1
00:00:00,480 --> 00:00:02,559
Speaker 1: Coming up on Relatables Baddie's book Club.

2
00:00:03,160 --> 00:00:06,600
Speaker 2: In my head, whenever she mentioned someone's handsome, I'm like,

3
00:00:06,600 --> 00:00:07,280
Speaker 2: they got a fuck.

4
00:00:08,560 --> 00:00:11,039
Speaker 1: Yes, that's what I think, exactly what I think.

5
00:00:11,160 --> 00:00:14,800
Speaker 3: Even that is exactly what every time she says something

6
00:00:14,800 --> 00:00:18,400
Speaker 3: about strong arms, like people don't like you can look

7
00:00:18,440 --> 00:00:20,799
Speaker 3: at someone and say he's strong as fuck and actually

8
00:00:20,800 --> 00:00:24,640
Speaker 3: not want to fuck him, but we're ruined from the Akatar.

9
00:00:26,800 --> 00:00:30,320
Speaker 3: Welcome to Relatables Baddies book Club, where we will embark

10
00:00:30,600 --> 00:00:32,920
Speaker 3: on a journey reading some of the finest pieces of

11
00:00:32,920 --> 00:00:35,520
Speaker 3: literature you have ever laid eyes or he is, if.

12
00:00:35,360 --> 00:00:37,440
Speaker 1: That's your preferred way to consume a book on.

13
00:00:39,640 --> 00:00:44,720
Speaker 3: Baddies. The housemade chapters one to ten.

14
00:00:45,840 --> 00:00:48,240
Speaker 1: Short, very short. I read five.

15
00:00:48,479 --> 00:00:51,040
Speaker 3: I read all ten chapters yesterday, short and sweet, and

16
00:00:51,080 --> 00:00:52,879
Speaker 3: I read I've read five chapters as soon as I

17
00:00:52,920 --> 00:00:54,720
Speaker 3: woke up, and then I was like, okay, I'll just

18
00:00:54,760 --> 00:00:56,080
Speaker 3: read the ten chapters before I go to bed.

19
00:00:56,080 --> 00:00:58,560
Speaker 1: And then I was doing stuff. Got to about.

20
00:00:58,320 --> 00:01:00,400
Speaker 3: Nine and I was like, oh wait, I read those

21
00:01:00,440 --> 00:01:02,920
Speaker 3: chapters yet, and I was kind of like fuck wit

22
00:01:02,960 --> 00:01:03,800
Speaker 3: started quickly reading.

23
00:01:03,840 --> 00:01:06,679
Speaker 1: Twenty minutes later, I was thinking, let's go.

24
00:01:07,480 --> 00:01:10,920
Speaker 2: Yeah, it's definitely different to what we're used to. Yeah,

25
00:01:11,280 --> 00:01:14,600
Speaker 2: very very different. I'm liking it. It's an easy read.

26
00:01:15,319 --> 00:01:16,600
Speaker 2: That's the word easy.

27
00:01:17,200 --> 00:01:22,720
Speaker 3: I am going to say jarring, particularly only from one

28
00:01:22,800 --> 00:01:23,520
Speaker 3: character though.

29
00:01:23,920 --> 00:01:26,840
Speaker 2: That is jarring. Yeah, yeah, how it's all from like

30
00:01:26,959 --> 00:01:27,800
Speaker 2: her pov.

31
00:01:28,480 --> 00:01:30,360
Speaker 1: Just but what jars me is just.

32
00:01:33,319 --> 00:01:36,240
Speaker 3: The way that one of the characters, like that Nina is.

33
00:01:37,400 --> 00:01:37,800
Speaker 4: Yeah.

34
00:01:38,080 --> 00:01:41,720
Speaker 3: I listen to the audio two and is it drum

35
00:01:41,760 --> 00:01:44,440
Speaker 3: tized just like audiobook.

36
00:01:44,000 --> 00:01:46,920
Speaker 2: Audiobook and she voices every character I think, but her

37
00:01:47,160 --> 00:01:52,680
Speaker 2: long Island accent is annoying. How could I try and do?

38
00:01:52,720 --> 00:01:57,000
Speaker 2: It's like I was locked in my room. I locked

39
00:01:57,040 --> 00:01:58,480
Speaker 2: in my room.

40
00:01:58,960 --> 00:02:00,960
Speaker 1: Oh oh my god.

41
00:02:01,080 --> 00:02:02,640
Speaker 2: I heard it for me a little bit, but I

42
00:02:02,680 --> 00:02:04,440
Speaker 2: was like, oh, it's authentic.

43
00:02:04,680 --> 00:02:06,080
Speaker 1: Yeah, so we've got.

44
00:02:06,400 --> 00:02:11,640
Speaker 3: The book is in a very short sense, clearly about Millie,

45
00:02:12,200 --> 00:02:16,440
Speaker 3: who is an ex con who has been out of jail.

46
00:02:16,520 --> 00:02:18,320
Speaker 3: She was there for ten years, so we don't know

47
00:02:18,360 --> 00:02:19,160
Speaker 3: why she went yet.

48
00:02:19,360 --> 00:02:21,360
Speaker 2: She was there since he was seventeen seventeen.

49
00:02:21,840 --> 00:02:26,160
Speaker 3: She's twenty seven now, and she was living in her car.

50
00:02:26,560 --> 00:02:30,440
Speaker 3: Had an interview at this house to be a Livian housemaid,

51
00:02:30,680 --> 00:02:35,120
Speaker 3: and she got it right. And so she's living at

52
00:02:35,120 --> 00:02:38,800
Speaker 3: this house family of three Nina Cecilia the daughter, Andrew

53
00:02:38,800 --> 00:02:44,000
Speaker 3: the father. Okay, so the very beginning of the first

54
00:02:44,040 --> 00:02:47,720
Speaker 3: page talks about she's sitting on a lounge and there's

55
00:02:47,720 --> 00:02:49,040
Speaker 3: a police officer talking to her.

56
00:02:49,240 --> 00:02:51,679
Speaker 2: They did the classic thing where it's like they give

57
00:02:51,720 --> 00:02:54,400
Speaker 2: you a teaser, the juicy bit, and then it goes to.

58
00:02:54,600 --> 00:02:55,440
Speaker 4: Three months earlier.

59
00:02:55,720 --> 00:03:00,600
Speaker 3: Yeah, it's like, get creative. I was like, it is

60
00:03:00,639 --> 00:03:02,960
Speaker 3: what it is, Yeah, exactly. I guess you're right. So

61
00:03:05,120 --> 00:03:09,320
Speaker 3: I want to give a quick recap of the ten chapters,

62
00:03:09,320 --> 00:03:12,360
Speaker 3: not in as much depth as we've been doing. So

63
00:03:12,480 --> 00:03:15,519
Speaker 3: quick recap we can go together because I always do

64
00:03:15,560 --> 00:03:19,960
Speaker 3: the recax. But first I do want to say, firstly,

65
00:03:20,680 --> 00:03:23,320
Speaker 3: different genre. I'm kind of liking it because this is

66
00:03:23,360 --> 00:03:24,880
Speaker 3: actually somewhat realistic.

67
00:03:25,720 --> 00:03:26,480
Speaker 1: Yeah, I didn't think.

68
00:03:26,400 --> 00:03:29,680
Speaker 2: Of it like that in my head. Whenever she mentioned

69
00:03:29,720 --> 00:03:33,600
Speaker 2: someone's handsome, I'm like, they got a fuck. Yes, that's

70
00:03:33,600 --> 00:03:34,000
Speaker 2: what I think.

71
00:03:34,080 --> 00:03:35,120
Speaker 1: Exactly what I think.

72
00:03:35,200 --> 00:03:38,840
Speaker 3: Even that is exactly what every time she says something

73
00:03:38,880 --> 00:03:42,480
Speaker 3: about strong arms, like people don't like you can look

74
00:03:42,520 --> 00:03:44,840
Speaker 3: at someone and say he's strong as fuck and actually

75
00:03:44,880 --> 00:03:45,800
Speaker 3: not want to fuck him.

76
00:03:46,040 --> 00:03:49,160
Speaker 1: But we're ruined from the Akatar.

77
00:03:51,080 --> 00:03:53,760
Speaker 2: Man Jake. We're messaging during the week. I said, we're

78
00:03:53,760 --> 00:03:55,240
Speaker 2: talking about the book, what we're going to do for this,

79
00:03:55,480 --> 00:03:57,240
Speaker 2: And I was like, just out of curiosity, are there

80
00:03:57,240 --> 00:03:58,280
Speaker 2: any sexy scenes in it?

81
00:03:58,400 --> 00:03:58,640
Speaker 1: Yeah?

82
00:03:58,840 --> 00:04:02,040
Speaker 2: And he's auto correct changed, isn't it is?

83
00:04:02,120 --> 00:04:04,920
Speaker 1: Yes? And I was like yes, and then I had

84
00:04:04,960 --> 00:04:06,560
Speaker 1: to break his bubble and be like, no, sorry, there

85
00:04:06,560 --> 00:04:07,040
Speaker 1: actually isn't.

86
00:04:07,160 --> 00:04:09,600
Speaker 2: I was thinking ends out of the Garden and she's

87
00:04:09,600 --> 00:04:10,680
Speaker 2: going to get it okay.

88
00:04:11,600 --> 00:04:15,560
Speaker 3: But we start off she's she's had an interview at

89
00:04:15,560 --> 00:04:16,120
Speaker 3: this house.

90
00:04:16,400 --> 00:04:17,719
Speaker 1: Nina is the wife.

91
00:04:18,120 --> 00:04:20,680
Speaker 3: She's obviously owns the house, beautiful house in Long Island

92
00:04:20,680 --> 00:04:24,440
Speaker 3: in New York, and Milly is there.

93
00:04:24,560 --> 00:04:25,840
Speaker 1: She's kind of just chatting.

94
00:04:26,000 --> 00:04:28,600
Speaker 3: She's never been a maid, and she's also just like,

95
00:04:29,000 --> 00:04:30,760
Speaker 3: I'm pretty sure she's made up her resume and shit,

96
00:04:30,800 --> 00:04:32,000
Speaker 3: she hasn't told anyone she was in.

97
00:04:31,920 --> 00:04:34,240
Speaker 1: Prison and we don't even know at this point. But

98
00:04:35,680 --> 00:04:38,239
Speaker 1: interview goes pretty well. She likes Nina.

99
00:04:38,680 --> 00:04:41,960
Speaker 3: She goes away and she gets a phone call from

100
00:04:42,000 --> 00:04:44,440
Speaker 3: another interview she went and had at this place called

101
00:04:44,480 --> 00:04:48,680
Speaker 3: munch Burger. They're like sorry and usually higher REX cons Yeah,

102
00:04:48,720 --> 00:04:50,479
Speaker 3: She's like I looked into him, like the higher X

103
00:04:50,520 --> 00:04:53,800
Speaker 3: cons and shit. But you know, they go, sorry to

104
00:04:53,880 --> 00:04:56,159
Speaker 3: let you know we're a different direction. We wish you

105
00:04:56,200 --> 00:04:58,400
Speaker 3: all the best, and she's like yeah, cool. Not even

106
00:04:58,400 --> 00:05:00,880
Speaker 3: two seconds later, phone call. She's using a little Bona

107
00:05:00,920 --> 00:05:02,520
Speaker 3: phone by the way, when those little ones from Colds

108
00:05:02,600 --> 00:05:06,560
Speaker 3: or the top of Market and and it's Nina and.

109
00:05:06,480 --> 00:05:10,000
Speaker 1: She's like, girl, you're hired. Losing her mind.

110
00:05:10,080 --> 00:05:11,800
Speaker 3: She says thank you so much. She's like, when can

111
00:05:11,839 --> 00:05:14,080
Speaker 3: you start? And she's like, I don't want to fucking

112
00:05:14,120 --> 00:05:16,479
Speaker 3: admit to Nina. I live in my car. She goes, well,

113
00:05:16,960 --> 00:05:18,919
Speaker 3: I can start tomorrow. And Nina's like, what about your

114
00:05:18,960 --> 00:05:20,240
Speaker 3: stuff and just like have a quick pack up.

115
00:05:20,360 --> 00:05:20,560
Speaker 4: Yeah.

116
00:05:20,680 --> 00:05:22,200
Speaker 1: I was like, fuck they okay.

117
00:05:23,120 --> 00:05:27,200
Speaker 2: So immediately thought Nina was a red flag though yeah bro,

118
00:05:27,360 --> 00:05:29,440
Speaker 2: oh my god, Like the way she was acting, I

119
00:05:29,480 --> 00:05:33,640
Speaker 2: was like, oh, this like you're saying it was realistic

120
00:05:33,680 --> 00:05:40,520
Speaker 2: before really highlighted the decisions people make when they need

121
00:05:40,560 --> 00:05:43,760
Speaker 2: they need spot. Yeah, they don't have many decisions there,

122
00:05:43,760 --> 00:05:45,120
Speaker 2: so they have to make it work.

123
00:05:45,440 --> 00:05:45,640
Speaker 3: True.

124
00:05:45,720 --> 00:05:47,680
Speaker 1: Yeah, Like she actually doesn't doesn't have a choice.

125
00:05:47,480 --> 00:05:49,240
Speaker 3: Yeah, exactly, Like this is all she's just got and

126
00:05:49,279 --> 00:05:51,719
Speaker 3: she mentions that a lot like so during the interview

127
00:05:51,760 --> 00:05:55,360
Speaker 3: with Nina. She goes, Nina gives her a tour of

128
00:05:55,440 --> 00:05:59,479
Speaker 3: the house. Beautiful downstairs. They go upstairs, beautiful master bedroom,

129
00:05:59,520 --> 00:06:02,279
Speaker 3: beautiful bedroom for the kid. They've got a massive spare

130
00:06:02,360 --> 00:06:06,240
Speaker 3: room in a home theater, like massive TV and shit

131
00:06:06,240 --> 00:06:08,520
Speaker 3: in there. And then she goes, and this is where

132
00:06:08,560 --> 00:06:12,120
Speaker 3: you'll be staying if you get the job. They go

133
00:06:12,200 --> 00:06:14,400
Speaker 3: up into the attic. She goes, we have a fully

134
00:06:14,480 --> 00:06:17,920
Speaker 3: furnished attic. She goes up there and takes her into

135
00:06:17,960 --> 00:06:21,080
Speaker 3: this fucking tiny little what used to be like a

136
00:06:21,080 --> 00:06:24,200
Speaker 3: broom closet, and I'm thinking, like Harry Potter starts out

137
00:06:24,800 --> 00:06:26,440
Speaker 3: and she's in there, and Nina's like.

138
00:06:27,040 --> 00:06:28,840
Speaker 1: Okay, yeah, yeah, yeah, and she goes, yeah, I know,

139
00:06:28,920 --> 00:06:29,719
Speaker 1: I'm sorry. It's small.

140
00:06:30,279 --> 00:06:31,719
Speaker 3: And they have a spare bedroom in the house, and

141
00:06:31,760 --> 00:06:33,600
Speaker 3: they have a full spare room in their house, and

142
00:06:33,680 --> 00:06:35,839
Speaker 3: Nina's and Millie keeps saying to herself, of course, you know,

143
00:06:35,839 --> 00:06:37,919
Speaker 3: they probably don't want to give me the live in help,

144
00:06:38,040 --> 00:06:39,120
Speaker 3: like the spare room.

145
00:06:39,160 --> 00:06:40,680
Speaker 1: Grubby old me, grubby old me.

146
00:06:41,920 --> 00:06:46,800
Speaker 3: And and so she goes in and she says, as

147
00:06:46,800 --> 00:06:48,280
Speaker 3: soon as she walks in that room, she just gets

148
00:06:48,279 --> 00:06:51,640
Speaker 3: her just disturbing feeling about it. And I was like,

149
00:06:52,720 --> 00:06:56,240
Speaker 3: I need to not pick this story apart, right, But

150
00:06:56,360 --> 00:06:58,960
Speaker 3: again I was gonna say, obviously you would just leave

151
00:06:59,000 --> 00:06:59,880
Speaker 3: and not go back, but.

152
00:07:00,080 --> 00:07:04,000
Speaker 1: Of but again, she's desperate. She sleeps in the back

153
00:07:04,000 --> 00:07:04,640
Speaker 1: of a niss.

154
00:07:04,880 --> 00:07:07,400
Speaker 2: And then she's what felt discussing about it was the

155
00:07:07,400 --> 00:07:09,200
Speaker 2: lock to the door was on the outside.

156
00:07:09,720 --> 00:07:12,320
Speaker 1: Yeah, So she's like, what's so weird about this?

157
00:07:12,360 --> 00:07:14,880
Speaker 3: And she couldn't put a finger on it, and then

158
00:07:15,800 --> 00:07:18,640
Speaker 3: that's when she and so then she leaves a week later,

159
00:07:19,240 --> 00:07:22,920
Speaker 3: gets denied from munch Burger, gets accepted by Nina. She

160
00:07:23,000 --> 00:07:24,440
Speaker 3: goes back and she's got her bags and then he

161
00:07:24,440 --> 00:07:26,440
Speaker 3: goes a right, let's go take your bags upstairs. She

162
00:07:26,720 --> 00:07:29,200
Speaker 3: first of all walks into the house a week later,

163
00:07:29,480 --> 00:07:33,120
Speaker 3: pig sty it was immaculate and it's now fucked up.

164
00:07:33,400 --> 00:07:37,200
Speaker 3: She's like, what the fuck happened in here? She goes upstairs,

165
00:07:37,240 --> 00:07:39,080
Speaker 3: puts her bags down. She says, I finally realize what

166
00:07:39,160 --> 00:07:43,080
Speaker 3: makes this room so disturbing. The lock is on the outside.

167
00:07:43,280 --> 00:07:45,640
Speaker 3: And she says to Nina, why is the lock on

168
00:07:45,680 --> 00:07:46,320
Speaker 3: the outside?

169
00:07:47,000 --> 00:07:49,400
Speaker 1: You speak closet. I don't even notice, Like I didn't

170
00:07:49,440 --> 00:07:50,160
Speaker 1: know that you.

171
00:07:50,080 --> 00:07:53,280
Speaker 3: Speak closet, red flag, You know we you know it

172
00:07:53,360 --> 00:07:55,920
Speaker 3: makes sense to lock a closet and then does it.

173
00:07:56,320 --> 00:07:58,960
Speaker 3: She also she notices on the back of the door

174
00:08:00,320 --> 00:08:05,760
Speaker 3: marks on the timber, and she's like gaslighting herself, going, oh, no,

175
00:08:05,920 --> 00:08:08,040
Speaker 3: you know, I guess you know, timber cracks and timber

176
00:08:08,120 --> 00:08:09,000
Speaker 3: timber moves.

177
00:08:08,800 --> 00:08:10,440
Speaker 1: And stuff, and she's like, okay, what the fuck.

178
00:08:11,000 --> 00:08:15,400
Speaker 3: Anyways, goes downstairs cleans up this shit. So first day

179
00:08:15,440 --> 00:08:19,360
Speaker 3: she's cleaning up and I think she's finally getting to

180
00:08:19,360 --> 00:08:21,480
Speaker 3: a point where it's like she said, it's fucked up.

181
00:08:21,400 --> 00:08:22,760
Speaker 1: Because the point was spit clean.

182
00:08:23,080 --> 00:08:28,120
Speaker 3: And then Nina comes downstairs and she's like, Cecilia, the

183
00:08:28,120 --> 00:08:30,480
Speaker 3: little fucking kid comes down Before Ninni comes down, She's like,

184
00:08:31,200 --> 00:08:34,960
Speaker 3: I'm hungry. She so Millie goes on, Okay, I'll make

185
00:08:35,000 --> 00:08:38,800
Speaker 3: you a snack. She makes her something with peanut butter. Bitch,

186
00:08:38,840 --> 00:08:40,800
Speaker 3: I'm allergic to peanut butter. You're trying to kill me.

187
00:08:41,160 --> 00:08:43,240
Speaker 3: She calls to her mum and she starts crying. She's like,

188
00:08:43,440 --> 00:08:46,080
Speaker 3: Millie tried to kill me. And then and then Nina goes,

189
00:08:46,720 --> 00:08:49,440
Speaker 3: what the fuck, bitch, Like I told you my daughter

190
00:08:49,440 --> 00:08:51,439
Speaker 3: has is deathly allergic a peanut butter. Why would give

191
00:08:51,440 --> 00:08:52,959
Speaker 3: it to her, and Millie's like, oh my god, I'm

192
00:08:52,960 --> 00:08:55,120
Speaker 3: so sorry. Must have slipped my mind. Obviously she didn't

193
00:08:55,120 --> 00:08:57,200
Speaker 3: tell her. She's like I would remember something like that.

194
00:08:57,320 --> 00:08:59,000
Speaker 3: And then she's like, why is.

195
00:08:59,000 --> 00:09:00,000
Speaker 1: There peanut butter in the house.

196
00:09:00,080 --> 00:09:00,320
Speaker 4: Yeah.

197
00:09:00,480 --> 00:09:02,560
Speaker 1: She goes to Nina, well, I'm so sorry, Like, I'm

198
00:09:02,559 --> 00:09:03,480
Speaker 1: so sorry. Let me get you some.

199
00:09:03,440 --> 00:09:06,080
Speaker 3: Different you want me to throw the peanut butter out?

200
00:09:06,280 --> 00:09:08,680
Speaker 3: And then Nina goes, this is this has sussed me out.

201
00:09:09,080 --> 00:09:10,720
Speaker 3: Nina goes, no, no, no, we might need it.

202
00:09:11,040 --> 00:09:12,920
Speaker 4: Yeah, what for bread crumbing?

203
00:09:13,000 --> 00:09:14,880
Speaker 1: Are you fucking threatening this kid or some shit?

204
00:09:15,080 --> 00:09:15,360
Speaker 3: Yeah?

205
00:09:15,440 --> 00:09:18,559
Speaker 2: I don't know, life threatening a or she's not actually allergic?

206
00:09:19,600 --> 00:09:22,400
Speaker 3: Yeah? True, Like Nina seems to be not right in

207
00:09:22,400 --> 00:09:24,400
Speaker 3: the head. Bro, she's possessed. This is called is it

208
00:09:24,400 --> 00:09:26,040
Speaker 3: called a psychological thriller?

209
00:09:26,120 --> 00:09:27,120
Speaker 4: Yeah? Yeah.

210
00:09:27,120 --> 00:09:29,440
Speaker 1: She's like, fucking we've been taken on a ride.

211
00:09:29,559 --> 00:09:32,280
Speaker 2: She she's talking to like the devil a she's doing

212
00:09:32,320 --> 00:09:33,600
Speaker 2: something we've been We've been.

213
00:09:33,559 --> 00:09:34,360
Speaker 1: Taking on a ride.

214
00:09:35,040 --> 00:09:36,080
Speaker 3: So uh.

215
00:09:36,200 --> 00:09:39,120
Speaker 1: And then Nina goes, well, you're you gonna make his dinner.

216
00:09:38,920 --> 00:09:39,160
Speaker 3: Or what.

217
00:09:40,600 --> 00:09:43,080
Speaker 2: She's got like bipola. She's like randomly really really nice

218
00:09:43,120 --> 00:09:44,719
Speaker 2: and sweet and like offering all these things, and then.

219
00:09:44,679 --> 00:09:48,320
Speaker 3: She's like, you take take us for granted. Yeah, yeah, yeah,

220
00:09:48,360 --> 00:09:50,440
Speaker 3: She's like, don't don't take my curdness for granted. And

221
00:09:50,440 --> 00:09:53,000
Speaker 3: she's like she's such a bit sometimes so weird and

222
00:09:53,040 --> 00:09:54,560
Speaker 3: it's absolutely jarring.

223
00:09:54,600 --> 00:09:55,679
Speaker 2: Oh it's so daring.

224
00:09:55,800 --> 00:09:59,679
Speaker 3: So she says, you're gonna makes dinner. Cool, We meet

225
00:09:59,720 --> 00:10:03,040
Speaker 3: the husb and Andrew. He comes home while dinner's being cooked. Oh,

226
00:10:03,160 --> 00:10:06,080
Speaker 3: this smells amazing, Like, oh, Millie, you must be Milli.

227
00:10:06,720 --> 00:10:11,640
Speaker 3: Nina jealous as fuck. Yeah, straight less of Millie straight

228
00:10:11,679 --> 00:10:15,440
Speaker 3: away because Millie young, petite, size six.

229
00:10:15,480 --> 00:10:16,960
Speaker 1: We find out in dresses and something.

230
00:10:17,040 --> 00:10:19,560
Speaker 3: I think that must be mean small, and you know,

231
00:10:19,640 --> 00:10:21,240
Speaker 3: Andrew's like kind of having a laugh at her.

232
00:10:21,200 --> 00:10:22,200
Speaker 1: Being you know, nice.

233
00:10:22,920 --> 00:10:26,080
Speaker 3: Nina's just like gets this, fucking I'm gonna kill you.

234
00:10:26,120 --> 00:10:28,320
Speaker 3: Look at her, right, she looks at Millie. If Andrew's

235
00:10:28,360 --> 00:10:30,199
Speaker 3: in the room and Millie's in the room, Nina's looking

236
00:10:30,240 --> 00:10:32,400
Speaker 3: at Milli like, get on your fucking And we didn't

237
00:10:32,440 --> 00:10:33,600
Speaker 3: mention Andrew's hot.

238
00:10:34,000 --> 00:10:34,720
Speaker 1: Andrew's a baddie.

239
00:10:34,880 --> 00:10:36,720
Speaker 2: I was picturing Andrew Huberman.

240
00:10:39,080 --> 00:10:42,000
Speaker 3: I've seen a trailer, I've seen I've seen a TikTok

241
00:10:42,000 --> 00:10:44,000
Speaker 3: with the characters. So I'm picturing who the character.

242
00:10:44,760 --> 00:10:45,640
Speaker 4: From the actual movies.

243
00:10:45,640 --> 00:10:47,320
Speaker 3: Okay, i'll show you after this, and we'll show the baddies.

244
00:10:47,559 --> 00:10:52,920
Speaker 3: So a few more days go by, and then one

245
00:10:52,960 --> 00:10:56,760
Speaker 3: morning she wakes up. Nina's in the kitchen, She's throwing

246
00:10:56,800 --> 00:11:00,000
Speaker 3: everything out of the fringe, making an absolute mess.

247
00:10:59,840 --> 00:11:02,480
Speaker 1: She Millie comes down, She's like, what's good, what's happening?

248
00:11:02,720 --> 00:11:04,360
Speaker 1: What's good? What's going on?

249
00:11:04,880 --> 00:11:08,520
Speaker 3: And Nina's going where is it? And Milly's like what.

250
00:11:08,640 --> 00:11:12,000
Speaker 3: She's like, where are my PTA meeting? Like my Parent

251
00:11:12,080 --> 00:11:16,640
Speaker 3: Teacher Association meeting? Notes that I spent hours writing you

252
00:11:16,720 --> 00:11:17,760
Speaker 3: threw them out? Where are they?

253
00:11:18,160 --> 00:11:20,559
Speaker 1: And Millie's like, I didn't touch them?

254
00:11:20,600 --> 00:11:22,280
Speaker 3: Al so why would it be in the free She's like,

255
00:11:23,040 --> 00:11:25,040
Speaker 3: first of all, why would they be in the fridge?

256
00:11:25,360 --> 00:11:27,640
Speaker 1: And second well I didn't touch them.

257
00:11:28,160 --> 00:11:30,680
Speaker 3: And then Millie again she gaslights herself because she needs

258
00:11:30,679 --> 00:11:33,440
Speaker 3: this job so bad and she's so desperate. She gaslights herself,

259
00:11:33,440 --> 00:11:35,520
Speaker 3: being like, maybe you know, there was a chance, Like

260
00:11:35,559 --> 00:11:37,559
Speaker 3: she's in her head in a monologue, She's like, maybe

261
00:11:37,559 --> 00:11:40,760
Speaker 3: there was a chance of there was a crumpled up

262
00:11:40,760 --> 00:11:42,120
Speaker 3: piece paper during that mess the other day, and I

263
00:11:42,160 --> 00:11:43,720
Speaker 3: checked it out so all she does is she just

264
00:11:44,960 --> 00:11:45,880
Speaker 3: Andrew comes down.

265
00:11:46,200 --> 00:11:48,319
Speaker 1: He's like, Nina, what's going on? She crying?

266
00:11:48,480 --> 00:11:51,080
Speaker 3: She goes, she's like a kid bro. She like goes

267
00:11:51,080 --> 00:11:53,760
Speaker 3: and hugs Andrew gets like snot all over his fucking worksuit.

268
00:11:53,960 --> 00:11:56,199
Speaker 3: She's like, Milly threw out my PTA meeting notes.

269
00:11:56,320 --> 00:11:56,800
Speaker 4: Just blame it.

270
00:11:56,880 --> 00:11:58,440
Speaker 3: And then and he's like, oh, well, you know you

271
00:11:58,440 --> 00:11:59,960
Speaker 3: sayd them on your computer, and she goes, yeah, some

272
00:12:00,040 --> 00:12:01,520
Speaker 3: of them, but I have to redo a lot of them.

273
00:12:01,960 --> 00:12:06,600
Speaker 3: And so she bugs off and Andrew's like, no, Millie says,

274
00:12:06,640 --> 00:12:08,920
Speaker 3: I'm so sorry. I swear I didn't. He goes, no,

275
00:12:09,000 --> 00:12:11,840
Speaker 3: I know, I know. She's like, nice, I actually didn't.

276
00:12:11,880 --> 00:12:14,120
Speaker 3: And he's like, no, trust me, I know. And I

277
00:12:14,160 --> 00:12:17,840
Speaker 3: was like he's there, and he goes. He goes, yeah, Nina, she's.

278
00:12:17,640 --> 00:12:19,600
Speaker 2: He's almost too much of a green flag.

279
00:12:19,720 --> 00:12:21,120
Speaker 1: Yeah yeah, Yeah, it's sexy.

280
00:12:21,200 --> 00:12:23,080
Speaker 3: Yeah, it's sexy to a point where it's like, are

281
00:12:23,080 --> 00:12:28,319
Speaker 3: you manipulating us? So he goes, yeah, Nina is high strung,

282
00:12:28,960 --> 00:12:31,480
Speaker 3: you know, but she's but she is. She's a very

283
00:12:31,480 --> 00:12:34,800
Speaker 3: good person half and so I'm kind of thinking like okay, okay.

284
00:12:35,200 --> 00:12:36,920
Speaker 3: He helps her clean up a bit, and she's kind

285
00:12:36,920 --> 00:12:38,920
Speaker 3: of like because he's clearly had to do this for

286
00:12:38,960 --> 00:12:39,640
Speaker 3: a long time.

287
00:12:40,080 --> 00:12:41,360
Speaker 1: And she notices that she's like.

288
00:12:41,360 --> 00:12:44,760
Speaker 3: Andrew fucking he knows his way around that cleaning closet.

289
00:12:44,960 --> 00:12:46,520
Speaker 3: Let me tell you, it's clear he's done this a

290
00:12:46,559 --> 00:12:49,080
Speaker 3: fair few times. So now Millie's going to go shopping.

291
00:12:50,120 --> 00:12:53,080
Speaker 3: And she goes shopping because Nina throws the food on

292
00:12:53,080 --> 00:12:56,400
Speaker 3: the ground. She comes back and, oh, we.

293
00:12:56,320 --> 00:12:58,080
Speaker 1: Didn't, did we mention Enzo yet?

294
00:12:58,360 --> 00:12:59,520
Speaker 4: Now? And then no, we didn't.

295
00:12:59,559 --> 00:13:01,160
Speaker 2: We sort of to make you jay at the start

296
00:13:01,160 --> 00:13:03,560
Speaker 2: when she couldn't get in sexy gardener doesn't speak English.

297
00:13:03,640 --> 00:13:06,680
Speaker 3: Yeah, sexy gardens speak English. And he said something in

298
00:13:06,720 --> 00:13:09,319
Speaker 3: Italian to her like pera coola and she translated it,

299
00:13:09,400 --> 00:13:11,559
Speaker 3: translated it on her phone and it means danger.

300
00:13:11,640 --> 00:13:13,040
Speaker 4: Because she hasn't translated yet.

301
00:13:13,120 --> 00:13:15,880
Speaker 3: Yeah, she has by this time because Nina. She translates

302
00:13:15,880 --> 00:13:17,719
Speaker 3: it straight away because sorry, I forgot to say it.

303
00:13:17,720 --> 00:13:20,600
Speaker 3: Because Nina gave Mellly an iPhone, she goes, if you're

304
00:13:20,600 --> 00:13:23,040
Speaker 3: going to be taking my kid places, if I need

305
00:13:23,040 --> 00:13:24,320
Speaker 3: you to take my kid places, I want you to.

306
00:13:24,360 --> 00:13:25,120
Speaker 4: Have a reliable phone.

307
00:13:25,160 --> 00:13:26,679
Speaker 3: So she gives her an iPhone, loads her credit card

308
00:13:26,720 --> 00:13:28,880
Speaker 3: onto it, and everything Like, Nina's nice as fuck but

309
00:13:28,920 --> 00:13:29,600
Speaker 3: also a bitch.

310
00:13:30,320 --> 00:13:30,640
Speaker 1: And so.

311
00:13:32,120 --> 00:13:34,280
Speaker 3: Yeah, she looks up what paracolo means in English and

312
00:13:34,280 --> 00:13:36,560
Speaker 3: it means danger and Enzo's trying to warn her clearly.

313
00:13:36,960 --> 00:13:39,240
Speaker 1: So keep that in mind, guys, listen to the Sexy Guarden.

314
00:13:39,320 --> 00:13:42,120
Speaker 3: Yeah, a few days later, goes and gets groceries, comes back,

315
00:13:42,400 --> 00:13:45,199
Speaker 3: and Enzo notices she's struggling, and so he comes and

316
00:13:45,240 --> 00:13:48,280
Speaker 3: holds the groceries for her, goes inside and like puts

317
00:13:48,320 --> 00:13:51,200
Speaker 3: them on account for her. And he's like about to

318
00:13:51,200 --> 00:13:54,160
Speaker 3: try and say something, and she's trying to say like

319
00:13:54,200 --> 00:13:57,319
Speaker 3: grassyas or whatever. I'm pretty sure it's Spanish, and he's like, no, no, gratzy,

320
00:13:57,440 --> 00:13:57,920
Speaker 3: like what.

321
00:13:59,120 --> 00:14:03,520
Speaker 1: And so he then hears Nina coming and he bugs off.

322
00:14:03,720 --> 00:14:06,160
Speaker 3: He's scared of Nina clearly, and so then she's like

323
00:14:06,200 --> 00:14:08,440
Speaker 3: what and Nina comes down, She's like.

324
00:14:08,400 --> 00:14:09,160
Speaker 1: I heard voices.

325
00:14:09,400 --> 00:14:12,200
Speaker 3: You know, really, if you're gonna have guests over, I

326
00:14:12,240 --> 00:14:14,320
Speaker 3: expect you to ask us and I expect two days

327
00:14:14,360 --> 00:14:17,040
Speaker 3: advanced notice. And I was like and she goes, no, no, no,

328
00:14:17,320 --> 00:14:19,320
Speaker 3: it was just Enzo the landscape and she goes, Enzo

329
00:14:19,440 --> 00:14:21,840
Speaker 3: was in the house. Do not let that man in

330
00:14:21,840 --> 00:14:25,040
Speaker 3: my house again. He's disgusting, and then Millie's like, what

331
00:14:25,200 --> 00:14:25,600
Speaker 3: the fuck?

332
00:14:25,760 --> 00:14:28,560
Speaker 2: Okay, an a fair.

333
00:14:28,440 --> 00:14:31,520
Speaker 1: A all right, we'll get to predictions after this, So.

334
00:14:33,440 --> 00:14:34,160
Speaker 3: Yeah, I don't know.

335
00:14:35,480 --> 00:14:37,560
Speaker 4: We go. She goes to the PTA meeting.

336
00:14:37,720 --> 00:14:39,080
Speaker 1: She goes to the PTA meeting.

337
00:14:39,640 --> 00:14:41,720
Speaker 3: One of the first nights that Millie spends in there,

338
00:14:42,960 --> 00:14:45,200
Speaker 3: she wakes up at three am to go take a pierce.

339
00:14:45,640 --> 00:14:47,240
Speaker 1: She goes to try and unlock.

340
00:14:47,280 --> 00:14:49,680
Speaker 3: The door doesn't budge, and she's like, oh my fucking god,

341
00:14:49,680 --> 00:14:51,480
Speaker 3: they locked me in, and then she starts saying like

342
00:14:51,480 --> 00:14:53,440
Speaker 3: that's why there's scratch marks. Who was the poor soul

343
00:14:53,480 --> 00:14:55,080
Speaker 3: that was in here before me. She goes to try

344
00:14:55,080 --> 00:14:57,200
Speaker 3: again and it was just stuck. So she's getting in

345
00:14:57,200 --> 00:14:57,640
Speaker 3: her own head.

346
00:14:57,680 --> 00:14:59,480
Speaker 2: She's scared, and the window doesn't open either.

347
00:14:59,520 --> 00:15:00,880
Speaker 1: The window does open, whatevers.

348
00:15:01,680 --> 00:15:07,320
Speaker 3: So Nina PTA meeting gorne Sky's Cecilia has come down.

349
00:15:07,480 --> 00:15:08,560
Speaker 1: She's up in her room or whatever.

350
00:15:08,640 --> 00:15:08,960
Speaker 4: Sorry.

351
00:15:09,160 --> 00:15:12,440
Speaker 3: Andrew comes home and she's cooking dinner, nice steaks. Andrew's like,

352
00:15:12,480 --> 00:15:15,800
Speaker 3: oh my god, once again, Millie, this smells amazing, and

353
00:15:15,800 --> 00:15:17,840
Speaker 3: she's like, stop complimenting me, because I will sit on

354
00:15:17,840 --> 00:15:21,720
Speaker 3: your face. So he calls Cecilia down. She puts a

355
00:15:21,720 --> 00:15:24,600
Speaker 3: steak in front of her, and Cecilia is like, first

356
00:15:24,600 --> 00:15:26,120
Speaker 3: of all, why is there class of water in front

357
00:15:26,120 --> 00:15:30,080
Speaker 3: of me? I hate water? I hate Get me an

358
00:15:30,080 --> 00:15:34,840
Speaker 3: apple juice. Millie gets her an apple juice. Millie, this grass,

359
00:15:34,840 --> 00:15:36,680
Speaker 3: this glass is dirty, Give me a new one.

360
00:15:38,200 --> 00:15:39,880
Speaker 1: I fucking hate this kid.

361
00:15:40,400 --> 00:15:43,600
Speaker 2: Rich kids, man, rich kids, hate this kid entitled.

362
00:15:44,240 --> 00:15:47,160
Speaker 3: Andrew's like, girl, you should try a steak. Cecilia is

363
00:15:47,200 --> 00:15:50,560
Speaker 3: like nah, So Andrew goes, all right, I'll make.

364
00:15:50,400 --> 00:15:54,040
Speaker 1: You some nuggets. And then Andrew the smooth fucking criminal,

365
00:15:54,280 --> 00:15:55,320
Speaker 1: he goes.

366
00:15:55,080 --> 00:15:58,320
Speaker 3: To Milly like, here, if you're gonna be, if you're

367
00:15:58,320 --> 00:16:00,320
Speaker 3: gonna be living with us, look better to teach you

368
00:16:00,360 --> 00:16:02,720
Speaker 3: how to make her nuggets because all this money spents

369
00:16:02,720 --> 00:16:04,440
Speaker 3: in our kitchen and all she's going to eat is

370
00:16:04,440 --> 00:16:05,440
Speaker 3: something out of a microwave.

371
00:16:05,840 --> 00:16:06,680
Speaker 1: Teaches are how to make the.

372
00:16:06,720 --> 00:16:09,920
Speaker 3: Nuggets and stuff. And then I don't know, she just

373
00:16:09,960 --> 00:16:12,360
Speaker 3: talks about like seeing the chest hairs come out and

374
00:16:12,440 --> 00:16:14,280
Speaker 3: just has sexy andrew is and stuff.

375
00:16:15,280 --> 00:16:17,000
Speaker 1: And then next day.

376
00:16:17,440 --> 00:16:20,240
Speaker 2: We know she's they mentioned. Andrew says do you want

377
00:16:20,240 --> 00:16:22,600
Speaker 2: to eat with us? And yeah, and then Millie goes, no,

378
00:16:22,640 --> 00:16:25,360
Speaker 2: that would be appropriate. I don't think Nina would like

379
00:16:25,400 --> 00:16:27,040
Speaker 2: that if she comes home what she would think.

380
00:16:27,080 --> 00:16:28,720
Speaker 4: And then Andrew's like, oh, you're right.

381
00:16:29,040 --> 00:16:30,800
Speaker 2: It doesn't really like say, it doesn't really fight.

382
00:16:30,880 --> 00:16:33,520
Speaker 4: So he's like, oh, maybe she's toxic. Yeah, yeah, yeah yeah.

383
00:16:33,560 --> 00:16:38,320
Speaker 3: So next day she comes down and Nina is in

384
00:16:38,320 --> 00:16:41,640
Speaker 3: the living room with a massive garbage bag on the lounge.

385
00:16:41,880 --> 00:16:43,720
Speaker 3: Emillie's just thinking, oh my god, what is your me

386
00:16:43,800 --> 00:16:45,840
Speaker 3: to do? You sort the fucking rubbish color coded eight

387
00:16:45,920 --> 00:16:48,640
Speaker 3: his e type shit. She goes down and she's like, Millie,

388
00:16:48,880 --> 00:16:52,920
Speaker 3: is that you goes, ah, I was going through my

389
00:16:52,920 --> 00:16:55,720
Speaker 3: closet and I've got these I'm a few size is

390
00:16:55,760 --> 00:16:58,120
Speaker 3: too big for these dresses, you know, I just want

391
00:16:58,120 --> 00:16:59,400
Speaker 3: to see if you could, can you please take these

392
00:16:59,400 --> 00:17:01,440
Speaker 3: two the donation and she goes, actually, hold on, what

393
00:17:01,480 --> 00:17:04,520
Speaker 3: size are you? And she's like, I'm six to eight.

394
00:17:05,040 --> 00:17:06,840
Speaker 3: She's like, oh my god, these are all six to eight?

395
00:17:07,440 --> 00:17:08,320
Speaker 3: How about you have them?

396
00:17:08,320 --> 00:17:11,600
Speaker 1: You don't have any nice clothes. I was like whoa

397
00:17:11,920 --> 00:17:13,240
Speaker 1: shots fired.

398
00:17:13,119 --> 00:17:16,280
Speaker 2: Backhanded, confident, Yeah, did you have them?

399
00:17:17,119 --> 00:17:20,880
Speaker 3: She's right? And then and then Millie goes, oh my god,

400
00:17:20,920 --> 00:17:24,000
Speaker 3: like thank you so so much. Please, like, if you

401
00:17:24,119 --> 00:17:25,720
Speaker 3: let me know if the second you want them back,

402
00:17:25,760 --> 00:17:27,600
Speaker 3: please let me know, like I'll give them right back.

403
00:17:27,640 --> 00:17:28,600
Speaker 1: And she goes, oh no, no, trust me.

404
00:17:28,640 --> 00:17:30,159
Speaker 3: I don't think I'll be going down to those sizes

405
00:17:30,160 --> 00:17:32,320
Speaker 3: anytime soon, especially with the baby.

406
00:17:32,040 --> 00:17:32,520
Speaker 1: On the way.

407
00:17:33,000 --> 00:17:35,920
Speaker 3: Milly goes, you're pregnant, and then he goes, oh no,

408
00:17:35,920 --> 00:17:38,520
Speaker 3: not yet, but Andrew and I do, we do want

409
00:17:38,520 --> 00:17:40,680
Speaker 3: to have another one, and we've been trying, but we

410
00:17:41,040 --> 00:17:42,920
Speaker 3: have been having been successful so far, but we're gonna

411
00:17:42,920 --> 00:17:44,400
Speaker 3: go see a specialist tomorrow or some shit.

412
00:17:44,960 --> 00:17:46,679
Speaker 1: And Milly goes, oh, well, congrats.

413
00:17:47,720 --> 00:17:51,680
Speaker 2: Didn't it say something like the underneath the chiniggles?

414
00:17:51,840 --> 00:17:54,200
Speaker 3: Yeah, yeah, yeah, she laughs, yeah, yeah, yeah.

415
00:17:54,240 --> 00:17:55,720
Speaker 1: She goes, whenever you want these back.

416
00:17:55,640 --> 00:17:56,000
Speaker 4: Let me know.

417
00:17:56,160 --> 00:18:00,119
Speaker 3: And then and then fucking what's he? Nina laughs and

418
00:18:00,160 --> 00:18:02,040
Speaker 3: she's like when she laughed, the fat under her chin

419
00:18:02,160 --> 00:18:05,560
Speaker 3: just fucking like jiggled, and so.

420
00:18:05,600 --> 00:18:09,920
Speaker 1: I think that was it. Yeah, and then yeah, one

421
00:18:09,960 --> 00:18:10,400
Speaker 1: more thing.

422
00:18:10,720 --> 00:18:13,160
Speaker 3: She gives her the clothes and she's all happy, go lucky,

423
00:18:13,480 --> 00:18:16,159
Speaker 3: and then she goes, really, I just give to do

424
00:18:16,240 --> 00:18:16,560
Speaker 3: some clothes.

425
00:18:16,560 --> 00:18:18,440
Speaker 1: Don't leave the garbage bag on the fucking floor. That's

426
00:18:18,520 --> 00:18:19,119
Speaker 1: bad manners.

427
00:18:19,320 --> 00:18:22,280
Speaker 3: And Millie's like, oh, sorry, like what it's actually the

428
00:18:22,320 --> 00:18:24,600
Speaker 3: most insanely jarring thing I've experienced.

429
00:18:24,600 --> 00:18:29,120
Speaker 1: All Right, so let's go into proper thoughts and feelings.

430
00:18:29,119 --> 00:18:29,280
Speaker 4: Now.

431
00:18:29,320 --> 00:18:30,479
Speaker 3: I know we did a little bit while we were

432
00:18:30,480 --> 00:18:34,399
Speaker 3: talking about that, but look, how are you feeling.

433
00:18:34,720 --> 00:18:35,440
Speaker 4: I'm feeling good.

434
00:18:35,480 --> 00:18:40,600
Speaker 2: I'm enjoying it. It's definitely one of those only comparison

435
00:18:40,600 --> 00:18:42,840
Speaker 2: I've got is when you're watching a scary movie or

436
00:18:42,880 --> 00:18:45,600
Speaker 2: TV show and you don't really want to watch, but

437
00:18:46,040 --> 00:18:48,240
Speaker 2: you need to know what happens. It's giving that.

438
00:18:48,440 --> 00:18:51,359
Speaker 3: Yeah, I'm like not wanting to read because of all

439
00:18:51,359 --> 00:18:52,800
Speaker 3: the things that are happening, and I know something is

440
00:18:52,800 --> 00:18:54,040
Speaker 3: inevitably going to happen.

441
00:18:54,200 --> 00:18:56,400
Speaker 4: Yeah, but it's like you're an.

442
00:18:56,280 --> 00:18:59,480
Speaker 2: Idiot, like, look at all these signs, but no feeling

443
00:18:59,480 --> 00:19:03,960
Speaker 2: really good. Also, it's a very different reading reading, very

444
00:19:03,960 --> 00:19:05,480
Speaker 2: different writing style to Sarah J.

445
00:19:05,640 --> 00:19:07,560
Speaker 4: Mass. Yeah, very very different.

446
00:19:07,960 --> 00:19:11,280
Speaker 2: I would say it's more structured maybe.

447
00:19:11,680 --> 00:19:11,920
Speaker 1: Yeah.

448
00:19:11,960 --> 00:19:15,000
Speaker 3: It's also more of just a I want to say,

449
00:19:16,160 --> 00:19:19,040
Speaker 3: is the right word, like a straight line story?

450
00:19:19,359 --> 00:19:20,240
Speaker 1: Is that the right word?

451
00:19:20,640 --> 00:19:21,240
Speaker 4: It's linear?

452
00:19:21,520 --> 00:19:22,840
Speaker 1: Maybe a little more linear. J.

453
00:19:22,960 --> 00:19:23,840
Speaker 4: Mass was non millennial.

454
00:19:23,960 --> 00:19:25,800
Speaker 3: I don't even know if that's right. Basically, what I'm

455
00:19:25,800 --> 00:19:28,439
Speaker 3: trying to say is Sarah J. Mass like it's a

456
00:19:28,560 --> 00:19:33,000
Speaker 3: slow burn kinder, like they really were quite slow burns. Yeah,

457
00:19:33,040 --> 00:19:34,720
Speaker 3: even though like a lot was happening, but still it's

458
00:19:34,720 --> 00:19:38,160
Speaker 3: like very long, a lot of world building.

459
00:19:39,000 --> 00:19:39,359
Speaker 1: Sarah J.

460
00:19:39,440 --> 00:19:41,440
Speaker 3: Mass actually is like a very good world builder, I've

461
00:19:41,440 --> 00:19:45,359
Speaker 3: discovered because in this the whole world is the house.

462
00:19:45,520 --> 00:19:46,200
Speaker 4: Yeah.

463
00:19:46,720 --> 00:19:49,800
Speaker 2: So, and I guess it's already playing on the fact

464
00:19:49,880 --> 00:19:51,760
Speaker 2: that you know what a house is like and what

465
00:19:51,800 --> 00:19:52,320
Speaker 2: the world's like.

466
00:19:52,400 --> 00:19:53,959
Speaker 4: Yeah, because it's in Long Island.

467
00:19:54,040 --> 00:19:55,399
Speaker 3: Yeah, and you can and we get a bit of

468
00:19:55,400 --> 00:19:57,520
Speaker 3: a description of the house and stuff, and like I

469
00:19:57,560 --> 00:19:59,080
Speaker 3: can picture in my head what I think it looks

470
00:19:59,119 --> 00:20:01,119
Speaker 3: like gated innegated community.

471
00:20:01,240 --> 00:20:03,960
Speaker 2: I'm kind of glad I haven't seen the cast yet

472
00:20:03,960 --> 00:20:07,600
Speaker 2: because I'm completely like opening to my own thoughts.

473
00:20:07,960 --> 00:20:12,160
Speaker 3: I want to dive into Nina. I genuinely think Nina

474
00:20:12,200 --> 00:20:20,199
Speaker 3: has mental health problems probably and she is, like I

475
00:20:20,240 --> 00:20:24,600
Speaker 3: think she has something on Andrew.

476
00:20:25,240 --> 00:20:27,720
Speaker 4: I want to keep him like this maybe.

477
00:20:27,680 --> 00:20:33,760
Speaker 3: Okay, actually backtrack, So Nina mental health issues right, like

478
00:20:33,960 --> 00:20:35,040
Speaker 3: proper Yeah.

479
00:20:34,840 --> 00:20:38,320
Speaker 4: And I think it's ones that she's in denial about.

480
00:20:38,720 --> 00:20:40,679
Speaker 2: Hell yeah, she's like maybe Andrew tried to get her

481
00:20:40,680 --> 00:20:42,400
Speaker 2: help at one point and it just didn't work.

482
00:20:42,520 --> 00:20:45,880
Speaker 3: Okay, okay, Yeah, so that's my thoughts on Nina. I'm

483
00:20:45,880 --> 00:20:47,800
Speaker 3: not going very deep into Nina. She pisses me off,

484
00:20:48,000 --> 00:20:50,639
Speaker 3: ce Cilia. I think that she's like this because of

485
00:20:50,640 --> 00:20:51,000
Speaker 3: her mother.

486
00:20:51,119 --> 00:20:51,439
Speaker 4: Agreed.

487
00:20:51,600 --> 00:20:53,760
Speaker 1: Obviously, Andrew just goes to work all the time.

488
00:20:53,920 --> 00:20:56,320
Speaker 3: Right, anytimes it perfectly. Times are perfectly all the time.

489
00:20:56,359 --> 00:20:58,000
Speaker 3: I reckon he sits in his car down the street

490
00:20:58,680 --> 00:20:59,440
Speaker 3: to be ready, right.

491
00:21:00,600 --> 00:21:02,240
Speaker 2: It smells that steak and then.

492
00:21:02,440 --> 00:21:09,800
Speaker 3: Millie, I think I liked the bread crumbing of We

493
00:21:09,800 --> 00:21:11,159
Speaker 3: don't know what she did and why she was in

494
00:21:11,160 --> 00:21:12,119
Speaker 3: prison for ten years.

495
00:21:12,119 --> 00:21:15,840
Speaker 1: That's a long time. Couldn't have been murder. Her parents

496
00:21:15,880 --> 00:21:17,000
Speaker 1: have completely cut her off.

497
00:21:17,080 --> 00:21:19,560
Speaker 2: Seventeen Yeah, what should we speculate she did?

498
00:21:19,720 --> 00:21:22,160
Speaker 1: She was seventeen and she went to prison for ten years?

499
00:21:22,200 --> 00:21:23,959
Speaker 4: Ten years? What do you have for ten year sentence?

500
00:21:26,200 --> 00:21:29,080
Speaker 1: Like, I don't know, arson and robbery or some shit.

501
00:21:29,400 --> 00:21:30,919
Speaker 4: Yeah, what do you get? Fun?

502
00:21:31,080 --> 00:21:33,359
Speaker 2: But it's giving. She killed someone, but she was probably

503
00:21:33,440 --> 00:21:35,119
Speaker 2: trialed as a minor, so she got ten years.

504
00:21:36,000 --> 00:21:38,200
Speaker 3: I think you're right. I think she's killed someone. Yeah,

505
00:21:38,240 --> 00:21:39,720
Speaker 3: because I was. I was going to say the seventeen

506
00:21:39,760 --> 00:21:41,240
Speaker 3: thing is what's making me believe that now?

507
00:21:41,240 --> 00:21:44,040
Speaker 2: Because how the book started to I also immediately thought

508
00:21:44,200 --> 00:21:47,280
Speaker 2: when the peanut butter scene came, I was like, oh,

509
00:21:47,280 --> 00:21:49,200
Speaker 2: she's going to accidentally kill a peanut butter later down

510
00:21:49,359 --> 00:21:52,199
Speaker 2: the line, and that could be a little teaser to

511
00:21:52,200 --> 00:21:53,959
Speaker 2: what it was and that she thinks she kills.

512
00:21:55,160 --> 00:22:02,080
Speaker 3: Okay, m Andrew, Yeah, I think that Nina is crazy

513
00:22:02,119 --> 00:22:02,760
Speaker 3: because of him.

514
00:22:03,720 --> 00:22:04,440
Speaker 2: Because of him.

515
00:22:04,600 --> 00:22:10,840
Speaker 3: Yeah, he's giving, charming, you know, goes to work, makes

516
00:22:10,880 --> 00:22:14,320
Speaker 3: the money. In front of guests, He's charming. He's great

517
00:22:14,359 --> 00:22:18,560
Speaker 3: to Cecilia. He's like always very nice to Nina. But

518
00:22:19,400 --> 00:22:24,199
Speaker 3: I think that the reason Nina is sometimes hot and

519
00:22:24,280 --> 00:22:29,400
Speaker 3: cold with Millie is because what she gets from Andrew

520
00:22:29,800 --> 00:22:33,679
Speaker 3: is hot and coldness. So in front of people, like

521
00:22:33,760 --> 00:22:36,520
Speaker 3: she dotes on Andrew, right, so she loves Andrew. Nina

522
00:22:36,520 --> 00:22:40,119
Speaker 3: loves Andrew in front of people. He's very like Nina,

523
00:22:40,240 --> 00:22:43,920
Speaker 3: my love, you know, happy front, putting on a facade.

524
00:22:44,240 --> 00:22:47,520
Speaker 3: I think once they're behind closed doors, like he makes

525
00:22:47,520 --> 00:22:50,800
Speaker 3: her beg for it type of shit. That's what I think. Okay,

526
00:22:50,920 --> 00:22:52,280
Speaker 3: I think he's got a bad.

527
00:22:52,119 --> 00:22:57,000
Speaker 2: Side, Yeah, I can see that. And Enzo ense we

528
00:22:57,080 --> 00:23:01,600
Speaker 2: don't know much about Enzo. He said danger and he's

529
00:23:01,640 --> 00:23:08,640
Speaker 2: also tatted up got massive biceps the size of yeah,

530
00:23:08,800 --> 00:23:12,560
Speaker 2: her thighs and could kill her if you wanted to apparently. Yeah,

531
00:23:12,760 --> 00:23:15,680
Speaker 2: but she also said looks like he's good in the bedroom.

532
00:23:16,160 --> 00:23:18,280
Speaker 3: She did say she wants to fuck him.

533
00:23:18,400 --> 00:23:18,600
Speaker 4: Yeah.

534
00:23:18,680 --> 00:23:21,080
Speaker 2: She said she hasn't had sex since before presion, which

535
00:23:21,080 --> 00:23:25,000
Speaker 2: makes sense. Yeah, there's only stupid youth sex too, teenage sex.

536
00:23:26,200 --> 00:23:29,159
Speaker 2: I'm thinking he's trapped there for some reason. Same, he

537
00:23:29,200 --> 00:23:32,320
Speaker 2: can't leave, same because they have something on. I reckon

538
00:23:32,320 --> 00:23:35,440
Speaker 2: maybe they have a family member trapped somewhere in the

539
00:23:35,480 --> 00:23:40,240
Speaker 2: basement or something. And like one of his relatives.

540
00:23:39,880 --> 00:23:40,720
Speaker 4: Used to be the housemaid.

541
00:23:40,920 --> 00:23:43,800
Speaker 2: But also they said, but they said Andrews said, we'd

542
00:23:43,840 --> 00:23:46,280
Speaker 2: never had a housemaid before, never had to live in. Yeah,

543
00:23:46,480 --> 00:23:47,920
Speaker 2: a live in. But that also was kind of suss

544
00:23:47,960 --> 00:23:49,800
Speaker 2: to me because they're so rich and she's got so

545
00:23:49,840 --> 00:23:50,480
Speaker 2: many issues.

546
00:23:50,600 --> 00:23:51,440
Speaker 1: I reckon that was a lie.

547
00:23:51,560 --> 00:23:53,240
Speaker 2: Yeah, that was like a little bit of breadcrumbing with

548
00:23:53,240 --> 00:23:55,840
Speaker 2: a lie. And like he said that because the other

549
00:23:55,880 --> 00:23:57,040
Speaker 2: ones downstairs or something.

550
00:23:57,200 --> 00:24:01,160
Speaker 3: Okay, would you like to go into prediction? Okay, Yeah,

551
00:24:01,800 --> 00:24:04,119
Speaker 3: so we're gonna get some predictions there. Yeah, Okay, I

552
00:24:04,160 --> 00:24:07,760
Speaker 3: think that based off that, I think that what's going

553
00:24:07,800 --> 00:24:15,359
Speaker 3: to happen is the the reason that they have hired

554
00:24:15,400 --> 00:24:24,199
Speaker 3: Millie is because either Andrew or Nina murdered their last help. Okay,

555
00:24:24,840 --> 00:24:30,879
Speaker 3: actually Cecilia did it. She's crazy, bro. Cecilia murdered the

556
00:24:30,960 --> 00:24:33,440
Speaker 3: last live in maid. All right, the last of it

557
00:24:33,480 --> 00:24:37,320
Speaker 3: made is currently a kid, bro just my prediction. So

558
00:24:37,320 --> 00:24:40,200
Speaker 3: Cecilia killed the last living maid. Yeah, the last living

559
00:24:40,200 --> 00:24:43,640
Speaker 3: maid is currently in the basement or something, right, And

560
00:24:44,280 --> 00:24:48,440
Speaker 3: they hired merely because they know she's an next con

561
00:24:49,119 --> 00:24:52,560
Speaker 3: and they know they can frame her because I have

562
00:24:52,640 --> 00:24:56,040
Speaker 3: a feeling she's probably was in You're right jail for murder,

563
00:24:56,080 --> 00:24:57,720
Speaker 3: but she got tried as a young as a minor

564
00:24:57,760 --> 00:25:01,600
Speaker 3: because she was seventeen. And what they're doing is they're

565
00:25:02,760 --> 00:25:08,920
Speaker 3: slowly integrating her into the house, right, and they are

566
00:25:08,960 --> 00:25:14,480
Speaker 3: going to frame her for the murder, okay, and the

567
00:25:14,520 --> 00:25:17,080
Speaker 3: police are going to believe them over of a Millie

568
00:25:17,240 --> 00:25:21,520
Speaker 3: of course, because she's an ex con also an ex murderer,

569
00:25:21,920 --> 00:25:25,479
Speaker 3: and you know they get to yeah, okay, that's what

570
00:25:25,760 --> 00:25:28,440
Speaker 3: that's what I think. Okay, different Okay. And the reason

571
00:25:28,560 --> 00:25:32,600
Speaker 3: Enzo is not saying anything and not saying that Andrew

572
00:25:32,600 --> 00:25:37,240
Speaker 3: and that murdered the previous live in Maid is because

573
00:25:38,240 --> 00:25:41,720
Speaker 3: they have something on him. Okay, screen card or some shit,

574
00:25:41,760 --> 00:25:42,119
Speaker 3: I don't.

575
00:25:41,960 --> 00:25:46,840
Speaker 2: Know, Okay, Okay, so my prediction is vastly different. Okay, Okay,

576
00:25:46,840 --> 00:25:54,640
Speaker 2: go on, So I reckon. Nina really wants kids, Andrew's infertile,

577
00:25:55,200 --> 00:26:00,920
Speaker 2: so Cecilia is actually Enzo's daughter, and the last Maid

578
00:26:01,000 --> 00:26:04,520
Speaker 2: found out, so Nina had to kill the last Maid,

579
00:26:04,520 --> 00:26:07,359
Speaker 2: the living Maid, and that's why she hates and resents

580
00:26:07,440 --> 00:26:10,520
Speaker 2: Enzo so much because she can't tell anyone. And they're

581
00:26:10,520 --> 00:26:12,960
Speaker 2: trying to have another kid with Andrew and then it

582
00:26:13,119 --> 00:26:16,359
Speaker 2: is not working. So Millie's going to walk in on

583
00:26:16,920 --> 00:26:19,160
Speaker 2: Nina and Enzo doing it to make the second kid,

584
00:26:19,440 --> 00:26:21,439
Speaker 2: and she finds out and then she's just gonna and

585
00:26:21,480 --> 00:26:24,320
Speaker 2: then Nina's going to try and kill Millie for finding

586
00:26:24,320 --> 00:26:25,919
Speaker 2: out that she's trying to have a second kid. And

587
00:26:25,920 --> 00:26:29,399
Speaker 2: that's why Enzo's still there because he's Cecilia's dad.

588
00:26:30,400 --> 00:26:33,359
Speaker 3: Ouh, my drop, Oh my god.

589
00:26:35,160 --> 00:26:37,440
Speaker 1: That was good. Yeah, that was a good prediction.

590
00:26:38,680 --> 00:26:42,480
Speaker 2: Oh wow, all right, watch me be completely wrong.

591
00:26:43,520 --> 00:26:45,679
Speaker 1: I love how I invested. You already are Yeah?

592
00:26:45,800 --> 00:26:49,800
Speaker 3: That was so good. All right, fatties, please okay, if

593
00:26:49,840 --> 00:26:53,560
Speaker 3: you've read this and more specifically, if you are reading along,

594
00:26:54,880 --> 00:26:56,400
Speaker 3: how many chapters we're going to go to next week?

595
00:26:56,520 --> 00:26:57,119
Speaker 1: These were short?

596
00:26:57,440 --> 00:26:58,240
Speaker 2: How many in the book?

597
00:26:58,240 --> 00:26:59,960
Speaker 1: Do we like these? I reckon we do ten again?

598
00:27:00,280 --> 00:27:02,080
Speaker 2: Yeah, and let us know in this episode if you

599
00:27:02,280 --> 00:27:04,320
Speaker 2: like the half an hour quicker episodes, yeah, or you

600
00:27:04,320 --> 00:27:05,600
Speaker 2: want us to do twenty and do a lot more

601
00:27:05,640 --> 00:27:08,000
Speaker 2: because recapping takes up majority of the time.

602
00:27:08,080 --> 00:27:10,119
Speaker 1: Yeah, the recap, I talk about fifteen solid minutes.

603
00:27:10,160 --> 00:27:12,639
Speaker 3: Then, because what I want, we're going to do ten

604
00:27:12,680 --> 00:27:16,480
Speaker 3: episodes sorry, ten chapters again, so chapters eleven to twenty.

605
00:27:16,560 --> 00:27:18,720
Speaker 1: Yeah, And what I.

606
00:27:18,680 --> 00:27:23,440
Speaker 3: Want from your bodies is to send us your like

607
00:27:23,520 --> 00:27:27,480
Speaker 3: as you're reading it, your voice messages, text messages on Instagram,

608
00:27:27,600 --> 00:27:31,440
Speaker 3: whatever you want. Yeah, giving us your predictions, how you

609
00:27:31,440 --> 00:27:34,119
Speaker 3: feel about certain situations. It's how you feel about a

610
00:27:34,119 --> 00:27:36,439
Speaker 3: certain scene. We want to get you guys a lot

611
00:27:36,440 --> 00:27:39,399
Speaker 3: more involved in this book club. And that's what we

612
00:27:39,440 --> 00:27:41,600
Speaker 3: want to do for this book is keep it nice

613
00:27:41,640 --> 00:27:43,840
Speaker 3: and short and sweet, have you guys involved, having your say,

614
00:27:43,920 --> 00:27:47,879
Speaker 3: having your predictions, and then see how we like doing

615
00:27:47,880 --> 00:27:49,680
Speaker 3: that for this book, and if everyone really enjoys it,

616
00:27:49,720 --> 00:27:51,040
Speaker 3: then that's how we do the book club from.

617
00:27:50,880 --> 00:27:52,720
Speaker 2: Now one and the easiest way to do that is

618
00:27:52,800 --> 00:27:57,119
Speaker 2: on Patreon five dollars a month and you get the

619
00:27:57,119 --> 00:28:00,399
Speaker 2: book Club five days early and you get an extra episode.

620
00:28:00,040 --> 00:28:00,760
Speaker 4: Every single week.

621
00:28:01,359 --> 00:28:04,520
Speaker 2: And then if not, what is the best way to

622
00:28:04,560 --> 00:28:11,600
Speaker 2: send us all your thoughts and feelings email because the

623
00:28:11,680 --> 00:28:15,720
Speaker 2: DMS we probably won't see it, so probably now. Yeah,

624
00:28:15,760 --> 00:28:17,639
Speaker 2: so Patreon's number one. You gotta pay for that, and

625
00:28:17,640 --> 00:28:19,320
Speaker 2: we understand not everyone wants to pay for it. Number

626
00:28:19,359 --> 00:28:21,080
Speaker 2: two is just comment on the episode. And number three,

627
00:28:21,119 --> 00:28:23,639
Speaker 2: if you have actual like voice messages or videos, email

628
00:28:23,680 --> 00:28:25,880
Speaker 2: which is Relatable sixty nine at gmail dot com.

629
00:28:25,960 --> 00:28:28,359
Speaker 3: Yes, sir, it is okay, Thank you so much for listening.

630
00:28:28,440 --> 00:28:31,440
Speaker 3: Let us know how you like the new format. Don't

631
00:28:31,440 --> 00:28:34,640
Speaker 3: forget Patreon sign up. You can get in touch that way.

632
00:28:34,800 --> 00:28:37,879
Speaker 3: Email relatable sixty nine at gmail dot com. Let us

633
00:28:37,880 --> 00:28:40,479
Speaker 3: know if you're on a hot girl walk fucking tag us,

634
00:28:40,480 --> 00:28:42,200
Speaker 3: put us in your story and.

635
00:28:42,440 --> 00:28:44,160
Speaker 2: No do' tell you we should do for this one

636
00:28:44,360 --> 00:28:45,840
Speaker 2: tag us when you're reading the book.

637
00:28:46,320 --> 00:28:46,800
Speaker 4: I like that.

638
00:28:46,960 --> 00:28:50,920
Speaker 3: Yeah, it tags me to reading the book and send

639
00:28:51,000 --> 00:28:55,080
Speaker 3: us your things via the email whatever, send us all

640
00:28:55,120 --> 00:28:57,000
Speaker 3: your thoughts and feelings. Send us thoughts and feelings, your

641
00:28:57,000 --> 00:28:59,040
Speaker 3: predictions and everything. We want to hear them. We want

642
00:28:59,080 --> 00:29:01,600
Speaker 3: you to be involved. Everyone had been reading this book

643
00:29:01,600 --> 00:29:01,880
Speaker 3: with us.

644
00:29:01,960 --> 00:29:03,160
Speaker 4: We're on a new journey together.

645
00:29:03,320 --> 00:29:05,920
Speaker 1: Yes, excited. Thank you so much. Stay bad