1 00:00:00,120 --> 00:00:02,400 Speaker 1: Thank you to all of our listeners who continue to 2 00:00:02,440 --> 00:00:04,440 Speaker 1: listen to us. Look, if you're enjoying the podcast, just 3 00:00:04,480 --> 00:00:06,680 Speaker 1: do us a favor. Hit that follow button on your 4 00:00:06,720 --> 00:00:09,559 Speaker 1: podcast app right now. It helps us bring you great 5 00:00:09,640 --> 00:00:12,640 Speaker 1: new episodes and make sure that you won't miss anything. 6 00:00:12,680 --> 00:00:15,840 Speaker 1: Whether you're on Spotify, Apple Podcast, or anywhere else. Just 7 00:00:15,920 --> 00:00:19,959 Speaker 1: tap follow or subscribe and stay in the loop. Anyway, Guys, cheers, 8 00:00:20,160 --> 00:00:23,520 Speaker 1: Welcome to The John's Friendly Podcast. For another week we 9 00:00:23,600 --> 00:00:26,360 Speaker 1: are here. It's been a wonderful week. We've all had 10 00:00:26,400 --> 00:00:28,640 Speaker 1: our share of getting the lurgie. 11 00:00:28,800 --> 00:00:35,519 Speaker 2: So if I think you escape, I'm clean. I'm good. 12 00:00:36,080 --> 00:00:37,320 Speaker 1: I usually get it for a day or two. Then 13 00:00:37,400 --> 00:00:38,040 Speaker 1: just shake it off. 14 00:00:38,320 --> 00:00:41,479 Speaker 3: You know, you shuk it onto me. I told you, touching, 15 00:00:43,040 --> 00:00:45,720 Speaker 3: breathing on me, facing me in that. I'm like, turn 16 00:00:45,760 --> 00:00:46,320 Speaker 3: the other way. 17 00:00:46,960 --> 00:00:48,560 Speaker 2: God, you are just I don't like to. 18 00:00:49,000 --> 00:00:50,760 Speaker 3: I can't bear it if I can't break the nose. 19 00:00:52,760 --> 00:00:54,400 Speaker 3: It makes me claustrophobic, it really does. 20 00:00:54,600 --> 00:00:57,600 Speaker 1: Dear Lord, Dear Lord, can I just call the solicitor 21 00:00:57,640 --> 00:01:00,280 Speaker 1: and make sure what are the the divorce details else? 22 00:01:00,320 --> 00:01:02,720 Speaker 1: Now that you blokes are past sixteen, because let me 23 00:01:02,760 --> 00:01:05,920 Speaker 1: tell you, if it's fifty to fifty, I'm hitting the road, bra. 24 00:01:06,120 --> 00:01:08,280 Speaker 4: Probably it would be fifty to fifty, isn't it fifty 25 00:01:08,280 --> 00:01:08,600 Speaker 4: to fifty? 26 00:01:08,600 --> 00:01:09,000 Speaker 1: Always? 27 00:01:10,160 --> 00:01:12,920 Speaker 2: She's got positions to you take it everything year got brother? 28 00:01:12,959 --> 00:01:15,080 Speaker 1: So boys, can we have your plan after it? Where 29 00:01:15,120 --> 00:01:16,720 Speaker 1: your blokes will just get there and say you're going 30 00:01:16,760 --> 00:01:18,400 Speaker 1: to live with me? Say something? 31 00:01:18,720 --> 00:01:21,080 Speaker 3: I don't think it counts when they're in their twenties. 32 00:01:21,080 --> 00:01:23,039 Speaker 1: Honey, Yeah, I think you count for something. 33 00:01:23,080 --> 00:01:25,840 Speaker 4: Well, if you reveal you have them, you haven't you 34 00:01:25,920 --> 00:01:27,080 Speaker 4: going to let me speak? 35 00:01:27,200 --> 00:01:27,240 Speaker 2: No? 36 00:01:27,520 --> 00:01:29,119 Speaker 4: Do we have a voice in here? 37 00:01:29,200 --> 00:01:31,120 Speaker 1: See, that's exactly what I'm to get it. 38 00:01:31,720 --> 00:01:33,959 Speaker 3: I'd like to point out what I was on the 39 00:01:34,000 --> 00:01:36,360 Speaker 3: two Doting Dad's podcast. 40 00:01:36,520 --> 00:01:37,319 Speaker 2: What About It? 41 00:01:38,240 --> 00:01:40,320 Speaker 3: I was really good. I listened to it. Oh my gosh, 42 00:01:40,360 --> 00:01:43,280 Speaker 3: I spoke so eloquently. It was really good, And I thought, oh, 43 00:01:43,319 --> 00:01:45,399 Speaker 3: why don't I do that on ours? And you know why? 44 00:01:45,440 --> 00:01:48,320 Speaker 3: Because you don't prepare, because you're staring me down, you're 45 00:01:48,320 --> 00:01:50,440 Speaker 3: giving me filthy looks, and you're cutting me off. 46 00:01:50,360 --> 00:01:52,440 Speaker 1: Because you get your because you're interviewed by two blokes, 47 00:01:52,440 --> 00:01:53,440 Speaker 1: you've got nothing to major. 48 00:01:53,480 --> 00:01:53,840 Speaker 2: Look good. 49 00:01:58,120 --> 00:02:01,480 Speaker 1: Seriously, your good talent, We do talent, but in this room. 50 00:02:01,480 --> 00:02:03,600 Speaker 2: You're on the bottom of them. 51 00:02:03,640 --> 00:02:06,720 Speaker 1: You're the bottom of the talent bottom around. Hey, you 52 00:02:06,720 --> 00:02:07,760 Speaker 1: film Cooper, you get a. 53 00:02:07,720 --> 00:02:10,040 Speaker 5: Bit of a I'm just stopped, well, bro, not well, 54 00:02:11,160 --> 00:02:13,680 Speaker 5: I just I've been working myself too hard this state 55 00:02:13,720 --> 00:02:17,680 Speaker 5: of origin period for you guys, for the fans, for everyone, 56 00:02:17,800 --> 00:02:19,960 Speaker 5: and it's I've just I suppose right now it's starting 57 00:02:19,960 --> 00:02:20,560 Speaker 5: to wear me down. 58 00:02:20,880 --> 00:02:22,520 Speaker 1: Of course, when you get a running nose, it's more 59 00:02:22,520 --> 00:02:30,040 Speaker 1: like a snot tsunami. Given that, well, for whichever. 60 00:02:29,680 --> 00:02:31,720 Speaker 3: One you are, it is a lovely Cooper and perfect. 61 00:02:31,720 --> 00:02:32,560 Speaker 3: Don't you worry about him? 62 00:02:32,600 --> 00:02:34,919 Speaker 1: Don't you start? Don't you bloody started? 63 00:02:34,960 --> 00:02:37,040 Speaker 3: I love people, just support you. 64 00:02:37,639 --> 00:02:41,079 Speaker 4: I love big nose memory what on women or men 65 00:02:41,240 --> 00:02:45,480 Speaker 4: or whatever I just find attractive really. 66 00:02:46,919 --> 00:02:47,840 Speaker 1: Hasn't got a big nose? 67 00:02:48,240 --> 00:02:48,520 Speaker 3: Women? 68 00:02:48,600 --> 00:02:50,480 Speaker 4: I keep my nose from because you two both have 69 00:02:51,600 --> 00:02:54,480 Speaker 4: Italian Did you did your dad have a massive SnO? 70 00:02:55,520 --> 00:02:59,560 Speaker 3: Yeah? Really it was like thug. Yeah, my dad and 71 00:02:59,600 --> 00:03:01,560 Speaker 3: my mum the most beautiful, perfect nose. 72 00:03:01,639 --> 00:03:07,040 Speaker 1: And so are you saying that is did he beats 73 00:03:07,080 --> 00:03:07,359 Speaker 1: me out? 74 00:03:08,200 --> 00:03:12,080 Speaker 2: Yeah? But your nose does grow still continually as you 75 00:03:12,080 --> 00:03:12,400 Speaker 2: get old. 76 00:03:13,240 --> 00:03:14,920 Speaker 1: That's ears, isn't it. 77 00:03:14,160 --> 00:03:17,360 Speaker 4: Nose and ears are the only two things that continue 78 00:03:17,400 --> 00:03:17,959 Speaker 4: to grow. 79 00:03:19,280 --> 00:03:20,120 Speaker 1: To see when you're ninety. 80 00:03:21,600 --> 00:03:24,600 Speaker 4: If if I get the fifty minutes still growing, I'm 81 00:03:24,600 --> 00:03:25,200 Speaker 4: just going to end it. 82 00:03:25,240 --> 00:03:26,720 Speaker 1: What we'll do will put a weight to your back. 83 00:03:26,760 --> 00:03:28,680 Speaker 1: It's just the sort of level yourself up and ain't 84 00:03:28,480 --> 00:03:29,280 Speaker 1: you fallen forward? 85 00:03:29,320 --> 00:03:29,880 Speaker 3: It doesn't. 86 00:03:30,480 --> 00:03:31,400 Speaker 1: It's like Strawberry. 87 00:03:31,560 --> 00:03:33,000 Speaker 2: It's beautiful, gorgeous. 88 00:03:33,040 --> 00:03:34,120 Speaker 1: I love Strawberry astimes. 89 00:03:34,120 --> 00:03:35,760 Speaker 4: I get up in the morning, I catch myself in 90 00:03:35,800 --> 00:03:37,440 Speaker 4: the mirror and I just I cry. 91 00:03:38,760 --> 00:03:39,400 Speaker 1: Truce does that? 92 00:03:39,720 --> 00:03:44,440 Speaker 2: It's your sixties? And then you look at not only 93 00:03:44,560 --> 00:03:46,360 Speaker 2: is it big, but it's probably red from the way 94 00:03:46,360 --> 00:03:46,880 Speaker 2: you're drinking. 95 00:03:48,200 --> 00:03:51,840 Speaker 1: You're talking to me, bruh big. Thank you to Tommy Berry, 96 00:03:52,320 --> 00:03:54,840 Speaker 1: by the way he gave us him and him and 97 00:03:54,840 --> 00:03:59,720 Speaker 1: all the hoops over there in he's his colleagues, he's 98 00:04:00,680 --> 00:04:02,000 Speaker 1: in the in the racing game. 99 00:04:03,520 --> 00:04:05,680 Speaker 2: It's a helmet for anyone trying to listen to understand 100 00:04:05,680 --> 00:04:07,760 Speaker 2: what it actually Yeah, let. 101 00:04:07,680 --> 00:04:09,720 Speaker 4: Me let me paint the picture that dad just refused 102 00:04:09,720 --> 00:04:11,480 Speaker 4: to paint. 103 00:04:11,040 --> 00:04:12,920 Speaker 1: Most it's not a. 104 00:04:12,880 --> 00:04:17,159 Speaker 4: Painter, is he He was a anyway? So it's a helmet, 105 00:04:17,240 --> 00:04:20,760 Speaker 4: jockey helmet, and he's got all the group ones jockey's 106 00:04:20,760 --> 00:04:24,040 Speaker 4: to sign it. We've got Tommy Barry obviously Hully moment, 107 00:04:24,440 --> 00:04:26,200 Speaker 4: James McDonald, Karen McAvoy. 108 00:04:27,000 --> 00:04:29,320 Speaker 1: My favorite hoop at the moment, apart from Tommy is 109 00:04:29,600 --> 00:04:32,240 Speaker 1: Zack Lloyd good, young jock coming. 110 00:04:32,400 --> 00:04:32,799 Speaker 2: Lloydy. 111 00:04:33,040 --> 00:04:35,680 Speaker 1: Yeah, Lloydy's good. Lloydy can ride a horse. 112 00:04:36,960 --> 00:04:39,000 Speaker 2: A little bit in the studio now. It's awesome. It's 113 00:04:39,000 --> 00:04:40,800 Speaker 2: a really it's a great addition about Tommy berry On. 114 00:04:40,920 --> 00:04:43,200 Speaker 4: It's an invaluable piece and that why we've brought it 115 00:04:43,279 --> 00:04:44,960 Speaker 4: up today is because thanks to Tommy to give it 116 00:04:45,000 --> 00:04:45,200 Speaker 4: to us. 117 00:04:45,200 --> 00:04:46,520 Speaker 1: But we're actually gonna auction it off. 118 00:04:49,000 --> 00:04:51,440 Speaker 2: But seriously, thank you to Tommy because we had time 119 00:04:51,440 --> 00:04:53,000 Speaker 2: on the podcast last year. So if you're new to 120 00:04:53,000 --> 00:04:56,599 Speaker 2: the feed this year, go back probably about thirty EPs 121 00:04:56,720 --> 00:04:59,200 Speaker 2: or so. I think it was a great episode too. 122 00:04:59,200 --> 00:05:02,320 Speaker 1: He was really good, a terrific fella, and you know, 123 00:05:02,800 --> 00:05:05,400 Speaker 1: he's dealt a lot in his life and his his 124 00:05:05,440 --> 00:05:08,120 Speaker 1: mom and dad. He brought his mom and dad and 125 00:05:08,200 --> 00:05:11,600 Speaker 1: his wife onto to the show recently. Mum and dad 126 00:05:11,640 --> 00:05:13,840 Speaker 1: the most beautiful people. Really, yeah, really really? 127 00:05:14,080 --> 00:05:15,080 Speaker 2: How long did you spend with them? 128 00:05:15,680 --> 00:05:18,719 Speaker 1: Actually he spent the whole game. We're sitting there watching. 129 00:05:18,800 --> 00:05:20,159 Speaker 1: It was the Thursday game, and I sat. 130 00:05:20,000 --> 00:05:21,719 Speaker 4: With him for the whole game, so it's about ninety minutes. 131 00:05:22,360 --> 00:05:24,719 Speaker 1: I would say, given half time, probably a little more than. 132 00:05:24,720 --> 00:05:26,760 Speaker 4: Can you really Can you really get to know someone 133 00:05:26,839 --> 00:05:29,400 Speaker 4: in that long Yeah, I would say fair indication. 134 00:05:29,440 --> 00:05:31,520 Speaker 1: They get a sense of people. You can see they're 135 00:05:31,560 --> 00:05:32,960 Speaker 1: hard working, honest people. 136 00:05:33,200 --> 00:05:35,120 Speaker 2: He has some good stories about our man Adam Elliot 137 00:05:35,160 --> 00:05:38,360 Speaker 2: as well. He shout out old add he's actually had 138 00:05:38,360 --> 00:05:42,040 Speaker 2: a top bicep surgery or shoulder surgery. Yes, I think 139 00:05:42,200 --> 00:05:44,640 Speaker 2: out for eleven weeks or something serious. We all know 140 00:05:44,720 --> 00:05:46,520 Speaker 2: he's our favorite player in the main. 141 00:05:46,960 --> 00:05:50,680 Speaker 4: I would say, yeah, Adam Ellen is probably by country 142 00:05:50,680 --> 00:05:51,279 Speaker 4: my favorite. 143 00:05:51,520 --> 00:05:56,159 Speaker 1: He probably is min y personality wise, he's. 144 00:05:55,160 --> 00:05:57,880 Speaker 2: Got the best personality. And him Andoria Tommy are very 145 00:05:57,880 --> 00:05:59,480 Speaker 2: close mate, so they've got some good stories about it. 146 00:06:00,279 --> 00:06:02,680 Speaker 1: Yeah, they are very close. So they went to school together? Brother, 147 00:06:02,920 --> 00:06:03,719 Speaker 1: did they go to school? 148 00:06:03,720 --> 00:06:07,440 Speaker 4: I think they just they spent heaps of school nights 149 00:06:07,440 --> 00:06:08,240 Speaker 4: together when they were young. 150 00:06:09,120 --> 00:06:09,800 Speaker 1: Who wouldn't do it? 151 00:06:10,680 --> 00:06:12,000 Speaker 2: I would? You know? 152 00:06:12,040 --> 00:06:12,240 Speaker 4: What? 153 00:06:12,760 --> 00:06:16,960 Speaker 3: Can I just start today? I an email? 154 00:06:17,400 --> 00:06:18,600 Speaker 2: Yeah, what happened. 155 00:06:20,240 --> 00:06:21,600 Speaker 3: Some blow? Will I give his name? 156 00:06:21,640 --> 00:06:21,800 Speaker 2: Yeah? 157 00:06:21,800 --> 00:06:24,720 Speaker 1: I'm going to give his name just because what happens 158 00:06:24,800 --> 00:06:27,520 Speaker 1: is if it's an abusive one. No, no, not get 159 00:06:27,520 --> 00:06:28,640 Speaker 1: hate but he'll get off on him. 160 00:06:29,240 --> 00:06:30,440 Speaker 4: So yeah, they're sick it. 161 00:06:30,480 --> 00:06:33,000 Speaker 3: But can I just say refer to him as strongo? 162 00:06:33,360 --> 00:06:33,680 Speaker 2: Is this? 163 00:06:34,880 --> 00:06:36,119 Speaker 1: Is this a nasty review? 164 00:06:36,839 --> 00:06:38,760 Speaker 3: Leet's consider it a nasty Okay, Well. 165 00:06:38,600 --> 00:06:41,640 Speaker 4: People are loads nice reviews back for a while where 166 00:06:41,680 --> 00:06:44,600 Speaker 4: we read out reviews and nasty hate comments about ourselves. 167 00:06:44,680 --> 00:06:50,120 Speaker 3: Yeah, well this is aimed at the narcissistic. Narcissistic I 168 00:06:50,120 --> 00:06:51,520 Speaker 3: should say whanka beside it? 169 00:06:51,560 --> 00:06:53,599 Speaker 2: Apparently I'd better be spoken about. 170 00:06:53,760 --> 00:06:54,120 Speaker 1: Not at all? 171 00:06:54,800 --> 00:06:54,880 Speaker 2: Is? 172 00:06:54,880 --> 00:06:58,920 Speaker 3: Matthew sends it through to my email and I'm like, yeah, 173 00:06:59,240 --> 00:07:01,120 Speaker 3: guess what, mate, I don't really want it anyway, Hey, 174 00:07:01,200 --> 00:07:05,320 Speaker 3: John's I know you cannot help being a narcissistic one. 175 00:07:05,360 --> 00:07:06,240 Speaker 1: Cute. 176 00:07:06,320 --> 00:07:08,760 Speaker 3: However, a good beginning might be to stop wearing short 177 00:07:08,760 --> 00:07:11,920 Speaker 3: sleeved shirts you do wear and looking at yourself in 178 00:07:11,960 --> 00:07:14,160 Speaker 3: the monitor. What are you doing? 179 00:07:14,280 --> 00:07:17,120 Speaker 4: You have been doing that lately, like you're interviewing. Like 180 00:07:17,160 --> 00:07:18,960 Speaker 4: I saw when you had Brandon on the Sunday Night Show, 181 00:07:19,200 --> 00:07:21,200 Speaker 4: you sort of looked at them, but then the camera, 182 00:07:21,280 --> 00:07:23,120 Speaker 4: if there's a shot of you and your guest in it, 183 00:07:23,320 --> 00:07:24,920 Speaker 4: you'll look away and look at the monitor and you'll 184 00:07:24,960 --> 00:07:26,280 Speaker 4: be looking at yourself from. 185 00:07:26,080 --> 00:07:27,760 Speaker 1: A destroyer and camera. 186 00:07:29,440 --> 00:07:31,840 Speaker 3: Do you have to look at that because you're running 187 00:07:31,840 --> 00:07:33,200 Speaker 3: the show and you're the host of the show. 188 00:07:33,640 --> 00:07:36,080 Speaker 4: Is there a reason there's no teleprompter there? 189 00:07:36,120 --> 00:07:40,080 Speaker 1: Right? You're really just it's all it's all trapped in 190 00:07:40,120 --> 00:07:40,680 Speaker 1: the steel case. 191 00:07:40,720 --> 00:07:42,520 Speaker 4: Would you call yourself a human teleprompter? 192 00:07:42,600 --> 00:07:44,840 Speaker 1: Like you're it's all up there you can get I 193 00:07:44,880 --> 00:07:45,320 Speaker 1: think I am. 194 00:07:45,400 --> 00:07:47,120 Speaker 4: You're the only TV host reckon and who doesn't read 195 00:07:47,160 --> 00:07:47,840 Speaker 4: off a teleprompter. 196 00:07:48,360 --> 00:07:50,760 Speaker 1: I don't know. I don't know any others that I'm 197 00:07:50,760 --> 00:07:52,440 Speaker 1: not sure And I'll let you know what I got 198 00:07:52,480 --> 00:07:55,680 Speaker 1: that off. I actually got that off Fatty. Over the years, 199 00:07:55,680 --> 00:07:57,920 Speaker 1: I've had so many TV executives try to say, now 200 00:07:57,960 --> 00:07:59,840 Speaker 1: we're going to put something in the d Q. So no, no, 201 00:07:59,840 --> 00:08:02,400 Speaker 1: no one. Thing I learned off the fat is just 202 00:08:02,480 --> 00:08:04,720 Speaker 1: that you've got to do it your own way and relax. 203 00:08:04,800 --> 00:08:07,640 Speaker 1: And when you do audo a Q. For any budding 204 00:08:07,760 --> 00:08:11,080 Speaker 1: TV presenters out there, when you do audo Q, what 205 00:08:11,120 --> 00:08:12,960 Speaker 1: happens is the auto Q when you read, is a 206 00:08:12,960 --> 00:08:15,880 Speaker 1: different party your brain than have a natural conversation. So 207 00:08:15,920 --> 00:08:18,800 Speaker 1: it takes it takes a very very special talent, which 208 00:08:18,960 --> 00:08:22,080 Speaker 1: unfortunately I have forgot to actually read and go blah 209 00:08:22,120 --> 00:08:23,680 Speaker 1: blah blah blah blah and then turn it out now 210 00:08:23,720 --> 00:08:25,040 Speaker 1: now Trish, and then go back to it. 211 00:08:25,080 --> 00:08:28,520 Speaker 2: But also, elveryone doesn't let your personality sing. Good call 212 00:08:28,720 --> 00:08:29,520 Speaker 2: doesn't let it sing? 213 00:08:29,840 --> 00:08:31,440 Speaker 1: So what else you have to say? 214 00:08:31,960 --> 00:08:35,360 Speaker 3: And that's what I mean. You can see the boys 215 00:08:35,440 --> 00:08:40,640 Speaker 3: think you're a dicked, which one cheers, and he signs 216 00:08:40,679 --> 00:08:48,079 Speaker 3: it with his name, which I quickly responded, as amazing 217 00:08:48,120 --> 00:08:50,719 Speaker 3: as you sound, this is not the platform for your 218 00:08:50,760 --> 00:08:54,240 Speaker 3: misdirected feedback, so maybe try shoving it up your ar 219 00:08:55,320 --> 00:08:57,280 Speaker 3: all the best, Trish. 220 00:08:57,320 --> 00:09:00,640 Speaker 4: That's good, Trisha didn't need that from him. 221 00:09:00,760 --> 00:09:01,720 Speaker 1: It's not personal. 222 00:09:02,200 --> 00:09:05,760 Speaker 4: Trisha's horrible with with hate. 223 00:09:06,559 --> 00:09:07,720 Speaker 3: No, I'm very good with hate. 224 00:09:07,840 --> 00:09:10,400 Speaker 1: No no, no, no. What I mean is your horrible insentive? 225 00:09:10,480 --> 00:09:12,840 Speaker 4: Yeah, very sensitive when it comes to like there's been 226 00:09:12,840 --> 00:09:15,760 Speaker 4: a couple of times when people have hammered. 227 00:09:16,080 --> 00:09:17,200 Speaker 1: I don't know me or Jack. 228 00:09:17,280 --> 00:09:19,400 Speaker 2: I remember who was getting hammered. 229 00:09:19,559 --> 00:09:22,719 Speaker 1: Yeah, probably me, but she started replying the comments and 230 00:09:24,360 --> 00:09:25,760 Speaker 1: don't be an idiot. Don't worry about it. 231 00:09:26,240 --> 00:09:28,400 Speaker 4: You feed it, you don't get it. 232 00:09:28,400 --> 00:09:31,360 Speaker 3: Sometimes I just want to slap I really do. But 233 00:09:31,400 --> 00:09:38,040 Speaker 3: this is boso slash STRONGO. Hey, he's sent it from 234 00:09:38,080 --> 00:09:40,439 Speaker 3: his email, So I've got his email. He's LinkedIn. 235 00:09:41,160 --> 00:09:42,200 Speaker 4: What are you going to do to him? 236 00:09:42,360 --> 00:09:43,760 Speaker 1: What you wearing? 237 00:09:44,480 --> 00:09:45,040 Speaker 2: What are you push? 238 00:09:45,880 --> 00:09:46,560 Speaker 1: What are you going to do? 239 00:09:47,160 --> 00:09:47,480 Speaker 4: Nothing? 240 00:09:48,320 --> 00:09:52,280 Speaker 3: Think she's colleating information, hasn't really protected himself. 241 00:09:52,320 --> 00:09:54,800 Speaker 1: You've made a bad enemy. Brother. Look, here's the thing. 242 00:09:55,440 --> 00:09:59,040 Speaker 1: Opinions like ourselves. Everyone has. Everyone's got one. Some people 243 00:09:59,080 --> 00:10:01,560 Speaker 1: unfortunately are the so so I don't know what he's 244 00:10:01,600 --> 00:10:03,920 Speaker 1: got against my arms? But tee, what is it? Just quickly? 245 00:10:03,960 --> 00:10:04,440 Speaker 2: Is it hot? In? 246 00:10:04,480 --> 00:10:04,560 Speaker 4: He? 247 00:10:05,160 --> 00:10:05,199 Speaker 2: No? 248 00:10:07,880 --> 00:10:09,440 Speaker 1: I feel like this is what you get? What are 249 00:10:09,440 --> 00:10:10,160 Speaker 1: you wearing. 250 00:10:12,480 --> 00:10:12,560 Speaker 2: On? 251 00:10:13,320 --> 00:10:13,960 Speaker 3: We're going to see? 252 00:10:15,120 --> 00:10:21,600 Speaker 4: Oh my god, Dad has got some Dad's got. 253 00:10:21,480 --> 00:10:22,200 Speaker 1: A muscle shirt. 254 00:10:22,679 --> 00:10:24,800 Speaker 3: Every time he wears that, he wears the gym. 255 00:10:25,559 --> 00:10:28,959 Speaker 4: Okay, okay, let's supposed now's the time to reveal to 256 00:10:29,040 --> 00:10:32,520 Speaker 4: everyone Dad he's been he's been working out hard lately, 257 00:10:32,600 --> 00:10:34,800 Speaker 4: and he's really in love with his body at the moment, 258 00:10:35,320 --> 00:10:36,680 Speaker 4: like really in love with. 259 00:10:37,000 --> 00:10:37,880 Speaker 1: Just search and destroy. 260 00:10:37,920 --> 00:10:38,600 Speaker 2: You have a look at him. 261 00:10:38,679 --> 00:10:40,440 Speaker 1: So here's the thing about it. When you've got arms 262 00:10:40,480 --> 00:10:43,240 Speaker 1: like this, it's a crime to cover them in cotton. 263 00:10:43,600 --> 00:10:46,440 Speaker 1: You just got to make they just burst out of it. Anyway, right, 264 00:10:46,960 --> 00:10:51,400 Speaker 1: gardon question everyone, Jack Johnson, if you were a character 265 00:10:51,440 --> 00:10:53,720 Speaker 1: in a Steven Spielberg film, what a director? 266 00:10:53,840 --> 00:10:55,520 Speaker 2: He is pretty good? 267 00:10:55,760 --> 00:10:56,560 Speaker 1: Who would you billion? 268 00:10:56,559 --> 00:10:59,959 Speaker 2: Why I couldn't split my two of my favorite characters. 269 00:11:00,480 --> 00:11:04,160 Speaker 2: One was Ian Malcolm, who's Jeff Goldblum in the Jurassic Park. 270 00:11:04,640 --> 00:11:08,559 Speaker 2: I love Jeff go and too it was a little 271 00:11:08,559 --> 00:11:13,559 Speaker 2: man from upstairs et you want to bet? Yeah, the extraterrestrial. 272 00:11:13,600 --> 00:11:15,240 Speaker 2: He's a little freak I think. And I'm gonna be 273 00:11:15,320 --> 00:11:17,480 Speaker 2: a freaking mood today as today I got my un 274 00:11:17,520 --> 00:11:20,160 Speaker 2: loaded with segments at the back end of this podcast. 275 00:11:20,160 --> 00:11:21,800 Speaker 2: I feel like a little bit of a freaky man today. 276 00:11:21,880 --> 00:11:22,480 Speaker 1: Look forward to it. 277 00:11:22,520 --> 00:11:24,439 Speaker 2: And the freaking man feels like he's hanging out a 278 00:11:24,440 --> 00:11:25,800 Speaker 2: little freaky extra test. 279 00:11:27,480 --> 00:11:28,040 Speaker 1: Okay and. 280 00:11:29,920 --> 00:11:33,199 Speaker 4: Jack, Okay, send all your hate emails to Jack. This 281 00:11:33,240 --> 00:11:35,640 Speaker 4: week I had a little talk about little freaky man. 282 00:11:36,160 --> 00:11:38,280 Speaker 4: I had the Gremlin out of Gremlins. 283 00:11:38,880 --> 00:11:39,840 Speaker 1: Yeah, Steven Spielberg. 284 00:11:39,880 --> 00:11:42,960 Speaker 4: I didn't even realize he directed Gremlins, Are you sure? 285 00:11:43,200 --> 00:11:43,400 Speaker 2: Yeah? 286 00:11:43,400 --> 00:11:46,600 Speaker 4: He did Goonies, Yeah, but I had the Gremlins. Can't 287 00:11:46,600 --> 00:11:50,040 Speaker 4: feed him after midnight? Cute little fuzzy little creature. Quite 288 00:11:50,040 --> 00:11:52,199 Speaker 4: you until you feed him after midnight and they turned 289 00:11:52,200 --> 00:11:54,880 Speaker 4: into little Sess Gremlins, which is my nickname for a 290 00:11:54,880 --> 00:11:55,199 Speaker 4: long time. 291 00:11:57,040 --> 00:12:00,120 Speaker 1: Yeah, it's amazing when he goes through the filmography of 292 00:12:00,920 --> 00:12:03,600 Speaker 1: Steven Spielberg, some of the films that how vast they're 293 00:12:03,880 --> 00:12:07,280 Speaker 1: like the movies from like Chindler's List to Jaws, to 294 00:12:07,440 --> 00:12:11,000 Speaker 1: Goonies to Hook and things like. That's what a body 295 00:12:11,040 --> 00:12:12,920 Speaker 1: of work was. I'm trying to say, what a. 296 00:12:12,880 --> 00:12:18,720 Speaker 2: Body you put a body writer, director, producer, father, lover brother. 297 00:12:19,200 --> 00:12:21,199 Speaker 2: I'm pretty sure he might have been like an executive 298 00:12:21,600 --> 00:12:24,480 Speaker 2: or like one of the producers that helped, because I 299 00:12:24,520 --> 00:12:26,280 Speaker 2: know there's like a little gang of them where it's 300 00:12:26,280 --> 00:12:30,480 Speaker 2: like George Lucas, Steven Spielberg and a few others where 301 00:12:30,480 --> 00:12:32,160 Speaker 2: they've all sort of worked with each other. So I 302 00:12:32,160 --> 00:12:35,160 Speaker 2: think he was like a producer on well, he did 303 00:12:35,200 --> 00:12:37,839 Speaker 2: Indiana Jones, Spilberg did he did, and then George Lucas 304 00:12:37,880 --> 00:12:39,120 Speaker 2: I think was a producer on that. Then I think 305 00:12:39,120 --> 00:12:41,880 Speaker 2: Spilberg might have done some producing work on the original 306 00:12:41,880 --> 00:12:44,480 Speaker 2: Star Wars. Okay, so there's a little there's a little 307 00:12:44,520 --> 00:12:45,760 Speaker 2: gang of him up there. 308 00:12:45,640 --> 00:12:50,480 Speaker 3: It was just a movie about his love that. Yeah. 309 00:12:50,520 --> 00:12:54,760 Speaker 1: Yeah, recently, very good just shows you mate. No one, 310 00:12:55,000 --> 00:12:58,280 Speaker 1: no one is immune to heart heartache, growing up and heartbreak. 311 00:12:59,600 --> 00:13:03,200 Speaker 1: I don't know and hook oh did you? 312 00:13:03,280 --> 00:13:08,040 Speaker 3: Yeah? Because she was described as sportable, and I thought 313 00:13:08,240 --> 00:13:12,760 Speaker 3: that would be about me and and I'd like to 314 00:13:12,760 --> 00:13:15,400 Speaker 3: work with Robin Williams's starting that I would have liked 315 00:13:15,400 --> 00:13:16,280 Speaker 3: to Well. 316 00:13:16,120 --> 00:13:19,480 Speaker 1: You missed out there. I've actually gone for myself. Originally 317 00:13:19,480 --> 00:13:20,960 Speaker 1: I wrote Jab of the Hut. Then I realized it 318 00:13:20,960 --> 00:13:23,400 Speaker 1: was a George Lucas movie. So I've gone doc from 319 00:13:23,400 --> 00:13:26,520 Speaker 1: Back to the Future Christopher Lloyd because impulsive, full of 320 00:13:26,520 --> 00:13:29,920 Speaker 1: great ideas, which very few work. I've actually got one. Coop. 321 00:13:29,920 --> 00:13:32,000 Speaker 1: I had you was Jack. I had you as Tom 322 00:13:32,040 --> 00:13:38,480 Speaker 1: Hanks's character in Catch Me, If you Can, Detective Cooper. 323 00:13:38,559 --> 00:13:43,000 Speaker 1: I had you as Leonardo DiCaprio's character in Catch Me 324 00:13:43,040 --> 00:13:47,280 Speaker 1: If you Can, the ruthless comment, slippery conman whom I 325 00:13:47,440 --> 00:13:49,560 Speaker 1: and Trish. I had you as Jab of the Hut. 326 00:13:49,600 --> 00:13:52,079 Speaker 1: Then I thought to myself, I said, George Lucas, you 327 00:13:52,160 --> 00:13:55,600 Speaker 1: know what the hell jab of the Hut and stripe. 328 00:13:55,800 --> 00:13:59,240 Speaker 4: Sorry, true, I take offense to that because your your 329 00:14:00,160 --> 00:14:01,000 Speaker 4: wife and my mom. 330 00:14:01,080 --> 00:14:01,960 Speaker 2: She's a beautiful woman. 331 00:14:02,040 --> 00:14:03,559 Speaker 4: As much as sometimes we pull her up for a 332 00:14:03,600 --> 00:14:06,120 Speaker 4: poor storytelling or a lack of comedic time we were 333 00:14:06,120 --> 00:14:08,400 Speaker 4: talking at the top of everyone, or as she you know, 334 00:14:08,520 --> 00:14:11,800 Speaker 4: burns all the cooking, or how she sometimes can just annoy. 335 00:14:11,600 --> 00:14:14,360 Speaker 1: Everyone, timing when to bring something else. 336 00:14:14,280 --> 00:14:16,760 Speaker 4: Correct, dress sends or other. I could go on and on, 337 00:14:16,920 --> 00:14:19,720 Speaker 4: but she is a beautiful time. She's a wonderful woman, 338 00:14:19,760 --> 00:14:21,120 Speaker 4: and we love her much. And I don't like you 339 00:14:21,160 --> 00:14:21,920 Speaker 4: putting her down like that. 340 00:14:22,040 --> 00:14:23,600 Speaker 1: Yeah, you know what, I take it all back. 341 00:14:23,800 --> 00:14:25,680 Speaker 2: If anyone's jubbing the hard here core whereas the guy's 342 00:14:25,760 --> 00:14:26,920 Speaker 2: showing way too much skin. 343 00:14:27,320 --> 00:14:33,200 Speaker 1: Yeah, yeah, yeah, thank you boy, No problem, buddy you. 344 00:14:33,360 --> 00:14:35,160 Speaker 3: I wasn't referring to you. 345 00:14:35,160 --> 00:14:40,000 Speaker 1: Guys. We did our origin predictions last week. How do 346 00:14:40,120 --> 00:14:40,960 Speaker 1: we go trush you? 347 00:14:41,440 --> 00:14:44,720 Speaker 3: I think I got the scoreline correct, except in. 348 00:14:44,680 --> 00:14:46,720 Speaker 1: Reverse the other way around reverse. 349 00:14:46,800 --> 00:14:49,240 Speaker 2: Yeah, I missed out just I had them by fourteen. 350 00:14:49,320 --> 00:14:52,520 Speaker 2: They're not winning by about six twelve twelve twelve. 351 00:14:52,800 --> 00:14:54,800 Speaker 1: I did the same. I went for New Southwest fourteen 352 00:14:54,800 --> 00:14:56,400 Speaker 1: and they missed that kick at the end, damn it. 353 00:14:56,400 --> 00:14:57,960 Speaker 1: I had a little wager on as well. 354 00:14:58,680 --> 00:15:00,680 Speaker 4: I think I had them by two. We're all right, 355 00:15:00,680 --> 00:15:03,080 Speaker 4: we all picking you. So I think you pick coins on. 356 00:15:03,120 --> 00:15:03,880 Speaker 1: You were the first away. 357 00:15:04,000 --> 00:15:06,880 Speaker 3: Yeah, I was going for Harry. Harry, I support, well, 358 00:15:06,920 --> 00:15:07,840 Speaker 3: you put the mic on him. 359 00:15:09,560 --> 00:15:10,280 Speaker 2: And disappeared. 360 00:15:14,400 --> 00:15:16,200 Speaker 4: You've been going at Harry in the last couple. 361 00:15:16,000 --> 00:15:18,720 Speaker 1: Of weeks, and I keep pulling up Harry is my man. No, 362 00:15:18,800 --> 00:15:20,800 Speaker 1: he's not not anymore. He's sent. He's off. 363 00:15:21,160 --> 00:15:22,160 Speaker 4: People said, you'll never do. 364 00:15:22,080 --> 00:15:25,880 Speaker 1: Your show over again. Better arms than you, brother, That's 365 00:15:26,240 --> 00:15:28,200 Speaker 1: I'd find that extremely hard to believe. I made to 366 00:15:28,200 --> 00:15:32,880 Speaker 1: write him a nasty email, but no, no, I send email. 367 00:15:32,960 --> 00:15:35,880 Speaker 1: I sent Harry because I saw people saying, oh, you know, 368 00:15:35,960 --> 00:15:38,120 Speaker 1: Harry should have been I said, and you know, I 369 00:15:38,240 --> 00:15:40,880 Speaker 1: let myself. I went over the divide. I said, Harry, 370 00:15:40,880 --> 00:15:43,000 Speaker 1: don't worry a better mate, It's only game one, and 371 00:15:43,040 --> 00:15:46,680 Speaker 1: he said he replied, thanks begam. I was expecting sort 372 00:15:46,680 --> 00:15:48,760 Speaker 1: of longest, something like, oh mate, that really means a 373 00:15:48,760 --> 00:15:50,800 Speaker 1: lot from you. And you know that's a great judge 374 00:15:50,840 --> 00:15:51,560 Speaker 1: on the trader. 375 00:15:51,840 --> 00:15:52,640 Speaker 2: You're a trader. 376 00:15:52,800 --> 00:15:54,000 Speaker 1: No, I'm just a humanist. 377 00:15:54,240 --> 00:15:56,200 Speaker 4: You're a human our weeks. 378 00:15:56,240 --> 00:15:58,080 Speaker 1: Can we go to some personal stories? Because it was. 379 00:15:58,640 --> 00:16:02,760 Speaker 3: What's stuff into the what's the stuff? I was driving 380 00:16:02,800 --> 00:16:05,720 Speaker 3: along yesterday and I saw a big image of Ben 381 00:16:05,800 --> 00:16:09,640 Speaker 3: Fordham and his radio show, come up beside me, What 382 00:16:09,760 --> 00:16:12,600 Speaker 3: the hell's on his teeth? Someone had added their own 383 00:16:12,640 --> 00:16:13,720 Speaker 3: personal touches to it. 384 00:16:13,840 --> 00:16:14,360 Speaker 1: I saw that. 385 00:16:14,480 --> 00:16:17,680 Speaker 3: Yeah, did you say to they're all red? Like is 386 00:16:17,720 --> 00:16:18,480 Speaker 3: it a beetlenut? 387 00:16:19,520 --> 00:16:22,120 Speaker 1: Is it puppy? Yeah? 388 00:16:22,360 --> 00:16:24,520 Speaker 3: It made it look like he had been They. 389 00:16:24,400 --> 00:16:26,400 Speaker 1: Did it with Chris Barth the other day. I saw 390 00:16:26,440 --> 00:16:28,520 Speaker 1: one of the bathy and someone had give her in 391 00:16:28,560 --> 00:16:30,040 Speaker 1: a black tooth, so. 392 00:16:30,000 --> 00:16:33,040 Speaker 4: They just had like a red texture and sort of Yeah. 393 00:16:33,800 --> 00:16:35,200 Speaker 1: Having said all that, he does like his. 394 00:16:36,760 --> 00:16:38,440 Speaker 4: I'll tell you what, if you're not used to having 395 00:16:38,440 --> 00:16:40,320 Speaker 4: been on it, Jesus, it can take you out out 396 00:16:40,320 --> 00:16:41,320 Speaker 4: of there a few times. 397 00:16:41,360 --> 00:16:43,680 Speaker 3: You say that you're hopping on a plane once and 398 00:16:43,880 --> 00:16:46,200 Speaker 3: the pilot is You looked at the pilot and his 399 00:16:46,240 --> 00:16:48,440 Speaker 3: teeth were all red with the beetlenut, and you're like, 400 00:16:49,080 --> 00:16:49,720 Speaker 3: get on this plane. 401 00:16:49,720 --> 00:16:51,880 Speaker 1: That was an unbelievable trip. I still think about that 402 00:16:51,920 --> 00:16:55,640 Speaker 1: sometimes we're going into the highlands of that was once 403 00:16:55,680 --> 00:16:58,680 Speaker 1: in a lifetime. I appreciate it a lot then, but 404 00:16:59,280 --> 00:17:05,239 Speaker 1: even more Okay, I who okay, personal stories, that's what 405 00:17:05,240 --> 00:17:05,600 Speaker 1: we're doing. 406 00:17:05,720 --> 00:17:09,119 Speaker 4: Yeah, yeah, sure for the jump in, but you're losing 407 00:17:09,119 --> 00:17:11,040 Speaker 4: your way as since taking the shirt off. It was 408 00:17:11,119 --> 00:17:14,159 Speaker 4: our mate Brandon Smith's birthday over the weekend, took him 409 00:17:14,160 --> 00:17:17,200 Speaker 4: out to a nice dinner. Look, this is fine. What's happened. 410 00:17:17,200 --> 00:17:20,640 Speaker 4: What's unfolded this week has been a public smear campaign 411 00:17:20,680 --> 00:17:24,760 Speaker 4: on myself. He was on James Graham podcast The Buy Around, 412 00:17:25,160 --> 00:17:27,080 Speaker 4: managed to hammer me saying that he's never seen my 413 00:17:27,080 --> 00:17:29,639 Speaker 4: wallet before out of me on your social media, saying 414 00:17:29,840 --> 00:17:31,399 Speaker 4: he didn't know what my wallet looked like. It was 415 00:17:31,440 --> 00:17:32,119 Speaker 4: a rare vision. 416 00:17:32,520 --> 00:17:33,639 Speaker 1: Then he also rang the. 417 00:17:33,720 --> 00:17:38,679 Speaker 4: Radio station and assisted in a campaign which saw the 418 00:17:38,800 --> 00:17:42,320 Speaker 4: likes of Paul Gallon, Kaylen Pong are also ringing in 419 00:17:42,520 --> 00:17:44,240 Speaker 4: saying that they've never seen my wallet. 420 00:17:44,400 --> 00:17:46,000 Speaker 1: It's calling me a tight ass. 421 00:17:46,040 --> 00:17:48,200 Speaker 2: That's surprised the shit out of me. Why the hell, 422 00:17:48,280 --> 00:17:50,400 Speaker 2: what the hell does Gale know about you? 423 00:17:50,440 --> 00:17:52,240 Speaker 1: I was like, oh, Gal, this. 424 00:17:52,240 --> 00:17:52,680 Speaker 2: Is the thing. 425 00:17:53,080 --> 00:17:55,640 Speaker 3: Those people don't see someone's wallet, especially in these days 426 00:17:55,640 --> 00:17:57,200 Speaker 3: when they've got them. 427 00:17:58,200 --> 00:17:59,880 Speaker 1: Takes a tight us and know are tight us? 428 00:18:00,320 --> 00:18:03,280 Speaker 4: Yeah, apparently Gala's renowned as a tight ars. And then 429 00:18:03,359 --> 00:18:06,000 Speaker 4: Dad's rang through making out complete lies about me as well. 430 00:18:06,320 --> 00:18:08,639 Speaker 4: And did you say he said that I stole his 431 00:18:08,680 --> 00:18:10,600 Speaker 4: credit card, which look, I wasn't going to add him 432 00:18:10,640 --> 00:18:13,399 Speaker 4: on the on the thing because I get radio's radio 433 00:18:13,480 --> 00:18:16,320 Speaker 4: and Fair played on. They ambushed me with a brilliant 434 00:18:16,359 --> 00:18:19,000 Speaker 4: stitch up. So I just let the tsunami roll over me. 435 00:18:19,600 --> 00:18:24,080 Speaker 4: But I was really hurt, particularly by Brandon, who's someone 436 00:18:24,160 --> 00:18:26,840 Speaker 4: who I have had his back through thick and thinner. 437 00:18:27,240 --> 00:18:28,160 Speaker 1: Him to turn on me like that. 438 00:18:28,240 --> 00:18:32,639 Speaker 3: You shouted his birthday and his partner but everyone dinner. 439 00:18:32,720 --> 00:18:33,720 Speaker 2: I know, I was surprised. 440 00:18:33,800 --> 00:18:35,240 Speaker 4: I know, yeah, I bet you were. 441 00:18:35,400 --> 00:18:37,200 Speaker 1: I bet you were. I was surprised. 442 00:18:37,640 --> 00:18:40,600 Speaker 2: I wouldn't mind shaming him on this as well. You 443 00:18:40,680 --> 00:18:42,480 Speaker 2: went to dinner, Yeah, on Saturday night and he was 444 00:18:42,480 --> 00:18:44,879 Speaker 2: wearing this black jumper with like this white riding on it, 445 00:18:45,280 --> 00:18:47,920 Speaker 2: and he slept here and he slept in that because 446 00:18:47,920 --> 00:18:49,000 Speaker 2: he stayed the night. You want to go all the 447 00:18:49,040 --> 00:18:50,600 Speaker 2: way back to these and so that was next morning 448 00:18:50,600 --> 00:18:52,639 Speaker 2: he was wearing that. That night, he was wearing it 449 00:18:52,680 --> 00:18:56,760 Speaker 2: on Dad's show. And then yesterday which was Tuesday, had 450 00:18:56,920 --> 00:18:58,920 Speaker 2: James Graham. He was wearing the same jumper. 451 00:18:59,040 --> 00:19:01,320 Speaker 3: And I love that jumper. Why did you give that 452 00:19:01,359 --> 00:19:02,080 Speaker 3: to him? 453 00:19:02,280 --> 00:19:03,439 Speaker 1: Because it was originally his? 454 00:19:05,600 --> 00:19:07,000 Speaker 3: Why did you give it back to him? 455 00:19:07,040 --> 00:19:07,159 Speaker 2: Then? 456 00:19:07,720 --> 00:19:10,360 Speaker 4: So I took that jumper off him about six months ago. 457 00:19:10,400 --> 00:19:12,760 Speaker 4: And then the day of his birthday where we're going 458 00:19:12,800 --> 00:19:14,240 Speaker 4: to go to dinner, he messaged me saying, you know, 459 00:19:14,280 --> 00:19:16,080 Speaker 4: I'd be an awesome birthday present if he gave me 460 00:19:16,080 --> 00:19:18,800 Speaker 4: my Junker. But and then I gave him back and 461 00:19:18,840 --> 00:19:21,159 Speaker 4: showered him dinner. But then the boat war its, So 462 00:19:21,240 --> 00:19:21,920 Speaker 4: he's like Jack. 463 00:19:22,200 --> 00:19:22,720 Speaker 1: He's like Jack. 464 00:19:22,800 --> 00:19:22,960 Speaker 2: Right. 465 00:19:22,960 --> 00:19:24,880 Speaker 4: So this outfit you see Jack wearing right now, people 466 00:19:24,880 --> 00:19:26,600 Speaker 4: that can't see it's a gray hoodie with a puffer vest, 467 00:19:27,240 --> 00:19:29,399 Speaker 4: gray hoodie. Jack has worn a gray hoodie with a 468 00:19:29,440 --> 00:19:32,240 Speaker 4: puffer vest for like the last two weeks straight. Refuses 469 00:19:32,280 --> 00:19:33,920 Speaker 4: to wash it. Brandon's the exact same. 470 00:19:34,240 --> 00:19:34,600 Speaker 1: He gets it. 471 00:19:34,760 --> 00:19:37,159 Speaker 4: He gets an outfit in his mind and then he 472 00:19:37,280 --> 00:19:38,919 Speaker 4: just wears it relentlessly. 473 00:19:38,440 --> 00:19:40,159 Speaker 3: Until it takes a lot less thought, doesn't it? As 474 00:19:40,160 --> 00:19:41,320 Speaker 3: long as it's clean and not smelly. 475 00:19:41,400 --> 00:19:42,280 Speaker 1: That's uniforms. 476 00:19:43,119 --> 00:19:45,480 Speaker 2: Like, I don't sit there in my room before a 477 00:19:45,480 --> 00:19:48,720 Speaker 2: podcast and sit there and kick trying clothes on. What 478 00:19:48,720 --> 00:19:51,240 Speaker 2: will make me look so good? I just do it. 479 00:19:51,920 --> 00:19:53,639 Speaker 4: You know I don't either look at me, I'm sitting here. 480 00:19:53,640 --> 00:19:54,560 Speaker 4: I look like Lumberjack. 481 00:19:54,640 --> 00:19:55,240 Speaker 3: Yeah, that's true. 482 00:19:55,320 --> 00:19:57,320 Speaker 1: He didn't put much thought in I just put whatever's on. 483 00:19:57,359 --> 00:19:58,960 Speaker 4: But I don't wear what I was wearing the last 484 00:19:59,000 --> 00:20:02,840 Speaker 4: three days straight. You've formed that a couple. 485 00:20:02,640 --> 00:20:04,879 Speaker 3: Of days because I love it and it feels like 486 00:20:05,040 --> 00:20:06,960 Speaker 3: it is. It feels like wearing a cloud. 487 00:20:07,000 --> 00:20:07,600 Speaker 2: It's cool top. 488 00:20:07,720 --> 00:20:08,720 Speaker 1: I love cloud. 489 00:20:09,960 --> 00:20:11,160 Speaker 3: That's my favorite bit of winter. 490 00:20:11,359 --> 00:20:13,440 Speaker 1: I love when Cooper just said, you know, dressed like 491 00:20:13,440 --> 00:20:17,400 Speaker 1: a lumberjack. As if Cooper Cooper doesn't do much exercise 492 00:20:17,520 --> 00:20:19,720 Speaker 1: these days. He said to me, can run and what's 493 00:20:19,760 --> 00:20:20,200 Speaker 1: on my face? 494 00:20:20,320 --> 00:20:20,480 Speaker 2: Said? 495 00:20:20,760 --> 00:20:24,280 Speaker 1: Sweat? That's that's it is true. 496 00:20:24,400 --> 00:20:24,959 Speaker 2: No, it's not. 497 00:20:25,160 --> 00:20:28,520 Speaker 4: I do exercise. I actually went and played were not played. 498 00:20:28,520 --> 00:20:31,000 Speaker 4: I went and trained with the local team, the Harbor 499 00:20:31,080 --> 00:20:33,760 Speaker 4: Devil's the other day. 500 00:20:32,720 --> 00:20:36,440 Speaker 1: That was that was it was over a week ago, 501 00:20:36,520 --> 00:20:38,760 Speaker 1: but I still thought. It feels like it was only yesterday. 502 00:20:39,119 --> 00:20:42,400 Speaker 1: What was the reaction when they when they turned up Jacklin. 503 00:20:42,280 --> 00:20:45,520 Speaker 2: They said, oh, right, well where they find this bloke 504 00:20:45,560 --> 00:20:46,040 Speaker 2: off the street? 505 00:20:47,160 --> 00:20:48,760 Speaker 1: They were, I'll tell you right now. 506 00:20:48,800 --> 00:20:49,960 Speaker 4: They got that they won't win the calm. 507 00:20:50,119 --> 00:20:51,240 Speaker 1: They're bloody dreadful. 508 00:20:52,880 --> 00:20:56,000 Speaker 4: A little I was, I was like, the are these kids? 509 00:20:56,400 --> 00:20:58,480 Speaker 2: So we did like a what a waste of facilities? 510 00:20:58,480 --> 00:21:01,600 Speaker 2: Some kids are well, they're doing the opposed against the eighteens, 511 00:21:01,640 --> 00:21:04,560 Speaker 2: so that they are Opens Bronze team, and they opposedgainst 512 00:21:04,560 --> 00:21:06,040 Speaker 2: the eight and I hopped in with the eighteens and 513 00:21:06,040 --> 00:21:08,240 Speaker 2: Cooper hopped in with them. The Opens boys trip played 514 00:21:08,520 --> 00:21:11,280 Speaker 2: in the halves. Fair to say, Cooper started getting a 515 00:21:11,280 --> 00:21:13,159 Speaker 2: little bit frustrated. I could see him starting to get 516 00:21:13,160 --> 00:21:14,840 Speaker 2: the ships. And then when we hopped in the car, 517 00:21:14,920 --> 00:21:16,320 Speaker 2: he just said, let's just get home, Let's just get 518 00:21:16,359 --> 00:21:17,040 Speaker 2: I got the shit. 519 00:21:17,000 --> 00:21:21,440 Speaker 4: With what with some of the boys competitives the same 520 00:21:21,480 --> 00:21:23,600 Speaker 4: thing I did. My competitive juices come back and it's 521 00:21:23,640 --> 00:21:25,560 Speaker 4: like they didn't know. And I get it, like the 522 00:21:25,600 --> 00:21:28,359 Speaker 4: boys that they're not taken footy that seriously. But it 523 00:21:28,400 --> 00:21:30,000 Speaker 4: was hard for me not to take it serious once 524 00:21:30,040 --> 00:21:32,320 Speaker 4: I started to get back out there and they just 525 00:21:32,400 --> 00:21:34,720 Speaker 4: I mean, the passes weren't hit in the chest. There 526 00:21:34,800 --> 00:21:37,760 Speaker 4: was all sorts of dramas, lack of communication. It was 527 00:21:37,840 --> 00:21:40,359 Speaker 4: just frustrating. And when I got back in the car, 528 00:21:40,440 --> 00:21:41,239 Speaker 4: I was thirty eight. 529 00:21:41,359 --> 00:21:44,840 Speaker 1: I was so filthy. Were filthy either Tiger maintain doesn't 530 00:21:44,840 --> 00:21:45,959 Speaker 1: burn out. 531 00:21:47,160 --> 00:21:51,800 Speaker 3: But can I just say a quick little story about 532 00:21:51,840 --> 00:21:53,040 Speaker 3: how sweet Cooper can be? 533 00:21:53,960 --> 00:21:54,120 Speaker 2: Now? 534 00:21:55,359 --> 00:21:57,920 Speaker 3: Cooper has an eighteen year old went down to Melbourne 535 00:21:57,920 --> 00:22:01,600 Speaker 3: the first time I went to visit him. He was 536 00:22:01,640 --> 00:22:05,680 Speaker 3: coming back from New Zealand and like the first lot 537 00:22:05,720 --> 00:22:10,960 Speaker 3: of paychecks it would have been, and he bought me perfume. 538 00:22:12,040 --> 00:22:18,919 Speaker 3: That is that this whole story that was really sweet. 539 00:22:19,040 --> 00:22:21,040 Speaker 4: Send it to the Daily Mail with. 540 00:22:20,960 --> 00:22:24,359 Speaker 3: His first little paycheck. It was wor to me. 541 00:22:24,480 --> 00:22:26,359 Speaker 4: Yeah, well it was like, because I know. 542 00:22:26,240 --> 00:22:28,439 Speaker 3: How much he loves his money, I love it. 543 00:22:28,880 --> 00:22:31,240 Speaker 4: But to be to be fair, I am quite generous 544 00:22:31,280 --> 00:22:32,240 Speaker 4: with my money still. 545 00:22:32,960 --> 00:22:35,400 Speaker 2: Although I was keen to see the Daily Mail jump 546 00:22:35,400 --> 00:22:37,800 Speaker 2: on the back of that segment earlier in the week 547 00:22:37,840 --> 00:22:43,080 Speaker 2: with Carl and Jackie O the Pete, Peter's files, Peter's 548 00:22:43,080 --> 00:22:46,879 Speaker 2: files and about your stinginess, but they didn't jump on 549 00:22:46,920 --> 00:22:47,120 Speaker 2: the back. 550 00:22:47,240 --> 00:22:48,919 Speaker 1: I think I'm surprised. I think they. 551 00:22:48,800 --> 00:22:52,160 Speaker 4: Realized it was a joke, right, because I think they 552 00:22:52,200 --> 00:22:54,520 Speaker 4: realized a lot of it was an ambush and. 553 00:22:54,920 --> 00:22:55,920 Speaker 1: A lot of it were. 554 00:22:56,119 --> 00:22:58,159 Speaker 4: They didn't A lot of the stories didn't really align, 555 00:22:58,160 --> 00:23:00,600 Speaker 4: particularly when it come on to Gal, who think GALIVERI 556 00:23:00,680 --> 00:23:03,480 Speaker 4: met probably a handful of times and Gal started handing 557 00:23:03,680 --> 00:23:04,879 Speaker 4: having me going I've never. 558 00:23:04,760 --> 00:23:05,439 Speaker 2: Seen his wallet. 559 00:23:05,560 --> 00:23:07,320 Speaker 1: I was going, what is going on? 560 00:23:07,480 --> 00:23:10,200 Speaker 4: Apparently Pete said for that segment. They if they didn't 561 00:23:10,200 --> 00:23:12,359 Speaker 4: see it, they were they were ringing just basically anyone 562 00:23:12,400 --> 00:23:15,080 Speaker 4: in the NRL or asking if Cooper was a tight ass. 563 00:23:15,480 --> 00:23:19,359 Speaker 4: They also rang Ray Warren apparently rab they rang Rabs 564 00:23:19,400 --> 00:23:21,000 Speaker 4: and apparently Rapped was like, oh, I don't want to 565 00:23:21,000 --> 00:23:22,679 Speaker 4: get him. I don't think he understood what they were 566 00:23:22,680 --> 00:23:25,720 Speaker 4: sort of doing you and Rabs was like, oh, I 567 00:23:25,760 --> 00:23:27,960 Speaker 4: don't want to get involved in this kind of thing, 568 00:23:28,480 --> 00:23:29,920 Speaker 4: you know, because then Pete come up to me and 569 00:23:29,920 --> 00:23:32,200 Speaker 4: he goes, oh, does Rabs in your family not get 570 00:23:32,200 --> 00:23:34,119 Speaker 4: along or something? I said no, and he goes, oh. 571 00:23:34,160 --> 00:23:34,679 Speaker 1: He was really. 572 00:23:34,600 --> 00:23:37,240 Speaker 4: Adamant, like not wanting to be involved in the segment, 573 00:23:37,720 --> 00:23:39,480 Speaker 4: and like he thought it was like something happened. 574 00:23:39,520 --> 00:23:42,040 Speaker 1: He's very sensitive about not trying to offend people. Like 575 00:23:42,119 --> 00:23:44,840 Speaker 1: for him what we see as a joke, probably if 576 00:23:44,840 --> 00:23:47,720 Speaker 1: he had a couple of generations before that would take 577 00:23:47,720 --> 00:23:50,160 Speaker 1: it like you had been called a tight ass. You're 578 00:23:50,200 --> 00:23:51,000 Speaker 1: not shouting at the back. 579 00:23:51,080 --> 00:23:52,119 Speaker 2: It's a serious slur. 580 00:23:52,359 --> 00:23:55,280 Speaker 1: Oh really yeah, serious? He be like, I can tell 581 00:23:55,280 --> 00:23:55,480 Speaker 1: you what. 582 00:23:55,520 --> 00:23:57,400 Speaker 2: That would have been brilliant if they got rapped. 583 00:23:57,680 --> 00:23:59,200 Speaker 1: I don't know where Ray Warren goes. 584 00:23:59,160 --> 00:24:00,840 Speaker 2: Oh, Cooper's biggest tieder. 585 00:24:01,640 --> 00:24:05,000 Speaker 1: Well, we went to the chots one night and I said, yeah, 586 00:24:05,000 --> 00:24:06,920 Speaker 1: I really like the look of this one pale face 587 00:24:06,960 --> 00:24:09,880 Speaker 1: audios and he backed it. Bloody hell. I looked down. 588 00:24:09,960 --> 00:24:12,640 Speaker 1: He snipped me for a five. He never give it back. 589 00:24:12,680 --> 00:24:12,920 Speaker 2: There. 590 00:24:13,480 --> 00:24:15,880 Speaker 1: We need to get Raps. Should should get him. 591 00:24:15,760 --> 00:24:16,160 Speaker 2: On the potty. 592 00:24:16,880 --> 00:24:19,719 Speaker 1: Oh, I think that's a great idea and letting people know. 593 00:24:20,080 --> 00:24:24,040 Speaker 1: Of course, the day of the game, the big coming 594 00:24:24,119 --> 00:24:26,879 Speaker 1: up on Monday is a mega game, which is going 595 00:24:26,920 --> 00:24:29,560 Speaker 1: to be the Bulldogs up against Paramatta, and we're going 596 00:24:29,600 --> 00:24:32,320 Speaker 1: to have Jacob Preston leading into their game on the Monday. 597 00:24:32,400 --> 00:24:35,080 Speaker 2: Yeah, so unreal good unreal episode Monday. 598 00:24:35,359 --> 00:24:36,160 Speaker 1: Yeah, let's see if. 599 00:24:36,119 --> 00:24:36,760 Speaker 2: He's good talent. 600 00:24:37,480 --> 00:24:38,960 Speaker 1: He is good talent. Oh, we don't know. 601 00:24:38,960 --> 00:24:40,680 Speaker 4: We haven't seen in front of him what you just. 602 00:24:40,600 --> 00:24:43,000 Speaker 2: Did, Rabs and didn't you And he is good talent. 603 00:24:43,000 --> 00:24:43,960 Speaker 1: He is good talent. 604 00:24:44,080 --> 00:24:45,800 Speaker 4: Sometimes you don't know if someone's good talent till you 605 00:24:45,840 --> 00:24:47,320 Speaker 4: get him behind the mic and just let him go. 606 00:24:47,600 --> 00:24:50,000 Speaker 1: Like Treus, she's good talent. Yeah she is, look at it, 607 00:24:50,080 --> 00:24:51,359 Speaker 1: she's lost. She's wearing a cloud. 608 00:24:51,520 --> 00:24:53,240 Speaker 4: I did listen to your podcast. It was very good 609 00:24:53,280 --> 00:24:53,600 Speaker 4: as well. 610 00:24:54,240 --> 00:24:57,720 Speaker 1: Spoke very well, the old suck job going on now 611 00:24:57,880 --> 00:25:00,280 Speaker 1: A right, come on then, son, let's get on with 612 00:25:00,320 --> 00:25:02,640 Speaker 1: it because I just say, while we're on rugby league 613 00:25:02,680 --> 00:25:04,840 Speaker 1: players and I know these blakes are copping little stick 614 00:25:04,880 --> 00:25:06,400 Speaker 1: at the moment, and rightfully so because it's not winning 615 00:25:06,400 --> 00:25:08,840 Speaker 1: football games. But we saw the Broncot We went and 616 00:25:08,880 --> 00:25:12,719 Speaker 1: had lunch as a family with some friends on the 617 00:25:12,720 --> 00:25:15,320 Speaker 1: Friday in it manly and we run into the Brison 618 00:25:15,320 --> 00:25:18,240 Speaker 1: Broncos boys. Now a tear what they are A delightful, 619 00:25:18,320 --> 00:25:21,840 Speaker 1: well mented bunch of lads. Unfortunate that doesn't transfer into wins, 620 00:25:22,240 --> 00:25:23,400 Speaker 1: but hopefully it will soon. 621 00:25:23,560 --> 00:25:24,960 Speaker 4: Yeah, yeah, they are good bunch of boys. 622 00:25:25,000 --> 00:25:25,560 Speaker 1: It's good to see. 623 00:25:26,000 --> 00:25:28,440 Speaker 4: We saw one of Jack Sex teammates, Adam Reynolds Rendigity, 624 00:25:28,720 --> 00:25:32,560 Speaker 4: one of my ex teammates, William Walters, Billy's son of Kevy, 625 00:25:32,560 --> 00:25:36,040 Speaker 4: as he likes to tell everyone, terrific group. They've got 626 00:25:36,040 --> 00:25:36,800 Speaker 4: a good group there. 627 00:25:36,960 --> 00:25:39,200 Speaker 1: He's a tea, he's a champion like and he's so 628 00:25:39,320 --> 00:25:43,480 Speaker 1: articulate and thoughtful his painhass, he's good man, he's a 629 00:25:43,520 --> 00:25:47,200 Speaker 1: good man. Cornered him and I said, mate, Novocastrian. He's 630 00:25:47,200 --> 00:25:49,040 Speaker 1: like yeah, yeah, because you know he's a wood rebook 631 00:25:49,040 --> 00:25:50,960 Speaker 1: bloo Bill don't realize that he's from the coal fields 632 00:25:51,000 --> 00:25:51,600 Speaker 1: and Newcastle. 633 00:25:51,800 --> 00:25:54,840 Speaker 3: Yeah, so now one the Newcastle let sleep away. 634 00:25:55,560 --> 00:25:57,880 Speaker 1: Uh, well they had the opportunity. I think Broncos jumped 635 00:25:57,920 --> 00:25:58,440 Speaker 1: on him early. 636 00:25:58,520 --> 00:26:00,960 Speaker 4: Well, it's hard for new Castle to keep a lot 637 00:26:00,960 --> 00:26:03,119 Speaker 4: of there because they've got such a big it's too 638 00:26:03,200 --> 00:26:05,159 Speaker 4: much to pick from sometimes and it's like how do 639 00:26:05,240 --> 00:26:08,200 Speaker 4: you how do you sometimes having a smaller group and 640 00:26:08,240 --> 00:26:11,520 Speaker 4: like focusing on what you've got as opposed to trying 641 00:26:11,560 --> 00:26:13,760 Speaker 4: to manage this huge thing that's very easy to proach 642 00:26:13,800 --> 00:26:14,200 Speaker 4: from them. 643 00:26:14,720 --> 00:26:16,440 Speaker 1: I said pain and I said mate me, and you 644 00:26:16,640 --> 00:26:20,159 Speaker 1: got something to comment make When Avocastrians people sometimes think, oh, 645 00:26:20,200 --> 00:26:22,919 Speaker 1: you don't live there anymore, you form an Avocastrians. But 646 00:26:22,960 --> 00:26:25,840 Speaker 1: if you're born in that area, you're always an avocation 647 00:26:26,240 --> 00:26:27,400 Speaker 1: in a form you. 648 00:26:27,359 --> 00:26:28,680 Speaker 4: Know, you can't say that anymore. 649 00:26:29,600 --> 00:26:30,600 Speaker 1: Yeah, you're not allowed to say it. 650 00:26:30,680 --> 00:26:31,160 Speaker 3: What do you mean? 651 00:26:31,400 --> 00:26:33,119 Speaker 4: Or like somebody said on the radio there and it 652 00:26:33,160 --> 00:26:36,840 Speaker 4: was getting beat like you're not allowed to say it. 653 00:26:37,000 --> 00:26:37,480 Speaker 2: Just in case. 654 00:26:38,680 --> 00:26:42,240 Speaker 4: I think I think it's seemed like a yeah, distributory 655 00:26:42,240 --> 00:26:45,000 Speaker 4: I suppose against now the. 656 00:26:45,040 --> 00:26:46,040 Speaker 1: Term I think is Inuit. 657 00:26:46,280 --> 00:26:47,920 Speaker 3: That's right in it I double land. 658 00:26:47,840 --> 00:26:51,480 Speaker 1: New It t Inuits with the original occupiers of Japan. 659 00:26:51,920 --> 00:27:00,320 Speaker 4: Really, that's right. Well, will fact check that. 660 00:26:58,160 --> 00:27:02,840 Speaker 1: The Japanese, the Japanese people are a conglominate between between 661 00:27:02,880 --> 00:27:05,520 Speaker 1: all the other countries in Asia. Really, really, you are 662 00:27:05,600 --> 00:27:09,600 Speaker 1: just full of facts. 663 00:27:07,840 --> 00:27:10,679 Speaker 3: And on these points. But some of the facts that 664 00:27:10,720 --> 00:27:12,360 Speaker 3: you're not getting what are you raising your hand? 665 00:27:12,960 --> 00:27:14,240 Speaker 2: You're doing? 666 00:27:14,600 --> 00:27:15,080 Speaker 3: Put me up? 667 00:27:15,440 --> 00:27:17,720 Speaker 2: They're intentional. 668 00:27:17,960 --> 00:27:22,200 Speaker 3: Okay, So last week when we were talking about Birmingham, 669 00:27:22,440 --> 00:27:26,040 Speaker 3: Matt likes to share his little tidbits and said, you know, oh, 670 00:27:26,240 --> 00:27:29,120 Speaker 3: led Zeppelin, deaf Lefford from Birmingham. 671 00:27:28,720 --> 00:27:31,280 Speaker 1: Not deaf Leppard, never Iron Maid. 672 00:27:31,400 --> 00:27:34,680 Speaker 3: Okay, well, iron Maiden they're not led Zeppelin, London, def 673 00:27:34,760 --> 00:27:38,800 Speaker 3: lepperd Sheffield and Iron Maiden also London. You know. But 674 00:27:38,840 --> 00:27:43,160 Speaker 3: the thing is, Matt, you missed total opportunity because there 675 00:27:43,160 --> 00:27:46,560 Speaker 3: were heaps and heaps or bands that came from Birmingham. 676 00:27:46,880 --> 00:27:50,600 Speaker 3: You could have mentioned Black Sabbath, dread Ran, you be. 677 00:27:50,600 --> 00:27:53,960 Speaker 4: Forty, you be forty from Birmingham. 678 00:27:53,960 --> 00:27:54,919 Speaker 1: What do I always think they were? 679 00:27:54,960 --> 00:27:58,920 Speaker 4: Like Jamaican they did that reggae, they called it blue 680 00:27:58,920 --> 00:27:59,400 Speaker 4: Eyed Soul. 681 00:28:00,440 --> 00:28:03,720 Speaker 3: Yes, so sometimes less he's more make it. 682 00:28:03,840 --> 00:28:06,560 Speaker 1: Well, the lead to a vlo Jeff Lynn. He's Liverpoolian, 683 00:28:07,080 --> 00:28:09,240 Speaker 1: so the band might be from Birmingham. But pick you 684 00:28:09,359 --> 00:28:09,960 Speaker 1: up on one. 685 00:28:10,200 --> 00:28:10,920 Speaker 2: Check that as well. 686 00:28:12,119 --> 00:28:15,399 Speaker 1: What have we got now, film Vinyl people and I 687 00:28:15,480 --> 00:28:18,520 Speaker 1: have got something very very special today. The film that 688 00:28:18,560 --> 00:28:20,320 Speaker 1: what we're going to focus on is the career of 689 00:28:20,440 --> 00:28:23,679 Speaker 1: Nicholas Coppola, otherwise known as Nicholas Cage. 690 00:28:23,680 --> 00:28:24,919 Speaker 3: Now he us a Coppola though. 691 00:28:27,320 --> 00:28:30,359 Speaker 1: Yeah, yes, correct, yes it is. And I'm bringing this 692 00:28:30,520 --> 00:28:32,640 Speaker 1: up because he is at the moment in the midst 693 00:28:32,720 --> 00:28:35,880 Speaker 1: of making a movie. People who are sports fans all 694 00:28:35,920 --> 00:28:38,800 Speaker 1: have played Madden the game he's actually going to play 695 00:28:39,120 --> 00:28:42,360 Speaker 1: in the midst of making a movie on John Madden's life. 696 00:28:44,440 --> 00:28:46,560 Speaker 1: Christian Bale, I. 697 00:28:46,840 --> 00:28:49,920 Speaker 2: Think it might be either commentary partner or whatever he is, 698 00:28:50,280 --> 00:28:52,560 Speaker 2: because I'm not too familiar with the NFL commentary team, 699 00:28:52,600 --> 00:28:53,760 Speaker 2: but we. 700 00:28:54,120 --> 00:28:58,680 Speaker 1: Will Jack talking about Navocastrians. The guy who started Fox 701 00:28:58,720 --> 00:29:01,520 Speaker 1: Sports America or that took him there to really up 702 00:29:01,560 --> 00:29:04,360 Speaker 1: the andy on the NFL and the baseball was David Hill, 703 00:29:04,440 --> 00:29:07,680 Speaker 1: who was an overcasting from Newcastle from Mayfield, and we're 704 00:29:07,720 --> 00:29:10,200 Speaker 1: asking him once about the great John Madden, and he 705 00:29:10,240 --> 00:29:13,360 Speaker 1: said John Madden was terrified to fly. So they bought 706 00:29:13,440 --> 00:29:15,600 Speaker 1: him a state of the art, the most expensive winter 707 00:29:15,640 --> 00:29:21,160 Speaker 1: baga and a driver and he's and they used to drive, 708 00:29:21,880 --> 00:29:24,560 Speaker 1: and he had a driver and they fitted out with 709 00:29:24,720 --> 00:29:28,800 Speaker 1: screens and edits and everything within the winter baga, and 710 00:29:28,880 --> 00:29:31,560 Speaker 1: he would drive all around America during the football season. 711 00:29:31,560 --> 00:29:32,000 Speaker 2: That's cool. 712 00:29:32,160 --> 00:29:34,640 Speaker 4: So jeez, I was just about to say John Madden 713 00:29:34,760 --> 00:29:37,280 Speaker 4: is basically the American Rabs, and then you see how 714 00:29:37,360 --> 00:29:38,560 Speaker 4: much more they have in common because. 715 00:29:38,400 --> 00:29:40,040 Speaker 1: Rabs is terrified, terrif flying. 716 00:29:40,680 --> 00:29:41,760 Speaker 4: What is going on there? 717 00:29:41,960 --> 00:29:44,720 Speaker 1: The other one was arsen Vega, the coach of Arsenal 718 00:29:45,720 --> 00:29:49,280 Speaker 1: like rarely flew the other side of Europe. He'd want 719 00:29:49,280 --> 00:29:49,600 Speaker 1: to drive. 720 00:29:50,960 --> 00:29:54,760 Speaker 4: As a coach, Yeah, coach will commentator where you've got 721 00:29:54,760 --> 00:29:56,800 Speaker 4: to be at the games every everybody week. And in 722 00:29:56,840 --> 00:30:00,600 Speaker 4: America he would have done some ridiculous case right my work, 723 00:30:00,640 --> 00:30:02,760 Speaker 4: because you could be commentating one game on the East 724 00:30:02,760 --> 00:30:03,400 Speaker 4: coast straight to the. 725 00:30:03,400 --> 00:30:04,960 Speaker 1: West right the West coast and that's what he would 726 00:30:04,960 --> 00:30:07,080 Speaker 1: sleep in there and just do all its cuts for 727 00:30:07,120 --> 00:30:08,400 Speaker 1: his commentary within the winter. 728 00:30:08,440 --> 00:30:10,520 Speaker 2: Back how many games a week would RABS do. 729 00:30:10,640 --> 00:30:13,640 Speaker 1: Usually cover Back in the day jack he used to 730 00:30:13,640 --> 00:30:16,920 Speaker 1: do because it used to be the Friday game and 731 00:30:16,960 --> 00:30:20,520 Speaker 1: the Sunday game, so he'd do Friday Sunday and then 732 00:30:20,600 --> 00:30:22,440 Speaker 1: later on I think they would they sort of just 733 00:30:22,440 --> 00:30:25,360 Speaker 1: put him on the really big games. Yeah, just when 734 00:30:25,400 --> 00:30:27,320 Speaker 1: he called a game just sounded. 735 00:30:27,240 --> 00:30:28,960 Speaker 2: Well, that's what was my thing. I was like over 736 00:30:28,960 --> 00:30:30,360 Speaker 2: the weekend. If you had to do it too, like 737 00:30:30,440 --> 00:30:32,480 Speaker 2: go one part of the country to the other or whatever, 738 00:30:32,480 --> 00:30:34,640 Speaker 2: it would be geez, that'd be hard to quickly travel. 739 00:30:34,680 --> 00:30:37,280 Speaker 1: To Martin Ifaire, who interviewed him, he said one of 740 00:30:37,320 --> 00:30:39,560 Speaker 1: the reasons why he wanted to come and play in 741 00:30:39,600 --> 00:30:42,360 Speaker 1: the NRL was because he wanted to be called by 742 00:30:42,360 --> 00:30:45,440 Speaker 1: Graham Hughes and Rex Moss. And it was the same 743 00:30:45,880 --> 00:30:48,000 Speaker 1: Like I remember the first time playing in a TV 744 00:30:48,120 --> 00:30:51,240 Speaker 1: game and watching and having Ray Warren call your name. 745 00:30:51,960 --> 00:30:54,560 Speaker 4: It was like surreal, Oh well you see now, like 746 00:30:54,640 --> 00:30:57,600 Speaker 4: even even kids that wouldn't have even listened to Ray 747 00:30:57,640 --> 00:31:01,480 Speaker 4: Warren call a game. When you in personal commentator in Australia, 748 00:31:01,760 --> 00:31:04,440 Speaker 4: typically you do the RABS voice. Yeah right, that's typically 749 00:31:04,480 --> 00:31:06,600 Speaker 4: what you're going to do. I would have rich, I 750 00:31:06,640 --> 00:31:09,280 Speaker 4: would love to. I would love to play Rabs in 751 00:31:09,880 --> 00:31:12,680 Speaker 4: the movie Ray Warren movie when they do it. Just 752 00:31:12,680 --> 00:31:14,280 Speaker 4: putting that out there in case anyone wants to. 753 00:31:14,400 --> 00:31:17,520 Speaker 3: Or even Ray Warren the musical, Yeah, I could do that. 754 00:31:18,320 --> 00:31:24,520 Speaker 1: Matthew to Andrew John's the Matthew variety. Is that very clever? 755 00:31:25,080 --> 00:31:26,120 Speaker 1: You know what? I another? 756 00:31:26,160 --> 00:31:28,760 Speaker 4: Sorry, a little tip for comment young commentators coming out there. 757 00:31:28,800 --> 00:31:31,080 Speaker 4: I listened to a podcast Raps did a long time. 758 00:31:30,960 --> 00:31:32,960 Speaker 1: Ago, and he was talking about. 759 00:31:33,000 --> 00:31:36,920 Speaker 4: How he would closer to the closer the team would 760 00:31:36,920 --> 00:31:39,040 Speaker 4: get to the try line, he would repeat the name 761 00:31:39,120 --> 00:31:40,920 Speaker 4: more so it'd be like, you know, out in the 762 00:31:41,360 --> 00:31:43,240 Speaker 4: if they're attacking out their own end, it'd be like, 763 00:31:43,280 --> 00:31:45,440 Speaker 4: you know, Matthew goes in, but if you're attacking the 764 00:31:45,480 --> 00:31:49,080 Speaker 4: try line in order to push the like intensity out 765 00:31:49,360 --> 00:31:54,080 Speaker 4: and excitement to be like John's John's John'sta Taho, David. 766 00:31:54,640 --> 00:31:57,680 Speaker 2: That's a very race coally type of thing, isn't it? 767 00:31:57,680 --> 00:32:00,800 Speaker 1: Because how he taught himself he was originally race caller Jack. 768 00:32:01,120 --> 00:32:03,360 Speaker 1: When he was a young kid, he'd have a handful 769 00:32:03,360 --> 00:32:06,160 Speaker 1: of marbles with all different colors, and he would write 770 00:32:06,240 --> 00:32:08,320 Speaker 1: down the colors of the marbles and he'd roll them. 771 00:32:08,560 --> 00:32:10,760 Speaker 1: He'd roll them down his driveway and he would commentate 772 00:32:10,800 --> 00:32:11,640 Speaker 1: on the marbles. 773 00:32:11,920 --> 00:32:16,000 Speaker 4: A blue, blue, leading red red from the backfield by. 774 00:32:17,200 --> 00:32:19,320 Speaker 2: The last commentary would have heard anything like that would 775 00:32:19,320 --> 00:32:21,760 Speaker 2: have been Ray Hadley. He did a game two or 776 00:32:21,760 --> 00:32:23,320 Speaker 2: three years back. I think he might have done a 777 00:32:23,360 --> 00:32:25,360 Speaker 2: bit of a guest appearance. He did one game and 778 00:32:25,680 --> 00:32:27,960 Speaker 2: on the coverage, on the TV coverage, and he was 779 00:32:28,040 --> 00:32:29,720 Speaker 2: like that he did it, like he did it, like 780 00:32:30,320 --> 00:32:32,320 Speaker 2: it made me think, Oh, it's very race. 781 00:32:32,120 --> 00:32:35,000 Speaker 1: Course, yes, like yeah, well, back in the day the commentators, 782 00:32:35,040 --> 00:32:36,840 Speaker 1: a lot of the commentators were race callers as well. 783 00:32:37,640 --> 00:32:39,360 Speaker 2: For people like watching the game for the first time, 784 00:32:39,360 --> 00:32:43,120 Speaker 2: they've got to realize too, like that when a team's 785 00:32:43,120 --> 00:32:45,080 Speaker 2: attacking the line in terms of like if you're a 786 00:32:45,080 --> 00:32:47,480 Speaker 2: fan of the defense, it's a very high stakes part 787 00:32:47,520 --> 00:32:49,040 Speaker 2: of the game, like if you know, he let a 788 00:32:49,120 --> 00:32:51,440 Speaker 2: try and so when commentators do that, I actually don't 789 00:32:51,480 --> 00:32:51,800 Speaker 2: mind that. 790 00:32:51,880 --> 00:32:52,480 Speaker 1: I like that. 791 00:32:52,960 --> 00:32:55,080 Speaker 2: I like it, like when they try and perceive it 792 00:32:55,200 --> 00:32:56,760 Speaker 2: like you know, it could just be one pass to 793 00:32:56,800 --> 00:32:59,240 Speaker 2: the other down close to the tryline, but the stakes 794 00:32:59,280 --> 00:33:00,360 Speaker 2: are high. You got to feel it. 795 00:33:00,400 --> 00:33:02,760 Speaker 1: Yeah, you do feel it, my word, and you pick 796 00:33:02,840 --> 00:33:05,360 Speaker 1: up the excitement. If you listen to a commentator who 797 00:33:05,400 --> 00:33:08,200 Speaker 1: is flat like oh yeah, it actually takes away from 798 00:33:08,200 --> 00:33:09,680 Speaker 1: the atmosphere and the excitement of the game. 799 00:33:09,560 --> 00:33:11,600 Speaker 2: With the European commentators. You know how they go. 800 00:33:11,680 --> 00:33:15,440 Speaker 1: They go on Martin Tyler and yeah, do you like that? Trish? 801 00:33:16,160 --> 00:33:18,680 Speaker 1: I heard you have. I was just watching you. Look 802 00:33:18,680 --> 00:33:19,200 Speaker 1: around the room. 803 00:33:19,760 --> 00:33:20,600 Speaker 2: We've lost Trish. 804 00:33:20,840 --> 00:33:23,160 Speaker 4: Ladies and gentlemen, we have lost Trish. 805 00:33:23,480 --> 00:33:26,720 Speaker 1: So he was born. He was born in Long Long Beach, California. 806 00:33:26,800 --> 00:33:30,640 Speaker 1: Nicholas Nicholas Coppola changed his name to Nicholas Cage, cousin 807 00:33:30,680 --> 00:33:33,760 Speaker 1: of Sofia Coppola, who of course made Lost in translation. 808 00:33:35,360 --> 00:33:39,720 Speaker 1: His acting style has been described he invented an acting style. Well, 809 00:33:39,760 --> 00:33:43,320 Speaker 1: he was labeled. His acting style is nouveau shamanic, which 810 00:33:43,480 --> 00:33:45,880 Speaker 1: was an impulsive build into crazy. 811 00:33:47,880 --> 00:33:52,040 Speaker 2: That is absolutely Christian Keys, Christian Bale. He's got nimerous kids. 812 00:33:52,080 --> 00:33:55,200 Speaker 1: One of his sons Western If you're in he plays 813 00:33:55,240 --> 00:33:57,479 Speaker 1: in a death metal band which has a residency at 814 00:33:57,480 --> 00:33:59,800 Speaker 1: the moment Whiskey a Go Go. Trish knows that place 815 00:33:59,840 --> 00:34:00,840 Speaker 1: you thrown out of there. 816 00:34:02,840 --> 00:34:03,960 Speaker 3: He just would let me back in. 817 00:34:04,160 --> 00:34:07,840 Speaker 1: And the first movie was Fast Time as at Ridgement 818 00:34:08,239 --> 00:34:12,520 Speaker 1: Ridgemont High, which he did with Sean Penn and the 819 00:34:12,560 --> 00:34:17,120 Speaker 1: guy who made Happy Gilmore almost almost famous. What was 820 00:34:17,160 --> 00:34:21,960 Speaker 1: his name? That the writer for Rolling Stone Magazine Iconic. Yeah, 821 00:34:22,160 --> 00:34:26,399 Speaker 1: that doesn't matter. Let's move it. Do we love Nicholas Cage. 822 00:34:26,520 --> 00:34:30,680 Speaker 4: I can, I be honest. I like him as a person, 823 00:34:31,000 --> 00:34:34,279 Speaker 4: like he seems like a good blake. But when you 824 00:34:34,320 --> 00:34:36,120 Speaker 4: said you were doing Nicholas Case, I sort of had 825 00:34:36,120 --> 00:34:37,560 Speaker 4: to look through a lot of his movies. 826 00:34:38,239 --> 00:34:40,800 Speaker 1: Not a lot of good stuff. Oh you must be joking. 827 00:34:40,960 --> 00:34:42,719 Speaker 3: A lot of the oldest stuff. 828 00:34:42,760 --> 00:34:46,640 Speaker 1: I think he is in some of those movies all times. 829 00:34:47,200 --> 00:34:49,839 Speaker 4: I think any movie passed like two thousand and two 830 00:34:51,360 --> 00:34:53,400 Speaker 4: when he started to go into like ghost Rider and 831 00:34:53,440 --> 00:34:54,120 Speaker 4: that sort of stuff. 832 00:34:54,160 --> 00:34:54,760 Speaker 1: Well, the one. 833 00:34:54,600 --> 00:34:58,520 Speaker 3: Recently was The Unbearable Way of Massive Talent. I liked that. 834 00:34:58,520 --> 00:35:00,360 Speaker 3: That's my number one actually seen it. 835 00:35:00,440 --> 00:35:01,840 Speaker 4: So maybe maybe I haven't given that it was. 836 00:35:01,880 --> 00:35:03,040 Speaker 3: Him playing himself. 837 00:35:02,880 --> 00:35:05,920 Speaker 2: He's making I don't know if he's made a comeback, 838 00:35:05,960 --> 00:35:09,640 Speaker 2: that's a huge, well massive cool, I'll say, I reckon. 839 00:35:09,719 --> 00:35:11,600 Speaker 2: There's been a few comeback to Nicholas. But I do 840 00:35:11,640 --> 00:35:13,560 Speaker 2: love him. I love his style. I love it when 841 00:35:13,600 --> 00:35:14,280 Speaker 2: he goes crazy. 842 00:35:14,840 --> 00:35:16,080 Speaker 3: He does crazy, Well. 843 00:35:15,880 --> 00:35:17,520 Speaker 1: What's the one where he goes the bees? 844 00:35:22,239 --> 00:35:30,760 Speaker 4: Many of his movies we got aloud this plane, Yeah. 845 00:35:28,600 --> 00:35:31,280 Speaker 1: Give us your goals from Bronze to gold. 846 00:35:31,320 --> 00:35:33,560 Speaker 3: Okay, well, I've only seen a bit of it leaving 847 00:35:33,600 --> 00:35:41,759 Speaker 3: Las Vegas at number number two conn Air, mainly because 848 00:35:41,800 --> 00:35:44,480 Speaker 3: of the song Trisha would sing, how do I live anyway? 849 00:35:44,600 --> 00:35:46,600 Speaker 2: He wears a single copper he does. 850 00:35:46,640 --> 00:35:49,520 Speaker 3: It is just throw out of the slammer. And I'm 851 00:35:49,560 --> 00:35:53,680 Speaker 3: giving just because I saw it most recently, the goal 852 00:35:53,760 --> 00:35:55,920 Speaker 3: to the Unbearable Weight of Massive Talent, because I just 853 00:35:55,920 --> 00:35:59,680 Speaker 3: thought it was a very interesting concept playing himself. 854 00:36:01,000 --> 00:36:03,840 Speaker 2: Yeah, very good. Me my Bron's the Unbearable Weight of 855 00:36:03,880 --> 00:36:07,200 Speaker 2: Massive Talent Pedro Pascal. I thought that was hilarious. And 856 00:36:07,280 --> 00:36:11,080 Speaker 2: if you're a Nicholas cage fan, highly recommended My Silver 857 00:36:11,160 --> 00:36:13,520 Speaker 2: is the Rock with Sean Gonnery. 858 00:36:14,560 --> 00:36:15,399 Speaker 1: Great, very good. 859 00:36:15,520 --> 00:36:16,880 Speaker 2: Yeah. One of the great movies. 860 00:36:17,560 --> 00:36:18,880 Speaker 4: Do you need to watch something? Is that? 861 00:36:18,920 --> 00:36:22,600 Speaker 3: The one about the San Francisco Yeah, Alcatraz? 862 00:36:22,880 --> 00:36:23,360 Speaker 1: Alcatraz. 863 00:36:23,440 --> 00:36:25,759 Speaker 2: It's very good. May give that a go. And then 864 00:36:25,800 --> 00:36:28,120 Speaker 2: my favorite, and I recommend people to watch this. It 865 00:36:28,200 --> 00:36:31,400 Speaker 2: is not a Nicholas Cagey style movie. It is, but 866 00:36:31,480 --> 00:36:33,959 Speaker 2: it isn't. He plays very good. Is Lord of War 867 00:36:34,239 --> 00:36:37,720 Speaker 2: two thousand and five? Plays like this Arms Dealer. It 868 00:36:37,760 --> 00:36:41,040 Speaker 2: is a great flick. You have seen it before. 869 00:36:40,920 --> 00:36:44,160 Speaker 4: Highly and I have seen that is brilliant. Didn't even 870 00:36:44,160 --> 00:36:45,759 Speaker 4: put it on my freaking list, Bronze. 871 00:36:46,400 --> 00:36:47,720 Speaker 1: This is going to sound stupid. 872 00:36:47,920 --> 00:36:50,960 Speaker 4: The Sorcerer's Apprentice, You're right. 873 00:36:53,640 --> 00:36:54,520 Speaker 2: He has the voice of that. 874 00:36:54,800 --> 00:36:56,640 Speaker 4: That's the guy who's like he's always in like Seth 875 00:36:56,719 --> 00:36:57,759 Speaker 4: Rogan Jona Hill movies. 876 00:36:57,800 --> 00:36:58,399 Speaker 1: He's like the nerd. 877 00:36:58,440 --> 00:37:00,000 Speaker 4: He goes like, come on, Seth, we need to go. 878 00:37:00,360 --> 00:37:01,960 Speaker 2: You know who he is is that he plays the 879 00:37:02,000 --> 00:37:03,560 Speaker 2: cartoon of the How to Train the Dragon. 880 00:37:03,719 --> 00:37:06,319 Speaker 4: Yeah, yeah, he's yes, he does to Train the Dragon, 881 00:37:06,400 --> 00:37:08,560 Speaker 4: So that real whiny voice. I like him though. Anyway, 882 00:37:08,600 --> 00:37:11,239 Speaker 4: he's like a he's an expert wizard who's teaching this 883 00:37:11,320 --> 00:37:18,600 Speaker 4: young sorcerer anyway, So ship yeah, Silver National Treasure only 884 00:37:18,640 --> 00:37:21,040 Speaker 4: because it was one I'd seen me and Jack's childhood. 885 00:37:21,080 --> 00:37:22,440 Speaker 4: A lot of people our age would have seen it. 886 00:37:22,680 --> 00:37:24,640 Speaker 2: That's he's highly his highest rated on. 887 00:37:25,120 --> 00:37:25,760 Speaker 3: What is it about? 888 00:37:26,080 --> 00:37:28,720 Speaker 4: It's like it's kind of like think like Indiana Jones, 889 00:37:28,719 --> 00:37:30,359 Speaker 4: but like more modern and less good. 890 00:37:30,560 --> 00:37:30,759 Speaker 2: Yeah. 891 00:37:31,680 --> 00:37:35,520 Speaker 1: Perfect for kids. They've got a map they're trying to 892 00:37:35,520 --> 00:37:36,080 Speaker 1: find treasure. 893 00:37:36,960 --> 00:37:39,640 Speaker 4: Gold conn Air. I'm a big fan of Connair. 894 00:37:39,719 --> 00:37:41,120 Speaker 1: I do like he's very good. 895 00:37:41,120 --> 00:37:42,000 Speaker 3: I did like that too. 896 00:37:42,560 --> 00:37:46,200 Speaker 1: I've gone Bronze Face Off with John travolda great movie. 897 00:37:46,600 --> 00:37:47,480 Speaker 3: It wasn't a bad one. 898 00:37:47,680 --> 00:37:53,680 Speaker 2: He plays Roy. It's even very good. Nobody plays the 899 00:37:53,760 --> 00:37:56,239 Speaker 2: villain in that. He played a very good villain. He's 900 00:37:56,239 --> 00:37:59,399 Speaker 2: actually over the top, really as you expected Nicolas Cage, 901 00:37:59,400 --> 00:38:00,200 Speaker 2: but he's very h. 902 00:38:01,200 --> 00:38:06,040 Speaker 1: Connie Silver fantastic Gold is Lord of War, which is 903 00:38:06,080 --> 00:38:09,359 Speaker 1: a true true story. It's insane. It was on. It's 904 00:38:09,400 --> 00:38:13,040 Speaker 1: based on the life of Victor Boot who was a 905 00:38:13,120 --> 00:38:15,960 Speaker 1: guy who when the Berlin Wall came down and communism 906 00:38:16,000 --> 00:38:18,360 Speaker 1: nded went around and was taking all stuff off the 907 00:38:18,400 --> 00:38:21,040 Speaker 1: Russian army and then selm to were African and Third 908 00:38:21,080 --> 00:38:25,240 Speaker 1: World countries. It's a phenoms incredible, it's a great movie. Okay, 909 00:38:25,320 --> 00:38:26,680 Speaker 1: who's up next? What have we got you? 910 00:38:27,280 --> 00:38:28,040 Speaker 2: Recipe of the week? 911 00:38:28,520 --> 00:38:30,760 Speaker 1: Oh yeah, come back, old mate. 912 00:38:30,640 --> 00:38:33,760 Speaker 2: Welcome bait, old buddy. Today I'm doing with hit winter 913 00:38:34,920 --> 00:38:36,799 Speaker 2: and in these in the New South Wales state, things 914 00:38:36,800 --> 00:38:38,480 Speaker 2: are getting a bit cold in Queensland. I'm sure you're 915 00:38:38,520 --> 00:38:41,200 Speaker 2: nice and toasty still, but I've gone with a The 916 00:38:41,200 --> 00:38:44,040 Speaker 2: other night I made potato and bacon soup. How was 917 00:38:44,080 --> 00:38:48,640 Speaker 2: it good? Had it yesterday? For had it yesterday for 918 00:38:48,719 --> 00:38:51,920 Speaker 2: lunch as well leftover. So what we're going to do is, guys, 919 00:38:52,000 --> 00:38:54,520 Speaker 2: we're going to cook some bacon. You know all these 920 00:38:54,600 --> 00:38:58,080 Speaker 2: You remember how I went with like teaspoons and milligrad. 921 00:38:58,640 --> 00:39:03,600 Speaker 2: Screw it, do it yourself. Figure it out. Cook some 922 00:39:03,640 --> 00:39:06,480 Speaker 2: bacon until crispy on a pan, remove and set it aside. 923 00:39:06,760 --> 00:39:09,320 Speaker 2: So I take some onions and celery in the bacon fat. 924 00:39:09,880 --> 00:39:12,080 Speaker 2: Let it, you know, add some garlic and thick and 925 00:39:12,120 --> 00:39:16,319 Speaker 2: cream at the same time and stir very well. Die 926 00:39:16,400 --> 00:39:19,080 Speaker 2: some potatoes and mix through its thoroughly. Throw it in 927 00:39:19,400 --> 00:39:22,920 Speaker 2: and now chuck in three cups of chicken broth in 928 00:39:23,400 --> 00:39:27,279 Speaker 2: stop chicken stock ice, use stock cubes. Chucked it in 929 00:39:27,320 --> 00:39:29,600 Speaker 2: and made three cups of it, and then bring it 930 00:39:29,640 --> 00:39:32,760 Speaker 2: to a boil and let it simmer. Obviously, chuck the 931 00:39:33,040 --> 00:39:36,520 Speaker 2: bacon in now at this point and let it simmer 932 00:39:36,560 --> 00:39:39,400 Speaker 2: the potatoes for about but I said twenty five minutes. 933 00:39:39,560 --> 00:39:42,040 Speaker 2: Let it cook, and let the potatoes cook nice and fine. 934 00:39:42,160 --> 00:39:45,640 Speaker 2: Add some salt and pepper at your discretion, and then 935 00:39:45,960 --> 00:39:48,160 Speaker 2: keep stealing it around boom as yet to the end. 936 00:39:48,200 --> 00:39:50,480 Speaker 2: If the potatoes don't mash enough, just give them a 937 00:39:50,520 --> 00:39:54,200 Speaker 2: little bit of a something help along, let it, let 938 00:39:54,200 --> 00:39:57,360 Speaker 2: it thicken up the soup or the broth at that stage, 939 00:39:57,360 --> 00:39:59,799 Speaker 2: but then it turns into a soup, and then serve 940 00:40:00,480 --> 00:40:00,959 Speaker 2: with some bread. 941 00:40:01,000 --> 00:40:04,200 Speaker 3: It is delous, Chris, crunchy bread with lots of jaco can. 942 00:40:04,239 --> 00:40:05,960 Speaker 3: I ask, did you leave the skin on the potatoes? 943 00:40:06,080 --> 00:40:06,319 Speaker 2: I did? 944 00:40:06,480 --> 00:40:09,200 Speaker 3: I peel, Yeah, I did, because I've had one before 945 00:40:09,280 --> 00:40:11,360 Speaker 3: with the skin on, and it's actually quite nice to 946 00:40:11,400 --> 00:40:12,120 Speaker 3: get that through the cua. 947 00:40:12,200 --> 00:40:14,960 Speaker 1: You've got to rip the skin off, you go. You 948 00:40:15,000 --> 00:40:17,759 Speaker 1: got a sizzler mate with the potato were they were 949 00:40:17,840 --> 00:40:18,279 Speaker 1: left his kin? 950 00:40:20,040 --> 00:40:22,440 Speaker 3: Soup weather it is and it's economical to you. 951 00:40:22,360 --> 00:40:25,040 Speaker 1: Said you washed? You ate it the next day? A question? 952 00:40:25,239 --> 00:40:28,040 Speaker 1: What food do you think is the best? Second and 953 00:40:28,080 --> 00:40:32,160 Speaker 1: third day? Pizza is good pizzas I don't. I don't 954 00:40:32,200 --> 00:40:35,240 Speaker 1: like pizza. I just found it heat it up too sloppy. 955 00:40:35,760 --> 00:40:38,000 Speaker 2: You know what I had the other day and it 956 00:40:38,239 --> 00:40:42,520 Speaker 2: was surprisingly good. Cooper. I picked Cooper and Jam up 957 00:40:42,960 --> 00:40:45,120 Speaker 2: a night sometime a couple of weeks back, and we're 958 00:40:45,160 --> 00:40:48,000 Speaker 2: coming back and they picked up apple pies and we 959 00:40:48,080 --> 00:40:50,640 Speaker 2: got here and neither of them ate them, so they 960 00:40:50,680 --> 00:40:53,240 Speaker 2: were put in the fridge. You know that, Matt McDonald's 961 00:40:53,640 --> 00:40:56,520 Speaker 2: used to I sweet, And the next day I saw 962 00:40:56,560 --> 00:40:58,759 Speaker 2: them in there the next night, like the twenty four 963 00:40:58,760 --> 00:41:02,759 Speaker 2: hours later, and I went, oh, they went Jack's. I 964 00:41:02,800 --> 00:41:08,799 Speaker 2: didn't even heat them up, outstanding the question. 965 00:41:08,920 --> 00:41:10,960 Speaker 1: There's a bit of an urban miscounting around that it 966 00:41:11,000 --> 00:41:11,960 Speaker 1: was actually rubab. 967 00:41:13,320 --> 00:41:17,719 Speaker 3: The urban myth was that they were chokoso because Jaco 968 00:41:17,920 --> 00:41:21,000 Speaker 3: apparently and in other apple pipe things too, because it 969 00:41:21,160 --> 00:41:24,920 Speaker 3: was a cheaper version and it takes on the flame 970 00:41:25,000 --> 00:41:25,799 Speaker 3: cold cold. 971 00:41:25,840 --> 00:41:28,560 Speaker 4: The next day cold tie is very good too. I 972 00:41:28,640 --> 00:41:30,080 Speaker 4: don't even need to heat it up. You just have 973 00:41:30,239 --> 00:41:31,040 Speaker 4: tie the next day. 974 00:41:32,239 --> 00:41:34,879 Speaker 1: A Mongolian lamb the next day. Chinese food the next 975 00:41:34,960 --> 00:41:36,200 Speaker 1: day is straw. 976 00:41:36,560 --> 00:41:39,640 Speaker 4: It's something about when you letting that msg just simmer 977 00:41:39,680 --> 00:41:42,280 Speaker 4: overnight under duress and the cold. 978 00:41:42,800 --> 00:41:43,560 Speaker 2: Oh my god. 979 00:41:43,760 --> 00:41:45,680 Speaker 4: You know what reminds do you guys remember that old 980 00:41:45,719 --> 00:41:50,560 Speaker 4: commercial Jack just talking about chicken broth thro one, Chicken tonight, 981 00:41:51,280 --> 00:41:52,040 Speaker 4: Chicken tonight. 982 00:41:52,560 --> 00:41:55,200 Speaker 3: I like chicken tonight, Yeah, that one. 983 00:41:55,400 --> 00:41:56,960 Speaker 4: And then the kid goes, Mum, can I have chicken 984 00:41:57,040 --> 00:41:59,560 Speaker 4: tonight tomorrow? You remember that tonight? 985 00:42:00,160 --> 00:42:01,600 Speaker 1: That? Yeah, that's what I just said. 986 00:42:01,719 --> 00:42:03,600 Speaker 3: You said tomorrow. You didn't say tomorrow night, I have 987 00:42:03,719 --> 00:42:04,439 Speaker 3: chicken tonight tomorrow. 988 00:42:04,480 --> 00:42:06,759 Speaker 1: N I don't watch when the ads are not going 989 00:42:06,880 --> 00:42:07,440 Speaker 1: urinate or go. 990 00:42:07,960 --> 00:42:10,120 Speaker 2: I always s when I think of that for some reason. Remember, 991 00:42:10,239 --> 00:42:12,120 Speaker 2: there was like this, there was like the Italian sauces, 992 00:42:12,160 --> 00:42:14,319 Speaker 2: you know, like the creams for lasagna and stuff like that. 993 00:42:14,400 --> 00:42:17,280 Speaker 2: And then there's the two puppets. There's the two puppets 994 00:42:17,280 --> 00:42:19,360 Speaker 2: that would like sit there and they're like, honestly, like 995 00:42:19,400 --> 00:42:20,319 Speaker 2: the most is. 996 00:42:20,239 --> 00:42:24,279 Speaker 1: That the one you get the Yeah, it was like 997 00:42:24,400 --> 00:42:24,959 Speaker 1: prob it. 998 00:42:24,880 --> 00:42:26,640 Speaker 2: Was just so hardcore Italian and. 999 00:42:26,760 --> 00:42:27,880 Speaker 1: Yeah Domio. 1000 00:42:29,760 --> 00:42:30,480 Speaker 3: Giving everyone. 1001 00:42:31,320 --> 00:42:35,360 Speaker 4: Yeah, there is something so good about an old jingle 1002 00:42:35,400 --> 00:42:37,360 Speaker 4: on an ad like Chicken tonight that's stuck with me 1003 00:42:37,400 --> 00:42:40,200 Speaker 4: for years, like that stuck with me for ages. 1004 00:42:40,239 --> 00:42:42,120 Speaker 1: And tong. Yeah I love that. I love the old 1005 00:42:42,120 --> 00:42:42,400 Speaker 1: guy that. 1006 00:42:42,400 --> 00:42:45,520 Speaker 4: Walks through and goes go hungry, thirsty, dead. 1007 00:42:46,200 --> 00:42:50,560 Speaker 1: Susted or Canton was making can tong doesn't take long 1008 00:42:50,880 --> 00:42:52,040 Speaker 1: for the mood together around. 1009 00:42:52,040 --> 00:42:54,399 Speaker 2: Oh yes, yes, yes, yes, I do remember that. Yeah, 1010 00:42:54,400 --> 00:42:56,480 Speaker 2: I'm just giving you some support and nobody was talking 1011 00:42:56,480 --> 00:42:57,000 Speaker 2: about you guys. 1012 00:42:57,040 --> 00:42:59,120 Speaker 1: Remember I was in an l c M commercial as 1013 00:42:59,120 --> 00:42:59,640 Speaker 1: a kid. 1014 00:43:00,040 --> 00:43:01,480 Speaker 3: Did we've actually see it on the screen? 1015 00:43:02,040 --> 00:43:04,200 Speaker 4: It did, but I was in the background of the 1016 00:43:04,280 --> 00:43:06,520 Speaker 4: LC commercial you remember I was at the Fizzy Bubbler. 1017 00:43:06,560 --> 00:43:08,480 Speaker 4: I was set at a school and I would have 1018 00:43:08,480 --> 00:43:12,120 Speaker 4: been like fifteen maybe, Oh god, no, Cooper was younger, 1019 00:43:12,239 --> 00:43:15,719 Speaker 4: twelve or like eleven. And I walked in and I 1020 00:43:15,760 --> 00:43:18,239 Speaker 4: was an extra in the background, the main kid like 1021 00:43:18,280 --> 00:43:20,120 Speaker 4: he didn't have the talent that I did. Clearly they 1022 00:43:20,120 --> 00:43:23,000 Speaker 4: had talent. What's he doing these dayshit talent? He's so 1023 00:43:23,080 --> 00:43:27,560 Speaker 4: he's hosting the morning show. That was Larry MdeR. But 1024 00:43:27,640 --> 00:43:30,480 Speaker 4: I was in the background and they my outfit, my costume, 1025 00:43:30,520 --> 00:43:32,520 Speaker 4: as we say in the industry, I was like a 1026 00:43:32,680 --> 00:43:35,320 Speaker 4: sort of a bucket hat with one of those long strings, 1027 00:43:35,560 --> 00:43:37,600 Speaker 4: and I'm down. My first take, I was down and 1028 00:43:37,880 --> 00:43:39,640 Speaker 4: like I was beating the camera, just me and me 1029 00:43:39,640 --> 00:43:41,640 Speaker 4: in the back. I'm down drinking out of the bubbler 1030 00:43:41,680 --> 00:43:43,320 Speaker 4: and I'm going They're like, say, they're about three seconds 1031 00:43:43,360 --> 00:43:44,839 Speaker 4: and then run off, like you're gonna go play soccer 1032 00:43:44,920 --> 00:43:46,520 Speaker 4: on the oval. Oh and sweet, I can do that. 1033 00:43:46,719 --> 00:43:49,920 Speaker 4: I'm down there and I'm going one, two, three, and 1034 00:43:50,000 --> 00:43:52,239 Speaker 4: I hit my time and I go to run off 1035 00:43:52,560 --> 00:43:54,680 Speaker 4: the bottom of my bucket hat gets caught on the 1036 00:43:54,680 --> 00:43:57,359 Speaker 4: bubbler and I go bus and it pulls me back 1037 00:43:57,440 --> 00:43:59,640 Speaker 4: nearly broke my neck and I've fallen on the ground. 1038 00:44:00,080 --> 00:44:00,560 Speaker 2: Is ready to go? 1039 00:44:00,680 --> 00:44:01,359 Speaker 4: Fucking Todd. 1040 00:44:03,440 --> 00:44:06,600 Speaker 1: We got some dead shoot in the background ourselves an asshole. 1041 00:44:06,719 --> 00:44:08,800 Speaker 4: I remember I got paid one hundred. 1042 00:44:08,600 --> 00:44:09,000 Speaker 1: Bucks for that. 1043 00:44:09,080 --> 00:44:11,279 Speaker 3: Yeah, I was stage mom sitting out in. 1044 00:44:11,960 --> 00:44:14,560 Speaker 4: Going come on ty bright, punchy Cooper did they did not? 1045 00:44:14,920 --> 00:44:16,640 Speaker 4: She was like, it's only one of those dance moms. 1046 00:44:16,640 --> 00:44:18,040 Speaker 1: At the end of it, you did Tom Hardy and 1047 00:44:18,040 --> 00:44:20,800 Speaker 1: worry what I said? You win me to wined with bucks. 1048 00:44:25,120 --> 00:44:28,319 Speaker 4: But I never actually I stopped doing commercials after that. 1049 00:44:28,360 --> 00:44:29,080 Speaker 4: May remember I didn't. 1050 00:44:29,120 --> 00:44:30,680 Speaker 2: I think I was embarrassed after that. 1051 00:44:32,360 --> 00:44:34,480 Speaker 3: A few auditions and I think you didn't like the rejection. 1052 00:44:35,160 --> 00:44:37,279 Speaker 2: He doesn't hate reject I really. 1053 00:44:37,200 --> 00:44:38,879 Speaker 3: Hated it when they made you go all the way 1054 00:44:38,880 --> 00:44:42,320 Speaker 3: out to Fox Studios or somewhere like that traffic. 1055 00:44:42,480 --> 00:44:44,399 Speaker 4: Look at me for an audition. Look at me now. 1056 00:44:44,800 --> 00:44:46,560 Speaker 1: He doesn't get out of bed for anything more than 1057 00:44:46,560 --> 00:44:49,280 Speaker 1: a fifty pineapples. 1058 00:44:50,000 --> 00:44:52,840 Speaker 2: All right, guys, now we have our quiz today. I'm hosting. 1059 00:44:52,880 --> 00:44:55,600 Speaker 2: I've done one for a while. What okay, Cooper? I 1060 00:44:55,640 --> 00:44:57,640 Speaker 2: want you to keep score for me, if that's possible. 1061 00:44:58,440 --> 00:45:03,759 Speaker 2: Playing Today's quiz is on Nicholas Cage. Yes, it's quite 1062 00:45:03,760 --> 00:45:05,239 Speaker 2: good for our listeners too, because I think there's been 1063 00:45:05,239 --> 00:45:06,799 Speaker 2: a lot of hints at the answers here for them 1064 00:45:06,840 --> 00:45:09,040 Speaker 2: so they can sort of figure it out. Call yourself 1065 00:45:09,080 --> 00:45:12,040 Speaker 2: by your name and here we go. Are you ready? 1066 00:45:12,800 --> 00:45:14,960 Speaker 2: What is Nicholas Cage's real last name? 1067 00:45:14,960 --> 00:45:17,480 Speaker 1: Matt Matthew, Nicholas Coppola. 1068 00:45:17,800 --> 00:45:23,080 Speaker 2: Well done, Matthew. One point, by the way his family, Okay. 1069 00:45:23,480 --> 00:45:27,200 Speaker 2: Second question, what is what treasure? Is Nicholas Cage hunting 1070 00:45:27,239 --> 00:45:32,160 Speaker 2: in national treasure? Yes, and he says that if you 1071 00:45:32,160 --> 00:45:34,640 Speaker 2: don't get it, is it gold? 1072 00:45:34,960 --> 00:45:36,560 Speaker 1: No over create the golden fleece. 1073 00:45:36,760 --> 00:45:42,040 Speaker 2: No true duels. It was the declaration of independence. 1074 00:45:42,800 --> 00:45:47,319 Speaker 1: To hunt who kissed? Well, maybe people that are trying 1075 00:45:47,360 --> 00:45:49,720 Speaker 1: to be free from oppression, emancipationient. 1076 00:45:50,040 --> 00:45:51,680 Speaker 3: I don't think it's going to make a difference. I 1077 00:45:51,719 --> 00:45:52,520 Speaker 3: think we need more than that. 1078 00:45:52,760 --> 00:45:56,600 Speaker 2: Thanks, it goes no your history, Know your American history? 1079 00:45:57,000 --> 00:46:00,239 Speaker 2: Which nineteen ninety seven action film features Cage and Vault 1080 00:46:00,280 --> 00:46:06,160 Speaker 2: swapping face Matthew face off, Yes, ding two points Matthew 1081 00:46:06,600 --> 00:46:07,840 Speaker 2: mil to other very. 1082 00:46:07,680 --> 00:46:11,240 Speaker 1: Fast, fast and most anticipation. That's how you got pregnant. 1083 00:46:11,280 --> 00:46:17,120 Speaker 2: Perspiration number four. What movies does Cage as a stunt 1084 00:46:17,160 --> 00:46:19,320 Speaker 2: motorcyclist who makes a deal with the devil. 1085 00:46:20,040 --> 00:46:24,720 Speaker 4: Ghost Rader, Yes, ghost Rader. 1086 00:46:25,040 --> 00:46:25,360 Speaker 1: Okay. 1087 00:46:25,440 --> 00:46:29,120 Speaker 2: The next one is A A B C multiple choice. 1088 00:46:29,160 --> 00:46:31,960 Speaker 2: Here we go. How many movies has Nicholas ca Is done? 1089 00:46:32,239 --> 00:46:32,640 Speaker 3: Trisha? 1090 00:46:33,200 --> 00:46:35,880 Speaker 2: Yeahs, I'll give it to it because she hasn't got 1091 00:46:35,920 --> 00:46:39,560 Speaker 2: a point yet. A seventy eight B ninety eight see 1092 00:46:39,600 --> 00:46:44,879 Speaker 2: over one hundred, see ding ding ding? Tris John's two 1093 00:46:44,840 --> 00:46:46,319 Speaker 2: to one one, He's over. 1094 00:46:47,480 --> 00:46:48,600 Speaker 1: It would have been a few bloods. 1095 00:46:48,760 --> 00:46:55,640 Speaker 2: Yeah, okay. What movie features Cage escaping Alcatraz? 1096 00:46:55,719 --> 00:46:56,000 Speaker 1: Cooper? 1097 00:46:56,840 --> 00:46:59,839 Speaker 2: The Rocky Lda. 1098 00:47:00,239 --> 00:47:01,479 Speaker 1: Well, the French version? 1099 00:47:02,920 --> 00:47:03,399 Speaker 3: I can't win. 1100 00:47:03,560 --> 00:47:06,799 Speaker 2: Question seven is the final bonus answer? The boys are 1101 00:47:06,800 --> 00:47:09,480 Speaker 2: tied up? No, no, tri I'm sorry, you're out. The 1102 00:47:09,520 --> 00:47:11,520 Speaker 2: boys are tied up? On two? All we need hear? 1103 00:47:11,600 --> 00:47:15,040 Speaker 2: This is the deal breaker? Okay, film heads on? 1104 00:47:15,520 --> 00:47:15,960 Speaker 4: It is on? 1105 00:47:16,200 --> 00:47:20,279 Speaker 2: What film has Cage? Sorry, restate that, what film has 1106 00:47:20,360 --> 00:47:23,720 Speaker 2: Cage playing a fictional version of himself? Matt Matthew? 1107 00:47:24,360 --> 00:47:30,320 Speaker 1: The unbearable weight of being great? 1108 00:47:30,360 --> 00:47:32,919 Speaker 2: Wait? Wait, Cooper, you can come in with the steel here. 1109 00:47:34,680 --> 00:47:38,520 Speaker 2: We've been saying it all ever, so I'll give it 1110 00:47:38,560 --> 00:47:40,320 Speaker 2: to you. It's the unbearable weight. 1111 00:47:40,200 --> 00:47:49,120 Speaker 4: Of the unbearable weight of massive talent. Yes you are, 1112 00:47:52,000 --> 00:47:53,680 Speaker 4: okay talent. 1113 00:47:54,600 --> 00:47:56,560 Speaker 1: Someone fed in the lines lines. 1114 00:47:58,480 --> 00:47:59,399 Speaker 3: Good stage mother. 1115 00:48:00,040 --> 00:48:02,960 Speaker 4: See there she is the l CM commercial Cooper type pride. 1116 00:48:03,000 --> 00:48:03,919 Speaker 4: Kick those hands up. 1117 00:48:04,680 --> 00:48:09,040 Speaker 1: Pride and make them hay, get out of hay. Okay, excellent. 1118 00:48:09,560 --> 00:48:13,080 Speaker 1: See your paper right, people, you got something kind of abrupt. 1119 00:48:13,480 --> 00:48:17,160 Speaker 3: No, no, I've got to blow my nose. I'm trying not. 1120 00:48:17,080 --> 00:48:18,839 Speaker 2: To, like, well, turn people off. Not true. 1121 00:48:18,880 --> 00:48:20,799 Speaker 1: She's got to get off the babe. Okay, have a 1122 00:48:20,800 --> 00:48:21,560 Speaker 1: good week, guys. 1123 00:48:22,480 --> 00:48:23,000 Speaker 3: Good Bye,