1 00:00:00,120 --> 00:00:04,160 Speaker 1: Seeing with Kate Richie Podcast. Hi, I'm Kate Winslet. 2 00:00:04,200 --> 00:00:05,120 Speaker 2: Kate Winslet. 3 00:00:06,480 --> 00:00:10,119 Speaker 1: Europe was a war and I felt useless. Send me 4 00:00:10,200 --> 00:00:12,960 Speaker 1: to Europe. I just want to do my part. I'm 5 00:00:13,000 --> 00:00:16,160 Speaker 1: with Vogue Magazine. We don't see women to comeback. Well 6 00:00:16,160 --> 00:00:18,639 Speaker 1: that's a problem, because I'm here. Ready the girl. 7 00:00:20,200 --> 00:00:23,760 Speaker 3: This is very, very exciting. This is an amazing story 8 00:00:23,800 --> 00:00:26,880 Speaker 3: of Elizabeth Lee Mila. She was an American photographer and 9 00:00:26,920 --> 00:00:30,680 Speaker 3: photo journalists and during World War Two she was a 10 00:00:30,720 --> 00:00:35,400 Speaker 3: war correspondent for Vogue Magazine, covering some horrific events. And 11 00:00:35,440 --> 00:00:38,519 Speaker 3: the lady that portrays her in the latest movie Lee, 12 00:00:38,560 --> 00:00:41,199 Speaker 3: which is out tomorrow, is the magnificent Kate Winslet, and 13 00:00:41,280 --> 00:00:41,760 Speaker 3: she joins us. 14 00:00:41,760 --> 00:00:43,760 Speaker 2: Now, Kate, We're welcome. The show is Kate Winslet. 15 00:00:44,640 --> 00:00:47,320 Speaker 1: Oh, such a pleasure to have you here. I feel 16 00:00:47,400 --> 00:00:48,920 Speaker 1: very home. The tone of your show, I have to 17 00:00:48,960 --> 00:00:50,839 Speaker 1: say I can already Tay's a lot like Chris Evans, 18 00:00:50,840 --> 00:00:54,640 Speaker 1: a brilliant radio. He's fantastic Chris. Yeah, you guys are 19 00:00:54,640 --> 00:00:55,240 Speaker 1: a lot like Chris. 20 00:00:55,280 --> 00:00:57,600 Speaker 2: I'm not sure that we've ever spoken. We certainly haven't 21 00:00:57,600 --> 00:00:59,480 Speaker 2: had you here in the studio, and this show has 22 00:00:59,520 --> 00:01:02,720 Speaker 2: been on for fourteen years, you decide to come here 23 00:01:02,960 --> 00:01:05,320 Speaker 2: and then the royal family trump you'll turn up at 24 00:01:05,319 --> 00:01:08,640 Speaker 2: the time. Have you rung the king and said, come 25 00:01:08,720 --> 00:01:10,440 Speaker 2: on mate, this is my time? 26 00:01:10,560 --> 00:01:10,920 Speaker 3: I do you know? 27 00:01:11,040 --> 00:01:14,760 Speaker 1: I met King Charles years ago. He came to a 28 00:01:14,880 --> 00:01:18,520 Speaker 1: royal premiere of Sense and Sensibility when I was only 29 00:01:18,560 --> 00:01:22,319 Speaker 1: twenty and I do somewhere have a photograph of me 30 00:01:22,400 --> 00:01:24,240 Speaker 1: shaking his hand. And actually I was a little bit 31 00:01:24,280 --> 00:01:27,639 Speaker 1: concerned because I remember I was wearing a really lovely 32 00:01:27,720 --> 00:01:31,280 Speaker 1: velvet coat. But underneath the velvet coat, I was wearing 33 00:01:31,360 --> 00:01:35,040 Speaker 1: quite a lacy, black, oh really nice sort of a jumpsuit. 34 00:01:35,560 --> 00:01:37,839 Speaker 1: But I suddenly realized, as I was about to meet 35 00:01:37,880 --> 00:01:39,920 Speaker 1: the King that I think it might have been a 36 00:01:40,040 --> 00:01:44,039 Speaker 1: little bit see through, and so I just literally I 37 00:01:44,160 --> 00:01:46,080 Speaker 1: just crowded myself with. 38 00:01:47,560 --> 00:01:48,520 Speaker 2: For his eyes darted. 39 00:01:49,080 --> 00:01:53,320 Speaker 1: No, not because I had successfully covered covered myself in 40 00:01:53,320 --> 00:01:56,000 Speaker 1: this velvety thing, but I did have this proper moment 41 00:01:56,000 --> 00:01:58,400 Speaker 1: of sheer panic, thinking, oh my goodness, I'm about to 42 00:01:58,440 --> 00:01:59,480 Speaker 1: curtsey in front of the King. 43 00:01:59,920 --> 00:02:01,800 Speaker 3: I just say, though, that you are, that you're here 44 00:02:01,840 --> 00:02:03,440 Speaker 3: at the same time as the King and Queen, but 45 00:02:03,480 --> 00:02:05,680 Speaker 3: you've beaten the Gallagher brothers because they've just called an 46 00:02:05,680 --> 00:02:09,320 Speaker 3: Astralian tour, So okay, even before have you met the 47 00:02:09,560 --> 00:02:10,680 Speaker 3: Gallagher brothers before? 48 00:02:11,240 --> 00:02:14,799 Speaker 1: I only I met Liam once. I was on Graham, 49 00:02:14,840 --> 00:02:16,800 Speaker 1: not in a talkture in the UK, I was. I 50 00:02:16,880 --> 00:02:19,000 Speaker 1: was on the on the sofa as one of the 51 00:02:19,360 --> 00:02:22,320 Speaker 1: I remember the episode once. Yeah, yeah, I didn't really 52 00:02:22,320 --> 00:02:24,959 Speaker 1: get to actually chat to him much. But yeah, let's talk. 53 00:02:24,800 --> 00:02:26,519 Speaker 2: The film, because I mean, it is a beautiful film 54 00:02:26,520 --> 00:02:30,400 Speaker 2: and a story is extraordinary because I love the way 55 00:02:30,440 --> 00:02:32,240 Speaker 2: it's told as well. And I'm not going to say 56 00:02:32,240 --> 00:02:34,679 Speaker 2: everything that happens obviously in the film, but you must 57 00:02:34,720 --> 00:02:37,520 Speaker 2: have been so inspired by the bravery of one person. 58 00:02:37,840 --> 00:02:40,800 Speaker 1: Yes, I absolutely was, And I must say how you 59 00:02:40,919 --> 00:02:43,720 Speaker 1: just introed the film was so terrific because I'm not 60 00:02:43,760 --> 00:02:46,320 Speaker 1: sure if you're aware, but what you said was Lee 61 00:02:46,480 --> 00:02:50,960 Speaker 1: Miller was a photographer and war correspondent who documented the 62 00:02:50,960 --> 00:02:54,160 Speaker 1: atrocity of the Second World War. And that is exactly 63 00:02:55,000 --> 00:02:59,120 Speaker 1: who she was, and how I hope people meet Lee 64 00:02:59,160 --> 00:03:02,200 Speaker 1: for the first time, people who have never heard of 65 00:03:02,240 --> 00:03:05,360 Speaker 1: her and have no idea who she was. I wanted 66 00:03:05,360 --> 00:03:07,959 Speaker 1: to make this film because when I Googledly Miller in 67 00:03:08,000 --> 00:03:11,200 Speaker 1: twenty fifteen. Knowing a bit about her. What drove me 68 00:03:11,320 --> 00:03:15,160 Speaker 1: crazy was that she was described as the ex cover girl, 69 00:03:15,520 --> 00:03:19,880 Speaker 1: former Vogue model, ex lover and muse of man Ray. Okay, 70 00:03:20,200 --> 00:03:23,239 Speaker 1: so this way in which we seem to be still 71 00:03:23,280 --> 00:03:28,919 Speaker 1: so hell bent on describing significant female figures alongside their 72 00:03:28,960 --> 00:03:31,680 Speaker 1: love lives drives me nuts and I thought this is 73 00:03:31,680 --> 00:03:36,080 Speaker 1: completely wrong. So this film covers a decade in Lee's life, 74 00:03:36,280 --> 00:03:39,160 Speaker 1: just before, during, and immediately after the war, when she 75 00:03:39,360 --> 00:03:42,360 Speaker 1: used that camera, her Roliflex camera that hangs around the 76 00:03:42,520 --> 00:03:44,640 Speaker 1: neck and sits in front of the heart. It doesn't 77 00:03:44,640 --> 00:03:48,120 Speaker 1: typically come up to the eye, and by using her 78 00:03:48,160 --> 00:03:50,520 Speaker 1: camera in this way, she could look down into her 79 00:03:50,560 --> 00:03:53,720 Speaker 1: image has quite a wide lens, and once her frame 80 00:03:53,840 --> 00:03:56,280 Speaker 1: was set and her focus was in place, it then 81 00:03:56,400 --> 00:03:59,640 Speaker 1: enabled her to lift her eye and meet the gaze 82 00:03:59,720 --> 00:04:02,440 Speaker 1: of the person or the people that she was photographing 83 00:04:02,560 --> 00:04:04,440 Speaker 1: and therefore be present. 84 00:04:04,600 --> 00:04:05,480 Speaker 2: You did it beautifully. 85 00:04:05,680 --> 00:04:10,440 Speaker 1: Yeah, she really stood amongst them and captured what was 86 00:04:10,440 --> 00:04:12,640 Speaker 1: happening to those lives, and I guess was connected with 87 00:04:12,680 --> 00:04:15,920 Speaker 1: them at the time of the photograph being taken as well. Yeah, 88 00:04:15,960 --> 00:04:18,760 Speaker 1: that's exactly right, and that's why, you know, that's why 89 00:04:18,839 --> 00:04:22,440 Speaker 1: her photography was so unique. 90 00:04:22,160 --> 00:04:23,719 Speaker 3: The one that I want to and I hope that 91 00:04:23,760 --> 00:04:25,600 Speaker 3: I'm not giving too much away here, but there's a 92 00:04:25,680 --> 00:04:29,240 Speaker 3: very famous photo Kate of where she found herself in 93 00:04:29,279 --> 00:04:32,880 Speaker 3: Hitler's house, and this is after he had passed and 94 00:04:32,920 --> 00:04:35,480 Speaker 3: she found herself in the bathroom. In Hitler's bathroom, she 95 00:04:35,520 --> 00:04:38,200 Speaker 3: took a very famous photo out of her taking a 96 00:04:38,200 --> 00:04:41,280 Speaker 3: bath in Hitler's bath Can I ask you was that 97 00:04:41,360 --> 00:04:44,200 Speaker 3: sort of a moment of triumph for her? Do you 98 00:04:44,240 --> 00:04:46,200 Speaker 3: think that that was a photo that she needed to 99 00:04:46,240 --> 00:04:49,320 Speaker 3: take to say that we had triumphed over Hitler? 100 00:04:50,080 --> 00:04:52,839 Speaker 1: Well, I think there are many things to say about 101 00:04:52,839 --> 00:04:55,480 Speaker 1: that particular image, which is such an extraordinary image. It is, 102 00:04:55,520 --> 00:04:57,880 Speaker 1: as you point out, it's probably one of the most, 103 00:04:57,880 --> 00:05:01,279 Speaker 1: if not the most iconic photo of Lee Miller. In fact, 104 00:05:01,360 --> 00:05:04,560 Speaker 1: taken by her buddy Davy Sherman, who was a photographer 105 00:05:04,600 --> 00:05:07,599 Speaker 1: for Life magazine. She knew where Hitler's apartment was. She 106 00:05:07,680 --> 00:05:10,240 Speaker 1: was very good at getting information that she needed. She 107 00:05:10,320 --> 00:05:12,400 Speaker 1: kept her ear very close to the ground. She butted 108 00:05:12,520 --> 00:05:14,400 Speaker 1: up with all the gis and she was the first 109 00:05:14,400 --> 00:05:16,880 Speaker 1: through the door of any scoop. So on the day 110 00:05:16,960 --> 00:05:20,640 Speaker 1: of the liberation of Dachau, Lee and Davy bribed their 111 00:05:20,680 --> 00:05:23,280 Speaker 1: way into Hitler's Munich apartment, only to discover that there 112 00:05:23,320 --> 00:05:25,440 Speaker 1: was already an entire regiment in there, pretty much having 113 00:05:25,480 --> 00:05:29,159 Speaker 1: a party and helping themselves to drinks and having cocktails, 114 00:05:29,560 --> 00:05:34,160 Speaker 1: and yeah, there was a bathroom. Lee and Davy absolutely stank. 115 00:05:34,279 --> 00:05:36,679 Speaker 1: They hadn't changed their clothes for six weeks. They hadn't 116 00:05:36,680 --> 00:05:40,200 Speaker 1: touched hot water for six weeks either, But Lee, as 117 00:05:40,240 --> 00:05:42,640 Speaker 1: a woman hadn't even been able to go into a 118 00:05:42,640 --> 00:05:45,440 Speaker 1: private space and lock a door and take a moment 119 00:05:45,480 --> 00:05:49,640 Speaker 1: for herself. So when they ran that tap and found 120 00:05:49,640 --> 00:05:51,760 Speaker 1: that the water was hot, yeah, she got in that 121 00:05:51,880 --> 00:05:53,800 Speaker 1: bath and she had a damn fine soak. And then 122 00:05:53,800 --> 00:05:56,280 Speaker 1: I think in the moment she thought to herself, hang 123 00:05:56,320 --> 00:05:58,640 Speaker 1: on a minute, this is a scoop. But what is 124 00:05:58,680 --> 00:06:02,400 Speaker 1: significant about that image, which most significant of all, is 125 00:06:02,440 --> 00:06:06,520 Speaker 1: the mud from her boots. She stamped it into the 126 00:06:06,640 --> 00:06:11,440 Speaker 1: lemon yellow bath mat belonging to Hitler, treading the dirt 127 00:06:11,520 --> 00:06:14,360 Speaker 1: of his crimes, the dust of Dhakau where she had 128 00:06:14,400 --> 00:06:18,839 Speaker 1: been that morning. She left that mark behind, And that, 129 00:06:18,880 --> 00:06:21,920 Speaker 1: to me is an extraordinary thing. This is the fitsy 130 00:06:21,960 --> 00:06:25,159 Speaker 1: and with with Kate Richie podcast, I have to say too. 131 00:06:25,440 --> 00:06:28,560 Speaker 4: I also just want to thank you for the conversations 132 00:06:28,600 --> 00:06:32,400 Speaker 4: that you have and that you continue to have about 133 00:06:32,839 --> 00:06:35,080 Speaker 4: body image. And I guess we've had very different careers, 134 00:06:35,120 --> 00:06:36,880 Speaker 4: but what we do have in common is that we 135 00:06:37,279 --> 00:06:39,960 Speaker 4: somewhat grew up in the public eye. I grew up 136 00:06:40,000 --> 00:06:43,000 Speaker 4: on a television show. And I have to say what 137 00:06:43,240 --> 00:06:46,479 Speaker 4: I see of you out and about in all of 138 00:06:46,560 --> 00:06:51,720 Speaker 4: these videos and podcasts and talking about as women and 139 00:06:51,760 --> 00:06:54,799 Speaker 4: as young girls growing up and having people comment about 140 00:06:54,880 --> 00:06:57,279 Speaker 4: us in past judgment and feel as though it's okay 141 00:06:57,920 --> 00:07:00,840 Speaker 4: to say certain things. I think that intrinsic we've always 142 00:07:00,920 --> 00:07:04,839 Speaker 4: known that it's not okay, but it's been it's a 143 00:07:04,880 --> 00:07:09,679 Speaker 4: really hard conversation to have, and it's hard to sometimes 144 00:07:09,760 --> 00:07:13,160 Speaker 4: stand up and say this does not make me feel good, 145 00:07:13,680 --> 00:07:16,760 Speaker 4: and it's not okay for you to speak that way 146 00:07:16,880 --> 00:07:21,080 Speaker 4: and someone of your caliber to hear you. I hope 147 00:07:21,080 --> 00:07:24,000 Speaker 4: you know the value of you having these conversations because 148 00:07:24,000 --> 00:07:27,640 Speaker 4: it makes me and I'm sure millions of other willing 149 00:07:28,160 --> 00:07:30,760 Speaker 4: women what's happening to me. 150 00:07:33,400 --> 00:07:35,160 Speaker 1: But the fact that we. 151 00:07:35,120 --> 00:07:38,680 Speaker 4: Can hear you say those things, it really has opened 152 00:07:38,880 --> 00:07:42,200 Speaker 4: the door for all of us. So that's my my 153 00:07:42,280 --> 00:07:43,160 Speaker 4: heart felt, thinking. 154 00:07:43,000 --> 00:07:45,760 Speaker 1: Well, that's really very kind. And what I will say 155 00:07:45,960 --> 00:07:48,240 Speaker 1: is that I think I think women are getting better 156 00:07:48,360 --> 00:07:50,840 Speaker 1: at standing up for each other as well as standing 157 00:07:50,920 --> 00:07:54,240 Speaker 1: up for ourselves. And that's where Lee Miller, honestly, you know, 158 00:07:54,800 --> 00:07:58,480 Speaker 1: added to how I feel about these important things of 159 00:07:58,560 --> 00:08:02,280 Speaker 1: not body shaming and women using their voices in ways 160 00:08:02,360 --> 00:08:07,520 Speaker 1: that are grounded, graceful, and integral to who they are. 161 00:08:07,640 --> 00:08:10,080 Speaker 1: We don't need to shout about it, you know, Lee Miller. 162 00:08:10,480 --> 00:08:14,680 Speaker 1: What's interesting. She could have been full of malice and vengeance. 163 00:08:14,760 --> 00:08:17,880 Speaker 1: She suffered a terrible trauma as a child, and she 164 00:08:18,000 --> 00:08:20,160 Speaker 1: refused to let that thing define her. But what it 165 00:08:20,200 --> 00:08:22,440 Speaker 1: did do was it gave her this very powerful streak 166 00:08:22,440 --> 00:08:27,400 Speaker 1: of injustice. Lee Miller, eighty years ago was already redefining 167 00:08:27,440 --> 00:08:33,080 Speaker 1: femininity to mean resilience and power and compassion and strength, 168 00:08:33,640 --> 00:08:36,200 Speaker 1: and those of the values by which I live my life. 169 00:08:36,280 --> 00:08:38,560 Speaker 1: I know that my sisters do, my friends do. It 170 00:08:38,640 --> 00:08:41,760 Speaker 1: is how we're raising our daughters today, and hopefully we 171 00:08:41,840 --> 00:08:45,080 Speaker 1: are paving a way for them to stand shoulder to 172 00:08:45,120 --> 00:08:49,320 Speaker 1: shoulder and look out for one another. And I think compassion, 173 00:08:49,480 --> 00:08:52,719 Speaker 1: especially now, is the most important thing that we can 174 00:08:52,760 --> 00:08:55,319 Speaker 1: show to one another and to the greater world. 175 00:08:55,480 --> 00:08:57,840 Speaker 2: Kay win'sle The thank you I'd like to do is 176 00:08:57,880 --> 00:09:02,360 Speaker 2: we started an initiative here, initiative called thirty six months, 177 00:09:02,520 --> 00:09:06,280 Speaker 2: and you have been so fantastic in pointing out to 178 00:09:06,320 --> 00:09:09,440 Speaker 2: the world the dangers of social media. So thirty six 179 00:09:09,480 --> 00:09:11,400 Speaker 2: months is the idea of changing the law here in 180 00:09:11,440 --> 00:09:16,320 Speaker 2: Australiahow thirteen to sixteen? Oho, And we've made fantastic progress. 181 00:09:16,400 --> 00:09:17,320 Speaker 1: Oh great, We've. 182 00:09:17,200 --> 00:09:19,360 Speaker 2: Got a petition with one hundred and twenty one thousand 183 00:09:19,360 --> 00:09:23,600 Speaker 2: signatures the Prime Minister. The Prime Minister has committed to 184 00:09:23,720 --> 00:09:27,080 Speaker 2: making a change in November, which is terrific, but we're 185 00:09:27,120 --> 00:09:29,640 Speaker 2: pushing it to sixteen. That's where we need it to 186 00:09:29,679 --> 00:09:32,680 Speaker 2: be for the safety of our kids. You've spoken so 187 00:09:32,720 --> 00:09:35,800 Speaker 2: beautifully on this topic. A message for the Prime Minister 188 00:09:36,040 --> 00:09:37,240 Speaker 2: about how important this. 189 00:09:37,320 --> 00:09:44,160 Speaker 1: Is, Well, you know, I slightly shy away from giving 190 00:09:44,280 --> 00:09:48,480 Speaker 1: messages to important political figures, but what I would certainly 191 00:09:48,559 --> 00:09:52,920 Speaker 1: say is that the fact that there is a conversation 192 00:09:53,440 --> 00:09:57,880 Speaker 1: about it that is gaining momentum in this country is 193 00:09:58,040 --> 00:10:02,240 Speaker 1: incredibly important because what that's doing, it's making families feel 194 00:10:02,280 --> 00:10:05,640 Speaker 1: seen and heard. And if parents feel that they can 195 00:10:05,679 --> 00:10:07,680 Speaker 1: bump into each other at the school gates and have 196 00:10:07,760 --> 00:10:11,240 Speaker 1: an exchange about what they're going through and feel known 197 00:10:11,880 --> 00:10:14,720 Speaker 1: that I think matters more than anything else for families. 198 00:10:14,720 --> 00:10:16,600 Speaker 1: That's really important. Yeah. Yeah, that's the. 199 00:10:16,559 --> 00:10:18,800 Speaker 2: Thing with the kids on the edge, the need saving. 200 00:10:19,080 --> 00:10:21,040 Speaker 1: Absolutely yeah, I completely agree. 201 00:10:21,240 --> 00:10:21,760 Speaker 2: Thank you, Kate. 202 00:10:21,800 --> 00:10:25,080 Speaker 3: We know how busy you are. Your portrayal of Lea 203 00:10:25,160 --> 00:10:28,760 Speaker 3: Mila is unbelievable. The movie is out in cinemas tomorrow. 204 00:10:29,000 --> 00:10:31,600 Speaker 3: Thank you so much for your time and making your 205 00:10:31,600 --> 00:10:33,840 Speaker 3: way into the studio here. It's been a highlight about you. 206 00:10:33,880 --> 00:10:34,800 Speaker 3: Thank you very much, Kate. 207 00:10:35,000 --> 00:10:36,400 Speaker 1: Thank you for having Meen. 208 00:10:36,440 --> 00:10:39,600 Speaker 2: Whippa with Kate Ritchie is a Nova podcast walk great 209 00:10:39,600 --> 00:10:42,840 Speaker 2: shows like this. Download the Nova Player, find the app 210 00:10:42,880 --> 00:10:45,240 Speaker 2: store or Google Playing the Nova Player