1 00:00:04,920 --> 00:00:07,840 Speaker 1: From The Australian. Here's what's on the front. I'm Claire Harvey. 2 00:00:07,880 --> 00:00:14,680 Speaker 1: It's Monday, May twenty six, twenty twenty five. One of 3 00:00:14,680 --> 00:00:19,200 Speaker 1: the AFL's most memorable players, Warick Kappa, says he's concerned 4 00:00:19,239 --> 00:00:22,759 Speaker 1: about his cognitive decline and believes the CODE didn't do 5 00:00:22,880 --> 00:00:26,360 Speaker 1: enough to protect him and other players from head trauma. 6 00:00:26,960 --> 00:00:30,320 Speaker 1: That's an exclusive live today at the Australian dot com 7 00:00:30,360 --> 00:00:38,040 Speaker 1: dot au. Business leaders want to slow the introduction of 8 00:00:38,080 --> 00:00:41,599 Speaker 1: Fair Work Commission pay rises for health and childcare workers, 9 00:00:41,920 --> 00:00:44,400 Speaker 1: saying it's too much for employers to come up with 10 00:00:44,520 --> 00:00:48,800 Speaker 1: wage increases of up to twenty eight percent immediately. That'll 11 00:00:48,800 --> 00:00:55,720 Speaker 1: blow up into a dispute with unions. Who's the highest 12 00:00:55,720 --> 00:00:59,600 Speaker 1: earner on TV and who earns six hundred grand for 13 00:00:59,680 --> 00:01:03,440 Speaker 1: two hours work? Today the top salaries on Free to 14 00:01:03,520 --> 00:01:07,520 Speaker 1: Wear TV and why the glory days of superstar salaries 15 00:01:07,840 --> 00:01:21,679 Speaker 1: are coming to an end. Steve Jackson is The Australian's 16 00:01:21,720 --> 00:01:26,880 Speaker 1: media writer, and today he's publishing the inaugural Media Rich List. JACKO, 17 00:01:27,280 --> 00:01:29,560 Speaker 1: this list should be making both you and I feel 18 00:01:29,560 --> 00:01:30,199 Speaker 1: a bit angry. 19 00:01:30,240 --> 00:01:33,360 Speaker 2: I think yes and no angry that we aren't on 20 00:01:33,400 --> 00:01:35,039 Speaker 2: this sort of money. But it's good to know that 21 00:01:35,080 --> 00:01:37,120 Speaker 2: there are people out there on this sort of cash. 22 00:01:37,160 --> 00:01:39,959 Speaker 2: And if we work hard and get the right brakes, 23 00:01:40,080 --> 00:01:42,600 Speaker 2: we too will know ever to earn this amount because 24 00:01:42,640 --> 00:01:44,479 Speaker 2: it's going to be gone very soon. But it's nice 25 00:01:44,480 --> 00:01:46,040 Speaker 2: to know some people are raking it in while we're 26 00:01:46,040 --> 00:01:47,360 Speaker 2: the good times last, who's. 27 00:01:47,160 --> 00:01:49,160 Speaker 1: The Ginna Reinhardt of Australian media. 28 00:01:49,680 --> 00:01:50,520 Speaker 2: Karl Stefanovic. 29 00:01:55,440 --> 00:01:56,440 Speaker 1: Just keep it at real people. 30 00:02:00,200 --> 00:02:03,800 Speaker 2: Karl has long been the highest paid person on Australian television. 31 00:02:03,800 --> 00:02:07,640 Speaker 2: In fact, he's the highest paid person involved in television 32 00:02:07,640 --> 00:02:10,120 Speaker 2: except for the people who own the networks. He was 33 00:02:10,160 --> 00:02:13,359 Speaker 2: made a millionaire by Dave Ginjel back when David Lecky 34 00:02:13,880 --> 00:02:16,839 Speaker 2: tried to poach him across to seven. Lecky never forgot that. 35 00:02:17,080 --> 00:02:19,200 Speaker 2: I met with him for lunch a couple of weeks 36 00:02:19,200 --> 00:02:21,600 Speaker 2: before he passed and he was still talking about how 37 00:02:21,720 --> 00:02:24,440 Speaker 2: Carl had dudded him after agreeing to switch networks. But 38 00:02:24,680 --> 00:02:27,560 Speaker 2: basically Ginjel put him on this multimillion dollar deal to 39 00:02:27,639 --> 00:02:30,280 Speaker 2: keep him there and then he's been on it ever since. 40 00:02:30,360 --> 00:02:33,000 Speaker 2: Hugh Marx, when he was the chief of Channel nine, 41 00:02:33,200 --> 00:02:35,320 Speaker 2: did manage to bring it down. He was bringing it 42 00:02:35,360 --> 00:02:38,680 Speaker 2: all the pays back in line with something that was 43 00:02:38,680 --> 00:02:42,640 Speaker 2: probably a more feasible amount. But then after Hu Marx left, 44 00:02:42,760 --> 00:02:45,840 Speaker 2: Sneezey bumped Carl back up to two point eight million 45 00:02:45,919 --> 00:02:46,200 Speaker 2: a year. 46 00:02:46,800 --> 00:02:49,720 Speaker 1: David Ginjel, who you mentioned, was the favored sign of 47 00:02:49,800 --> 00:02:52,880 Speaker 1: the Packers. He was the boss of Channel nine in 48 00:02:53,360 --> 00:02:56,120 Speaker 1: the tail end of the glory days. Really is Carl 49 00:02:56,200 --> 00:02:58,959 Speaker 1: and his salary the last remnant of those Packer glory 50 00:02:59,000 --> 00:03:02,320 Speaker 1: days when salaries were huge and personalities were also huge. 51 00:03:02,600 --> 00:03:05,440 Speaker 2: Yeah, it's that thing about television from an era where 52 00:03:06,120 --> 00:03:08,160 Speaker 2: everyone was tuning into it and you kind of had 53 00:03:08,200 --> 00:03:10,040 Speaker 2: three options of what you're going to watch at night, 54 00:03:10,200 --> 00:03:13,040 Speaker 2: and it really mattered if you had these stars on 55 00:03:13,080 --> 00:03:13,600 Speaker 2: your network. 56 00:03:16,440 --> 00:03:19,160 Speaker 1: Okay, Number two is not a journalist. It's Scott Cam, 57 00:03:19,200 --> 00:03:21,040 Speaker 1: who's a bit of an everyman. He won the Gold 58 00:03:21,080 --> 00:03:23,120 Speaker 1: Logi a few years ago, famously hosts the. 59 00:03:23,080 --> 00:03:25,040 Speaker 2: Blog Look, I tell you what. 60 00:03:25,080 --> 00:03:28,320 Speaker 3: I haven't had a drink in a week, which I 61 00:03:28,360 --> 00:03:29,720 Speaker 3: haven't done a seventies. 62 00:03:31,600 --> 00:03:35,440 Speaker 2: I'll tell you what. I've gone to school. I am 63 00:03:35,480 --> 00:03:37,400 Speaker 2: going to strangle a few tonight. Let me tell you 64 00:03:37,400 --> 00:03:38,680 Speaker 2: if I get it made get it? 65 00:03:40,880 --> 00:03:43,560 Speaker 1: Why is Scott Cam earning two point four million dollars. 66 00:03:44,200 --> 00:03:47,480 Speaker 2: Scott Cam is the face of probably one of the 67 00:03:47,480 --> 00:03:50,440 Speaker 2: most important shows on Channel nine. The block has been 68 00:03:51,120 --> 00:03:54,000 Speaker 2: a staple of its line up since two thousand and nine, 69 00:03:54,040 --> 00:03:56,560 Speaker 2: I think, and what's so important about it is it 70 00:03:56,560 --> 00:04:00,080 Speaker 2: makes heaps of money. It brings in product placement. The 71 00:04:00,080 --> 00:04:02,760 Speaker 2: sets actually effectively don't cost anything because they auction them 72 00:04:02,760 --> 00:04:04,680 Speaker 2: off at the end of the show and recoup all 73 00:04:04,720 --> 00:04:07,840 Speaker 2: the outlays that they've spent buying them. Legend has it 74 00:04:08,000 --> 00:04:11,040 Speaker 2: Scott Cam was enjoying a beer at the local watering 75 00:04:11,040 --> 00:04:13,840 Speaker 2: hole near nine and he was talent spotted, ended up 76 00:04:13,920 --> 00:04:16,600 Speaker 2: working with Jamie Jury and then just becoming probably one 77 00:04:16,600 --> 00:04:19,479 Speaker 2: of the most popular people on Australian TV. He's the 78 00:04:19,520 --> 00:04:22,840 Speaker 2: most loved trade in the country. You'd have to say the. 79 00:04:22,720 --> 00:04:26,280 Speaker 1: Next two also come from what you'd broadly call light entertainment. 80 00:04:26,320 --> 00:04:29,599 Speaker 1: I guess Hamish Blake and then Larry MdeR earning two 81 00:04:29,640 --> 00:04:33,599 Speaker 1: million and one point six million dollars respectively. Hamish Blake 82 00:04:33,680 --> 00:04:36,800 Speaker 1: is really a self made personality, isn't he. 83 00:04:36,800 --> 00:04:39,160 Speaker 2: He is, without a doubt one of the funniest men 84 00:04:39,200 --> 00:04:42,000 Speaker 2: in the country. Everything he turns his hand to is 85 00:04:42,000 --> 00:04:45,920 Speaker 2: a success. The amazing thing about Hamish's last show, which 86 00:04:45,960 --> 00:04:48,640 Speaker 2: has now been going for four or five years, Lego 87 00:04:48,680 --> 00:04:51,279 Speaker 2: Master's as I remember being at nine when it launched, 88 00:04:51,320 --> 00:04:54,840 Speaker 2: and the wisdom at television is you don't say what 89 00:04:54,880 --> 00:04:56,920 Speaker 2: you think of the show until the ratings come in. 90 00:04:57,400 --> 00:05:00,719 Speaker 2: So as it was being rolled out everything Lego, that's 91 00:05:00,760 --> 00:05:03,320 Speaker 2: going to be interesting the moment the numbers dropped and 92 00:05:03,360 --> 00:05:06,200 Speaker 2: it was a huge hit. Always knew Lego was going 93 00:05:06,240 --> 00:05:09,560 Speaker 2: to win, but the fact that Hamish Blake can make 94 00:05:09,600 --> 00:05:12,400 Speaker 2: a show about building stuff out of Lego into one 95 00:05:12,400 --> 00:05:16,360 Speaker 2: of the most entertaining programs on television shows what his genius. 96 00:05:16,040 --> 00:05:23,280 Speaker 3: Is and the gold LOGI goes to Larry Emder for 97 00:05:23,400 --> 00:05:26,440 Speaker 3: The Chase Australia in the morning SHOWY seven Network. 98 00:05:29,120 --> 00:05:31,320 Speaker 4: On my very first day going to the Channel seven 99 00:05:31,320 --> 00:05:33,760 Speaker 4: newsroom as a cub reporter, I said, Dad, what am 100 00:05:33,800 --> 00:05:35,720 Speaker 4: I doing there for my job? And he goes, may 101 00:05:35,880 --> 00:05:39,240 Speaker 4: just be nice to everyone, Just be nice to everyone. 102 00:05:39,760 --> 00:05:41,600 Speaker 4: But I came home after a couple of weeks and 103 00:05:41,680 --> 00:05:43,279 Speaker 4: Dad said, how's it going. I said, Dad, I'm trying 104 00:05:43,279 --> 00:05:44,799 Speaker 4: with there's so many assholes in this business. 105 00:05:49,800 --> 00:05:53,520 Speaker 2: Larry actually started his career as a copyboy in a 106 00:05:53,560 --> 00:05:56,280 Speaker 2: newspaper in Sydney. He dropped out of high school at 107 00:05:56,279 --> 00:05:59,680 Speaker 2: fifteen to chance his luck at journalism, and he actually 108 00:06:00,120 --> 00:06:03,400 Speaker 2: ended up becoming, at the age of just nineteen, the 109 00:06:03,440 --> 00:06:06,800 Speaker 2: youngest national news anchor in the country. While a lot 110 00:06:06,839 --> 00:06:09,280 Speaker 2: of people on the list are there for earning a 111 00:06:09,320 --> 00:06:11,680 Speaker 2: lot of money for one job, Larry's one of those 112 00:06:11,680 --> 00:06:14,800 Speaker 2: guys that fills in for people when they're off. He 113 00:06:14,880 --> 00:06:17,440 Speaker 2: hosts the Morning Show, which is incredibly important because of 114 00:06:17,480 --> 00:06:20,599 Speaker 2: the amount of money it brings in through advertorials and advertising, 115 00:06:20,960 --> 00:06:24,640 Speaker 2: and he also hosts a Dailey afternoon game show, which 116 00:06:24,680 --> 00:06:27,800 Speaker 2: again is critical to the six pm bulletins as it 117 00:06:27,839 --> 00:06:30,239 Speaker 2: gives a leading into the six pm news. 118 00:06:32,560 --> 00:06:35,039 Speaker 1: Now we get to number five before we encounter a woman. 119 00:06:35,160 --> 00:06:38,000 Speaker 1: That's Natalie bar Co, host of Sunrise on seven on 120 00:06:38,000 --> 00:06:41,320 Speaker 1: one point three million dollars. She's a great example I 121 00:06:41,440 --> 00:06:44,719 Speaker 1: reckon of tenacity. She started out as the newsreader on 122 00:06:44,760 --> 00:06:47,040 Speaker 1: Sunrise when she was really quite young, having come there 123 00:06:47,040 --> 00:06:50,080 Speaker 1: from being a news reporter. And she's just stuck with it, 124 00:06:50,120 --> 00:06:52,240 Speaker 1: hasn't she. And now she's eclipsed the people who used 125 00:06:52,279 --> 00:06:52,919 Speaker 1: to be the hosts. 126 00:06:53,240 --> 00:06:56,720 Speaker 2: It's interesting to see with matt Is when she replaced 127 00:06:57,000 --> 00:06:59,800 Speaker 2: Samantha Armitage as the full time co host of sun 128 00:07:00,240 --> 00:07:05,040 Speaker 2: People weren't quite sure. Samantha had this larger than life personality, 129 00:07:05,920 --> 00:07:08,200 Speaker 2: very much talked about in the media. 130 00:07:09,800 --> 00:07:11,600 Speaker 3: Coming to Alix Springs, it was just one thing that 131 00:07:11,680 --> 00:07:12,600 Speaker 3: I wanted to do. 132 00:07:12,880 --> 00:07:14,720 Speaker 1: I wanted to drive a road train. 133 00:07:18,120 --> 00:07:22,040 Speaker 2: Natalie was a more straight, hard news journo and she's coming. 134 00:07:22,120 --> 00:07:25,720 Speaker 2: She's brought a completely different flavor to Sunrise and you'll 135 00:07:25,760 --> 00:07:28,480 Speaker 2: see it quite often being ridden up in the media 136 00:07:28,600 --> 00:07:32,400 Speaker 2: for hard hitting questions at breakfast and I hope that. 137 00:07:32,320 --> 00:07:34,440 Speaker 1: They pick up their game. Okay, look with respect, you 138 00:07:34,560 --> 00:07:38,520 Speaker 1: just haven't answered the question. We know what Pontus is doing. 139 00:07:38,520 --> 00:07:41,040 Speaker 2: I think she's really earned the respect of that audience 140 00:07:41,200 --> 00:07:44,400 Speaker 2: and probably deservedly her place at the top of the 141 00:07:44,440 --> 00:07:46,400 Speaker 2: country's highest paid female journalist. 142 00:07:47,360 --> 00:07:49,640 Speaker 1: Alison Langdon, the host of nine As a Current Affair, 143 00:07:49,680 --> 00:07:53,119 Speaker 1: comes next on one point two million dollars. She's another 144 00:07:53,240 --> 00:07:57,239 Speaker 1: Stayer and she's gone from news to pretty gritty reporting 145 00:07:57,280 --> 00:08:01,120 Speaker 1: for sixty minutes over a decade. Now in Australia, hosting 146 00:08:01,120 --> 00:08:04,800 Speaker 1: a Current Affair and replacing the beloved longtime host Tracy Grimshaw. 147 00:08:05,400 --> 00:08:07,360 Speaker 1: It's really hard to step into the shoes of someone 148 00:08:07,400 --> 00:08:09,040 Speaker 1: like Tracy, isn't it, But she seems to have made 149 00:08:09,080 --> 00:08:09,720 Speaker 1: a success of it. 150 00:08:10,200 --> 00:08:10,640 Speaker 4: She has. 151 00:08:10,720 --> 00:08:13,440 Speaker 2: And the thing that I think is interesting about Alison 152 00:08:13,880 --> 00:08:17,120 Speaker 2: is she's one of those people who makes things look easy. 153 00:08:17,480 --> 00:08:20,559 Speaker 2: I've had the opportunity to produce stories for her, working 154 00:08:20,600 --> 00:08:23,400 Speaker 2: with her at sixty Minutes, and she's got this uncanny 155 00:08:23,440 --> 00:08:26,360 Speaker 2: knack where it just looks like she's calm and relaxed 156 00:08:26,640 --> 00:08:28,720 Speaker 2: and it's all very easy. But what you don't see 157 00:08:28,800 --> 00:08:32,120 Speaker 2: is like a duck swimming on the water. She's paddling 158 00:08:32,200 --> 00:08:36,600 Speaker 2: like that underneath, works incredibly hard, involved in every aspect 159 00:08:36,640 --> 00:08:38,200 Speaker 2: of making the show, and I'm sure she'll be the 160 00:08:38,200 --> 00:08:40,600 Speaker 2: same doing that in a current Affair. A Current Affair 161 00:08:40,679 --> 00:08:45,439 Speaker 2: is a very exciting mix of light and bright, fun news, 162 00:08:45,679 --> 00:08:50,080 Speaker 2: quirky stuff, but also hard hitting investigations. She's covered all 163 00:08:50,120 --> 00:08:52,520 Speaker 2: that gamut and she's really at home introducing those stories, 164 00:08:52,520 --> 00:09:01,319 Speaker 2: and I think everyone out there really likes her as well. 165 00:09:01,400 --> 00:09:05,080 Speaker 1: It's eight years now since Lisa Wilkinson quit the Today 166 00:09:05,120 --> 00:09:08,000 Speaker 1: Show in a fury at the fact that she just 167 00:09:08,040 --> 00:09:11,079 Speaker 1: could not negotiate a wage as high as Karl Stefanovic's 168 00:09:12,120 --> 00:09:15,000 Speaker 1: looking at the wages of the women who are in 169 00:09:15,040 --> 00:09:17,280 Speaker 1: this top ten, the next to a Sonya Krueger at 170 00:09:17,280 --> 00:09:19,880 Speaker 1: one point two million and Kylie Gillies at one point 171 00:09:19,920 --> 00:09:23,760 Speaker 1: one Did Lisa make a big mistake stepping away for 172 00:09:24,200 --> 00:09:25,680 Speaker 1: just a measly million dollars? 173 00:09:26,760 --> 00:09:30,520 Speaker 2: I think so. It's a difficult one with Lisa because 174 00:09:30,600 --> 00:09:34,600 Speaker 2: her pairing with Karl was fantastic. They were phenomenal together, 175 00:09:35,240 --> 00:09:39,720 Speaker 2: great chemistry. I don't think anyone was expecting it to 176 00:09:39,920 --> 00:09:42,800 Speaker 2: go as far as it did and completely break down. Obviously, 177 00:09:42,880 --> 00:09:46,000 Speaker 2: hu Marx said no, we're not doing it, put his 178 00:09:46,080 --> 00:09:49,120 Speaker 2: foot down, and he had some valid reasons, but I 179 00:09:49,120 --> 00:09:51,640 Speaker 2: think that was very much the beginning of network chief 180 00:09:51,720 --> 00:09:53,920 Speaker 2: executives to say, hey, we've got a real this in 181 00:09:54,000 --> 00:09:58,079 Speaker 2: because we just simply can't afford to pay insane salaries anymore. 182 00:09:59,400 --> 00:10:02,800 Speaker 1: There are two personalities at number nine and number ten. 183 00:10:02,840 --> 00:10:06,080 Speaker 1: That's Peter Roverton and Tracy Grimshaw, both on roughly a 184 00:10:06,120 --> 00:10:09,439 Speaker 1: million dollars. Why is Tracy Grimshaw still earning a million dollars? 185 00:10:09,440 --> 00:10:12,920 Speaker 2: Well, it's a little bit deceptive. Tracy's not quite earning 186 00:10:12,920 --> 00:10:15,280 Speaker 2: a million dollars. She's on a year by year contract 187 00:10:15,400 --> 00:10:17,280 Speaker 2: and that may have been reduced to about half a 188 00:10:17,320 --> 00:10:20,360 Speaker 2: million dollars. It's one of those things that's being reviewed 189 00:10:20,640 --> 00:10:24,360 Speaker 2: at the moment because last year with this deal, she 190 00:10:24,480 --> 00:10:27,199 Speaker 2: did a four part series on blue zones around the 191 00:10:27,200 --> 00:10:30,880 Speaker 2: world and one interview with el McPherson for sixty minutes. 192 00:10:31,720 --> 00:10:36,640 Speaker 2: And unfortunately the days where networks could warehouse staff to 193 00:10:36,679 --> 00:10:40,320 Speaker 2: prevent them doing reports on rival networks are gone, so 194 00:10:40,400 --> 00:10:43,320 Speaker 2: the accountants really have to go, how can we justify this? 195 00:10:43,920 --> 00:10:47,160 Speaker 2: Is that value for money? The thing is that we 196 00:10:47,360 --> 00:10:51,280 Speaker 2: know that once you release a network talent and they're 197 00:10:51,520 --> 00:10:53,920 Speaker 2: well known with people, they will get picked up to 198 00:10:53,960 --> 00:10:57,320 Speaker 2: do stuff elsewhere. So we saw with Liz Hayes departing 199 00:10:57,360 --> 00:11:00,000 Speaker 2: Niner for forty four years earlier this year in February, 200 00:11:00,480 --> 00:11:02,960 Speaker 2: that within months she was doing a guest appearance on 201 00:11:03,040 --> 00:11:05,719 Speaker 2: Channel seven Spotlight. So it's one of those things that 202 00:11:05,800 --> 00:11:09,640 Speaker 2: Nine's developed. All these people, how do they retain them? 203 00:11:09,840 --> 00:11:12,680 Speaker 2: Traditionally they just pay them to only file the odd 204 00:11:12,679 --> 00:11:15,040 Speaker 2: report for nine. That's no longer feasible. 205 00:11:20,120 --> 00:11:23,480 Speaker 1: Coming up the journo who's paid six hundred grand for 206 00:11:23,559 --> 00:11:43,520 Speaker 1: two hours of TV a week. I think we can 207 00:11:43,559 --> 00:11:47,559 Speaker 1: accept that salaries in media are based on market forces. 208 00:11:47,559 --> 00:11:50,199 Speaker 1: It's not a meritocracy. You don't get the money because 209 00:11:50,240 --> 00:11:52,400 Speaker 1: you're better than everybody else. You get it because other 210 00:11:52,400 --> 00:11:57,199 Speaker 1: people potentially want you. Nowadays, in the present environment of television, 211 00:11:57,360 --> 00:11:59,920 Speaker 1: does that still apply? I mean, is anyone going to 212 00:12:00,240 --> 00:12:04,080 Speaker 1: offer Karl Stefanovic an equivalent salary to come to seven. 213 00:12:04,640 --> 00:12:07,560 Speaker 2: There is still network poaching, but the poachings at the 214 00:12:07,559 --> 00:12:11,120 Speaker 2: lower level. We saw Joel dry being poached from seven 215 00:12:11,360 --> 00:12:15,360 Speaker 2: to go anchor nine News in Brisbane, but we're talking 216 00:12:15,360 --> 00:12:19,400 Speaker 2: about twenty grand pay rises. Ten grand pay rises Joel 217 00:12:19,720 --> 00:12:21,600 Speaker 2: being poached to nine. That's for a quarter of a 218 00:12:21,600 --> 00:12:24,679 Speaker 2: million dollars. And I think what we've seen now is 219 00:12:24,720 --> 00:12:28,360 Speaker 2: with the generational change, it shows like sixty minutes, those 220 00:12:28,440 --> 00:12:31,640 Speaker 2: reporters aren't on anywhere near the same amount that their 221 00:12:31,679 --> 00:12:32,560 Speaker 2: predecessors were. 222 00:12:33,040 --> 00:12:34,800 Speaker 1: One name that stuck out to me on your list 223 00:12:34,880 --> 00:12:37,880 Speaker 1: was number eighteen, Georgia Gardner from nine on six hundred 224 00:12:37,920 --> 00:12:46,280 Speaker 1: thousand dollars. This there's nine New with Georgia Gardner. Good evening. 225 00:12:46,800 --> 00:12:50,080 Speaker 1: We begin with breaking news and very sad news. I 226 00:12:50,080 --> 00:12:53,760 Speaker 1: don't see Georgie on TV that much pro rata. 227 00:12:53,800 --> 00:12:57,199 Speaker 2: Georgie is the best paid journalist in the country. And 228 00:12:57,240 --> 00:12:59,200 Speaker 2: it's a legacy from when she was brought in to 229 00:12:59,240 --> 00:13:01,640 Speaker 2: do the Today Show. She got a massive bump up 230 00:13:01,800 --> 00:13:04,760 Speaker 2: because she was the Today Show host. Again, that didn't 231 00:13:04,760 --> 00:13:07,840 Speaker 2: work out. The experiment was canned after a year, but 232 00:13:07,960 --> 00:13:10,600 Speaker 2: she remained on that salary because that contract was locked in. 233 00:13:11,040 --> 00:13:14,520 Speaker 2: Georgie is a hard working journalist, really well aliked and 234 00:13:14,920 --> 00:13:17,920 Speaker 2: known in Sydney. But she's on six hundred thousand to 235 00:13:17,920 --> 00:13:20,720 Speaker 2: present the news two nights a week in Sydney alone 236 00:13:21,200 --> 00:13:24,120 Speaker 2: and obviously filling for Peter when he's unavailable. But I mean, 237 00:13:24,160 --> 00:13:26,080 Speaker 2: it's not bad money. If you can get it, no 238 00:13:26,160 --> 00:13:26,800 Speaker 2: one can get it. 239 00:13:33,840 --> 00:13:37,600 Speaker 1: Steve Jackson is The Australian's media writer. His diary column 240 00:13:37,720 --> 00:13:40,640 Speaker 1: is onmissible. You can check it out right now at 241 00:13:40,720 --> 00:13:42,720 Speaker 1: the Australian dot com dot au