1 00:00:00,880 --> 00:00:03,680 Speaker 1: Fizzy and with us it is Fitzy him ever with 2 00:00:03,720 --> 00:00:06,640 Speaker 1: you on no Over for your Wednesday morning. We always 3 00:00:06,680 --> 00:00:09,000 Speaker 1: love getting this man in for a bit of a laugh. 4 00:00:09,039 --> 00:00:11,240 Speaker 1: He's got a new album out, Once Upon a Mine 5 00:00:11,680 --> 00:00:13,319 Speaker 1: is out now and you can grab tickets to see 6 00:00:13,360 --> 00:00:16,599 Speaker 1: him back in Australia. Excited about this in November at 7 00:00:16,680 --> 00:00:20,280 Speaker 1: James Blunt dot com. I'm you know what I'm getting 8 00:00:20,320 --> 00:00:23,759 Speaker 1: emotional now just introducing him. It is the magnificent James Blunt. 9 00:00:24,040 --> 00:00:26,720 Speaker 2: Welcome body, Thank you so much. It's very good to 10 00:00:26,720 --> 00:00:27,320 Speaker 2: see you guys. 11 00:00:27,400 --> 00:00:30,280 Speaker 1: Well, can I just say, look, let's start with a 12 00:00:30,360 --> 00:00:33,440 Speaker 1: serious note because there is a beautiful song on this 13 00:00:33,960 --> 00:00:36,520 Speaker 1: album which is called Monsters, which is about your father. 14 00:00:36,560 --> 00:00:37,479 Speaker 1: He's a bit of the song. 15 00:00:37,320 --> 00:00:43,559 Speaker 2: Here your son, your no, my fu We're. 16 00:00:47,560 --> 00:00:50,200 Speaker 1: It's very emotional, beautiful song, very very emotional. 17 00:00:50,240 --> 00:00:50,440 Speaker 3: Now. 18 00:00:50,520 --> 00:00:52,000 Speaker 1: I saw you on the project the other night. You 19 00:00:52,000 --> 00:00:54,520 Speaker 1: were talking about your father. He is waiting for life 20 00:00:54,560 --> 00:00:58,520 Speaker 1: saving surgery, a kidney operation, a transplant. Can you give 21 00:00:58,600 --> 00:00:59,680 Speaker 1: us an update what's going on? 22 00:00:59,800 --> 00:01:01,959 Speaker 4: J Yeah, So you know I wrote the song where 23 00:01:02,000 --> 00:01:04,480 Speaker 4: my dad told me he had stage four chronic kidney disease. 24 00:01:04,720 --> 00:01:07,400 Speaker 4: And you know that's when you realize your parents' mortality, 25 00:01:07,440 --> 00:01:07,720 Speaker 4: isn't it? 26 00:01:07,720 --> 00:01:09,640 Speaker 2: And if you do, it's a chapter that all of 27 00:01:09,720 --> 00:01:10,480 Speaker 2: us have to go through. 28 00:01:10,520 --> 00:01:12,560 Speaker 4: And you just hope that it's not early in your 29 00:01:12,560 --> 00:01:14,000 Speaker 4: life and you leave it as long as possible. And 30 00:01:14,000 --> 00:01:16,520 Speaker 4: so it's been an amazing experience of writing this song 31 00:01:16,560 --> 00:01:19,440 Speaker 4: and being able to say things to him. Our news 32 00:01:19,480 --> 00:01:22,080 Speaker 4: actually is that you know, over this week as we speak, 33 00:01:22,120 --> 00:01:24,920 Speaker 4: he's going in for that transplant, which is amazing. We'll 34 00:01:24,920 --> 00:01:25,520 Speaker 4: see if it takes. 35 00:01:25,640 --> 00:01:27,640 Speaker 5: Is it hard though, because every time you will sing 36 00:01:27,680 --> 00:01:29,920 Speaker 5: that song, it's going to reopen a wound for you. 37 00:01:31,400 --> 00:01:31,600 Speaker 1: Yeah. 38 00:01:31,600 --> 00:01:34,480 Speaker 4: Well, while it's still a live things are okay. I 39 00:01:34,160 --> 00:01:36,440 Speaker 4: mean he's in the video and the video is amazing. 40 00:01:36,440 --> 00:01:41,240 Speaker 4: It's me blubbing my eyes out, and then we pull 41 00:01:41,280 --> 00:01:42,959 Speaker 4: back and you see my father's beside me and he's 42 00:01:42,959 --> 00:01:45,039 Speaker 4: not blubbing his eyes out and he's looking at me confused. 43 00:01:46,680 --> 00:01:48,559 Speaker 2: On earth are you doing? And I'm still here? 44 00:01:49,400 --> 00:01:51,920 Speaker 4: And it was It's magical to get him on film, 45 00:01:52,400 --> 00:01:53,880 Speaker 4: you know, I do say to him, come on, daddy, 46 00:01:53,920 --> 00:01:55,640 Speaker 4: and if you do pop your clogs this this song 47 00:01:55,640 --> 00:01:56,560 Speaker 4: will be worth much more. 48 00:01:59,480 --> 00:02:02,200 Speaker 1: Actually, can I just quickly bring up because I recently 49 00:02:02,240 --> 00:02:04,600 Speaker 1: did something for an organization called Raise and it was 50 00:02:04,600 --> 00:02:07,080 Speaker 1: called letters to your mentor and people who made a 51 00:02:07,120 --> 00:02:09,920 Speaker 1: difference in your life. I picked my father and the 52 00:02:09,960 --> 00:02:12,240 Speaker 1: reason why I did, and I feel like this is 53 00:02:12,680 --> 00:02:15,040 Speaker 1: the same with you with your dad. My dad comes 54 00:02:15,080 --> 00:02:18,480 Speaker 1: from a very tough background. We never expressed our feelings 55 00:02:18,480 --> 00:02:20,720 Speaker 1: to each other, and I look there was This is 56 00:02:20,720 --> 00:02:22,840 Speaker 1: a short ad, but I get very emotional in this. 57 00:02:23,520 --> 00:02:25,600 Speaker 3: You were the only role model that I had and 58 00:02:25,639 --> 00:02:26,440 Speaker 3: you believed in me. 59 00:02:26,639 --> 00:02:29,160 Speaker 1: And I want to thank you, sir. I love you, mate, 60 00:02:30,919 --> 00:02:32,680 Speaker 1: and Dad, let's do this a bit more often. 61 00:02:33,680 --> 00:02:36,679 Speaker 4: Raise your hand, Raise your hand. 62 00:02:37,000 --> 00:02:39,520 Speaker 1: I've never done that with my father before, James. And 63 00:02:39,560 --> 00:02:41,000 Speaker 1: you know, it got to a point in my life 64 00:02:41,040 --> 00:02:43,000 Speaker 1: where I matured and I said, you know what, I 65 00:02:43,040 --> 00:02:45,320 Speaker 1: don't hug my father. I don't say I love you 66 00:02:45,400 --> 00:02:47,400 Speaker 1: to my father. And it really got me down. 67 00:02:47,760 --> 00:02:50,440 Speaker 4: Yeah, and it's a strange thing, as you know, a 68 00:02:50,480 --> 00:02:52,839 Speaker 4: man at a British male or an Australia mail were quite 69 00:02:52,840 --> 00:02:54,320 Speaker 4: similar in that way, and that you know, I might 70 00:02:54,360 --> 00:02:57,360 Speaker 4: be incredibly close to my father, but don't have emotional conversations. 71 00:02:57,400 --> 00:02:59,959 Speaker 4: I've never discussed anything emotional with know in my life. 72 00:03:00,760 --> 00:03:02,560 Speaker 4: And so and that's why I've enjoyed being able to 73 00:03:02,600 --> 00:03:04,240 Speaker 4: write a song and say, you know, you are more 74 00:03:04,280 --> 00:03:05,960 Speaker 4: than to me, more to me than just a father 75 00:03:06,080 --> 00:03:09,560 Speaker 4: or my friend as well. And and yes, so it's 76 00:03:09,560 --> 00:03:10,960 Speaker 4: been an amazing experience. 77 00:03:11,000 --> 00:03:13,400 Speaker 3: But James is that kind of opened the floodgates for 78 00:03:13,600 --> 00:03:14,799 Speaker 3: conversations with your dad. 79 00:03:14,840 --> 00:03:15,160 Speaker 1: And then. 80 00:03:17,919 --> 00:03:20,840 Speaker 4: When I played him the song, I said, I've got 81 00:03:20,960 --> 00:03:22,600 Speaker 4: I've got to play you something. I've written a song 82 00:03:22,639 --> 00:03:25,760 Speaker 4: and hear, O God, and you've got the good taste 83 00:03:25,800 --> 00:03:27,320 Speaker 4: of music. So I didn't really want to listen to it. 84 00:03:27,360 --> 00:03:29,040 Speaker 4: And he knows what I put out. And I took 85 00:03:29,120 --> 00:03:31,239 Speaker 4: him upstairs. I put headphones on him, a press play 86 00:03:31,280 --> 00:03:33,280 Speaker 4: and he tapped his feet out of time. 87 00:03:34,960 --> 00:03:38,120 Speaker 2: And then and then it finished. He said, so true. 88 00:03:38,520 --> 00:03:41,760 Speaker 4: And then we walked downstairs and he mentioned the song again. 89 00:03:42,760 --> 00:03:43,640 Speaker 2: You've got to ask. 90 00:03:43,520 --> 00:03:45,400 Speaker 3: Him, what did you think? Tell me about the song? 91 00:03:45,480 --> 00:03:47,360 Speaker 4: But you know, I'm pretty sure I feel he likes 92 00:03:47,400 --> 00:03:49,480 Speaker 4: the song. And he said he'd be in the video, 93 00:03:49,680 --> 00:03:51,320 Speaker 4: and you know, and I feel that's all I kind 94 00:03:51,320 --> 00:03:53,160 Speaker 4: of need. We are very close, we just don't have 95 00:03:53,240 --> 00:03:54,240 Speaker 4: this kind of close. 96 00:03:54,040 --> 00:03:56,440 Speaker 3: Cover or what about the what about the other song? 97 00:03:56,520 --> 00:03:58,240 Speaker 3: The first song that you write which is called Carl, 98 00:03:58,320 --> 00:04:00,440 Speaker 3: and that was an apology to your wife. I mean, 99 00:04:00,440 --> 00:04:03,640 Speaker 3: you're really taken off the family here, you're all out. 100 00:04:03,880 --> 00:04:06,160 Speaker 4: Yeah, I mean I don't think it'll be strong enough 101 00:04:06,160 --> 00:04:08,440 Speaker 4: apology really for everything that I. 102 00:04:08,360 --> 00:04:10,960 Speaker 1: Do, because this is an apology for being away so 103 00:04:11,040 --> 00:04:11,440 Speaker 1: much with. 104 00:04:11,480 --> 00:04:14,840 Speaker 5: Work totally, so you haven't done something really bad. 105 00:04:15,920 --> 00:04:18,640 Speaker 2: Well, we don't know if they're a hidden apology. No, 106 00:04:18,760 --> 00:04:19,520 Speaker 2: it's pretty clear. 107 00:04:19,800 --> 00:04:20,520 Speaker 1: I'm sure. 108 00:04:20,560 --> 00:04:24,120 Speaker 4: I sugar off for eighteen months on tour with my bandmates, 109 00:04:24,120 --> 00:04:26,760 Speaker 4: who are my just just my mates. We're a tour 110 00:04:26,800 --> 00:04:32,360 Speaker 4: bus full of beer. I've left this poor girl, I've 111 00:04:32,440 --> 00:04:34,440 Speaker 4: left at home to pick up the pieces of two 112 00:04:34,600 --> 00:04:35,360 Speaker 4: small children. 113 00:04:35,600 --> 00:04:37,480 Speaker 2: I mean, imagine if they're they're very small. 114 00:04:37,720 --> 00:04:40,440 Speaker 4: If you go away for eighteen months, that's actually more 115 00:04:40,480 --> 00:04:42,640 Speaker 4: than a lifetime, isn't it. 116 00:04:43,040 --> 00:04:44,159 Speaker 2: And I'm going to tour the world. 117 00:04:44,000 --> 00:04:46,400 Speaker 4: In Australia and you know, but if you're listening, darling, 118 00:04:46,440 --> 00:04:46,960 Speaker 4: it's really hard. 119 00:04:48,000 --> 00:04:52,599 Speaker 2: Im sorry you can't come with me? Yeah, so I think, yeah, 120 00:04:52,640 --> 00:04:53,760 Speaker 2: sorry is probably not enough. 121 00:04:53,880 --> 00:04:55,760 Speaker 1: Have you still got your place? And I both, yeah, 122 00:04:55,760 --> 00:04:58,120 Speaker 1: that is your old man to that has dad vane 123 00:04:58,120 --> 00:04:58,840 Speaker 1: to your place. 124 00:04:58,640 --> 00:05:00,799 Speaker 4: Over there totally and he doesn't to all the nightclubs, 125 00:05:00,920 --> 00:05:03,839 Speaker 4: not in the corner club raving way, but no, I 126 00:05:03,839 --> 00:05:06,360 Speaker 4: have a you know it's I do love. Look, I 127 00:05:06,400 --> 00:05:09,480 Speaker 4: put out music that's fairly uh, you know that's emotional. 128 00:05:09,680 --> 00:05:10,640 Speaker 1: Yes, exactly. 129 00:05:11,080 --> 00:05:14,320 Speaker 4: I love nightclubs and the dance music scene, and so 130 00:05:14,320 --> 00:05:15,200 Speaker 4: that's why I'm out there. 131 00:05:15,400 --> 00:05:18,400 Speaker 1: Do you bring the family with you touring? Sometimes, James, 132 00:05:18,400 --> 00:05:19,920 Speaker 1: do they come up? The wife comes over and. 133 00:05:19,839 --> 00:05:21,760 Speaker 2: Says, absolutely, when you know when we can. 134 00:05:21,880 --> 00:05:23,880 Speaker 4: I mean it's quite tricky with two little ones, but 135 00:05:24,279 --> 00:05:26,599 Speaker 4: I have a tour bus with fourteen bunks on it, 136 00:05:26,760 --> 00:05:30,159 Speaker 4: yes and right, yeah, and you know we normally have 137 00:05:30,200 --> 00:05:31,840 Speaker 4: about a couple of spare bunks and. 138 00:05:31,880 --> 00:05:34,040 Speaker 5: One enough spare bunks for you and the kids. 139 00:05:34,360 --> 00:05:37,120 Speaker 4: Very small exactly, and you know it works like that. 140 00:05:37,160 --> 00:05:39,200 Speaker 4: I've talked, talked for many months with them. If you know, 141 00:05:39,400 --> 00:05:41,120 Speaker 4: if one's too little, I'll take the other one the 142 00:05:41,160 --> 00:05:42,480 Speaker 4: other one and get on the road. 143 00:05:42,800 --> 00:05:45,039 Speaker 1: Can weait last time we spoke to you, mate, this 144 00:05:45,160 --> 00:05:47,440 Speaker 1: is still one of the greatest stories of all time. 145 00:05:47,480 --> 00:05:50,640 Speaker 1: And now you've apologized to your lovely wife Sophia, and 146 00:05:50,880 --> 00:05:54,400 Speaker 1: what we need to talk about this this moment where 147 00:05:54,400 --> 00:05:57,000 Speaker 1: we said, look, this is before you meet your wife, 148 00:05:57,120 --> 00:05:59,400 Speaker 1: But did you ever get intimate with a girl and 149 00:05:59,480 --> 00:06:01,480 Speaker 1: your song? I have come on and you told us this. 150 00:06:02,160 --> 00:06:05,800 Speaker 2: It was in a hotel room. Oh don't, don't, and 151 00:06:06,000 --> 00:06:06,600 Speaker 2: I didn't. 152 00:06:06,600 --> 00:06:08,600 Speaker 4: There was no stereo, so I just turned on the TV, 153 00:06:08,800 --> 00:06:13,000 Speaker 4: you know TV, and no, no, Over her shoulder came 154 00:06:13,080 --> 00:06:16,800 Speaker 4: my song and I tried to change over the channel 155 00:06:17,520 --> 00:06:19,159 Speaker 4: with it, and she threw the remote control away and 156 00:06:19,200 --> 00:06:21,400 Speaker 4: she just she mouthed the words to me. 157 00:06:24,320 --> 00:06:27,640 Speaker 2: I can't believe I told you. I still wanted to. 158 00:06:27,560 --> 00:06:32,039 Speaker 3: Relive it and wanted to apologize for a man that 159 00:06:32,080 --> 00:06:34,400 Speaker 3: too was the world right, you go everywhere and you 160 00:06:34,480 --> 00:06:35,920 Speaker 3: do all that. We were talking the other day. A 161 00:06:35,960 --> 00:06:38,800 Speaker 3: study came out about the most overrated places to visit, 162 00:06:39,360 --> 00:06:41,320 Speaker 3: and number one on the list was Paris. 163 00:06:41,680 --> 00:06:42,839 Speaker 1: People don't write Paris. 164 00:06:42,960 --> 00:06:45,320 Speaker 3: Grand Canyon was on there. Can you think of some 165 00:06:45,360 --> 00:06:47,920 Speaker 3: what taj Mahal got to mention in the chat, Can 166 00:06:48,000 --> 00:06:50,520 Speaker 3: you think of somewhere that you think is just overrated? 167 00:06:51,120 --> 00:06:52,640 Speaker 2: I don't know. I mean, you know, Paris is a 168 00:06:52,640 --> 00:06:54,240 Speaker 2: really nice place. They're just going to the wrong places. 169 00:06:54,279 --> 00:06:59,520 Speaker 4: Yes, exactly, Yes, you need cost hotel in Paris amazing, amazing. 170 00:06:59,640 --> 00:07:03,320 Speaker 1: Yeah. Yeah, but see everyone says the Mona Lisa is underwhelming. 171 00:07:03,400 --> 00:07:04,840 Speaker 1: They go and watch it, They go and have a 172 00:07:04,880 --> 00:07:07,320 Speaker 1: look and it's tiny, and they go, what have I 173 00:07:07,360 --> 00:07:07,840 Speaker 1: done this for? 174 00:07:08,000 --> 00:07:12,160 Speaker 2: But I mean, this must be uncultured. I've never seen it. 175 00:07:12,160 --> 00:07:12,760 Speaker 2: I don't know. 176 00:07:14,480 --> 00:07:16,320 Speaker 4: Maybe they're sending the wrong people that judge these things. 177 00:07:17,840 --> 00:07:20,200 Speaker 4: Blunt tour, God, yeah, James Blunt Tour. 178 00:07:20,640 --> 00:07:21,400 Speaker 2: That's probably. 179 00:07:23,480 --> 00:07:25,560 Speaker 1: Well. The TMZ tours that you do. We just spent 180 00:07:25,920 --> 00:07:26,480 Speaker 1: Los Angeles. 181 00:07:26,520 --> 00:07:28,800 Speaker 5: Oh yeah, they're fun, aren't They Just screaming out at 182 00:07:28,800 --> 00:07:31,920 Speaker 5: these huge fences thinking someone famous lives behind me. 183 00:07:32,000 --> 00:07:33,640 Speaker 4: So I do have a story about that, because I 184 00:07:33,680 --> 00:07:39,360 Speaker 4: recorded all my albums living with Carrie Fisher Princess, and 185 00:07:39,800 --> 00:07:41,400 Speaker 4: apart from this album, what's upon of mine? 186 00:07:41,440 --> 00:07:42,400 Speaker 2: Because obviously's died. 187 00:07:43,080 --> 00:07:45,320 Speaker 4: So I've been living in a hotel down the road 188 00:07:45,320 --> 00:07:47,440 Speaker 4: which I used to put my band in actually, and 189 00:07:47,480 --> 00:07:49,640 Speaker 4: there's stains on the floor that I still remember making 190 00:07:49,680 --> 00:07:51,000 Speaker 4: from about ten years ago. 191 00:07:51,320 --> 00:07:52,320 Speaker 1: It's a really. 192 00:07:52,080 --> 00:07:55,120 Speaker 4: Depressing place to be so anyway, and I feel like 193 00:07:55,160 --> 00:07:57,240 Speaker 4: feeling pretty miserable because obviously I'm not staying at what 194 00:07:57,280 --> 00:07:59,720 Speaker 4: has been my home. Carrie Fisher's house is genuine general 195 00:08:00,000 --> 00:08:02,800 Speaker 4: guinely been my home she's you know, godmother to my child. 196 00:08:03,160 --> 00:08:05,560 Speaker 2: My album I recorded Goodbye My Lover in her bathroom. 197 00:08:06,200 --> 00:08:08,200 Speaker 4: This woman has been, you know, really integral in my 198 00:08:08,320 --> 00:08:11,520 Speaker 4: music career and she's now with us no more. And 199 00:08:11,640 --> 00:08:13,040 Speaker 4: I thought, okay, you know what I'm going to do. 200 00:08:13,080 --> 00:08:15,120 Speaker 4: I'm going to drive past the house. It was kind 201 00:08:15,120 --> 00:08:17,000 Speaker 4: of on the way past to the studio, and I'll 202 00:08:17,000 --> 00:08:18,840 Speaker 4: do it. And then I thought, no, that's mad, don't 203 00:08:18,840 --> 00:08:20,120 Speaker 4: do it. Don't be no, I'm going to do it. 204 00:08:20,400 --> 00:08:20,600 Speaker 2: Oh. 205 00:08:20,600 --> 00:08:22,160 Speaker 4: I went, I turn right and I'd head up to 206 00:08:22,240 --> 00:08:24,760 Speaker 4: her house on coldwallter Kenyon. I got to the gate 207 00:08:24,800 --> 00:08:26,440 Speaker 4: and even the gate's magical. You know, it's got these 208 00:08:26,480 --> 00:08:30,360 Speaker 4: signs saying, you know, prescription pills and crabs as in 209 00:08:30,400 --> 00:08:35,079 Speaker 4: the disease. She's got chandeliers in the trees and stuff. 210 00:08:35,520 --> 00:08:38,520 Speaker 4: It fantastic place. And I got to the gate. I 211 00:08:38,559 --> 00:08:39,760 Speaker 4: hadn't called her head and I wasn't going to go 212 00:08:39,800 --> 00:08:41,120 Speaker 4: in, and I just put my hand on the gate, got 213 00:08:41,160 --> 00:08:43,200 Speaker 4: out of my hard car and put my hand on 214 00:08:43,200 --> 00:08:45,400 Speaker 4: the gate, and I and I and I started crying. Really, 215 00:08:45,440 --> 00:08:48,280 Speaker 4: you know, I said, oh God, oh carry, I missed 216 00:08:48,280 --> 00:08:53,680 Speaker 4: you so much. Really, And as I did, three tourist 217 00:08:53,840 --> 00:08:57,760 Speaker 4: minibuses to you know, with open top pulled up that 218 00:08:57,840 --> 00:09:00,840 Speaker 4: there's called a star Map tours. I heard the tannoy 219 00:09:00,920 --> 00:09:03,120 Speaker 4: going and on your left you'll see the late Great 220 00:09:03,240 --> 00:09:06,920 Speaker 4: Carrie Fisher's house. And as you can tell, some fans 221 00:09:06,920 --> 00:09:14,679 Speaker 4: are still deeply moved by. 222 00:09:13,520 --> 00:09:19,280 Speaker 1: Who is that guy crying on the Did anyone get 223 00:09:19,280 --> 00:09:20,040 Speaker 1: You're right? 224 00:09:20,120 --> 00:09:22,200 Speaker 2: I was trying to bury myself in the gates. 225 00:09:23,280 --> 00:09:25,960 Speaker 5: Did you see the last Star Wars? Did you see 226 00:09:25,960 --> 00:09:27,040 Speaker 5: how they kept. 227 00:09:26,840 --> 00:09:29,559 Speaker 2: Her in it? Yeah? I have absolutely Were you happy? 228 00:09:29,520 --> 00:09:29,679 Speaker 3: Yeah? 229 00:09:29,720 --> 00:09:31,320 Speaker 4: And it's always a bit strange to go to go 230 00:09:31,360 --> 00:09:32,920 Speaker 4: and see it because the last doors I want to 231 00:09:32,960 --> 00:09:34,760 Speaker 4: see the premiere properly was with with her. 232 00:09:35,200 --> 00:09:37,480 Speaker 2: She took me along there. But so yeah. 233 00:09:37,480 --> 00:09:39,720 Speaker 4: So this album, once Upon of Mine, is not recorded 234 00:09:39,840 --> 00:09:41,800 Speaker 4: not you know, it is not recorded or written at 235 00:09:41,840 --> 00:09:43,560 Speaker 4: her house anywhere, which has been sad. But I have 236 00:09:43,640 --> 00:09:46,679 Speaker 4: little little, you know, moments for her on it. It's 237 00:09:46,720 --> 00:09:48,160 Speaker 4: called once Upon of Mine because the first we call 238 00:09:48,200 --> 00:09:50,440 Speaker 4: back to Bedlam. It's all about what goes in on 239 00:09:50,480 --> 00:09:52,560 Speaker 4: your mind and the loans and on the disc itself 240 00:09:52,640 --> 00:09:54,679 Speaker 4: is the pill. It's the pros app pill that she's 241 00:09:54,679 --> 00:09:57,400 Speaker 4: actually buried in. It's a ceramic pill, and there's only 242 00:09:57,400 --> 00:09:59,960 Speaker 4: one other copy in the ceramic pill. 243 00:10:00,360 --> 00:10:01,680 Speaker 2: Yeah, just her ashes. 244 00:10:01,360 --> 00:10:03,000 Speaker 3: Are I didn't know that, You're right. 245 00:10:03,120 --> 00:10:04,360 Speaker 1: Okay, she didn't mind. 246 00:10:04,160 --> 00:10:09,640 Speaker 4: Apprise it, did she not a few of them? 247 00:10:08,400 --> 00:10:12,000 Speaker 2: Amazingable story. 248 00:10:12,080 --> 00:10:15,120 Speaker 1: Hey, here's the Fox and Pheasant going. Now you know 249 00:10:15,200 --> 00:10:17,280 Speaker 1: what you've known, You've made it in your life when 250 00:10:17,280 --> 00:10:18,240 Speaker 1: you get your own pub. 251 00:10:18,360 --> 00:10:22,079 Speaker 2: It's amazing. It's so much fun. And it was going 252 00:10:22,120 --> 00:10:23,800 Speaker 2: to be. It's one hundred and seventy year old pub 253 00:10:24,120 --> 00:10:25,840 Speaker 2: called the Fox and in Chelsea. 254 00:10:26,040 --> 00:10:27,000 Speaker 1: Have you've done it up a bit? 255 00:10:27,240 --> 00:10:29,079 Speaker 2: Well? It was well because it was my local. We 256 00:10:29,440 --> 00:10:32,359 Speaker 2: called it the Fox and unpleasant. It was so disgusting. 257 00:10:32,880 --> 00:10:35,160 Speaker 4: And and then it came up for sale and I thought, 258 00:10:35,200 --> 00:10:36,680 Speaker 4: you know this, they were going to turn it into flat. 259 00:10:36,720 --> 00:10:38,520 Speaker 4: So I thought's my job as a pop star to 260 00:10:38,520 --> 00:10:41,160 Speaker 4: buy the pub, save the pub. I've gone in there, 261 00:10:41,280 --> 00:10:45,319 Speaker 4: sandy down, varnished. It got a decent chef and and you. 262 00:10:45,240 --> 00:10:46,360 Speaker 2: Know, now open up and running. 263 00:10:46,360 --> 00:10:48,400 Speaker 4: I'm fully trained them behind the bar and pulling a 264 00:10:48,480 --> 00:10:50,320 Speaker 4: signature dish. 265 00:10:50,559 --> 00:10:52,560 Speaker 2: We well, we have a Gordon ramsa train chef. I'm 266 00:10:52,559 --> 00:10:55,199 Speaker 2: not loud near the kitchen if they keep me in 267 00:10:55,200 --> 00:10:57,000 Speaker 2: the potwash because they're a bit embarrassed by me. 268 00:10:57,800 --> 00:11:00,480 Speaker 4: And what we do is you have a strict music 269 00:11:00,520 --> 00:11:04,480 Speaker 4: policy of no James Blunt up until five to midnight, 270 00:11:04,559 --> 00:11:05,520 Speaker 4: five minutes more closing time. 271 00:11:05,559 --> 00:11:07,400 Speaker 2: We put on Your Beautiful just to get people. 272 00:11:07,120 --> 00:11:12,000 Speaker 1: Out to play Ed's music been into the Has he 273 00:11:12,080 --> 00:11:12,920 Speaker 1: been into the pub yet? 274 00:11:13,040 --> 00:11:15,319 Speaker 2: He might have been in there a few times? 275 00:11:15,320 --> 00:11:18,000 Speaker 1: And I ask you, is the Fox and Phear isn't 276 00:11:18,080 --> 00:11:20,400 Speaker 1: better than it's because the last time we spoke to it, 277 00:11:20,559 --> 00:11:23,679 Speaker 1: he was improving his pub that he had on his 278 00:11:23,720 --> 00:11:26,520 Speaker 1: own premises, like he was making his own pub. Have 279 00:11:26,640 --> 00:11:27,680 Speaker 1: you been to that one? 280 00:11:28,040 --> 00:11:29,960 Speaker 4: I have been, and that's fantastic, but probably not as 281 00:11:29,960 --> 00:11:33,400 Speaker 4: profitable as I'm probably not as accessible to your man 282 00:11:33,480 --> 00:11:34,040 Speaker 4: on the street. 283 00:11:34,640 --> 00:11:35,400 Speaker 1: When did you go there? 284 00:11:35,400 --> 00:11:36,760 Speaker 3: When was the last time you went there? 285 00:11:36,920 --> 00:11:39,480 Speaker 1: To Ed's bar? Would you need? 286 00:11:39,520 --> 00:11:42,520 Speaker 4: You know he has a private pub in his because 287 00:11:42,520 --> 00:11:44,079 Speaker 4: it also has a bar in London as well. 288 00:11:44,280 --> 00:11:47,680 Speaker 3: I've got your private one. We organized some really clever 289 00:11:47,800 --> 00:11:49,880 Speaker 3: barmats for it as a ys well. 290 00:11:49,960 --> 00:11:55,400 Speaker 4: Now I saw those there that were in the because it. 291 00:11:55,480 --> 00:11:57,559 Speaker 1: Was an there's a tunnel or there was something we 292 00:11:57,640 --> 00:12:00,640 Speaker 1: we got. We got bar mats that said what your ed, 293 00:12:02,080 --> 00:12:04,120 Speaker 1: but yeah, we don't know if you took them home. 294 00:12:04,320 --> 00:12:04,920 Speaker 1: We just wan. 295 00:12:07,160 --> 00:12:08,920 Speaker 2: And the and the What have you got for mine? 296 00:12:09,640 --> 00:12:12,720 Speaker 1: Great question if you go you're talking. 297 00:12:12,520 --> 00:12:15,480 Speaker 4: About here and I've flown all the way from the 298 00:12:15,600 --> 00:12:18,679 Speaker 4: UK logging album, logging your tour before. 299 00:12:18,679 --> 00:12:20,280 Speaker 2: What do you want to talk about? 300 00:12:20,280 --> 00:12:21,040 Speaker 3: Thanks for coming in. 301 00:12:21,480 --> 00:12:23,720 Speaker 1: The Fox and Unpleasant. We've got to get those now. 302 00:12:24,240 --> 00:12:27,880 Speaker 1: That's already been May always love having a chat with you, James, 303 00:12:27,920 --> 00:12:29,839 Speaker 1: and it's great that you're going to be coming back 304 00:12:29,840 --> 00:12:32,320 Speaker 1: in November. You can see him live at James Blunt 305 00:12:32,320 --> 00:12:34,079 Speaker 1: dot com. You've got the new album Once Upon a 306 00:12:34,200 --> 00:12:34,800 Speaker 1: Mind as well. 307 00:12:34,840 --> 00:12:36,720 Speaker 4: And I have to tell you the most exciting thing 308 00:12:36,760 --> 00:12:37,920 Speaker 4: about my tour is not me. 309 00:12:38,440 --> 00:12:40,120 Speaker 2: I'm touring with Jason Moras. 310 00:12:41,559 --> 00:12:42,440 Speaker 1: Jason Moran, I know. 311 00:12:42,559 --> 00:12:46,160 Speaker 2: Isn't that amazing? Oh? Great? 312 00:12:46,520 --> 00:12:49,600 Speaker 1: Well that is brilliant, So support as well, Jason Moras. 313 00:12:49,640 --> 00:12:51,680 Speaker 1: Go to James Blunt dot com. Always a legend. Thanks 314 00:12:51,679 --> 00:12:52,079 Speaker 1: for coming in. 315 00:12:52,160 --> 00:12:54,440 Speaker 2: It's a pleasure with us.