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Speaker 1: At first sight, I'm physically just absolutely routed.

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Speaker 2: I think we need to do this a national holiday

3
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Speaker 2: with the ending of this shirt, like what a journey.

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Speaker 1: Now for anyone else as well? It is interesting after

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Speaker 1: watching this series, if you're honestly sitting at home going

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Speaker 1: I really want to go on this show, I don't know.

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Speaker 1: I think you've got something wrong with you.

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Speaker 3: I reckon they'll have more applicants than ever, do you

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Speaker 3: know what?

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Speaker 1: They need?

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Speaker 2: A couple more loose units like Dean and a couple

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Speaker 2: of other hotter.

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Speaker 3: Girls, because it's about real people finding love. It's not

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Speaker 3: the best.

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Speaker 1: You're not going to find is very clever for a reason.

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Speaker 1: You're not going to find another Troy. You'll never find

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Speaker 1: another Troy. Troy is amazing. I don't think you'll find

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Speaker 1: another Divena whose of course you who's prepared to hook

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Speaker 1: up with another husband while she's on the show. There,

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Speaker 1: of course, Dean's Dean's a diamond, doesn't I suppose you

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Speaker 1: can find them anywhere around Sydney on a Saturday night, can't.

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Speaker 1: It's just last night great and the other thing as

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Speaker 1: well now and it's never been done. I'm married at

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Speaker 1: first sight before the stuff that you say on the

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Speaker 1: show that you think has been done in confidence. They

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Speaker 1: then sit everybody down. You got to you gotta sit

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Speaker 1: down and watch back some of your worst moments from

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Speaker 1: the whole series. The Boy's Night Out. I mean, there

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Speaker 1: was a lot of arguments over the Boys Night Out

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Speaker 1: and what was said and probably the big comment Dean

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Speaker 1: defended himself and said I was just in it and

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Speaker 1: there's nothing behind it was fine. They played back to

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Speaker 1: all the contestants. Dean's best bit from the Boys that

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Speaker 1: an out about Tracy.

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Speaker 2: Guys, he's someone just said they want to bang Tracy.

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Speaker 1: So that was the big one. Somebody just say that

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Speaker 1: they want to bang Tracy's offensive. Well it's not the dog.

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Speaker 1: But when you're in a room full of girls and

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Speaker 1: all the girls are going, oh that is that is

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Speaker 1: so bad. That is so bad. Who do you get

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Speaker 1: to defend the boys? You get Troy. That was so tame,

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Speaker 1: nothing harmless.

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Speaker 3: Yeah, I don't know what.

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Speaker 2: Then the girl I don't even know who it was

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Speaker 2: that came out and said that's the big issue. Women

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Speaker 2: always sorry, men always comment about women's appearance. Well, I'll

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Speaker 2: tell you what girls do exactly the same thing.

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Speaker 3: We're not as brave as you.

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Speaker 2: Guys can be worse. More detail, you guys got to detail.

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Speaker 2: We don't bother with that.

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Speaker 4: We look at layers your your type sort of look

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Speaker 4: more superficially.

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Speaker 1: Now, do you remember when Dean and Divina were together

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Speaker 1: and then Dean came out with that doozy saying that

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Speaker 1: Tracy's looks aren't one of her best qualities. They played

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Speaker 1: that back on the show last night. It was just

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Speaker 1: amazing to watch Dean backpedal.

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Speaker 5: No offense to Tracy, but her looks her best quality.

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Speaker 6: You know what, I don't want my looks to be

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Speaker 6: my best qualities.

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Speaker 7: I've got so many better.

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Speaker 1: It's not an insult.

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Speaker 4: You've got a lot of good saying you're not good looking,

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Speaker 4: you're very good looking.

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Speaker 1: You have a lot of good qualities. Oh, it was

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Speaker 1: just backpedaling.

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Speaker 2: I think you thought they were clapping for him. But

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Speaker 2: he rolled his eyes as if to say, haven't we

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Speaker 2: been through this?

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Speaker 1: He must himself you.

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Speaker 2: Just had punches coming left right and said.

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Speaker 1: Well, see Sean is now hooking up with Tracy, and

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Speaker 1: Sean's accusing Dean of still texting Tracy. But Dean's like, well,

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Speaker 1: I'm not the only one that's doing it. Remember we

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Speaker 1: spoke to Tracy about this yesterday and she said, look,

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Speaker 1: there's going to be a bit of a controversy tonight

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Speaker 1: in regards to ticks. But it looks like Tracy has

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Speaker 1: been sending messages back to Dean.

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Speaker 7: You send me very inappropriate messages.

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Speaker 8: You send me pictures of you in your underwear that.

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Speaker 1: Was probably back when you guys were going out.

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Speaker 9: You send me photos of you in your bedroom going on.

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Speaker 8: Sean's going to love this outfit.

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Speaker 2: You know what, He didn't go hard enough on her

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Speaker 2: because he was her sort of smashing at the final

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Speaker 2: smashing of Dean until Dean reveals a bit of the truth.

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Speaker 2: For one, she never denied not sending those photos, that's right.

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Speaker 2: And secondly, to end in an argument with oh, I

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Speaker 2: suppose we agree to disagree, Well, we haven't disagreed. You

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Speaker 2: haven't said no. For one, you haven't and that was

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Speaker 2: a cop out from her.

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Speaker 3: Why is Sean still with her? Good question, because if

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Speaker 3: you find out your partner is sending sexy pictures to

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Speaker 3: their ex.

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Speaker 2: Ye, there's an issue together.

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Speaker 1: You know what.

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Speaker 2: What about Charlene and Patrick last night when they said

98
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Speaker 2: we haven't spoken or seen each other since the show. Well,

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Speaker 2: I saw you in the lounge on the third of March,

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Speaker 2: the two of them together having a lovely old time.

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Speaker 1: But the highlight for me was look, Divina got slighed

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Speaker 1: last night. It was the first time where she had

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Speaker 1: to sit there and just listen to everyone tea off

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Speaker 1: and Ryan got stuck into her Dean Tracy, but you

105
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Speaker 1: know it was just it got even worse for Divina

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Speaker 1: last night. Old when NASA tried. When Nasa stepped up

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Speaker 1: and decided to give out some advice, It's okay.

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Speaker 2: Old enough, smart enough to understand consequences. I don't think

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Speaker 2: you've got to grow up. And it's not all about

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Speaker 2: hashtag Divina, hashtag coconut oil.

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Speaker 1: There's not a T shirt in that hasht So we

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Speaker 1: got Troy on the show at seven thirty today, Tom

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Speaker 1: seven locked in coming on to Awesome. I think we

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Speaker 1: need to focus on Troy. We just need to speak

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Speaker 1: to Troy. There's so many things that we need to

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Speaker 1: ask him about.

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Speaker 2: I'm left wanting more of Troy.

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Speaker 1: Really, you will never find another Troy on that show, Sarah.

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Speaker 2: He's one in a million, only one, Troy, says you.

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Speaker 1: Know what, she's a good friend of the show. We

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Speaker 1: love this lady, Rachel Finch, Welcome.

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Speaker 2: In Quarantine.

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Speaker 1: I love your hair.

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Speaker 10: What do you mean?

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Speaker 2: What's wrong about you?

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Speaker 1: Know what?

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Speaker 4: Do you look nice in cash as per usual?

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Speaker 2: If you came in here and didn't have a cray

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Speaker 2: at my hair outfit, I'd be extremely dis.

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Speaker 1: Like a dad.

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Speaker 4: I just don't know how you get dressed like that

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Speaker 4: at four am. It's good work.

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Speaker 2: Yeah, I look great. You meant to say you've lost way.

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Speaker 1: You missed a hole in the belt. Do you remember

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Speaker 1: seven years ago, because you're a regular on the show.

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Speaker 1: Seven years ago when you first met Whipper, Yeah, I

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Speaker 1: remember as soon as he walked out of the room

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Speaker 1: you had to go get a coffee or something, and

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Speaker 1: you said, gee, dresses very old, doesn't he.

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Speaker 4: Well, it was just mature, mature word I used.

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Speaker 7: And this is coming from a guy.

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Speaker 2: You're an old sol who had like a hairy body

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Speaker 2: at the age of seven. So you're waxing the well

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Speaker 2: lasers hopped out very well on my back and my shoulders.

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Speaker 2: But it's not about me, mate, you're the guest. It's

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Speaker 2: not about me actually.

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Speaker 1: Talking about it. Have you got any like leggings or

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Speaker 1: something that it could wear from body Body by Finch.

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Speaker 4: Absolutely, we've got some leggings. I've got some great crops.

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Speaker 2: That are very properatives.

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Speaker 4: We've got a crisscross back, we've got a new falling

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Speaker 4: flower was print would just be.

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Speaker 2: Yeah, I said to Lisa the other day, We're going

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Speaker 2: for brecky walking down Oxford Street and there were so

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Speaker 2: many girls wearing active wear with crop tops.

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Speaker 1: Yeah.

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Speaker 4: I remember you guys did that funny segment about wearing

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Speaker 4: active war everywhere, and then we all wear it everywhere.

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Speaker 1: And now you've got your own line. This is awesome.

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Speaker 4: Yeah, this has been an absolute dream so bod By

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Speaker 4: French almost you've.

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Speaker 1: Got it almost a b o D.

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Speaker 4: Just a dream to work on. So yeah, we've we've

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Speaker 4: been launched for about eight months. We're in Maya or online,

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Speaker 4: we're on Style Runner and it's just it's just a dream.

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Speaker 4: And I am that I love wearing active I'm the

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Speaker 4: type of person that pulls open that second draw every

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Speaker 4: single day. We want, you know, supportive, comfortable things. That

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Speaker 4: makes me amazing.

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Speaker 1: We wouldn't have seen any underneath the layers that you

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Speaker 1: had on Peong Chang when you're over there for the

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Speaker 1: Winter Olympics by finch Layers, is that the coldest temperature,

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Speaker 1: is that the coldest conditions you've ever experienced in your life.

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Speaker 4: Absolutely got to get down negative twenty on Sundays. And

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Speaker 4: keep in mind we were doing events like the Areas

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Speaker 4: or the Moguls, which are eight nine pm at night

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Speaker 4: plus a wind chill, then travel back to the accommodation.

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Speaker 4: But I remember I would take drink bottles with me

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Speaker 4: in the morning in the car, like super early, and

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Speaker 4: by early afternoon it was frozen.

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Speaker 2: You're kidding me, kids, therefore, don't you there forever?

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Speaker 4: Oh yeah, we were Therefore, in total it was a month.

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Speaker 4: I came back a week early because the little one

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Speaker 4: was cool.

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Speaker 1: Yeah, little one.

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Speaker 4: Wasn't well, so just sort of needed to be home

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Speaker 4: with him.

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Speaker 11: Okay.

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Speaker 1: But the most satisfying thing, Finchy, is that you were

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Speaker 1: there with family members when they were watching their children

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Speaker 1: compete and if they were winning medals, like just the emotion,

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Speaker 1: the crying, and you were there for all of that.

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Speaker 1: It was amazing.

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Speaker 4: I was crying with them. It was one of the

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Speaker 4: most spine tingling, unreal, surreal moments of my life. You know,

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Speaker 4: you see it on TV and you go, oh, yeah,

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Speaker 4: that's pretty hard water to cool jump when you were

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Speaker 4: there and you see the actual heights and here they're

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Speaker 4: getting and there's speeds down these wad.

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Speaker 2: Yeah, I'd love to say that live.

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Speaker 4: Who wakes up and go I'm going to start at

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Speaker 4: the top of a two hundred and fifty meters hill

203
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Speaker 4: and just crash down the bottom with a whole heap

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Speaker 4: of bumps.

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Speaker 1: Like does Violet and Dominique are they showing any signs

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Speaker 1: for any sporting skills that they could bring home cash

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Speaker 1: for the parents?

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Speaker 4: And just loves her dresses and twirling like she's just

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Speaker 4: into Elsa and Emma from the Wiggles.

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Speaker 2: Right, how's Michael going, because you know, we almost thought

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Speaker 2: we got in the way of the relationship at one

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Speaker 2: stage we invited him on the show because it never

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Speaker 2: burped in front of you. We made himself and he

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Speaker 2: burned for the first time and you said to him,

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Speaker 2: never do that again.

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Speaker 4: Play Still to that date, he has not, He has

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Speaker 4: not burned or passed wounded in front of.

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Speaker 1: You're wearing because to me, how long have you been

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Speaker 1: within and now for yeah.

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Speaker 2: Five or six years and you've never let smoke off

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Speaker 2: the chart.

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Speaker 1: I never system and I know I wouldn't believe you

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Speaker 1: save it for us when we're in a taxi. Don't.

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Speaker 1: It's always always.

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Speaker 2: Birth is something that just might happens.

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Speaker 3: You can control a bird.

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Speaker 1: You don't just drop one scary like.

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Speaker 3: No, he doesn't burp. He does sometimes do some fluffs

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Speaker 3: and then blame the baby or the dog. A lot

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Speaker 3: of old Williams and I had the baby. It's like

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Speaker 3: four months old.

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Speaker 2: You've got two kids.

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Speaker 4: Silent ones are the worst. I do feel like you

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Speaker 4: can just strip it around from you.

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Speaker 1: Now, are you going to be doing the Coming of Games?

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Speaker 4: You're going to be seven a couple of weeks will

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Speaker 4: be up on the Goldie Home Games.

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Speaker 1: Cannot wait.

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Speaker 4: It's over six and a half thousand athletes competing in total. Yeah,

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Speaker 4: so working with seven with the coverage, so I cannot

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Speaker 4: wait to work.

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Speaker 11: Great.

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Speaker 1: We'll see some bod By Finch up there as well.

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Speaker 1: Where do we get bob By Finch?

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Speaker 4: So you get it in my runner online at Bodboyfinch

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Speaker 4: dot com. And this week we also launched my new

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Speaker 4: health and wellness program.

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Speaker 2: Is great, So how does that work? A stupid question?

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Speaker 1: I don't know. That's fine.

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Speaker 4: So basically everything is online, so bodyboyfinch dot com and

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Speaker 4: you've got everything, your meal plans, your work, your mindfulness

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Speaker 4: and design.

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Speaker 1: For the modern woman. So I've heard it all exactly, Finchy.

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Speaker 1: So good to see you again, love, Thank you very

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Speaker 1: much for coming in.

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Speaker 4: My absolute pleasure to love you.

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Speaker 2: Guys. Can I bring up a bit of a home issue, guys,

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Speaker 2: Lisa and I still in love. We're still together, which

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Speaker 2: is great, and we say I love quite.

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Speaker 3: Often sleeping in the same bed.

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Speaker 2: Yet not at the moment, although we do a lot

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Speaker 2: of other relationship nice things like I'll come home and

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Speaker 2: I'll give her a kiss hello, and I'll give a

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Speaker 2: kiss good night, and I love you darling.

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Speaker 1: How old's Jack? Now?

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Speaker 2: Jack is nearly two.

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Speaker 1: He's nearly two, and you're still sleeping in separate beds?

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Speaker 2: Yeah, lifestyle?

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Speaker 3: Yeah, why is that?

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Speaker 2: Because I get up at four am, as we all do,

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Speaker 2: Lisa doesn't want to be working up at that time,

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Speaker 2: and I still get up in the night at some

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Speaker 2: stage to attend to one of the kids.

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Speaker 3: I do all that, and I still sleep in the

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Speaker 3: she doesn't sleep through.

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Speaker 2: If one wakes up the other wakes up, and that's

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Speaker 2: what we try to avoid. But the love is still there.

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Speaker 1: Does the Butlert get up at all?

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Speaker 2: In the quarters?

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Speaker 6: Yeah?

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Speaker 2: Form, I ring a bell for my bed. If I say,

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Speaker 2: I've got two different bells, one's for Ted, ones for Jack.

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Speaker 10: Lady's shot on side.

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Speaker 2: Let's move on. Here's the issue. This was a moment

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Speaker 2: that I want to play for you that Lisa sent

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Speaker 2: to me the other day, and it's her driving Ted

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Speaker 2: to school and the conversation that took place. Have a

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Speaker 2: listen to this audio. There's one keyword. I'm sure you'll

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Speaker 2: pick up on, Ted.

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Speaker 5: What word are you saying that?

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Speaker 7: Daddy says? When did Daddy say that word?

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Speaker 5: We don't say that word.

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Speaker 2: I reckon. He's three and now Ted, I reckon. I've

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Speaker 2: said it twice in frustration within three years. The fact

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Speaker 2: that Lisa has now made a point of it done.

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Speaker 2: Let's do a video to send to Dad. I'm blaming her,

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Speaker 2: she's blaming me, and we are at war. She's saying,

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Speaker 2: hang on a minute, you put that into his vocab.

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Speaker 2: He picked up that word from you, And I said

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Speaker 2: the fact that you've amplified it, which I really should

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Speaker 2: have said.

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Speaker 1: The word.

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Speaker 2: You're looking for Tedy's truck.

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Speaker 3: Yeah, she's made up. She made it special her.

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Speaker 11: Thank kid.

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Speaker 10: It's not my fault, is it?

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Speaker 2: So I'm innocent? Argument over it is a.

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Speaker 3: Tough one though, how do you not? I mean when

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Speaker 3: you called me a few weeks ago, whips, I was

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Speaker 3: on speaker in the.

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Speaker 2: Car and you didn't tell me one of the kids

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Speaker 2: was in and I dropped a few profoundities in front

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Speaker 2: of Jack and you said.

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Speaker 3: Thanks a bunch, sir. Jack's in the car.

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Speaker 2: But you know what he does too. This is where

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Speaker 2: I got caught out because initially I tried to argue

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Speaker 2: that it was Lisa's word and that ted had got

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Speaker 2: it from Lisa. But then what he does is he

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Speaker 2: runs around the house now and holds his hands out

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Speaker 2: like they're on a steering wheel, pretending to be a car,

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Speaker 2: yelling out the F word, because that's what Daddy does

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Speaker 2: apparently behind the wheel.

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Speaker 1: See. Road rage is the big one. That's how I

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Speaker 1: learned to swear from my dad, is it? It's the

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Speaker 1: first lesson in language? Road road Dad was a massive

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Speaker 1: f wid fan. Wit always love to finish with the

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Speaker 1: old wit yep, because he could emphasize it with if.

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Speaker 2: Wit and then and then now I can hear ted

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Speaker 2: in the back of the car say get out of

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Speaker 2: the way, idiot. And then I was talking to a

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Speaker 2: mate and his theory in thirteen twenty fourteen, how did

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Speaker 2: you handle bad language in the house A made of mine.

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Speaker 2: His theory is to embrace it and to teach it. Yeah,

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Speaker 2: so then they know when it's appropriate and how to

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Speaker 2: use it. Don't block it away like oh my god,

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Speaker 2: it falls out of his mouth. This is the most

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Speaker 2: embarrassing thing as a parent. He says with every other

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Speaker 2: word that I'm teaching my kids, I teach them these

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Speaker 2: words as well, and then say this is to be

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Speaker 2: used here in.

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Speaker 1: This situation, and you stand up comedy routurne.

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Speaker 2: Yeah, when you turn eighteen. So just hang on to

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Speaker 2: that to lend But he said, even if a kid

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Speaker 2: grabs my kid in the playground, then I tell him

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Speaker 2: that's the time to use it because it has impact.

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Speaker 2: So back off and I use that word. So everyone's

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Speaker 2: got their own rules in their own house. Thirteen twenty fourteen.

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Speaker 2: What do you do? When was the first time you

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Speaker 2: had it?

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Speaker 1: Oh, well, let's we've had a few moments. I'll get

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Speaker 1: some audio. I think we've got some in the system

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Speaker 1: of hue in the back of the car. We don't

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Speaker 1: know what he was trying to say. The other one

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Speaker 1: was road rage for me when I yield out grow

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Speaker 1: some balls for the person that wasn't turning. And Lenny's

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Speaker 1: best friend at daycare was Grayson, and the teacher said

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Speaker 1: to me, pulled me aside one day and just need

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Speaker 1: to tell you for some reason, Lenny's been yelling out

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Speaker 1: Grayson's balls all day. Grayson's balls, he thought, I was saying.

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Speaker 2: What was that other audio of Huey in the.

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Speaker 1: Back of the car, Yeah, I'll find that for you. Yeah,

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Speaker 1: because he got one.

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Speaker 2: He's trying to say.

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Speaker 1: Something about his clothes, clothes, but he was trying to

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Speaker 1: say something else. We were trying to work it out.

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Speaker 1: We can. Maybe you could help us out with this one.

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Speaker 2: All right, it's got it in Mars and Park. What

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Speaker 2: do you think the best way to handle.

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Speaker 8: Is definitely just let him do it. Teach them the

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Speaker 8: right context.

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Speaker 2: To use it, you reckon, don't shy away from it,

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Speaker 2: Embrace it and tell him how to use it.

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Speaker 8: Yeah, my mate's too cute. One of them is about six.

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Speaker 8: The other ones are three or four and they use it,

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Speaker 8: not around girls or anything like that, and they use

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Speaker 8: the properly. They use the word use them oh wow.

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Speaker 1: When the boys do sweet, you don't make a point

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Speaker 1: of it straight away, You don't go you don't do that,

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Speaker 1: because then they know if you tell them not to

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Speaker 1: do it, they'll do it and they get a laugh

381
00:16:18,800 --> 00:16:21,760
Speaker 1: from them with their mates. There's nothing better than saying it.

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00:16:21,800 --> 00:16:24,080
Speaker 1: Going mum and Dad said this is wrong, so let's

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Speaker 1: do it at school.

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Speaker 2: What if we say the other day to me, well,

385
00:16:26,600 --> 00:16:30,000
Speaker 2: we're watching the Wiggles and he said, lookd at the

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Speaker 2: effing Wiggles.

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Speaker 1: But then he start yesterday did this one? He was

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Speaker 1: pushing his nappy bin and he said, I'm moving my

389
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Speaker 1: effing bin. Oh no, Tracy and Concord, have you stopped

390
00:16:45,080 --> 00:16:46,360
Speaker 1: your kids from swearing? Trace?

391
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Speaker 5: Look, My husband and I saw like troopers when they

392
00:16:49,160 --> 00:16:52,240
Speaker 5: were babies NonStop, and we just said to them that

393
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Speaker 5: they was special adult words.

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Speaker 1: And they still day special adult words.

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Speaker 2: And we just never made a fuss because we were

396
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Speaker 2: overtraded harshly, like if we said bloody then it would

397
00:17:04,600 --> 00:17:06,439
Speaker 2: be to your room. But that was the deal in

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Speaker 2: our house.

399
00:17:07,119 --> 00:17:09,880
Speaker 1: Bethanie and Cobbedy. Your kids have never ever.

400
00:17:09,760 --> 00:17:13,720
Speaker 5: Sworn, never ever sworn. My husband and I certainly don't

401
00:17:13,720 --> 00:17:16,440
Speaker 5: swear in front of them. We never have, so we swear,

402
00:17:16,880 --> 00:17:19,680
Speaker 5: you know, away from them, and when they've gone to bed,

403
00:17:19,760 --> 00:17:23,119
Speaker 5: of course, because she can't help us. But they've never sworn,

404
00:17:23,320 --> 00:17:25,720
Speaker 5: and when they hear it, they will turn around and

405
00:17:25,720 --> 00:17:28,640
Speaker 5: say to us, oh, but that doesn't sound very nice

406
00:17:28,640 --> 00:17:31,360
Speaker 5: coming out of someone's mouth, And I said, that's right.

407
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Speaker 5: So when they grew up, even the word stupid to

408
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Speaker 5: them was like a like a swear.

409
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Speaker 1: Yeah, yeah, there you go.

410
00:17:38,720 --> 00:17:40,960
Speaker 2: And Lisa's parents don't swear. Her mum wants to go

411
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Speaker 2: to see the Book of Mormons.

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00:17:42,320 --> 00:17:44,240
Speaker 1: Well this is this was here. We're trying to work

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Speaker 1: out what Hue was trying to say in this conversation.

414
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Speaker 3: They fucking cause you.

415
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Speaker 7: Cause, what's wrong with them? Name late fucking Clay Okay

416
00:18:03,520 --> 00:18:04,720
Speaker 7: my son and.

417
00:18:09,560 --> 00:18:13,240
Speaker 1: Yeah, funky Clothes. Were trying to work that one out.

418
00:18:15,080 --> 00:18:17,159
Speaker 1: We finally got him on the show and the series

419
00:18:17,240 --> 00:18:19,840
Speaker 1: is finished. We are talking about Troy from Married at first,

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Speaker 1: he joins us. Now, Troy, welcome to the show, buddy.

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00:18:23,160 --> 00:18:25,080
Speaker 8: Thanks so much for having me on. Treat to be

422
00:18:25,160 --> 00:18:25,920
Speaker 8: here finally?

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00:18:26,119 --> 00:18:28,800
Speaker 1: Can I can I just say, Troy, When we first

424
00:18:28,840 --> 00:18:31,639
Speaker 1: saw your audition tape, we thought, oh God, who is

425
00:18:31,720 --> 00:18:34,640
Speaker 1: this tool? I must admit Sarah, you gotta admit were

426
00:18:34,680 --> 00:18:37,520
Speaker 1: you have? We have grown to love Troy over this

427
00:18:37,560 --> 00:18:41,240
Speaker 1: whole series. Have absolutely mate well and you're honest throughout

428
00:18:41,280 --> 00:18:43,639
Speaker 1: the whole show. But jeez, we've got some questions to

429
00:18:43,760 --> 00:18:46,960
Speaker 1: ask why have you stayed so low? Troy?

430
00:18:48,200 --> 00:18:51,240
Speaker 8: Oh, look, it was it wasn't my decision. It was

431
00:18:51,240 --> 00:18:55,560
Speaker 8: actually made by the publicist channel Night So after unfortunately

432
00:18:55,760 --> 00:18:57,960
Speaker 8: some pictures of me and Kylie came out a couple

433
00:18:58,000 --> 00:19:00,359
Speaker 8: of months ago. Yes, I think they wanted to keep

434
00:19:00,440 --> 00:19:04,119
Speaker 8: us on some fairly friendly territory, so we didn't. I

435
00:19:04,160 --> 00:19:06,760
Speaker 8: haven't branched out too much. Neither is Carli, So so

436
00:19:06,800 --> 00:19:07,600
Speaker 8: that's the reason.

437
00:19:08,119 --> 00:19:09,560
Speaker 2: And how tight lift was it?

438
00:19:09,640 --> 00:19:09,880
Speaker 1: Troy?

439
00:19:09,960 --> 00:19:10,080
Speaker 8: Like?

440
00:19:10,080 --> 00:19:12,320
Speaker 2: Could you did you speak to friends and family about

441
00:19:12,320 --> 00:19:14,240
Speaker 2: it or was it a blanket rule? Don't talk about

442
00:19:14,280 --> 00:19:16,879
Speaker 2: you and Carly after those Picks in the Park came out.

443
00:19:18,200 --> 00:19:21,520
Speaker 8: Yeah, I definitely spoke to my friends and family like, yeah,

444
00:19:21,680 --> 00:19:25,359
Speaker 8: but there's just anything to do with media. Unfortunately, no opportunity.

445
00:19:25,560 --> 00:19:28,200
Speaker 2: So you were handsy in the park. Weren't they wondering?

446
00:19:28,200 --> 00:19:30,040
Speaker 2: There was?

447
00:19:31,040 --> 00:19:33,280
Speaker 1: Yeah, and you'll have a good tickle as well, Troy,

448
00:19:33,320 --> 00:19:33,600
Speaker 1: don't you?

449
00:19:37,320 --> 00:19:40,360
Speaker 8: Yeah? You gest it? How could I not? Carlie gives

450
00:19:40,359 --> 00:19:44,320
Speaker 8: men inredible girl, and we did. I did get a

451
00:19:44,359 --> 00:19:46,359
Speaker 8: bit carried away. We've had a bit of cabin fever

452
00:19:46,520 --> 00:19:48,920
Speaker 8: that day. I think we were anxious to get outside.

453
00:19:48,920 --> 00:19:53,040
Speaker 8: We've got to the park and just of escalating, not

454
00:19:53,080 --> 00:19:56,359
Speaker 8: too much. I'm not terribly proud of the state that

455
00:19:56,440 --> 00:19:57,919
Speaker 8: got to but what could you do?

456
00:19:58,119 --> 00:19:59,480
Speaker 1: All right, Okay, this is what we're going to do.

457
00:19:59,520 --> 00:20:01,400
Speaker 1: We've got the same many questions, but we thought we'd

458
00:20:01,440 --> 00:20:03,280
Speaker 1: wrap it all up, put it into a segment. We're

459
00:20:03,280 --> 00:20:06,040
Speaker 1: going to call this Troy or false.

460
00:20:05,920 --> 00:20:12,920
Speaker 2: Play Boys and girls. It's time to play now.

461
00:20:13,040 --> 00:20:17,119
Speaker 1: These are all legit, Okay. So these were newspaper articles,

462
00:20:17,200 --> 00:20:20,800
Speaker 1: they were written in magazines, they were on websites. So

463
00:20:20,840 --> 00:20:22,880
Speaker 1: we're going to throw these out at you, and you've

464
00:20:22,880 --> 00:20:25,399
Speaker 1: got to tell us if they're Troy or if they're false.

465
00:20:25,440 --> 00:20:26,680
Speaker 1: Are you ready to go, big fella?

466
00:20:27,600 --> 00:20:28,240
Speaker 8: Ready to roll?

467
00:20:28,359 --> 00:20:30,679
Speaker 1: Okay? You were an actor who was hired from a

468
00:20:30,760 --> 00:20:34,280
Speaker 1: talent agency for the show. So Channel nine approached you

469
00:20:34,440 --> 00:20:35,280
Speaker 1: to be on the show.

470
00:20:39,960 --> 00:20:43,199
Speaker 8: I'm quite an actor. I'm not from any agency, just

471
00:20:43,240 --> 00:20:46,600
Speaker 8: an average Joe who just happened to apply and just

472
00:20:46,640 --> 00:20:47,600
Speaker 8: one thing to another.

473
00:20:47,880 --> 00:20:48,120
Speaker 1: Troy.

474
00:20:48,160 --> 00:20:49,359
Speaker 2: Have you ever done any acting?

475
00:20:51,560 --> 00:20:53,919
Speaker 8: Maybe in primary school?

476
00:20:55,080 --> 00:20:56,000
Speaker 9: All right?

477
00:20:56,160 --> 00:21:00,280
Speaker 1: Number two, Troy? Or false? You're a virgin? That from

478
00:21:00,320 --> 00:21:02,800
Speaker 1: your sister who came out and said that you're a virgin. Troy.

479
00:21:04,359 --> 00:21:08,920
Speaker 8: Thanks, that's hilarious. It's too it's too funny. I don't

480
00:21:08,920 --> 00:21:13,119
Speaker 8: know what she was trying to do, but yeah, that's

481
00:21:13,160 --> 00:21:14,960
Speaker 8: not Actually it's false.

482
00:21:15,080 --> 00:21:17,159
Speaker 1: Have you spoken to it, Troy? Have you spoken of

483
00:21:17,200 --> 00:21:18,520
Speaker 1: it since she revealed that.

484
00:21:19,480 --> 00:21:22,240
Speaker 8: Oh, look, I haven't spoken to my sister in about

485
00:21:22,440 --> 00:21:25,000
Speaker 8: fifteen years. Five.

486
00:21:25,280 --> 00:21:29,160
Speaker 2: Yeah, really, she should have said when I knew him,

487
00:21:29,240 --> 00:21:30,000
Speaker 2: he was a virgin.

488
00:21:30,240 --> 00:21:34,680
Speaker 8: That's correct. That would have been a true statement, Troy.

489
00:21:34,760 --> 00:21:35,119
Speaker 1: Or false?

490
00:21:35,119 --> 00:21:36,760
Speaker 2: You and Ashley made a pact to stay on the

491
00:21:36,760 --> 00:21:38,639
Speaker 2: show for fame even though you didn't like.

492
00:21:42,320 --> 00:21:47,320
Speaker 8: That is false. I was. I was legit and everything

493
00:21:47,359 --> 00:21:49,760
Speaker 8: I said on the commitment couches every week. Look, I

494
00:21:50,240 --> 00:21:52,040
Speaker 8: was trying to get the relationship work. I put everything

495
00:21:52,040 --> 00:21:55,040
Speaker 8: I had into it, and I did have feelings at

496
00:21:55,040 --> 00:21:59,640
Speaker 8: different times for the girl. Absolutely, I can't speak frashly rashly, Yeah,

497
00:22:00,960 --> 00:22:01,560
Speaker 8: all right.

498
00:22:01,400 --> 00:22:04,239
Speaker 1: Here we go. Troy or False, You were flirting with

499
00:22:04,320 --> 00:22:07,159
Speaker 1: up to ten women at the Star Casino about a

500
00:22:07,200 --> 00:22:10,000
Speaker 1: month ago during a night out with the boys. Is

501
00:22:10,040 --> 00:22:11,280
Speaker 1: that Troy or False?

502
00:22:13,520 --> 00:22:23,040
Speaker 8: That you definitely Troy Troy? Yeah, all right?

503
00:22:23,280 --> 00:22:25,080
Speaker 1: What about this one? Everyone was talking about this one

504
00:22:25,080 --> 00:22:27,320
Speaker 1: as well, Troy or False. You actually refused to do

505
00:22:27,359 --> 00:22:30,159
Speaker 1: the interviews during the season unless you were paid big money.

506
00:22:30,280 --> 00:22:32,600
Speaker 1: You just told us that the production company in the

507
00:22:32,640 --> 00:22:35,439
Speaker 1: publicers said no. But were you asking for money?

508
00:22:36,359 --> 00:22:39,479
Speaker 8: You absolutely so. I was told not to do them.

509
00:22:39,480 --> 00:22:41,399
Speaker 8: I couldn't do them. You had to actually get me

510
00:22:41,440 --> 00:22:43,040
Speaker 8: on the show. You had to go through Channel nine.

511
00:22:43,480 --> 00:22:45,200
Speaker 8: You had to, and they were saying no to everything.

512
00:22:46,119 --> 00:22:50,600
Speaker 8: I was solicited by one low level producer from one

513
00:22:50,680 --> 00:22:53,560
Speaker 8: of the other radio programs out there who hounded me

514
00:22:53,600 --> 00:22:55,320
Speaker 8: for weeks and weeks and weeks, and I said, I

515
00:22:55,320 --> 00:22:57,440
Speaker 8: can't do it, I can't do it. I'm allowed, I'm allowed.

516
00:22:58,000 --> 00:23:01,240
Speaker 8: And then I was like, you know what, when the

517
00:23:01,280 --> 00:23:03,560
Speaker 8: show does finish, if you make it worth my while,

518
00:23:03,600 --> 00:23:06,040
Speaker 8: I might consider coming on. But anyway, we've already done

519
00:23:06,040 --> 00:23:07,000
Speaker 8: it for free by now.

520
00:23:07,160 --> 00:23:10,800
Speaker 1: So what about this one, Troy or false you still

521
00:23:10,840 --> 00:23:13,840
Speaker 1: had your Tinder account activated while on the show.

522
00:23:15,880 --> 00:23:16,639
Speaker 8: Not at all?

523
00:23:18,080 --> 00:23:21,760
Speaker 2: What about this one? Sorry I cut you off. Than

524
00:23:21,800 --> 00:23:23,200
Speaker 2: Troy Kari is pregnant?

525
00:23:25,920 --> 00:23:27,119
Speaker 8: Well I can't answer that.

526
00:23:27,200 --> 00:23:32,199
Speaker 1: Can I just give us Troy or false?

527
00:23:34,200 --> 00:23:39,480
Speaker 8: To my knowledge?

528
00:23:39,560 --> 00:23:42,480
Speaker 2: So you're saying there's a chance she could be pregnant.

529
00:23:42,960 --> 00:23:47,159
Speaker 8: As really, who knows what you do?

530
00:23:47,440 --> 00:23:47,640
Speaker 11: Yeah?

531
00:23:48,680 --> 00:23:53,160
Speaker 8: It should be no, No, I know, I know how

532
00:23:53,960 --> 00:23:55,200
Speaker 8: it's false right now?

533
00:23:55,280 --> 00:23:55,440
Speaker 5: Yet?

534
00:23:55,520 --> 00:23:55,840
Speaker 4: All right?

535
00:23:55,880 --> 00:23:58,480
Speaker 1: And last one, Troy or false? You've quit your job

536
00:23:58,680 --> 00:24:01,280
Speaker 1: to start a media career. You're following the series? Is

537
00:24:01,320 --> 00:24:02,960
Speaker 1: it true you've quit your job? Troy?

538
00:24:04,640 --> 00:24:06,120
Speaker 8: Where did you guys get that from?

539
00:24:06,760 --> 00:24:07,600
Speaker 1: That was written to?

540
00:24:08,920 --> 00:24:15,760
Speaker 8: Okay, well, I did hand in my resignation, yes, two

541
00:24:15,840 --> 00:24:16,240
Speaker 8: days ago.

542
00:24:17,920 --> 00:24:19,200
Speaker 2: So what do you want to do? Where are we

543
00:24:19,240 --> 00:24:20,520
Speaker 2: going to see more of your Troy?

544
00:24:20,840 --> 00:24:23,400
Speaker 8: The thing is, though, I did that for love. I'm

545
00:24:23,400 --> 00:24:28,360
Speaker 8: moving to Melbourne. So yeah, big life change happening for Carlo. Yeah,

546
00:24:28,560 --> 00:24:31,480
Speaker 8: and yes, that's the reason for it. But I don't

547
00:24:31,520 --> 00:24:34,879
Speaker 8: know what's next. I'm very skeptical any media career is

548
00:24:34,880 --> 00:24:37,920
Speaker 8: in front of me. Obviously you saw me this season,

549
00:24:39,080 --> 00:24:41,159
Speaker 8: but who knows you might see me one way or

550
00:24:42,119 --> 00:24:43,960
Speaker 8: walking around the streets yeah.

551
00:24:44,119 --> 00:24:46,439
Speaker 1: Can I just say, mate, Can I just say I

552
00:24:46,480 --> 00:24:48,520
Speaker 1: fell in love with you and the and I just

553
00:24:48,560 --> 00:24:52,440
Speaker 1: thought you brought everything to that show. You were entertaining. Mate.

554
00:24:52,480 --> 00:24:54,600
Speaker 1: We thought you're an actor at the start, but you

555
00:24:54,840 --> 00:24:57,840
Speaker 1: just you, just Troy. And I don't think that they

556
00:24:57,880 --> 00:24:59,320
Speaker 1: will find another Troy.

557
00:24:59,400 --> 00:25:00,280
Speaker 2: There's only one Troy.

558
00:25:00,400 --> 00:25:01,439
Speaker 1: There's only one Troy.

559
00:25:04,240 --> 00:25:06,480
Speaker 8: Thanks guys for that. It was a rough start. It

560
00:25:06,600 --> 00:25:09,200
Speaker 8: was a rough start. And hopefully again prove myself.

561
00:25:09,400 --> 00:25:11,399
Speaker 2: You're going to be a great dad too, Troy.

562
00:25:11,440 --> 00:25:12,119
Speaker 1: You really will be.

563
00:25:12,960 --> 00:25:15,840
Speaker 8: Let's recon to you, guys. What happened?

564
00:25:17,119 --> 00:25:19,240
Speaker 1: Good on Troy. Thanks for coming on the show.

565
00:25:19,119 --> 00:25:21,720
Speaker 8: Buddy, My pleasure all of that to you, guys.

566
00:25:24,480 --> 00:25:25,560
Speaker 1: Well, I love this man.

567
00:25:25,760 --> 00:25:26,600
Speaker 11: I just love him.

568
00:25:26,640 --> 00:25:28,480
Speaker 1: You can see him on seven Years every Friday and

569
00:25:28,520 --> 00:25:32,119
Speaker 1: Saturday night. On Sunday night as well. Michael welcome.

570
00:25:34,560 --> 00:25:37,160
Speaker 2: He always looks sharp. Michael's feeling sharp.

571
00:25:37,160 --> 00:25:38,960
Speaker 12: I've got to put the news, read the jacket on today.

572
00:25:39,040 --> 00:25:39,560
Speaker 2: It's stunning.

573
00:25:39,680 --> 00:25:41,680
Speaker 1: Do you think you do? You want a tracksuit? Though?

574
00:25:42,160 --> 00:25:44,720
Speaker 1: Are you a track suitman? At home? I could see

575
00:25:44,760 --> 00:25:46,080
Speaker 1: you in an old added as track sir.

576
00:25:46,200 --> 00:25:46,719
Speaker 11: I do have.

577
00:25:46,800 --> 00:25:48,439
Speaker 12: I do have a pair of track attacks and the

578
00:25:48,480 --> 00:25:51,119
Speaker 12: muggies too, do you real? And the weather's changing, so

579
00:25:51,160 --> 00:25:52,600
Speaker 12: I'm getting ready to put them back on.

580
00:25:52,720 --> 00:25:54,680
Speaker 1: Okay, as he's one for you when you go down

581
00:25:54,680 --> 00:25:56,399
Speaker 1: to the beach. Are you a bordies me or do

582
00:25:56,440 --> 00:25:58,920
Speaker 1: you like a pair of speedos? Definitely not the speedos

583
00:26:00,080 --> 00:26:03,480
Speaker 1: can't do this. European told got the dad bod A

584
00:26:03,560 --> 00:26:06,520
Speaker 1: shorter a shorter boardy. I wouldn't go to the full Europeans.

585
00:26:06,520 --> 00:26:07,840
Speaker 12: I wouldn't do the Malcolm turbules.

586
00:26:07,840 --> 00:26:10,040
Speaker 2: But no, you know what I mean. The dad body

587
00:26:10,080 --> 00:26:12,240
Speaker 2: is such a great term, and I'm glad someone came

588
00:26:12,320 --> 00:26:13,879
Speaker 2: up with it because for a guy that might be

589
00:26:13,920 --> 00:26:15,800
Speaker 2: carrying a little bit night years at Michael, I'm thinking

590
00:26:15,800 --> 00:26:16,760
Speaker 2: of myself right here.

591
00:26:17,000 --> 00:26:17,919
Speaker 1: You know, you look at.

592
00:26:18,080 --> 00:26:20,600
Speaker 2: Excuse to be able to say, hey, this is what

593
00:26:20,640 --> 00:26:22,639
Speaker 2: I've got, Isn't it like if you're a little bit

594
00:26:22,640 --> 00:26:24,480
Speaker 2: on the tubby you can call it a dad pod.

595
00:26:24,680 --> 00:26:25,920
Speaker 1: I think you just got to rock it too.

596
00:26:26,000 --> 00:26:26,359
Speaker 11: Yeah.

597
00:26:28,359 --> 00:26:30,119
Speaker 12: I saw you down a bomboy once in the distance.

598
00:26:30,119 --> 00:26:32,040
Speaker 12: You had your fellow down there and you were owning.

599
00:26:31,760 --> 00:26:41,639
Speaker 2: It and your son. I was taking my little fellow

600
00:26:41,640 --> 00:26:42,119
Speaker 2: for a sweep.

601
00:26:43,040 --> 00:26:46,840
Speaker 1: He's been arrested for that before. I didn't know anyone.

602
00:26:46,560 --> 00:26:48,119
Speaker 2: Could see me. It was midnight USh and you were

603
00:26:48,119 --> 00:26:49,800
Speaker 2: there as well. I was behind a rock.

604
00:26:49,880 --> 00:26:52,800
Speaker 13: I thought I was halfway through a school work that

605
00:26:53,040 --> 00:26:58,760
Speaker 13: I didn't come and say, good, I'm working on it.

606
00:26:58,880 --> 00:27:01,280
Speaker 1: I'm working on it now. You you have been in

607
00:27:01,320 --> 00:27:03,400
Speaker 1: this industry for a very long time. You're very good

608
00:27:03,400 --> 00:27:09,199
Speaker 1: at your job. You're a journalist used to be. But

609
00:27:09,320 --> 00:27:12,439
Speaker 1: today it's a headline off. You're going up against Maddie Degree.

610
00:27:12,480 --> 00:27:14,480
Speaker 1: Have you, I mean, have you heard about this? Is

611
00:27:14,520 --> 00:27:17,760
Speaker 1: there whispers in the industry about this sacred game that

612
00:27:17,760 --> 00:27:19,480
Speaker 1: we play in this show, the Headline Off Rush.

613
00:27:19,560 --> 00:27:21,440
Speaker 12: People know about it. That's why I jumped at the offer,

614
00:27:21,480 --> 00:27:23,119
Speaker 12: because if you're going to go, if you're going to

615
00:27:23,200 --> 00:27:25,560
Speaker 12: go up against the man to sort of test your

616
00:27:25,600 --> 00:27:27,560
Speaker 12: chops and show your headline skills, you've got to go.

617
00:27:27,640 --> 00:27:28,520
Speaker 12: You've got to go up against the.

618
00:27:28,680 --> 00:27:30,120
Speaker 1: I was thinking about it last night.

619
00:27:30,240 --> 00:27:33,040
Speaker 6: We have had the big name Ray Martin has done this,

620
00:27:33,200 --> 00:27:36,360
Speaker 6: Mark Ferguson has gone down and Sally was defeated.

621
00:27:36,440 --> 00:27:39,000
Speaker 1: Not a person has come in and walked out victorious.

622
00:27:39,320 --> 00:27:43,520
Speaker 1: So you may be the ft, you may be the first.

623
00:27:44,440 --> 00:27:48,560
Speaker 2: Other way around one. This is like, this is like

624
00:27:48,680 --> 00:27:50,760
Speaker 2: my wrap for you. Mate, You've never won one.

625
00:27:51,000 --> 00:27:54,040
Speaker 6: Shocking and every time I go, Sarah, please call it

626
00:27:54,080 --> 00:27:55,080
Speaker 6: down there and I did.

627
00:27:55,200 --> 00:27:57,720
Speaker 3: And remember last time, Sandra Sally that there is no

628
00:27:57,840 --> 00:27:59,720
Speaker 3: chance you were close to beating her. You had a

629
00:27:59,720 --> 00:28:02,800
Speaker 3: horrorrrible round. So you bring your a game and I

630
00:28:02,880 --> 00:28:04,080
Speaker 3: promise I'll be impartial.

631
00:28:04,200 --> 00:28:05,760
Speaker 12: I'm gonna be honest though I can do a lot

632
00:28:05,760 --> 00:28:07,560
Speaker 12: of things and pop up in some dangerous plays.

633
00:28:07,600 --> 00:28:09,480
Speaker 1: I'm nervous.

634
00:28:09,480 --> 00:28:12,880
Speaker 6: When was the last time you're nervous behind a microphone like.

635
00:28:12,880 --> 00:28:17,639
Speaker 1: In war zones detector or you know, during an invasion,

636
00:28:20,160 --> 00:28:22,840
Speaker 1: And I'm nervous. Actually, the last time that you were

637
00:28:22,880 --> 00:28:25,320
Speaker 1: nervous I think was on this show. I think the

638
00:28:25,400 --> 00:28:27,359
Speaker 1: last time we had you on is when we played

639
00:28:27,359 --> 00:28:31,840
Speaker 1: this game Marca luscious confessions, Michael confession that was on

640
00:28:31,920 --> 00:28:34,480
Speaker 1: the road, when you gave us some confessions on the road,

641
00:28:34,560 --> 00:28:37,680
Speaker 1: actually and what happened. But today it's the headline off

642
00:28:37,720 --> 00:28:39,840
Speaker 1: you're up against, Maddie Degree. This is where we give

643
00:28:39,880 --> 00:28:42,040
Speaker 1: you a topical story and you've got to give us

644
00:28:42,040 --> 00:28:44,680
Speaker 1: your best comical headline that you can come up with

645
00:28:44,800 --> 00:28:48,200
Speaker 1: straight away. Maddie Degree, you always go first for the guest.

646
00:28:50,360 --> 00:28:59,080
Speaker 2: Read out headlines is not that great. Sometimes is about

647
00:28:59,120 --> 00:29:02,960
Speaker 2: to rip out spine well metaphor.

648
00:29:04,280 --> 00:29:06,760
Speaker 11: Headlines there alright.

649
00:29:07,400 --> 00:29:11,040
Speaker 2: The competition. Michael Asha professional in his craft, MDG.

650
00:29:11,520 --> 00:29:13,640
Speaker 6: He walked in here with a jacket and you were

651
00:29:13,720 --> 00:29:16,080
Speaker 6: all impressed. I mean, how low is the bar?

652
00:29:17,120 --> 00:29:18,440
Speaker 2: Low is the var because he's.

653
00:29:18,320 --> 00:29:21,600
Speaker 1: Professional suit of armor. Mateush, do you have any advice

654
00:29:21,680 --> 00:29:23,680
Speaker 1: for up and coming journalists like Maddie de Group? You

655
00:29:23,760 --> 00:29:26,040
Speaker 1: know you want to get ahead in the in the industry.

656
00:29:26,360 --> 00:29:27,000
Speaker 2: I'll give it up.

657
00:29:29,080 --> 00:29:30,840
Speaker 6: Ahead of hair like yours is going to get you

658
00:29:30,840 --> 00:29:31,240
Speaker 6: a long way.

659
00:29:31,240 --> 00:29:32,360
Speaker 1: And then you need the hair that.

660
00:29:32,720 --> 00:29:37,120
Speaker 2: You need the hair real probably you need ther who's

661
00:29:37,160 --> 00:29:37,880
Speaker 2: going first hit?

662
00:29:38,040 --> 00:29:40,000
Speaker 1: All right, maybe the groot is going to go first year.

663
00:29:40,120 --> 00:29:41,760
Speaker 1: This is where we give you a topical story and

664
00:29:41,760 --> 00:29:44,600
Speaker 1: you've got to give us your best headline. Number one.

665
00:29:45,120 --> 00:29:48,200
Speaker 1: Cynthia and Nixon, best known for playing Miranda on Sex

666
00:29:48,280 --> 00:29:50,360
Speaker 1: and the City, has announced her bid to run for

667
00:29:50,560 --> 00:29:53,640
Speaker 1: New York governor. Maddie de Group best headline, Off.

668
00:29:53,640 --> 00:29:57,920
Speaker 6: You go, This is Novar Sex and the City star

669
00:29:58,240 --> 00:29:59,920
Speaker 6: to screw New Yorkers again.

670
00:30:03,120 --> 00:30:05,800
Speaker 2: There wouldn't use it as a campaign slogan.

671
00:30:06,680 --> 00:30:14,280
Speaker 1: It's a headline right down the middle. Where Joy, have

672
00:30:14,400 --> 00:30:15,200
Speaker 1: you got the sting? There?

673
00:30:15,240 --> 00:30:16,840
Speaker 13: You know when to come in right at the end

674
00:30:16,840 --> 00:30:23,320
Speaker 13: of the sting, right, Michael, This is nov Madam Miranda

675
00:30:23,440 --> 00:30:25,240
Speaker 13: Sex and the City Star in the box seat to

676
00:30:25,320 --> 00:30:26,440
Speaker 13: run for New York Governor.

677
00:30:26,480 --> 00:30:28,640
Speaker 12: Whipper runs for another box set marathon.

678
00:30:33,800 --> 00:30:35,680
Speaker 2: It feels like I don't know why I was clapping

679
00:30:35,800 --> 00:30:38,280
Speaker 2: because turned into a personal attack at the end.

680
00:30:38,800 --> 00:30:39,720
Speaker 1: But it's sting.

681
00:30:39,960 --> 00:30:40,360
Speaker 11: It's good.

682
00:30:40,440 --> 00:30:41,360
Speaker 2: Yeah, it had passed it.

683
00:30:41,840 --> 00:30:43,680
Speaker 1: She used to sit down with his sisters when he

684
00:30:43,840 --> 00:30:45,880
Speaker 1: was a teenager and watch Sex in the City together.

685
00:30:45,960 --> 00:30:46,920
Speaker 1: Do you find that a little bit?

686
00:30:48,280 --> 00:30:50,680
Speaker 2: It's a great show, great show. Who won that round?

687
00:30:50,760 --> 00:30:51,360
Speaker 2: Sad big one?

688
00:30:51,640 --> 00:30:52,240
Speaker 3: I reckon that.

689
00:30:55,440 --> 00:30:59,200
Speaker 1: Everybody shocked. This is the best start that you've ever

690
00:30:59,280 --> 00:30:59,760
Speaker 1: got off to.

691
00:31:00,080 --> 00:31:01,440
Speaker 2: Now we need to come back, all right.

692
00:31:01,640 --> 00:31:04,800
Speaker 1: You're gonna go first in this one second story is controversial.

693
00:31:04,840 --> 00:31:09,520
Speaker 1: Sydney businessman Salim Mahaja has been declared bankrupt while he

694
00:31:09,640 --> 00:31:12,880
Speaker 1: languishes in jail. Your best headline off.

695
00:31:12,800 --> 00:31:13,200
Speaker 2: Here we go.

696
00:31:14,400 --> 00:31:18,560
Speaker 12: This is Nova Salim hard Times from marble stairs to

697
00:31:18,680 --> 00:31:22,040
Speaker 12: rock bottom, the flash prints of Auburn bankrupt and behind bar.

698
00:31:25,520 --> 00:31:28,000
Speaker 2: That was Salim hard Time.

699
00:31:28,240 --> 00:31:28,560
Speaker 1: Wow.

700
00:31:30,120 --> 00:31:32,240
Speaker 2: Wow, there's the Day Telegraph.

701
00:31:32,800 --> 00:31:34,080
Speaker 1: Please went soft stuff?

702
00:31:34,120 --> 00:31:36,440
Speaker 6: Mate? Can I please you send? Not to be distracted

703
00:31:36,520 --> 00:31:39,840
Speaker 6: by the fact that it's a TV star and it sounds.

704
00:31:42,480 --> 00:31:44,440
Speaker 1: Let no, let's go on to the third story.

705
00:31:46,920 --> 00:31:52,440
Speaker 6: DJ, this is nov Can the real slim shady please

706
00:31:52,520 --> 00:31:57,760
Speaker 6: stand up in the line for senlink Ah, it's terrible.

707
00:31:57,800 --> 00:32:01,120
Speaker 14: I don't mind it, but you've used tad so many

708
00:32:01,200 --> 00:32:02,720
Speaker 14: times headline so many times.

709
00:32:04,040 --> 00:32:08,360
Speaker 1: I didn't win. It's one old. Here we go tybreak

710
00:32:08,960 --> 00:32:12,000
Speaker 1: final story is break up. Rumors are swirling after Selena

711
00:32:12,040 --> 00:32:16,680
Speaker 1: Gamez arrives in Australia to holiday alone without boyfriend Justin

712
00:32:16,800 --> 00:32:21,960
Speaker 1: Bieber Selena Gomez in Australia holidaying with our boyfriend Justin

713
00:32:22,200 --> 00:32:27,960
Speaker 1: wanting to point out headline no because because when we.

714
00:32:28,040 --> 00:32:31,560
Speaker 6: Were discussing the fact that she arrived with a ukulele,

715
00:32:32,280 --> 00:32:36,840
Speaker 6: was sing that I was supposed to explain.

716
00:32:35,440 --> 00:32:37,480
Speaker 1: That you don't know what you're talking about.

717
00:32:38,200 --> 00:32:41,760
Speaker 6: This is no the Queen of Hill's song in Bikinian

718
00:32:41,880 --> 00:32:44,400
Speaker 6: thongs she gaily flies in with her ukulele.

719
00:32:45,040 --> 00:32:46,200
Speaker 2: She gaily flies.

720
00:32:47,120 --> 00:32:49,000
Speaker 1: I needed to point out because there's no word that

721
00:32:49,120 --> 00:32:54,320
Speaker 1: rhymes with ukulele. Because I got told to focus.

722
00:32:54,080 --> 00:32:55,560
Speaker 2: On the what about.

723
00:32:57,640 --> 00:33:03,520
Speaker 3: Gaily flies in daily I tried to work. She didn't

724
00:33:03,720 --> 00:33:06,160
Speaker 3: like Gaily either, so it's accurate.

725
00:33:08,720 --> 00:33:11,840
Speaker 1: Close and when he started so well, Do I even

726
00:33:11,880 --> 00:33:14,280
Speaker 1: do the third one? Yes, because we don't know if

727
00:33:14,280 --> 00:33:16,120
Speaker 1: they're gonna be worse. Here we go.

728
00:33:17,560 --> 00:33:21,320
Speaker 12: This is Nova Selena in Sydney. Be be free and

729
00:33:21,480 --> 00:33:24,400
Speaker 12: body positive in a bikini. Fans say, you go girl,

730
00:33:24,560 --> 00:33:25,520
Speaker 12: to go mez.

731
00:33:31,080 --> 00:33:33,600
Speaker 3: That's the wing Sorry, Maddie gayly Dale.

732
00:33:34,120 --> 00:33:40,200
Speaker 1: Yeah, I know, good try anyway. I just love seeing

733
00:33:40,280 --> 00:33:42,920
Speaker 1: the Groot's confidence go up by winning the first one

734
00:33:43,080 --> 00:33:45,880
Speaker 1: and then just get absolutely smashed on the final guy

735
00:33:45,960 --> 00:33:48,080
Speaker 1: that had it all, Michael. You can see him on

736
00:33:48,160 --> 00:33:50,600
Speaker 1: Channel seven every Friday Saturday. Thanks for coming only, thank you,

737
00:33:50,720 --> 00:33:50,960
Speaker 1: thank you.

738
00:33:50,960 --> 00:33:54,080
Speaker 2: For being here, your god where else you got.

739
00:33:56,320 --> 00:33:58,640
Speaker 1: Very excited about this show and kicks off tonight on

740
00:33:58,760 --> 00:34:01,520
Speaker 1: Channel ten at seven. Third show me the movie. We

741
00:34:01,640 --> 00:34:07,640
Speaker 1: have the host with the most in the studio. I

742
00:34:07,680 --> 00:34:11,279
Speaker 1: can't believe you've got me. After the rap you did, Sla,

743
00:34:12,840 --> 00:34:15,040
Speaker 1: you did really well. You and Sam are on fire

744
00:34:15,080 --> 00:34:16,439
Speaker 1: that day. Thank you very much for coming.

745
00:34:16,600 --> 00:34:18,839
Speaker 14: What I love that our good friends at news dot

746
00:34:18,880 --> 00:34:21,840
Speaker 14: com Dota you were like, look out, whipper, he's just

747
00:34:21,960 --> 00:34:23,399
Speaker 14: thrown out Rose real name.

748
00:34:23,840 --> 00:34:27,680
Speaker 2: Yeah, amongst the stuck, that's what's stuck.

749
00:34:28,640 --> 00:34:33,320
Speaker 14: A different I referenced, you know rival shows that you

750
00:34:33,400 --> 00:34:36,800
Speaker 14: know normally don't get a run like no, his name's John.

751
00:34:37,880 --> 00:34:42,719
Speaker 2: Look out what a low blows hit the man with

752
00:34:42,840 --> 00:34:46,359
Speaker 2: his birth name on air got him? You won't come

753
00:34:46,400 --> 00:34:46,759
Speaker 2: back from that.

754
00:34:46,840 --> 00:34:49,600
Speaker 1: I mean everyone loves the movies they do, right.

755
00:34:50,719 --> 00:34:53,000
Speaker 14: Have you ever met someone who when you say, let's

756
00:34:53,000 --> 00:34:54,480
Speaker 14: go to the movies, like that's not my thing?

757
00:34:54,680 --> 00:34:57,560
Speaker 2: No fit takes the p out of me a lot

758
00:34:57,600 --> 00:34:58,880
Speaker 2: because there's so many movies I.

759
00:34:58,920 --> 00:35:02,279
Speaker 3: Haven't you haven't seen any star speak to me.

760
00:35:03,080 --> 00:35:05,560
Speaker 14: I applaud that because I don't know how you avoid them,

761
00:35:05,640 --> 00:35:07,360
Speaker 14: Like how do you avoid.

762
00:35:07,719 --> 00:35:08,720
Speaker 1: Your entire life?

763
00:35:09,040 --> 00:35:11,399
Speaker 14: Like when you know you might sort of just see

764
00:35:11,440 --> 00:35:14,040
Speaker 14: one comes up in a Netflix option and you kind.

765
00:35:13,880 --> 00:35:16,600
Speaker 2: Of never really been interested. And then I would even say,

766
00:35:16,640 --> 00:35:18,200
Speaker 2: because I think it was like grade two, all the

767
00:35:18,239 --> 00:35:21,040
Speaker 2: figurines became popular and I would turn up to school

768
00:35:21,080 --> 00:35:23,760
Speaker 2: with a couple of figurines that mom would buy because

769
00:35:23,800 --> 00:35:25,000
Speaker 2: the cook kids had the figurines.

770
00:35:25,000 --> 00:35:29,000
Speaker 14: But a good point, when you were a child, So

771
00:35:29,239 --> 00:35:32,840
Speaker 14: how unpopular were you because you hadn't seen No?

772
00:35:32,920 --> 00:35:34,160
Speaker 2: But I do what I do on this show a

773
00:35:34,160 --> 00:35:36,120
Speaker 2: lot and just pretend I know what it's going on

774
00:35:36,400 --> 00:35:38,719
Speaker 2: and just joining the convo. Yeah, I love this guy,

775
00:35:40,440 --> 00:35:40,960
Speaker 2: the guy.

776
00:35:40,840 --> 00:35:43,560
Speaker 3: Who had a chewy when he ate that chewy?

777
00:35:44,520 --> 00:35:46,480
Speaker 1: Like, what did you watch the adult.

778
00:35:46,320 --> 00:35:50,200
Speaker 2: Version of this guy with a glowing swordsticks?

779
00:35:50,719 --> 00:35:53,360
Speaker 1: I love the glow sticks. How much of a movie

780
00:35:53,560 --> 00:35:56,480
Speaker 1: nerd were you? They like, did you remember lines? Did

781
00:35:56,600 --> 00:36:00,359
Speaker 1: you did? There was? I must have had.

782
00:36:00,560 --> 00:36:03,680
Speaker 14: I think it was like the original Ninja Turtles movie

783
00:36:04,120 --> 00:36:07,200
Speaker 14: VHS or something, because for some reason, I seem to

784
00:36:07,400 --> 00:36:10,560
Speaker 14: know more lines from that movie. I think it was

785
00:36:10,600 --> 00:36:13,080
Speaker 14: like the first VHS I ever got as a present

786
00:36:13,120 --> 00:36:15,160
Speaker 14: from a friend. So it was like, I have a

787
00:36:15,200 --> 00:36:18,000
Speaker 14: movie I can watch whenever I want to. So the

788
00:36:18,120 --> 00:36:21,560
Speaker 14: idea of cricket, nobody understands cricket. You've got to know

789
00:36:21,640 --> 00:36:25,319
Speaker 14: what a crumpet is to understand cricket. Ninja Turtles, Wow,

790
00:36:25,800 --> 00:36:28,400
Speaker 14: that was Vanilla was on the soundtrack that was for

791
00:36:28,520 --> 00:36:31,279
Speaker 14: the sequel. That was that was for Remember that was

792
00:36:31,320 --> 00:36:33,960
Speaker 14: for the Secret of the Ooze, which was the sequel.

793
00:36:33,640 --> 00:36:36,120
Speaker 2: Because the song came out with it to go Ninja Go,

794
00:36:36,320 --> 00:36:38,960
Speaker 2: ninjer Go Go, n Go ninj Go.

795
00:36:39,080 --> 00:36:42,480
Speaker 1: What else you got? Vanilla go ninjer Go ninj Go,

796
00:36:43,719 --> 00:36:45,320
Speaker 1: We'll see you l e.

797
00:36:46,120 --> 00:36:46,680
Speaker 3: That was the first.

798
00:36:46,719 --> 00:36:50,520
Speaker 1: That was from the first first what if in a

799
00:36:50,600 --> 00:36:51,160
Speaker 1: half shell?

800
00:36:51,280 --> 00:36:53,400
Speaker 14: That the heroes for in this day and age, you

801
00:36:53,440 --> 00:36:56,200
Speaker 14: could ask for more. The crime wave was high with muggins,

802
00:36:56,280 --> 00:36:59,680
Speaker 14: mysterious or police and detective is a furious I knew

803
00:36:59,680 --> 00:37:00,799
Speaker 14: he'd be back to wrap, sir.

804
00:37:02,040 --> 00:37:07,520
Speaker 1: There's another win for row good one, John feeling him.

805
00:37:07,640 --> 00:37:09,480
Speaker 1: If we if we throw a few lines at you

806
00:37:09,600 --> 00:37:11,520
Speaker 1: from movies, let's see how much of a nerd you are.

807
00:37:11,880 --> 00:37:13,760
Speaker 14: Hopefully hopefully they're all from Ninja Turtles.

808
00:37:13,760 --> 00:37:16,560
Speaker 1: I'll be fine. Okay, this is this is one of

809
00:37:16,600 --> 00:37:20,200
Speaker 1: my favorite movies of all time. Do you like apples? Well,

810
00:37:20,239 --> 00:37:22,120
Speaker 1: I got a number. How do you like those apples?

811
00:37:22,160 --> 00:37:25,200
Speaker 1: Goodwill hunting? Matt Damon slamts the number up against the glass.

812
00:37:25,880 --> 00:37:31,400
Speaker 2: I've got one. Look Out doubles as one of your

813
00:37:31,480 --> 00:37:34,360
Speaker 2: best Jaws. It's for Jaws.

814
00:37:34,840 --> 00:37:36,120
Speaker 1: You know that, it really is.

815
00:37:39,320 --> 00:37:43,720
Speaker 14: Before we went I can't remember it sold with such passion.

816
00:37:43,840 --> 00:37:44,320
Speaker 1: Imagine that.

817
00:37:44,600 --> 00:37:46,839
Speaker 14: Imagine there was a giant shark in the water.

818
00:37:47,200 --> 00:37:50,160
Speaker 2: There's just look out what.

819
00:37:52,000 --> 00:37:53,760
Speaker 1: It's all right, it's a robot one. It's fine.

820
00:37:54,480 --> 00:37:57,120
Speaker 3: What about what about This one's quite easy. I'm just

821
00:37:57,200 --> 00:37:58,160
Speaker 3: a guy standing in.

822
00:37:58,160 --> 00:37:58,839
Speaker 2: Front of the girl.

823
00:37:59,160 --> 00:38:01,120
Speaker 14: I think it's the other way round. I'm just a

824
00:38:01,200 --> 00:38:04,200
Speaker 14: girl standing in front of a guy. That was Julia Roberts.

825
00:38:04,880 --> 00:38:06,120
Speaker 3: Guess where I'm doing it from.

826
00:38:06,280 --> 00:38:07,839
Speaker 1: That's the question you're doing it from.

827
00:38:08,239 --> 00:38:12,359
Speaker 14: From the the Yes Boat version, I'm just a guy

828
00:38:12,480 --> 00:38:14,800
Speaker 14: standing in front of another guy, just waiting for the

829
00:38:14,840 --> 00:38:16,200
Speaker 14: government to allow this to happen.

830
00:38:16,400 --> 00:38:22,480
Speaker 1: What about this from Hans Booby, I'm your White Night awesome.

831
00:38:23,560 --> 00:38:25,799
Speaker 3: You must know that die Hard?

832
00:38:29,800 --> 00:38:37,520
Speaker 1: Yeah, Tide fantastic. This is my favorite movie of all time. Okay,

833
00:38:38,280 --> 00:38:39,120
Speaker 1: what's in the box?

834
00:38:40,320 --> 00:38:43,840
Speaker 14: Oh that's Brad Pitt sobbing at the end of spoilers

835
00:38:43,880 --> 00:38:45,080
Speaker 14: it's Gwyneth Paltrow's head.

836
00:38:45,680 --> 00:38:46,320
Speaker 2: You haven't seen it.

837
00:38:46,960 --> 00:38:47,400
Speaker 1: There we go.

838
00:38:47,640 --> 00:38:50,239
Speaker 3: No, he made me watch that film about three weeks ago.

839
00:38:50,880 --> 00:38:56,080
Speaker 3: Worst film I've ever seen. Two hours I will never

840
00:38:56,160 --> 00:38:56,600
Speaker 3: get back.

841
00:38:57,680 --> 00:39:01,000
Speaker 1: There's a fat guy covered in flies. I had That

842
00:39:01,080 --> 00:39:01,799
Speaker 1: was one of those ones.

843
00:39:01,840 --> 00:39:04,319
Speaker 14: I had a friend who said to me, you got

844
00:39:04,400 --> 00:39:06,920
Speaker 14: to go see Oh my god, mind blowing. And I

845
00:39:07,040 --> 00:39:10,920
Speaker 14: came out sort of thinking, was he saying go see it.

846
00:39:11,040 --> 00:39:13,000
Speaker 14: You have to go see this movie because it's really

847
00:39:13,120 --> 00:39:15,000
Speaker 14: bad or you have to go see this movie because

848
00:39:15,000 --> 00:39:15,400
Speaker 14: it's really good.

849
00:39:15,400 --> 00:39:16,520
Speaker 1: Because I couldn't work it out.

850
00:39:16,520 --> 00:39:17,759
Speaker 14: I didn't know what I felt about it.

851
00:39:17,840 --> 00:39:19,879
Speaker 1: Didn't you You didn't write it either. I didn't.

852
00:39:20,000 --> 00:39:20,239
Speaker 7: I was.

853
00:39:20,320 --> 00:39:20,560
Speaker 8: I was.

854
00:39:20,680 --> 00:39:22,520
Speaker 1: I thought it was fine. It's like when La La

855
00:39:22,640 --> 00:39:23,960
Speaker 1: Land came out.

856
00:39:24,400 --> 00:39:26,319
Speaker 14: I hadn't seen it before all this, Oh my god,

857
00:39:26,800 --> 00:39:29,279
Speaker 14: record number of Oscar nominations, and I went going, well,

858
00:39:29,320 --> 00:39:29,800
Speaker 14: here we go.

859
00:39:31,360 --> 00:39:35,200
Speaker 1: This dancing em Stone is good.

860
00:39:36,800 --> 00:39:39,320
Speaker 2: I just thought of some lines. This is my favorite

861
00:39:39,360 --> 00:39:40,120
Speaker 2: movie growing up.

862
00:39:40,200 --> 00:39:44,800
Speaker 3: All right, bamby, Sorry.

863
00:39:44,920 --> 00:39:47,880
Speaker 2: Kurt, how is my reading? I'm going to be more?

864
00:39:47,960 --> 00:39:48,560
Speaker 1: That was the start.

865
00:39:48,680 --> 00:39:51,160
Speaker 2: Okay, oh you are an animal.

866
00:39:52,400 --> 00:39:56,239
Speaker 3: If they're extra films, what about this one?

867
00:39:56,640 --> 00:39:59,200
Speaker 2: You do your thing and I will do mine.

868
00:39:59,280 --> 00:40:03,600
Speaker 14: It's not dirty dancing, no star wars anything, say anything

869
00:40:03,680 --> 00:40:05,759
Speaker 14: the movie, say anything teen Wolf?

870
00:40:08,480 --> 00:40:11,040
Speaker 2: Did you not watch Team? Because I've watched teen WoT

871
00:40:11,040 --> 00:40:11,640
Speaker 2: watch it again?

872
00:40:11,840 --> 00:40:13,960
Speaker 1: You know how T was. I would have gone with

873
00:40:14,600 --> 00:40:18,640
Speaker 1: give me a beer. That's the one.

874
00:40:18,680 --> 00:40:19,680
Speaker 2: Would have been too obvious.

875
00:40:19,840 --> 00:40:23,239
Speaker 14: So I've gone with just do handstands on the top

876
00:40:23,280 --> 00:40:25,600
Speaker 14: of a comby van, driving around as you do your thing,

877
00:40:25,719 --> 00:40:26,560
Speaker 14: and I will do.

878
00:40:27,040 --> 00:40:29,080
Speaker 1: Watch me for the changes, try to keep up back

879
00:40:29,120 --> 00:40:29,319
Speaker 1: to the.

880
00:40:29,360 --> 00:40:34,120
Speaker 7: Future shippers miss MythBusters.

881
00:40:35,560 --> 00:40:38,279
Speaker 2: All right, it's back again MythBusters for another week. This

882
00:40:38,360 --> 00:40:40,439
Speaker 2: is a crack of the day, guys, because I've heard

883
00:40:40,440 --> 00:40:43,440
Speaker 2: about this over the years, and I've seen videos as

884
00:40:43,480 --> 00:40:46,520
Speaker 2: well of people actually doing this. But the idea that

885
00:40:46,680 --> 00:40:50,480
Speaker 2: you can sing at a note for a certain length

886
00:40:50,560 --> 00:40:53,840
Speaker 2: of time and actually crack a glass.

887
00:40:54,840 --> 00:40:58,160
Speaker 3: Okay, have you ever seen this in a drinking glass?

888
00:40:59,440 --> 00:41:01,160
Speaker 1: I thought you were. We saw that in the movies.

889
00:41:01,880 --> 00:41:02,399
Speaker 1: Is that right?

890
00:41:02,760 --> 00:41:04,560
Speaker 2: What I'd like to welcome Jane to the studio. Who

891
00:41:04,640 --> 00:41:05,319
Speaker 2: is an opera singer?

892
00:41:05,400 --> 00:41:05,560
Speaker 8: Jane?

893
00:41:05,600 --> 00:41:06,680
Speaker 2: How I am very well?

894
00:41:06,719 --> 00:41:07,439
Speaker 9: Thanks, good morning.

895
00:41:07,520 --> 00:41:09,479
Speaker 2: How long have you been an opera singer for Jane?

896
00:41:09,560 --> 00:41:10,479
Speaker 9: About twenty years?

897
00:41:10,640 --> 00:41:12,600
Speaker 2: Wow, you're in a new show too.

898
00:41:13,160 --> 00:41:15,360
Speaker 9: Yeah, we've got Donkey Shot on at the moment and

899
00:41:15,480 --> 00:41:16,640
Speaker 9: also the Harbor Opera.

900
00:41:17,640 --> 00:41:18,600
Speaker 3: Oh that looks amazing.

901
00:41:19,239 --> 00:41:20,960
Speaker 1: So how many decibels can you get up to?

902
00:41:22,080 --> 00:41:24,200
Speaker 9: Well, yesterday we got up to one hundred and nine

903
00:41:24,480 --> 00:41:28,880
Speaker 9: unamplified around I think surprised all of us.

904
00:41:29,560 --> 00:41:31,840
Speaker 1: Can we can we find out what that's similar to?

905
00:41:31,960 --> 00:41:33,839
Speaker 1: One hundred and nine decibels.

906
00:41:33,280 --> 00:41:35,360
Speaker 3: Around that and like a dog whistle that?

907
00:41:38,480 --> 00:41:40,360
Speaker 2: But is there a variation like in the opera. Is

908
00:41:40,400 --> 00:41:42,400
Speaker 2: it considered that there might be people you work with

909
00:41:42,800 --> 00:41:46,480
Speaker 2: that their specialty is Gasabel's and sound.

910
00:41:46,719 --> 00:41:49,120
Speaker 9: Yeah, because a lot of the a lot of the

911
00:41:49,200 --> 00:41:51,680
Speaker 9: operas written in the last kind of one hundred years

912
00:41:52,239 --> 00:41:54,920
Speaker 9: use much bigger orchestras than the ones that were a

913
00:41:54,960 --> 00:41:58,480
Speaker 9: couple of hundred years for that, so people need louder

914
00:41:58,520 --> 00:42:01,120
Speaker 9: voices to get over them. So if you're a Wagner specialist,

915
00:42:01,800 --> 00:42:05,200
Speaker 9: then you need to be mighty loud to get.

916
00:42:05,440 --> 00:42:09,120
Speaker 1: Okay, here we go a Boeing seven O seven at

917
00:42:09,200 --> 00:42:13,200
Speaker 1: one nautical mile before landing, So coming into land only

918
00:42:13,280 --> 00:42:16,600
Speaker 1: a mile in the air is one hundred and six decibels.

919
00:42:16,640 --> 00:42:18,759
Speaker 1: You've got up to one hundred and nine. Wow, So

920
00:42:18,880 --> 00:42:21,120
Speaker 1: that's a that's a jet coming into land.

921
00:42:21,600 --> 00:42:26,040
Speaker 2: So erin you're a jet prettier, maybe a lot prettier.

922
00:42:26,560 --> 00:42:28,440
Speaker 2: So this is exciting. So we are going to attempt

923
00:42:28,480 --> 00:42:30,440
Speaker 2: this this morning because you need to have the right pitch,

924
00:42:31,080 --> 00:42:33,360
Speaker 2: so that's the right frequency. It needs to be this

925
00:42:33,440 --> 00:42:35,200
Speaker 2: certain amount of time and we need to hit one

926
00:42:35,280 --> 00:42:39,239
Speaker 2: hundred and ten decibels. Had a show last night?

927
00:42:40,160 --> 00:42:41,800
Speaker 1: Wow, can you warm up for this?

928
00:42:42,239 --> 00:42:43,520
Speaker 2: Bumblebee?

929
00:42:43,600 --> 00:42:44,239
Speaker 1: Bumblebee?

930
00:42:46,600 --> 00:42:46,839
Speaker 7: Really?

931
00:42:47,600 --> 00:42:47,839
Speaker 4: Really?

932
00:42:48,920 --> 00:42:49,120
Speaker 2: Yeah?

933
00:42:49,160 --> 00:42:51,239
Speaker 9: No, I do a sort of a ten minute warm

934
00:42:51,320 --> 00:42:52,719
Speaker 9: up of scales and things.

935
00:42:52,800 --> 00:42:54,439
Speaker 2: Can we just hear a little bit of your voice?

936
00:42:54,480 --> 00:42:56,279
Speaker 2: Can you sing something for even if you can, you

937
00:42:56,400 --> 00:42:56,600
Speaker 2: do a.

938
00:42:56,600 --> 00:42:58,879
Speaker 1: Little bit of a warm up for it? There embarrassings

939
00:42:58,920 --> 00:42:59,080
Speaker 1: to do.

940
00:42:59,560 --> 00:43:02,400
Speaker 9: We can do a warm up or this is an

941
00:43:02,440 --> 00:43:07,040
Speaker 9: aria that I'll be doing later in the year. It's like, okay,

942
00:43:07,360 --> 00:43:08,839
Speaker 9: let me think it's probably not in the right case.

943
00:43:11,960 --> 00:43:13,120
Speaker 10: He listens all the talk.

944
00:43:27,680 --> 00:43:30,880
Speaker 3: Lodging this storm.

945
00:43:34,840 --> 00:43:38,920
Speaker 2: Wow, well up, So what what's Diabel?

946
00:43:40,600 --> 00:43:43,239
Speaker 3: It is so beautiful. It's amazing.

947
00:43:43,480 --> 00:43:45,640
Speaker 2: That would have been about the ad mark on the Discabel.

948
00:43:45,560 --> 00:43:46,640
Speaker 1: I think that was particular.

949
00:43:46,719 --> 00:43:49,080
Speaker 2: We need one hundred and ten. That's what we're gonna do.

950
00:43:49,080 --> 00:43:52,000
Speaker 2: We're gonna attempt to crack a glass with Aaron's voice.

951
00:43:52,120 --> 00:43:58,520
Speaker 7: Next shippers, missus, miss miss busters.

952
00:44:00,280 --> 00:44:03,800
Speaker 2: It's mid buffs today. We are testing out if a

953
00:44:03,880 --> 00:44:08,200
Speaker 2: professional opera singer, if sung at the right decibels for

954
00:44:08,360 --> 00:44:13,279
Speaker 2: a length of time, can actually crack a glass. We

955
00:44:13,400 --> 00:44:15,560
Speaker 2: got Jane in the studio who is a professional opera singer,

956
00:44:15,560 --> 00:44:17,560
Speaker 2: and we are set up here. The glass is wedged

957
00:44:17,600 --> 00:44:19,640
Speaker 2: between a couple of boards just so if it does

958
00:44:19,760 --> 00:44:22,640
Speaker 2: shatter or crack, no one will be heard in this Jane,

959
00:44:23,120 --> 00:44:26,200
Speaker 2: we need to hit one hundred and ten decibels in

960
00:44:26,280 --> 00:44:28,000
Speaker 2: the studio. Do you know what you normally sing it?

961
00:44:28,880 --> 00:44:29,040
Speaker 9: Oh?

962
00:44:29,160 --> 00:44:30,239
Speaker 6: I would be.

963
00:44:31,760 --> 00:44:32,000
Speaker 10: Okay.

964
00:44:32,080 --> 00:44:34,120
Speaker 1: We might just need to get you, Jane, come up

965
00:44:34,160 --> 00:44:34,600
Speaker 1: to this one.

966
00:44:34,719 --> 00:44:36,680
Speaker 9: I would imagine it would be under the one hundred marks.

967
00:44:36,719 --> 00:44:38,920
Speaker 1: Do you know what's a record for you? Jane? What

968
00:44:39,000 --> 00:44:40,960
Speaker 1: have you got up to before? Has anyone tested that?

969
00:44:41,600 --> 00:44:41,759
Speaker 4: Well?

970
00:44:41,800 --> 00:44:43,520
Speaker 9: When we tested it yesterday, as I said, it got

971
00:44:43,600 --> 00:44:44,680
Speaker 9: up to one hundred and nine.

972
00:44:45,040 --> 00:44:48,080
Speaker 3: Yeah, oh, hang on, didn't we juice?

973
00:44:48,120 --> 00:44:49,399
Speaker 1: We need a bit more juice, Jane.

974
00:44:49,440 --> 00:44:51,560
Speaker 2: What I can tell you yesterday when we were sort

975
00:44:51,560 --> 00:44:53,280
Speaker 2: of testing out how this would set up, this setup

976
00:44:53,320 --> 00:44:58,000
Speaker 2: would work, was the glass started to shake? Oh okay, yeah,

977
00:44:58,280 --> 00:45:00,200
Speaker 2: so we have a wine glass to crack in a

978
00:45:00,239 --> 00:45:01,960
Speaker 2: well said mate, I can see what you're thinking. It's

979
00:45:01,960 --> 00:45:04,440
Speaker 2: exactly what I was thinking. So Jane, if you'd like

980
00:45:04,520 --> 00:45:06,319
Speaker 2: to take your position, come on, Jane.

981
00:45:07,840 --> 00:45:10,279
Speaker 1: I just feel like we're I don't know, just it's

982
00:45:10,400 --> 00:45:12,680
Speaker 1: like halftime and this is going to be a big shoulder.

983
00:45:13,520 --> 00:45:14,480
Speaker 2: What note are you're singing?

984
00:45:14,719 --> 00:45:14,959
Speaker 1: Jane?

985
00:45:15,480 --> 00:45:18,040
Speaker 9: We've tapped the glass and it's a B flat to.

986
00:45:18,080 --> 00:45:18,880
Speaker 2: Be flat my favorite.

987
00:45:18,920 --> 00:45:22,840
Speaker 1: Yeah, that's what I pecked. Good drop the B flat,

988
00:45:23,000 --> 00:45:23,279
Speaker 1: isn't it?

989
00:45:24,200 --> 00:45:25,239
Speaker 3: You always sing a bit flat?

990
00:45:25,320 --> 00:45:28,400
Speaker 2: Okay mate, I'm not singing today. You shouldn't sing on

991
00:45:28,440 --> 00:45:31,560
Speaker 2: the show either. Sing okay, Jane. We need to hit

992
00:45:31,560 --> 00:45:33,600
Speaker 2: one hundred and ten decibels. You need to hold the

993
00:45:33,719 --> 00:45:39,359
Speaker 2: note for seven seconds between five and seven breath.

994
00:45:39,440 --> 00:45:40,320
Speaker 11: Jane, can you do this?

995
00:45:41,040 --> 00:45:43,080
Speaker 2: Give us five seconds of a B flat at one

996
00:45:43,160 --> 00:45:44,120
Speaker 2: hundred and ten decibels.

997
00:45:44,200 --> 00:46:02,800
Speaker 11: Let's crack this then. Come on, Jane, Look, no cracks

998
00:46:02,840 --> 00:46:03,400
Speaker 11: at the shad.

999
00:46:04,160 --> 00:46:05,680
Speaker 2: It doesn't mean it doesn't.

1000
00:46:05,400 --> 00:46:08,040
Speaker 1: Mean there, Jane, get right in there.

1001
00:46:08,239 --> 00:46:09,600
Speaker 2: Let me see what the decibel read it.

1002
00:46:11,120 --> 00:46:12,359
Speaker 10: We're at one hundred and nine.

1003
00:46:13,680 --> 00:46:17,200
Speaker 2: Can you go again? I need it doesn't matter how

1004
00:46:17,360 --> 00:46:19,719
Speaker 2: close you are or well, I mean, you need the

1005
00:46:19,760 --> 00:46:22,239
Speaker 2: strength of the I suppose that the wave, don't you

1006
00:46:23,280 --> 00:46:24,600
Speaker 2: the sound wave hitting the glass.

1007
00:46:26,760 --> 00:46:27,200
Speaker 1: I don't know.

1008
00:46:29,000 --> 00:46:31,200
Speaker 2: Go as close as safe is and let's see if

1009
00:46:31,200 --> 00:46:34,560
Speaker 2: we can get one more decibel and hit that hundred.

1010
00:46:37,600 --> 00:46:38,040
Speaker 1: You're pushing.

1011
00:46:40,040 --> 00:46:57,160
Speaker 10: Mh my god, that's definitely. I mean, that's fantastic.

1012
00:47:00,239 --> 00:47:02,160
Speaker 1: Sound. When I get home at two a m. In

1013
00:47:02,200 --> 00:47:03,279
Speaker 1: the morning, that's the same.

1014
00:47:04,120 --> 00:47:04,400
Speaker 2: Jane.

1015
00:47:05,440 --> 00:47:07,120
Speaker 10: We've d one hundred and eleven.

1016
00:47:08,560 --> 00:47:08,840
Speaker 1: Crack.

1017
00:47:12,719 --> 00:47:16,040
Speaker 11: Oh we've got a crack.

1018
00:47:18,000 --> 00:47:20,880
Speaker 1: Were it has to.

1019
00:47:24,520 --> 00:47:28,640
Speaker 2: Look at that straight down the side wown outstanding.

1020
00:47:28,719 --> 00:47:31,200
Speaker 11: It does works.

1021
00:47:32,000 --> 00:47:35,160
Speaker 1: It's quite a large crack, and up the top it's taken.

1022
00:47:34,920 --> 00:47:38,880
Speaker 2: An you would say the rim is the most fragile part.

1023
00:47:38,719 --> 00:47:41,360
Speaker 1: Of the glass. That's what I was going forward.

1024
00:47:41,440 --> 00:47:45,360
Speaker 2: Well, that is unbelieving. I assume we were gonna have

1025
00:47:45,400 --> 00:47:46,160
Speaker 2: a fail today.

1026
00:47:46,480 --> 00:47:47,120
Speaker 10: No offense.

1027
00:47:48,239 --> 00:47:50,600
Speaker 2: But for the a few other videos I've seen, not

1028
00:47:50,800 --> 00:47:51,720
Speaker 2: often it cracks.

1029
00:47:51,920 --> 00:47:58,960
Speaker 9: No, I wasn't sure we could docibels.

1030
00:47:56,560 --> 00:47:59,680
Speaker 1: Go to the fifty in a Facebook page that what

1031
00:47:59,840 --> 00:48:02,040
Speaker 1: is It was actually live at the time, but we

1032
00:48:02,160 --> 00:48:03,480
Speaker 1: will be putting it up there and you can go

1033
00:48:03,600 --> 00:48:05,400
Speaker 1: check it out. Jane, thank you very much for coming in.

1034
00:48:06,200 --> 00:48:07,600
Speaker 7: It's in with Nova