1 00:00:00,080 --> 00:00:01,480 Speaker 1: The beautiful Yardley Smith. 2 00:00:02,759 --> 00:00:02,920 Speaker 2: Hi. 3 00:00:03,840 --> 00:00:06,720 Speaker 3: May you normally get called the beautiful Yardley Smith, don't you? 4 00:00:06,920 --> 00:00:10,600 Speaker 2: Yeah? Yeah, every day, I hope, so. 5 00:00:11,119 --> 00:00:12,440 Speaker 3: I hope now you are. 6 00:00:12,680 --> 00:00:15,520 Speaker 1: And I mean also Lisa Simpson we see is the 7 00:00:16,280 --> 00:00:19,479 Speaker 1: beautiful kind one on the Simpsons as well. I just 8 00:00:19,560 --> 00:00:22,919 Speaker 1: cannot believe Yardley thirty years of the Simpsons and we 9 00:00:22,960 --> 00:00:26,160 Speaker 1: are celebrating with a twenty four hour NonStop marathon I 10 00:00:26,200 --> 00:00:29,920 Speaker 1: over twenty one days on Fox. I thirty years? Has 11 00:00:30,000 --> 00:00:31,760 Speaker 1: that time gone quickly for you? 12 00:00:32,720 --> 00:00:35,879 Speaker 2: In some yes, you know, in some ways it is 13 00:00:36,000 --> 00:00:40,120 Speaker 2: really that duality where in some regards it feels like 14 00:00:40,560 --> 00:00:43,040 Speaker 2: every minute of those thirty years, And in some ways 15 00:00:43,040 --> 00:00:45,600 Speaker 2: you're like, oh my god, I can't believe. Wait, I didn't. 16 00:00:45,640 --> 00:00:49,720 Speaker 2: I just auditioned for that show. It's funny how time 17 00:00:49,840 --> 00:00:52,480 Speaker 2: is like that. But I will say somebody actually asked 18 00:00:52,479 --> 00:00:54,120 Speaker 2: me the other day and said, don't you get tired 19 00:00:54,160 --> 00:00:57,120 Speaker 2: of playing the same character after all this time? And 20 00:00:57,440 --> 00:01:00,600 Speaker 2: the answer it genuinely is no. I mean, for one thing, 21 00:01:00,640 --> 00:01:03,400 Speaker 2: it's not like doing Cats for thirty years. No. Every 22 00:01:03,480 --> 00:01:06,039 Speaker 2: time I step up to the microphone, you know, she 23 00:01:06,160 --> 00:01:07,160 Speaker 2: says something different. 24 00:01:07,280 --> 00:01:09,320 Speaker 1: Can you tell us what the time the timeline of 25 00:01:09,360 --> 00:01:11,560 Speaker 1: the Simpsons of it over the last thirty years. Can 26 00:01:11,600 --> 00:01:14,720 Speaker 1: you tell us when it first started, the budget that 27 00:01:14,760 --> 00:01:17,440 Speaker 1: you had, how basic it was to put one of 28 00:01:17,440 --> 00:01:21,560 Speaker 1: those shows together compared to when it hit its Pete 29 00:01:21,640 --> 00:01:24,880 Speaker 1: Yardley and what happened, you know, Like, I mean, how 30 00:01:24,880 --> 00:01:27,120 Speaker 1: more advanced did the show get as it went on. 31 00:01:27,480 --> 00:01:31,800 Speaker 2: It's I actually don't know how much. I don't know 32 00:01:31,800 --> 00:01:35,720 Speaker 2: if the animation was any less expensive when we started, 33 00:01:35,800 --> 00:01:39,880 Speaker 2: because they used to hand draw all the animation on 34 00:01:40,120 --> 00:01:44,039 Speaker 2: literally on cellophane, right, that's why they call themselves. And 35 00:01:44,080 --> 00:01:47,280 Speaker 2: then it was either around it's around season fourteen, I 36 00:01:47,319 --> 00:01:51,680 Speaker 2: believe that they actually stopped making that material and so 37 00:01:51,800 --> 00:01:56,040 Speaker 2: we were the last of the animated regular you know, 38 00:01:56,160 --> 00:02:00,360 Speaker 2: animated series to go to computer animation. But what I 39 00:02:00,440 --> 00:02:04,600 Speaker 2: actually learned I moderated the panel at Comic Con this 40 00:02:04,680 --> 00:02:08,760 Speaker 2: year and then at D twenty three, which is Disney's 41 00:02:08,800 --> 00:02:15,160 Speaker 2: big expo thing, and I learned that even though we 42 00:02:15,240 --> 00:02:19,040 Speaker 2: do computer animation now, they still hand draw it. They 43 00:02:19,200 --> 00:02:22,800 Speaker 2: just hand draw it on a computer house, so it's 44 00:02:22,800 --> 00:02:24,960 Speaker 2: not a great deal less labor intensive. 45 00:02:25,000 --> 00:02:27,240 Speaker 1: I don't think do you have one of the original 46 00:02:27,360 --> 00:02:31,360 Speaker 1: Celofie pitches of drawings of laser at home. 47 00:02:31,919 --> 00:02:36,280 Speaker 2: I have actually quite a few cells, and you can tell, 48 00:02:36,320 --> 00:02:39,519 Speaker 2: even when you watch the early shows how the animation 49 00:02:39,720 --> 00:02:43,799 Speaker 2: has changed. It's a little bit more has a little 50 00:02:43,840 --> 00:02:46,200 Speaker 2: bit more texture in some ways. And when I've asked 51 00:02:46,200 --> 00:02:49,200 Speaker 2: the animators what are the pros and cons, and they 52 00:02:49,200 --> 00:02:52,880 Speaker 2: said the pros of going to computer animation was they 53 00:02:53,000 --> 00:02:56,679 Speaker 2: gained something like literally like a million more colors, which 54 00:02:56,680 --> 00:02:59,640 Speaker 2: you can't eat. I can't even conceive that. But the 55 00:03:00,320 --> 00:03:03,640 Speaker 2: are you lost some of the texture show the kind 56 00:03:03,680 --> 00:03:08,680 Speaker 2: of you know, granular quality of doing something entirely by 57 00:03:08,720 --> 00:03:09,400 Speaker 2: hand in that. 58 00:03:09,320 --> 00:03:11,520 Speaker 3: Way, Yeahli, when you, I mean you touched on what 59 00:03:11,560 --> 00:03:12,960 Speaker 3: you have at home and some of the cells that 60 00:03:13,000 --> 00:03:15,760 Speaker 3: you have to consider some of the merchandise for the 61 00:03:15,760 --> 00:03:20,559 Speaker 3: symptoms that's out there. What is your most prized memorabilia 62 00:03:20,600 --> 00:03:22,680 Speaker 3: that you have at home? What's the one thing you 63 00:03:22,760 --> 00:03:23,280 Speaker 3: really love? 64 00:03:23,720 --> 00:03:27,160 Speaker 2: I really really do love this the art because it's 65 00:03:27,200 --> 00:03:30,120 Speaker 2: so so beautiful. But it's funny that you asked that 66 00:03:30,160 --> 00:03:32,920 Speaker 2: because I came across I was looking for something else, 67 00:03:32,919 --> 00:03:35,760 Speaker 2: and I was digging through this closet and I was 68 00:03:35,760 --> 00:03:38,280 Speaker 2: looking in this box and I have a hat, a 69 00:03:38,320 --> 00:03:44,520 Speaker 2: baseball hat with this great little silhouette silhouette of Lisa 70 00:03:44,560 --> 00:03:48,680 Speaker 2: Simpson blowing her saxophone on the front of the hat. 71 00:03:48,920 --> 00:03:51,720 Speaker 2: And it was I think it was. It was a 72 00:03:51,720 --> 00:03:55,280 Speaker 2: one off, like it was promotional thing that they were 73 00:03:55,320 --> 00:04:00,520 Speaker 2: giving out in Fox publicity. And Antonio Cock when he's 74 00:04:00,600 --> 00:04:04,280 Speaker 2: done Our Fox Our since the pr forever never said 75 00:04:04,320 --> 00:04:06,120 Speaker 2: wouldn't you love to have this? And I said, oh 76 00:04:06,200 --> 00:04:08,080 Speaker 2: my god, I would, And of course I tried to 77 00:04:08,080 --> 00:04:09,720 Speaker 2: get more and than oh no, there are no more? 78 00:04:12,120 --> 00:04:13,880 Speaker 2: What about the what? 79 00:04:13,880 --> 00:04:15,800 Speaker 3: What about the cameos on the show, Like you guys 80 00:04:15,840 --> 00:04:19,440 Speaker 3: have had absolutely everyone come in and do a character 81 00:04:19,440 --> 00:04:20,720 Speaker 3: who's been your favorite? 82 00:04:20,800 --> 00:04:23,320 Speaker 2: Several years ago we had Lady Gaga and she came 83 00:04:23,360 --> 00:04:25,120 Speaker 2: in and spent the whole day with us, and of 84 00:04:25,120 --> 00:04:30,599 Speaker 2: course that was extraordinary. We had Ludicris come in, Oh yeah, 85 00:04:30,640 --> 00:04:33,240 Speaker 2: and he was really fun and funny, and he was 86 00:04:33,279 --> 00:04:38,760 Speaker 2: wearing this long rope of huge diamonds, diamond little you know, 87 00:04:39,240 --> 00:04:42,000 Speaker 2: Politaier diamonds all strung together. I'm like, dude, can I 88 00:04:42,080 --> 00:04:45,200 Speaker 2: have that? No? Get your own? 89 00:04:46,560 --> 00:04:49,440 Speaker 1: Is it? Do you find out? Is it funny that 90 00:04:49,560 --> 00:04:53,000 Speaker 1: you you were teased at school with your voice? Yardley? 91 00:04:53,080 --> 00:04:53,720 Speaker 1: Were you? 92 00:04:53,800 --> 00:04:54,280 Speaker 2: Oh yeah? 93 00:04:54,720 --> 00:04:57,599 Speaker 1: And now it is. It is financially it has set 94 00:04:57,640 --> 00:04:59,960 Speaker 1: you up for life. I mean, it's just how long 95 00:05:00,040 --> 00:05:02,479 Speaker 1: life changes course, isn't it true? 96 00:05:02,520 --> 00:05:04,080 Speaker 2: I would say, who has the last laugh? 97 00:05:04,200 --> 00:05:04,400 Speaker 1: Now? 98 00:05:04,720 --> 00:05:07,320 Speaker 3: Yeah? Well said Yeahdi. When you look at it though, 99 00:05:07,320 --> 00:05:08,800 Speaker 3: and I asked you if you could remember what was 100 00:05:08,800 --> 00:05:11,479 Speaker 3: in the first episode? Is there is there a favorite 101 00:05:11,520 --> 00:05:14,039 Speaker 3: episode or scene that you stick out in your mind 102 00:05:14,040 --> 00:05:16,840 Speaker 3: that you remember that you just love to think about 103 00:05:16,960 --> 00:05:19,200 Speaker 3: or celebrates. 104 00:05:19,480 --> 00:05:22,480 Speaker 2: There's a sort of a running list of about ten. 105 00:05:22,560 --> 00:05:25,680 Speaker 2: I will say we have over six hundred and sixty 106 00:05:25,720 --> 00:05:29,360 Speaker 2: six episodes. Now, one of my I would say, one 107 00:05:29,360 --> 00:05:33,480 Speaker 2: of I feel like one of the quintessential Simpsons episodes 108 00:05:33,560 --> 00:05:36,560 Speaker 2: is the one where Bart sells a soul to Millhouse. Yeah, 109 00:05:36,920 --> 00:05:39,599 Speaker 2: and Lisa buys it back for five dollars and says, 110 00:05:40,480 --> 00:05:42,560 Speaker 2: you know, don't ever say that people don't have a 111 00:05:42,600 --> 00:05:46,520 Speaker 2: soul anymore, because, if you'll recall, when he steps up 112 00:05:46,520 --> 00:05:49,240 Speaker 2: to the quickie mart, the doors won't open because they 113 00:05:49,320 --> 00:05:53,800 Speaker 2: can't detect him. Just great, you know, we took an 114 00:05:53,839 --> 00:05:58,039 Speaker 2: existential question and then we dealt with it with wit 115 00:05:58,320 --> 00:06:02,839 Speaker 2: and humor and also really from a kid's point of view, 116 00:06:03,320 --> 00:06:06,359 Speaker 2: it was just pure genius. It's some of the stuff 117 00:06:06,400 --> 00:06:09,200 Speaker 2: they do so well. I love all the episodes with 118 00:06:09,320 --> 00:06:13,040 Speaker 2: Bleeding Gumbs Murphy. I love the episode Lisa's Substitute where 119 00:06:13,040 --> 00:06:16,039 Speaker 2: she gets a crush crush on her substitute teacher. There's 120 00:06:16,080 --> 00:06:18,720 Speaker 2: that great episode called the Summer four foot two where 121 00:06:18,760 --> 00:06:22,000 Speaker 2: they go to Flanders Beach House and you know, she 122 00:06:22,040 --> 00:06:24,159 Speaker 2: tries to fit in with the popular kids and Bart 123 00:06:24,200 --> 00:06:27,080 Speaker 2: outs her yes wraps and buy the shirt at the 124 00:06:27,120 --> 00:06:30,440 Speaker 2: breakfast table when Marge turned her back and says, listen 125 00:06:30,480 --> 00:06:33,200 Speaker 2: to you, I know, I know it's not your bread 126 00:06:33,240 --> 00:06:36,640 Speaker 2: and butter, and don't ever ever do that again. When 127 00:06:36,680 --> 00:06:40,880 Speaker 2: they take her out of her comfort zone. It's so fantastic. 128 00:06:41,400 --> 00:06:43,360 Speaker 3: Oh I love it, love it. 129 00:06:43,360 --> 00:06:43,640 Speaker 2: Don't know. 130 00:06:43,960 --> 00:06:45,440 Speaker 1: I get asked this so the time. You have so 131 00:06:45,560 --> 00:06:48,160 Speaker 1: many Australian fans. There was a down on the episode 132 00:06:48,160 --> 00:06:49,640 Speaker 1: as well in The Simpsons as well. 133 00:06:51,000 --> 00:06:53,239 Speaker 2: I sort of can't believe you actually wanted to speak 134 00:06:53,240 --> 00:06:54,000 Speaker 2: to me after that. 135 00:06:54,080 --> 00:06:56,880 Speaker 1: We will an interesting one. 136 00:06:57,880 --> 00:07:01,599 Speaker 2: The content was one thing, but the accent for quite Annora. 137 00:07:02,600 --> 00:07:05,279 Speaker 1: Is there anything Lisa wants to say to her fans 138 00:07:05,320 --> 00:07:06,640 Speaker 1: in Australia before you go. 139 00:07:06,600 --> 00:07:10,360 Speaker 2: Yardly, Lisa Simpson wants the people in Australia to know 140 00:07:10,680 --> 00:07:14,640 Speaker 2: that you are the best. There's nobody better than you. 141 00:07:14,800 --> 00:07:17,960 Speaker 2: Thank you so much for at least welcoming me to 142 00:07:18,040 --> 00:07:21,000 Speaker 2: your country, because really I'm the only one who truly 143 00:07:21,040 --> 00:07:21,600 Speaker 2: deserves it. 144 00:07:21,840 --> 00:07:25,640 Speaker 1: Oh, thank you so much for coming on. 145 00:07:25,800 --> 00:07:26,600 Speaker 3: We love that chat. 146 00:07:26,720 --> 00:07:28,360 Speaker 2: Thank you, Thank you guys,