name?

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Speaker 10: I've not seen it. I've not seen it around, but

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Speaker 10: a lot of people have seen a lot of the

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Speaker 10: street shut down for the film.

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Speaker 2: Yeah, right, hey, Clayton. A lot of people say that

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Speaker 2: the Canadians are similar to the Aussies. Do you agree

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Speaker 2: on that one?

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Speaker 3: Oh?

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Speaker 10: Yeah, we've talked about that a bit recently. I've had

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Speaker 10: to make come over to visiting, and then they said

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Speaker 10: that they thought that it was a situation, but I

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Speaker 10: can do the Canadians are too night. Yeah, oh way

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Speaker 10: nice that we feel like scumbags. Like you walk into

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Speaker 10: a party with them and go heh yeah we go

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Speaker 10: and then you turn around and say this is a

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Speaker 10: real good party, isn't it when everyone's sort of boring? Yeah,

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Speaker 10: Nadian will go to the Canadian misoda. Yeah it's gravy on.

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Speaker 2: What you're saying is we're just a little bit more

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Speaker 2: honest then, Clayton, thanks for calling temp T shirt coming away, buddy?

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Speaker 3: Can we are we really going to Santiago and Chili? Now?

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Speaker 9: Beck?

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Speaker 3: I found you.

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Speaker 1: What is the time in Santiago and Chile?

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Speaker 5: It is Thursday Afternoon's amazing.

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Speaker 3: So what's what's their culture over there? Beck?

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Speaker 9: What do you do?

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Speaker 3: Is it sort of do you have a kip in

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Speaker 3: the afternoon and you have dinner late or what's the

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Speaker 3: going chili?

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Speaker 12: Well, they have dinner.

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Speaker 9: Very very late.

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Speaker 3: Ten, but you don't have like the afternoon theater or anything,

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Speaker 3: especially if you're doing breakfast.

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Speaker 2: I was always after living in a country that has

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Speaker 2: the afternoon siesta what is that a couple.

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Speaker 1: Of hours or one hour?

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Speaker 3: Two hours?

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Speaker 1: Throughout two hours?

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Speaker 3: San Diego? Is that a bit of a is that

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Speaker 3: party town? Beck?

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Speaker 5: If you go out, it's very party and they love to.

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Speaker 13: Drink and have wine.

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Speaker 1: And yeah, sound to me I was organized a trip.

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Speaker 1: I have a chili. What do you sure?

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Speaker 2: Thank you bet, great news temp T shirt coming your way.

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Speaker 2: Big shout out to Alex and Singapore too. S O

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Speaker 2: in Iceland and Paul is listening from Lebanon this morning.

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Speaker 3: In the world about amazing nicknames and I want to

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Speaker 3: I want to go down the kid path here because

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Speaker 3: you know, Hughey's eight years of age now, he's in

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Speaker 3: year three. He's got a good group of mates. And

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Speaker 3: I'm really disappointed when the boys come around to kick

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Speaker 3: footy and have a sloopover and that every now and

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Speaker 3: then that they don't have nicknames for each other show.

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Speaker 4: Yeah, but I still think a nickname when you're really young,

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Speaker 4: like I was called Smiley growing up, I was never

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Speaker 4: going to be called that. So when I hit high school,

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Speaker 4: boys would call me mcgilla, gorilla, Oh.

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Speaker 3: Why were you Mary back then?

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Speaker 4: So I really wasn't. But you know that can tune character,

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Speaker 4: and obviously my surname being mcgilvery, it was mcgilla.

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Speaker 1: That's the are you waxing your top lip back? Then?

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Speaker 4: Yeah? I get a double lip and chin. Fine, thanks buddy.

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Speaker 3: Seven times.

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Speaker 1: It's kept me very smooth.

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Speaker 3: So I gave the boys a couple of months to

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Speaker 3: go away, get creative and come back to me. Now

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Speaker 3: it's actually not bad. Okay. So one of Hughey's best

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Speaker 3: mates is Daniel King d K. So he's Donkey Kong.

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Speaker 1: That's not bad.

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Speaker 3: I don't mind that. Yeah, he's now known as Donkey Kong.

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Speaker 3: Isaiah Miles loves Milo and his last name is Miles.

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Speaker 3: So he's mylolo. Just great, Australian loves mylo My what

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Speaker 3: a jump on the trampolonet just the tin here he is? Well,

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Speaker 3: Aston's not known as Aston anymore. He's Martin.

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Speaker 1: Yeah, that's cool.

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Speaker 3: It's good. The boys love their cars to be disapported

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Speaker 3: with Hughey's that what is he? Because I think he's

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Speaker 3: had a bit of a say in his own okay,

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Speaker 3: because Hugh He's come back and gone dad. I'm known

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Speaker 3: as Houston's son after Daniel's son from Karate Kid, and

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Speaker 3: I think because he enjoys it so much that he's

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Speaker 3: named himself Houston's son and made all the boys calling.

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Speaker 4: But that'll get shortened again because it's too long, so

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Speaker 4: he'll probably just get Sunny.

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Speaker 2: They all evolved, don't they say, So he might be

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Speaker 2: end up as Juggie or something.

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Speaker 1: Long story about.

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Speaker 3: Jeels in Parramatta. What was your nickname in primary school? Jeels?

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Speaker 3: I know what was your nickname?

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Speaker 9: Jiles?

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Speaker 3: It was I used to walk.

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Speaker 9: Down the hall at school when I was five, and

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Speaker 9: the girls used to think that I was extremely noisy.

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Speaker 10: And that like that I had big feet, so I

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Speaker 10: got cooled.

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Speaker 8: Thumper Sumper.

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Speaker 4: That's not nice. That's the rabbit, isn't it?

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Speaker 1: In dam I never thought. I never thought Jewels that

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Speaker 1: have the nickname Thumper. I mean, you seem like such

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Speaker 1: a polite, quietly spoken person.

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Speaker 3: Jewels. If you head of the nickname Thumper in prison,

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Speaker 3: you're not going anywhere new Thumper. Now you're on the

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Speaker 3: bottom bunk. But if you've got it in primary school,

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Speaker 3: it's not that tough as it.

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Speaker 1: Eggs Jewels, Rosborn. What was your nickname?

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Speaker 13: My nickname was Wormy Whammy dance move.

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Speaker 10: One time I stepped on a worm in primary strow?

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Speaker 3: Is that do you reckon? That's still how old are

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Speaker 3: you now? Lose fifteen? Are you still wormy?

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Speaker 8: Yep?

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Speaker 1: God see. I mean if the nickname sticks, are gonna

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Speaker 1: need a better story.

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Speaker 3: I remember in Mossman that's.

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Speaker 1: Pretty that the local.

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Speaker 3: I mean, how do you change your nickname? I mean,

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Speaker 3: you don't want to go wormy for the rest of

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Speaker 3: your life, but there's nothing you can do about it.

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Speaker 3: You've got to wait for your friends to make the decision.

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Speaker 3: So true Jason's giving a girl from Surrey Hill was

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Speaker 3: what nickname do the boys give you? Jose, Hey, guys have.

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Speaker 12: Got this one.

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Speaker 10: At a later age they start calling me.

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Speaker 1: Sponge Okay, why is that?

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Speaker 3: Mate? Why?

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Speaker 2: Because I drink everybody under the table and when they

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Speaker 2: couldn't finish their drinks, finish the.

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Speaker 1: Robert.

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Speaker 3: That's probably not something that you want when you're a

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Speaker 3: bit older and your kids are around the old sponge Spongey.

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Speaker 1: Thanks, Jace, You're going to.

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Speaker 5: Fix Houston Son because that is like, not only does

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Speaker 5: it go against the point of a nickname, which is

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Speaker 5: to shorten your name to something fun to say it's

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Speaker 5: not it's not fun to say.

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Speaker 3: No it's not and you can't. And I've told him

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Speaker 3: you can't give yourself a nick name. He reckons it

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Speaker 3: wasn't me dad, it was my teacher and also the boys.

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Speaker 3: But that's the number one rule. You cannot give yourself

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Speaker 3: a nickname.

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Speaker 4: But wouldn't he get fits as well?

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Speaker 1: That's the thing.

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Speaker 3: Well, that's what I said. I love to pass down

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Speaker 3: Fitzy to you, but I think I don't think he

390
00:18:16,560 --> 00:18:19,800
Speaker 3: likes it because I'm Fitzy. See my old man blows

391
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Speaker 3: up down at the local footy club. But because I'm

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Speaker 3: known as Fitzy now and he says he's the original Fitzy.

393
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Speaker 1: So my dad was whippy Whippy. Yeah, he was just whippy,

394
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Speaker 1: and I got whipper.

395
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Speaker 4: Whippy is not terribly masculine, is it?

396
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Speaker 1: Whippy?

397
00:18:35,520 --> 00:18:36,520
Speaker 4: It is a bit dog like?

398
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Speaker 3: So what Ted could be whippo?

399
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Speaker 2: Or well maybe now that I'm kind of making that

400
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Speaker 2: transition from whipper to whopper, maybe he'll be the new Whipper.

401
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Speaker 1: I don't know.

402
00:18:47,200 --> 00:18:50,119
Speaker 3: How can I suggest problem for Houston? That's my suggestion.

403
00:18:50,600 --> 00:18:51,240
Speaker 3: That is good.

404
00:18:52,000 --> 00:18:52,760
Speaker 1: We have a problem.

405
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Speaker 3: Have you got some eerie music there, Jay, because I

406
00:18:56,000 --> 00:18:57,760
Speaker 3: do love these. There's been a couple more that have

407
00:18:57,840 --> 00:19:01,760
Speaker 3: been some of us his biggest urban myth. Hang on

408
00:19:01,800 --> 00:19:05,160
Speaker 3: a minute, is this your second spooky story for the week, Well, yesterday,

409
00:19:05,400 --> 00:19:06,960
Speaker 3: come on, you got to give it to me. That's

410
00:19:07,080 --> 00:19:10,760
Speaker 3: that story of Klama. Yesterday. The old man hit and

411
00:19:10,880 --> 00:19:13,600
Speaker 3: run killed a girl when he was younger, didn't go

412
00:19:13,720 --> 00:19:17,359
Speaker 3: to the police until the statute of limitations had finished.

413
00:19:17,400 --> 00:19:18,960
Speaker 3: Sarah then went to the police said I.

414
00:19:19,080 --> 00:19:22,840
Speaker 6: Did it, yep, and then was killed a hit and run.

415
00:19:23,560 --> 00:19:25,000
Speaker 3: Yeah, he was killed in a hit and a run,

416
00:19:25,160 --> 00:19:28,560
Speaker 3: saving kids himself. That story is amazing well told too.

417
00:19:28,960 --> 00:19:31,439
Speaker 3: Now you know you've got the basics here. We've got

418
00:19:31,440 --> 00:19:33,920
Speaker 3: the blue mountains of the panther. That's not true, mate,

419
00:19:33,960 --> 00:19:35,320
Speaker 3: but yes it is the urban.

420
00:19:35,200 --> 00:19:35,760
Speaker 9: Yes it is.

421
00:19:36,680 --> 00:19:38,960
Speaker 3: We got the bodies in the bridge. We've heard about

422
00:19:39,000 --> 00:19:41,840
Speaker 3: that one before. When he started construction on Sydney's iconic

423
00:19:41,920 --> 00:19:45,040
Speaker 3: Harbor Bridge in nineteen twenty eight, they're saying, at the

424
00:19:45,160 --> 00:19:48,879
Speaker 3: base of the bridge, there's bodies in concrete and I

425
00:19:48,920 --> 00:19:50,440
Speaker 3: can tell you you just left them there.

426
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Speaker 2: The name of the guy was George and people still

427
00:19:54,080 --> 00:19:57,960
Speaker 2: feel a tap on the shoulder as they're walking up

428
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Speaker 2: the bridge every.

429
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Speaker 3: Now and then.

430
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Speaker 2: And that was she fell into the concrete. He died,

431
00:20:01,920 --> 00:20:04,119
Speaker 2: so you know what they did doing a dig out

432
00:20:04,160 --> 00:20:05,240
Speaker 2: the concrete in the bottom of it.

433
00:20:05,600 --> 00:20:08,800
Speaker 3: That's just the guide's structure. Just wait for everyone tapping

434
00:20:08,880 --> 00:20:11,000
Speaker 3: him on, then you wait for everyone for everyone else.

435
00:20:11,400 --> 00:20:13,600
Speaker 1: They did keep pouring boys.

436
00:20:14,080 --> 00:20:17,080
Speaker 4: Well, if he's already dead, it's not nice.

437
00:20:18,200 --> 00:20:22,359
Speaker 3: Well they say that Paul Hogan's tax step is buried

438
00:20:22,480 --> 00:20:25,320
Speaker 3: in the concrete of the didn't they did that as well?

439
00:20:26,440 --> 00:20:29,600
Speaker 3: The Hawksbury River Monster, how big is that? It's been

440
00:20:29,680 --> 00:20:33,879
Speaker 3: described as Australia's own Nessy. They're saying that there's a

441
00:20:33,960 --> 00:20:38,040
Speaker 3: prehistoric monster that really haunts the Hawksbury River north of Sydney.

442
00:20:38,880 --> 00:20:42,320
Speaker 3: Handles Rex Gilroy. He you think so he was. He's

443
00:20:42,400 --> 00:20:44,359
Speaker 3: been up there studying it for years and years. He

444
00:20:44,400 --> 00:20:46,880
Speaker 3: hasn't found anything, Rex, but he believes that's good.

445
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Speaker 1: Tom.

446
00:20:47,200 --> 00:20:51,760
Speaker 3: I spent the other one. This one is scary. This

447
00:20:52,040 --> 00:20:54,840
Speaker 3: was You may have heard this story and the really

448
00:20:54,960 --> 00:20:58,240
Speaker 3: bad story of Lunar part and the fire that happened

449
00:20:58,240 --> 00:21:01,200
Speaker 3: on the ghost train where a family was killed nine

450
00:21:01,640 --> 00:21:04,879
Speaker 3: to nineteen seventy nine June ninth. But the thing that

451
00:21:05,040 --> 00:21:09,080
Speaker 3: freaks them out is that the last photo or evidence

452
00:21:09,119 --> 00:21:12,680
Speaker 3: of the family being together was in Circular Key before

453
00:21:12,720 --> 00:21:15,240
Speaker 3: they went over to Luna Park. Is that the family

454
00:21:15,320 --> 00:21:19,920
Speaker 3: and the kids got a photo with this. It was

455
00:21:19,960 --> 00:21:24,080
Speaker 3: a demon looking, satanic looking figure. So it was a

456
00:21:24,200 --> 00:21:26,200
Speaker 3: guy down there. I don't know if he was busking.

457
00:21:26,720 --> 00:21:29,320
Speaker 3: He had devil horns. You can't see his face. He's

458
00:21:29,359 --> 00:21:32,480
Speaker 3: got a good rig See he's got a leopard skin

459
00:21:32,800 --> 00:21:36,040
Speaker 3: cloth over his sort of art his lower tor side.

460
00:21:36,040 --> 00:21:37,520
Speaker 4: I'm trying to imply this is the devil.

461
00:21:37,920 --> 00:21:42,360
Speaker 3: Well, no one knows or remembers this guy being down

462
00:21:42,400 --> 00:21:45,600
Speaker 3: at Circular Key. He gets a photo with the family.

463
00:21:45,760 --> 00:21:47,880
Speaker 3: They then jump on a ferry over to Luna Park.

464
00:21:48,880 --> 00:21:50,360
Speaker 3: Next thing you know, they're goal on there.

465
00:21:50,600 --> 00:21:51,159
Speaker 1: So, you know what.

466
00:21:51,480 --> 00:21:53,399
Speaker 2: The family lived in the country and the wife had

467
00:21:53,440 --> 00:21:54,800
Speaker 2: been doing it tough, so they thought we'll go to

468
00:21:54,880 --> 00:21:57,240
Speaker 2: the city for a fun day out. Anyway, they were

469
00:21:57,240 --> 00:21:58,840
Speaker 2: about to leave the park and they went one more ride,

470
00:21:58,880 --> 00:22:00,520
Speaker 2: one more ride, Yeah, why not, let's go on the

471
00:22:00,560 --> 00:22:03,720
Speaker 2: ghost ride, the ghost train. They went to go on

472
00:22:03,760 --> 00:22:07,119
Speaker 2: the ghost train. The mother said, you know what, something

473
00:22:07,240 --> 00:22:08,560
Speaker 2: just feels a little bit funny about this.

474
00:22:08,680 --> 00:22:10,520
Speaker 1: I'll tell you what. I'll go and get ice creams

475
00:22:10,560 --> 00:22:13,560
Speaker 1: for everyone. Vanilla Vanilla great, terrific. You guys go on

476
00:22:13,600 --> 00:22:14,280
Speaker 1: the ghost train.

477
00:22:15,320 --> 00:22:17,480
Speaker 4: A part of the story Whipfley was going to remember

478
00:22:17,520 --> 00:22:19,640
Speaker 4: it was the ice question.

479
00:22:19,880 --> 00:22:24,680
Speaker 2: Trock meant strawberry, sick bury, and then she went to

480
00:22:24,720 --> 00:22:27,320
Speaker 2: get ice creams. They went on the ride, fire broke out,

481
00:22:27,440 --> 00:22:28,280
Speaker 2: all dead but her.

482
00:22:28,320 --> 00:22:29,760
Speaker 1: It's down all lives.

483
00:22:29,880 --> 00:22:30,840
Speaker 4: What a horrible life.

484
00:22:31,000 --> 00:22:35,320
Speaker 3: Turn that music up, Joe, that's amazing. How's this one

485
00:22:36,119 --> 00:22:39,359
Speaker 3: Crown casino down in Melbourne and we're getting Barrangaroo? How

486
00:22:39,440 --> 00:22:42,760
Speaker 3: far off with Brangeroo? A few one? And do you

487
00:22:42,840 --> 00:22:45,760
Speaker 3: know what they're building at the moment? They're starting down below?

488
00:22:45,920 --> 00:22:49,920
Speaker 3: They've actually started digging down below underneath the Rangaroo.

489
00:22:50,160 --> 00:22:52,600
Speaker 4: You would never build a building from the down below,

490
00:22:52,680 --> 00:22:57,200
Speaker 4: would you. You'd start at the time stories.

491
00:23:00,040 --> 00:23:04,480
Speaker 3: Oh my gosh, urban myth that you don't listen. The

492
00:23:04,600 --> 00:23:07,159
Speaker 3: reason why they are going so low because there is

493
00:23:07,240 --> 00:23:12,840
Speaker 3: a morgue underneath the Crown casino. The legend goes that

494
00:23:13,000 --> 00:23:16,359
Speaker 3: they attempt to conceal the high mortality rate by building

495
00:23:16,400 --> 00:23:18,960
Speaker 3: the morgue in the bounds of the South Bank complex

496
00:23:19,080 --> 00:23:19,920
Speaker 3: to store bodies.

497
00:23:20,080 --> 00:23:21,840
Speaker 1: And is that where you buried all your money when

498
00:23:21,840 --> 00:23:22,440
Speaker 1: you played.

499
00:23:22,240 --> 00:23:23,720
Speaker 3: Football and you had a gambling issue?

500
00:23:25,280 --> 00:23:27,080
Speaker 1: How much did you sink into that morgue.

501
00:23:27,119 --> 00:23:30,840
Speaker 3: Well, they say so many people lose so much money

502
00:23:30,920 --> 00:23:33,360
Speaker 3: at the casino that they actually go to the toilets

503
00:23:33,400 --> 00:23:37,080
Speaker 3: and they unfortunately don't come back out. Oh God, and

504
00:23:37,480 --> 00:23:40,880
Speaker 3: and and staff there. Personnel have been trained to smuggle

505
00:23:40,920 --> 00:23:43,440
Speaker 3: bodies discreetly off the premises, so no one knows that

506
00:23:43,440 --> 00:23:43,840
Speaker 3: they're gone.

507
00:23:45,240 --> 00:23:47,360
Speaker 4: Family don't want to know where their loved ones gone.

508
00:23:47,400 --> 00:23:49,840
Speaker 4: The cops aren't interested. Just put them in the bottom

509
00:23:49,880 --> 00:23:50,520
Speaker 4: of the buildings.

510
00:23:50,720 --> 00:23:53,280
Speaker 3: I think we should get Barragaroo checked out right now.

511
00:23:53,520 --> 00:23:54,720
Speaker 3: Let's see how low they're going.

512
00:23:54,840 --> 00:23:55,800
Speaker 1: That is unbelievable.

513
00:23:55,920 --> 00:23:58,520
Speaker 5: Every day this week, you guys have delivered somewhat better

514
00:23:58,720 --> 00:24:02,040
Speaker 5: horror stories than your Halloween horror stories that you do

515
00:24:02,119 --> 00:24:02,479
Speaker 5: every year.

516
00:24:03,000 --> 00:24:03,800
Speaker 3: Every day this week.

517
00:24:04,760 --> 00:24:07,639
Speaker 1: If if there's an overriding theme though.

518
00:24:08,000 --> 00:24:10,520
Speaker 2: He does are obsessed with death, Fitzie and death is

519
00:24:10,600 --> 00:24:13,800
Speaker 2: an issue, it's amazing unless it's a dead story.

520
00:24:13,800 --> 00:24:15,760
Speaker 1: If it's not a dead story, it's a ghost story.

521
00:24:15,840 --> 00:24:18,119
Speaker 3: What is the show? Five days in a row.

522
00:24:18,600 --> 00:24:20,360
Speaker 1: We're going to freak you out again when we're back

523
00:24:20,400 --> 00:24:37,920
Speaker 1: on Tuesday. Little right, everybody, I'm back in the half seat.

524
00:24:37,960 --> 00:24:40,040
Speaker 1: Sarah took her over the last week and I was angry.

525
00:24:40,400 --> 00:24:41,879
Speaker 1: You know what the feedback was.

526
00:24:43,000 --> 00:24:46,120
Speaker 2: If Whipp was not hosting riddle Time, then riddle Time

527
00:24:46,200 --> 00:24:46,720
Speaker 2: doesn't happen.

528
00:24:48,680 --> 00:24:53,520
Speaker 3: Mom, Christine, she podcasts the show as well.

529
00:24:53,600 --> 00:24:55,160
Speaker 1: Love you Christian doesn't puts her to sleep.

530
00:24:55,240 --> 00:24:56,959
Speaker 3: She told me we're going on the races again this year.

531
00:24:56,960 --> 00:24:59,720
Speaker 2: What do you got with leave my mother out of

532
00:24:59,800 --> 00:25:04,720
Speaker 2: the We know what happened last time. First one, This

533
00:25:04,840 --> 00:25:06,879
Speaker 2: is really good guy. Sarah is the current champion, even

534
00:25:06,920 --> 00:25:08,359
Speaker 2: though she hosted, She's always.

535
00:25:08,080 --> 00:25:10,760
Speaker 1: The winner in my box. Number one. Here we go,

536
00:25:11,240 --> 00:25:15,520
Speaker 1: really good riddles today. How far can you run into

537
00:25:15,560 --> 00:25:16,320
Speaker 1: the woods.

538
00:25:21,840 --> 00:25:22,760
Speaker 3: As long as you want?

539
00:25:23,680 --> 00:25:26,159
Speaker 1: That is not the answer, Iran, How far can you

540
00:25:26,280 --> 00:25:28,439
Speaker 1: run into the woods? Into the woods?

541
00:25:31,440 --> 00:25:34,760
Speaker 3: If you can't run into wood, it's a solid object.

542
00:25:35,119 --> 00:25:38,720
Speaker 1: Not right, thank you. Yeah, you're not silly. You're not

543
00:25:38,800 --> 00:25:39,560
Speaker 1: looking silly yet.

544
00:25:40,400 --> 00:25:43,119
Speaker 3: If you know that answer at the start you run

545
00:25:43,160 --> 00:25:43,920
Speaker 3: into the woods.

546
00:25:43,800 --> 00:25:47,240
Speaker 1: You're kind of you're kind of on track. Ryan, nice

547
00:25:47,240 --> 00:25:48,280
Speaker 1: pick up from you at this stage.

548
00:25:48,359 --> 00:25:49,280
Speaker 3: As soon as you get to.

549
00:25:49,320 --> 00:25:52,640
Speaker 4: The woods, this is like the tree falling in the woods.

550
00:25:53,200 --> 00:25:53,800
Speaker 1: Yeah, no it's not.

551
00:25:54,119 --> 00:25:55,160
Speaker 3: Is there a bear involved?

552
00:25:55,200 --> 00:25:57,320
Speaker 1: There's no beer, no bear in there.

553
00:25:57,480 --> 00:25:59,040
Speaker 3: What does a bear do in the woods. I don't know.

554
00:26:00,000 --> 00:26:01,520
Speaker 1: I don't know. If you don't see it never happened.

555
00:26:02,080 --> 00:26:03,280
Speaker 4: How much wood could would check?

556
00:26:03,280 --> 00:26:05,800
Speaker 2: Okay, mate, If you're going to go with a wood

557
00:26:05,920 --> 00:26:08,760
Speaker 2: related catchphrases and other riddles, then you're not focusing on

558
00:26:08,800 --> 00:26:09,760
Speaker 2: the riddled hands.

559
00:26:11,520 --> 00:26:14,320
Speaker 7: A chair as well, there's no mate, there's not a

560
00:26:14,480 --> 00:26:19,640
Speaker 7: chair with ray Lean first home Gardens. Think she's got

561
00:26:19,680 --> 00:26:20,119
Speaker 7: the answer?

562
00:26:20,160 --> 00:26:21,880
Speaker 1: Any idea roleen on this first riddle?

563
00:26:23,080 --> 00:26:27,639
Speaker 2: Halfway spot on Raylane, because if you go any further

564
00:26:27,840 --> 00:26:31,280
Speaker 2: you are running out of the woods. Sarah, how far

565
00:26:31,359 --> 00:26:35,240
Speaker 2: can you run into the woods? Outstanding first riddle? Well,

566
00:26:35,280 --> 00:26:39,239
Speaker 2: don what was the answer? Half way? How far can

567
00:26:39,280 --> 00:26:41,639
Speaker 2: you run into the woods? Only halfway? Because once you

568
00:26:41,800 --> 00:26:43,840
Speaker 2: pass that, you're running out of the woods.

569
00:26:44,800 --> 00:26:53,480
Speaker 1: Really good. Look on Ryan's face, he's disgusted. Yes, keep

570
00:26:53,520 --> 00:26:56,399
Speaker 1: gout that really good riddle Number two. Two men are

571
00:26:56,440 --> 00:26:57,880
Speaker 1: in the desert. That's interesting.

572
00:26:58,359 --> 00:27:01,360
Speaker 2: They both had packs on. One of the guys is dead.

573
00:27:02,359 --> 00:27:04,960
Speaker 2: The guy who was alive, his pack is open. The

574
00:27:05,040 --> 00:27:07,600
Speaker 2: guy who was dead, his pack is closed.

575
00:27:07,960 --> 00:27:09,800
Speaker 3: What is in the pack? Parachute?

576
00:27:10,680 --> 00:27:15,879
Speaker 2: Ryan James Fast took my wife around ten minutes last

577
00:27:15,960 --> 00:27:18,479
Speaker 2: night to go through that one. And what did you say, Well,

578
00:27:18,520 --> 00:27:21,760
Speaker 2: the guy who's dead, he's obviously eaten something bad out.

579
00:27:21,640 --> 00:27:22,840
Speaker 1: Of the guy whose packs open.

580
00:27:23,080 --> 00:27:25,680
Speaker 3: Now, at least she's never going on that one.

581
00:27:25,800 --> 00:27:26,080
Speaker 1: Okay.

582
00:27:26,320 --> 00:27:29,040
Speaker 2: The third riddle, we've got Raylean and Ryan going head

583
00:27:29,080 --> 00:27:30,760
Speaker 2: to head. Raylan will have to get through again if

584
00:27:30,800 --> 00:27:33,800
Speaker 2: she wants to win. I dig out tiny caves and

585
00:27:33,920 --> 00:27:36,880
Speaker 2: store gold and silver in them. I build bridges of silver,

586
00:27:36,960 --> 00:27:37,400
Speaker 2: and I make.

587
00:27:37,359 --> 00:27:38,040
Speaker 1: Heads of gold.

588
00:27:38,520 --> 00:27:40,720
Speaker 2: They are the smallest you could imagine. Sooner or later,

589
00:27:41,200 --> 00:27:42,560
Speaker 2: everybody needs my help.

590
00:27:42,840 --> 00:27:45,199
Speaker 1: Yet many people are afraid of me helping them. Who

591
00:27:45,280 --> 00:27:45,520
Speaker 1: am I?

592
00:27:45,720 --> 00:27:46,280
Speaker 4: You're the mint?

593
00:27:48,280 --> 00:27:51,600
Speaker 3: No, I was gonna say bees.

594
00:27:53,680 --> 00:27:55,280
Speaker 7: It was quite long, and I tuned out.

595
00:27:57,000 --> 00:27:59,680
Speaker 1: I need you for three minutes during the segment, I

596
00:28:00,720 --> 00:28:02,080
Speaker 1: will go for the top halfway.

597
00:28:04,880 --> 00:28:09,160
Speaker 2: There's no bear, there's no there's no goldilocks. I dig

598
00:28:09,200 --> 00:28:12,239
Speaker 2: out tiny caves and store gold and silver in them.

599
00:28:13,080 --> 00:28:15,920
Speaker 2: I also build bridges of silver and make heads of gold.

600
00:28:16,880 --> 00:28:20,080
Speaker 2: They are the smallest you could imagine. Sooner or later,

601
00:28:20,119 --> 00:28:22,600
Speaker 2: everybody needs my help. You many people are afraid to

602
00:28:22,720 --> 00:28:23,400
Speaker 2: let me help them.

603
00:28:23,640 --> 00:28:29,960
Speaker 1: Who am I? Racy Stacy? Hello, Hello, Hello Stace. Any idea?

604
00:28:30,840 --> 00:28:32,399
Speaker 10: I think I might have an idea?

605
00:28:34,840 --> 00:28:39,120
Speaker 3: Yes, it is world.

606
00:28:39,120 --> 00:28:41,000
Speaker 1: I'm stacy you heard that one before or you kneeled

607
00:28:41,040 --> 00:28:44,280
Speaker 1: on the spot. That's what I mean.

608
00:28:46,840 --> 00:28:50,840
Speaker 2: The winners today Raylane, Stacey, Ryan, James Fitz Sarah the

609
00:28:50,880 --> 00:28:53,520
Speaker 2: first round you've actually lost. Thank you for being part

610
00:28:53,560 --> 00:28:55,760
Speaker 2: of Riddle Time today, guys heading into a long.

611
00:28:55,640 --> 00:29:00,360
Speaker 1: Weekend, it's what up?

612
00:29:02,520 --> 00:29:03,400
Speaker 3: There's back mate.

613
00:29:03,440 --> 00:29:05,479
Speaker 1: Thanks for performing at the Old and Overawards the other night.

614
00:29:05,560 --> 00:29:09,720
Speaker 6: I was it was I love doing corporate shows. I

615
00:29:09,800 --> 00:29:10,800
Speaker 6: got you at Christmas party.

616
00:29:11,400 --> 00:29:13,240
Speaker 1: Thank you looking forward to that was good?

617
00:29:13,320 --> 00:29:13,520
Speaker 8: You do.

618
00:29:13,800 --> 00:29:15,280
Speaker 3: You're here for wrap up of the week. That's not

619
00:29:15,360 --> 00:29:17,680
Speaker 3: the announcement though. Today is a big day because you're

620
00:29:17,680 --> 00:29:18,520
Speaker 3: announcing your tour.

621
00:29:19,120 --> 00:29:22,120
Speaker 12: Yeah, I'm coming back in September sixth, seventh and eighth

622
00:29:22,360 --> 00:29:23,800
Speaker 12: Brisbane City Melbourne shows.

623
00:29:24,320 --> 00:29:25,120
Speaker 6: So yeah, I'm stoked.

624
00:29:25,120 --> 00:29:25,239
Speaker 7: Man.

625
00:29:25,240 --> 00:29:27,120
Speaker 6: I haven't played back here in like two years or

626
00:29:27,120 --> 00:29:27,400
Speaker 6: something of that.

627
00:29:28,520 --> 00:29:30,840
Speaker 3: A long time great pre stylee Tickets for the Come

628
00:29:30,920 --> 00:29:34,400
Speaker 3: Clain Australian too. It are available from twelve noon Tuesday,

629
00:29:34,480 --> 00:29:37,360
Speaker 3: the twelfth of June, so next Tuesday. Yes, and you

630
00:29:37,400 --> 00:29:39,640
Speaker 3: can go to Frontier tiering dot com to get those tickets.

631
00:29:39,680 --> 00:29:42,200
Speaker 3: So that's great news, but obviously you've got to get

632
00:29:42,240 --> 00:29:44,760
Speaker 3: through wrap up of the week. First, mate, I'm actually nervous,

633
00:29:44,840 --> 00:29:44,960
Speaker 3: you know.

634
00:29:45,160 --> 00:29:47,200
Speaker 12: I mean, I'm I have an old ego Connie C

635
00:29:47,360 --> 00:29:50,360
Speaker 12: who wraps in an American voice, which he comes out

636
00:29:50,400 --> 00:29:53,400
Speaker 12: when I'm when I'm obviously, but I'm not so to wrap,

637
00:29:53,600 --> 00:29:53,720
Speaker 12: you know?

638
00:29:54,440 --> 00:29:56,400
Speaker 3: Can you the American accent?

639
00:29:56,840 --> 00:29:58,120
Speaker 6: I don't and I don't really have one.

640
00:29:58,160 --> 00:30:00,760
Speaker 12: But you know, like if for me, rapping was always

641
00:30:00,800 --> 00:30:03,600
Speaker 12: like I would imitate, like sure my favorite rappers, I

642
00:30:03,600 --> 00:30:05,520
Speaker 12: wouldn't imitate, like I wouldn't do it in an I

643
00:30:05,640 --> 00:30:06,280
Speaker 12: was a hip hop style.

644
00:30:06,280 --> 00:30:11,880
Speaker 3: Which have you met it? Who's the biggest rapper you've

645
00:30:11,880 --> 00:30:13,160
Speaker 3: met over in the States?

646
00:30:13,200 --> 00:30:15,560
Speaker 6: Have if I actually had a rap battle with mace

647
00:30:15,880 --> 00:30:19,080
Speaker 6: On did his house in Miami?

648
00:30:19,120 --> 00:30:22,800
Speaker 3: That was pretty much in the system with did He?

649
00:30:22,920 --> 00:30:24,360
Speaker 3: That was such a good subject.

650
00:30:24,360 --> 00:30:25,240
Speaker 6: That's that's my tune.

651
00:30:25,320 --> 00:30:26,640
Speaker 1: Did you meet did He? At the party?

652
00:30:26,800 --> 00:30:29,280
Speaker 12: He actually didn't come to the party till because he

653
00:30:29,440 --> 00:30:32,280
Speaker 12: was in New York and his house is it was

654
00:30:32,360 --> 00:30:36,400
Speaker 12: in Miami at his house twelve o'clock when it hit midnight,

655
00:30:36,440 --> 00:30:39,000
Speaker 12: he wasn't at his house. The party was completely going.

656
00:30:38,840 --> 00:30:39,680
Speaker 1: On, and then he flew in.

657
00:30:39,840 --> 00:30:41,680
Speaker 3: He got in at like two o'clock. He gets on

658
00:30:41,760 --> 00:30:42,080
Speaker 3: his roof.

659
00:30:42,120 --> 00:30:43,720
Speaker 6: He does his like whenever he has the party, that

660
00:30:43,840 --> 00:30:46,000
Speaker 6: gets got in his roof, and he did. We did

661
00:30:46,040 --> 00:30:47,440
Speaker 6: the countdown and get him for Diddy.

662
00:30:49,360 --> 00:30:51,640
Speaker 3: A bit of a sorry. I'm like, he's got his

663
00:30:51,800 --> 00:30:54,840
Speaker 3: own like vodka and everything is everything's just put on

664
00:30:55,160 --> 00:30:59,000
Speaker 3: a legend. Yeah, but how good is that character?

665
00:31:00,040 --> 00:31:00,200
Speaker 1: Yeah?

666
00:31:00,200 --> 00:31:00,880
Speaker 3: That was a wild man.

667
00:31:01,400 --> 00:31:05,840
Speaker 12: Literally the last night's standards, We've got come clean Torp.

668
00:31:06,360 --> 00:31:07,440
Speaker 1: Who else was at the party?

669
00:31:07,640 --> 00:31:10,160
Speaker 6: Jagged Edge, Mace. It was like it was like the

670
00:31:10,240 --> 00:31:13,360
Speaker 6: old school bad boy amazing on news. I think I

671
00:31:13,440 --> 00:31:14,640
Speaker 6: was early white boy in the building.

672
00:31:14,720 --> 00:31:16,360
Speaker 3: But it was because.

673
00:31:17,960 --> 00:31:18,640
Speaker 6: The weekend was the.

674
00:31:20,880 --> 00:31:21,360
Speaker 3: Is he put.

675
00:31:22,960 --> 00:31:25,720
Speaker 6: He was the picture of me weekend and Mace actually

676
00:31:25,720 --> 00:31:26,200
Speaker 6: at that party.

677
00:31:26,320 --> 00:31:28,960
Speaker 3: Also, have you got my song in there?

678
00:31:30,760 --> 00:31:31,760
Speaker 6: We should just wrap her this.

679
00:31:33,240 --> 00:31:33,640
Speaker 1: This is not.

680
00:31:37,440 --> 00:31:37,800
Speaker 9: He goes.

681
00:31:39,400 --> 00:31:40,320
Speaker 3: Do you not know much about her?

682
00:31:40,840 --> 00:31:44,440
Speaker 4: They came out, excuse me, I know plenty. He's trying

683
00:31:44,440 --> 00:31:45,680
Speaker 4: to butter me up so he gets a win.

684
00:31:46,840 --> 00:31:50,600
Speaker 6: Judge, So you're the judge, that's right, Yeah, so don't

685
00:31:50,720 --> 00:31:56,440
Speaker 6: suck given her. That doesn't work on me.

686
00:31:57,440 --> 00:31:59,200
Speaker 2: Conrad, who do you want to go first and wrap

687
00:31:59,280 --> 00:32:01,320
Speaker 2: up the Do you want Fitty to set the tone?

688
00:32:01,680 --> 00:32:01,840
Speaker 1: Yeah?

689
00:32:02,000 --> 00:32:03,640
Speaker 6: See I don't know. This is all new to me.

690
00:32:03,720 --> 00:32:05,520
Speaker 12: So I think Fitzy you said a tone like always

691
00:32:05,520 --> 00:32:07,000
Speaker 12: flip a couple of lines back onto you.

692
00:32:10,280 --> 00:32:13,520
Speaker 3: This is not this is not be rabbit alight, not that?

693
00:32:14,280 --> 00:32:16,040
Speaker 1: What song are we going with? What do you want

694
00:32:16,040 --> 00:32:16,320
Speaker 1: to go with?

695
00:32:16,520 --> 00:32:18,440
Speaker 3: Well, this is soul's choice. He wants to go with

696
00:32:18,520 --> 00:32:19,640
Speaker 3: God's planned by Drake.

697
00:32:19,720 --> 00:32:20,080
Speaker 10: He is.

698
00:32:23,520 --> 00:32:28,600
Speaker 3: It's a slow it's a slow. Better with.

699
00:32:31,480 --> 00:32:34,320
Speaker 1: He's panicking already. Okay, so you're going to go first, fits,

700
00:32:34,560 --> 00:32:35,320
Speaker 1: I'll go first.

701
00:32:35,680 --> 00:32:38,120
Speaker 3: I'm a little bit nervous out of okay, this is it?

702
00:32:38,280 --> 00:32:40,160
Speaker 3: All right? Conrad? You ready to go? Do you want

703
00:32:40,160 --> 00:32:40,560
Speaker 3: to rehearse?

704
00:32:40,600 --> 00:32:40,719
Speaker 1: All?

705
00:32:40,760 --> 00:32:40,800
Speaker 13: You?

706
00:32:40,960 --> 00:32:42,280
Speaker 3: Fine? All right?

707
00:32:42,960 --> 00:32:50,560
Speaker 6: Rabbit baby, wrap up, by the way, I am.

708
00:32:51,440 --> 00:32:53,760
Speaker 3: I love it when you rap batter on Friday. I

709
00:32:53,840 --> 00:32:58,600
Speaker 3: don't know how much Dad were ways on the Buffy.

710
00:33:01,560 --> 00:33:04,600
Speaker 3: Get involved, get loud, this is it. Everyone gets in

711
00:33:04,760 --> 00:33:08,560
Speaker 3: bad Saul. He's got he's come clean Australia tour as well.

712
00:33:08,960 --> 00:33:11,080
Speaker 3: He's coming back in September. So you can get tickets

713
00:33:11,120 --> 00:33:14,400
Speaker 3: from Frontie Touring dot Com next Tuesday. But you want

714
00:33:14,440 --> 00:33:15,640
Speaker 3: me to go first this morning?

715
00:33:16,280 --> 00:33:18,440
Speaker 2: Isn't it isn't a concern Like halfway through the song,

716
00:33:18,480 --> 00:33:19,960
Speaker 2: Fitzy goes, where do I come in? I don't know

717
00:33:20,000 --> 00:33:22,080
Speaker 2: when to get At this stage, you're looking at a

718
00:33:22,160 --> 00:33:25,040
Speaker 2: man that is panicking a double.

719
00:33:24,800 --> 00:33:26,680
Speaker 3: Time at fifty. Actually, I might do a couple of

720
00:33:26,720 --> 00:33:30,760
Speaker 3: stretches if it bring it home, Drake.

721
00:33:30,880 --> 00:33:35,600
Speaker 1: Come on, my man, my man. You've got this buddy

722
00:33:36,720 --> 00:33:40,120
Speaker 1: all right? Here we go, Come on, doesn't know where

723
00:33:40,120 --> 00:33:40,479
Speaker 1: to come out?

724
00:33:40,720 --> 00:33:43,840
Speaker 3: Here we go? Who let this go in? Is that

725
00:33:44,040 --> 00:33:47,200
Speaker 3: Conrad Saul? Because to get into here, mate, you have

726
00:33:47,400 --> 00:33:50,280
Speaker 3: to be cool with here like that we could cool

727
00:33:50,360 --> 00:33:53,680
Speaker 3: your Rapunzel. So let it down, love, because I'm climbing

728
00:33:53,760 --> 00:33:58,120
Speaker 3: your mongrels by singing. From just a young age, you've

729
00:33:58,160 --> 00:34:01,000
Speaker 3: forgotten the Maroons. Now that you live in La your

730
00:34:01,120 --> 00:34:03,840
Speaker 3: parents are freaking that you're in La La Land and

731
00:34:03,960 --> 00:34:07,520
Speaker 3: you ram and your tongue down. Lindsey Lohan, the well

732
00:34:07,720 --> 00:34:10,839
Speaker 3: is talking about that little Ossie fella. Have a look

733
00:34:11,080 --> 00:34:14,600
Speaker 3: him singing at Caigo at Coachella, all the girls screaming

734
00:34:14,680 --> 00:34:17,880
Speaker 3: with your amazing voice, and you're breaking more hearts than

735
00:34:17,960 --> 00:34:22,200
Speaker 3: Barnaby Joyce. You've now signed up with the powerhouse, Sony.

736
00:34:22,560 --> 00:34:25,360
Speaker 3: Their mission is to make you more famous than Cony.

737
00:34:25,760 --> 00:34:29,319
Speaker 3: You've got the talent. You are the contender. Now write

738
00:34:29,360 --> 00:34:32,320
Speaker 3: them some hits and stop having those benders. We do

739
00:34:32,520 --> 00:34:35,640
Speaker 3: love your new ones. You are getting better. You're almost

740
00:34:35,719 --> 00:34:38,759
Speaker 3: as good as your wardrobe of leather. And as our

741
00:34:38,840 --> 00:34:41,239
Speaker 3: eyes are diverted to the charts that we scan, is

742
00:34:41,280 --> 00:34:50,480
Speaker 3: it sheering? Is it Timberlink? No, it's super Man. Wow.

743
00:34:52,840 --> 00:34:57,600
Speaker 3: Oh man, it's a it's a slow beat sity it is.

744
00:34:57,719 --> 00:34:59,760
Speaker 4: You did well though, oh su.

745
00:35:11,520 --> 00:35:12,160
Speaker 3: Who huh?

746
00:35:12,360 --> 00:35:14,600
Speaker 11: I gotta get my American voice off of this there

747
00:35:14,680 --> 00:35:17,520
Speaker 11: are yeah, my boy, you know what I'm saying.

748
00:35:17,680 --> 00:35:19,920
Speaker 6: Ah yeah, forgive me for the americanness?

749
00:35:20,280 --> 00:35:22,120
Speaker 4: Who huh uh huh?

750
00:35:22,960 --> 00:35:26,360
Speaker 11: I could rip on fifty for the scraps of the week, ripple.

751
00:35:26,480 --> 00:35:29,200
Speaker 11: We all know you just want something to eat. I

752
00:35:29,280 --> 00:35:31,600
Speaker 11: won't let my wife he take my man who from me?

753
00:35:32,200 --> 00:35:34,680
Speaker 11: Fifty Ken believe you got that bird sake to me

754
00:35:36,239 --> 00:35:39,520
Speaker 11: because I'm a no g be doing this as fifty

755
00:35:39,520 --> 00:35:42,960
Speaker 11: He was on TV and Maddie's just saying for the

756
00:35:43,120 --> 00:35:44,520
Speaker 11: free bo.

757
00:35:45,120 --> 00:35:46,680
Speaker 1: Y'all, y'all, don wonder name me.

758
00:35:46,840 --> 00:35:48,360
Speaker 6: You called me Superman?

759
00:35:48,960 --> 00:35:53,320
Speaker 11: Ah my biggest fans, Oh, I can own this radio,

760
00:35:54,960 --> 00:35:56,600
Speaker 11: So Tommy give me my own show.

761
00:35:58,239 --> 00:36:02,240
Speaker 6: Fifty think he got that fault, but he's just hopeless.

762
00:36:02,280 --> 00:36:05,200
Speaker 6: That's the crows ever if they ain't easy dies. He

763
00:36:05,400 --> 00:36:08,520
Speaker 6: just believe me PJ getting busy with the heavy man.

764
00:36:08,640 --> 00:36:11,640
Speaker 9: She told me, I think she showed me.

765
00:36:13,640 --> 00:36:18,040
Speaker 11: I think she showed me, yo, but I'm gonna come clean.

766
00:36:18,520 --> 00:36:20,800
Speaker 11: Let's be honest, man, I really need you boys to

767
00:36:20,920 --> 00:36:21,320
Speaker 11: play me.

768
00:36:23,000 --> 00:36:24,040
Speaker 3: So just play me.

769
00:36:24,840 --> 00:36:30,759
Speaker 11: U uh because y'all named me, you named me superman superman.

770
00:36:31,520 --> 00:36:32,719
Speaker 6: But I love her.

771
00:36:33,560 --> 00:36:35,800
Speaker 3: I love that and not let her do it with

772
00:36:36,040 --> 00:36:39,160
Speaker 3: your voice, because that sounds even better. She showed me.

773
00:36:39,480 --> 00:36:41,560
Speaker 3: When you can show me my wife, you do not

774
00:36:41,719 --> 00:36:46,120
Speaker 3: let right. Yeah, that was weird that.

775
00:36:47,840 --> 00:36:48,719
Speaker 1: Or any one of the best.

776
00:36:48,960 --> 00:36:49,920
Speaker 3: For sure that.

777
00:36:53,840 --> 00:36:54,600
Speaker 1: You're the judge here.

778
00:36:54,800 --> 00:36:56,960
Speaker 4: He did sing it, and that kind of makes a

779
00:36:57,000 --> 00:37:10,640
Speaker 4: difference the saying that's the talk. Pretty sure, Conrad, that

780
00:37:10,880 --> 00:37:11,360
Speaker 4: was awesome.

781
00:37:11,480 --> 00:37:14,080
Speaker 6: Right next time, let's do it for a whole song.

782
00:37:14,160 --> 00:37:14,759
Speaker 6: And I got with her.

783
00:37:17,719 --> 00:37:18,400
Speaker 1: I don't worry about it.

784
00:37:18,760 --> 00:37:20,719
Speaker 3: Like we see it mate. We're very very excited. We

785
00:37:20,800 --> 00:37:22,680
Speaker 3: love you, Sala. You're doing so well at the moment

786
00:37:22,760 --> 00:37:26,360
Speaker 3: and you're Australian to a come Clean Australian tour. Tickets

787
00:37:26,400 --> 00:37:28,520
Speaker 3: go on sale next Tuesday. You can get them from

788
00:37:28,520 --> 00:37:30,520
Speaker 3: Frontier Touring dot Com. Thanks for coming on the show,

789
00:37:31,200 --> 00:37:32,279
Speaker 3: you guys, thank you so much.

790
00:37:32,400 --> 00:37:34,080
Speaker 9: Well you got it's in with.

791
00:37:36,200 --> 00:37:38,680
Speaker 3: This is very exciting because this man is on fire

792
00:37:38,719 --> 00:37:42,520
Speaker 3: at the moment. Current single Hurt Somebody with Julia Michaels. Obviously,

793
00:37:42,640 --> 00:37:45,560
Speaker 3: we are absolutely slaying it here at Nova because we

794
00:37:45,719 --> 00:37:48,879
Speaker 3: love this song. He is in the country as well

795
00:37:48,920 --> 00:37:52,239
Speaker 3: promoting it. The magnificent Noah Cahn. Welcome to the show.

796
00:37:54,080 --> 00:37:55,760
Speaker 3: Thank you guys so much for having met.

797
00:37:55,800 --> 00:37:57,600
Speaker 1: How'd you go last night Oxford Art Factory?

798
00:37:57,800 --> 00:38:00,600
Speaker 8: It was fantastic, man, that's fantastic. It made me feel

799
00:38:00,600 --> 00:38:02,000
Speaker 8: like I wasn't a one hit wonder if I was

800
00:38:02,000 --> 00:38:03,280
Speaker 8: singing the words to all the songs.

801
00:38:03,320 --> 00:38:05,799
Speaker 2: It was crazy, dude, you're blinded why by how much

802
00:38:05,840 --> 00:38:07,359
Speaker 2: Astralia's and braged to Yeah.

803
00:38:07,719 --> 00:38:09,560
Speaker 8: Man, absolutely, this is the first time I've ever had

804
00:38:09,560 --> 00:38:12,440
Speaker 8: a song really kind of connect on radio and in

805
00:38:12,680 --> 00:38:13,560
Speaker 8: a country in a big way.

806
00:38:13,640 --> 00:38:16,040
Speaker 3: So it's been It's been absolutely surreal. I'm in love

807
00:38:16,080 --> 00:38:16,160
Speaker 3: with it.

808
00:38:16,360 --> 00:38:18,239
Speaker 4: This is your third visit, isn't it? But I saw

809
00:38:18,320 --> 00:38:19,759
Speaker 4: on Instagram you said you were going to go all

810
00:38:19,880 --> 00:38:23,160
Speaker 4: Roseanne bar on the twenty six hour Fly You go,

811
00:38:23,719 --> 00:38:24,759
Speaker 4: oh as much.

812
00:38:25,000 --> 00:38:26,400
Speaker 8: I wish that I had had a hit song and

813
00:38:26,440 --> 00:38:29,480
Speaker 8: maybe a more convenient location, like maybe like New Hampshire

814
00:38:29,560 --> 00:38:30,399
Speaker 8: next month or something.

815
00:38:30,560 --> 00:38:31,239
Speaker 1: Sorry about that.

816
00:38:31,360 --> 00:38:33,719
Speaker 8: But no, it's absolutely The flight is tough. I just

817
00:38:33,760 --> 00:38:35,319
Speaker 8: take a couple of ambient I sleep and next thing

818
00:38:35,360 --> 00:38:36,600
Speaker 8: I know, I'm in. You're a beautiful country.

819
00:38:36,960 --> 00:38:38,919
Speaker 1: Tell you can you spend a bit of time in Manley?

820
00:38:38,960 --> 00:38:39,959
Speaker 1: Went you here for a couple of months?

821
00:38:40,000 --> 00:38:40,160
Speaker 5: Sol?

822
00:38:40,520 --> 00:38:40,719
Speaker 1: Yeah?

823
00:38:40,800 --> 00:38:42,440
Speaker 8: So I lived in Manley for two months when I

824
00:38:42,520 --> 00:38:44,560
Speaker 8: was in eighth grade. I did like a house swap

825
00:38:44,600 --> 00:38:45,080
Speaker 8: with a family.

826
00:38:45,160 --> 00:38:46,200
Speaker 1: That how funny.

827
00:38:46,320 --> 00:38:48,400
Speaker 8: Yeah, inexplicably wanted to live in from mount in the wintertime,

828
00:38:48,440 --> 00:38:50,120
Speaker 8: so I came. I came here during your summertime.

829
00:38:50,160 --> 00:38:52,040
Speaker 3: And have you written a song? Have you written a

830
00:38:52,120 --> 00:38:54,560
Speaker 3: song about Manly? Is there in something in the back

831
00:38:54,560 --> 00:38:56,600
Speaker 3: of your mill? And what was your inexperience to somebody

832
00:38:57,280 --> 00:39:00,800
Speaker 3: keep the songs from the corso man So have you?

833
00:39:01,200 --> 00:39:02,880
Speaker 1: Do you keep in touch with the family? Do they

834
00:39:02,920 --> 00:39:04,200
Speaker 1: know hear? Or oh?

835
00:39:04,280 --> 00:39:06,160
Speaker 8: Yeah, they know I'm here. They barely know where I am.

836
00:39:06,200 --> 00:39:08,400
Speaker 8: They call me whenever they feel like it, and then

837
00:39:08,480 --> 00:39:10,600
Speaker 8: I let them know what country I mean. They're always

838
00:39:10,640 --> 00:39:12,360
Speaker 8: jealous because they're hanging out in from Martin. I'm in

839
00:39:12,920 --> 00:39:16,080
Speaker 8: Australia or Europe or something amazing. Yeah, yeah, that's awesome.

840
00:39:16,440 --> 00:39:19,879
Speaker 3: You have written this song with Julia Michaels, who we've

841
00:39:19,920 --> 00:39:23,319
Speaker 3: had on the show before, and she's just astounding. She's

842
00:39:23,360 --> 00:39:26,200
Speaker 3: a genius, that girl. She's written so many big songs

843
00:39:26,239 --> 00:39:28,640
Speaker 3: that a lot of people don't know about. Your songwriting

844
00:39:28,680 --> 00:39:31,240
Speaker 3: skills are unbelievable as well. You you were actually approach

845
00:39:31,600 --> 00:39:34,200
Speaker 3: Is this true? Your songwriting was so good that you

846
00:39:34,280 --> 00:39:38,799
Speaker 3: were approached by some huge songwriters themselves, Dan Wilson's who's

847
00:39:38,800 --> 00:39:41,759
Speaker 3: written for Adele, and Scott Harris with Sewan Mendies. Have

848
00:39:41,880 --> 00:39:44,200
Speaker 3: you written songs for other people yourself?

849
00:39:45,080 --> 00:39:47,040
Speaker 8: I've written so many songs that I don't think I'm

850
00:39:47,040 --> 00:39:48,920
Speaker 8: gonna I'm gonna use for myself right now, and so

851
00:39:48,960 --> 00:39:50,799
Speaker 8: I think maybe some of them eventually could be used

852
00:39:50,800 --> 00:39:54,239
Speaker 8: for another artist. And what's cool about songwriting and working

853
00:39:54,280 --> 00:39:56,279
Speaker 8: with guys like that is that even if you don't

854
00:39:56,280 --> 00:39:57,879
Speaker 8: write a song that fits for you, you're always gonna

855
00:39:57,880 --> 00:40:00,560
Speaker 8: come up with something cool. And I hope someday I

856
00:40:00,600 --> 00:40:02,200
Speaker 8: can I can write songs for the artist, but right now,

857
00:40:02,360 --> 00:40:04,840
Speaker 8: mostly focusing on getting tunes for myself.

858
00:40:04,880 --> 00:40:06,879
Speaker 1: But you've been writing since you were twelve, I read,

859
00:40:07,000 --> 00:40:07,359
Speaker 1: is that right?

860
00:40:07,560 --> 00:40:07,759
Speaker 3: Yeah?

861
00:40:08,040 --> 00:40:09,960
Speaker 1: You remember the first song? Yeah, I do.

862
00:40:10,239 --> 00:40:13,160
Speaker 8: It was it actually got me two weeks mandatory therapy

863
00:40:13,200 --> 00:40:15,680
Speaker 8: at my school. It was called Wednesdays are the Worst

864
00:40:15,760 --> 00:40:17,960
Speaker 8: Days of my life. And I sang it at my

865
00:40:17,960 --> 00:40:19,520
Speaker 8: school talent show and people work concerned.

866
00:40:19,640 --> 00:40:22,359
Speaker 3: Well, Wednesday is so bad, right, I don't remember, man,

867
00:40:22,440 --> 00:40:25,680
Speaker 3: but I was. I really hated Wednesdays. I thought it

868
00:40:25,840 --> 00:40:30,480
Speaker 3: was Monday dying. Yeah, can you remember some of the lyrics?

869
00:40:30,640 --> 00:40:31,480
Speaker 3: What was in there?

870
00:40:31,560 --> 00:40:33,719
Speaker 8: The churus was literally just Wednesdays of the worst days

871
00:40:33,719 --> 00:40:35,320
Speaker 8: of my life, over and over again, really drilling the

872
00:40:35,360 --> 00:40:37,480
Speaker 8: point across. But I learned, Yeah, I learned that you

873
00:40:37,560 --> 00:40:39,399
Speaker 8: have to really be directed your audience at a young age.

874
00:40:39,560 --> 00:40:41,200
Speaker 8: Wednesday is the worst day of my life, and Wednesday

875
00:40:41,280 --> 00:40:42,560
Speaker 8: the worst day love over and over again.

876
00:40:42,680 --> 00:40:45,080
Speaker 1: All right, Well, this is exciting because God. Look in

877
00:40:45,120 --> 00:40:47,680
Speaker 1: the corner of the room, Tommy, he's bought the acne. Yeah,

878
00:40:47,680 --> 00:40:49,160
Speaker 1: you're gonna do an acoustic for us.

879
00:40:49,280 --> 00:40:50,960
Speaker 3: I'm gonna try pick up that guitar.

880
00:40:51,600 --> 00:40:53,759
Speaker 2: We love this song, can't wait to hear it. You're

881
00:40:53,800 --> 00:40:55,800
Speaker 2: ready to take it away with hurt Somebody yeah, absolutely,

882
00:40:55,840 --> 00:40:56,080
Speaker 2: let's do it.

883
00:40:56,160 --> 00:40:56,760
Speaker 1: No account.

884
00:41:06,920 --> 00:41:12,920
Speaker 9: I've been taking it slow. Hey, I'm afraid to be alone.

885
00:41:13,719 --> 00:41:20,879
Speaker 9: They and nobody told me. It's harder than I thought

886
00:41:21,000 --> 00:41:27,160
Speaker 9: to tell the truth, it's gonna leave you when p says,

887
00:41:29,040 --> 00:41:34,200
Speaker 9: all alone with your d and I know that I

888
00:41:34,320 --> 00:41:39,200
Speaker 9: been me this, but I've been too afraid to follow through.

889
00:41:41,719 --> 00:41:46,360
Speaker 9: Hold me close and I hold thee because it hurts

890
00:41:46,560 --> 00:41:51,800
Speaker 9: when you hurt some baddy. So much to say, but

891
00:41:52,000 --> 00:41:56,800
Speaker 9: I don't speak, and I hate that I didn't starve

892
00:41:57,200 --> 00:42:01,400
Speaker 9: me because it hurts when you heard it's some bady

893
00:42:03,320 --> 00:42:08,160
Speaker 9: I don't know where the time when stuck in the

894
00:42:08,239 --> 00:42:14,560
Speaker 9: wrong way said and I let the rules. Then when

895
00:42:14,719 --> 00:42:20,160
Speaker 9: I know that all along with me to pray you

896
00:42:20,280 --> 00:42:26,200
Speaker 9: got me searching for a reason to keep me from leaving,

897
00:42:28,760 --> 00:42:33,200
Speaker 9: and that I have trouble breath, and I give myself

898
00:42:33,320 --> 00:42:39,560
Speaker 9: another chance to stay. Hold me close, and I hold

899
00:42:39,719 --> 00:42:45,600
Speaker 9: me because it hurts when you hurt some bady. So

900
00:42:45,840 --> 00:42:49,959
Speaker 9: much to say, but I don't speak, and I hate

901
00:42:50,280 --> 00:42:54,560
Speaker 9: that I there. Just stop me because it hurts when

902
00:42:54,640 --> 00:42:56,560
Speaker 9: you hurt some bady.

903
00:42:58,120 --> 00:43:02,800
Speaker 13: One day before you know it's you, beer see haarder

904
00:43:02,920 --> 00:43:07,800
Speaker 13: the paint and all the hai me you'll fear the stinging,

905
00:43:07,880 --> 00:43:12,239
Speaker 13: and you don't think of me because it hurts when

906
00:43:12,320 --> 00:43:12,879
Speaker 13: you hurt.

907
00:43:15,280 --> 00:43:20,319
Speaker 9: Hold me close and I only because it hurts when

908
00:43:20,360 --> 00:43:26,880
Speaker 9: you hurt somebody. So much to say, but I don't speak,

909
00:43:27,560 --> 00:43:33,279
Speaker 9: and I hate that. I'll let you start me, hold.

910
00:43:33,080 --> 00:43:35,080
Speaker 3: Me closs and now world.

911
00:43:36,080 --> 00:43:41,279
Speaker 9: Because it hurts when you hurt some bady so much

912
00:43:41,400 --> 00:43:45,480
Speaker 9: to say, but I don't speak, and I hate that

913
00:43:45,600 --> 00:43:49,759
Speaker 9: I didn't just start me because it hurts when you

914
00:43:49,960 --> 00:43:51,640
Speaker 9: hurt somebody.

915
00:43:56,480 --> 00:44:01,680
Speaker 3: Okay, we know how busy you are, but we really

916
00:44:01,760 --> 00:44:04,200
Speaker 3: appreciate you coming in and doing that for us this morning.

917
00:44:04,400 --> 00:44:06,719
Speaker 3: Really appreciate it. It's my pleasure. Thank you so much.

918
00:44:06,760 --> 00:44:08,239
Speaker 1: We can see you on Sunday night, can't we.

919
00:44:08,680 --> 00:44:12,360
Speaker 3: You absolutely can voice performing live yep, pee my Pants.

920
00:44:12,239 --> 00:44:15,360
Speaker 8: Live on TV, so once in a lifetime experience.

921
00:44:15,440 --> 00:44:18,600
Speaker 1: Oh you'll be fine, buddy. Great to see you. Thanks mate,