1 00:00:00,040 --> 00:00:03,360 Speaker 1: It fits in Kylie Monod's brand new on a second 2 00:00:03,400 --> 00:00:06,320 Speaker 1: to midnight and we're going to be speaking to the magnificent. 3 00:00:20,960 --> 00:00:29,960 Speaker 2: Charlie. Oh wow, what an intro face. And you're all 4 00:00:30,000 --> 00:00:30,560 Speaker 2: looking good. 5 00:00:30,720 --> 00:00:33,400 Speaker 1: Oh, thank you very very much, so are you? Can 6 00:00:33,440 --> 00:00:36,400 Speaker 1: I just say it? Does it still have the same 7 00:00:36,440 --> 00:00:39,760 Speaker 1: effect hearing your song being played on radio? Can you 8 00:00:39,800 --> 00:00:42,479 Speaker 1: remember the first time? What was the first song that 9 00:00:42,520 --> 00:00:45,000 Speaker 1: you heard on radio from yourself, Carlie? 10 00:00:45,760 --> 00:00:52,400 Speaker 2: The first song was Locomotion, So nineteen eighty seven, long 11 00:00:52,479 --> 00:00:56,360 Speaker 2: time ago, and it was there was like a weekly 12 00:00:56,760 --> 00:01:00,480 Speaker 2: top eight of eight, so callers were dialing and vote 13 00:01:00,480 --> 00:01:02,520 Speaker 2: for their favorite song. And I was with my family 14 00:01:03,080 --> 00:01:06,200 Speaker 2: in the like the front room in the kitchen of 15 00:01:06,280 --> 00:01:09,280 Speaker 2: our house. All of us were there, and so the 16 00:01:09,360 --> 00:01:13,360 Speaker 2: countdown went in at eight, We've got blah blah, seven six, 17 00:01:13,560 --> 00:01:16,840 Speaker 2: And the closer it got to number one, the more 18 00:01:16,880 --> 00:01:19,440 Speaker 2: and more dejected we were than Oh, well, I guess 19 00:01:19,480 --> 00:01:23,760 Speaker 2: I just have said new in a number one. It's 20 00:01:24,240 --> 00:01:26,839 Speaker 2: kiler an o good locomotion and I will never ever 21 00:01:26,920 --> 00:01:27,720 Speaker 2: ever forget it. 22 00:01:27,920 --> 00:01:31,840 Speaker 3: Oh how good is that? Just that moment too? For 23 00:01:31,880 --> 00:01:33,600 Speaker 3: all of the great things that you've achieved around the 24 00:01:33,600 --> 00:01:35,120 Speaker 3: world and all the big shows that you've done. To 25 00:01:35,120 --> 00:01:36,679 Speaker 3: think that you're sitting in the front room and you 26 00:01:36,720 --> 00:01:37,880 Speaker 3: still have that memory. 27 00:01:37,560 --> 00:01:39,320 Speaker 2: At the top of the top, I think I was 28 00:01:39,360 --> 00:01:43,920 Speaker 2: sat on there's like the like the heater like a cat. 29 00:01:44,640 --> 00:01:48,120 Speaker 2: But hearing a second to midnight today, like it's just 30 00:01:48,200 --> 00:01:50,760 Speaker 2: one to radio today is thrilling. Yeah, So do you 31 00:01:50,800 --> 00:01:52,920 Speaker 2: get the same buzz now with each or is the 32 00:01:52,920 --> 00:01:54,800 Speaker 2: first one can never be it can never be as 33 00:01:54,800 --> 00:01:57,640 Speaker 2: good as the first time. Well, I don't think you know, 34 00:01:57,720 --> 00:02:01,080 Speaker 2: you can't repeat that first the first and I wasn't sure. 35 00:02:02,000 --> 00:02:04,040 Speaker 2: I didn't even know what was going to be played. 36 00:02:05,200 --> 00:02:11,560 Speaker 2: But yeah, I spoke with my friend and guy worker 37 00:02:11,639 --> 00:02:14,640 Speaker 2: at my label last night and said, how are you feeling? 38 00:02:14,680 --> 00:02:16,959 Speaker 2: I said, actually, it's kind of like first day of 39 00:02:17,040 --> 00:02:20,880 Speaker 2: school tomorrow. I'm really really excited and a bit nervous, 40 00:02:20,919 --> 00:02:23,839 Speaker 2: And yeah, we realized that you just you can't kind 41 00:02:23,840 --> 00:02:25,680 Speaker 2: of beat that the first place. 42 00:02:25,960 --> 00:02:29,040 Speaker 1: You know what's good, It's good timing for us because Carlie, 43 00:02:29,120 --> 00:02:32,640 Speaker 1: every time you bring out a new single, I immediately 44 00:02:32,720 --> 00:02:36,560 Speaker 1: I'm immediately transported to the dance floor at a nightclub 45 00:02:37,040 --> 00:02:40,360 Speaker 1: or a bar, like you just you see Kylie dancing, 46 00:02:40,440 --> 00:02:43,720 Speaker 1: and I mean in these lyrics, I'm chasing after midnight, 47 00:02:44,080 --> 00:02:45,880 Speaker 1: show me the way to your heart. 48 00:02:46,240 --> 00:02:47,480 Speaker 3: Can you take this back? 49 00:02:47,520 --> 00:02:49,280 Speaker 1: I want you to take us back again. That was 50 00:02:49,320 --> 00:02:52,040 Speaker 1: eighty seven when you first heard your first song. But 51 00:02:52,160 --> 00:02:55,160 Speaker 1: can you take back what was your first night club 52 00:02:55,160 --> 00:02:57,240 Speaker 1: that you went to, Kylie? Can you remember the name? 53 00:02:59,280 --> 00:03:02,440 Speaker 2: Well, the first going to pretend nightclub I guess was 54 00:03:02,480 --> 00:03:03,280 Speaker 2: Blue Light Hisco. 55 00:03:03,440 --> 00:03:06,040 Speaker 3: Yes, yep, sure obviously, and. 56 00:03:05,960 --> 00:03:10,200 Speaker 2: You know, just just begging mom or dad to just 57 00:03:11,040 --> 00:03:14,480 Speaker 2: stop stop looking here the block before you get to there, 58 00:03:15,440 --> 00:03:18,320 Speaker 2: getting out straight and then it would have been like 59 00:03:19,480 --> 00:03:23,080 Speaker 2: Chases or Chevron or something like that in Melbourne Naces. 60 00:03:23,520 --> 00:03:26,360 Speaker 2: Yet I think my girlfriend and I were were not 61 00:03:26,520 --> 00:03:28,200 Speaker 2: let into Chasers one night. 62 00:03:28,360 --> 00:03:30,320 Speaker 3: Because there was one hundred callers there. 63 00:03:30,360 --> 00:03:35,240 Speaker 2: Maybe Carlin and maybe we looked like we were fifteen. 64 00:03:36,160 --> 00:03:40,040 Speaker 2: We weren't. We weren't. Yeah, the good old day, Charlie. 65 00:03:40,080 --> 00:03:41,440 Speaker 3: You know what's great to talk about too, and you 66 00:03:41,560 --> 00:03:44,160 Speaker 3: mentioned Melbourne is the great news that you have decided 67 00:03:44,160 --> 00:03:46,320 Speaker 3: to come back to Australia after thirty years. At the 68 00:03:47,200 --> 00:03:51,200 Speaker 3: Coming Home we were just like, I mean, we'd like 69 00:03:51,280 --> 00:03:54,240 Speaker 3: to put in a submission to have you fly directly 70 00:03:54,680 --> 00:03:59,680 Speaker 3: from London to Sydney as your new home. We welcome 71 00:03:59,720 --> 00:04:02,120 Speaker 3: you behalf of the state moved to. 72 00:04:02,160 --> 00:04:05,280 Speaker 2: The town some ticker tape. 73 00:04:05,640 --> 00:04:07,360 Speaker 3: Yeah we'll do it. 74 00:04:08,240 --> 00:04:12,280 Speaker 2: Well, yeah, I mean I just this year I spent 75 00:04:12,520 --> 00:04:15,960 Speaker 2: quite a bit of time in Melbourne. I didn't get 76 00:04:16,080 --> 00:04:21,080 Speaker 2: to I didn't make it to Sydney unfortunately. But yeah, 77 00:04:21,120 --> 00:04:24,480 Speaker 2: I just thought there's just been so much change and 78 00:04:24,560 --> 00:04:28,479 Speaker 2: we've had to adapt and think differently the last eighteen months. 79 00:04:28,640 --> 00:04:31,000 Speaker 2: And yeah, I just felt like a bit more time 80 00:04:31,040 --> 00:04:34,480 Speaker 2: with family. I'll still be, you know, here I am 81 00:04:34,560 --> 00:04:38,200 Speaker 2: in London's the news that I've moved back to Australia, 82 00:04:38,320 --> 00:04:41,440 Speaker 2: So I don't think that too much will change, but 83 00:04:41,520 --> 00:04:44,760 Speaker 2: it's a different mindset and my parents are over the moon. 84 00:04:45,080 --> 00:04:47,719 Speaker 2: Is it true that when the news broke so sort 85 00:04:47,720 --> 00:04:50,440 Speaker 2: of the last twenty four hours, that your local restaurant 86 00:04:50,560 --> 00:04:55,840 Speaker 2: called you with a problem with this move. No, they 87 00:04:55,880 --> 00:04:58,640 Speaker 2: didn't call me. I went to Well Paul and I 88 00:04:58,839 --> 00:05:02,880 Speaker 2: my boyfriend and I went my local Spanish restaurant, which 89 00:05:02,920 --> 00:05:05,520 Speaker 2: I absolutely love. I call it the Office, and I 90 00:05:05,640 --> 00:05:08,000 Speaker 2: normally go at the wrong time of day. I say, listen, 91 00:05:08,560 --> 00:05:10,720 Speaker 2: what the what are what are the chefs having? Just 92 00:05:10,760 --> 00:05:13,640 Speaker 2: give me the you know, chicken rice or I'll go 93 00:05:13,720 --> 00:05:19,200 Speaker 2: there for a coffee anyway. One of the the manager there, Yeah, 94 00:05:19,200 --> 00:05:20,800 Speaker 2: and you just kind of put his arm around me, 95 00:05:20,800 --> 00:05:25,640 Speaker 2: and he sounded so like stressed. He said, Gaily, tell 96 00:05:25,760 --> 00:05:27,840 Speaker 2: me you're moving. No, no, no, you can't. You have 97 00:05:27,920 --> 00:05:30,640 Speaker 2: to come back. We can't be with I said. It 98 00:05:30,760 --> 00:05:33,760 Speaker 2: was so touching. I said, it's okay, I'm not. I'm not, 99 00:05:34,040 --> 00:05:36,640 Speaker 2: you know, never coming back. I'll probably see you, maybe 100 00:05:36,680 --> 00:05:39,960 Speaker 2: even more than I do now, because you know, when 101 00:05:40,000 --> 00:05:42,640 Speaker 2: you're when you're not kind of like, oh just stay 102 00:05:42,680 --> 00:05:46,040 Speaker 2: home and you know, watch TV. You kind of I 103 00:05:46,080 --> 00:05:48,360 Speaker 2: would like to do more things while on here. But yeah, 104 00:05:48,400 --> 00:05:50,520 Speaker 2: I don't know how that story is. There's there's a 105 00:05:50,760 --> 00:05:52,920 Speaker 2: kind of there's a lot of stories going around the fact. 106 00:05:53,680 --> 00:05:56,120 Speaker 2: The fact is it's quite simple. I was spending more 107 00:05:56,160 --> 00:05:56,920 Speaker 2: time in Australia. 108 00:05:58,120 --> 00:05:59,600 Speaker 3: Do you want to work when you get home? Are 109 00:05:59,640 --> 00:06:01,120 Speaker 3: we going to you on TV? Do you want to 110 00:06:01,160 --> 00:06:02,840 Speaker 3: do shows? You want to keep music going? Or is 111 00:06:02,880 --> 00:06:04,600 Speaker 3: this Kylie putting the feed up for a while when 112 00:06:04,640 --> 00:06:05,200 Speaker 3: she gets back. 113 00:06:07,240 --> 00:06:11,839 Speaker 2: That doesn't really happen, doesn't. I just I'm just met 114 00:06:11,920 --> 00:06:16,200 Speaker 2: with ridicule. Whenever it's that that's it needs take a break. 115 00:06:16,760 --> 00:06:21,640 Speaker 2: But again with this last period of time, last eighteen months, 116 00:06:22,160 --> 00:06:24,360 Speaker 2: there has been times like I would probably be on 117 00:06:24,480 --> 00:06:28,080 Speaker 2: tour by now and that hasn't happened. So it's you know, 118 00:06:28,240 --> 00:06:33,200 Speaker 2: reassessing work life balance, trying to be more more sensible 119 00:06:33,279 --> 00:06:35,520 Speaker 2: with the time. So I was looking at doing a 120 00:06:35,600 --> 00:06:38,240 Speaker 2: night shoot for my next video. That doesn't seem to 121 00:06:38,320 --> 00:06:42,360 Speaker 2: be translating all the time. Yeah, Chylie, does Paul then 122 00:06:42,480 --> 00:06:44,880 Speaker 2: come out with you? Is he going to be here 123 00:06:45,400 --> 00:06:47,640 Speaker 2: with us as and when he can? 124 00:06:47,800 --> 00:06:50,680 Speaker 3: He would love to get Paul get out here, mate, 125 00:06:50,680 --> 00:06:51,640 Speaker 3: if she's listening right now. 126 00:06:52,440 --> 00:06:55,760 Speaker 2: Well, when travel, when travel is a little bit easier, 127 00:06:57,040 --> 00:06:59,400 Speaker 2: but you know, we've just had to be patient and 128 00:07:00,080 --> 00:07:04,040 Speaker 2: do things a bit differently. But everyone's adapting and you know, 129 00:07:04,240 --> 00:07:08,800 Speaker 2: it's quite it's kind of interesting and liberating, just you know, 130 00:07:10,000 --> 00:07:12,880 Speaker 2: doing things a bit differently, trying to find a better 131 00:07:12,920 --> 00:07:14,880 Speaker 2: way to say that myself. 132 00:07:15,720 --> 00:07:17,320 Speaker 3: You know enough and you can come home. 133 00:07:17,400 --> 00:07:18,920 Speaker 1: You don't have to say anything to us. We're just 134 00:07:18,960 --> 00:07:22,120 Speaker 1: pumped that you're coming back home, Kylie a second, hey, 135 00:07:22,400 --> 00:07:23,400 Speaker 1: and then I can. 136 00:07:23,360 --> 00:07:27,800 Speaker 2: Come and actually see you in person. It's right, Yes, 137 00:07:28,400 --> 00:07:31,800 Speaker 2: I can do the weather or the traffic, we can 138 00:07:31,840 --> 00:07:35,640 Speaker 2: get rid of a traffic guy. No, no, no, you'll 139 00:07:35,680 --> 00:07:36,640 Speaker 2: have to hold my hands. 140 00:07:37,920 --> 00:07:39,760 Speaker 3: Imagine that we got rid of the group for Kylie 141 00:07:39,800 --> 00:07:40,480 Speaker 3: and I what an. 142 00:07:44,600 --> 00:07:46,760 Speaker 2: I just need a couple of good coffees and all 143 00:07:46,840 --> 00:07:47,360 Speaker 2: will be well. 144 00:07:48,440 --> 00:07:50,440 Speaker 1: A second in midnight. You just heard it there and 145 00:07:50,560 --> 00:07:53,040 Speaker 1: it's off the new album Disco, which is out No. 146 00:07:53,120 --> 00:07:55,960 Speaker 1: Nomber twelve. Kylie, we love your work. It's so good 147 00:07:55,960 --> 00:07:57,600 Speaker 1: to hear your voice again. Thanks for coming on the 148 00:07:57,640 --> 00:07:59,720 Speaker 1: show and I love you. 149 00:08:00,120 --> 00:08:04,680 Speaker 2: See you soon. Bits and Whipper