1 00:00:01,480 --> 00:00:04,000 Speaker 1: Shee his birthday last night, and I was thinking last night, 2 00:00:04,080 --> 00:00:05,440 Speaker 1: you know, when I brought up with him the other 3 00:00:05,559 --> 00:00:09,840 Speaker 1: night that you know, in four days, in four years. 4 00:00:09,560 --> 00:00:11,920 Speaker 2: You're going to be driving a car made jeees. That 5 00:00:12,039 --> 00:00:12,760 Speaker 2: freaked him out. 6 00:00:13,200 --> 00:00:15,440 Speaker 1: And then I also, you know, we were speaking about 7 00:00:15,560 --> 00:00:19,040 Speaker 1: I would love to take the boys in another eleven 8 00:00:19,160 --> 00:00:22,840 Speaker 1: years to the Brisbane Olympic Games. 9 00:00:23,440 --> 00:00:25,560 Speaker 2: We're going through things, and then. 10 00:00:25,440 --> 00:00:27,040 Speaker 1: I said, you know, I wonder if you guys will 11 00:00:27,080 --> 00:00:29,120 Speaker 1: still think I'm cool and you want to have a 12 00:00:29,160 --> 00:00:29,560 Speaker 1: beer with me. 13 00:00:29,880 --> 00:00:32,960 Speaker 3: You still think you're you know, on the moment winning. 14 00:00:33,320 --> 00:00:34,560 Speaker 2: I'm pretty cool at the moment. 15 00:00:35,720 --> 00:00:38,800 Speaker 1: And they're going, yeah, I think at this age he's twelve, right, 16 00:00:38,840 --> 00:00:41,320 Speaker 1: It's not until you sort of get to fourteen fifteen 17 00:00:41,400 --> 00:00:45,040 Speaker 1: you start rebelling against your parents. But I'm just hoping 18 00:00:45,080 --> 00:00:47,280 Speaker 1: that they get to a stage where they okay, let's 19 00:00:47,280 --> 00:00:49,239 Speaker 1: have a drink with dad and we're okay and we 20 00:00:49,320 --> 00:00:50,479 Speaker 1: still feel fine to do that. 21 00:00:50,720 --> 00:00:51,000 Speaker 4: Yeah. 22 00:00:51,120 --> 00:00:53,639 Speaker 1: The reason why I'm bringing it up is because Madonna 23 00:00:53,760 --> 00:00:56,760 Speaker 1: has just shared photos of her sixty third birthday. 24 00:00:56,800 --> 00:00:59,200 Speaker 4: Here we go, she looks every one of those years. 25 00:00:59,400 --> 00:01:01,640 Speaker 3: She looks more than those No, She's. 26 00:01:01,480 --> 00:01:03,520 Speaker 4: Had so much work done, and it's gone in the 27 00:01:03,560 --> 00:01:04,200 Speaker 4: wrong direction. 28 00:01:05,360 --> 00:01:07,800 Speaker 1: So they went over to Italy, said, I don't know 29 00:01:07,800 --> 00:01:10,760 Speaker 1: where they went to Italy, but she's put up some photos. 30 00:01:10,959 --> 00:01:12,720 Speaker 1: Now let's go through her kids. 31 00:01:12,720 --> 00:01:12,880 Speaker 5: Here. 32 00:01:12,920 --> 00:01:15,319 Speaker 2: She's got well, Lord's. 33 00:01:15,360 --> 00:01:19,679 Speaker 1: Is twenty four years of aim and rocco hashtag no sausages, 34 00:01:19,720 --> 00:01:22,240 Speaker 1: twenty one years of Aca, and then she's got the 35 00:01:22,319 --> 00:01:25,880 Speaker 1: younger kids that she's adopted as well. So the twin 36 00:01:26,000 --> 00:01:29,959 Speaker 1: daughters were there. There's Lord's there. She's grown up quite 37 00:01:30,000 --> 00:01:30,200 Speaker 1: a bit. 38 00:01:30,720 --> 00:01:33,360 Speaker 4: She looks a lot like Madonna did, doesn't she's younger. Yeah, 39 00:01:33,520 --> 00:01:35,520 Speaker 4: very eyebrows, yeah, very attractive. 40 00:01:35,600 --> 00:01:36,399 Speaker 2: Thing is though. 41 00:01:36,560 --> 00:01:40,720 Speaker 1: They're all there celebrating mum's bird at birthday with mum's 42 00:01:40,760 --> 00:01:42,240 Speaker 1: new boyfriend, who's. 43 00:01:41,959 --> 00:01:43,479 Speaker 2: Twenty seven years of aces. 44 00:01:43,640 --> 00:01:46,240 Speaker 3: All right, who's this guy? Another backup dancer? 45 00:01:46,400 --> 00:01:48,760 Speaker 4: She does love her backup, backup to back. 46 00:01:48,600 --> 00:01:50,200 Speaker 2: At the room. That's him there. 47 00:01:51,160 --> 00:01:52,920 Speaker 4: He looks like he should escaped. 48 00:01:53,080 --> 00:01:54,600 Speaker 3: My god. 49 00:01:54,680 --> 00:01:59,080 Speaker 1: Ala malak Ala malak Williams, twenty seven years of age. 50 00:01:59,200 --> 00:02:02,200 Speaker 2: He's got his hair ends on mum's lean. 51 00:02:02,400 --> 00:02:04,280 Speaker 3: With fingers slipping between. 52 00:02:03,960 --> 00:02:07,559 Speaker 1: The legs and they're licking an ice cream. Mum's sixty three. 53 00:02:07,880 --> 00:02:12,120 Speaker 1: Mum's boyfriend's twenty seven, Hey, Ala mans daughter's twenty four, 54 00:02:12,400 --> 00:02:14,119 Speaker 1: and mum's son is twenty one. 55 00:02:14,440 --> 00:02:17,799 Speaker 4: Your kids just feel really uncomfortable, And it's weird when 56 00:02:17,800 --> 00:02:21,160 Speaker 4: he then hooks up with Lord Well and he's been 57 00:02:21,240 --> 00:02:23,440 Speaker 4: with mum and daughter, that's when it gets really weird. 58 00:02:23,560 --> 00:02:26,000 Speaker 6: Plause he wasn't born when she had the peak of 59 00:02:26,000 --> 00:02:29,320 Speaker 6: her career. He would know nothing about her fame and 60 00:02:29,440 --> 00:02:30,359 Speaker 6: success in the. 61 00:02:30,320 --> 00:02:32,600 Speaker 4: Way that the rest of us know. So what is 62 00:02:32,639 --> 00:02:33,560 Speaker 4: the appeal. 63 00:02:33,240 --> 00:02:36,320 Speaker 3: And the boyfriend you wouldn't need? And if Madonna's kids 64 00:02:36,360 --> 00:02:39,080 Speaker 3: think that she's cool, then they're probably looking back at 65 00:02:39,080 --> 00:02:41,560 Speaker 3: when she was cool. So like when you want your 66 00:02:41,639 --> 00:02:43,600 Speaker 3: kids to think your cool fits, they're going to need 67 00:02:43,600 --> 00:02:45,200 Speaker 3: to see you back in the day, not when you're 68 00:02:45,240 --> 00:02:48,119 Speaker 3: fifty five still wearing band t shirts at festivals. They're 69 00:02:48,120 --> 00:02:50,080 Speaker 3: going to need to know you back when your footies. 70 00:02:50,160 --> 00:02:54,440 Speaker 1: So what would she have to show like desperately seeking Susan. 71 00:02:54,240 --> 00:02:57,080 Speaker 4: Or something stuff like that, or when Yeah. 72 00:02:57,280 --> 00:03:00,440 Speaker 1: Because she she started a fashion christ, didn't she Madonna? 73 00:03:00,520 --> 00:03:00,760 Speaker 7: Yeah? 74 00:03:00,800 --> 00:03:03,679 Speaker 1: Absolutely New York when it was that hit in New York, 75 00:03:03,720 --> 00:03:07,000 Speaker 1: when Andy Warhol was around and Jean Michael Basque and 76 00:03:07,080 --> 00:03:11,280 Speaker 1: all those artists Madonna was a part of that. She 77 00:03:11,560 --> 00:03:13,760 Speaker 1: was the hip one, the crimp. Now you look at 78 00:03:13,800 --> 00:03:14,359 Speaker 1: her and you go. 79 00:03:14,400 --> 00:03:15,919 Speaker 2: Oh kon. 80 00:03:16,080 --> 00:03:19,440 Speaker 4: Now she does parties with clowns on tricycles and stuff. 81 00:03:19,520 --> 00:03:21,160 Speaker 4: Remember she wrote out on stage. 82 00:03:21,000 --> 00:03:23,840 Speaker 6: Yeah, dress as a clown five hours late for own constant. 83 00:03:24,080 --> 00:03:26,400 Speaker 3: I feel the parents of that young kid, right, that's 84 00:03:26,400 --> 00:03:30,240 Speaker 3: seeing Madonna. I mean, unless he's from a real broken 85 00:03:30,320 --> 00:03:32,720 Speaker 3: background where hang on a minute, there's a roof over 86 00:03:32,760 --> 00:03:34,840 Speaker 3: my head and the feet at the table. Do and 87 00:03:34,880 --> 00:03:37,080 Speaker 3: live a normal life? Mate, that's right, I go hook 88 00:03:37,160 --> 00:03:39,320 Speaker 3: up with a sixty three year old. No offense to 89 00:03:39,360 --> 00:03:42,040 Speaker 3: any sixty three year olds listening, but I'm just in 90 00:03:42,040 --> 00:03:44,760 Speaker 3: comparison to the young chap at the age of twenty six. 91 00:03:44,960 --> 00:03:45,160 Speaker 2: See. 92 00:03:45,160 --> 00:03:46,720 Speaker 3: The other thing is the Byron mate. 93 00:03:47,080 --> 00:03:49,080 Speaker 2: I always considered myself lucky. 94 00:03:49,160 --> 00:03:51,680 Speaker 1: My sister and I always considered ourselves lucky that mum 95 00:03:51,720 --> 00:03:52,800 Speaker 1: and dad never split up. 96 00:03:52,840 --> 00:03:55,000 Speaker 2: Now, a majority of my mates that I grew up 97 00:03:55,040 --> 00:03:58,160 Speaker 2: with have single mumsy. They're single mums that were grown 98 00:03:58,400 --> 00:04:01,040 Speaker 2: They were brought up by them, and. 99 00:04:00,960 --> 00:04:03,680 Speaker 1: They said the worst thing about that was when mum 100 00:04:03,760 --> 00:04:07,480 Speaker 1: used to bring boyfriends home horrible and then would expect 101 00:04:07,600 --> 00:04:10,760 Speaker 1: me to have conversations with these guys that I don't know, 102 00:04:10,960 --> 00:04:11,640 Speaker 1: what are you here for? 103 00:04:11,760 --> 00:04:12,080 Speaker 3: Darren. 104 00:04:12,480 --> 00:04:14,600 Speaker 1: We used to make fun of them when I used 105 00:04:14,600 --> 00:04:16,880 Speaker 1: to sleep horrible, when I used to sleep over at 106 00:04:17,560 --> 00:04:20,720 Speaker 1: at my mate's house, and you know, like Joey would 107 00:04:20,720 --> 00:04:23,680 Speaker 1: bring over a boyfriend or something. Joy was Joy was 108 00:04:23,720 --> 00:04:25,920 Speaker 1: the one that went out with Bob Willis, the English 109 00:04:26,000 --> 00:04:29,360 Speaker 1: fast bowler. Okay, sure, yeah, so that was a big 110 00:04:29,360 --> 00:04:32,000 Speaker 1: one one night when Bob Willis popped around. But we 111 00:04:32,120 --> 00:04:34,240 Speaker 1: just used to when we got to about sixteen seven, 112 00:04:34,279 --> 00:04:35,960 Speaker 1: and we used to take the piece out of them 113 00:04:36,000 --> 00:04:36,640 Speaker 1: the whole time. 114 00:04:37,120 --> 00:04:38,800 Speaker 2: Was imagine trying to. 115 00:04:38,720 --> 00:04:40,880 Speaker 1: Pick up a girl and you go around, you get 116 00:04:40,880 --> 00:04:44,080 Speaker 1: introduced to Rarero's sign and her mates are there, and 117 00:04:44,120 --> 00:04:45,760 Speaker 1: you're just getting stuck into him. 118 00:04:45,800 --> 00:04:48,080 Speaker 2: You've got sixteen year old kids just giving them. 119 00:04:48,200 --> 00:04:51,200 Speaker 3: Here's the concern, like, if we go around the room, 120 00:04:51,760 --> 00:04:53,920 Speaker 3: is there ever a stage where you can think about 121 00:04:53,960 --> 00:04:56,760 Speaker 3: your parents? Right, think about your mum and dad whatever 122 00:04:56,800 --> 00:04:58,880 Speaker 3: age you might have been at and thought, oh, gee, 123 00:04:58,880 --> 00:05:02,160 Speaker 3: they were cool. I don't think my mum and dad wreever. 124 00:05:02,400 --> 00:05:02,599 Speaker 2: Call. 125 00:05:05,120 --> 00:05:08,280 Speaker 1: I've seen photos of dad and I go he looked 126 00:05:08,320 --> 00:05:11,359 Speaker 1: like a pretty hip guy. There's a photo of my 127 00:05:11,480 --> 00:05:14,840 Speaker 1: old man in a leather jacket when he was about 128 00:05:15,200 --> 00:05:18,560 Speaker 1: seventeen eighteen, got slick hair set and. 129 00:05:18,560 --> 00:05:21,520 Speaker 2: He's having a dart and he looks really cool. 130 00:05:21,600 --> 00:05:23,240 Speaker 1: And I went, oh my god, I would have loved 131 00:05:23,279 --> 00:05:24,880 Speaker 1: to have known my old man back then. 132 00:05:25,200 --> 00:05:27,440 Speaker 3: Tommy, your mom and dad were they ever considered call? 133 00:05:27,640 --> 00:05:30,200 Speaker 8: No, not at all terrible. You know, I was embarrassed 134 00:05:30,240 --> 00:05:33,680 Speaker 8: of them. I didn't want people to come over that 135 00:05:34,720 --> 00:05:38,360 Speaker 8: made they made of my friends. Call them mister and missus, ivy, 136 00:05:38,520 --> 00:05:39,719 Speaker 8: that's what does. 137 00:05:42,080 --> 00:05:43,800 Speaker 3: The rule? Missus? 138 00:05:44,279 --> 00:05:45,800 Speaker 8: Yeah, I didn't like until you. 139 00:05:45,800 --> 00:05:47,840 Speaker 4: Were left school, you couldn't use first name. 140 00:05:47,839 --> 00:05:50,159 Speaker 1: It was that was when you were around, But when 141 00:05:50,160 --> 00:05:53,440 Speaker 1: you were gone, it was definitely Rosemary hashtagnosisage. 142 00:05:56,120 --> 00:05:58,640 Speaker 3: Were there on the weekend and you'd fallen asleep, that's 143 00:05:58,760 --> 00:06:03,880 Speaker 3: not someone was definitely called. 144 00:06:03,680 --> 00:06:04,280 Speaker 2: Back in the name. 145 00:06:04,839 --> 00:06:07,159 Speaker 1: When it's time to trade laps around the supermarket for 146 00:06:07,200 --> 00:06:07,760 Speaker 1: a trip to. 147 00:06:07,880 --> 00:06:09,560 Speaker 3: What just put me in the direction? Mate, The bags 148 00:06:09,560 --> 00:06:11,720 Speaker 3: are packed, it's time to what if. What If has 149 00:06:11,800 --> 00:06:14,159 Speaker 3: great deals on a range of hotels and holiday rentals, 150 00:06:14,160 --> 00:06:16,839 Speaker 3: plus you can book flights and car hire. 151 00:06:16,960 --> 00:06:20,040 Speaker 2: Visit what if dot com. What if It's Ozzie for. 152 00:06:20,040 --> 00:06:21,440 Speaker 3: Travel I don't know if you saw this footage that 153 00:06:21,480 --> 00:06:25,280 Speaker 3: came out overnight. This is pretty scary stuff. But there's 154 00:06:25,279 --> 00:06:27,440 Speaker 3: a you know what, if you run a reptile park, 155 00:06:27,480 --> 00:06:29,239 Speaker 3: you're going to need to be fairly careful. 156 00:06:29,360 --> 00:06:29,440 Speaker 9: Now. 157 00:06:29,520 --> 00:06:33,000 Speaker 3: Now, this is a reptile park called Scales and Tails. Guys, 158 00:06:33,080 --> 00:06:35,919 Speaker 3: it's scales on the Tail. No, come along and have 159 00:06:36,040 --> 00:06:38,800 Speaker 3: a look at the fun you can have with reptiles. 160 00:06:38,960 --> 00:06:40,000 Speaker 4: Is this in Middle America? 161 00:06:40,160 --> 00:06:40,839 Speaker 3: Middle America? 162 00:06:40,920 --> 00:06:41,280 Speaker 2: Packed in? 163 00:06:41,360 --> 00:06:42,200 Speaker 3: This is in Utah? 164 00:06:42,400 --> 00:06:45,400 Speaker 7: Sounds very joe exotic, doesn't very king? 165 00:06:45,560 --> 00:06:47,839 Speaker 3: Why are ninety percent of these stories out of Utah? 166 00:06:48,720 --> 00:06:53,279 Speaker 3: What's going on in? You Mormons? A lot of Mormons. Yeah, 167 00:06:53,360 --> 00:06:54,279 Speaker 3: Home of the Honeybee. 168 00:06:54,360 --> 00:06:55,799 Speaker 7: And I don't think it's that fast in Utah. 169 00:06:55,920 --> 00:06:58,159 Speaker 10: Loose, yes, I don't think things happened very quickly in 170 00:06:58,200 --> 00:06:59,320 Speaker 10: the Great State of Utah. 171 00:06:59,400 --> 00:07:02,640 Speaker 3: Certainly was as the kids gathered just outside the perspect 172 00:07:03,400 --> 00:07:08,000 Speaker 3: area to watch one of the one of the rangers 173 00:07:08,000 --> 00:07:11,160 Speaker 3: at the zoo there feed the crocodile for crocodile time, 174 00:07:11,600 --> 00:07:13,960 Speaker 3: which she'll see here. She pops, she opens the gate, 175 00:07:13,960 --> 00:07:17,720 Speaker 3: puts her hand in, and unfortunately the alligator is feeling 176 00:07:17,760 --> 00:07:21,239 Speaker 3: a little bit more hungry than the small fish's offering and. 177 00:07:21,080 --> 00:07:24,600 Speaker 1: She grabs her hand and now does the death row 178 00:07:24,880 --> 00:07:27,080 Speaker 1: for the death row. She's actually done well to get 179 00:07:27,080 --> 00:07:29,280 Speaker 1: in there with the croc and go with the role 180 00:07:29,400 --> 00:07:29,960 Speaker 1: and help. 181 00:07:29,800 --> 00:07:32,920 Speaker 3: Her, says, it's not happening live, it's okay, you don't you. 182 00:07:33,480 --> 00:07:34,880 Speaker 4: But no one is helping her. 183 00:07:34,960 --> 00:07:36,720 Speaker 3: But what I want you to what I want. 184 00:07:36,560 --> 00:07:37,040 Speaker 4: You to watch? 185 00:07:37,200 --> 00:07:41,640 Speaker 2: She's in there crocodiles, she's remaining very calm. 186 00:07:41,760 --> 00:07:44,880 Speaker 3: That's the amazing part fits what's you're here? So what's 187 00:07:44,920 --> 00:07:47,240 Speaker 3: happened here? One of the other staff members has jumped 188 00:07:47,280 --> 00:07:49,920 Speaker 3: on Steve Irwin style, is lying on the. 189 00:07:49,880 --> 00:07:51,240 Speaker 2: Back of the crocodile or anything. 190 00:07:51,640 --> 00:07:54,680 Speaker 3: No, it's not, but watch how relaxed she is where 191 00:07:54,720 --> 00:07:57,160 Speaker 3: he keeps saying to her, are you okay? Are you okay? 192 00:07:57,440 --> 00:08:00,240 Speaker 3: She says, yeah, I'm fine. Another one comes into try 193 00:08:00,240 --> 00:08:03,720 Speaker 3: and get her hand out of the jaws. But the crocodile, 194 00:08:03,760 --> 00:08:06,240 Speaker 3: oh yeah, he's he's really going in with all he's 195 00:08:06,280 --> 00:08:07,840 Speaker 3: got that her. 196 00:08:08,120 --> 00:08:11,200 Speaker 4: Hand would have surely it's severed through all her tendons. 197 00:08:12,160 --> 00:08:13,920 Speaker 7: Sarah would not be calm in this situation. 198 00:08:14,120 --> 00:08:16,440 Speaker 3: You are freaking out now. And how she's lying in 199 00:08:16,440 --> 00:08:19,280 Speaker 3: the water, hand on head. She's very relaxed. She might 200 00:08:19,320 --> 00:08:21,640 Speaker 3: have a neck right, so she's freeing. Now it's just 201 00:08:21,640 --> 00:08:24,200 Speaker 3: got her T shirt and she gets dragged out. 202 00:08:24,360 --> 00:08:26,080 Speaker 4: Oh my god, the kids where the kids? 203 00:08:26,160 --> 00:08:27,560 Speaker 3: Kids have been removed from the glass. 204 00:08:27,600 --> 00:08:29,280 Speaker 2: Now there's a bit of an issue here. 205 00:08:29,360 --> 00:08:33,520 Speaker 1: Because the guy's on the still rock. But he has 206 00:08:33,559 --> 00:08:37,000 Speaker 1: been done holding the balls, given up? 207 00:08:37,080 --> 00:08:37,760 Speaker 4: Yeah, what do you do? 208 00:08:37,840 --> 00:08:38,760 Speaker 3: It's still thrashing. 209 00:08:38,920 --> 00:08:40,960 Speaker 4: It's the person with their hand on the bomb, isn't it. 210 00:08:41,080 --> 00:08:42,880 Speaker 3: I haven't seen this since I tried to wrestle a 211 00:08:42,920 --> 00:08:44,480 Speaker 3: two year old into the back of the car out 212 00:08:44,480 --> 00:08:46,120 Speaker 3: of a shopping center. It was. 213 00:08:47,160 --> 00:08:48,079 Speaker 4: He's in all sorts. 214 00:08:48,240 --> 00:08:50,360 Speaker 2: I mean, what how do you go to clarify? 215 00:08:52,040 --> 00:08:54,800 Speaker 3: How do you get off the crop and run out 216 00:08:54,800 --> 00:08:55,720 Speaker 3: of a pool of water? 217 00:08:55,760 --> 00:08:59,120 Speaker 1: And it's really thrashing, isn't its mouth? 218 00:08:59,200 --> 00:08:59,360 Speaker 3: Now? 219 00:09:00,120 --> 00:09:02,959 Speaker 4: It looks like he's holding it though, like hands between 220 00:09:03,000 --> 00:09:03,400 Speaker 4: its teeth. 221 00:09:03,520 --> 00:09:04,960 Speaker 3: He's trying to cover its eyes as well. 222 00:09:05,240 --> 00:09:07,600 Speaker 2: I would call the outback wrangler, Maddie right and get 223 00:09:07,920 --> 00:09:08,319 Speaker 2: right in there. 224 00:09:08,320 --> 00:09:10,319 Speaker 3: And he's made a. 225 00:09:10,320 --> 00:09:13,920 Speaker 1: Run see that look. I know that's a pretty scary moment. 226 00:09:14,600 --> 00:09:18,520 Speaker 1: I think they need to be doing that every day practice. 227 00:09:18,600 --> 00:09:20,560 Speaker 1: I'm going to go to a park, and that's what 228 00:09:20,600 --> 00:09:21,200 Speaker 1: I want to say. 229 00:09:21,720 --> 00:09:25,080 Speaker 6: I want to say those kids would have just been 230 00:09:25,240 --> 00:09:28,800 Speaker 6: so Scar's terrible. 231 00:09:28,920 --> 00:09:31,520 Speaker 3: It's the death roll and she goes with it. That's 232 00:09:31,559 --> 00:09:32,559 Speaker 3: a concerning part. 233 00:09:33,840 --> 00:09:37,400 Speaker 4: Sure, yeah, Look imagine what they yelling. 234 00:09:37,520 --> 00:09:40,840 Speaker 2: Kid, he's going to Joe ingle Stop on mad a lot. 235 00:09:41,559 --> 00:09:49,640 Speaker 2: He's going to ingle Stop huge in the States, huge 236 00:09:49,080 --> 00:09:50,120 Speaker 2: in Utah. 237 00:09:50,440 --> 00:09:52,079 Speaker 3: I thought to get out of a crock he went 238 00:09:52,120 --> 00:09:54,920 Speaker 3: for the eyes Or is that just sharks? Don't you 239 00:09:54,960 --> 00:09:55,800 Speaker 3: try and stick your. 240 00:09:55,640 --> 00:09:57,800 Speaker 4: Thumbs and we don't want to hurt it? 241 00:09:58,280 --> 00:10:03,200 Speaker 3: I mean you're right, No, definitely not the kids. I 242 00:10:03,240 --> 00:10:05,600 Speaker 3: mean for a snake. You meant to run into the shower? 243 00:10:05,760 --> 00:10:07,880 Speaker 3: Aren't it cold water? I believe? 244 00:10:07,960 --> 00:10:11,160 Speaker 6: So who's got the time a snake has attacked me 245 00:10:11,280 --> 00:10:12,120 Speaker 6: all cold shower? 246 00:10:12,559 --> 00:10:14,520 Speaker 3: Like, Well, you're not going in there to try to 247 00:10:14,559 --> 00:10:16,959 Speaker 3: try to be the iceman and refresh your body. You're 248 00:10:16,960 --> 00:10:18,960 Speaker 3: going in there to stun the snake and get it 249 00:10:18,960 --> 00:10:19,280 Speaker 3: off you. 250 00:10:19,360 --> 00:10:20,600 Speaker 4: It's just so much effect. 251 00:10:20,600 --> 00:10:22,600 Speaker 10: If it is the case that somebody's listening to this 252 00:10:22,679 --> 00:10:23,920 Speaker 10: and thinks that the best way to get out of 253 00:10:23,920 --> 00:10:25,360 Speaker 10: a shark is peaker between the eyes, and they get 254 00:10:25,400 --> 00:10:26,360 Speaker 10: bit bat snake and run. 255 00:10:26,240 --> 00:10:28,880 Speaker 7: Into a cold shower and they do die, then we're 256 00:10:28,920 --> 00:10:30,560 Speaker 7: holding no responsibility. 257 00:10:31,000 --> 00:10:35,880 Speaker 1: Hey, let's talk about this is unbelievable. This is going 258 00:10:35,920 --> 00:10:38,360 Speaker 1: to blow your mind. It blew my mind yesterday. So 259 00:10:38,440 --> 00:10:41,120 Speaker 1: this is from a communication coach. This has gone viral, 260 00:10:41,200 --> 00:10:44,120 Speaker 1: had twenty million clicks on the internet already. 261 00:10:44,480 --> 00:10:47,680 Speaker 2: And if you're an overthinker, and I think a majority of. 262 00:10:47,720 --> 00:10:50,400 Speaker 3: People, definitely, I'm definitely an overthinker. 263 00:10:50,600 --> 00:10:54,120 Speaker 1: The worst, the worst time for overthinking is when you 264 00:10:54,240 --> 00:10:58,520 Speaker 1: go to bed. What's happened that day and what you've 265 00:10:58,520 --> 00:11:02,199 Speaker 1: got to do tomorrow out and your mind is racing 266 00:11:02,280 --> 00:11:04,120 Speaker 1: and it takes you too long to get to sleep. 267 00:11:04,160 --> 00:11:05,640 Speaker 2: Then you start stressing out. 268 00:11:05,679 --> 00:11:08,800 Speaker 3: Sunday night life is over, weaks about to start, You 269 00:11:08,840 --> 00:11:10,760 Speaker 3: think about everything coming out you have drunk. 270 00:11:11,480 --> 00:11:15,640 Speaker 2: Okay, so this is just a basic little exercise that 271 00:11:15,720 --> 00:11:19,959 Speaker 2: you can do to stop overthinking. Jeez, Okay, listen. 272 00:11:20,920 --> 00:11:24,240 Speaker 11: It's a psychological trick that you won't believe until you've 273 00:11:24,240 --> 00:11:24,920 Speaker 11: actually tried it. 274 00:11:24,960 --> 00:11:25,559 Speaker 2: And it's easy. 275 00:11:25,600 --> 00:11:28,000 Speaker 12: It's super simple, and it's for all of us who 276 00:11:28,080 --> 00:11:31,839 Speaker 12: ruminate and overthink. It goes like this, keep your eye 277 00:11:32,040 --> 00:11:36,280 Speaker 12: balls still, don't move it because you see it in 278 00:11:36,440 --> 00:11:38,480 Speaker 12: order for your brain to think and fetch memories. 279 00:11:38,520 --> 00:11:41,319 Speaker 11: It needs to move your eyes, and as you stop 280 00:11:41,360 --> 00:11:43,920 Speaker 11: them moving, you won't be able to do the rumination 281 00:11:44,200 --> 00:11:48,520 Speaker 11: usually does. This is so powerful it clows people's minds. 282 00:11:50,160 --> 00:11:52,040 Speaker 1: So I want you to try it now. It's a 283 00:11:52,040 --> 00:11:54,400 Speaker 1: bit harder when you're driving. Okay, don't do it because 284 00:11:54,440 --> 00:11:56,720 Speaker 1: you need to look around you all the time and 285 00:11:56,720 --> 00:11:59,120 Speaker 1: see what's going on. But you need to focus on 286 00:11:59,160 --> 00:12:02,480 Speaker 1: something and not move your eyes at all. Now, if 287 00:12:02,559 --> 00:12:06,120 Speaker 1: you're concentrating on that one spot and not moving your eyes, 288 00:12:06,520 --> 00:12:09,760 Speaker 1: you're actually using your brain to do that shuts out 289 00:12:09,800 --> 00:12:11,160 Speaker 1: everything else around you. 290 00:12:11,720 --> 00:12:14,280 Speaker 4: I'm trying now, but what about everything in the periphery. 291 00:12:14,760 --> 00:12:15,559 Speaker 3: I got to ignore that? 292 00:12:15,640 --> 00:12:17,800 Speaker 6: See Leno Like, I'm staring at a mic stand but 293 00:12:17,840 --> 00:12:19,880 Speaker 6: I can still see Leno's kind of jigging in his chair. 294 00:12:19,880 --> 00:12:21,240 Speaker 4: I can see the grout in the camera. 295 00:12:23,200 --> 00:12:27,000 Speaker 3: I'm focusing on the sweat undergroup's forehead sweat in a week, 296 00:12:27,600 --> 00:12:31,520 Speaker 3: sweaty head, swethead, focusing on the wrong thing, and I'm thinking, 297 00:12:31,600 --> 00:12:33,760 Speaker 3: my god, is there any role on that could help that? 298 00:12:33,880 --> 00:12:35,040 Speaker 3: Or maybe a mac powder. 299 00:12:35,080 --> 00:12:36,760 Speaker 7: I've picked up a mac powder just the other day. 300 00:12:37,920 --> 00:12:39,760 Speaker 3: I'm still thinking about that, but I don't want to 301 00:12:39,800 --> 00:12:42,719 Speaker 3: think about chosen the wrong thing to focus on it. 302 00:12:43,920 --> 00:12:47,000 Speaker 1: It's interesting, though, when you are overthinking and you're thinking 303 00:12:47,040 --> 00:12:49,880 Speaker 1: of things, your eyes have to actually move. You're moving around, 304 00:12:49,880 --> 00:12:53,840 Speaker 1: And it's funny when you watch people do interviews right 305 00:12:54,080 --> 00:12:58,319 Speaker 1: on television when they're thinking of their answers, their eyes 306 00:12:58,320 --> 00:13:01,480 Speaker 1: are darting around everywhere they're thinking of their antswer. 307 00:13:01,640 --> 00:13:04,200 Speaker 3: But the other thing, when you're in bed and you're 308 00:13:04,240 --> 00:13:06,800 Speaker 3: trying not to think about everything you got coming up on, 309 00:13:06,880 --> 00:13:09,520 Speaker 3: things playing on your mind, often you've got your eyes shut. 310 00:13:09,760 --> 00:13:13,000 Speaker 3: So I'm just practicing trying to see if I can 311 00:13:13,040 --> 00:13:16,199 Speaker 3: tell whether my eyeballs are moving with my eyes shut. 312 00:13:16,240 --> 00:13:17,120 Speaker 3: I'm having a big date. 313 00:13:17,800 --> 00:13:20,439 Speaker 2: Do you know what I remember? 314 00:13:20,559 --> 00:13:22,720 Speaker 3: I can still see the sweat on Matt Digrit's forehead 315 00:13:22,720 --> 00:13:23,400 Speaker 3: with my eyes. 316 00:13:23,240 --> 00:13:24,280 Speaker 7: Shocusing on the wrong floor. 317 00:13:24,400 --> 00:13:25,560 Speaker 2: I've heard that breathing. 318 00:13:25,640 --> 00:13:28,360 Speaker 1: I read an article about breathing is very important as well. 319 00:13:28,400 --> 00:13:30,360 Speaker 1: So the thing that I've been doing lately is it 320 00:13:30,800 --> 00:13:36,440 Speaker 1: you actually tell yourself to I say to myself in one, 321 00:13:36,800 --> 00:13:39,040 Speaker 1: and then I'll count up to twenty, so it's always in. 322 00:13:40,440 --> 00:13:40,640 Speaker 2: Two. 323 00:13:40,920 --> 00:13:42,960 Speaker 3: Sound weird coming from my bed, and that's. 324 00:13:42,720 --> 00:13:44,640 Speaker 2: All you concentrate on. You don't know that. 325 00:13:44,720 --> 00:13:46,520 Speaker 4: For me, that stops the overthinking. 326 00:13:46,600 --> 00:13:48,480 Speaker 1: There's nothing else that I'm thinking about. If you can 327 00:13:48,520 --> 00:13:51,160 Speaker 1: get to twenty, if I can get to twenty by 328 00:13:51,200 --> 00:13:53,720 Speaker 1: the end of that, I'm a pretty slate. 329 00:13:53,840 --> 00:13:56,240 Speaker 7: Box thinking. Box breathing is that what it is? Where 330 00:13:56,280 --> 00:13:56,720 Speaker 7: you just. 331 00:13:56,600 --> 00:13:59,520 Speaker 2: Eat boxing no in order in order to. 332 00:13:59,480 --> 00:14:02,720 Speaker 10: Calm down when you are when you are stressful. Boxing 333 00:14:02,880 --> 00:14:08,600 Speaker 10: thing is a different subcategory. It's you have a pitcher 334 00:14:08,679 --> 00:14:11,839 Speaker 10: a box and you just count to four seconds down 335 00:14:11,880 --> 00:14:15,160 Speaker 10: each corner of the box. So into three four out 336 00:14:15,200 --> 00:14:17,560 Speaker 10: two three four into three four out two three four, 337 00:14:17,600 --> 00:14:19,720 Speaker 10: draw a box in your mind and whatever anxiety and 338 00:14:19,760 --> 00:14:21,840 Speaker 10: stress you're feeling will calm it down as you just 339 00:14:21,840 --> 00:14:22,920 Speaker 10: trace this box in your mind. 340 00:14:23,160 --> 00:14:26,040 Speaker 3: If they talk about if you need to compartmentalize, and 341 00:14:26,080 --> 00:14:28,240 Speaker 3: the best person, and my dad always talks about this, 342 00:14:28,360 --> 00:14:31,600 Speaker 3: the best person and the greatest example of compartmentalizing would 343 00:14:31,640 --> 00:14:35,479 Speaker 3: be Shane Warn. He's got so much going on outside 344 00:14:35,720 --> 00:14:38,760 Speaker 3: in his own world, but then he could still come 345 00:14:38,800 --> 00:14:42,240 Speaker 3: out and perform on the cricket pitch the way he did. 346 00:14:42,360 --> 00:14:44,240 Speaker 3: You know, it didn't matter that his headlines read that 347 00:14:44,280 --> 00:14:45,640 Speaker 3: he was on the front page of the paper with 348 00:14:45,680 --> 00:14:48,800 Speaker 3: two women in his underpants and a blow up penis. 349 00:14:48,880 --> 00:14:50,840 Speaker 3: He could still come out and focus on the cricket 350 00:14:50,840 --> 00:14:53,960 Speaker 3: when the rest of his world was over there, that's correct. 351 00:14:54,240 --> 00:14:56,920 Speaker 3: But his ability to block things out, so they say, 352 00:14:56,960 --> 00:14:59,800 Speaker 3: what you do like you're talking MDG is if you've 353 00:14:59,800 --> 00:15:03,800 Speaker 3: got concern about something, right, you picture it going into 354 00:15:03,840 --> 00:15:07,080 Speaker 3: a box and then shutting the box. You fold the 355 00:15:07,120 --> 00:15:09,560 Speaker 3: four sides over like you would with a cardboard box 356 00:15:09,640 --> 00:15:12,040 Speaker 3: or a packing box, and then you seal that off 357 00:15:12,080 --> 00:15:14,400 Speaker 3: and push it away, and push that away. 358 00:15:14,280 --> 00:15:15,080 Speaker 7: For twenty years. 359 00:15:15,120 --> 00:15:16,160 Speaker 2: And then he gets at the box. 360 00:15:16,200 --> 00:15:20,400 Speaker 3: Don't worry about where they I don't know where it is. 361 00:15:20,640 --> 00:15:22,440 Speaker 2: What it takes a while for Australia posted to come. 362 00:15:23,400 --> 00:15:26,360 Speaker 3: Don't send a vice snail mail, but then that box 363 00:15:26,400 --> 00:15:29,240 Speaker 3: gets pushed aside. But the other sleeping one that I've heard, 364 00:15:29,280 --> 00:15:32,040 Speaker 3: it's the seven four eight technique where you breathe in 365 00:15:32,440 --> 00:15:36,400 Speaker 3: for seven. Yeah, I don't hold for four and then 366 00:15:36,480 --> 00:15:37,560 Speaker 3: slowly out for eight. 367 00:15:40,000 --> 00:15:42,160 Speaker 4: Aren't you guys just tired enough to lie down and 368 00:15:42,200 --> 00:15:42,800 Speaker 4: go to sleep. 369 00:15:43,160 --> 00:15:47,480 Speaker 3: No, that's gone back to sweaty forehead. 370 00:15:47,040 --> 00:15:48,560 Speaker 2: Again twenty four to ten. 371 00:15:48,600 --> 00:15:54,840 Speaker 1: If anyone's got any other methods, Tom's one, Yeah, give. 372 00:15:54,760 --> 00:15:56,440 Speaker 2: Us a call helps him get to sleep well. 373 00:15:56,480 --> 00:15:57,920 Speaker 8: I don't know what you mean by what do you 374 00:15:57,960 --> 00:16:00,440 Speaker 8: do normally? You suggest listen to our podcast us that's 375 00:16:00,480 --> 00:16:07,680 Speaker 8: your I don't have any honesty all the time. 376 00:16:10,400 --> 00:16:12,520 Speaker 2: I hope you're going all ride in lockdown at the moment. 377 00:16:12,640 --> 00:16:15,240 Speaker 1: Exercise is a great way to take your mind off 378 00:16:15,280 --> 00:16:16,080 Speaker 1: things and make you. 379 00:16:16,040 --> 00:16:17,440 Speaker 2: Feel better about yourself. 380 00:16:17,480 --> 00:16:21,480 Speaker 1: There are so many different sort of fitness crazes out there. 381 00:16:21,720 --> 00:16:23,560 Speaker 3: I've started a new one down on the rocks in 382 00:16:24,480 --> 00:16:29,280 Speaker 3: No that would be in Bonday, just down on sort 383 00:16:29,280 --> 00:16:31,280 Speaker 3: of the rocky area about eight fifteen. I do all 384 00:16:31,360 --> 00:16:32,480 Speaker 3: work out there with Lisa. 385 00:16:32,600 --> 00:16:34,280 Speaker 2: What is some of the best of all time? 386 00:16:34,640 --> 00:16:38,360 Speaker 1: Remember ty Bo Billy Blanks that was which was like 387 00:16:39,400 --> 00:16:40,600 Speaker 1: pecial arts one. 388 00:16:40,600 --> 00:16:42,600 Speaker 3: The one with the door, the thing in the door. 389 00:16:43,200 --> 00:16:44,120 Speaker 4: Yeah, you got. 390 00:16:45,560 --> 00:16:47,680 Speaker 3: Gym, you're just extended out. It was like a pull 391 00:16:47,720 --> 00:16:49,360 Speaker 3: up bar that went between any door down. 392 00:16:50,000 --> 00:16:50,560 Speaker 4: Let use it. 393 00:16:50,680 --> 00:16:54,320 Speaker 1: Yeah yeah, actually that would come in handy now for lockdown. 394 00:16:54,440 --> 00:16:57,200 Speaker 1: You got it A you got a gym in well. 395 00:16:57,480 --> 00:16:59,160 Speaker 1: I instantly put our house up for. 396 00:16:59,160 --> 00:17:01,320 Speaker 3: Sale and said we've got seven gyms in the We're 397 00:17:01,360 --> 00:17:04,200 Speaker 3: ready to go. Seven doors, seven gyms. Here we go. 398 00:17:05,440 --> 00:17:06,960 Speaker 1: The big one at the moment as well as their 399 00:17:07,000 --> 00:17:10,400 Speaker 1: forty five because Wolburg has taken it over. I actually 400 00:17:10,440 --> 00:17:13,399 Speaker 1: combine here up here in rose Hell that they started 401 00:17:13,440 --> 00:17:15,040 Speaker 1: as well, where they put a little bit of nitrogen 402 00:17:15,080 --> 00:17:18,639 Speaker 1: in the air and you are it's altitude training it 403 00:17:18,880 --> 00:17:20,639 Speaker 1: which is a bit harder to breathe, but you do 404 00:17:20,760 --> 00:17:25,520 Speaker 1: get fitter, quicker like it. And forty five. So Wolburg's 405 00:17:25,600 --> 00:17:28,520 Speaker 1: jumped on board. And I see that they got David Beckham. 406 00:17:29,800 --> 00:17:32,400 Speaker 4: No, he's he's part of the company, now. 407 00:17:32,400 --> 00:17:36,160 Speaker 2: Is he really? That's amazing? Okay, So they've got there's 408 00:17:36,200 --> 00:17:37,800 Speaker 2: a new one that's come out. Here we go. 409 00:17:38,960 --> 00:17:41,680 Speaker 3: Now this is ridiculous forty six. 410 00:17:41,920 --> 00:17:43,960 Speaker 2: And I've put it into a song. 411 00:17:45,720 --> 00:17:50,800 Speaker 1: Kanye and Paul McCartney because apparently this is all you need. 412 00:17:51,320 --> 00:17:56,840 Speaker 3: Four five seconds of writing. That's a bit of writing, okay, 413 00:17:56,960 --> 00:17:58,040 Speaker 3: So have a listen to this. 414 00:17:59,160 --> 00:18:00,360 Speaker 2: Edward Coil is he his name. 415 00:18:00,359 --> 00:18:03,119 Speaker 1: He's a professor of health education at the University of 416 00:18:03,160 --> 00:18:08,080 Speaker 1: Texas in Austin. So during their first study, published last year, 417 00:18:08,119 --> 00:18:13,040 Speaker 1: they asked college students to complete five repetitions of four 418 00:18:13,280 --> 00:18:18,120 Speaker 1: second intervals on a specifically designed bike. So it's one 419 00:18:18,160 --> 00:18:20,440 Speaker 1: of those full on mikes, you know the ones where 420 00:18:20,440 --> 00:18:22,919 Speaker 1: you do in your arms and your legs and the 421 00:18:23,080 --> 00:18:25,879 Speaker 1: man's coming up, So you've got to go as hard 422 00:18:25,880 --> 00:18:29,639 Speaker 1: as you can for four seconds, five sets of that, 423 00:18:30,440 --> 00:18:34,399 Speaker 1: and they're saying that their metabolism was a lot better 424 00:18:34,640 --> 00:18:37,199 Speaker 1: the next day that it was the day before. 425 00:18:37,960 --> 00:18:40,560 Speaker 2: They're saying, it's a really good workout. 426 00:18:40,800 --> 00:18:41,760 Speaker 4: So that's the whole thing. 427 00:18:42,160 --> 00:18:46,399 Speaker 6: You just do five four seconds things, yes, twenty seconds. 428 00:18:46,440 --> 00:18:48,840 Speaker 1: So what they compared it to someone sitting in an 429 00:18:48,840 --> 00:18:52,040 Speaker 1: office right all day. If you're at your desk all day, 430 00:18:52,160 --> 00:18:55,800 Speaker 1: your metabolism is not working and you're putting on weight 431 00:18:55,880 --> 00:18:58,520 Speaker 1: whatever you eat that day, it's just not good for you. 432 00:18:58,600 --> 00:19:01,600 Speaker 2: If you can get out just in one day and. 433 00:19:01,680 --> 00:19:07,840 Speaker 1: Just do four seconds second, you'll blow it. Four or 434 00:19:07,880 --> 00:19:10,680 Speaker 1: five seconds of riding as flat out as you can. 435 00:19:10,800 --> 00:19:12,360 Speaker 1: Then you have a little break with four or five 436 00:19:12,400 --> 00:19:13,280 Speaker 1: seconds in between. 437 00:19:13,720 --> 00:19:15,520 Speaker 2: If you can do that. So what are we talking here? 438 00:19:15,640 --> 00:19:18,040 Speaker 2: This is under a minute. It's under a minute. 439 00:19:18,240 --> 00:19:20,879 Speaker 1: But if you can get your heart racing to the 440 00:19:20,960 --> 00:19:24,560 Speaker 1: point for just that one minute, that's fine. You've done 441 00:19:24,600 --> 00:19:27,360 Speaker 1: your workout for the day, and your metabolism the next day. 442 00:19:27,160 --> 00:19:27,920 Speaker 2: We'll catch up. 443 00:19:27,960 --> 00:19:30,400 Speaker 4: So if you miss your class time, Like you've got 444 00:19:30,440 --> 00:19:30,680 Speaker 4: to be. 445 00:19:30,600 --> 00:19:33,720 Speaker 3: Really worrying money. You don't worry about class. 446 00:19:35,359 --> 00:19:38,760 Speaker 1: I mean it's I think every workplace you should have 447 00:19:38,880 --> 00:19:41,639 Speaker 1: these bikes. This is where I can work out. I 448 00:19:41,720 --> 00:19:43,800 Speaker 1: did some reading into this a little bit more, and 449 00:19:43,840 --> 00:19:48,359 Speaker 1: this Edward Coyle guy did say that the bikes that 450 00:19:48,400 --> 00:19:51,119 Speaker 1: they used were specifically. 451 00:19:50,400 --> 00:19:53,359 Speaker 2: Made by him and you can now buy them for 452 00:19:53,440 --> 00:19:56,480 Speaker 2: a certain amount. You know, Michael. 453 00:19:56,240 --> 00:19:58,640 Speaker 3: Moseley in the Doctor that we've had on the show 454 00:19:58,720 --> 00:20:01,320 Speaker 3: numerous times, creator of the I've To Diet, He's come 455 00:20:01,320 --> 00:20:04,760 Speaker 3: out and said that you can do a similar type workout. 456 00:20:04,880 --> 00:20:08,080 Speaker 3: But I think it was like ten reps but only 457 00:20:08,160 --> 00:20:10,520 Speaker 3: thirty seconds at a time. Now, don't get me wrong, 458 00:20:10,560 --> 00:20:13,560 Speaker 3: that's blowing you four five through the roof. But thirty 459 00:20:13,640 --> 00:20:16,880 Speaker 3: seconds and ten reps of that is pretty good. That's 460 00:20:16,960 --> 00:20:18,080 Speaker 3: five minutes all up. 461 00:20:18,160 --> 00:20:18,800 Speaker 2: It's amazing. 462 00:20:18,920 --> 00:20:20,480 Speaker 3: Five minutes. That's all you need. 463 00:20:20,800 --> 00:20:23,360 Speaker 2: This is the thing with these fitness crazes as well. 464 00:20:23,440 --> 00:20:26,879 Speaker 2: Let's be honest. At forty five it's a circuit mate. 465 00:20:27,000 --> 00:20:30,680 Speaker 6: Oh yeah, if you don't have the no like the 466 00:20:30,840 --> 00:20:32,920 Speaker 6: know how to do it. I five it's really good. 467 00:20:33,000 --> 00:20:35,679 Speaker 6: Same as orange theory. Like it's high interval that if 468 00:20:35,720 --> 00:20:36,320 Speaker 6: you don't know how. 469 00:20:36,240 --> 00:20:37,560 Speaker 2: To do that, I agree. 470 00:20:37,840 --> 00:20:39,479 Speaker 1: And the best thing about this, and you know, like 471 00:20:39,560 --> 00:20:43,440 Speaker 1: personal trainers were, some people do need motivation. But I've 472 00:20:43,440 --> 00:20:45,119 Speaker 1: always found if you don't know what to do, and 473 00:20:45,200 --> 00:20:47,560 Speaker 1: exercise is what to do, pay for a personal trainer 474 00:20:47,560 --> 00:20:48,520 Speaker 1: for a couple of sessions. 475 00:20:48,720 --> 00:20:50,800 Speaker 2: Then you know what to do. You can go and 476 00:20:50,800 --> 00:20:51,359 Speaker 2: do it yourself. 477 00:20:51,440 --> 00:20:53,359 Speaker 3: Yeah, but I think that's the problem. If I know 478 00:20:53,440 --> 00:20:55,159 Speaker 3: that I'm going to go and meet somebody, I'm going 479 00:20:55,160 --> 00:20:57,719 Speaker 3: to says an eye meeting at forty five at one 480 00:20:57,760 --> 00:20:59,919 Speaker 3: o'clock today, then I know we're going to be out 481 00:21:00,040 --> 00:21:01,520 Speaker 3: there at forty five. But I'm gonna be doing it 482 00:21:01,560 --> 00:21:03,040 Speaker 3: with the team. I'm going to be movie in groups. 483 00:21:03,040 --> 00:21:06,640 Speaker 3: I'm going to know the circle a personal trainer. Once 484 00:21:06,960 --> 00:21:08,280 Speaker 3: this is this is not about me? 485 00:21:08,680 --> 00:21:10,200 Speaker 2: How long this is not about me? 486 00:21:11,359 --> 00:21:15,880 Speaker 3: You've missed it, youssed completely missed it. So what people 487 00:21:15,920 --> 00:21:20,439 Speaker 3: are looking for a group and be able to do it. 488 00:21:20,640 --> 00:21:23,000 Speaker 3: If I'm going to learn the skills, then you're completely 489 00:21:23,000 --> 00:21:25,840 Speaker 3: missing the point. Again. If I'm going to do that right, 490 00:21:26,160 --> 00:21:28,640 Speaker 3: people won't take it away from the gym. They won't 491 00:21:28,720 --> 00:21:30,919 Speaker 3: do it themselves. That's the problem. And that's why you 492 00:21:30,920 --> 00:21:33,720 Speaker 3: build a brand of forty five, because it becomes this 493 00:21:33,800 --> 00:21:35,800 Speaker 3: group activity. I'm doing it forty five too. 494 00:21:36,200 --> 00:21:36,360 Speaker 2: Here. 495 00:21:36,400 --> 00:21:38,800 Speaker 3: A lot of people say that because they like being 496 00:21:38,840 --> 00:21:39,679 Speaker 3: part of the brand. 497 00:21:40,000 --> 00:21:44,080 Speaker 1: Marketing is a crucial thing ish. I mean, I remember 498 00:21:44,160 --> 00:21:49,120 Speaker 1: Zumba Mum got into Zumba. Mum had a fluorescent one 499 00:21:49,200 --> 00:21:51,960 Speaker 1: piece go on at home in front of the television. 500 00:21:53,160 --> 00:21:54,760 Speaker 2: That's just getting sucked in by the. 501 00:21:54,720 --> 00:21:57,680 Speaker 4: Marketing rocking those for years. 502 00:21:57,760 --> 00:22:00,440 Speaker 3: I've never seen Mick be more focused. I mean he 503 00:22:00,480 --> 00:22:03,120 Speaker 3: would sit in the lounge and watch the workout with. 504 00:22:03,040 --> 00:22:06,600 Speaker 1: The Bardi Aerobics ONLD Style in front of the Opera 505 00:22:06,680 --> 00:22:08,360 Speaker 1: house there at Missus mcquarie's chair. 506 00:22:08,440 --> 00:22:11,600 Speaker 3: Gave me an education far growing up. 507 00:22:11,720 --> 00:22:14,320 Speaker 2: That was I want to be a cameraman. 508 00:22:15,520 --> 00:22:17,840 Speaker 4: Ah. 509 00:22:18,240 --> 00:22:20,720 Speaker 1: I love how the only thing that you got out 510 00:22:20,720 --> 00:22:23,560 Speaker 1: of Aerobics on Style was I wanted to be a 511 00:22:23,600 --> 00:22:24,919 Speaker 1: cameraman when I was older. 512 00:22:27,320 --> 00:22:30,000 Speaker 10: Any bush sex, anyone's been not setting up the day. 513 00:22:29,800 --> 00:22:32,200 Speaker 4: As above quote my quote? 514 00:22:32,240 --> 00:22:35,840 Speaker 3: Faith, Hey guys, does anybody else hear a really good 515 00:22:35,920 --> 00:22:37,720 Speaker 3: quote and then writes it down in their notes on 516 00:22:37,760 --> 00:22:38,400 Speaker 3: their iPhone? 517 00:22:39,280 --> 00:22:44,160 Speaker 10: Just me, I've done, You've done, you'd do it? Yeah, 518 00:22:44,359 --> 00:22:46,920 Speaker 10: Whilst you're in a conversation, you just pull your book out. 519 00:22:47,040 --> 00:22:49,520 Speaker 3: I do, and I go, oh, I really like that. 520 00:22:50,720 --> 00:22:53,040 Speaker 3: You write your own quotes down if I hear if 521 00:22:53,040 --> 00:22:55,399 Speaker 3: I say something I really like, I'm going to hang 522 00:22:55,480 --> 00:22:56,080 Speaker 3: under that. Mate. 523 00:22:56,760 --> 00:23:03,040 Speaker 1: Greg Rust, who is the drive in comment lady on Twitter, 524 00:23:03,080 --> 00:23:04,280 Speaker 1: said what's the best quote? 525 00:23:04,280 --> 00:23:05,720 Speaker 2: Can you give me one? In lockdown? 526 00:23:06,480 --> 00:23:18,600 Speaker 13: And he's was, I'm on our own quote was one 527 00:23:18,680 --> 00:23:20,440 Speaker 13: day or day one? 528 00:23:21,040 --> 00:23:21,719 Speaker 2: You choose? 529 00:23:22,080 --> 00:23:25,960 Speaker 1: And I thought that was really good, Greg, So I'm. 530 00:23:25,760 --> 00:23:28,080 Speaker 2: Gonna I'm gonna do that one day or do you 531 00:23:28,119 --> 00:23:31,919 Speaker 2: know what today is? You choose? 532 00:23:32,080 --> 00:23:38,480 Speaker 3: Yeah, that's really nice. Are you a gonna The other 533 00:23:38,560 --> 00:23:39,720 Speaker 3: good one was Ben Crow? 534 00:23:39,800 --> 00:23:42,560 Speaker 8: Remember the motivator you speak to who said whin the morning, 535 00:23:42,600 --> 00:23:43,440 Speaker 8: win the day. 536 00:23:43,760 --> 00:23:44,560 Speaker 2: Seize the morning. 537 00:23:45,080 --> 00:23:47,680 Speaker 3: I thought it was the variations on it. 538 00:23:47,960 --> 00:23:52,199 Speaker 2: When the morning, when the day? That is early on 539 00:23:52,400 --> 00:23:57,639 Speaker 2: when the morning? Yeah, at casin do they make a 540 00:23:57,760 --> 00:23:58,560 Speaker 2: day one. 541 00:23:58,560 --> 00:24:02,320 Speaker 3: Or one day after? The casino guys not being motivated 542 00:24:02,320 --> 00:24:04,440 Speaker 3: by the Fincy Whipper show, And I hope we're winning 543 00:24:04,480 --> 00:24:06,000 Speaker 3: the morning guys in the morning. 544 00:24:06,280 --> 00:24:08,120 Speaker 2: You've got a few pros. 545 00:24:09,280 --> 00:24:10,720 Speaker 3: All right, here we go. First one is from a 546 00:24:10,800 --> 00:24:13,600 Speaker 3: famous person. Let's get into it. I love this quote. 547 00:24:13,880 --> 00:24:16,119 Speaker 3: I think it's much more interesting when people say I 548 00:24:16,160 --> 00:24:18,480 Speaker 3: love being famous, I love the attention, I love getting 549 00:24:18,520 --> 00:24:21,960 Speaker 3: laid and having people are respected Miami than when people 550 00:24:22,000 --> 00:24:25,840 Speaker 3: pretend it hasn't had an effect on them. Robbie Williams, 551 00:24:25,880 --> 00:24:33,080 Speaker 3: Bill Clinton, No, no, he's a man. It is a 552 00:24:33,240 --> 00:24:36,080 Speaker 3: male mother Theresa not months to Reasa. No, not one 553 00:24:36,080 --> 00:24:38,240 Speaker 3: of hers. Sorry, I mean she was famous, but she 554 00:24:38,320 --> 00:24:41,640 Speaker 3: wasn't really into the fame. She was legitimately not into 555 00:24:41,680 --> 00:24:46,200 Speaker 3: the fame. I can go again. I think it's much 556 00:24:46,240 --> 00:24:49,199 Speaker 3: more interesting when people say I love being famous, I 557 00:24:49,200 --> 00:24:51,200 Speaker 3: love the attention and getting laid and having people I 558 00:24:51,320 --> 00:24:55,320 Speaker 3: respected Miami than when people pretend it hasn't had an 559 00:24:55,320 --> 00:24:58,320 Speaker 3: effect on them. Ryan Reynolds, know that you are in 560 00:24:58,359 --> 00:24:59,000 Speaker 3: the right area. 561 00:24:59,400 --> 00:25:02,359 Speaker 2: Brogan, Sorry, what was Warick Kapper? 562 00:25:02,520 --> 00:25:05,720 Speaker 3: Not Warreck Kapper? Normally I default to Warrick Kappa. 563 00:25:05,840 --> 00:25:06,280 Speaker 2: Quote. 564 00:25:06,840 --> 00:25:11,160 Speaker 10: David on Facebook says, whipper Is this a Whipper quote? 565 00:25:11,640 --> 00:25:13,439 Speaker 3: No, Dave, No, it is not. 566 00:25:13,920 --> 00:25:16,160 Speaker 8: It's not some Channel seven's Mark Fergo Ferguson. 567 00:25:16,240 --> 00:25:17,960 Speaker 3: It's not Fergot I could have. 568 00:25:18,400 --> 00:25:19,960 Speaker 2: I mean, he's windows. 569 00:25:21,240 --> 00:25:24,159 Speaker 6: Give us a profession. They're an actor. They're an actor, 570 00:25:24,560 --> 00:25:27,480 Speaker 6: and what age bracket like old, are you joking? 571 00:25:27,560 --> 00:25:27,920 Speaker 4: De Niro? 572 00:25:28,040 --> 00:25:28,280 Speaker 5: Old? 573 00:25:28,359 --> 00:25:30,680 Speaker 3: I reckon, he's a little bit older than me. I'd 574 00:25:30,680 --> 00:25:31,720 Speaker 3: put him at forty five. 575 00:25:31,880 --> 00:25:32,520 Speaker 4: Run Gosling. 576 00:25:32,760 --> 00:25:36,840 Speaker 3: No, Sarah, you've had a running with this guy? Yes 577 00:25:36,880 --> 00:25:40,520 Speaker 3: it is, Yes, it is Leo, not known for his 578 00:25:40,600 --> 00:25:43,080 Speaker 3: quotes where's my monkey mask Gone? 579 00:25:43,240 --> 00:25:44,199 Speaker 4: And get away from me? 580 00:25:44,240 --> 00:25:47,520 Speaker 3: Get away from me? Which is your photos photos at 581 00:25:47,520 --> 00:25:49,919 Speaker 3: two am with drunk girls, I think with one of 582 00:25:49,960 --> 00:25:50,760 Speaker 3: his other quotes, so. 583 00:25:50,800 --> 00:25:52,639 Speaker 4: Still talk, so clearly was at that drunk all right? 584 00:25:52,640 --> 00:25:55,119 Speaker 3: I got a song for you, guys. Tell me what 585 00:25:55,320 --> 00:25:58,480 Speaker 3: song this is and who sings it. Can't forget to 586 00:25:58,520 --> 00:26:03,000 Speaker 3: stay real to me, it's like breathing. It's a lyric 587 00:26:03,080 --> 00:26:05,680 Speaker 3: from a song is the Mother of Theresa? It's not 588 00:26:05,760 --> 00:26:09,760 Speaker 3: Mother Theresa? I mean also on a karaoke know Mother Terresa? 589 00:26:09,800 --> 00:26:13,160 Speaker 2: But no, it's nothing by Peter. 590 00:26:15,400 --> 00:26:18,040 Speaker 3: One of them ended up in jail tome with Mary. No, 591 00:26:18,119 --> 00:26:19,120 Speaker 3: it's not Mary from Peter. 592 00:26:20,600 --> 00:26:21,520 Speaker 7: Is it Peter Allen? 593 00:26:21,920 --> 00:26:27,040 Speaker 3: It's not Peter Allen. No, famous for They're not my 594 00:26:27,200 --> 00:26:31,919 Speaker 3: pants quote, But no it's not Todd McKey. People on 595 00:26:31,920 --> 00:26:36,720 Speaker 3: Facebook saying pink not pink The lyrics again, can't forget 596 00:26:36,760 --> 00:26:39,360 Speaker 3: to stay real to me. It's like breathing. 597 00:26:40,840 --> 00:26:42,320 Speaker 7: On Facebook, says Lady Gaga. 598 00:26:42,400 --> 00:26:44,840 Speaker 3: It's not Lady Gaga, but very very close. 599 00:26:46,560 --> 00:26:52,680 Speaker 8: Jenny from the block, Hello, Thomas, Bryant, Rico and Marena 600 00:26:52,760 --> 00:26:53,440 Speaker 8: on Facebook. 601 00:26:53,920 --> 00:26:57,720 Speaker 2: Marina like yeah yeah, and Rico Glesis. 602 00:26:57,400 --> 00:27:01,800 Speaker 8: Is currently playing along beside Anna le Yes, really good. 603 00:27:01,680 --> 00:27:03,000 Speaker 3: God, thanks for your commitment. 604 00:27:03,480 --> 00:27:05,240 Speaker 2: Hero comes along into the Facebook. 605 00:27:08,400 --> 00:27:13,400 Speaker 3: I love laughter. This is from a movie. There's one 606 00:27:13,440 --> 00:27:16,240 Speaker 3: person in this room, and I know they love this film. 607 00:27:16,320 --> 00:27:18,840 Speaker 3: So love to move slightly. 608 00:27:19,240 --> 00:27:20,360 Speaker 2: He loves his movies. 609 00:27:20,760 --> 00:27:25,679 Speaker 3: Here we go. The quote is certainty of death, small 610 00:27:25,760 --> 00:27:28,040 Speaker 3: chance of success. What are we waiting for? 611 00:27:29,960 --> 00:27:31,000 Speaker 2: Kramer versus Chrime. 612 00:27:31,160 --> 00:27:34,840 Speaker 7: No it's not, Katrina asks as Tommy lost weight. 613 00:27:36,280 --> 00:27:40,359 Speaker 3: That's interesting. Maybe in the bloody hip pocket since he's 614 00:27:40,359 --> 00:27:41,119 Speaker 3: had another kid. 615 00:27:45,280 --> 00:27:45,560 Speaker 2: Along. 616 00:27:46,840 --> 00:27:49,600 Speaker 3: No, Sarah, thanks for continuing to seriously play the game. 617 00:27:50,880 --> 00:27:53,920 Speaker 3: Can we hear the quoting certainty of death, small chance 618 00:27:54,000 --> 00:27:55,760 Speaker 3: of success? What are we waiting for? 619 00:27:57,520 --> 00:28:00,199 Speaker 7: Not a stomper happy gil More. 620 00:28:00,680 --> 00:28:02,960 Speaker 3: It's not happy ill More. I open it up to 621 00:28:03,040 --> 00:28:05,160 Speaker 3: everybody in the room, now, okay. 622 00:28:04,960 --> 00:28:06,320 Speaker 4: Point break, no. 623 00:28:08,480 --> 00:28:10,720 Speaker 2: W break whatever. Good movie. 624 00:28:10,880 --> 00:28:13,400 Speaker 4: Leno obviously knows that there we go. Hasn't he got 625 00:28:13,400 --> 00:28:13,840 Speaker 4: the answer. 626 00:28:13,880 --> 00:28:16,040 Speaker 3: She No, he does not have the answers in front 627 00:28:16,040 --> 00:28:18,199 Speaker 3: of him, but he is the answer. No, it's not 628 00:28:18,240 --> 00:28:20,600 Speaker 3: a Leno quote. Jump on your mic, like what movie 629 00:28:20,680 --> 00:28:23,080 Speaker 3: was all right? Here we go Leno drum roll. I 630 00:28:23,080 --> 00:28:25,840 Speaker 3: mean it's pretty obvious if it's my favorite movie, certainly 631 00:28:25,880 --> 00:28:28,240 Speaker 3: of Death, small chance of success? What are we waiting for? 632 00:28:30,359 --> 00:28:31,600 Speaker 4: That went on over the weekend? 633 00:28:31,960 --> 00:28:37,240 Speaker 2: The Lord of the Rings of the King. 634 00:28:37,720 --> 00:28:43,440 Speaker 1: Come on mate, No, it's been ten years of the 635 00:28:43,440 --> 00:28:44,400 Speaker 1: fifteen Whippis show. 636 00:28:45,360 --> 00:28:46,240 Speaker 3: Its fancy. 637 00:28:47,280 --> 00:28:51,120 Speaker 2: Yes, good morning, this is your new breakfast show? 638 00:28:51,240 --> 00:28:54,520 Speaker 3: Is sitting whipper shop? Stop that down. 639 00:29:01,400 --> 00:29:03,400 Speaker 2: Lauren's given us a call morning. 640 00:29:03,200 --> 00:29:06,600 Speaker 14: Loss, Good morning, how are you going as we're good? 641 00:29:06,760 --> 00:29:08,440 Speaker 3: How are you this morning? Everything under control? 642 00:29:09,080 --> 00:29:12,040 Speaker 14: Yeah, everything good, Just on my way to work. So yeah, 643 00:29:12,200 --> 00:29:12,720 Speaker 14: doing good. 644 00:29:12,800 --> 00:29:14,960 Speaker 1: So we've been reminiscing throwing it out there to the 645 00:29:15,040 --> 00:29:17,440 Speaker 1: listeners the past ten years. If there's anything that you 646 00:29:17,480 --> 00:29:19,760 Speaker 1: can remember that you would like to hear again, what 647 00:29:19,880 --> 00:29:21,080 Speaker 1: is your favorite show memory? 648 00:29:21,120 --> 00:29:21,400 Speaker 2: Loss? 649 00:29:22,120 --> 00:29:22,280 Speaker 5: Oh? 650 00:29:22,320 --> 00:29:26,480 Speaker 14: Look, I love everything you boys do, but one of 651 00:29:26,520 --> 00:29:30,680 Speaker 14: my favorite memories would have to be when the Wolverine 652 00:29:30,760 --> 00:29:32,760 Speaker 14: movie was shooting in Paramount. 653 00:29:33,160 --> 00:29:35,080 Speaker 4: That's right, and you. 654 00:29:34,960 --> 00:29:37,160 Speaker 14: Did us think a pray call to some guy that 655 00:29:37,920 --> 00:29:39,360 Speaker 14: you know to get him on the movie, and it 656 00:29:39,520 --> 00:29:40,360 Speaker 14: was hilarious. 657 00:29:40,400 --> 00:29:42,080 Speaker 3: I trying to see if he wanted to audition over 658 00:29:42,120 --> 00:29:45,719 Speaker 3: the phone. We were getting Yeah, we were like Hollywood producers. 659 00:29:45,840 --> 00:29:50,320 Speaker 1: We were bringing businesses locals in Paramatta just to see 660 00:29:50,320 --> 00:29:53,520 Speaker 1: if anyone wanted to be an extra in Hugh Jackman's 661 00:29:53,560 --> 00:29:54,880 Speaker 1: new Wolverine movie. 662 00:29:55,120 --> 00:29:57,320 Speaker 2: Yeah, this guy's hilarious. 663 00:29:57,800 --> 00:30:01,000 Speaker 1: Can I just say that this guy's commitment as he 664 00:30:01,160 --> 00:30:02,400 Speaker 1: was working at a restaurant. 665 00:30:02,480 --> 00:30:05,840 Speaker 2: So he's at a restaurant and he's and it's busy 666 00:30:05,880 --> 00:30:06,400 Speaker 2: at the time. 667 00:30:06,520 --> 00:30:08,440 Speaker 4: Still he was. 668 00:30:08,400 --> 00:30:11,960 Speaker 1: Auditioning for his for his to stick around with us 669 00:30:12,000 --> 00:30:14,080 Speaker 1: for so long to audition for Wolverine. 670 00:30:14,200 --> 00:30:17,160 Speaker 2: He really wanted the role. All right, all right, thank you? 671 00:30:17,680 --> 00:30:18,240 Speaker 2: Was Benya. 672 00:30:19,760 --> 00:30:21,360 Speaker 3: It was just a random call, okay. 673 00:30:21,520 --> 00:30:23,240 Speaker 8: But there's also a great moment in this call where 674 00:30:23,280 --> 00:30:26,160 Speaker 8: whipper you start as a I think you're a you're 675 00:30:26,240 --> 00:30:29,200 Speaker 8: the film producer, and you start in an English accent, 676 00:30:29,400 --> 00:30:31,600 Speaker 8: very quickly switched to an American accent, so. 677 00:30:32,360 --> 00:30:40,719 Speaker 2: That Hello, this is Greg Northbridge here. How are you hi? 678 00:30:41,160 --> 00:30:43,640 Speaker 2: How are you going on? From Fox and Seed Productions. 679 00:30:45,000 --> 00:30:47,600 Speaker 1: As you're probably aware, we've been filming the Wolverine the 680 00:30:47,640 --> 00:30:48,480 Speaker 1: movie around. 681 00:30:48,240 --> 00:30:49,240 Speaker 2: Paramatta this week. 682 00:30:49,720 --> 00:30:53,240 Speaker 1: Okay, well, we've had a scene Aden, and this is 683 00:30:53,560 --> 00:30:56,840 Speaker 1: this is coming directly from you. He's really enjoyed filming 684 00:30:56,880 --> 00:31:00,200 Speaker 1: around Paramatta and he wants to cast a local, a 685 00:31:00,240 --> 00:31:01,240 Speaker 1: local person. 686 00:31:00,960 --> 00:31:03,560 Speaker 2: From Paramatter for a one line appearance in the movie. 687 00:31:03,960 --> 00:31:05,800 Speaker 5: Okay, so we're. 688 00:31:05,640 --> 00:31:09,560 Speaker 1: Just asking you, like getting your voice and seeing what 689 00:31:09,640 --> 00:31:12,760 Speaker 1: you would be like. All the line is is I'm 690 00:31:12,760 --> 00:31:15,200 Speaker 1: not afraid of you Wolverine. That would be the line 691 00:31:15,200 --> 00:31:16,960 Speaker 1: in the movie. We just wanted to see if you 692 00:31:17,000 --> 00:31:17,760 Speaker 1: could deliver that. 693 00:31:18,640 --> 00:31:21,920 Speaker 2: Okay, Okay, here we go and action. 694 00:31:22,400 --> 00:31:25,360 Speaker 5: Okay, I'm not afraid of your wolfraeing. 695 00:31:25,480 --> 00:31:28,280 Speaker 1: Oh yeah, okay, let's try Let's try it one more 696 00:31:28,400 --> 00:31:31,080 Speaker 1: time with a little bit more meaning to it if 697 00:31:31,120 --> 00:31:33,120 Speaker 1: you can and action. 698 00:31:33,760 --> 00:31:35,880 Speaker 5: I'm not afraid of your will pray. 699 00:31:37,080 --> 00:31:37,640 Speaker 2: That's great. 700 00:31:37,720 --> 00:31:39,360 Speaker 3: That was Are you that high? 701 00:31:39,400 --> 00:31:41,920 Speaker 15: It's they're in the art director for the film. Can 702 00:31:41,960 --> 00:31:44,320 Speaker 15: we get that? There's really close? What I'm hearing there 703 00:31:44,360 --> 00:31:46,280 Speaker 15: was perfect? Can we get that one more time with 704 00:31:46,400 --> 00:31:49,000 Speaker 15: a bit more passion, so as if the scene was 705 00:31:49,000 --> 00:31:52,320 Speaker 15: happening and you are right in that moment angry with 706 00:31:52,560 --> 00:31:55,320 Speaker 15: passion Okay, and action. 707 00:31:55,520 --> 00:31:57,240 Speaker 5: I'm not afraid of you. All pray. 708 00:31:58,040 --> 00:32:00,200 Speaker 1: Well, maybe if you is there any chance that you 709 00:32:00,200 --> 00:32:04,000 Speaker 1: can maybe just because it's more, it's more yelling and 710 00:32:04,200 --> 00:32:06,240 Speaker 1: directing it towards Wolverine. 711 00:32:06,720 --> 00:32:09,040 Speaker 3: I'm not I'm not afraid of your Wolverine. 712 00:32:09,920 --> 00:32:11,680 Speaker 5: I'm not afraid of you. Will pray. 713 00:32:12,400 --> 00:32:14,400 Speaker 3: Yeah, that was right, that was right where we want it. 714 00:32:14,440 --> 00:32:16,600 Speaker 3: We just need more, We just need more of a girl, 715 00:32:16,720 --> 00:32:20,640 Speaker 3: So more passion. Three two want and action. 716 00:32:23,600 --> 00:32:28,440 Speaker 5: I'm not afraid of you, will pray. 717 00:32:28,720 --> 00:32:32,560 Speaker 3: Last word, Wolverine, want action for Ray. 718 00:32:33,120 --> 00:32:34,800 Speaker 5: I'm not afraid of you. All pray. 719 00:32:35,560 --> 00:32:37,680 Speaker 3: That was a yeah, yeah, anyway. 720 00:32:37,480 --> 00:32:40,800 Speaker 5: Anyway, Okay, I gotta hang up. This is a business time. 721 00:32:40,880 --> 00:32:43,480 Speaker 5: Please don't call at this time again. 722 00:32:43,720 --> 00:32:45,680 Speaker 2: Okay, I love you, mate. 723 00:32:47,320 --> 00:32:53,920 Speaker 13: Well you just trying to, but we didn't again And 724 00:32:54,240 --> 00:32:54,920 Speaker 13: WHI was you? 725 00:32:55,120 --> 00:32:55,520 Speaker 2: Jackman? 726 00:32:58,200 --> 00:32:58,880 Speaker 3: Hello, Vinye. 727 00:32:59,000 --> 00:33:02,120 Speaker 1: It's Greig Northbridge here from Fox and Seed Productions. We've 728 00:33:02,160 --> 00:33:05,280 Speaker 1: got the man himself, Hugh Jackman here, who's just coming 729 00:33:05,360 --> 00:33:07,240 Speaker 1: from filming. He would like to hear it one more 730 00:33:07,240 --> 00:33:08,240 Speaker 1: time if that's okay? 731 00:33:08,520 --> 00:33:13,959 Speaker 5: And action Okay, I'm really not afraid up here, wolf Inge. 732 00:33:14,240 --> 00:33:17,320 Speaker 2: No, it's it's I'm not afraid. 733 00:33:16,960 --> 00:33:20,760 Speaker 1: Of you Wolverine free up here, pool free. 734 00:33:20,880 --> 00:33:23,160 Speaker 3: Okay, that's it, Loud, I been more passionate. I need 735 00:33:23,200 --> 00:33:25,840 Speaker 3: to hear passion. Here we go free to one action. 736 00:33:26,320 --> 00:33:31,360 Speaker 5: I'm not afraid of your wool free. Okay, Hi, guys, 737 00:33:31,480 --> 00:33:34,680 Speaker 5: I really don't have time right now. I'm really walking, 738 00:33:34,800 --> 00:33:38,360 Speaker 5: So would you like to coll bake another time? 739 00:33:38,640 --> 00:33:41,880 Speaker 2: Ben, It's Viz Wember here from Nova. How are you matey? 740 00:33:42,320 --> 00:33:43,360 Speaker 5: Okay, I'm gonna hang up. 741 00:33:45,360 --> 00:33:46,120 Speaker 3: It's Wolverine. 742 00:33:46,160 --> 00:33:48,840 Speaker 4: He was so sweet. 743 00:33:49,320 --> 00:33:52,959 Speaker 2: Give you a call back and bring him when they 744 00:33:53,000 --> 00:33:54,680 Speaker 2: were blocking the restaurant. 745 00:33:55,200 --> 00:33:56,200 Speaker 3: What a good sport. 746 00:33:56,920 --> 00:34:02,520 Speaker 1: He got the role as well. Guys, major Hollywood supers. Wow, 747 00:34:03,080 --> 00:34:05,240 Speaker 1: thank you Lauren for your call. You can dm us 748 00:34:05,240 --> 00:34:07,760 Speaker 1: on the fifty and Instagram page. Tell us the moment 749 00:34:07,800 --> 00:34:08,960 Speaker 1: that you want to hear. We're going to be doing 750 00:34:09,000 --> 00:34:10,960 Speaker 1: it for the next couple of weeks. I want to 751 00:34:11,000 --> 00:34:13,600 Speaker 1: talk about if you've ever been involved with the crime, 752 00:34:13,880 --> 00:34:16,080 Speaker 1: you might be might have been at the crime scene, 753 00:34:16,160 --> 00:34:20,239 Speaker 1: didn't even know that it was going on, or you 754 00:34:20,360 --> 00:34:23,480 Speaker 1: may have known what was going on. We're our bank manager. 755 00:34:23,760 --> 00:34:27,000 Speaker 1: Oh yeah, she was involved with a huge robbery. She 756 00:34:27,120 --> 00:34:29,880 Speaker 1: was one of the tellers at westpat. 757 00:34:29,560 --> 00:34:32,080 Speaker 4: Sarah that'd be so terrifying, and it was. 758 00:34:32,200 --> 00:34:35,440 Speaker 1: It wasn't just a minor robbery like this was a 759 00:34:35,480 --> 00:34:38,279 Speaker 1: group of guys that came in ballet claver Is over 760 00:34:38,320 --> 00:34:40,960 Speaker 1: the shot over the head and a shotgun to her, 761 00:34:41,000 --> 00:34:42,440 Speaker 1: give us all your money with all. 762 00:34:42,400 --> 00:34:44,839 Speaker 4: The moment like shock. After that for a long time 763 00:34:44,920 --> 00:34:45,319 Speaker 4: she had. 764 00:34:45,239 --> 00:34:46,960 Speaker 2: To go get a little bit of therapy out. 765 00:34:47,040 --> 00:34:49,680 Speaker 3: Yeah, that's how we met her, and we haven't done 766 00:34:49,680 --> 00:34:50,520 Speaker 3: a robbery. 767 00:34:50,239 --> 00:34:53,560 Speaker 4: Like that since you met her. Therapy. Let's be honest, 768 00:34:53,600 --> 00:34:55,480 Speaker 4: you weren't pulling off at last time. 769 00:34:55,520 --> 00:34:57,239 Speaker 2: The presidents held up a. 770 00:34:59,640 --> 00:34:59,839 Speaker 4: Again. 771 00:35:00,000 --> 00:35:01,840 Speaker 2: He went around the world looking for adrenaline. 772 00:35:01,960 --> 00:35:04,360 Speaker 3: Man when he comes back in h. 773 00:35:06,040 --> 00:35:08,200 Speaker 6: I mean, there are so many cooler quotes from point 774 00:35:08,200 --> 00:35:09,160 Speaker 6: break give me a look. 775 00:35:09,120 --> 00:35:10,480 Speaker 4: That Utah give me two. 776 00:35:11,040 --> 00:35:13,640 Speaker 2: Oh, that was a really good line. 777 00:35:15,040 --> 00:35:16,359 Speaker 4: Young, dumb and full of. 778 00:35:18,840 --> 00:35:20,040 Speaker 2: That's a crime in itself. 779 00:35:20,160 --> 00:35:22,919 Speaker 1: If you've got a story though, thirteen twenty fourteen, Jean 780 00:35:23,040 --> 00:35:26,640 Speaker 1: Claude van dam It's been in some amazing movies like 781 00:35:26,719 --> 00:35:28,800 Speaker 1: Kickboxer and Street Fighter. 782 00:35:29,520 --> 00:35:33,400 Speaker 3: Leno just told us about a movie. It's unfortunately he 783 00:35:33,760 --> 00:35:36,200 Speaker 3: dances very closely with a girl and you'll see that 784 00:35:36,800 --> 00:35:38,680 Speaker 3: all parts of his body have gone for a half 785 00:35:38,719 --> 00:35:39,360 Speaker 3: turn hell. 786 00:35:39,239 --> 00:35:43,439 Speaker 2: Kick that's on a television show that's live. 787 00:35:43,560 --> 00:35:47,080 Speaker 3: He's covering his crutch there because he was so closely 788 00:35:47,400 --> 00:35:50,719 Speaker 3: to her. She called Van damn my god, he nearly 789 00:35:50,760 --> 00:35:53,000 Speaker 3: got it. Nearly got himself and a half nelson, so 790 00:35:53,160 --> 00:35:55,120 Speaker 3: anyway he would nearly knocked himself out. 791 00:35:56,000 --> 00:35:58,120 Speaker 4: It's weird, It makes no sense, but it's gross. 792 00:35:58,280 --> 00:36:02,480 Speaker 2: He was going to see the homologists, so what do 793 00:36:02,560 --> 00:36:03,120 Speaker 2: they look at. 794 00:36:04,600 --> 00:36:04,680 Speaker 5: That? 795 00:36:06,040 --> 00:36:10,520 Speaker 1: So as he was leaving, Van dam attracted a crowd 796 00:36:10,560 --> 00:36:14,759 Speaker 1: of fans that were asking for his autograph. This is 797 00:36:14,760 --> 00:36:16,400 Speaker 1: what I was saying. There's a bit of icing on 798 00:36:16,440 --> 00:36:18,960 Speaker 1: the k story. He said, there was a huge crowd 799 00:36:18,960 --> 00:36:21,960 Speaker 1: of fans around me asking for my autograph, asking for 800 00:36:22,160 --> 00:36:25,160 Speaker 1: round house kicks and stuff like that, while all the 801 00:36:25,200 --> 00:36:29,440 Speaker 1: attention was on the actor and people crowded around him. 802 00:36:29,800 --> 00:36:33,800 Speaker 1: A man assaulted a person that worked at a jewelry 803 00:36:33,800 --> 00:36:37,600 Speaker 1: store across the road at knife Point Gee to the 804 00:36:37,640 --> 00:36:39,960 Speaker 1: point where the security guard at the jewelry store was 805 00:36:40,000 --> 00:36:42,520 Speaker 1: supposed to be looking out for who was going into 806 00:36:42,560 --> 00:36:47,319 Speaker 1: the jewelry store, but he was over there getting called's autographs. 807 00:36:47,400 --> 00:36:47,880 Speaker 2: Right. 808 00:36:48,800 --> 00:36:52,520 Speaker 1: They stole jewelry from the boutique value between two to 809 00:36:52,640 --> 00:36:57,319 Speaker 1: three million dollars Euro dollars, So what's sad it's about 810 00:36:57,400 --> 00:36:58,359 Speaker 1: five milistraia. 811 00:36:58,440 --> 00:37:03,760 Speaker 3: Yeah, you know, in this situation, knowing Van Dam's across 812 00:37:03,800 --> 00:37:06,719 Speaker 3: the road, if he doesn't step in, if I lived 813 00:37:06,760 --> 00:37:09,720 Speaker 3: in an area where there was like movie star martial arts, 814 00:37:09,880 --> 00:37:14,040 Speaker 3: I would create some sort of fake crime nearby, like says, 815 00:37:14,040 --> 00:37:17,279 Speaker 3: we'd stage it if we were okay. So let's say 816 00:37:17,280 --> 00:37:19,160 Speaker 3: Steven Sagar, we knew that he was going down to 817 00:37:19,200 --> 00:37:23,040 Speaker 3: the park. You're walking past, and I grab your handbag, 818 00:37:23,360 --> 00:37:26,400 Speaker 3: and what we do is see if Stephen Sigar Orjenlrd 819 00:37:26,480 --> 00:37:28,120 Speaker 3: Van Dam steps in, So. 820 00:37:28,080 --> 00:37:30,840 Speaker 4: I start screaming and then sell on the ground a movie. 821 00:37:30,840 --> 00:37:33,120 Speaker 3: They're the trained ones, but you would think these guys 822 00:37:33,160 --> 00:37:36,000 Speaker 3: are skilled if there's one man that's going to jump 823 00:37:36,040 --> 00:37:38,880 Speaker 3: in and stop a bank robbery or a jewelry store robbery. 824 00:37:39,080 --> 00:37:41,400 Speaker 2: Chuck Norris, you want Van Dam? 825 00:37:41,920 --> 00:37:42,400 Speaker 3: Would you go? 826 00:37:42,520 --> 00:37:44,160 Speaker 2: Chuck Norris is a. 827 00:37:44,080 --> 00:37:45,640 Speaker 4: Bit small and I don't think he did his own 828 00:37:45,680 --> 00:37:46,279 Speaker 4: stunts today. 829 00:37:48,200 --> 00:37:50,920 Speaker 2: Could Van Dam be mixed up with the rubbers? 830 00:37:51,520 --> 00:37:51,759 Speaker 4: Oh? 831 00:37:53,200 --> 00:37:53,799 Speaker 3: Distractions? 832 00:37:53,960 --> 00:37:55,799 Speaker 4: Getting the cut? Acting straight up? 833 00:37:55,840 --> 00:37:56,319 Speaker 2: What do you need? 834 00:37:56,400 --> 00:37:58,760 Speaker 1: I mean, what's the final piece of the puzzle. Diamonds 835 00:37:58,840 --> 00:38:01,240 Speaker 1: Security guard out the front. We can't get him away. 836 00:38:01,960 --> 00:38:04,600 Speaker 1: Is he a kickbox affair? I think he is. We've 837 00:38:04,640 --> 00:38:07,760 Speaker 1: done some research. He loves your movies. I'll go across 838 00:38:07,840 --> 00:38:11,040 Speaker 1: the road. I'll sign autographs, get his attention in. You 839 00:38:11,120 --> 00:38:14,640 Speaker 1: go look him up. Three million euros later, everyone set up. 840 00:38:15,120 --> 00:38:16,840 Speaker 1: Van dem says, I can't believe I was part of 841 00:38:16,840 --> 00:38:20,440 Speaker 1: a crime scene. Didn't even know what was going on. 842 00:38:21,520 --> 00:38:22,360 Speaker 2: Give me the diamond. 843 00:38:23,840 --> 00:38:26,520 Speaker 7: But he were a getaway driver fits in a robbery. 844 00:38:26,520 --> 00:38:28,759 Speaker 3: Well that's true. That came out this year. 845 00:38:29,320 --> 00:38:34,000 Speaker 1: That actually got back to the bloke and apparently back home, 846 00:38:35,280 --> 00:38:36,759 Speaker 1: I'm a bit of trouble. I'm in a bit of 847 00:38:36,760 --> 00:38:38,360 Speaker 1: trouble when I go back for Christmas. 848 00:38:39,440 --> 00:38:40,839 Speaker 3: The boys have no longer a cop. 849 00:38:41,320 --> 00:38:44,279 Speaker 2: Well I got He said, can you pick me up? 850 00:38:44,360 --> 00:38:46,400 Speaker 1: I just gotta Can you drop me off at my 851 00:38:46,400 --> 00:38:49,800 Speaker 1: stepdad's And so I said, yeah, no, Worries. 852 00:38:50,000 --> 00:38:51,640 Speaker 2: Dropped him off. He got out of the car and 853 00:38:51,719 --> 00:38:53,920 Speaker 2: jumped over the back fence. I said, that's a bit weird. 854 00:38:54,520 --> 00:38:58,200 Speaker 1: Fifteen minutes later, he jumps the fence again with five 855 00:38:58,680 --> 00:39:02,480 Speaker 1: plants and shoves them into the boot of my Kingswood 856 00:39:02,520 --> 00:39:03,280 Speaker 1: station where. 857 00:39:03,360 --> 00:39:03,920 Speaker 4: Just loves. 858 00:39:05,239 --> 00:39:12,719 Speaker 3: You and you were getting van Dam's signature. So he's 859 00:39:12,760 --> 00:39:13,960 Speaker 3: made contact, has he there? 860 00:39:14,040 --> 00:39:15,680 Speaker 1: Only twenty four to ten of you been a part 861 00:39:15,719 --> 00:39:18,360 Speaker 1: of a crime scene, Vicky brighton the Sands, you spoke 862 00:39:18,400 --> 00:39:19,040 Speaker 1: to a criminal. 863 00:39:19,320 --> 00:39:20,200 Speaker 2: What happened, Vic? 864 00:39:21,280 --> 00:39:27,280 Speaker 9: Yeah, hello, fellow. I was working at down the city 865 00:39:27,400 --> 00:39:32,480 Speaker 9: in where marchin places. There was a keel flower shop 866 00:39:32,560 --> 00:39:35,920 Speaker 9: and I had two customers and then this man came 867 00:39:36,760 --> 00:39:39,440 Speaker 9: and he was looking at flowers and we had these 868 00:39:39,480 --> 00:39:43,720 Speaker 9: beautiful orchids. They're colorful, they were blue. He was probably 869 00:39:43,719 --> 00:39:47,880 Speaker 9: amazed looking at him, and he had this big backsack 870 00:39:48,680 --> 00:39:52,799 Speaker 9: and he put it down and he started touching the 871 00:39:53,239 --> 00:39:55,840 Speaker 9: orchards and we're not allowed it as a sign not 872 00:39:55,920 --> 00:39:59,759 Speaker 9: to touch flowers. They're sensitive. And I just go up 873 00:39:59,800 --> 00:40:02,720 Speaker 9: to the man and I politely good morning and everything 874 00:40:02,760 --> 00:40:04,880 Speaker 9: I saw it's a beautiful orchids, And I go, can 875 00:40:04,920 --> 00:40:08,440 Speaker 9: you please not touch him? Because you know they take advantage, 876 00:40:09,360 --> 00:40:12,399 Speaker 9: and and I go, can I help you? Goes no, No, 877 00:40:12,480 --> 00:40:15,360 Speaker 9: they're beautiful orchids. He just picked up. 878 00:40:15,239 --> 00:40:17,359 Speaker 16: His backpack, big bag. 879 00:40:17,760 --> 00:40:20,799 Speaker 9: Yeah, it was quite big. And I found him weird 880 00:40:20,800 --> 00:40:23,120 Speaker 9: because his eyes were very head blue eyes and very 881 00:40:23,120 --> 00:40:29,360 Speaker 9: red eyes. Yeah, and he was a bit you know, technical. 882 00:40:29,200 --> 00:40:31,080 Speaker 5: Yeah, and then he I. 883 00:40:31,160 --> 00:40:34,560 Speaker 9: Just looked at him and he was walking. He passed 884 00:40:34,560 --> 00:40:39,640 Speaker 9: Pitt Street and was walking up to Custaet Street, and okay, 885 00:40:39,680 --> 00:40:40,680 Speaker 9: I was busy, so I. 886 00:40:40,800 --> 00:40:41,320 Speaker 17: Just ignored that. 887 00:40:41,520 --> 00:40:43,640 Speaker 9: After a little bit, I heard there was a crime 888 00:40:43,719 --> 00:40:47,040 Speaker 9: of shooting at the main cafe and he was man 889 00:40:47,160 --> 00:40:50,279 Speaker 9: my eye, he was that man who was in there. 890 00:40:51,440 --> 00:40:55,320 Speaker 2: Wow. Does that haunt you to know that you spoke 891 00:40:55,400 --> 00:40:55,719 Speaker 2: to him? 892 00:40:55,760 --> 00:40:59,400 Speaker 9: Yes, yes, yeah he did. I was just my gosh, 893 00:40:59,440 --> 00:41:01,640 Speaker 9: so in that. But I don't know what could. 894 00:41:01,440 --> 00:41:01,920 Speaker 4: Have been in that. 895 00:41:02,560 --> 00:41:06,359 Speaker 3: Wow, long story, but gee at the end, didn't it. 896 00:41:06,480 --> 00:41:10,280 Speaker 1: Unlieve huge guys giving us a kill from Beecroft. 897 00:41:10,320 --> 00:41:11,720 Speaker 2: What happened to your dad in the eighties? 898 00:41:11,760 --> 00:41:16,040 Speaker 17: Guy part of that massive bank. While we're back back 899 00:41:16,080 --> 00:41:20,720 Speaker 17: in combank in the city, yep, and he was taking 900 00:41:20,719 --> 00:41:21,400 Speaker 17: a hostage. 901 00:41:21,880 --> 00:41:22,960 Speaker 2: He was taking hostage. 902 00:41:23,000 --> 00:41:26,000 Speaker 17: His dad was in there, so the others were taking 903 00:41:26,040 --> 00:41:29,120 Speaker 17: hostage into the car and then just do you know 904 00:41:29,200 --> 00:41:30,920 Speaker 17: in the city for how many hours? 905 00:41:31,080 --> 00:41:32,560 Speaker 2: That's right, I do remember this. 906 00:41:32,840 --> 00:41:34,880 Speaker 1: So what they said, you need to come with us 907 00:41:34,920 --> 00:41:36,920 Speaker 1: because they couldn't get away that they had to use 908 00:41:36,960 --> 00:41:38,919 Speaker 1: hostages to get away from the cops who are out 909 00:41:38,920 --> 00:41:39,280 Speaker 1: the front. 910 00:41:39,400 --> 00:41:43,360 Speaker 2: Guy is that correct? How long was he driven around 911 00:41:43,400 --> 00:41:44,920 Speaker 2: for guy? 912 00:41:45,160 --> 00:41:46,440 Speaker 17: And I don't know the exact time, but it was 913 00:41:46,480 --> 00:41:47,480 Speaker 17: at least a few hours. 914 00:41:47,680 --> 00:41:49,479 Speaker 3: How did he go after that? Like, is he still 915 00:41:49,520 --> 00:41:51,080 Speaker 3: traumatized by the experience? 916 00:41:52,480 --> 00:41:56,720 Speaker 17: Not really, because they. 917 00:41:56,560 --> 00:41:58,759 Speaker 2: Fear for his life. Was there a moment where he thought, 918 00:41:58,760 --> 00:41:59,759 Speaker 2: I'm going here or. 919 00:42:01,680 --> 00:42:04,560 Speaker 17: I'm not too sure. But he was in the middle 920 00:42:04,560 --> 00:42:08,960 Speaker 17: of the back seat and then the rob was on 921 00:42:09,040 --> 00:42:12,760 Speaker 17: the left and the bank was on the right hand side, 922 00:42:13,400 --> 00:42:15,480 Speaker 17: so the don wasn't from my dad's face or however long. 923 00:42:15,880 --> 00:42:18,480 Speaker 2: So how did it finish? Guy? They just let them 924 00:42:18,480 --> 00:42:20,160 Speaker 2: out of the car in the end and took off. 925 00:42:20,400 --> 00:42:28,319 Speaker 17: Well, they shot the first and then they were at 926 00:42:28,360 --> 00:42:28,680 Speaker 17: the car. 927 00:42:29,280 --> 00:42:33,040 Speaker 3: Oh Man, that took a twist as well. 928 00:42:34,080 --> 00:42:37,560 Speaker 10: My dad's story when Dad service station at the suddle 929 00:42:37,600 --> 00:42:39,759 Speaker 10: and got held up and then the guy made Dad 930 00:42:39,760 --> 00:42:43,319 Speaker 10: be the getaway driver on his own robbery, except on 931 00:42:43,480 --> 00:42:45,440 Speaker 10: like that story, the guy was using a fake gun 932 00:42:46,080 --> 00:42:48,240 Speaker 10: and and he got pulled over in the city because 933 00:42:48,239 --> 00:42:52,440 Speaker 10: he failed to change lanes while indicating had saved so 934 00:42:52,480 --> 00:42:54,960 Speaker 10: the police officer pulled him over for a traffic infringement. 935 00:42:55,000 --> 00:42:56,880 Speaker 10: Dads like this guy's got a gun. He was like well, 936 00:42:56,880 --> 00:42:59,160 Speaker 10: I think it's a fake gun, but bam got it. 937 00:42:59,280 --> 00:43:00,840 Speaker 3: See there's a guy I know, and he was in 938 00:43:00,880 --> 00:43:03,400 Speaker 3: South Africa and got held up a gunpoint and he 939 00:43:03,560 --> 00:43:06,480 Speaker 3: was he struggled afterwards because it was so confronting. He 940 00:43:06,480 --> 00:43:09,200 Speaker 3: put on so much weight. I mean, they call him 941 00:43:09,200 --> 00:43:11,759 Speaker 3: belly now because of his big belly. So they went 942 00:43:11,800 --> 00:43:12,480 Speaker 3: to his sensitive and. 943 00:43:13,520 --> 00:43:20,200 Speaker 4: The guys trauma, right, am, not belly the accent. 944 00:43:21,000 --> 00:43:23,560 Speaker 1: For the record, we're talking about were you were part 945 00:43:23,560 --> 00:43:28,080 Speaker 1: of a crime scene? Jing Claude van Dam was signing autographs. 946 00:43:29,080 --> 00:43:32,040 Speaker 1: This is over in Germany. Little did he know the 947 00:43:32,080 --> 00:43:34,400 Speaker 1: security guard across the road at a jewelry store went 948 00:43:34,440 --> 00:43:36,439 Speaker 1: over there to see Jean Lord van Dam as well, 949 00:43:36,840 --> 00:43:40,680 Speaker 1: and they got robbed three million euros worth of jewelry gone. 950 00:43:41,000 --> 00:43:43,399 Speaker 3: Jeez, Tommy's called three from Cubicle three. I know that's 951 00:43:43,440 --> 00:43:48,000 Speaker 3: a different crime scene. Is from spring from Welcome to 952 00:43:48,040 --> 00:43:49,640 Speaker 3: the Show. What happened to you when you were what 953 00:43:50,000 --> 00:43:50,960 Speaker 3: when you were seventeen? 954 00:43:51,840 --> 00:43:56,120 Speaker 18: Yeah, hey guys, it was my first job. I was 955 00:43:56,120 --> 00:43:59,799 Speaker 18: seventeen working in a supermarket and I had to take 956 00:43:59,840 --> 00:44:02,839 Speaker 18: so booklets out to the cash office. And as I 957 00:44:02,880 --> 00:44:05,600 Speaker 18: walked through the door that leads to the cash office. 958 00:44:05,680 --> 00:44:08,080 Speaker 18: In the back door. There was a guy standing there 959 00:44:08,080 --> 00:44:09,480 Speaker 18: and I asked him what he was doing. He said 960 00:44:09,480 --> 00:44:12,239 Speaker 18: he was looking for the manager and I sort of 961 00:44:12,280 --> 00:44:14,400 Speaker 18: said to him, Oh, he's at the front of the store, 962 00:44:14,520 --> 00:44:17,200 Speaker 18: and I said, you shouldn't be in here, And so 963 00:44:17,320 --> 00:44:19,600 Speaker 18: I watched him walk back out and I continued to 964 00:44:19,640 --> 00:44:23,400 Speaker 18: the cash office. I knocked on the door and turned 965 00:44:23,440 --> 00:44:28,560 Speaker 18: around and he had a gun to my head. Yeah, 966 00:44:28,600 --> 00:44:31,880 Speaker 18: and he made them open the door. He pushed me 967 00:44:31,920 --> 00:44:34,719 Speaker 18: into the cash office. It was a Monday morning. They 968 00:44:34,760 --> 00:44:38,640 Speaker 18: were counting all the weekend takings. The safe was open, 969 00:44:39,040 --> 00:44:42,040 Speaker 18: and he just grabbed everything that he could. And I 970 00:44:42,160 --> 00:44:44,520 Speaker 18: just remember turning my back to him because I thought, 971 00:44:44,960 --> 00:44:47,040 Speaker 18: if he's going to shoot me, I'd rather him shoot 972 00:44:47,080 --> 00:44:47,680 Speaker 18: me in the back. 973 00:44:50,160 --> 00:44:51,880 Speaker 2: So did he get away with it all? Did he 974 00:44:51,920 --> 00:44:53,239 Speaker 2: get he did? 975 00:44:53,360 --> 00:44:56,080 Speaker 18: He ran out of the cash office. The guy was 976 00:44:56,360 --> 00:44:58,520 Speaker 18: one of the guys were unloading a truck at the 977 00:44:58,520 --> 00:45:00,560 Speaker 18: back dock and they just let him walk straight out 978 00:45:00,600 --> 00:45:03,640 Speaker 18: that back door. I can't even question him and he 979 00:45:03,840 --> 00:45:06,320 Speaker 18: was gone. We had to go to the police station 980 00:45:07,040 --> 00:45:09,920 Speaker 18: with you know, do interviews and stuff like that. And 981 00:45:09,960 --> 00:45:13,680 Speaker 18: to this day, like I currently work for a big 982 00:45:13,719 --> 00:45:17,759 Speaker 18: hardware chain. And every morning when I go in, I 983 00:45:17,840 --> 00:45:20,239 Speaker 18: have to key in a pink coat to get upstairs, 984 00:45:20,320 --> 00:45:23,400 Speaker 18: and every time I stand at that door, it just 985 00:45:23,520 --> 00:45:24,480 Speaker 18: flashes back to me. 986 00:45:26,360 --> 00:45:29,960 Speaker 3: Shivers. That's that's really for. There's a movie in that. 987 00:45:30,239 --> 00:45:32,720 Speaker 3: There is a movie in that short movie. But world, 988 00:45:32,760 --> 00:45:35,319 Speaker 3: I'm giant or not well done. But thanks for giving. 989 00:45:35,600 --> 00:45:38,319 Speaker 3: Thanks for sharing with us. Mel In Barneer, you lived 990 00:45:38,320 --> 00:45:40,080 Speaker 3: around the corner from a criminal. 991 00:45:39,680 --> 00:45:41,720 Speaker 1: Meal I did. 992 00:45:41,800 --> 00:45:44,719 Speaker 16: Hello, I lived around the corner from one of the 993 00:45:44,719 --> 00:45:49,239 Speaker 16: most notorious Australian criminals, Ivan las Oh, so. 994 00:45:49,239 --> 00:45:51,920 Speaker 2: Did you have any any communication with him at all? 995 00:45:52,000 --> 00:45:56,920 Speaker 16: Mel Nothing with him. We had the police around the 996 00:45:56,920 --> 00:46:00,480 Speaker 16: corner from our house doing the surveillance, and Eagle by 997 00:46:00,480 --> 00:46:04,200 Speaker 16: a Leisure sent to calf Park at night. Right my 998 00:46:04,280 --> 00:46:06,480 Speaker 16: brother lost his license, couldn't drive his car, but he 999 00:46:06,480 --> 00:46:08,080 Speaker 16: would go out the front and go in that car 1000 00:46:08,160 --> 00:46:10,399 Speaker 16: park and do donuts. But they couldn't arrest him because 1001 00:46:10,440 --> 00:46:11,319 Speaker 16: they would have blown his cover. 1002 00:46:12,040 --> 00:46:14,880 Speaker 3: Oh wow, I missed that. 1003 00:46:14,920 --> 00:46:15,440 Speaker 2: Explain that. 1004 00:46:15,800 --> 00:46:19,120 Speaker 1: So the cops were watching your brother do donuts the 1005 00:46:19,160 --> 00:46:21,880 Speaker 1: whole time, but they were they were actually there was 1006 00:46:21,920 --> 00:46:23,920 Speaker 1: surveillance and Ivan Malat. 1007 00:46:24,360 --> 00:46:26,719 Speaker 16: Yes, but they couldn't arrest him because they would have 1008 00:46:26,719 --> 00:46:35,080 Speaker 16: blown their cover watching something was going on. 1009 00:46:35,360 --> 00:46:38,120 Speaker 3: And now when it all happened, did you have a 1010 00:46:38,160 --> 00:46:39,200 Speaker 3: moment where you went, I think I. 1011 00:46:39,160 --> 00:46:42,560 Speaker 16: Know who that is or yeah, I drove past his 1012 00:46:42,719 --> 00:46:45,560 Speaker 16: house and saw them like carrying guns out and then 1013 00:46:45,560 --> 00:46:48,080 Speaker 16: carrying packages out and the house is all taped off 1014 00:46:48,120 --> 00:46:50,480 Speaker 16: and everything. So that was like the day that they 1015 00:46:50,480 --> 00:46:52,839 Speaker 16: went to arrest him, that they started to go through 1016 00:46:52,840 --> 00:46:55,800 Speaker 16: the house and take things out. It was really eerie 1017 00:46:55,840 --> 00:46:56,600 Speaker 16: in the neighborhood. 1018 00:46:56,760 --> 00:47:00,440 Speaker 3: Oh yeah, that is weird. It's weird to know that 1019 00:47:00,520 --> 00:47:02,640 Speaker 3: you were rubbing shoulders with someone like that. 1020 00:47:02,840 --> 00:47:04,400 Speaker 2: Great story, huge story. 1021 00:47:04,520 --> 00:47:07,200 Speaker 3: The fits In Whipper Show is a Nova podcast. 1022 00:47:07,520 --> 00:47:11,000 Speaker 18: For more great comedy shows like this, head to novapodcast 1023 00:47:11,239 --> 00:47:12,440 Speaker 18: dot com dot au.