1 00:00:01,320 --> 00:00:01,480 Speaker 1: Good. 2 00:00:01,680 --> 00:00:04,400 Speaker 2: Thanks for dayloading the show. This is Better than Yesterday. 3 00:00:04,680 --> 00:00:07,280 Speaker 2: Useful tools and useful conversations to help make your day 4 00:00:07,320 --> 00:00:10,799 Speaker 2: to day better than yesterday. Every episode since twenty thirteen. 5 00:00:11,000 --> 00:00:13,960 Speaker 2: By Name's Osha Ginsburg. I'm very glad you're here. I'm 6 00:00:14,000 --> 00:00:17,079 Speaker 2: a podcast an author, a TV host. 7 00:00:17,320 --> 00:00:18,880 Speaker 1: I'm a dad, I'm a stepdad. 8 00:00:19,040 --> 00:00:21,919 Speaker 2: I am someone who has been Oh he used to 9 00:00:21,960 --> 00:00:24,920 Speaker 2: host television, but at the moment, I'm hosting a delightful 10 00:00:24,960 --> 00:00:27,920 Speaker 2: pathogen that I eldest brought back from her overseas adventures. 11 00:00:28,400 --> 00:00:32,839 Speaker 2: The whole house has gone through a gastro adventure. My 12 00:00:33,000 --> 00:00:37,199 Speaker 2: fucking god, man, but gastro is so bad. I had 13 00:00:37,240 --> 00:00:39,559 Speaker 2: to go to the doctor. Audrey don't want to look 14 00:00:39,560 --> 00:00:41,280 Speaker 2: at me yesterday. Who's like, just you're gonna have to 15 00:00:41,280 --> 00:00:43,559 Speaker 2: go go now. So I went and I sat down 16 00:00:43,600 --> 00:00:45,319 Speaker 2: in front of a doctor and I'm just a lot 17 00:00:45,400 --> 00:00:47,840 Speaker 2: like death warmed up. And he says the two worst 18 00:00:47,840 --> 00:00:51,320 Speaker 2: things about gastro is one you think you're gonna die, 19 00:00:51,479 --> 00:00:55,000 Speaker 2: and two you think you won't. And he's not wrong 20 00:00:55,400 --> 00:00:58,880 Speaker 2: because at you know, one point thirty in the morning, 21 00:00:58,920 --> 00:01:02,720 Speaker 2: when I'm oh, my god, feel like my soul has 22 00:01:02,760 --> 00:01:05,600 Speaker 2: been removed but I didn't leave. I didn't want to 23 00:01:05,680 --> 00:01:09,320 Speaker 2: leave you without a podcast today, and so it's a 24 00:01:09,319 --> 00:01:10,840 Speaker 2: bit of a treat. But it's also, I guess, in 25 00:01:10,880 --> 00:01:14,120 Speaker 2: alignment with the Mrahiano episode which we had on Wednesday. 26 00:01:14,160 --> 00:01:16,399 Speaker 2: We spoke a bit about her time on Australian Idol, 27 00:01:16,400 --> 00:01:19,240 Speaker 2: and so it's a bit of a treat today in 28 00:01:19,240 --> 00:01:21,640 Speaker 2: a bit of alignment with that. And to celebrate that 29 00:01:21,720 --> 00:01:24,759 Speaker 2: the story Club YouTube is finally live, I finally got 30 00:01:24,760 --> 00:01:27,399 Speaker 2: it up there. I'm going to share a story from 31 00:01:27,440 --> 00:01:29,720 Speaker 2: our most recent story Club show in November. The theme 32 00:01:29,800 --> 00:01:32,280 Speaker 2: was the apple doesn't fall far from the tree, and 33 00:01:32,319 --> 00:01:34,880 Speaker 2: it's related to Mraciano because I first met her on 34 00:01:34,920 --> 00:01:38,800 Speaker 2: the TV show Australian Idol singing competition show. And if 35 00:01:38,880 --> 00:01:41,920 Speaker 2: you remember that show or any kind of show where 36 00:01:41,959 --> 00:01:43,880 Speaker 2: there's a moment where somebody reads a card to say 37 00:01:43,880 --> 00:01:47,000 Speaker 2: your name. On Idol, we take a long time to 38 00:01:47,040 --> 00:01:50,400 Speaker 2: say those names. For example, and the person leaving is. 39 00:01:53,000 --> 00:01:56,640 Speaker 1: Jonathan. You know, if you've ever wondered. 40 00:01:56,400 --> 00:02:01,720 Speaker 2: Why, Hopefully this will finally reveal the very true reason, 41 00:02:02,240 --> 00:02:05,120 Speaker 2: and also a few other things that I still can't 42 00:02:05,120 --> 00:02:08,160 Speaker 2: believe actually made it to air. Because we're very cheeky 43 00:02:08,160 --> 00:02:12,160 Speaker 2: about how we did things. If you want to watch 44 00:02:12,160 --> 00:02:13,839 Speaker 2: this story, I'll put it up on YouTube right now. 45 00:02:13,840 --> 00:02:15,880 Speaker 2: The link is in the show notes. Story Club returns 46 00:02:15,880 --> 00:02:18,480 Speaker 2: for live gigs in February. It's a monthly storytelling show 47 00:02:18,480 --> 00:02:20,679 Speaker 2: where there's only two rules. The story must be true 48 00:02:20,720 --> 00:02:22,760 Speaker 2: and the story must be less than fifteen hundred words. 49 00:02:23,040 --> 00:02:25,400 Speaker 2: So we're back in a moment with that, I do 50 00:02:25,480 --> 00:02:27,880 Speaker 2: need to play some ads, so just hold fire. I'll 51 00:02:27,919 --> 00:02:38,920 Speaker 2: be right back. All right, let's get into this. Going 52 00:02:38,960 --> 00:02:41,480 Speaker 2: to take you to the Factory Theater in Marrickville in 53 00:02:41,639 --> 00:02:44,320 Speaker 2: the inner west of Sydney. It's a Sunday night, the 54 00:02:44,440 --> 00:02:47,440 Speaker 2: ninth of November twenty twenty five. I'm sitting in a 55 00:02:47,520 --> 00:02:50,840 Speaker 2: big comfy armchair in a collared shirt covered in ibis, 56 00:02:50,880 --> 00:02:54,680 Speaker 2: feasting on willibins. I have a huge storybook in my lap. 57 00:02:55,400 --> 00:02:56,480 Speaker 1: And if you did. 58 00:02:56,320 --> 00:02:59,200 Speaker 2: Get nostalgic listening to m Rociano talking about the Australian 59 00:02:59,240 --> 00:03:01,400 Speaker 2: idle times, I hope you enjoy this behind the scenes 60 00:03:01,440 --> 00:03:06,040 Speaker 2: peak and a bit of a revelation about some of 61 00:03:06,080 --> 00:03:08,280 Speaker 2: the chaos and cheekiness that we were getting up to. 62 00:03:08,600 --> 00:03:12,040 Speaker 2: But everyone was thankful, a little bit too busy to. 63 00:03:12,040 --> 00:03:14,919 Speaker 1: Notice unless you're about to find. 64 00:03:14,720 --> 00:03:18,639 Speaker 2: Out on what was at the time the most watched 65 00:03:18,639 --> 00:03:20,840 Speaker 2: television program in Australian history. 66 00:03:22,080 --> 00:03:31,600 Speaker 1: We were very naughty. Boys. Enjoy. 67 00:03:32,360 --> 00:03:36,800 Speaker 2: It's twenty past eight on a Monday night and I 68 00:03:36,840 --> 00:03:42,000 Speaker 2: am about to execute perfectly a downward Donahue right into 69 00:03:42,080 --> 00:03:45,920 Speaker 2: a Surgey book cup. We're about to eliminate one of 70 00:03:45,920 --> 00:03:51,520 Speaker 2: the finalists on Australian Idol, but not before they sing 71 00:03:51,920 --> 00:03:54,720 Speaker 2: as a group for one final time. It's live TV 72 00:03:54,960 --> 00:03:57,840 Speaker 2: and time is tied, so to avoid confusion, we use 73 00:03:57,880 --> 00:04:00,840 Speaker 2: shorthand names for the up to thirty camera moves and 74 00:04:00,840 --> 00:04:02,760 Speaker 2: camera positions that we will use across a two hour 75 00:04:02,800 --> 00:04:06,880 Speaker 2: television show. There's no time to say okay, everybody. In 76 00:04:06,880 --> 00:04:08,880 Speaker 2: thirty seconds, we're going to repod to a reverse shot 77 00:04:08,880 --> 00:04:11,160 Speaker 2: where g is walking down the staircase and then chat 78 00:04:11,360 --> 00:04:13,880 Speaker 2: on camera right to someone's mum in the aisle when 79 00:04:13,920 --> 00:04:16,839 Speaker 2: he's about halfway. And then while we wait while the 80 00:04:16,839 --> 00:04:19,200 Speaker 2: steady cam clears the shot, we're going to switch to 81 00:04:19,240 --> 00:04:21,760 Speaker 2: the jib, the camera on the big long arm, which 82 00:04:21,800 --> 00:04:24,279 Speaker 2: is already a motion to swing across the crowd, and 83 00:04:24,720 --> 00:04:27,160 Speaker 2: then we take the shot as the song starts. So 84 00:04:27,200 --> 00:04:29,800 Speaker 2: instead my floor manager says, Okaja thirty left on the 85 00:04:29,800 --> 00:04:31,080 Speaker 2: break and then we're down with Donnie here right to 86 00:04:31,120 --> 00:04:33,880 Speaker 2: a Sergey book. Cup book is in the Ukrainian pole, 87 00:04:33,920 --> 00:04:39,320 Speaker 2: Vaulter camera pole anyway, look anyway and Donna Hue being 88 00:04:39,360 --> 00:04:41,440 Speaker 2: filled on who the talk show host who would walk. 89 00:04:41,320 --> 00:04:42,400 Speaker 1: Down the island and talk to people. 90 00:04:42,880 --> 00:04:44,880 Speaker 2: So the cameras in front of me are beaming live 91 00:04:44,920 --> 00:04:49,040 Speaker 2: pictures to over two million Australian homes. To my right 92 00:04:49,240 --> 00:04:51,919 Speaker 2: my friend and co host James Matheson, and to my 93 00:04:52,000 --> 00:04:56,080 Speaker 2: left three shit scared young Australians with naive dreams of 94 00:04:56,080 --> 00:04:59,440 Speaker 2: singing stardom in their eyes. And it was only as 95 00:04:59,440 --> 00:05:01,240 Speaker 2: we got here before the show I realized that one 96 00:05:01,279 --> 00:05:11,440 Speaker 2: of those people are sitting in the front row. So 97 00:05:11,560 --> 00:05:14,480 Speaker 2: these three people are here because after singing the night before, 98 00:05:15,600 --> 00:05:18,120 Speaker 2: the public voted for their favorite singer and as far 99 00:05:18,160 --> 00:05:24,080 Speaker 2: as Australia was concerned, these three weren't that good. Reality 100 00:05:24,120 --> 00:05:27,440 Speaker 2: television is sometimes called non scripted, but that is not 101 00:05:28,040 --> 00:05:31,680 Speaker 2: entirely true these shows. They will follow the same story 102 00:05:31,800 --> 00:05:35,120 Speaker 2: arc of any scripted show. There's an inciting incident, there 103 00:05:35,200 --> 00:05:37,599 Speaker 2: is a debate, there's some fun and games which quickly 104 00:05:37,680 --> 00:05:40,279 Speaker 2: turned into the elongated moment where all is last and 105 00:05:40,320 --> 00:05:43,039 Speaker 2: the character faces the dark Knight of the Soul right 106 00:05:43,120 --> 00:05:46,279 Speaker 2: before we resolve the dramatic tension with the reveal of 107 00:05:46,320 --> 00:05:49,440 Speaker 2: the final image. However, unlike in a scripted show where 108 00:05:49,480 --> 00:05:51,120 Speaker 2: you can build tension over an AD break with the 109 00:05:51,200 --> 00:05:51,720 Speaker 2: jeopardy of. 110 00:05:51,640 --> 00:05:54,120 Speaker 1: A chase scene will they get away with? 111 00:05:54,360 --> 00:05:57,880 Speaker 2: Unscripted, to make sure you come back after the break, 112 00:05:58,080 --> 00:06:02,159 Speaker 2: we use a classic broadcast move of the hook. We 113 00:06:02,279 --> 00:06:06,080 Speaker 2: pose a huge question or we promise a high stakes reveal. 114 00:06:06,520 --> 00:06:10,279 Speaker 2: Then we line up the hopefuls downstage left. I slip 115 00:06:10,279 --> 00:06:13,520 Speaker 2: into my grim reaper voice and then absolutely take the 116 00:06:13,560 --> 00:06:15,800 Speaker 2: piss with how long I can stretch this moment out 117 00:06:16,920 --> 00:06:19,680 Speaker 2: in order to squeeze the maximum amount of emotion from 118 00:06:19,720 --> 00:06:22,800 Speaker 2: these contestants and the maximum amount of buying from the 119 00:06:22,839 --> 00:06:25,520 Speaker 2: audience to hook them through five full minutes. 120 00:06:25,160 --> 00:06:29,920 Speaker 1: Of ADS, I pull the result card out of my pocket. 121 00:06:31,320 --> 00:06:34,720 Speaker 2: It's come down to this hold for the red lighting 122 00:06:34,720 --> 00:06:36,560 Speaker 2: effects that come down, and all the smoke comes out 123 00:06:37,520 --> 00:06:42,120 Speaker 2: and there's a drone sound. Oh, you've all come so 124 00:06:42,240 --> 00:06:46,839 Speaker 2: far after ten weeks of the public getting behind you. 125 00:06:47,800 --> 00:06:51,240 Speaker 2: This is the moment where you find out just how 126 00:06:51,279 --> 00:06:58,240 Speaker 2: much Australia believes in you. There can be only one winner, 127 00:06:58,279 --> 00:07:04,080 Speaker 2: But there are two of you here, two singers who've 128 00:07:04,080 --> 00:07:06,880 Speaker 2: put it all on the line and left nothing on 129 00:07:06,920 --> 00:07:07,479 Speaker 2: the table. 130 00:07:11,400 --> 00:07:14,240 Speaker 1: Now the song is over and there's no more you 131 00:07:14,280 --> 00:07:14,640 Speaker 1: can do. 132 00:07:18,960 --> 00:07:24,640 Speaker 2: Who will survive to sing again next week? Who will 133 00:07:24,640 --> 00:07:27,760 Speaker 2: be going home so close to the grand finale at 134 00:07:27,800 --> 00:07:30,680 Speaker 2: the Sydney Opera House, their dream of winning this competition 135 00:07:31,600 --> 00:07:33,600 Speaker 2: never becoming a reality. 136 00:07:35,360 --> 00:07:36,440 Speaker 1: No matter what happens. 137 00:07:36,760 --> 00:07:40,360 Speaker 2: When I read this card, you should both feel proud 138 00:07:41,000 --> 00:07:41,800 Speaker 2: of what you've done. 139 00:07:44,040 --> 00:07:49,400 Speaker 1: Australia has voted the person. 140 00:07:52,160 --> 00:07:58,240 Speaker 2: With the least amount of votes and leaving the competition. 141 00:07:58,800 --> 00:08:01,240 Speaker 2: Tonight is. 142 00:08:05,200 --> 00:08:08,960 Speaker 1: Coming up after the break. 143 00:08:10,480 --> 00:08:17,720 Speaker 2: Oh God, that sad is so satisfying. I'm pretty sure 144 00:08:17,760 --> 00:08:21,480 Speaker 2: I'm an energy vampire. I get such delight from that. 145 00:08:22,000 --> 00:08:25,360 Speaker 2: During that commercial break, though, we leave these terrified hopefuls 146 00:08:25,360 --> 00:08:27,280 Speaker 2: at the front of the stage. No one comes near 147 00:08:27,320 --> 00:08:29,600 Speaker 2: them or tells them anything. We don't. We don't even 148 00:08:29,680 --> 00:08:32,559 Speaker 2: let them speak to each other, which really amplifies their 149 00:08:32,559 --> 00:08:36,720 Speaker 2: reactions when the name finally drops. Now, this may sound 150 00:08:36,800 --> 00:08:38,880 Speaker 2: kind of cruel, but it is for their own good. 151 00:08:39,840 --> 00:08:42,520 Speaker 2: Doesn't matter if they win or lose on camera they 152 00:08:42,559 --> 00:08:45,360 Speaker 2: have to look like they care, otherwise the public will 153 00:08:45,440 --> 00:08:48,439 Speaker 2: tear them to shreds. While they are in an ever 154 00:08:48,520 --> 00:08:51,040 Speaker 2: increasing state of anxiety. A camera crew run over to 155 00:08:51,080 --> 00:08:53,640 Speaker 2: me and James already rolling. You see, we are filming 156 00:08:53,679 --> 00:08:55,920 Speaker 2: a behind the scenes straight for Channel D and Jim 157 00:08:55,960 --> 00:08:58,400 Speaker 2: and I are in the habit of challenging each other 158 00:08:58,440 --> 00:09:02,760 Speaker 2: to do increasingly bonkers stuff during the broadcast. Later, these 159 00:09:02,760 --> 00:09:05,600 Speaker 2: setups will get cut together with the show that actually 160 00:09:05,600 --> 00:09:09,000 Speaker 2: goes to air. We're in control of a multimillion dollar 161 00:09:09,040 --> 00:09:11,600 Speaker 2: TV franchise and we're treating it like it's a prank 162 00:09:11,679 --> 00:09:16,160 Speaker 2: YouTube channel. But thankfully the network never watches our other show, 163 00:09:16,640 --> 00:09:17,959 Speaker 2: which is good because. 164 00:09:17,679 --> 00:09:19,960 Speaker 1: We're being very, very naughty boys. 165 00:09:21,240 --> 00:09:25,560 Speaker 2: Notable instances include sneaking over to the AUTOQ desk during 166 00:09:25,559 --> 00:09:28,920 Speaker 2: a break to leave a surprise in the other's script, 167 00:09:29,240 --> 00:09:31,800 Speaker 2: which in one episode, if you watch quite closely during 168 00:09:31,800 --> 00:09:34,680 Speaker 2: the closing credits, you can clearly see on the AUTOCU 169 00:09:34,760 --> 00:09:37,040 Speaker 2: screen at the back of the studio go fuck Yourself. 170 00:09:37,040 --> 00:09:42,800 Speaker 1: Australia. 171 00:09:44,480 --> 00:09:48,440 Speaker 2: In season four, the contestant Chris Murphy is about to 172 00:09:48,440 --> 00:09:51,959 Speaker 2: sing the Steedee Wrights song EV, a classic. 173 00:09:51,480 --> 00:09:55,160 Speaker 1: Of Australian rock and we challenge him to change. 174 00:09:54,880 --> 00:09:58,440 Speaker 2: The lyrics of the opening line being the steelyyed son 175 00:09:58,480 --> 00:09:59,480 Speaker 2: of a Vietnam Vet. 176 00:09:59,559 --> 00:10:04,200 Speaker 1: He doesn't even blink. Oh you're ron. This moment is 177 00:10:04,240 --> 00:10:05,760 Speaker 1: still on YouTube. I checked this. 178 00:10:05,760 --> 00:10:09,640 Speaker 2: Afternoon, and you can watch as Chris Murphy on live 179 00:10:09,760 --> 00:10:14,079 Speaker 2: national television fearlessly rises to our challenge as he hammers 180 00:10:14,120 --> 00:10:17,400 Speaker 2: his classic Gibson Les Paul Jr. He's playing guitar, he 181 00:10:17,480 --> 00:10:19,720 Speaker 2: plays the riff and he sings at the top of 182 00:10:19,760 --> 00:10:20,319 Speaker 2: his lungs. 183 00:10:20,559 --> 00:10:22,040 Speaker 1: I got some money in my pocket. 184 00:10:22,120 --> 00:10:29,000 Speaker 2: No, no, I got my cuckets in my hand. It's 185 00:10:29,120 --> 00:10:34,800 Speaker 2: clear as day. 186 00:10:35,040 --> 00:10:38,960 Speaker 1: He went to air. The shorthand. 187 00:10:39,000 --> 00:10:41,880 Speaker 2: Nicknames we have for everything extend to time, because in 188 00:10:41,920 --> 00:10:44,120 Speaker 2: television you often have to move a camera, or a 189 00:10:44,120 --> 00:10:47,160 Speaker 2: director needs a moment to get a reaction shot. Sometimes 190 00:10:47,160 --> 00:10:50,920 Speaker 2: you need a big pause, sometimes a little pause. We're 191 00:10:50,920 --> 00:10:56,439 Speaker 2: referred to these as polar bear and Koala. If you've 192 00:10:56,480 --> 00:10:59,320 Speaker 2: ever wondered why we waited so fucking long to read 193 00:10:59,360 --> 00:11:03,480 Speaker 2: the name of person who is eliminated, I'm grateful that 194 00:11:03,559 --> 00:11:06,719 Speaker 2: I can finally tell you The truth is that there 195 00:11:06,760 --> 00:11:09,880 Speaker 2: was a long running game of brinksmanship between James and I, 196 00:11:10,040 --> 00:11:13,319 Speaker 2: challenging each other to wait longer and longer to say 197 00:11:13,400 --> 00:11:16,959 Speaker 2: this name. But we had to wait anyway because our 198 00:11:16,960 --> 00:11:20,120 Speaker 2: director needs time. He's got to get single shot, single shot, 199 00:11:20,400 --> 00:11:24,559 Speaker 2: wide shot, tied two. It's about three or so seconds. 200 00:11:24,920 --> 00:11:28,400 Speaker 2: Now I know that I'm good to finally say the name. 201 00:11:28,679 --> 00:11:32,240 Speaker 2: When in my earpiece our director's assistant, Madeline, not the 202 00:11:32,360 --> 00:11:37,080 Speaker 2: Lily Allen one Maddie. She tells me we're clear by 203 00:11:37,440 --> 00:11:40,080 Speaker 2: using the surname of the runner up for season two, 204 00:11:40,640 --> 00:11:48,680 Speaker 2: Khalia James challenges me first six pandas sorry, six polar bears. 205 00:11:48,800 --> 00:11:51,440 Speaker 2: Each polar bear is about three seconds, which is an 206 00:11:51,480 --> 00:11:55,880 Speaker 2: ear in television time. I'm like, watch this, so I'm 207 00:11:55,920 --> 00:11:58,920 Speaker 2: holding the card, it's open in my hand, leaving the 208 00:11:58,920 --> 00:12:08,120 Speaker 2: competition is in my ear Maddie is screaming Khalia Khalia, 209 00:12:08,320 --> 00:12:10,520 Speaker 2: like it's some sort of magic spell that will make 210 00:12:10,559 --> 00:12:11,720 Speaker 2: me stop being an idiot. 211 00:12:12,760 --> 00:12:17,080 Speaker 1: But I stand fast. We're on live national television. No 212 00:12:17,160 --> 00:12:18,360 Speaker 1: one can do anything. 213 00:12:22,720 --> 00:12:26,960 Speaker 2: It's very cheeky and gosh, it's incredibly satisfying. Greg my 214 00:12:27,040 --> 00:12:29,959 Speaker 2: executive producer, wrestles a microphone off Maddie and says. 215 00:12:29,920 --> 00:12:37,040 Speaker 1: Jay, say the fucking name, Laura Chizzara. 216 00:12:38,440 --> 00:12:41,360 Speaker 2: It's amazing during the absolute drubbing I get from the 217 00:12:41,400 --> 00:12:45,720 Speaker 2: execs after that episode, I fortify myself against the onslaught 218 00:12:46,200 --> 00:12:48,480 Speaker 2: by feasting on the delicious irony that I am getting 219 00:12:48,559 --> 00:12:52,880 Speaker 2: lectured about wasting time on a television show which only 220 00:12:52,920 --> 00:12:54,440 Speaker 2: exists to waste airtime. 221 00:12:56,160 --> 00:12:57,720 Speaker 1: But that's it. I'm having my vengeance. 222 00:12:57,720 --> 00:13:04,680 Speaker 2: The following week, I challenged James nine polar bears. Never 223 00:13:04,760 --> 00:13:07,440 Speaker 2: wanted to be afraid of a challenge his mate. I'm 224 00:13:07,480 --> 00:13:10,920 Speaker 2: all in, I'll do ten. Sure enough, the drum roll 225 00:13:11,000 --> 00:13:15,120 Speaker 2: hits big timpering roll book. I'm counting in my head 226 00:13:15,520 --> 00:13:18,400 Speaker 2: once we get past six. Our floor manager Kyle, he's 227 00:13:18,400 --> 00:13:20,560 Speaker 2: wildly signaling to Jimmy at the bottom of the stage. 228 00:13:20,559 --> 00:13:24,280 Speaker 1: Here at eight, Greg, the EP is now in my ears, screaming, 229 00:13:24,400 --> 00:13:26,800 Speaker 1: grab the cat and read the fucking names. Grab the cat. 230 00:13:28,040 --> 00:13:33,000 Speaker 2: But no, no, Greg, I won't. 231 00:13:33,040 --> 00:13:35,119 Speaker 1: This moment is just too delicious. 232 00:13:36,480 --> 00:13:38,480 Speaker 2: And then the straightest of straight men to ever walk 233 00:13:38,520 --> 00:13:41,880 Speaker 2: the earth throws in an extra polar Bear for good measure, 234 00:13:43,400 --> 00:13:47,880 Speaker 2: and a full thirty seconds of primetime pre GFC TV 235 00:13:48,000 --> 00:13:50,920 Speaker 2: advertising time valued it well over one hundred and fifty 236 00:13:51,000 --> 00:13:57,000 Speaker 2: thousand dollars slips into the ether. Millie Edwards and the 237 00:13:57,040 --> 00:14:01,959 Speaker 2: crowd goes fucking wild at this point. What we do 238 00:14:02,080 --> 00:14:04,600 Speaker 2: in this show is we hand whoever's leading a microphone 239 00:14:04,920 --> 00:14:10,120 Speaker 2: and through traumatic snot bubble tears, make sure that probably 240 00:14:10,120 --> 00:14:12,200 Speaker 2: the last time they lever seeing on television is when 241 00:14:12,200 --> 00:14:14,480 Speaker 2: they're utterly humiliated and heartbroken. 242 00:14:17,640 --> 00:14:19,040 Speaker 1: Oh fuck off, you're not above it. 243 00:14:20,840 --> 00:14:23,960 Speaker 2: This is the reason why reality television is so popular. 244 00:14:24,400 --> 00:14:27,359 Speaker 2: It's the reason why you slowed down at a car crash. 245 00:14:27,480 --> 00:14:30,720 Speaker 2: It makes you feel better because it's not happening to you. 246 00:14:32,360 --> 00:14:37,000 Speaker 2: It's why you watch maths. Trust me on that, I've 247 00:14:37,040 --> 00:14:41,240 Speaker 2: seen the research. No matter what your job, sometimes your 248 00:14:41,240 --> 00:14:43,440 Speaker 2: work will follow you home. My aunt, Sylvia, she was 249 00:14:43,480 --> 00:14:45,880 Speaker 2: a high school teacher and she couldn't leave her high 250 00:14:45,920 --> 00:14:48,520 Speaker 2: school teacher voice at work. My brother and I one 251 00:14:48,520 --> 00:14:51,000 Speaker 2: Saturday afternoon a fucking about while we visit them. We're 252 00:14:51,000 --> 00:14:53,040 Speaker 2: in there her swimming pool, just fucking about being idiots, 253 00:14:53,160 --> 00:14:56,400 Speaker 2: and she calls out from the kitchen with a Queensland 254 00:14:56,600 --> 00:14:58,640 Speaker 2: vowel that would just peel paint, but she. 255 00:14:58,640 --> 00:15:01,400 Speaker 1: Calls it with such ferocity. Freeze mid cannon balls, just 256 00:15:01,400 --> 00:15:03,600 Speaker 1: like mid air. And I'm no different. 257 00:15:03,840 --> 00:15:06,240 Speaker 2: Coming from a background of radio and television it affects 258 00:15:06,240 --> 00:15:08,120 Speaker 2: the way that I talk at home, and this utterly 259 00:15:08,400 --> 00:15:10,440 Speaker 2: infuriates my wife, My. 260 00:15:10,600 --> 00:15:12,880 Speaker 1: Wonderful wife, Audrey, who's here tonight. 261 00:15:13,560 --> 00:15:16,200 Speaker 2: She will ask me, oh, did the babysitter get back 262 00:15:16,240 --> 00:15:19,880 Speaker 2: to you about Saturday? She did, and it's pretty obvious 263 00:15:19,960 --> 00:15:22,120 Speaker 2: that at this busy time of year, because with her UNI, 264 00:15:22,160 --> 00:15:24,440 Speaker 2: her touch fixtures and the volunteer work she's been, she's 265 00:15:24,480 --> 00:15:26,960 Speaker 2: been pretty hard to track down. I said a text 266 00:15:27,000 --> 00:15:31,640 Speaker 2: on Tuesday, but by Thursday she still hadn't replied. And look, 267 00:15:31,680 --> 00:15:33,960 Speaker 2: I've seen that the show we're going to, the tickets 268 00:15:33,960 --> 00:15:35,760 Speaker 2: are sold out, so I'm going to have to get 269 00:15:35,800 --> 00:15:38,040 Speaker 2: her to come earlier so that we can leave time 270 00:15:38,160 --> 00:15:39,400 Speaker 2: to park. 271 00:15:39,120 --> 00:15:44,000 Speaker 1: A little bit for Fox Sakens. You make it on night? Yeah, 272 00:15:44,040 --> 00:15:47,840 Speaker 1: she can. Why are you so cranky? Do you need 273 00:15:47,840 --> 00:15:48,400 Speaker 1: some chicken? 274 00:15:50,880 --> 00:15:54,640 Speaker 2: I know that I am infuriating to live with, but 275 00:15:54,760 --> 00:15:57,600 Speaker 2: the worst of war is that it's no longer me. 276 00:15:58,640 --> 00:16:00,880 Speaker 1: Worst of all for my wife. That is because I'm 277 00:16:00,920 --> 00:16:01,280 Speaker 1: one of the. 278 00:16:01,280 --> 00:16:03,720 Speaker 2: People that my son watched to communicate while he learned 279 00:16:03,720 --> 00:16:10,280 Speaker 2: to speak, so he emulates some of my affectations in 280 00:16:10,280 --> 00:16:12,800 Speaker 2: a way which fills my heart with joy and is 281 00:16:12,880 --> 00:16:16,320 Speaker 2: possibly pushing my long suffering wife to the edge. When 282 00:16:16,320 --> 00:16:19,680 Speaker 2: Wilfire was barely three, we set out at two thirty 283 00:16:19,720 --> 00:16:22,280 Speaker 2: am to drive from Sydney to my in law's place 284 00:16:22,320 --> 00:16:25,160 Speaker 2: and our in author Brisbane, eleven hundred kilometers away. We 285 00:16:25,320 --> 00:16:27,720 Speaker 2: downloaded all the episodes of Blaze and the Monster Machines. 286 00:16:27,760 --> 00:16:29,240 Speaker 2: We're prepped in for being in the car for the 287 00:16:29,280 --> 00:16:32,040 Speaker 2: next twelve hours straight. We get out of the driveway 288 00:16:32,320 --> 00:16:34,920 Speaker 2: not fifty meters down the road before the first corner. 289 00:16:34,960 --> 00:16:36,600 Speaker 2: If I look behind you, I could still see the 290 00:16:36,640 --> 00:16:41,000 Speaker 2: house and a small, knowing voice rises from the boost 291 00:16:41,000 --> 00:16:42,080 Speaker 2: to seat behind us. 292 00:16:43,880 --> 00:16:48,800 Speaker 1: Are we there? Yeah. 293 00:16:48,920 --> 00:16:52,640 Speaker 2: The other day my friend Cam asks Wolfe, Hey, you 294 00:16:52,760 --> 00:16:53,560 Speaker 2: like riding your bike. 295 00:16:54,480 --> 00:16:55,440 Speaker 1: You'll never believe this. 296 00:16:55,800 --> 00:16:58,400 Speaker 2: On Christmas morning, I opened all my presents and what 297 00:16:58,440 --> 00:17:00,920 Speaker 2: I had asked for wasn't there. I tried not to 298 00:17:00,920 --> 00:17:02,880 Speaker 2: be too sad, but inside I was a bit upset 299 00:17:02,920 --> 00:17:05,320 Speaker 2: because I'd asked Santa specifically for a bike. 300 00:17:05,560 --> 00:17:09,159 Speaker 1: I wasn't gonna cry, but I was still sad. And 301 00:17:09,200 --> 00:17:11,200 Speaker 1: then there was a knock at the door. I got 302 00:17:11,280 --> 00:17:11,879 Speaker 1: up to answer it. 303 00:17:11,960 --> 00:17:14,679 Speaker 2: There was nobody there, and when I looked around, what 304 00:17:14,960 --> 00:17:15,880 Speaker 2: was standing right there? 305 00:17:15,880 --> 00:17:19,080 Speaker 1: In Nana in Papa's front yard. What had I asked 306 00:17:19,080 --> 00:17:19,480 Speaker 1: Santa for? 307 00:17:20,800 --> 00:17:26,639 Speaker 2: It was a bike, but what I saw it was 308 00:17:26,640 --> 00:17:27,680 Speaker 2: bigger than my other bike. 309 00:17:28,000 --> 00:17:29,680 Speaker 1: I thought there's no way I could ride. 310 00:17:29,480 --> 00:17:33,440 Speaker 2: This, But when I went to get on it, guess what. 311 00:17:33,760 --> 00:17:37,760 Speaker 1: It was the perfect fit. Santa nailed it. I love 312 00:17:37,880 --> 00:17:38,560 Speaker 1: riding that bike. 313 00:17:40,840 --> 00:17:43,760 Speaker 2: He's six years old and Wolfgang has just performed a 314 00:17:43,800 --> 00:17:44,800 Speaker 2: perfect double hook. 315 00:17:45,280 --> 00:17:46,920 Speaker 1: He's built to a big reveal. 316 00:17:47,400 --> 00:17:49,320 Speaker 2: And to get as much jeopardy out of the moment 317 00:17:49,359 --> 00:17:52,480 Speaker 2: as he positively can. He has seamlessly inserted. 318 00:17:52,040 --> 00:17:53,359 Speaker 1: Four whole polar bears. 319 00:17:56,920 --> 00:18:00,159 Speaker 2: The whole time, his mother is behind him, pinching the 320 00:18:00,160 --> 00:18:06,440 Speaker 2: bridge of her nose, slowly shaking her head. I I'm 321 00:18:06,440 --> 00:18:08,399 Speaker 2: caught in a freeze frame like mister Miyaghi. The had 322 00:18:08,400 --> 00:18:11,320 Speaker 2: a croat kid Part one with a smile on my 323 00:18:11,400 --> 00:18:20,200 Speaker 2: face that says that's my boy. And there you have it. 324 00:18:20,680 --> 00:18:23,119 Speaker 2: Story Club returns for live shows in February. The YouTube 325 00:18:23,200 --> 00:18:25,960 Speaker 2: channel is live if you want to watch me say 326 00:18:26,000 --> 00:18:28,600 Speaker 2: that story that you just heard. The videos also quite fun. 327 00:18:29,680 --> 00:18:31,400 Speaker 2: It's on YouTube. The link is in the show notes. 328 00:18:31,440 --> 00:18:33,480 Speaker 2: That's also I've put Rosy Wardle in the story that 329 00:18:33,520 --> 00:18:35,640 Speaker 2: she told a little while back up as well, because 330 00:18:35,680 --> 00:18:37,879 Speaker 2: she and I did a fantastically fun podcast. I was 331 00:18:37,920 --> 00:18:41,520 Speaker 2: on her episode of Just the Gist, and It's been 332 00:18:41,520 --> 00:18:44,520 Speaker 2: a little while since I've hosted a reality show, so 333 00:18:44,560 --> 00:18:47,119 Speaker 2: I felt it's probably safe for me to start talking 334 00:18:47,119 --> 00:18:50,119 Speaker 2: about a few things of how things work on a 335 00:18:50,160 --> 00:18:52,400 Speaker 2: show like that. And we talked a lot about Bachelor 336 00:18:52,440 --> 00:18:55,480 Speaker 2: and Golden Bachelor, and it was really really fun to 337 00:18:55,560 --> 00:18:59,639 Speaker 2: talk about the production process and how things work on 338 00:18:59,680 --> 00:19:01,520 Speaker 2: a show like that and how we get to there, 339 00:19:01,520 --> 00:19:03,919 Speaker 2: and just spelling a couple of myths, but also revealing 340 00:19:03,920 --> 00:19:05,760 Speaker 2: a few things that I'm not you know, by any way, 341 00:19:06,200 --> 00:19:08,720 Speaker 2: you know, showing how the sausage is made, but kind 342 00:19:08,720 --> 00:19:10,439 Speaker 2: of explaining a bit more of how we get to 343 00:19:10,480 --> 00:19:12,479 Speaker 2: where we get and how you end up with what 344 00:19:12,520 --> 00:19:14,360 Speaker 2: you see, and maybe a few clues as to how 345 00:19:14,400 --> 00:19:17,680 Speaker 2: to become a better and more enrolled and involved watch 346 00:19:17,680 --> 00:19:19,680 Speaker 2: through a reality television, because I do point out a 347 00:19:19,680 --> 00:19:22,640 Speaker 2: few things to look for that make any reality show 348 00:19:22,680 --> 00:19:25,080 Speaker 2: more kind of fun to watch, and they're everywhere you 349 00:19:25,119 --> 00:19:27,240 Speaker 2: know what to look for. But yeah, that was on 350 00:19:27,359 --> 00:19:29,680 Speaker 2: Rosie's podcast Just Just which you can find wherever you 351 00:19:29,760 --> 00:19:32,800 Speaker 2: found this one. Thanks for listening. Thanks to Adam A. 352 00:19:32,800 --> 00:19:36,320 Speaker 2: Bunch of cutting it together. Please like this episode, share 353 00:19:36,400 --> 00:19:38,639 Speaker 2: it follow If there's someone in your life that was 354 00:19:38,800 --> 00:19:41,480 Speaker 2: an Australian Idol super fan, please do share it with 355 00:19:41,520 --> 00:19:43,600 Speaker 2: them too. I hope they enjoy it. Thank you so 356 00:19:43,680 --> 00:19:44,240 Speaker 2: much for listening. 357 00:19:44,280 --> 00:19:55,840 Speaker 1: I'll see you Wednesday,